Good news, my copy of this book arrived today:
Bad news: I don’t have a scanner, so the only pics I have were taken on my phone while struggling to hold the book open. I've attempted to keep light from reflecting off the pages in annoying places.
Although even if I did have a scanner I wouldn't have time to scan everything, this book is almost 350 pages long. Not all of it is art worth scanning, there's a fair amount of screenshots from Volumes 1 to 8 too.
The pics I have managed to take so far are under a read more cut because there's over 20 of them. Mostly Yang because she's my fav, but a fair few of team RWBY as a whole, and some of Blake, and a couple of Raven. And Jaune photobombs a couple of times too. Oh, and how can I forget Zwei? He might steal this post by being too cute.
Art from the covers.
Height charts including heels. It seems Blake’s heels from Volume 7 onwards are an inch shorter than in Volume 4 to 6.
Yang and Jaune modelling Beacon’s uniform.
Zwei concept art, showing him morphing from a lil blob.
Blake concept art, I'm not sure I've seen the bits about what's under her coat before.
Early map of Remnant. Interesting place names, but Signal isn't on Patch but elsewhere, so this isn't a final version. I wouldn't rely on it as a reliable source for writing fic.
Weiss, Blake and Yang concept art, including early versions of their emblems.
Volume 4 to 6 team RWBY.
Volume 7 onwards team RWBY.
Hoverbike chase and backgrounds concept art.
Volume 7 onwards Blake and Yang.
Yang showing off her moves. I can't help but imagine her doing this on that night off dancing with Blake, even if I think she'd look happier.
Blake T posing turnaround.
Blake showing off her moves.
Yang and her fiery punch.
Raven’s bandit camp, excuse my fingers. Oddly enough I think it's using the outline of Yang in her DGAS outfit as a reference for scale inside the tent. She certainly seems to be lacking her right arm below the elbow.
Yang retrieving the Relic of Knowledge.
Raven outside Haven's Vault.
Yang slamming her fists together.
Yang’s turn to T pose.
Blake T posing again.
Raven joining in with T posing.
That's all I've got, apart from a couple of things for separate posts. This one is more than long enough. Let me know if there's anything you're hoping to see from this book, and I'll see if I can share it. You might be better off hoping someone else has the book and a scanner.
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Blake Belladonna's Design
This is a quick appreciation of our Cat Girl's design. Its objective is to offer a short analysis by incorporating elements of other metas. Ideally, the end result will be something similar to Yang's post. Finally, this is the final piece of my mid-summer Blake meta spree :) So, enjoy!
JUST ANOTHER CAT GIRL?
Blake's design plays with the idea of "cat girl". Cat girls are common in anime and mangas, but are often overly sexualized. In particular, cat ears are usually presented as an overly cute trait and sometimes a fetish.
RWBY takes this idea and subverts it in 2 ways.
Blake's ears are initially hidden, so that her affinity with cats gets highlighted through other aesthetical elements:
Gambol Shroud's ribbon resembles a cat's tail and it being a whip may reference the infamous cat o' nine tails
She decorates her eyes with cat eye makeup
She is able to make copies of herself, which get jokingly referred to as copycats
In Mistral she wears leg boots, which bring to mind Puss in Boots
In Atlas she wears a catsuit
Blake's cat trait becomes a core part of her identity, which is explored on a double level:
It represents her faunus heritage, which makes her different from humans and discriminated
It is a symbol of Blake's troubled past and of her involvement with the White Fang
So, Blake covers her cat ears to run from both society and herself. Just like a scaredy cat ;)
As you see, with some limitations and worldbuilding, Blake manages to be a cat girl with much depth to her. Still, there is more to her cat design.
FROM CALICO TO TUXEDO
Let's juxtapose Blake's initial concept art with her final design:
What changes is the cat used as the main inspiration.
In the initial concept art it is the calico cat (tricolor cat):
In the final character design it is the tuxedo cat (bicolor cat):
Why the change? Let's explain it by highlighting one similarity (1) and one difference (2) between the two kitties.
1- Both cats are called after a type of cloth:
Calico is a fabric, which originates in India (the set of the Jungle Book - Blake's secondary allusion) and is famous for its colorful printed patterns. I wouldn't be surprised if Blake's clothes in the concept art were meant to be calico made.
Tuxedo is a formal wear, which consists of a black suit over a white shirt and a bow tie. Well, Blake's final design is a revisitation of the traditional tuxedo with a shorter jacket and a bow worn in the hair, instead than as a tie.
The idea of "cloth" is heavily used in Blake's design, which may be one of the reasons why the tuxedo is eventually chosen. This kitty, thus, offers a pretty poignant metaphor.
It all starts with Gambol Shroud, where shroud means a piece of cloth that conceals or protects:
Here come two thoughts:
Blake's bow is her shroud which is why it resembles her weapon’s ribbon (same color and similar material). The bow is the ears, while the ribbon is the tail. Together they complement Blake’s cat design.
Some tuxedo cats are called tuxedo masks because it is as if a black mask covers their whole faces. It is easy to see how this concept fits Blake, who conceals herself thanks to a little piece of fabric.
Basically, Blakes's bow is her tuxedo tie, which is worn as a mask.
2- The two cats differ when it comes to their color:
The calico is a tricolor cat, which is mostly known as having a white coat with some orange and black patches
The tuxedo is a bicolor cat, which has white and black fur
These two color patterns are another reason why Blake has been characterized as a tuxedo instead than a calico. As a matter of fact the black and white dychotomy fits our beautiful faunus girl more.
WHITE AND BLACK = BEAUTY AND BEAST
In old English, Blake's name means both black and white. As a result, she is linked to both colors, which tie with her light and shadow motif:
Blake is associated to the twilight because it is where light and shadow meet. What's more, her musical theme is built on this duality. She starts in the shadows and climbs her way up towards the light.
Well, Light and Shadow are linked to two Jungian Archetypes:
The Light is the persona, so what is shown to others
The Shadow is what is repressed, so the hidden parts
And these two archetypes are explored in The Beauty and The Beast:
The Beauty is the light - she is beautiful, lovable and accepted
The Beast is the shadow - he is ferocious, scary and misunderstood
So, Blake's own allusion can be read as the integration of beauty and beast, light and shadow, so that a new unit (a new individual) is born. This is also Blake's arc in a nutshell. She starts as a shadow because she hides herself, but with time she steps into the light and shows the world who she is.
In other words, Blake's Beauty and Beast allusion is referenced in her appearence not only in her nature as a faunus, but in her color scheme too. She is both beauty and beast, light and shadow, white and black.
This is also why these two colors are incorporated in respectively Sun and Ilia.
Sun is white, as he leads Blake towards the light:
Ilia is black, as she forces Blake to face her own shadows:
Through them Blake integrates her shadows and stops hiding:
This is why her design changes in Mistral in two notables ways:
She gives up her bow once and for all
She wears a white jacket over a black top
These two details mirror Blake's inner journey. She learns to show herself more, so her ears get to be out in the open and the light (white) surfaces. In Beacon, instead, the ears are concealed and Blake is wrapped in shadows (black).
Ironically, this means Blake's design loses the core traits of her tuxedo cat inspiration. As a matter of fact she has no bow tie anymore and the color pattern is inverted, which doesn't work. Why this choice? It is because Blake is going from Beast (black + cat) to Beauty (white + individual). Symbolically, this happens as she shows her faunus trait more openly:
She grows more beautiful (human) as she openly embraces her beast side (cat).
GOLD, BLUE AND PURPLE = HOT, COLD AND JUST RIGHT
The shift from calico to tuxedo brings some consequences to Blake and Yang's complementary designs.
Let's compare the bees exploratory ideas:
As people have noticed, Blake and Yang are aesthetically and symbolically linked since early on.
Here, we have:
Blake with one gold eye and one blue eye
Yang with a blue bandana
This chromatic choice ties into Yang's allusion and design. As a matter of fact our Goldilocks uses colors to represent the too hot, too cold and just right. Specifically:
red/orange is the too hot
blue/green is the too cold
purple (blue + red) is the just right
So, in the picture above Yang's looks play with the dychotomy between too hot and too cold. This same duality is mirrored in Blake:
She is both too hot (gold eye) and too cold (blue eye)
She wears much gold in general (Yang's main color)
The idea is clear. Blake is Yang's hot and cold. In particular, she brings some needed blue in Yang's life. She helps Goldilocks cool down and become more balanced. Similarly, Blake proudly wears Yang's golden tones, as she has to grow more like her Golden Beauty.
So, how have these ideas evolved in Blake’s final design?
Blake has gained a strong association with purple, which makes her Yang's just right
Blake's color scheme has ditched gold in favor of silver, which makes her and Yang complementary
Blake's link to purple is interesting because this color calls back to her family and to the surname Belladonna (beautiful woman in Italian). In other words, it is connected to both Ghira's legacy and her Beauty side. So, it is not a surprise that Blake grows more purple in each arc:
She is slowly blooming into Yang's just right by reconciling with her legacy and by becoming a person worthy of our golden girl.
This transformation is highlighted also by Blake integrating some gold into her:
In both her Vale and Atlas's designs Blake is linked to silver, so that she can complete Yang's gold. Still, in Mistral she has some gold details because this is the arc where she integrates her missing parts. This integration ends with Adam's death and Blake's rebirth:
So, Blake's design tells a story of inner growth, which leads her to stand beside Yang as an equal:
Blake: She's not protecting me, Adam. And I'm not protecting her. We're protecting each other.
This theme is important for Blake's Cat Girl archetype. Cat Girls, thus, are often reduced to love interests, but Blake's arc is a deconstruction of this idea. What would happen if the male partner of a Cat Girl is abusive? Blake explores this concept and tells a story of liberation and development, which ends with a reconstruction of the trope. Our Cat Girl ends up in a happy relationship, but not as a shallow prize. Rather as a winner.
BEASTS, LIONS AND WOLVES
In conclusion, Blake's design alludes to the Beauty and Beast on three levels:
Society= Blake is both human (beauty) and animal (beast)
Couple = Blake and Yang are drawn as complementary
Individual = Blake is both white (light) and black (shadow)
Still, this is not the only fairy tale our Cat Girl ties into thanks to her animal features. Here come three examples.
Blake is Bagheera's daughter and a small panther (a cat) in the Jungle Book
Blake is a Scaredy Cat to Lioneheart's Cowardly Lion. Except that of course the cat is braver than the lion
Blake is Ruby's black beast in team RWBY's LRRH team allusion
This last reference is foreshadowed since Red Like Roses:
Black the beast descends from shadows.
After all, the Beowolves appear when Blake's line comes up.
Moreover, Blake's secondary allusions all come together to strongly link our Black Shadow to wolves. In the Jungle Book, Mowgli is raised by wolves, just like Blake grows up in the White Fang. The name of the group itself calls back to wolves, as it references the title of Jack London's book about a half-dog half-wolf, who fights to be accepted by humans.
Finally, it turns out Blake is not the only Cat, who turns out to be a Wolf:
In short, Blake's design lets her freely move between allusions and references. Not only that, but it is crafted to add depth and thematic resonance to her character and her arc. Not bad for just another Cat Girl, uh?
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Behold the ona and only TEAM RWBYS AS GUARDIANS OF THE VEIL!!!
Guardian Matchup:
-Ruby: Quintessence
-Weiss: Earth
- Blake: Air
- Yang: Fire
- Sarah: Water
If you don't know who Sarah is. She's my RWBY X W.I.T.C.H oc and Will and Cornelia's adopted daughter.
I going to do her profile in next post after I'm done with Psycho X Cupid fanart
If you're asking *Why are their Guardian outfits looked so different?"
Well the reason is that I thought their outfits(The colors) looked a bit boring, it doesn't tell you about their personalities.
So I lay down the details of their outfits.
Ruby Rose:
Her dress is inspired by her Vale design(it's iconic alright!), But I changed some parts of the dress with the frills from red to silver to match her eyes, since she hasn't cut her bangs in a while Sarah and Weiss gave her a hair clip.
Weiss Schnee:
Her dress is inspired by Cornelia and sonocomics Weiss design, since she's not the heiress anymore, so Ruby gave her a red ribbon to match her red hood.
Blake Belladonna:
I thought that cutting her hair was stupid(As much I like her short hair, I prefer it in her official art and concept art I do not like it in the show), so she kept her long hair. As for her outfit, I noticed that her Vale design, alternate design and Mistral design often a bit of her midriff , so I did that but with a sheer black undershirt.
Yang Xiao Long:
Like Blake her Vale design and her Mistral design exposed a bit of her midriff, so I did that but I realised that all of her designs in canon don't have much yellow on them, and more like a lot of brown on them, so her yellow will be primary. As for her gold heart necklace, Ruby gave it to her as a present.
Sarah Hale/Roselight:
Her top part was inspired by her Vale design(Like I said I will posted her profile in the next post), at the bottom part I gave Irma reference with the upside down heart, if your wondering why did her heart-shape necklace glow? Well it revealed soon..
So there you go! And also happy Halloween!
2nd version
OG art:
Ruby:
Weiss:
Blake:
Yang:
Sarah:
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I posted 7,086 times in 2022
That's 6,247 more posts than 2021!
58 posts created (1%)
7,028 posts reblogged (99%)
Blogs I reblogged the most:
@coldgoldlazarus
@aspiringwarriorlibrarian
@mailgirl-bellwether
@musings-from-mars
@katquasar
I tagged 4,564 of my posts in 2022
Only 36% of my posts had no tags
#rwby - 2,106 posts
#the owl house - 1,001 posts
#penny polendina - 535 posts
#toh spoilers - 531 posts
#ruby rose - 473 posts
#yang xiao long - 384 posts
#blake belladonna - 325 posts
#nuts and dolts - 278 posts
#toh hunter - 276 posts
#bumbleby - 257 posts
Longest Tag: 136 characters
#but the sheer flex of salem's nemesis resurrecting the same person multiple times when she turned evil after fucking up one resurrection
My Top Posts in 2022:
#5
THERE IS CONCEPT ART OF ELM IN BOOTY SHORTS AND NONE OF YOU PEOPLE TOLD ME?!
Sorry for horny posting but as an Elm Ederne lover I feel like this is important information for everyone who doesn’t already know.
52 notes - Posted July 7, 2022
#4
...is it just me or did they deliberately give shadow willow an absolute dumptruck of an ass?
101 notes - Posted July 24, 2022
#3
Imagine if the bumbleby kiss happens in the first episode or something. They just come out the gates swinging after almost two years without content.
131 notes - Posted June 30, 2022
#2
This is an actual screenshot from the owl house wiki’s page on belos’ design.
564 notes - Posted June 3, 2022
My #1 post of 2022
AU where Hunter wore the bird costume on Halloween and Phil has to try and be intimidating with that onesie and bird hood.
3,078 notes - Posted October 17, 2022
Get your Tumblr 2022 Year in Review →
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