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emblazonet · 11 months

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So, the Black Jewels Trilogy

Saw these books recommended in a thread about adult sexy fantasy books, and my brain went ??? Wait. They weren’t that adult???? They had dark themes, but they were fluff.

I’d almost forgotten about them. I read them about 15 years age (wat!) in high school. My friends at the time peer pressured me into it. They would tell me about all their favourite scenes and squee about them as we whiled away lunches in the stairwell, which both spoiled a lot of the fun of reading them the first time and I still remember which scenes were spoiled as I did my reread.

I enjoyed them well enough at the time, because they were dark and a bit gory and a bit sexy and I was ravenous as a teen for anything with sex, violence, and especially BDSM. I grew out of them by uni.

So the thread was specifically recommending them as an adult alternative to the trendy ACoTaR books by Sarah J Maas that I have never read and don’t intend to. I have since learned that some hold the opinion that SJM plagiarized or otherwise cribbed heavily from Black Jewels. (The other alternative offered in that thread were the Kushiel books, which I would agree are more adult, both in subject matter and style.)

On a reread, I think my initial impression that these books are more for teens—or people who specifically want and need an id-based power fantasy—holds up. Content warnings for literally all the standard bogeyman: rape, pedophilia, implied cannibalism, torture, etc etc. It dives shallowly into all the dark stuff in order to get to the revenge fantasy at the heart of the series.

Extensive spoilers under the cut. There’s a few things I liked, but there’s a lot more I didn’t enjoy about it too. (And it’s not because of any of the content warning stuff above.)

I wrote my review of the first three books before reading any of the sequels. Sequel reviews will be forthcoming.

The Setting

The worldbuilding is a mess. I have no idea how the economy works or why there are even nonBlood ‘landens’ (basically magicless folk) at all when they Literally. Never. Show. Up.

Yet! For all that! It is so rare to see a matriarchy in a fantasy setting that I will forgive the cardboard worldbuilding and pretend like economics doesn’t matter it’s just fantasy. I love that the greatest power is downwards, the Darkness rather than the heavens. Dark stuff more powerful. It’s neat! Like even today the books feel different, even when they’re extremely 2000s aesthetically. Goth vibes ftw. Less good is the gender essentialism and the caste system, which feels like a forerunner to A/B/O in some ways.

Basically, like in A/B/O, everyone has like a secondary biological gender that determines their rank in the hierarchy. So women who are born Queens are biologically meant to rule, and men are drawn to serve them. (It’s stupid, but I respect the inherent service kink aspect.) Some males are Warlords, who are more aggressive, and some men are even higher caste as Warlord Princes, who are ‘predators’ who want to murder ppl all the time, but they’re supposed to be controlled by the women I guess. They're emotionally immature alpha males. Yuck.

I still have no real idea how the fuck Terreille and Kaeleer are different tbh, one just has sentient animals? Are they different dimensions?? The physicality of the environment in this book is like wisps of smoke. Stuff just appears, usually when it needs to, and then goes away again, much like how the magical protagonists are always calling and vanishing objects.

Daughter of the Blood

For a trilogy with a deeply repetitive, emphatic style that over-relies on (dorky) catchphrases (‘and the Blood will sing to Blood,’ ‘everything has a price,’ ‘Mother Night’) each book does have a unique flavour and its own problems.

Weirdly, the thing I hated the most about the first book was the random fatphobia. I never even noticed it as a kid, but almost every time a fat character is introduced they’re a gross dude and likely a pedophile. Don’t like it, tired of seeing it, stop. I’m not even going to forgive the series for being from the early 2000s. I don’t care. Cut it out. At least it only happens in the first book.

The Mary-Sue (she really is! I mean that with affection!) Jaenelle is a child in this book, and her main problems in life are getting sent to a mental institution called Briarwood that is run by pedophiles. We also—at no point ever in the books—get her POV, so a lot of the horror is mitigated by how much the details are glossed over. I think that was meant to be more horrifying but the author isn’t good enough at building atmosphere to make that work. The book chooses a couple specifically horrible situations and then hammers into them in a way that feels both schlocky but also makes the world and the situation feel smaller. I don’t like the way repetition is used in these books. It’s certainly a choice but it’s one that drives the nuance out of book. Almost every villain in this book is a rapist, which makes the rape feel cheap by the end—and I don’t think cheapening it was the intention.

Yet, to be honest, I think this is the strongest book of the three. I actually really like the beginning, with Tersa being crazy and giving prophecies. I don’t know, the writing just draws me in somehow. It’s not great writing, I want to be clear. It’s got nothing on, idk, Tanith Lee. But it is extremely readable and compelling. I was having a good time.

Also, Lucivar and Daemon, like, kiss? And that is just about the only gay thing that you will see in the books until Daemon fakes raping his father in the third book. It is unrelentingly heterosexual otherwise. But I think I was hooked early on as a teen hoping for some gay action. I was disappointed at the time and I’m disappointed now.

This is also the book with probably the most sex and violence. Men are castrated on screen a couple times, there’s explicit cannibalism of one of the other children at Briarwood, one of our viewpoint characters is an assassin, etc etc. Much bad sex happening. Daemon and Lucivar, the hot dudes who are brothers, have been sex slaves for like 1700 years which is objectively hilarious that is SUCH an absurd amount of time to just... be more powerful (aka have darker Jewels) than any of your slavers and just not gotten free? Even with magical cock rings that control them, it's still so stupid.

Also, our main character is actually their dad, Saetan (I WILL NEVER BE OVER THESE NAMES) who is like 50k years old? That makes me giggle so much. That’s so old. Why. Honestly props to Anne Bishop, she really just went for it. I have so much respect for how batshit absurd everything is.

Honestly I just kinda like the first book? It’s paced a lot better than the other ones, it’s dark and ridiculous and full of bad things happening. Jaenelle reminds me of a friend of mine, oddly enough. She’s probably tolerable because we never get her POV.

I also liked Daemon and Jaenelle’s relationship in this one. Under the worldbuilding power fantasy terms of this setting, Jaenelle is literally made up of the dreams of people in the world, and Daemon’s dream was to be the lover of the Most Powerful Matriarch Ever, who in the book is called ‘Witch.’ So meeting her as a kid he’s constantly bombarded by his attraction to her spirit/power/Witch-self, whatever. But she’s a kid and he’s Very Not Into That. He and Saetan are constantly respecting her consent at every opportunity, so it doesn’t squick me out in the slightest.

Because you know, at that age (12-14), I would have killed for an ancient powerful lover who is The Hottest Guy In All The Realms to be all but overcome with lust for me and yet completely absolutely in service to my every need and desire.

It’s a power fantasy, yo.

Anyway the next two books will completely kill any interest I have in their relationship so really, Daughter of the Blood could have ended here and I would have been satisfied.

Heir to the Shadows

Wow, does this one have middle book syndrome. It’s a slog. Someone out there probably likes it. One of the scenes my high school friends liked is the introduction of the Arcerian cat Kaelas where he squashes the Sceltie puppy Ladvarian. I remember them telling me about it with glee. It’s cute, but not enough to save this book.

Everytime a conflict happens it’s almost instantly resolved. Jaenelle grows up, Saetan spoils her, she has friends. All the characters feel really one note. There is almost no sex in this book, but there is some gore. The extremely boring villains, Dorothea and Hekatah, who are basically the same person except one of them is undead (‘demon-dead’), do some violence. Our protagonists do more violence. There’s a unicorn genocide. I can’t keep any of the characters that are in Jaenelle’s court straight (except for Karla and the aforementioned cat and puppy).

Oh, Daemon’s just insane for the whole book, and I ended up skimming all his sections because nothing happened in them.

That sure was a book. Took me longer to read than the other two combined.

Queen of the Darkness

Back to a compelling read, somehow. I blasted through it.

A major issue I have with this series is about how power is framed. Might makes right. The good guys happen to be more powerful, so they can unleash their often bloody revenge, which is always framed as a good thing, a triumph. And also, no one just talks to each other, because bad guys are bad and good guys are good. There is no real compromise, and no nuance.

Like, Bishop is writing a matriarchy, but instead of, idk, expanding on that idea, she just kinda writes the same power imbalances that exist in our world except more villains are women, which instead of feeling empowering or whatever reeks of internalized misogyny. Yeah, I get it, women are bitches and oppressing the mens, so then the sad menz all rape vulnerable women. So it’s a patriarchy, actually, with the Queen-caste women as figureheads. WHY YOU DO THIS.

Honestly I find the ‘might makes right’ part much more problematic than any inclusion of sex slavery, unicorn genocide, or pedophilia. All the latter are perpetrated by villains; what's the excuse for the good guys?

Like this book is more about being righteous and also horny than it is trying to say stuff about politics or whatever, but it’s saying stuff about politics anyway, and what it’s saying is that the most powerful people make the rules. And being an emotionally unregulated nuclear bomb person is perfectly fine so long as you’re the good guy. And frankly, I hate that, and I disagree with it.

And ok, sure, so the Queens are supposed to emotionally regulate their Warlord Princes except that’s mostly just by hoping they hold onto their tempers until they can unleash them in a better direction which doesn’t strike me as real emotional regulation. And who’s supposed to regulate Jaenelle? Just... Jaenelle? Like theoretically the males who serve her, but the way they treat her seems more likely to cause nuclear explosions. She is herself a walking bomb.

Honestly the way males treat females in this book is gross. Men just like overprotect and patronize to the point of infantilizing a woman. And Big Yikes if she so much as gets a period—which is apparently The Worst and makes them unable to use power which THANKS I HATE IT—and it’s just awful, the men treat them like INVALIDS. Not romantic. Didn’t like it as a teen, don’t like it now.

Additionally, I don’t like how emotions and trauma are handled in this. I love a good broken traumatic character, and it's even better if they're powerful and need to navigate not causing harm whilst healing. I lap that shit up. Black Jewels fails me here. All the characters are so fucking one note and so the trauma/healing stuff feels shallow and uninspired.

Additionally, Jaenelle and Daemon are so boring and they’re ‘courting’ each other like high schoolers with zero personality and I hate it. They had better sexual chemistry when she was 12, which is probably just because Daughter of the Blood was the better written book.

Also, they got like a romancey fade to black sex scene? Yeesh.

I DO appreciate that Daemon has no magic healing dick: Jaenelle is still pretty traumatized about stuff after they bone. She’s better about sex, sure, but she’s still upset about being a Queen, etc etc. You know, this series has ooooodles of problems, but I really don’t think Jaenelle is one of them. She works for me. (Although Daemon being a virgin after 1700 years as a pleasure slave? I HATE THAT, that’s stupid. Miss me with that bullshit. At least Jaenelle is never punished by the text for not being a virgin.)

I don’t have much to say about the end. Because we go in knowing Daemon's got back up plans it takes all the tension out of the climax. The story ends with an expected triumph. The book doesn’t set up the idea that Jaenelle will die well enough either, like it’s telegraphed from the first that the Kindred will save her, and then they do. Ok then. Wow, so tense. Much thrill.

So like, I raced through reading this, sure, but it still wasn’t a satisfying read. But it wasn’t a slog. And there were some fun interactions—I enjoyed Surreal and her wolf Graysfang. There were moments.

Honestly this series is so unhinged that despite all the ridiculosity of it, I think I’m coming away feeling weirdly affectionate towards it? It’s bad, the alpha male tropes are nauseating, the matriarchy failed hard, and it’s repetitive as fuck. I’ve been thinking about this series for weeks now, and I have no idea why I find it compelling! It’s infuriating! Maybe it’s compelling because it’s infuriating.

In conclusion: I guess I’m going to read all of this garbage and yell about it. Stay tuned for the sequels.

#Amber reads the Black Jewels series #black jewels trilogy #book review #sort of more like unhinged book screaming #there's like so much other shit I could probably add to this screaming but like it's long enough #and the sequels really dig into many weaknesses #so ... yeah #why did I do this to myself

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misstisalir · 8 months

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? [bc I know how many muses you actually have XD]

CANONS: Lisa Tepes - Castlevania

Wife of the famous Dracula, and a scientific mind, Lisa is stubborn, sharp tongued, and fiery.

Morgan LeFay - Arthurian (Multiple Verses)

Daughter of the Isle of Avalon, magical and touched by the Goddess.

Anna Marie D'Ancanto "Rogue" - Marvel

I mean, need I say more? I mix 616, Movies, and Evolutions to make my girl <3

Eva - Devil May Cry

Wife of the infamous Legendary Knight Sparda, mother to the half-demon twins Dante and Vergil. This Umbran Witch is stubborn, motherly, and gentle.

Jaenelle Angelline - Black Jewels Trilogy

Not many people know this one, but when I read BJT, and got to know Jaenelle as a character, Witch, it kinda struck me like a shot. I LOVE this character more than I have words for and I would love to play Dreams made Flesh off her Consort or any of her other family or Court....

#OOC;; Muses #V;; Answers #marvel rp #Castlevania Rp #Black jewels trilogy #DMC RP #Arthurian RP #CAN YOU TELL MY INTERESTS ARE ALL OVER THE PLACE

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veliseraptor · 7 months

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can't believe it never occurred to me before that lucivar and daemon had years pre-canon where they weren't aware that they were related but did know that they "are drawn to one another without understanding why, so wound into each other's lives they cannot separate" and there's so many possibilities for trauma-bonding bad idea sex in that interval

incredible. not sure i'm going to do anything with this information but

#black jewels trilogy #incest cw #important information #sometimes i read things

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emperorsfoot · 1 year

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I was scrolling the Black Jewels tag and, in your post about top 5 books, you said a lot of themes piss you off now even thought it has a big impact on your writing. Which parts were you talking about? I adore the books but some of what I remember reading doesn't sit well now that I'm older.

It has been a very long time since I read the books myself, but looking back the very rigid rules that define the genders. I don't mean the very formal Protocol they use in their society, I mean how the BJT characters' culture defines and views the genders.

That women are nurturing caretakers, while men are aggressive beast. That's true of both sides of the conflict. Daemon and Janaelle have a conversation in the third book when they're looking at a statue of a monster protecting a woman where they flat out say that those are the purposes of the sexes. That women care for and nurture while men protect and fight.

I vehemently disagree with that rigid 2-lane view of sex and gender.

Also, not a big fan of how the men of the inner circle infantilize the women any time one of them gets a minor injury, or even just starts her period, and suddenly they all swarm around her and act like she needs to be hospitalized.

When I was a teenager in high school, that sounded so romantic.

Now that I'm a cynical old grown-up, that kind of treatment sound awful and personally demeaning.

#bjt #black jewels trilogy #old books #how opinions change over time

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whimsicalmeerkat · 7 months

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Fic Master List

All the cool kids have these, so I figured I'd make one as well. Splitting them up by fandom since I have a bajillion fandoms and fics. List updated as of 2/24/2024. Some of the links go straight to my works on AO3 and some go to a post I've made here on tumblr. It's a work in progress.

Drabbles | 3 Sentence Ficathon

Teen Wolf: Derek Hale/Stiles Stilinski, Derek Hale/Peter Hale/Stiles Stilinski, Chris Argent/Derek Hale, Derek Hale/Peter Hale, Derek Hale/Laura Hale

Men’s Hockey RPF: all archive locked, click the link to see pairings etc.

Black Jewels - Anne Bishop: Daemon Sadi/Lucivar Yaslana

Original Work: various m/m and m/m/m pairings

The Hollows - Kim Harrison: Trent Kalamack/Rachel Morgan, Jenks/Matalina

Spider-Man/Deadpool

The Witcher: Emhyr var Emreis/Geralt of Rivia, Geralt of Rivia/Jaskier | Dandelion

Psy-Changeling - Nalini Singh: Aden Kai/Vasic Zen, Kaleb Krychek/Judd Lauren, Lucas Hunter/Hawke Snow, Judd Lauren/Walker Lauren

Stargate Atlantis: Rodney McKay/John Sheppard

The Authority: Apollo/Midnighter, Apollo/Midnighter & Jenny Quantum

Perilous Courts - Tavia Lark: Julien Sandry/Whisper, Bellamy Sandry/Rakos Tem, Daromir Azri/Vana Dire, Vana Dire & Bellamy Sandry, Corin Marcel/Audric Sandry

Radiance Series - Tavia Lark: Evain Marha/Leth ka Tariel, Karis Cooper/Ronan Vizia, Arthur Davorn/Shaesarenna Nightven

Demonic Disasters and Afterlife Adventures - Shannon Mae: Adam/Minos

Chosen One Universe - Macy Blake: Victor Eastaughffe/Orsen Riggs, Victor Eastaughffe/Orsen Riggs & Gus, Bentley "Bebe" Baxter & Eduard Eastaughffe, Jedrek/Nick Smith

The Epic of Gilgamesh: Enkidu/Gilgamesh

Last Binding Series - Freya Marske: Robin Blyth/Edwin Courcey

Marvel Cinematic Universe: Loki/Thor

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alexcollix7 · 1 year

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Sarah J Maas: plagiarism or inspiration

In this post we are going to discuss the various and stricking similaries between Sarah J Maas series TOG/ACOTAR with original books she admited to consume, as well as the use of direct lines from movies, books and tv shows in her books, and where do we draw the line in what we consider to be inspiration vs plagiarism.

As some people know, SJM is a big fan of Anne Bishop's work, especifically her Black Jewels trilogy. Some people already noticed similarities between the two series (and in her TOG books as well) in terms of storyline, races and characters, but it's not nearly talked about enough.

It's good to make clear that the first book of "the black jewels" was published in 1998 and the last one of the trilogy was published in 2000, over 12 years before acotar and TOG was even launched. So Bishop's work was around a long time before sjm started to publish her books.

That being said, let's start with the fact that the beginning of her first series TOG is pratically the same as the beginning of the second book of The Black Jewels, Heir to the Shadows, but with a different character:

"After a year of slavery in the Salt Mines of Endovier, Celaena Sardothien was accustomed to being escorted everywhere in shackles and at sword-point. Most of the thousands of slaves in Endovier received similar treatment—though an extra half-dozen guards always walked Celaena to and from the mines. That was expected by Adarlan’s most notorious assassin. What she did not usually expect, however, was a hooded man in black at her side—as there was now" (TOG, 2012)

"Surrounded by guards, Lucivar Yaslana, the half-breed Eyrien Warlord Prince, walked into the courtyard, fully expecting to hear the order for his execution. There was no other reason for a salt mine slave to be brought to this courtyard, and Zuultah, the Queen of Pruul, had good reason to want him dead. Prythian, the High Priestess of Askavi, still wanted him alive, still hoped to turn him to stud. But Prythian wasn't standing in the courtyard with Zuultah." (Heir to the Shadows, 1999).

So, Sarah's first work begins with a paragraph that is already really really similar to the first one in Bishop's second novel.

Now, let's then move on to the part that shocked me the most and made me sure of doing this post: The extreme and undeniable resemblance between the Illyrians with the Eyriens, a race portrayed in Bishop's Black Jewels books, who one of the main characters, Lucivar (coincidentally or not, Sarah's favorite one) is a part of.

The Eyriens are described to be warriors with tanned skin, gold eyes, and "batlike wings". Eyrien males are trained in hunting camps as children, and the females are forbidden to touch weapons. They are often found in a mountainous territory called "Askavi Terreille", and carry prejudice against half-eyriens. Does all that sounds familiar?

The Illyrians are so much like the Eyriens, it's not even funny. They have bat-like wings, the males are trained in camps, live by the mountains, have their own personalized weapons, and the females are usually mistreated and not allowed to fight. And what does Rhysand suffer from them? Prejudice, because he's half illyrian. Even their physical characteristics are the same: golden brown skin, hazel eyes, black hair. What mainly sets on them apart is their names (which still sound pretty similar) and the fact that the illyrians have tattoos.

"He spread his dark, membranous wings, trying to ease the ache in his back." ( Daughter of the blood, page 12)

"Indeed, it was still Rhysand’s face, his powerful male body, but flaring out behind him were massive black membranous wings—like a bat’s, like the Attor’s" (ACOTAR, page 348)

"Still, it was home, and centuries of enslaved exile had left him aching for the smell of clean mountain air, the taste of a sweet, cold stream, the silence of the woods, and, most of all, the mountains where the Eyrien race soare" (Daughter of the blood, page 16)

"The Illyrians … We love our people, and our traditions, but they dwell in clans and camps deep in the mountains of the North" (ACOMAF, page 165)

"He had never felt this weary, this beaten. Not as a half-breed boy in the Eyrien hunting camps, not in the countless courts he'd served in over the centuries since" (Heir to the darkness, page 13)

“When I turned eight, my mother brought me to one of the Illyrian war- camps . To be trained, as all Illyrian males were trained" ( ACOMAF, page 168)

”She kept resisting because Eyrien females traditionally didn’t touch a warrior’s weapons" (Queen of the darkness, page 151).

“Some camps issued decrees that if a female was caught training, she was to be deemed unmarriageable. I can’t fight against things like that, not without slaughtering the leaders of each camp and personally raising each and every one of their offspring.” (ACOMAF, page 434)

”There are reasons why Eyrien males are the warriors— Lucivar said, his eyes skimming over the women as he paced slowly down the line and back again.— We’re bigger, stronger, and we have the temperament for killing. You have other strengths and other skills. Most of the time, that works out well." (Queen of Darkness, page 156)

“The Illyrians— Rhys smoothly cut in, that light finally returning to his gaze — Are unparalleled warriors, and are rich with stories and traditions. But they are also brutal and backward, particularly in regard to how they treat their females.” (ACOMAF, page 166)

"She wanted to cut the wings off, raise the boy as Dhemlan maybe. But he said no, in his soul the boy was Eyrien, and it would be kinder to kill him in the cradle than to cut his wings" (Daughter Of The Blood, page 138)

“I banned wing-clipping a long, long time ago, but … at the more zealous camps, deep within the mountains, they do it." (ACOMAF, page 434).

"But they’re good boys, and they’ll carry their weight. And they are full-blooded Eyriens — he added.

— So they don’t carry the stigma of being half-breeds? — Lucivar asked with deadly control." (Queen of the Darkness, page 39)

"He gave Rhys command of a legion of Illyrians who hated him for being a half-breed" (ACOMAF, page 136)

"Then he called in his Ebon-gray Jewels and the wide leather belt that held his hunting knife and his Eyrien war blade" (Heir to the shadows, page 257)

"I went from physical defense to learning to wield an Illyrian blade, the weapon so fine, I’d nearly taken Cassian’s arm off." (ACOMAF, page 367)

Some people can look at this as simple inspiration, but others consider the races to be almost identical. Their prejudices, the place they live, the place where they train and how they train being the same, with only a few minor key points being changed.

In Bishop's work men and women are adressed and divided as "males" and "females". Their society is based the existence of jewels, where the darker someone's jewel is, the more powerful that person becomes.

The jewels are close to what SJM called siphons, used by the illyrians. They are a representation of the powers of members of the blood, serve as containers, and vary in colors. Siphons, however, are literally jewels who filter Illyrians powers, manipulating magic. Members of the blood can have more than one jewel, and illyrians can have more than one siphon.

"An uncut Jewel is a rare thing, little Sister — Titian said, removing something from the box. — Wait until you know who you are before you have it set. Then it will be more than a receptacle for the power your body can't hold; it will be a statement of what you are." (Daughter of the blood, page 71)

"He held up his hands, the backs to me so both jewels were on full display.— They’re called Siphons . They concentrate and focus our power in battle.” (ACOMAF, page 162)

"The Black-Jeweled ring on his right hand glittered with an inner fire." (Daughter of the blood, page 39)

"Siphons atop his scarred hands flickered like rippling blue fire as he reached for the Attor." (ACOMAF, page 262)

" Your fingers clenched around that Jewel. There was a flash of Red light, and the guards were flung backward." ( Daughter of the blood, page 136)

"Cassian lifted his hand into the air. Red light exploded from his Siphon, blasting up and away" (ACOMAF, page 543)

"Her strength was gone. The Jewel hungaround her neck, dark and empty" (Daughter of the blood, page 399)

"Azriel’s blue Siphons were dull, muted. Utterly empty." (ACOMAF, page 554)

The Blood possess some ability to sense and mask their psychic scent. The conception of "scent" not only acts as a way for them to recognize each other, but also sense their emotions, and seems to be highlighted between couples, with Daemon for using it in order to fantasize or look for Jaenelle. That matches perfectly SJM's universe where the Fae are able to feel each others scents, sensing their emotions through it, it being stronger between mated couples:

"The psychic scent was almost gone, but he recognized it. A dark scent. A powerful, terrifying, wonderful scent. He breathed deeply, and the lifetime hunger in him became intense".(Daughter of the blood, page 178).

"Like the body that housed it, a witch's psychic scent had a muskiness that a Blood male could find as arousing as the body—if not more so" (Daughter of the blood, page 184)

His scent drifted to her, darker, muskier than usual. She’d bet all the money she didn’t have that it was the scent of his arousal. (ACOSF, page 235)

"A room where she had slept would still be strong with her psychic scent, even if it had been cleaned" (Daughter of the blood, page 182)

"Cassian had flown back up to the House. And found the oak door to the stairs open, Nesta’s scent lingering." (ACOSF, page 99)

"No psychic scent of emotions for the guards to play with as they put the sobbing man into the old, one-man boat." (Daughter of the blood, page 149)

"He didn’t need to use a psychic probe to know who was on the other side of the door. The scent of her fear was sufficient." (Queen of the darkness, page 120)

"Their faces were vacant. Not a trace of fear in them, or in their scents." (ACOSF, page 344)

"Those of us who have would notice the similarities in your psychic scents and reach the correct conclusion" ( Queen of Darkness, page 114)

"He didn’t believe me. So he grabbed Catrin, because our scents were nearly identical, you see" (ACOSF, page 652)

The basic unit of Blood society and government is a Queen and her Court. To create a Court, she must be at the age of majority and have twelve males who agree to be in her First Circle. Jaenelle creates hers in the second book, who is denominated as the "dark court". How is Rhysan's court called? The night court. How is his unity of power named? "the inne circle". Rhysand's court is also referred as "the court of dreams", and Jaenelle is called "dreams made flesh".

"He hoped she'd be pleased to have the use of this place. He hoped he'd be invited when she established her own court. He wanted to see whom she selected for her First Circle" (Daughter of the Blood page 92)

"They’re Rhysand’s Inner Circle.The ones I’d heard mentioned that day at the Night Court—who Rhys kept going to meet." (ACOMAF, page 135)

"The living myth— Saetan whispered.— Dreams made flesh— His throat tightened. He closed his eyes." (Heir to the shadows, page 459)

“And what is this court? — I asked, gesturing to them. The most important question.

It was Cassian, eyes clear and bright as his Siphon, who said — The Court of Dreams.”

Remember Lucivar? The main Eyrien character? Well, it doesn't help sjm's case that he's incredibly similar to Cassian:

Because he's an eyrien, Lucivar was raised as a warrior and has bat wings, together with gold eyes and tanned skin. He also has long black hair and is considered to be well-built. Initially his jewels are birthright red, and later they descent into being ebon grey. Just like his father, he is known as having an explosive temper who often lead him to trouble. Thanks to him not being recognized by Saetan initially, Lucivar is seen as a bastard. This is not at all far from how Cassian is written.

Let's also keep in mind: Lucivar is also responsable for recruting and training Eyrien warriors in the Dark Court, later training the women who live in Ebon Askavi (which, as I will show later, is almost identical to the House of Wind).

Cassian's tragetory is marked by him being underlooked as a "bastard" and not being able to control his temper, and that is further developed in acosf. His appereance is carbon-copy of Lucivar (the only difference being that his eyes are hazel), and his siphons are red. He also happens to train illyrian warriors, and later Feyre, Nesta and the other priestesses from the library. Like Lucivar has a brotherly bond with Jaenelle and waits for her to be his queen, Cassian has a brotherly love for Feyre and respects her as his high lady:

"Unlike the other slaves who couldn't contain their misery or fear, there was no expression in Lucivar's gold eyes" (Daughter of the Blood, page 13)

"Like their High Lord, the males—warriors—were dark-haired, tan-skinned. But unlike Rhys, their eyes were hazel and fixed on me as I at last stepped close" (ACOMAF, page 155)

"She looked so pale against his light-brown skin, and he knew it wasn't simply because she was fair-skinned" (Daughter of the blood, page 19)

"She watched his light brown fingers play against her pale skin" (ACOSF, page 367)

"The man wore a leather vest and the black, skintight trousers favored by Eyrien warriors. His black hair fell to his shoulders, which was unusual for an Eyrien male. [..] A wild joy filled Daemon, even as his heart clogged his throat and tears stung his gold eyes. Lucivar." (Queen of the Darkness, page 45)

"Cassian surveyed Rhys from head to foot, his shoulder-length black hair shifting with the movement" (ACOMAF, page 155)

"Because he was a half-breed bastard, he had no hope of attaining a position of authority within a court, despite the rank of his jewels" (Daughter of the Blood, page 17)

"I can tell you how I hear Eris and Devlon and the others talk and, deep down, I still believe that I am a worthless bastard brute. That it doesn’t matter how many Siphons I have or how many battles I’ve won" (ACOSF, page 434)

"Tears stung Lucivar's eyes. Why, Daemon? What did she do to deserve being hurt like that? His voice rose. He couldn't stop it. She was the Queen we had dreamed of serving. We had waited for her for so long. You butchering whore, why did you have to kill her?" (Heir to the shadows, page 31)

"He’d thought about that painting a great deal in the days afterward—how it had made him feel, how close they’d all come to losing their High Lady before they’d ever met her." (ACOSF, page 43)

"Because he was a trained Eyrien warrior and had a temper that was explosive even for a Warlord Prince" (Daughter of the blood, page 16)

"Cassian was lounging in his chair, a glass of wine in his hand, staring at nothing. A brooding warrior-prince, contemplating the death of his enemies." (ACOSF, page 275)

"He could have caught him on the first pass. The young one will have to concede the battle, but it’ll stay in his mind that he put up a good fight. No, Lucivar understands how to train an Eyrien warrior.” (Queen of Darkness, page 103)

"Cassian prayed that the gods were watching over him as Rhys sipped from his tea and said,

—You’re ready?

He leaned back in his seat. — I’ve gotten young warriors in line before." (ACOSF, page 43)

There's even a line when Lucivar is training the women in ebon askavi that hits very close to one used when Cassian is training the priestesses:

”If you can become half as proficient with this as she is, you’ll be able to take down any male except an Eyrien warrior — Falonar said slowly. — And you’ll be able to take down half of them as well.” (Queen of the darkness, page 158)

"Cassian continued to train Nesta, Emerie, and Gwyn. The rain didn’t let up, and they were all soaked, but the exertion kept the bite of the cold away.— So this can really down a male in one move? [...] He concentrated on the females in front of him. — This move will knock anyone unconscious if you hit the right spot.” (ACOSF, page 385)

Daemon, his brother, is too very similar to Rhysand. He has the reputation of a sadist, after being tortured and used as slave in the hands of Dorotothea, close to how Rhys was known as a cruel fae who had to serve Amarantha (the way they a called is also pretty much the same, as well, being referred as their "pet" or "whore"). Daemon believes to be destined to Jaenelle, even before meeting her, sometimes feeling her touch, and dreaming or her, just like Rhysand talks about knowing Feyre was his mate, and dreaming of her before they met. He, like Saetan, Jaenelle, and Lucivar, is a black widow: which means he can access people's minds and thoughts, as well as communicate telephatically, exactly how daemanti in acotar have the ability to do.

"His face was a gift of his mysterious heritage, aristocratic and too beautifully shaped to be called merely handsome. He was tall and broad-shouldered. He kept his body well toned and muscular enough to please. His voice was deep and cultured, with a husky, seductive edge to it that made women go all misty-eyed. His gold eyes and thick black hair were typical of all three of Terreille's long-lived races, but his warm, golden-brown skin was a little lighter than the Hayllian aristos—more like the Dhemlan race." (Daughter of the blood, page 24)

"I stepped out of the shelter of my savior’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen. Everything about the stranger radiated sensual grace and ease. High Fae, no doubt. His short black hair gleamed like a raven’s feathers" (ACOTAR, page 193)

"I had no answer to that—to the tenor in his rich, deep voice. So I examined the tattoos on his chest and arms, the glow of his tan skin , so golden now that he was no longer caged inside that mountain." (ACOMAF, page 289)

"Daemon smiled that cold, cruel smile. "Now you know what it's like to get into bed with Hayll's Whore." (Daughter of the blood, page 77)

"Lucien interrupted — What do you know about anything? You’re just Amarantha’s whore.

— Her whore I might be, but not without my reasons.” (ACOTAR, page 239)

"In his soul, he knew her. In his dreams, he saw her. He never envisioned a face. It always blurred if he tried to focus on it. But he could see her dressed in a robe made of dark, transparent spidersilk, a robe that slid from her shoulders as she moved, a robe that opened and closed as she walked, revealing bare, night-cool skin. And there would be a scent in the room that was her, a scent he would wake to, burying his face in her pillow after she was up and attending her own concerns." (Daughter of the Blood, page 27)

“Three years ago, he said quietly, — I began to have these … dreams [...] The images were foggy, like looking through cloudy glass. They were brief—a flash here and there, every few months. I thought nothing of them, until one of the images was of a hand … This beautiful, human hand. Holding a brush. Painting—flowers on a table.” (ACOMAF, page 504)

“I saw you through your dreams—and I hoarded the images [...] I’d wake up with your scent in my nose, and it would haunt me all day, every step." (ACOMAF, page 505)

"There was a bitter taste in Daemon's mouth. The ashes of dreams. After all, he was Hayll's Whore, a pleasure slave, an amusement for the ladies no matter what their age, a way to pass the time" (Daughter of the blood, page 267)

"And he would be at that table in the town house, roaring with laughter—never again cold and cruel and solemn. Never again anyone’s slave or whore" (ACOMAF, page 497)

"You're my Queen,he thought fiercely. His body ached. She was his Queen. But with her family surrounding them, watching, there was nothing he could say or do to help her" (Daughter of the blood, page 360)

"My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never designated to breeding and parties and child-rearing. My queen." (ACOMAF, 598)

"He caught her wrists, holding her off with an ease that made her scream. He hit the Black shields on her inner barriers hard enough to make her work to keep them intact, but they wouldn't keep him out for long." (Daughter of the blood, page 302)

"My innate talents allow me to slip through the mental shields of anyone I wish, with or without that bridge—unless they’re very, very strong, or have trained extensively to keep those shields tight." (ACOMAF, page 59)

At some point Daemon is even called Jaenelle's mate:

"He’s here! Jaenelle’s mate is finally here! Daemon felt as if the wind had been knocked out of him" (Heir to the shadows, page 117)

His position and title of highlord is parallelled a lot by how Saetan is decribed:

"High Lord of Hell, the Prince of the Darkness, the most powerful and dangerous Warlord Prince in the history of the Blood" (Daughter of the darkness, page 266)

"For what it’s worth, I’m the most powerful High Lord in Prythian’s history" (ACOMAF, page 145)

Moving on to other similarities, Ebon Askavi, known as the black mountain or "the keep", who is put as a sanctuary, keeping a library containing the history of the blood, matches the form in which the house of wind is developed in sjm's books, with the palace also being embedded into a mountain. The Keep is a safe place where the high lord of hell reserves for the demon dead to rest, same as Rhysand turning the library into a home for the priestesses. And the whole Bryaxis situation? A creature who lives in the pit of the library? Well, Ebon askavi used to be the home of the prince of dragons: Lorn, who guess what? Used to reside beneath it. Finally, Bishop literally describes the palace as the place where "The winds meet".

"Saetan limped across the empty courtyard to the huge, open-metal doors embedded into the mountain itself, rang the bell, and waited to enter the Keep, the Black Mountain, Ebon Askavi, where the Winds meet. It was the repository for the Blood's history as well as a sanctuary for the darkest-Jeweled Blood. It was also the private lair of Witch" (Daughter of the blood, page 59)

"Draca led him through the corridors of Ebon Askavi toward a large stairwell that descended into the heart of the mountain." ( Daughter of the blood, page 431)

“Her throat closed at the surge of memories and at the sprawling view—the glimmering ribbon of the Sidra far below, the red-stoned palace built into the side of the flat-topped mountain itself." (ACOSF, page 49).

“I made this library into a refuge for them. Some come to heal, work as acolytes, and then leave; some take the oaths to the Cauldron and Mother to become priestesses and remain here forever" (ACOWAR, page 212)

"She still served the Keep itself, looking after the comfort of the scholars who came to study, of the Queens who needed a dark place to rest" (Daughter of the Blood, page 61)

"— Who was here before them?

— A few cranky old scholars, who cursed me soundly when I relocated them to other libraries in the city. They still get access, but when and where is always approved by the priestesses.” (ACOWAR, page 213)

“There is a creature beneath the library. Do you know it?

Amren shut the book.

— Its name is Bryaxis.

— What is it.

— You do not want to know, girl.” (ACOWAR, page 452).

"Mother Night, Saetan — Geoffrey said, his breathing ragged. — The Keep is his lair.

He's been here all the time.

He hadn't expected Lorn to be so big. "(Heir to the shadows, page 476)

As for Amren being a unknown creature who was tuned into a faerie and lived centuries before everyone else? Same thing as Draca. She lived by the time Dragons ruled the world and was later turned into something "human", assisting the high lord of hell:

"When only the Queen and her Prince, Lorn, were left, the Queen bid her Consort farewell [...] When the last scale fell from her, she vanished. Some stories say her body was transformed into some other shape, though it still contained a dragon's soul" (Heir to the shadows, page 375).

"— Why won’t Amren go in here?

— Because she was once a prisoner.

— Not in that body, I take it.

A cruel smile.

— No. Not at all.” (ACOMAF, page 185)

"Spiraling? — Geoffrey thought for a moment and shook his head. — No, but that doesn't mean it can't happen. Ask Draca. Compared to her, you're still in the nursery and I'm just a stripling." (Daughter of the blood, page 243)

"In the countless millennia they had existed here in Prythian, Rhys—Rhys with his smirking and sarcasm and bedroom eyes ...And Amren was worse. And older than five thousand years." (ACOMAF, page 145)

"When they had first arrived at the Keep, Lucivar had given him a cryptic warning: Draca is a dragon in human form.The moment he’d seen the Seneschal, he’d understood what Lucivar meant. Her looks, combined with the feel of great age and old, deep power, had fascinated him." (Queen of the darkness, page 252)

"Because even though the short, delicate woman looked like High Fae … as Rhys had warned me, every instinct was roaring to run. To hide. [...] But Amren’s eyes …Her silver eyes were unlike anything I’d ever seen; a glimpse into the creature that I knew in my bones wasn’t High Fae. Or hadn’t been born that way." (ACOMAF, page 158)

"Draca asked. Her unblinking reptilian eyes revealed nothing" (Daughter of the blood, page 431)

You can also find some of the names of characters and places of Anne Bishop's books in Sarah J Mass ones. For instance: Sarah admited Prythian was a trick on Pryddain from the chronicles of Pryddain but that she couldn't put the original name because it belonged to Phillip Alexander, so she choose Prythian. But one of the high priestesses in Bishop's trilogy is indeed named Prythian.

"Prythian, Askavi's High Priestess, couldn't leash his temper enough to serve witches he despised" (Daughter of the blood, page 16)

If you look at the titles of some of the TOGs books, you realize they are alike Anne Bishop's as well:

The thing is: where do we draw the line when it comes to inspiration in books? It's common to have some similarities between author's works, however, to have that many in lines, places, plots, on top of races and characters who are nearly identical to the ones someone created fourteen years before you? I don't know.

I don't appreciate Bishop's work, in fact, I suffered a lot to go through the trilogy, for problems like: explicit sexual violence, mutilation, and worst of all grooming (Daemon meets his so called soulmate when she's a child, and he kisses her when she's 12), which literally made feel sick, but, is clear Bishop came up with a lot of things a long time before SJM did.

Because her series of books came out by the 2000, most of sjm's target audience doesn't know Bishop's work, making it very easy to avoid comparison. This is one of the reasons why this situation becomes a big problem, because most of her fans think SJM work is totally original, and that she came up with 99% of the concepts by herself.

Besides the black jewels, Sarah was said to have taking scenes, plots and quotes from other original productions/books, like the lord of the rings (which she's also a huge fan):

For example, The White Tree of Gondor and Kingsflame.

The White Tree of Gordon only blooms when the rightful ruler sits on the throne. Coming to later bloom in Aragorn's coronation:

"And so the kingdom of Gondor sank into ruin, the line of kings failed, the white tree withered and the rule of Gondor was given over to lesser men."

Kingsflame, however, it’s a magical flower that first bloomed when Brannon arrived, proof that was a good king:

"since those ancient days, only single blossoms had been spotted, so rare in their appearance that their appearance was deemed a sign that the land had blessed whatever ruler sat on Terrasen’s throne. (KOA 686)"

Similarly, the flower also blooms after Aelin’s Coronation:

Across every mountain, spread across the green canopy of Oakwald, carpeting the entire Plain of Theralis, the kingsflame was blooming. (KOA 984)

We also have the scene when Haldir arrives at helms deep:

"I bring word from Elrond of Rivendell. An alliance once existed between Elves and men. Long ago we fought and died together. We come to honor that allegiance."

While Manon says this in KOA:

"Long ago the Crochans fought beside Terrasen, to honor the great debt we owed the Fae King Brannon for granting us a homeland."(KOA, page 693)

And don't forget, Aragorn saying:

"My friends, you bow to no one"

While Rhysand says this in ACOWAR:

"You bow to no one, was all he replied"

Don't forget, the conversation between Theoden and Gamling in the Two Towers movie:

"Theoden: Who am I, Gamling?

Gamling : You are our king, sire.

Theoden : And do you trust your king?

Gamling : Your men, my Lord, will follow you to whatever end.

Theoden : To whatever end... "

Followed by this conversation between Rowan and Aelin:

“—To whatever end? — she breathed.

Rowan followed her, as he had his entire life, long before they had ever met, before their souls had sparked into existence. —“To whatever end, Fireheart.”

We also have other examples, like treasure island:

"Look at you! Glowing like a solar fire. You're something special, Jim. You're gonna rattle the stars, you are!" (Treasure Island-2003)

"You could rattle the stars," she whispered. "You could do anything, if only you dared. And deep down, you know it, too. That’s what scares you most. "( TOG page 385, chapter 54)

ASOIAF:

A quite similar phrase to "Queen that was promised" was used in GRRM’s ASOIAF, where an ancient prophecy talked about a "Prince who was promised", later it being reveleaded that they expected a boy, but the title was said to fall to Daenarys Targaryen (a queen). This is mentioned in " A dance of dragons" which was published in 2011. This prince is also mentioned as being “the Heir of Fire”.

"Westeros must unite beneath her one true king, the prince that was promised, Lord of Dragonstone and chosen of R'hllor" ( A dance with dragons, 2011)

"Perhaps it had all been for nothing. The Queen Who Was Promised" (KOA, page 121, 2018)

"He is fire made flesh, she thought, and so am I." (A dance with dragons, page 949, 2011)

"Fire - he reminded her of fire made flesh." (ACOWAR, 2017)

Harry Potter is added to list, as well:

Dumbledore: Do not pity the dead, Harry. Pity the living, and, above all those who live without love. (HP and the deathly hallows, page 705, 1997).

Rhysand: Be glad of your human heart, Feyre. Pity those who don’t feel anything at all. (ACOTAR, page 418, 2012).

"Happiness can be found, even in the darkest of times, if one only remembers to turn on the light." (Harry Potter and the prisioner of Azkaban, 2004)

“Light can be found even in the darkest of hells” (ACOWAR, page 577, 2017)

The movie spirit:

Little Creek: Take care of her, Spirit-who-could-not-be-broken (Spirit, 2002)

Nehemia: I name you Elentiya, ‘Spirit That Cannot Be Broken.' (TOG, page 44)

Shadow and Bone:

The quote "like calls to like" explains one of the most important plot points in shadow and bone, the first book was published in 2012, and Sarah was mentioned in Leigh's acknowledgments as the person who gave her first review. She had used "magic calls to magic" before in throne of glass in 2012, yet the book was published in august, while Shadow and Bone came out before, in june. The principle of "like calls to like" in her books was mentioned by the time ACOMAF came out, in 2016, four years later. It was also used to describe attraction to objects of power, which follows Bardugo's concept.

Shadow and Bone: The grounding principle of the Small Science was “like calls to like" (page 113)

ACOMAF: The box—the Book—was silent. Then it said, Like calls to like (page 350)

“The Grisha claims the amplifier, but the amplifier claims the Grisha, as well. Once it is done, there can be no other. Like calls to like, and the bond is made.” (page 130)

The movie troy:

"Menelaus : Prince? What prince? What son of a king would accept a man's hospitality, eat his food, drink his wine, embrace him in friendship, and then steal his wife in the middle of the night?

Paris : The sun was shining when your wife left you." (Troy, 2004)

“If you hadn’t stolen my bride away in the night, Rhysand, I would not have been forced to take such drastic measures to get her back.

I said quietly, The sun was shining when I left you.” (ACOWAR, page 396, 2017)

The Land before Time:

"Some things you see with your eyes. Other things you see with your heart." ( The Land before Time 1988)

"Some things you hear with your eyes. Other things you hear with your heart."( Crown of Midgnight, page 168, 2011)

Mulan:

"Shan Yu: How many men does it take to deliver a message?

The other Hun: One.

The Hun proceeds to shoot one of the imperial soldiers with an arrow." (Mulan, 1998)

“But it seems like tonight isn’t really your night, Elide said to the ilken, lifting the hatchet again over a shoulder. The ilken might have been whimpering as she smiled grimly.—Because it only takes one to deliver a message. And your companions are already on their way.

The axe fell.

Flesh and bone and blood spilled onto the stones.” (Empire of Storms, page 455, 2016)

There's more to show about the black jewels, but this posts is already huge, so I'm going to finish by talking a little bit about her new series: Crescent city, which people already pointed out to be similar to another series she also talked about before: The Fever series by Karn Marie Moning, published in 2007. Now, I don't think is the same case as the black jewels, because crescent city does follow a much more different story, but is still have matching characters and main storyline.

Darkfever tells the story of MacKayla, a girl who seemingly had a perfect life. After the murder of her sister, she sees herself obligated to make an alliance with the mysterious Jericho in order find her killer, whilst exploring her sidhe-seer powers. Crescent city, on the other hand, is also about a girl losing people close to her: her best friend and her crush, then deciding to solve their deaths by teaming up with the fallen angel Hunt.

Mackayla is a sidhe seer, a person who can see fae, and ends up in the book series as their queen, while Bryce is half fae. They are both extremely attractive girls, who love to party and take good care of their appereance. Jericho, however, is a handsome, tough supernatural being who resources to Mac in order to find answers, ending up getting involved with her. Lastly, Hunt is a fallen angel, who needs to make sure Bryce cooperates with the investigation, and develops feelings for her.

"My sister's whole body had holes in it, Inspector! Not just her arms! The coroner said they looked like teeth marks! — Not of any person or animal he'd been able to identify, though.— And parts of her were just fora!— I was shaking. I hated the memory. It made me sick to my stomach" (Dark Fever, page 71)

"She knew in her bones it was not a hallucination, what lay on that bed, knew in her bones that what bled out inside her chest was her heart. Danika lay there. In pieces" (Crescent City, page 74)

"Grieving wasn't going to bring her back, and it sure wasn't going to make me feel better about whoever'd killed her walking around alive out there somewhere, happy in their sick little psychotic way, while my sister lay icy and white beneath six feet of dirt" (Dark Fever, page 10)

"Briggs planned to hurt people, and he deserved to be in jail, but—he’d been wrongly accused of the murder.Danika’s killer was still out there" (Crescent City, page 145)

"I think I just finally expelled the last drop of moisture from my body that wasn't absolutely necessary to keep me alive. And rage watered my parched soul. I wanted answers. I wanted justice.I wanted revenge." (Dark fever, page 11)

"She didn’t know where to start.But she’d do it. Find whoever had done this.[...] She ground her teeth. She’d find whoever had done this and make them regret ever being born." (Crescent City, page 164)

Once again, Hunt has the exact same appeareance as Jericho, and their personalities are also pretty much alike.

"He studied me with his predator's gaze, assessing me from head to toe. I studied him back. He didn't just occupy space; he saturated it.The room had been full of books before, now it was full of him. About thirty, six foot two or three, he had dark hair, golden skin, and dark eyes. His features were strong, chiseled." (Dark Fever, page 36)

"An angel who reason and history reminded him was an ally, though every instinct roared the opposite.Predator. Killer. Monster. Hunt Athalar’s angular dark eyes, however, remained fixed on the window. On Bryce Quinlan." (House of earth and blood, page 80)

"Hunt nodded once, his golden-brown face betraying nothing." (House of earth and blood, page 81)

"Then the male leafed through Quinlan’s thin file, his shoulder-length black hair slipping over his unreadable face." (House of earth and blood, page 81)

Darkfever presentd V'lane as a third character, an attractive seelie prince, who rules the Tuatha Dé Dannan, and happens to go after Mackayla as revenge against Jericho. In crescent city, there third main character is Ruhn, Bryce's half brother, and who is he? A crowned prince of the fae. And what is his last name? Danaan.

"Even today, after all that I've seen, I couldn't begin to describe V'lane, prince of the Tuatha Dé Danaan." (Dark Fever, page 134)

"Thinking she’d get a nice, sweaty ride with a Prince of the Fae, she’d be sorely disappointed. He was in no shape for fucking right now." (Crescent city, page 199)

“I got a phone call, Naomi said. From Ruhn fucking Danaan. He’s livid that we didn’t notify Sky and Breath about bringing in the girl." (Crescent city, page 96)

The scene where Hunt goes to watch over Bryce in her apartment follows the exact same patterns of the scene Jericho goes to visit Mackayla in her home:

"A moment later, her phone buzzed on the coffee table. Right as her show began.She didn’t know the number, but she wasn’t at all surprised when she picked up, plopping down onto the cushions, and Hunt growled,

— Open the curtains. I want to watch the show.” (Crescent city, page 84)

"Someone knocking at my door awakened me [...] I glanced at my watch. It was two o'clock in the morning. I was sleepy and grumpy and didn't try to disguise it.

—Who is it?

— Jericho Barrons." (Dark Fever, page 40)

“Open the curtains.

— No, thank you.

— Or you could invite me in and make my job easier.

— Definitely no.

—Why?

— Because you can do your job just as well from that roof.” (Crescent City; page 184)

"Do you intend to open this door, Ms. Lane, or shall we converse where anyone might attend our business? [...]. If he was willing to trade, I had to open that door. Unless…

— We can trade through the door, I said.

— No

— Why not?

— I am a private person, Ms. Lane. This is not negotiable." (Dark Fever, page 41)

"His dark eyes didn’t so much as blink. Striking—that was the only word Bryce could think of to describe his handsome face, full of powerful lines and sharp cheekbones. — You can make this investigation easy, or you can make it hard.” (Crescent City, page 187)

" When I said nothing, he said softly — If you are not with me, Ms. Lane, you are against me. I have no mercy for my enemies.

I shrugged." (Dark Fever, page 46)

So, I do believe SJM is the type author whose actions we need to discuss. Even if you see the whole thing with " The black jewels" is just an inspiration, you can't deny the fact there some exact lines of movies and books in her work. Plus: it's not just one quote or just one plot, but many.

If you ever try to read The Black Jewels trilogy you'll notice much more than what I brought in this post, and I do hope more people are able to research it. However, if you have any triggers regarding SA, mutil*tion, abuse, gr*mming, or torture scenes, I strongly recommend you do not read these books. They are not easy to go through, and the same thing goes to Dark Fever, although is a lot lighter.

Now, you can find more about the "Lord of the rings" and "Harry Potter" situation in here:

This is not a post trying to "cancel" sjm or simply attack her without reason. But I do believe we have to talk about her work and the problems with it, especially when it involves the work of other writers. If anyone has any more examples, or articles about this matter, quote this post with them if you can. I couldn't put more because you have a limit for tumblr posts, and it would be way too much. Anyway, thank you sticking here until the end.

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sandboxer · 4 months

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The Evolution of Edgeworth’s Color Palette

Throughout the original AA trilogy, Edgeworth undergoes significant changes not only in his character, but in his design as well. I’m ridiculously interested in the way these tweaks to his design (especially the colors he wears) exemplify the emotional changes he experiences and his relationships with other characters.

(1) The class trial is the earliest we see Edgeworth. He wears a bowtie in his father’s signature deep red. We also see at this point that Phoenix wears blue. This deep red and mellow blue are their most basic colors, respectively.

(2) After the class trial, Edgeworth and Phoenix have become friends. And their newfound friendship is reflected in their clothing changes: Edgeworth incorporates a bit of Phoenix’s blue in his bowtie; Phoenix incorporates a bit of Edgeworth’s red in his sleeves. Both retain their own basic colors, though, keeping the bits of each other that they steal as minor details. Phoenix still wears signal blue on his shirt, and Edgeworth wears a red sweater.

(3) The next time we see Edgeworth is during the Bratworth era, and I find this the most interesting period of time design-wise. The theme here is FRAUD, both in character and design. Much like his style of prosecuting at the time, his design is meant to attract attention, but it is symbolically hollow. His suit is a pure, bright red, a far cry from the mellower tones of his fathers’ tie. His waistcoat, too, is blue, but a far brighter and greener shade than Phoenix’s. It is a rejection of their friendship and the justice Phoenix embodies. In fact, the shade of his waistcoat is closest to the jewel around MVK’s neck. His entire design reeks of MVK—the cravat, the gold details on his waistcoat, the embellished lapels, the high black collar. Though at first glance he may have seemed to retain the red-and-blue of his childhood, it’s only a poor replica, twisted into something devoid of true meaning by the hands of von Karma.

(4) And then we come to the trilogy, where we see Edgeworth in his (comparatively sensible) maroon suit and cravat. He’s toned down the artifice and returned in a meaningful way to the symbolism of his childhood design. The bright red of his Bratworth suit has been 1) dulled and 2) shifted further toward blue on the color wheel. This color is much closer to the deep tones of his father’s tie. And this time, instead of relegating his care for Phoenix to an accessory like a bowtie, he’s tinted his entire suit. It’s a symbolic decision for him to keep the cravat he adopted under MVK’s tutelage, as well. Not only does it serve as a reminder of his growth as a prosecutor, but it also recontextualizes the essential image of von Karma (his neckwear) into something good and just with each case Edgeworth takes on under his adjusted mindset.

It’s worth noting, too, that Phoenix’s tie since his debut as an attorney is red, but a much pinker red than is often acknowledged. In my mind, this ties him specifically to the trilogy era Edgeworth, rather than the bright, pure red of Bratworth or the deep red of Edgeworth’s childhood.

Not included in the image above is Chiefworth, as I do think much of his design is similar to his trilogy design, albeit slightly more refined. But it would be remiss not to acknowledge his glasses during that era, bringing him even closer to the image of his father.

#c thinks #miles edgeworth #ace attorney

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e-adlirez · 1 month

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Thea Stilton Treasure Seekers Review/Ramble

Behold, an impulsive ramble about a possibly-obscure trilogy that's been translated to English during quarantine-ish, adding to the obscurity.

So the Treasure Seekers, huh? :3

Coming out a little prior but more or less over the course of quarantine and thus a lot of people not having ready access to it, the Treasure Seekers is what turned out to be a trilogy of what it says on the tin: the girls hunting down cool treasures as a result of going down the world's biggest and highest-stakes scavenger hunt written a hundred-ish years prior to the present time.

Gonna be giving MAJOR spoilers for the first book in the trilogy, and there'll (probably) be one post per book in the trilogy. If you haven't read the book, here's a copy on the Internet Archive you can read before skipping ahead to the review, enjoy, it's pretty good. If you've already read the book or don't care about spoilers, please proceed below the cut :3

The story begins with the girls on summer vacation in Scotland. Shenanigans get started when they meet this old hermit woman who has in her house a mysterious heirloom tapestry with a mysterious poem on it.

The tapestry has this poem that talks about a place with sweet winds, petals that will lead you to something beneath them, something about midnight and birds, and an alabaster garden created for the "jewel of the palace" (like me to you), that is guarded by a friend with deep feet. Sounds like a whole lotta cryptic shnit the theory heads would enjoy :D

Anyway so the girls go visit Beitris (the hermit woman) the next day to return something they borrowed from her only to walk into a holdup :D

Said holdup-ers are these two grunts led by this mysterious lady hiding her identity under a black fedora and thick-framed Ray Bans. The girls deal with that situation real quick and get the guys to scarper (if you're wondering how they did that, "the police are coming"), and once it all blows over, they find that the thugs only stole the tapestry despite ransacking the entire place like raccoons. Such a realization leads to a revelation on Beitris's end, so she entrusts the girls with the tapestry's backstory in a segment I will describe as LAAANNNEEEE LOOOORRRREEEEEE (said in a MatPat voice, we'll miss you king :'])

The tapestry was a family heirloom passed down to Beitris by her grandmother Petra, who got it from her older sister Aurora Beatrix Lane, who is basically British Amelia Earhart. Wasn't into girly shnit, liked being outside and also archaeology, studied in the University of Cambridge as an Archaeology major and learned how to fly a plane, all while punting early 1900s gender norms into oblivion with her pants and motorcycle. Motorcycle queen, plane queen, archaeology queen, but then everything changed when this British Amelia Earhart did a British Amelia Earhart.

The context behind Aurora Beatrix Lane's disappearance is something relating to her work with her mentor Jan Von Klawitz, who was doing archaeology things with her and probably got up to some wild shnit, but we would never know because Aurora is very secretive about her plans and her destinations, and she only came home to the UK once, after her first trip, and that was when she gave smol child Petra the tapestry to guard because it led to "a very precious treasure", but she can't show it yet for the time being. The vibe was Aurora was planning on using the tapestry to show the treasure it hides once she's done with her archaeology shenanigans.

But then she did an Amelia Earhart but completely untraceable since she never revealed her destinations, so uh there's that :D

Back to the present, this little storytime from Beitris has gotten the girls sucked into a rabbit hole. They are now hyperfixated like nobody's business and this Aurora Beatrix Lane is JUST LIKE THEM FR, and as a result they decide that y'know what they still have a few days before classes in Mouseford starts, and while they're at it, they're gonna find Beitris's tapestry and maaayyyybeeee find the alabaster garden. First destination: Girton College at the University of Cambridge, Aurora Beatrix Lane's alma mater.

The girls take a quick jaunt to Girton by train and then by bus to have a lil' chat with the dean, who reveals to them that they're looking for the central archive if they're gonna be looking for the deets on a student from a hundred years ago, but uh the archive is closed for the day, please come tomorrow. (Wonder why, maybe it's because they rode from Scotland to Girton by train which takes a shnitload of time. /nsrs but fr tho I wonder if the original Italian had them drive over there by car-- they did rent an SUV, and going by car would be way faster, like it'll only take a seven-hour drive faster) They come back the next day, are let into the archives, and oop, they find a well-preserved diary with Aurora's initials hidden in the Stanley Library.

Y'know what that means, LANE LOOORRRREEEEE

So two months into her accompanying Jan on his excavations, she notes that Jan's been acting a bit sus lately-- being very nervous, being extremely protective over his luggage, being weird about hiding some of the relics he's found, and also a weird-ass incident where while exploring a small village's old castle, Aurora found a hidden chamber with a tome inside that Jan immediately snatched and was like "I'll take care of it don't worry, don't worry about the protocol stuff I'll be fine I'll take care of it". And then he went back to "normal" after that. Hmmmm.

A month later, while Jan was talking with one of his collaborators on their train to England, Aurora stumbled into the tome again, suspiciously in Jan's personal luggage instead of being properly archived and catalogued like it should've been. She read it, saw a thing about the Seven Treasures of the World, and that caused her protagonist genes to kick in since now she's now very tempted to look into finding them and showing them to the world.

After that, she went to some libraries to investigate and eventually decided to confront Jan about the whole treasures thing and his first reaction was he was pissed, calling Aurora a snoop and everything poking into his things. Then after calming down he said "just pretend to not see", but oh no, dear reader, Aurora was not gonna pretend to not see. She ain't gonna pretend to not see the fact that her mentor was actually a treasure hunter and collector who'd been using his occupation as an excuse to snatch some nifty treasures and keep them to himself like every European country who's stolen artifacts from Asian countries ever, ohohohooooo noooo, she's gonna do something about it.

The girls scuttle on over back to Scotland and Beitris, to find that uh oh dear, the thugs came back again and this time they were asking about the girls specifically. Beitris pulled the same trick the girls pulled to get them to leave. So NOW the thugs are looking for the girls for whatever reason and wanna know their deal. Anyway, the girls show Beitris Aurora's diary, tell her about the summary, and also that unfortunately some of the pages are missing, and the diary doesn't say shnit about the tapestry so far. Beitris helps by giving them a letter that Aurora sent to Petra about the tapestry and its treasure, but interestingly mentions that she should "only trust Robert".

Since I haven't mentioned him before, Robert Neville was Aurora's flight tutor, a flying medic, and was toootttallllyyyyy just friends with Aurora you guys they were totally just frie--

He is dead in the present time, but his nephew John Neville is a (former) lighthouse keeper for the Ar-Men lighthouse in the IÎe de Sein, Brittany, France. So the girls head on over there, land in France, insert a thing where Vi feels like she's being watched but is like "maybe it's just a me thing, I dunno".

They head over to the Île de Sein, find an old man who turns out to be John, are invited to his house, tell him about their situation, and John mentions that he himself has been researching like crazy too about Aurora ever since hers and Jan's simultaneous disappearance over the same place at the same time in the same terrible storm. And also the fact that Robert was totally devastated when he got the news and spent years looking for her. He gives them his notes that he's accumulated over decades of researching in his pastime (which amounts to just Aurora's trip to Mexico), and tells them that since Aurora was looking for seven treasures, they'll need to find out where her seven trips took place, which will not be easy because Aurora was extremely secretive, and she only made her first trip even remotely public.

First place is Mexico so might as well head on over-- oh god the holdup-ers are back to holdup.

The thugs snatch Aurora's diary and book it before the girls can do much besides get an impromptu ocean bath, and oh dear, the thugs' boss has them now, and it's not the mafia cosplayer lookin' woman. But that's something I'll address later :3

Nonetheless, they carry on since the thugs never stole John's notebook, and they use it to go to the Puuc Route in Mérida, Yucatán (sounds very specific until you realize that Mérida is the capital of the Yucatán, and one thing everyone and their mother knows about the Mayan ruins there like Chichen Itza) to find more clues.

They do some more research on the Puuc Route, find some clues about "an invisible place, guarded by the chattiest of creatures", discover that it means they have to go to Uxmal, get a dub against the unfortunately acrophobic thugs, and realize that yes, Aurora did in fact sneak another one of her diaries in there.

This one doesn't have as much Lane Lore to contribute besides a clue that the girls find leads to Kannauj, Uttar Pradesh, India, a city known for its perfumes :3 sounds like "sweet winds", doesn't it? Oh and there's also something about a place with two lakes, which turns out to be Lakh Bahosi, a bird sanctuary about an hour's drive away from Kannauj. The girls head on over and try to do some investigating, but it doesn't take them that long to find a pair of grunts struggling under the weight of a very familiar tapestry while their boss was struggling to supervise them with her heels constantly digging into bird sanctuary dirt.

Anyway so the girls concoct a little scheme to steal the tapestry and the thugs fall for it like fish for a fishing lure, and they managed to scatter with the tapestry. After getting to a private space in the sanctuary, they find a clue that leads them to a set of coordinates that they find is a beeg tree. Oh and the treasure seems to be a present that was made for someone close to Mumtaz Mahal, as in "the jewel of the palace", the woman the Taj Mahal was made for; and the tapestry has a set of coordinates that is leading them to a beeg tree, with deep roots/feet. Oh hell yeah it's all comin' together.

They get to the tree, deal with the mafia lady for a little bit, find the treasure, and it turns out it's a very exquisite perfume bottle made of alabaster called "The Perfume of the Earth". They find a little note from Aurora explaining the treasure and its value and the significance of finding it, and now the girls have found the treasure Aurora had been searching for, and now's the time for a villain reveal?

So I haven't talked about him yet and have glossed over this guy for the entire ramble. See the mafia lady, Cassidy? Yeah she's not the big boss here. It's this guy who has a whole secret base in Denali National Park, Alaska, and has been overseeing everything behind the scenes. And by everything, I mean everything: He was alerted to the whole thing with Cassidy's first raid of Beitris's house, found out about the girls' involvement, and for a good half of the book, was trying to figure out what the girls' motives are for interfering with his line of work and what they might know about this whole thing he's looking for, which is the alabaster garden.

This guy has been keeping tabs on the girls through Cassidy and her thugs, who've been stalking the girls ever since France. He and Cassidy figured out in Paris that the girls are Mouseford students on vacation, and he was the one who gave the orders to snatch the journal from there. He was the one who told the goons to tail them to Mexico, and he was the one who managed to look up the girls' names, backgrounds, reasons for being in Scotland, all from the comfort of his base in Alaska. And only then, only then did he go to India himself to supervise and put a cap to his goons' buffoonery.

Who is this guy? Well, he is a treasure hunter who just wants to enjoy the treasures Aurora Beatrix Lane has hidden from his great-grandfather a hundred years ago. That's right, meet Luke Von Klawitz, the current heir to the Klawitz legacy and the treasure trove Jan Von Klawitz left behind in spite of his disappearance. Unfortunately Jan was better (and old enough) to secure a family legacy of greedy artifact hoarding.

So while the girls were in Lakh Bahosi, Luke was too with the goons and Cassidy (who is not his right-hand man and more just... a subordinate trying too hard to impress him), being the babysitter with these guys on leashes, as he tries to keep their stupidity under control. He intercepts the girls as they're about to leave Lakh Bahosi, blocking their path, and asks about the alabaster garden. The girls obviously don't spill and prolly would've gotten themselves blackbagged and interrogated had a friend they made prior to Lakh Bahosi not shown up in her dad's truck and came in clutch. (It sounds cliche and like it came out of nowhere but trust me it makes sense in-universe-- after the girls left the friend's family restaurant that they were hanging at, Luke's goons came over to interrogate them about the girls and where they went. Subtlety, who is she?)

The girls bring the perfume to a nearby university so it can be brought to a museum, send the tapestry back to Beitris, and return home to Whale Island, to read the last bits of Aurora's second journal and presumably to

So that's the book :D I put in a LOT of spoilers, but I'd say that reading the book is still worth it because you'll be able to get the connecting tissues that tie the organs of this story together. H-hopefully this all made sense . .'''

First things first, if you're not used to how Scholastic kids' novels are written, then uh, you might wanna get used to it, because the English translation of Thea Stilton is very... that. It's not beating the kids' book allegations in English, unfortunately. On the brighter side, though, it's pretty good for Scholastic standards! The pacing's very fast, but it feels about right-- gives me the same energy as diving deeper and deeper into a rabbit hole and going to all sorts of places because of the hyperfixation responsible for consuming their sanity for all of a week or so. The dialogue isn't nearly as atrocious as the worst it's capable of being (oh trust me we'll get to that). The tapestry puzzle and how the girls work towards solving it is very coherent and logical for the situation they are in at the beginning, and it's very satisfying to see everything come together and for things to slowly make more and more sense in the poem despite it being as vague and puzzle box-y as it was.

The Lane family lore is very well-thought-out, and Aurora Beatrix Lane is the perfect spiritual predecessor to the girls, what with her love for adventure, love for travel, strong moral compass, and the strong compulsion to elbow drop every single feminine social rule under the sun. I can totally buy her being someone the girls would totally hyperfixate on researching, because she feels like that kind of compelling character-- a passionate young archaeologist who decided to put her own safety on the line for the sake of what she believed in and to dunk on Klawitz and his selfish (and very illegal) goals of hoarding the treasures of the world to himself.

As for the villain, I'll be real gamers, Luke Von Klawitz is probably the most intimidating if not terrifying villain in the entire franchise. He has drones spying on every corner of the world for him, he has goons he can contact at any time and have them do his bidding (to mixed results it seems), he has cutting-edge technology that he uses for terrifying means, all in the safety and comfort of his secret underground base in Alaska where he has his little basement filled to the brim with historical artifacts he's kept all to himself to enjoy. Lemme run this through you again:

He was able to learn the girls names, the university they're studying in, and why they were in Scotland in the first place, all without ever meeting them face-to-face or having his goons interrogate them directly. All he needed to learn all of this was the (not very helpful) research by Cassidy, and a few commands put into his world-connected supercomputer.

Are you intimidated yet? I sure hope you are :D this guy's got a lotta potential is what I'm saying. He's a bit of a brat who wants what he wants and wants it immediately, but he's also a bit of a chess master who looks over things in the background while his minions do all the work for him. Really the only thing holding him back is the incompetency of his goons, and technically it's not even that they're very stupid-- Cassidy and her grunts Stan and Max are very good at swooping in out of nowhere to wreak havoc, dip in and get out before anyone can do anything about it. They're decent if not good at the job they're usually assigned: low-level grunt work. Unfortunately they're not good at much else, which drove Luke insane this entire book, haha.

The girls' dynamic with Cassidy, Stan and Max was refreshing in the sense that the girls aren't always getting punted by them, and the goons aren't always taking Ls just from physical contact with the girls. Cassidy and the goons always had the element of surprise on their side, being able to show up out of nowhere and do their thing before the girls have time to even blink; but once the girls figured out their whole shtick, it was easy to learn that they are easily outclass-able by five mouse Oxford students in braincell count and thus act accordingly. They force the girls to think fast and come up with some snappy plans on the spot, and the girls force Luke to realize he hired Tweedle Dee, Tweedle Dum, and Tweedle Dummy as goons :D

Now uh, I have been complimenting this thing the entire time, but there is one little thing I have an issue within this book, and that is the whole... Power of Friendship thing they've got going on throughout the book.

Yes, unfortunately, the Friendship Curse has claimed this hardcover series too, and while it's not the worst here, it's still... it's still a bit atrocious :D

For instance, the conclusion Cassidy and Luke come to for the girls' reasons for interference is "friendship". Literally, Cassidy literally says to Luke, "It seems they did it out of friendship, Sir", and then Luke responds with an evil cackle and is like "FRIENDSHIP? THE POWER OF FRIENDSHIP DOESN'T EXIST IN THIS WORLD! AIN'T NO WAAAAYYYYY THEY'RE NOT FIVE SCHEMERS WHO WANNA GET THE TREASURES THEMSELVES", which is like... I don't get that vibe from Luke anywhere else in the book? Luke values efficiency and getting what he wants-- he's not hired Cassidy to be all buddy-buddy with her, he hired her for a job and she has to work to fulfill said job. He just wants competent employees, and y'know what, that's valid. Not a single part in that have I seen "ew power of friendship". It's very villain for the sake of villainy kind of energy, which I don't think fits Luke with the other bits of information we get of him? He's following his great-granddad's footsteps-- not a single minute of that did that mean "the spirit of friendship doesn't exist get yo head outa the cotton candy"

Then there's... how this applies to the girls.

inhales

WHY DID THEY MAKE VIOLET THE GROUP'S FRIENDSHIP PROPHET GRAAAAHHHH

I probably would make a full-blown rant about this at some point, but one thing I never liked about any of the hardcovers was how Violet of all people is the group's assigned friendship prophet. She'd occasionally make a comment about how uh something something the power of love is the strongest of all, and every single time I don't like it :D

Sure fine you can chalk it up to character development since her early months in Mouseford, but in the earlier books it's heavily established that she's the pragmatic one, the braincell keeper, the one who keeps the girls' group ADHD on track or the one who reminds them that "hey we've been at this for a really long time and it's now 2AM, we should really turn in now". Being a friendship prophet is a Colette thing, not a Violet thing, and I'm not trying to insult Colette or anything like that. I would be far more okay with it if Colette was the one to go on about the "power of love" because she's literally the HOPELESS ROMANTIC! She's the one with her head in the clouds, the one most likely to fangirl about ships in movies, the one who chooses to ship Romeo and Juliet and pretend to not see the entire second act of said play for the sake of believing in love.

If Colette had a line where she gushed about the power of friendship, I would've just chalked it up to "that cheesy-ass statement is something she'd totally say ngl", as opposed to the jarring whiplash I get from seeing Violet of all people call upon the Power of Friendship.

Again, probably will rant about this at some point (lemme know if you're into that idea), but yeah -m-

Literally just chuck the power of friendship bits and replace them with something more practical/realistic/grounded/whateveryouwannacallit, and it's basically perfect! Even the bits where the girls make friends on their journey is believable! Those don't have to be altered at all! Geuh it drives me insane, almost to the point of wanting to do something about it....

Well, that's enough rambling for today. I can't use up all my steam on this first book-- I plan on making ramblings for the second and third books, after all.

See ya Stilton fans, and for the newcomers from Twitter, welcome :D I hope you enjoy your stay :D

#geronimo stilton #thea stilton #thea sisters #book review #book rant #book rambles #unfortunately treasure seekers 3 isn't available on the archive as far as I'm seeing :'3 #which is disappointing because GWAAAHHH #not gonna give any spoilers but it and book 1 are tied for my favorite in the trilogy #i remember reading the first treasure seekers and immediately feeling nostalgic because i severely missed the girls treasure hunting #high stakes and all that crazy stuff that the older books delivered #tangoing with some crazy villains with some hella power and not like the latter four graphic novels did #i missed that a lot so having it in treasure seekers made my at-the-time 15-year-old self very happy #ipads dieded rn but once i get it back and fixed and hopefully not factory reset i should draw some treasure seekers doodles fr #maybe something like i dunno aurora beatrix lane #who knows :]

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