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#bridgerton season 3 filming
kooks71 · 2 years
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Filming season 3 😁 😁 😁 😁
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bingiessm · 16 days
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WARNING, LONG POST
Hello, welcome to the Bridgerton Season 3 trailer over-analysis corner. I am bingiessm--a film student that needs an outlet right now and wants to practice some film analysis--and am here to bring forth the FIRE/FLAME/CANDLE motif that was all over this trailer and I feel will be a HUGE motif throughout this season for Penelope and Colin (Polin).
So within the Polin context, let's look at each shot where a flame of a candle or lack thereof could represent their romantic interest in one another--and in particular the understanding/recognition of it.
This show is going all out putting candles EVERYWHERE--yes it was actual lighting in regency era, but you don't have to have it in the shot. That is a CHOICE. Also a choice to have it lit or not.
Also, "I burn for you" anyone?
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FIRST SHOT: somewhat obvious but considering the context of both the mirror as well as other future shots within this trailer, this flame represents the feelings Penelope has for Colin, that she is well aware of and has held for a long while.
I also just have an inkling that she is seeing herself differently in this moment (feeling something for the first time possibly)--the way Nicola looks feels shocked/contemplative, but not scared as if it might be Whistledown-related.
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SECOND SHOT: they are outside, talking about Penelope being a "lost cause." WHY IS THERE AN UNLIT CANDLE IN A MARKET STALL, if not to represent some unrealized feelings on Colin's part? It is also on his side of the frame. This is similar to this next one, both of which I believe are earlier in the season, as this is the start of him "helping" her.
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THIRD SHOT: Once again, right there on Colin's side of the frame, YOU DID NOT NEED THIS IN THE FOREGROUND. It was a CHOICE to put a candle there again. They could have not had it, yes the shot would have had less depth and this does give a better sense of the space, placing them in a corner of the room instead of in an open space--but they didn't need to make it another CANDLE.
Colin has not fully recognized his feelings for Penelope yet, though they have always been there, and these two shots demonstrate that lack of understanding/feeling, but one that is soon to come with an unlit candle.
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FOURTH SHOT: this, in the timing of the trailer, does come before the third, but RIGHT THERE IS A MIRROR AND CANDLES. It is on Penelope's side of the frame, but Colin, the mirror, and candles are what is in focus. She might be center frame, but we are drawn to the light as well as the contrast in Colin's outfit. This could arguably be Penelope's perspective, her burning feelings as he compliments her--also her future (we all want that mirror scene).
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FIFTH SHOT: a HUGE TURNING POINT--a small flame, barely noticeable suddenly burning brighter as we focus on Colin in the background. This is so clearly him realizing his feelings for Penelope. It is also at the midpoint/turning point of the trailer when there is a big tonal shift. There is no more talk of Colin helping Penelope, but a larger focus on his perspective of her (all the gazing), the idea of romance, as well as mention of Debling--his rival. It will be a turning point for Colin when Debling--an actual suitor vying for Penelope's hand--comes into the picture. EDIT: Also going to add in, the candle is in a lantern--though that might have been easier to manage filming-wise--which could also represent him still holding back, especially with Debling in the picture.
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SIXTH SHOT: This comes right after we hear Debling say "You look especially beautiful tonight, Miss Featherington." One of the many examples of Colin staring at the two of them, being jealous/worried. But right behind him? Oh, more candles. That they totally didn't need to have in the frame. Also, it doesn't look so much like a candle, but they are placed so close to one another that it looks like more of a flame. The lack of focus adds to this.
THEN WE GET TO THIS FINAL SEQUENCE--which imo is a FANTASY SEQUENCE
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SEVENTH SHOT: Colin is coming from the darkness, with an unseen flame flickering directly behind him (small ember that he can't see).
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EIGHTH SHOT: Penelope, also coming out of the dark, but with another flame on (what in this sequence is) her side of the frame. Though it is somewhat hidden behind these bars--some rough patches/guarded emotions? (probably depends on what point this is in the series).
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NINTH SHOT: Penelope, already in the light of these fires, Colin entering with the large burning flame in the background covered by some growth.
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TENTH SHOT: Penelope, lit by these fires, breathing heavily. A very clear close-up with so much blur to focus just on her face.
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ELEVENTH SHOT: Colin, with a flickering/burning flame literally right behind him, lit by these other fires, staring right at Penelope.
So this whole sequence, in my opinion, is a dream sequence. But, in terms of this flame representation, this is Colin realizing he has feelings for Penelope. We see the flickering from the unseen light behind him in the seventh shot build and become the flame right behind him in the eleventh. It feels so obviously representative of the season. (The fog also seems to lift for him in this sequence, he comes out of the fog to Penelope--I could say more about this sequence and why I do think it is Colin's dream, mostly due to costuming and lighting and the fog as well) ______________________
And thus comes to a close my analysis/evidence of the FLAME/FIRE motif between Polin. I am cutting myself off here because this is a lot and I have an actual film shoot to plan. Thank you if you actually read all this. I love film analysis and Bridgerton is so fun and a stress reliever for me, so this was fun for me to write out.
Anyway, if any more of this fire/flame stuff comes up I might add on later.
TLDR: they are using fire and candles to represent the burning love between these two.
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waltricia · 11 days
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A list of what I believe are the main symbolic elements of Bridgerton S3
(I’ll try to keep descriptions as brief as possible)
1. Lighting. The first and last episode titles are “Out of the Shadows” and “Into the Light”. So, all lighting, particularly on Pen, will be very significant. Throughout seasons 1 and 2, she is often cast in shadow, while the Bridgertons shine in the light. In season 3, we’ll see more direct light on her.
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2. Mirrors. Yes, I know, but it’s not just about sexy times. Mirrors have been used to tell us about Pen’s secret identity, LW. Her mirror self is the true, brave, witty, brilliant self that she keeps hidden. While you’ll often see the other ladies of Bridgerton checking themselves out in mirrors (in addition to the Featheringtons, I’ve also seen Daphne, Kate, Edwina, and Violet looking into mirrors), you’ll never catch Penelope doing so. That’s the deeper significance of the mirror sex scene- Colin encourages her to confront that self.
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3. Greece. This is Colin’s big symbolic element. Greek mythology will be all over the costume and production design. Obviously, we know on a base level that he loves Greece. On a deeper level, Grecian symbols will be used to reference Ancient Greek stories and mythology that will add layers of depth to the love story. Ex) Homer’s The Odyssey is about a man who must journey throughout and around Greece in order to get back to his wife, Penelope. During his journey, Penelope has to fend off a bunch of suitors who are trying to get with her. Even though she thinks Odysseus is dead, she still loves him.
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4. Yellow/Blue/Green. I mean, c’mon.
5. Swans. The Bridgertons are mute swans (the regular kind). Pen is a black swan.
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Sir, that is a swan.
6. Flowers. Pen is a wallflower. And actually, the meaning of flowers have always been directly explained to us (lilacs, “symbolic of first love”, tulips “they symbolize passion”). Maybe we’ll get another quote about the symbolism of flowers in season 3?
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7. Writing/letters/quills/journals. A Polin love language. 🪶💌📔 Literally though, when Pen first asks anyone about sex (yeah, it was Marina, awkward, I know but 🤷), she’s made to equate it with letters.
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That’s all I got for now I think.
If you’re just watching Bridgerton because it’s pretty and cute and sexy, totally fine. Watch it however you want to watch it. If you want to go further, really feel things, maybe get a greater sense of catharsis, or at least get more of the ‘oh, damn!’ factor out of it, pay attention to the above elements. They will be shown and not told. If you are stuggling to understand what the symbols mean, hmu. I’m happy to help. I’ve only been on Bridgerton tumblr for a week and a half, but I can say I’ve already seen great analyses from @bingiessm @ktbeets & @sea-owl .
And if there’s anything I didn’t include, but should have, please let me know. I want to learn more, always. 💛
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mydearestpen · 9 months
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Bridgerton season 3 filming announcement (July 20, 2022)
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jryno · 16 days
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Season 3 ~ Bridgerton (2020 - present)
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trendfilmsetter · 16 days
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First look at Season 3 of Netflix’s BRIDGERTON
Part 1 will release on May 16th
Part 2 will release on June 13th
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dancingdorito · 1 year
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i have thoughts on the leaked photos from bath today
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we've SEEN this dress before... (season 1 episode 2)
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so i honestly think this can't be a flashback because nicola's makeup is too nice to be s1 penelope.
i think that this is penelope's first attempt at trying to change her look, and the reason why it looks bad is to show us that she's going to fail at her first attempts to find suitors because she was never confident in the ill fitted dresses portia made her wear.
i think that the poodle hair is not as "poodle-y" as s1 and you can tell because the curls are bigger.
obviously this is all speculation, but i would also like to point out to people worried about filming delays...
the "bridgerton-verse" is made up of a LOT of locations, many of which are not even near london. to film a scene episode by episode would take too much travel and too much time, so they film by location even if the scenes are out of order, so that they can use these areas and be done with them instead of repeatedly coming back. so yes, these images are most likely the first episode, but that does not mean they are extremely far behind. big productions like bridgerton use a lot of crew and to move everything around and film in order is near impossible.
obviously i could very well be wrong, but i thought i'd put my two cent in. i'm still a firm believer that they'll finish filming in february at the latest and we'll get season 3 around june/july.
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pensbridge · 5 months
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Ok I haven't said anything yet, but I wanna air my thoughts
To me, it's clear that that (Monday) Dec 11th leak wasn't intentional now—I thought at first, but the official announcement with Shondaland, and the announcement video seemed so last minute and there wasn't a single cast member present. It was so lame, I actually just wish they'd waited til there was real content (I was expecting them to wait to officially announce with a teaser or clip with season 3 footage).
I actually don't think the official announcement video was "using comments" to mock fans. My initial reaction to seeing, it was and I was annoyed. But the truth is Netflix makes these promotional videos (some intern gets assigned to scrap it together), and very often they're not that invested in the specific show content that they're editing. That video was as uninvolved and careless as Netflix themselves (by this I mean it wasn't made with any heart/desire to drum up excitement). They took the most basic fan consensus in asking where the szn is and questioning the delay and just put in various character lines with Portia/Violet/etc's comments, which they probably thought was so clever (but we don't care lol).
I hate the two-part format that Netflix uses (but you know, profit and all), however the story is the story. I watched You (Netflix), and hated it not because it was split in two parts, but because it WAS boring (i'm so sorry to any real fans). This was not a planned decision to split it from the get-go; this happened because of the strikes...But there must be some sort of cliffhanger here (and I use this loosely because it's a lighthearted, romantic period-drama though dramatic and built on the basis of tragic societal norms); the format of other seasons shows the track-record of what a final scene from episode 4 may look like. I do wish I could wait until it was all released, but unfortunately I have no willpower.
I am annoyed. But it is what it is. I'm not going to complain all the way to the 16th. I know what it is. As someone said on reddit, I'm "taking my joy where I can." That's pretty much how I've felt since this "leak" yesterday.
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eleanor-bradstreet · 1 year
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💙BENEDICT SIGHTING💙
Quick glimpse of LT filming in Greenwich today.
Bluuuuueee velllveeettt babyyyy 💙💙💙🤩
Taking after his big bro
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winnie-the-monster · 1 year
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I’m guessing this has to do with a side plot. Bc they would’ve flagged something like this for the main plot way before now. Also anything to do with a dark sex plot line we’re better off without.
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kooks71 · 2 years
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bingiessm · 13 days
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ANOTHER LONG POST for the Bridgerton over-analysis corner! SEASON 3 TRAILER & PROMO ANALYSIS
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I JUST NOTICED SOMETHING!!
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THAT IS VIOLET BRIDGERTON! IN THE MIDDLE OF THE FIRST "NON-INTRO" SHOT WITH FRANCESCA!
The first shot of any main character in the entire trailer is this one. Francesca is dancing with a suitor, the camera pushes forward and directs the eye right to Violet who is standing right in the middle, but with an unknown man in front of her.
Oh, I think there are going to be so many parallels between these two this season--especially in terms of romance. They have mostly been seen together or with "suitors" during all these promos and/or in direct comparison/association with one another.
MORE EVIDENCE:
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SECOND SHOT of either of them: they are together--and are shown to be equals here, as compared to how Violet was when she presented Daphne or Eloise to the Queen:
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Violet, with her other two daughters, was standing BEHIND them! (Also on their right side.) Now she's on the left, standing at Francesca's side--presenting them as equals.
Also, she isn't matching with Francesca like she was Eloise and Daphne--her outfit for this event changed slightly between the first two seasons (take note of the collar and crown), but has now changed dramatically. She at first presented herself as a fellow debutante (take note of the white dress and the gloves), but now is sporting a silver dress with long sleeves with clear grecian influence.
Violet has CHANGED, she isn't a background to or support for her daughter, she is her own person in front of the whole ton. She is also being "presented" in a way, but as this new self.
There is a new Viscountess, more of her children are married and leaving, and (as of Queen Charlotte we know that) she has had a lot of realizations about her marriage and sexuality. The world she knew as Viscountess and wife to Edmund is slowly changing, fading away to something new that she is beginning to embrace.
I think we will see her come more into her own, and not just as a mother or widow--this will be reflected in Francesca, who is going to struggle with finding a relationship that lives up to her mother & father's (and those of her siblings), especially watching her mother finally start to move on.
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Right after this sequence is a sequence of Violet and her presumed new love interest, directly associating the two--they are also linked with the narration "what is the primary force that guides us along our paths?" A question I feel will be explored by the both of them.
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It seems as if Violet is accepting this new love this season. Francesca, on the other hand, will struggle with romance this season. Every time we have seen her on her own, or with or having just spoken to suitors she seems unsure, worried.
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Violet watches her sit at this ball (the Four Seasons one) and takes a breath and sighs in an interesting way--sort of knowingly but resigned(?).
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It is also interesting to note within this dynamic that this is Francesca's first season, but not Violet's--as a mother or debutante.
TRAILER ANNOUNCEMENT:
Also, when looking at their appearances in the trailer announcement, it is interesting to see the difference in how they both were portrayed.
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Violet is looking, then pulls back to look on in question, as if realizing something, but is curious for more. Francesca opens it and looks unsure again, twisting her mouth. I feel like this is reflective of how their seasons will be.
I just find the clear connection between their stories that the trailer in particular wants us to take note of to be very interesting. It is exciting to see how they will both grow/change. Especially being mother and daughter, which is a dynamic that has been explored to an extent in this show (thinking of Daphne and Violet in season 1, but even that didn't feel fleshed out), but not much. _______________
BUT ANYWAY to others who have read my other Bridgerton posts, omg thanks for chatting and indulging me in this.
I just finished a big film shoot for a project so this has been a nice reprieve from the stress of that.
Hope you are doing well!
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waltricia · 21 days
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Happy Polin Day!! 💛 I accidentally wrote an essay about the lighting in this two second clip. I guess I found my Roman Empire.
Nicola said in an interview that the theme of the first season was passion, the second was longing, and the third is romance, and I fully agree and believe her because everything about this clip SCREAMS romance.
As perfect as they are, I have to put aside costume, hair, and makeup, and just praise the lighting right now bc it really deserves to be discussed.
Anyone who has ever read a romance novel knows that when the leading man looks at the leading lady ~lustily~, his expression darkens and he has a devilish glint in his eye, while she has a soft, open expression and stars in her eyes. That is EXACTLY what they achieved by angling a single soft fill light on Luke from below, while having him kinda backlit/ side lit by the key light (the moonlight), and angling that harder accent light on Nicola from above and back, while having the full key light on her from the front.
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In classic horror cinematography, characters are lit from below because it casts sinister shadows on their faces. Hell scenes often have characters lit by fire from below (because obviously). This kind of lighting is also great for portraying lust (see Kanthony in the library, season 2 ep 4, both scenes). Lustiness and the devil go hand in hand (because religion lol), and that’s why this slightly sinister lighting looks so good here.
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Colin is every bit the romantic hero, and the way the lighting portrays that is subtle, but intentional. His eyes are shadowed and he has that glint. No doubt he’s about to do something bold and scandalous. Just the way Colin is approaching Pen pretty clearly indicates his intentions, but I really like that you can also derive those intentions from the lighting because it evokes such freakin classic romantic imagery.
And in the same perfectly subtle way, she is also classically lit, but representing the other side of the coin. As he’s lit from hell, she’s lit from heaven. The yellow (😉) light on her has an angelic effect. It’s also a soft spotlight, like how they would light Old Hollywood starlets.
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When you combine that light with the key light (the moonlight) that fills her face and makes her eyes sparkle, you really see her, and she is meant to be worshipped. That’s what Colin is seeing. And, obviously, being seen terrifies our wallflower. Which just adds another layer to the significance of Colin’s lighting because not only does the lighting tell us what’s he’s about to do (😘), it also makes sense to have him in the devilish lighting because she’s scared. But it’s the good kind of scary of course.
And what’s so god damn beautiful about the whole thing, is that the opposition that I’m seeing between the lighting of Colin and Pen in this moment exists so harmoniously with the equivalence that I also see between the characters. The feeling of connection between them is stronger than it’s ever been. And I’m guessing she’s literally on some kind of platform, like a doorstep or something, because their lines of sight are more level with each other. So the contrast between Colin and Pen itself contrasts with the closeness between them.
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I just love how wonderfully complex that is. I am so impressed.
And that’s just the lighting y’all.
THAT’S JUST THE LIGHTING
💡🤯👏🙌😍🐝🌼🪞💛🩵💚✨
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bm-blog01 · 5 months
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someone said there’s a pic from s3 filming that shows Kate and Anthony on horses, does anyone have this please? (apparently it was shared on the polin subreddit and I don’t wanna search for it there unless I have to)
Hmmm.... I don't recall seeing a leak from S3 filming showing Kate and Anthony on horses, but if I come across it I will post it here.
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super-madi16 · 2 years
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They definitely look like they were filming Francesca’s debutante/on their way to it and everyone’s favorite brother just happens to return looking like a pirate haha.
- you can see the feather in Hannah’s hand.
- the dress matches Daphne’s in season 1
- sort of a parallel to end of season 1
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cultureoftoday · 2 years
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Masterlist
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Books -Coming soon-
Movies/TV Can't wait for Bridgerton season 3?
Fashion Takeaways from British vogue- July 2022
Games -Coming soon-
Music -Coming soon-
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