this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...
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wasted a cop's time today
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This could mean any of three things:
Just fanservice because they are aware of how ridiculously popular Enid and Wenclair has become
Enid is paralleled against Morticia so she's gonna marry into the fam--*GUNSHOT*
Enid gets adopted into the family or becomes a cousin(like Parker in the animated movie💀) because her family life is strenuous enough that Enid thinks she could be disowned for not being a proper werewolf
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the darkest of nights, in truth, still dazzles.
a halsin fanmix [listen]
01. Heart of Spring - david arkenstone | 02. Cé Hé Mise Le Ulaingt? / The Two Trees - loreena mckennit | 03. Pussywillows, Cat-tails - gordon lightfoot | 04. Maybe Tomorrow - f&m | 05. Don't Stop Me Now - queen | 06. I Was Born Under a Wand'rin' Star - bryn terfel | 07. A Tenuous Bond - derek duke | 08. Closer - nine inch nails | 09. Into the Darkness - jeremy soule | 10. Colorblind - counting crows | 11. Natural Light - ludovico einaudi | 12. Under the Greenwood Tree - royal shakespeare company | 13. The Grove - bear mccreary | 14. Blood Upon the Snow - hozier & bear mccreary | 15. A Quiet Darkness - houses | 16. Spellplague - alderfall | 17. Empty Chairs at Empty Tables - jonathan antoine | 18. Only Everyone Can Judge Me - crywank | 19. Blue Skies - kathryn calder | 20. The Buzzard - old blind dogs | 21. Constant Craving - k.d. lang | 22. The Cave - mumford and sons | 23. Jim Cain - bill callahan | 24. I Won't Back Down - johnny cash | 25. The Ash Grove - laura wright | 26. The Wind - yusuf/cat stevens | 27. To Someone From A Warm Climate (Uiscefhuarithe) - hozier | 28. The Logical Song - supertramp | 29. Tapestry - don mclean | 30. Big Yellow Taxi - joni mitchell | 31. Eat Your Young (Bekon's Choral Version) - hozier | 32. The Flock - david maxxim micic | 33. Changes - david bowie | 34. Ri Na Cruinne - clanaad | 35. The Moments of Happiness - ken page | 36. My Back Pages - the byrds | 37. If This Journey - tom hanford | 38. Turn! Turn! Turn! (To Everything There is a Season) - Live - pete seeger
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ppl in this community will jump on any opportunity to rip on someones ship and its a little pathetic
like id understand if it was like rly bad like maxvid but it seriously is just normal ships that dont hurt no one
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imagine pinkie wearing this:
Ok, yeah, I know you said imagine... but I accidentally went and drew it instead (and drew it so fast my tablet almost catches on fire haha)
AND Dash is here too...surprise! I just can't visualize Pinks in my head without having Dash around and viceversa, that's just how my PinkieDash brainrot works... so it accidentally became PinkieDash too, my B
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I love when people get appropriately compensated for their work and time 🙂
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Since writing the affirmations and starting manifestation again, I've actually been in a much better headspace. It's crazy how things align, and you end up where you need to be, especially through pain
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry," "Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture"
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My unpopular opinion is that Im0dna is a great example of "just because someone knows you the longest, doesn't mean they know you the best". They don't really underwater each other like other people in the party already do
Hi anon,
So the ask meme is done but I don't actually know if this was intended as part of that, as I also have the sort of personality that solicits unpopular opinions into my inbox anyway. (Also I am guessing underwater is a very funny autocorrect mishap for understand; I have been there).
Anyway, yeah. I think my favorite meta I've seen is that what Imogen and Laudna actually ask of each other is just to be there - because it is true that they have both lived incredibly lonely lives. For what it's worth I think loneliness/missing someone is perhaps the most common thread among Bells Hells, with a secondary theme being victims of circumstance/irrevocably altered by events beyond their control, and it frustrates me that a lot of framing of the ship ignores that Imogen and Laudna are not uniquely suited to understand this about each other. But it is true they have experienced loneliness that, in my opinion, is at least partially self-inflicted (also not unique) and that their response has been to be there for each other.
But it also means there's little room for change, because change threatens that status quo, and there's therefore no space to delve deeper. It's a little bit of the classic problem of if you start a romantic relationship with a friend and then break up, you might lose both the romantic relationship and the friendship. But it's more than that - Chetney and Imogen have zero romantic interest in each other and aren't even terribly close within the party, but when Chetney asks Imogen if she's okay Imogen is actually able to answer with some amount of honesty without pretending everything will work out, as she's not worried about making sure he feels comfortable. Deanna, who's known Imogen for less than a week, is able to address Imogen's constant use of psychic powers in a way that's not unkind but is in fact the honest sort of thing a best friend should be able to tell you. Or for another example, FCG's tendency to strongly urge people, including Imogen, to confront their pasts isn't always the most skilled, but it usually comes from a place of good intentions, whereas Imogen and Laudna's relationship feels...unconsciously transactional? I think we saw in the gnarlrock fight that they're just absolutely terrified of being in a fight and don't really know how to resolve conflict in a way that actually moves forward rather than smoothing things over. Like, it's not an unfair relationship - they're both getting the same companionship out of it - but there's not really space for one person to be angry at the other or to feel wronged. There's no room to breathe.
Anyway - I think the party split is really illuminating this! Imogen is benefiting immensely from this arc, as it both spotlights her relationships with other party members and gives her some time to process after being the central focus for so long. While I have to admit that Team Wildemount is the one I'm far more interested in for a number of reasons (fantastic guests, all the main PCs have cool plot hooks to explore, I love Uthodurn and Molaesmyr) I do hope that we get to see Laudna similarly have a chance to branch out (pun kind of intended).
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i think being a face model for a game is so cool. being the motion capture / voice actor is incredible too, but there is something awesome about just giving the rights to your face to a gaming company for a new video game and then months or years later you see a trailer for said video game on youtube and then you just go. hey. that’s me.
and you see youtubers and streamers playing the game with you as the character they are controlling. even more interesting if you don’t know most of the game plot like cascina caradonna (for dina in tlou2) and the whole time you just think damn i look cool! look at me go!
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Reasons to be Happy
Great friends and followers
Lindt chocolate
Dropout TV
Go West
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I haven’t done one of these in years because I either drew nothing at all or not consistently enough. I’m genuinely happy and proud I actually managed it this year.
It’s been a tough year and it wasn’t always super fun to share my art. But I’m happy about the progress I made despite it all. I’m thankful for the people who have been kind throughout the year, I cherish the messages I did receive, I’m thankful for every person who takes the time out of their day to add tags to one of my fanarts, or comments or gives me any kind of feedback. I know you have no obligation to do so and I’m just really glad you decide to do so. If there is any kind of feedback or excitement to feed on, it really makes all the difference for me.
Happy Holidays to everyone who celebrates!
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This time of the year is always a mixed feeling for me, since it's at the peak of seasonal depression for me. It's a time where you have to think about how much has changed in this year, and the previous years.
This year has been pretty turbulent. I moved to a new state, got a new job that I am not experienced with at all, met a lot of new people and lost a few. I started out this year with covid and the belief that life wasn't going to change at all, only for it to change in Way too many ways that were great and awful. I am! scared of the upcoming year, to be honest.
I want to say that my lack of writing this year was due to all of that, and in a way it is. But it's also due to personal issues of repressing a lot of my wants and enjoyment. There are many a draft where I have steamrolled through only to stop and have a lot of panic and obessive, destructive thoughts over how to end it, how it will be read, xyz, and then I can't bring myself to finish it. And I wish it was as simple as just having someone shake my shoulders and go "It's fine!!!!" but it is not that simple at all. I am constantly in a fight with my brain and left exhausted, and often giving up.
I will say it is. disheartening. getting critism over new interests, as if I have kicked my 'old' interests to the curb completely. As if I am not actively talking to friends about isaac or arthur, or any other favorites I have. It is annoying finally managing to post something and getting people wishing for something else instead, rather than just politely trying to engage with me about those characters/things instead.
I know I will continue to write, and I will post things in the upcoming year. It is a given. I do not know how frequent it will be. Depression has taken a lot from me, and this past year is evident that it's taking writing from me slowly but surely. I greatly dislike making resolutions for the new year, but I do hope that I will be able to have more patience with myself, and that more people in this fandom will focus on empathy and patience as well whether it is with themselves or others.
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Related to Remus being made the brilliant one and how that possibly stems from us seeing him studying for the Transfiguration O.W.L., people forget that Sirius isn’t studying because he already knows the material and doesn’t need to review. Is it cocky? Yes, but considering McGonagall’s later statement that Sirius and James were brilliant, it’s likely that he did do well (combined with his expectation of getting all Os). Sirius and James were effortlessly brilliant, the kids that barely have to take notes and still score the highest, and Remus may have been an intelligent student (he becomes DADA professor and was actually competent, but that doesn’t necessarily mean he was brilliant in all his classes, just that DADA was a class he did well in), but Remus had to work at it
no but it’s literally so funny how remus became the uptight nerd as if the man literally didn’t cause unending chaos on his literal first day???? he was a whole marauder (for whatever that was worth), a very fuckall prefect, and in a resistance against ~dark forces.
i think it’s down to like, 1. poor, shallow reading comprehension where teacher=swot; 2. trying to force the golden trio dynamics (which in itself reiterated how badly people read these characters bc hermione, for all her know-it-allness was so ruthless and mercenary???); 3. trying to contrast james’ and sirius’ perceived traits (how else would u imply remus was superior 😌😌)
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