I had another rom com dream, and since it was pretty coherent I’ll share.
A girl is meant to be going on a date with a guy she’s liked for a long time. She shows up but her date doesn’t. She’s sitting at the bar depressed when a Hot Girl shows up and commandeers her night with a force of personality like a hurricane. The First Girl is like. Oh. Okay, guess my night is gonna be crazy and follows the Hot Girl on a series of wild and exuberant adventures.
They get closer throughout the night and it becomes clear it’s absolutely a date. In a quiet moment after the adrenaline from running out of their latest troublemaking wears off the Hot Girl admits she has a confession. She was the guy, back before she transitioned. She didn’t want to miss out on a date with the First Girl because she’d had a crush on her for a long time, but she also was too scared to come clean at first.
The First Girl is tired, and stunned (possibly concussed) from their wild night and is trying to process hearing that. But the Hot Girl is so tense and ready for rejection that she stands up and says “Whatever, I can see from your face you don’t accept me, I’m leaving”. The First Girl tries to call her back but she’s too upset and flees the scene.
So the First Girl goes on a crusade trying to contact the Hot Girl, enlisting her friends, calling her, sending letters, all to no avail. The Hot Girl is too scared to pick up and deal with her feelings. So the First Girl starts walking the city calling the name of the Hot Girl’s dog, hoping that the dog will run over dragging his owner behind him. Bizarrely, this works. (He was a really cute corgi, not sure how he dragged anyone).
Hot Girl is upset that First Girl won’t leave her alone and First Girl pulls out a list to read to the Hot Girl. But Hot Girl interrupts and says she isn’t interested in hearing anything on the list because she already knows it’s First Girl ripping into her for being deceitful. First Girl finally loses steam in the face of all this rejection and just drops the list, turning to walk away.
Hot Girl looks down and sees that the list is all the things First Girl loved about their date with lots of doodles and scribbles about their fun adventures. Hot Girl realizes she’s been a total ass and runs after her. She confesses how scared she’s been to open up and come out after her transition and First Girl just kisses her and says how long she’s been waiting to do that. The end, I woke up after that.
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I actually finished Monster a few days ago but I will state my feelings on it for posterity's sake: I think Monster, while composed of a number of well written and evocative vignettes, ultimately fails to execute its overall emotional arc well. If the story had been explicitly framed episodically with an overarching B-plot connecting these episodes, I might feel more positively towards it, but the fact that it must nominally develop its "main plot" each chapter while devoting most of its screen time to tangentially related stock characters was extremely frustrating. None of the twists or reveals actually felt consequential because information about the main plot is fed to you so painstakingly and in a way that's so repetitive that its conclusion is largely predictable and almost anticlimactic.
Monster ultimately does not do a very good job of developing any of its main cast. Its story and characters warp around Tenma, who is just not very interesting. I was frankly just fed up with him and the unilateral adoration that every character holds for him by the end of the story. Nina was extremely underdeveloped for the character she should have been and supposedly was within the story and any pathos that could have been elicited by her was neutered by first having her be barely present for the vast majority of the story, and second by also relegating her into being a Guy Who Just Loves Tenma. Eva was probably the closest any character had to a real character arc and her writing was just so absurdly misogynistic for nearly the entire story I couldn't enjoy any time she was on screen. Johan should have been an interesting character, but the manga got so long and drawn out that by the end I was just fed up with him.
The story overall was weirdly saccharine in a way that felt almost childish in contrast to its intended tone, and while that's not in itself a bad thing, its attempts to portray humanity as Overall Good felt simplistic and often cheap. It kinda goes hand in hand with how horribly it attempts to address WWII. "Well, The Nazis Felt Really Bad About It" and "If You Think About It, Japanese People Were The Real Victims" are not, uh. Themes that show a willingness to contend with complex morality or any real belief in human goodness aside from superficial self-reassurance. Also Urasawa Naoki is insanely insanely insanely afraid of sex.
Ultimately I think Monster would have been way, way better if it had just been shorter and had treated its main plot in any reasonable manner. It had a lot of interesting, evocative moments, and a lot of the ideas of the main plot could have been really good to chew on if the main plot hadn't lost momentum long before it was actually wrapped up. Nina and Johan are given very interesting treatment on occasion, and I have been thinking about their characters and relationship quite a bit since finishing Monster, but the plot was so bogged down in the Various Extraneous Dipshits and the need to conform every aspect of Nina's character around Tenma that there's no actual interesting conclusion to be drawn from them.
I think on an arc-by-arc level, Monster is quite well written, and it has a few really strong moments. It just makes such poor use of its format overall that it sours the whole experience.
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Aaahhh! Your OCs are so precious!! That smooch is perfection. I also love their hair! Do they have lore? (If you wanna share!)
hellOOO THANK YOU!! Ask me about my OCs and I'll never stop ✋️😭
I AM working on lore. I have bits and pieces of a larger universe and cast of characters. But it's sorta haphazard and while I've posted bits in my other OC works I've put here, my tldr is that my OC universe is a More Mature combo of AtLA and She-Ra (spop).
These two, just literally sun and moon gays,,,like aesthetically and also they just have sun and moon magic powers 😭😭😭
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Okay, so I got Gun and Korn mixed up again, I think. But I have no idea what's going on with Gun and Pitch and Zo and the complicated relationship there. Very sad to have gotten no GunPitch scenes, those are my favorite and I love a piner pining after another piner who's pining for someone else... it's so... piningfull.
But I do like the idea of Pitch and Zo, they are cute and Zo's pining is serious. He's tiny and jealous and trying not to be so hard. I still like Gun and Pitch a lot, honestly, but I don't think Gun is leaning that way. He's got his own stuff going on and lots of it. But who knows!!? They can't even settle on a name for him.
At least Weha and Wayu are cute and still going with no hint of a pause. Just very sweet boys who have each other's backs and are slowly falling in love despite rules that say they're not allowed to do that and I appreciate it deeply.
(Oh, hey, am I the only one who was hoping Pitch had actually fainted on the stage for the Drama of it All? Because I very much was)
I saw this shot and instantly thought of @respectthepetty which is doubly amusing because they're dressed like this for their show characters so... you know... theming is on point in the fictional BL inside the real BL?
This show is just the soap opera of BLs with too many characters, too many names and subtitles in which every character has like five different names depending on who's typing them, apparently.
I have given up on about half the cast but I think I've got, like four or five of them down.
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really curious to see how people's finale opinions will develop once we get some distance.... personally I feel like I'm still reeling so hard from the gut-level emotional response that it's difficult to really assess or analyze it esp. within the framework of the whole show and I kind of wonder if others feel the same
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i know that in media you're constrained with things like budget, time slots and stuff, but sometimes i'm just like. my god. the insane shortcuts people take to write "smart / intelligent" characters, especially in plot-heavy stories, always pisses me off. they write them like they're sherlock holmes (bbc version, derogatory) but they fail to realise that even sherlock holmes (arthur conan doyle) was written with a lot of thought, suffered his own subconscious prejudices and had to learn from mistakes.
i guess what i'm trying to get at is—"smart" people don't magically get good at things overnight, the only difference between them and others is how much they're willing to go through to hone their mental acuity. which means when they try something new, they're going to make obvious mistakes, not understand how things work beyond the surface level, and make mistakes in judgements (like when you don't understand something well enough, your analogies and metaphors aren't 100% accurate or concise).
but it feels like there's a assumption hanging over our heads that, as readers, we don't WANT to see the smart one go through the entire nitty gritty of the learning process. we just want to see them do cool things, piece the puzzle together with a flourish, and clap our hands at the end. and in some parts, yes! that is what i want to see! but i am also interested in how they pieced it together. the joy of mysteries is, to me, that everyone is exposed to the same pieces of information, and we're given the chance to try to piece it ourselves. but then the smart character comes along and interprets those pieces of information in a not-obvious way to us, and it's cool!! years of living with a mind that is primed to turn things over in their head, to make sense of things, reveals to us how differently we experience the same reality, and it's wonderful. i'm able to learn from someone who sees life differently than me, and interpret information differently than me!
but right now i'm often left out feeling flat and confused in the mystery-type plots i've seen. the smart person will have been exposed to information we didn't even get the chance to see and interpret, and then they piece things together and everyone in the story claps their hands at the artificial pedestal that's been propped up under that character's feet. explanations of in-setting magic that can be retconned in and out at any point in time, so there's no logical consistency for us to nitpick or understand, so there's no basis to stand on that the story should be taken seriously. plot twists that make no sense as a gotcha. so many things!!
like. this particular example just my beef with g*nshin, so ignore it if you don't agree or smth. but the use of red herrings in the stories piss me off. the red herrings are either too obvious or nonexistent. they always use some random guy acting suspiciously and have the other characters react to it, as if we can't understand it on our own? but like. these red herrings, in the real world, aren't even red herrings. sometimes people just "act suspiciously" just by virtue of being human, not because they're complicit in some bigger overarching plot. sometimes people just stutter because of their anxious disposition, not to hide a guilty conscience. sometimes people are just defensive and irritable because they're a defensive and irritable person, it doesn't mean they're the ""bad guy"" who you need to crack down on and interrogate even further, especially if there's literally nothing that indicates this character is guilty other than their outward appearances.
but like. the smart characters/protagonist almost never get proven wrong. the stutterer was guilty all along and they're just a bad liar. the defensive guy is selfish and obnoxious, they're defensive because they're hiding something, not because it's a natural reaction on having one's sense of privacy and personal space violated.
the game sure loves trying to do nuance with "not everyone is 100% good or bad, we're all Flawed" but they can't put their money where their mouth is. everyone who is not guilty acts in completely transparent and "good" ways. everyone who is guilty acts in completely opaque and "suspicious" / "bad" ways. end of story. how the hell am i supposed to think anyone in this game is smart when they don't even have to use their brain to sift through, critique, weigh and interpret information? what use is there to do so? just use your eyes and ears. the stutterer is nervous for hiding a secret. the anxious is guilty. the angry is scornful.
there's also another rant here about how g*nshin fucking sucks at writing unique and flawed characters, because they like to make everyone the Specialest Guy In The World, but that's for another day.
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while i think it's fair to worry about how much they're going to change certain stuff, i also think there's Way too much doomposting surrounding bg3's changes in characterisation
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Planning on redoing my WIP/introduction page, any tips on more/better things to put on it?
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The overwhelming urge to write/draw an entire graphic novel, but the lack of motivation to draw, think of an actual story and plot, and no idea what to actually write.
Oh the humanity!
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prof said congrats for writing up a proposal so early i am going to get a good grade in. well this is literally going to be graded. but yk the meme
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hi yes hello what happened this episode
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So, you think Burntrap and Glitchtrap are Afton?
I don't think steel wool knows at this point.
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!!!!!! I FINALLY managed to map out the ch 16/17 outline for APWH!!! (16 and 17 because it's all thematically similar but it's gonna be literally seventy pages or something if it all goes in one chapter so we're breaking it up)
The good news about that, other than the fact that this part's been stumping me for ages, is that chapters 18 and 19 are MUCH clearer in my mind and have been planned out for a while.
Anyways i'm super tired but really excited about that
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Anyways I had to rush a semi major assignment done in like. An Hour before it was due after trying and failing to work on it allll night and getting no sleep at all. Why? Because i was busy reading Alternate Universe by Unda and going insane thoughts in the tags.
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oh god…they want…12 seasons? TWELVE SEASONS????!
unpopular opinion but uhhhh miraculous should have planned for 3-4 seasons and never gone beyond their initial 7 miraculouses.
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“The poet is like this monarch of the clouds”
- The Albatross (Charles Baudelaire)
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