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Daenerys is 14
And she does stay in Slavers Bay and try to rebuild the economy. Source: A Dance With Dragons.
She spends much of the book trying to negotiate new trade deals with the Lhazarene and the Qartheen, trying to plant new olive groves and bean fields, trying to reform the guilds membership so former slaves can earn proper wages as skilled craftsmen. She tries to assimilate with Meereenese culture to ease a peaceful transition of power, she consults with their priestess, she adopts their religious rites and their uncomfortable traditional dress, she agrees under pressure to marry a Meereenese noble (she doesn't force anyone into marriage at dragonpoint like in the show). And she goes out personally to feed and care for the sick and starving refugees at her door, she tries to set up quarantine zones to slow the spread of infection.
And yeah she falls short. But the odds are stacked against her. She's 14, for starters. And before she arrived the slavers burnt all the olive groves and salted the soil so she couldn't use them, and as she calculates it will take 30 years before the land will be truly productive again. She also has the Meereenese slaving class working very hard to sabotage her by funding domestic terrorism within the city. And she has to deal with a refugee crisis, a famine, a plague, and an alliance of pro-Slavery states forming a blockade around Meereen and threatening to siege the city.
True the refugee crisis is arguably due to her leaving Astapor. She set up a new government, but she should have stayed longer to consolidate it. But she is only 14, and her main adviser/parental figure is too busy being a pro-slavery pedophile.
And the fall of Astapor isn't completely on her shoulders. She left adults in charge, people with qualifications and who knew the land and people better than she did. They had political agency and responsibility. As did Cleon. He could have chosen not to overthrow the Council and name himself King. He could have chosen to heed Daenerys when she told him "don't start a war with the Yunkai". And the Yunkai could have chosen not to slaughter Astapor and chase the refugees to Meereen. They could have simply removed Cleon and then recognised Daenerys had no part in his actions. The Yunkai could have chosen not to then declare war on Meereen.
The institution of slavery is complicated to overthrow and complicated to replace and even complicated in the ways it reasserts itself. Daenerys isn't the only actor here who determines the fate of Slavers Bay (though if she unleashes her dragons she can certainly become the most decisive actor again). The entire point of ADWD is that it's much more complicated than that - its GRRM's answer to "what was Aragorn's tax policy?". She is a 14 year old child who does her best against impossible odds, and who explicitly puts any dreams of Westeros on hold indefinitely. Time and time again she is offered the chance and means to sail for Westeros, and she turns it down each time because she knows she can't leave the people of Meereen behind to die.
And hopefully the lesson she learns by the end of ADWD is that she has to stop being conciliatory towards the slaving class. She spares the lives of hostages, she opens the fighting pits for them, she gives up her body in marriage, and still they try to poison her to install Hizdhar as King. Mercy isn't a weakness, but the people who have a vested interest in slavery aren't going to stop just because you ask them nicely (like that garbage show GOT seems to think). She's got to use her dragons.
No, critiquing her failures isn't the same as defending slavery. But claiming that she never tried, and ignoring the odds stacked against her, is false. As for blaming her for Slavers Bay falling into chaos and suffering... First off, again, she isn't the only responsible actor with agency - I maintain that the fall of Astapor was pretty much out of her hands. And second, it ignores the massive scale of human suffering that already gripped slavers bay. The daily violence inflicted on slaves - the families torn apart, the lives destroyed, the children mutilated, the thousands of dead babies killed to initiate the Unsullied, the tortures and crucifixions and whippings and executions and rapes.
Ignoring that isn't that far off from defending slavery. Claiming that the violence that overthrew slavery is worse than the violence that is slavery isn't that far off from defending slavery. Should no one ever dare strike off a slaves chains just because they can't account for the violence that could come after? Is the crucifixion of child-murdering Slavers worse than the crucifixion of innocent children?
Or to bring up another literary scenario with more moral equivalency and ambiguity - was the Tenth plague upon the firstborns of Egypt worse than the mass culling of infant slaves? Who do you blame for the Ten Plagues of Egypt? Should Moses have left well enough alone?
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grennseyelashes · 1 month
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Oh and ANOTHER thing. Anyone else think it's funny that chick that keeps showing up (?) and speaking in riddles, telling Dany to go back, is called "Quaithe". Like. In a book with a talking raven. Quaithe.... Quoth. Of Edgar Allan Poe's The Raven fame. Quoth the Raven etc. Where the narrator is driven to madness asking when he will see his lost Lenore and receiving only the same answer over and over, "Nevermore."
Aka the poem that's referenced at Dany's absolute lowest moment (in Daenerys IX, AGOT) where, after already having committed to righting the wrong of Eroeh's enslavement and rape (because she's projecting onto her), she finds that the only power she currently has at her command (sex, as taught by Doreah) is utterly useless, and she is left, as the narrator of The Raven is, bargaining with futility:
"And when the bleak dawn broke over an empty horizon, Dany knew that he was truly lost to her. "When the sun rises in the west and sets in the east," she said sadly. "When the seas go dry and mountains blow in the wind like leaves. When my womb quickens again, and I bear a living child. Then you will return, my sun-and-stars, and not before."
Never, the darkness cried, never never never.
The musicality of the end of that second paragraph, ending on an "-ore" syllable, and the repetition of "never" bring to mind the word nevermore, and the darkness crying out also indicates this poem, as it's the darkness that speaks first in it, not the raven itself. And it's also accompanied by another literary reference from which we can infer that Dany's state of mind in this moment is similar to how the narrator of the poem ends up too
Inside the tent Dany found a cushion, soft silk stuffed with feathers. She clutched it to her breasts as she walked back out to Drogo, to her sun-and-stars. If I look back I am lost. It hurt even to walk, and she wanted to sleep, to sleep and not to dream.
This bolded section is a a reference to the "to be or not to be" soliloquy from Hamlet (specifically the line "to sleep, perchance to dream"), which is a mediation on suicide, where the speaker ultimately decides not to die for fear of "dreams" (here meaning his fear of hell). But funnily enough Dany is not religious. And shortly after this she walks into a fire.
It's safe to say that regardless of if Quaithe is ever real (at least after Quarth) the visions of her that Dany has are functioning as a reminder of this moment, at least to the reader, and of the true reason she did it. Not to save the world, but because there was no place in it for her as she was.
This "Never never never" phrase is used only one other time in the books too, for the other Very Magical child, all the way across the sea, who is also selected for a special "destiny" and who is not at any point in a position to reject it either:
"I am told you were quite the climber, Bran," the little man said at last. "Tell me, how is it you happened to fall that day?" "I never," Bran insisted. He never fell, never never never. "The child does not remember anything of the fall, or the climb that came before it," said Maester Luwin gently.
Wonder what would happen if Dany ever truly remembered how she got those dragons. Because just like Bran, before she flew, she fell.
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emilykaldwen · 2 months
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Clair <3
something something, the power of prophecy destroying this already fucky family. Break the Wheel, Dany. And by that I mean go find your own path.
And isn't that what we see as the downfall in say, a character like Robb Stark, who tried to live up to the "noble" image of his father and got himself shanked for it? (Tywin was always gonna try take him out, but the Freys went with it because Robb insulted them).
Or Stannis channeling his own inner unhinged Targ by following Melisandre's prophecy to go north that's resulting in Shireen's murder.
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songcfmuses-a · 2 years
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Casual reminder than Daen.erys and Vi.serys have had assassins and spies sent to them since they were very small children.
Jor.ah being with them was no accident. J.orah was always a spy, and there may have been a hand in V.iserys' death that wasn't his own stupidity. Who got him drunk? He had no coin. Nothing to trade. Who gave him alcohol for free? Reminder jor.ah has been selling Da.nys secrets, and her location since he joined them. Which tells me they'd been searching for her since before she got pregnant. Jo.rah, who genuinely groomed and tried to isolate her from other West.erosi, had been a spy for Var.ys since before the series. D and V had only been at Illy.rio's for six months.
Va.rys and Ro.bert had been searching for D.any and Vise.rys since before Jo.rah joined them... what the fuck does that tell you? They didn't know about the marriage plans until Jo.rah joined them. They were hunting these children, and Vise.rys moving about protected them from being found consistently.
Rob.ert was so concerned about the Targ loyalists turning to join them, he called them scum and was near paranoid about it. Robe.rt made enemies of already dead infants, and he then did it to living children. He called dead Rh.aenys and A.egon "dragonspawn", and held no sympathy for them or their mother, who had been raped and murdered. Ne.d thinks poorly of it.
"I see no babes. Only dragonspawn." He also didn't give af that El.ia had been raped and murdered. Is this your king? He then never visited D.orne or made any apologies for the loss of Dor.an and Obe.ryn's sister.
He sent a fleet to assault Dragonston.e when she was born. A post partum mother, an eight year old and a newborn who would've been put to the sword or dashed against a wall for their blood. Rob.ert then blamed Stann.is for the CHILDREN getting away.
Thank you very much, stop pretending otherwise. 14 is still under age for West.eros and Vis.erys is 8 years older. Therefore, he'd been of age for six years. Meaning at minimum assassins would've been sent for Vise.rys at 16. Dae.nerys would've been 8.
Why would he wait until the army against them was secure? Robe.rt wouldn't. Rob.ert historically didn't, re send.ing Stan.nis for the siege on Dragonstone.
Viser.ys moved them place to place as a 13 year old because he had enough reason to believe swords were sent after them both. Swords that had already been responsible for the deaths of children, and held no remorse for it.
Robert made children his enemies canonically. Don't forget that.
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winterprince601 · 7 months
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"he was never unfaithful to robert, was he?" - jaime, acok
ha. ha ha ha. the irony of this line is incredible. what's so striking to me is how one dimensional the realm's understanding of eddard stark as an honourable man is - honour itself is an incredibly complicated and unattainable ideal in asoiaf and i think ned as the stereotypical emblem of it encompasses many of the reasons why. because whilst he absolutely does consider acting in a conventionally honourable way important, he always prioritises those he loves. he defended cat's actions as his own without a second thought when she arrested tyrion. his main priority in king's landing is to see his daughters safe, not to secure the succession. lyanna is the prime example: jon's existence is not the result of the lapse of honourable ned stark, it was honourable ned stark choosing his love for his sister over his duty to his king. that and his personal ethical belief that the political murder of a child is never morally acceptable.
no one in the realm has the insight into his personality we get in the first book. none of his children, vitally, understand that he would always prioritise their safety over any honourable scruples. all of the starklings question what their honourable father would think of their actions - killing in self-defence, marrying jeyne westerling, sleeping with ygritte to name a few examples - without recognising that ned's true first priority was always his family's safety.
in fact, he betrayed robert far more than he ever betrayed cat and he would have betrayed honour for his family's safety every time.
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sylvies-chen · 1 year
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my mother said something really interesting about this episode (yes, she also watches the show and is a huge fan of dani rojas just like me) and it’s been stuck in my head ever since. she said: “it seems to me like this whole episode was about intimacy”
and like… yeah! that’s exactly it! the amsterdam trip set the perfect scene for it too, because people are normally a little more lax on vacation, a little more adventurous, a little more lenient and able to put themselves out there.
you have the pretty obvious contenders for this point: rebecca having her little fling with that nameless bald man and learning to open herself up to real connection and intimacy again, to be able to envision for herself a life and a love that is unmoored to her past with rupert and is able to exist in its own little intimate pocket. you’ve got jamie and roy learning to trust in each other, to be intimate and vulnerable about their pasts and about their present situations too (especially for roy, who is still right now a man who would rather break up with the woman he loves that admit, that he doesn’t think he’s good enough for her). and you also have, of course, the true soul of the episode, which was colin and trent’s discussion, and how colin feels that ache to be able to show the more intimate parts of him to the world the way heterosexual couples do, to be able to merge his intimate personal life with his fun if not a little reserved professional life. how to achieve a balance between intimacy and privacy.
and then you have the less obvious ones maybe, like higgins and will going to the jazz club— which isn’t really that hard to decipher when you think about it. it is, after all, where higgins opens up about an intimate detail of his love for jazz, and then gets to share his previously very intimate and private activity of playing the bass with the crowd. he even starts the night complaining of how exposed their seats feel, and ends up standing on the stage by the end of it. and, of course, will potentially had a threesome. so there’s a kind of intimacy for you. the one that truly isn’t obvious is the team pillow fight which honestly, I think is just a way of showing that sometimes a more intimate, fun yet indoor activity makes for better memories than something like a sex show or a club, which are both very grand and exciting yet impersonal and detached kinds of activities.
then of course you have ted, who is sort of lacking what my mother called an intimacy with himself. he’s been feeling a little lost, a little “stuck” as he put it. and I don’t think he understood why until this episode, until this adventure he went on with the museum and the american themed restaurant. it was a way for him to spend quality time with himself, to be alone with his thoughts while still not totally unable to absorb his surroundings and learn something. and in exploring his more intimate thoughts he was able to think of something really good! something that will make him a better coach!
and yeah, when it’s framed in this way I think this episode was sooooo killer. I love seeing people open up a little bit, to show these deep and intimate parts of their being. it’s so so so good.
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little-pondhead · 3 days
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Your Ancient History, Written In Wax
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Danny knew he should have put better security around the Sarcophagus of Eternal Sleep. It wasn’t even Vlad who opened it this time! The fruitloop was too busy doing his actual mayor duties because for some godforsaken reason, the man got re-elected.
No, it wasn’t Vlad. And it wasn’t Fright Knight, either. Nor the Observants. Who opened the Sarcophagus, then? Danny didn’t have time to find out as Pariah Dark promptly tore open a hole in reality and hunting Danny down.
The battle was longer this time. He didn’t have the Ecto-Skeleton, as that was the first thing Pariah had destroyed. The halfa had grown a lot over the past few years, and learned some new tricks, but apparently sleeping in a magic ghost box meant that Pariah had absorbed a lot of power. The bigger ghost acted like a one-man army!
Amity Park was caught in the middle of the battle, but the residents made sure it went no further than that. Vlad and the Fentons made a barrier around the town to keep the destruction from leaking. Sam, Tucker, and Dani did crowd control while Danny faced the king head-on.
Their battle shook the Zone and pulled them wildly between the mortal plane and the afterlife. Sometimes, residents noticed a blow from Pariah transported them to the age of the dinosaurs, and Phantom’s Wail brought them to an unknown future. Then they were in a desert. Then a blazing forest. Then underwater. It went on like that, but no one dared step foot outside of Amity. They couldn’t risk being left behind.
It took ages to beat him, but eventually, Danny stood above the old ghost king, encasing his symbols of power in ice so they couldn’t be used again. He refused to claim the title for himself. Tired as he was, Danny handed the objects off to Clockwork for safe keeping and started repairing the damage Pariah had done to the town. The tear he’d made was too big to fix, for now, so no one bothered. They just welcomed their new ghostly neighbors with open arms and worked together to restore Amity Park.
Finally, the day came to bring down the barrier. People were gathered around the giant device the Fentons had built to sustain it. Danny had brought Clockwork to Amity, to double check that they had returned to the right time and dimension.
Clockwork assured everyone that they were in the right spot, and only a small amount of time had passed, so the Fentons gave the signal to drop the shield.
Very quickly did they discover that something was wrong. The air smelled different. The noise of the nearby city, Elmerton, was louder and more chaotic. Something was there that wasn’t before, and it put everyone on edge.
Clockwork smiled, made a remark about the town fitting in better than before, and disappearing before Danny could catch him.
Frantic, Danny had a few of his ghost buds stay behind to protect the town while he investigated.
He flew far and wide, steadily growing horrified at the changes the world had undergone. Heroes, villains, rampant crime and alien invasions. The Earth was unrecognizable. There were people moving around the stars like it was second nature and others raising dead gods like the apocalypse was coming. Magic and ectoplasm was everywhere, rather than following the ley lines like they were supposed to.
Danny returned to Amity.
The fight with Pariah had taken them through space and time. Somewhere along the way, they had changed the course of history so badly that this now felt like an alien world.
How was he supposed to fix this?
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In the Watchtower, The Flash was wrapping up monitor duty while Impulse buzzed around him, a little more jittery than usual. The boy was talking a mile a minute, when alarms started blaring an alarming green. Flash had never seen this alarm before, and its crackling whine was grating on his ears.
Flash returned to the monitor, frantically clicking around to find the issue, but nothing was popping up. No major disasters, no invasions, no declarations of war. Nothing! What was causing the alarm?
Impulse swore and zipped to a window, pressing his face against it and staring down at Earth. “Fuck! It’s today isn’t it? I forgot!”
“What’s today?” Flash asked. He shot off a text to Batman, asking if it was an error. The big Bat said it wasn’t, and that he would be there soon.
“The arrival of Amity Park. I learned about this in school; the alarm always gives me headaches.”
Flash turned to his grandson, getting his attention. “Bart,” he stressed. “What are you talking about?”
Impulse barely glanced over his shoulder. Now that Flash was facing him, he could see a strong glow coming from Earth. “The first villain, first anti-villain, and the first hero,” he said anxiously. “They all protect the town of the original metas. They’re all here.”
“Here? Now??”
“Yeah? They weren’t before, but they are now. The first hero said there was time stuff involved, which was what inspired me to start practicing time travel in the first place.”
“I’m not following.”
“It’s okay. We should probably go welcome them before they tear apart Illinois, though. The history I remember says that some of them freaked and destroyed a chunk of the Midwest during a fight with each other.”
“WHAT?”
#dpxdc#pondhead blurbs#liminal amity park#I’ve seen stuff like this in the mhaxdp fandom and I eat it up every time#basically the fight with Pariah caused the town to jump through time a little#and while they THOUGHT they were keeping everything in#shit leaked out and tainted those points in time#so technically#historically and genetically speaking#Amity Park is the origin point for the meta gene and Danny made history as the first hero#because Clockwork is a little shit#everyone embodies a basic ability and it has grown from there#the flash family are direct descendants of Dani (speed force Dani for the win)#Dash is the reason super strength exists#so on and so forth#go buck wild#bart learned about it briefly in history class in the 30th century#practically hero worships them#booster gold knows about them too but in contrast to Bart’s excitement#booster is fucking terrified because there was a period where Amity Park rebelled against the US government#and he’s from that specific time#he learned to fear phantom because he lived during that part while Bart is from farther in the future when those issues got resolved#guess who’s chosen to welcome the town? >:)#if you’re wondering what happened to the GIW#they turned into the branch Amanda Waller runs#Danny is the first hero#Vlad the first villain#and Dani the first anti hero#there’s an arc where Danny is trying to fix things but clockwork won’t let him into the timestream and all the heroes are horrified#because yeah Danny is the OG but if he goes back in time to fix his ‘mistake’ what will happen to them?
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tanglepelt · 1 year
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Dp x dc idea 4
Dani is the one who puts amity parks on justice leagues radar.
She’s off exploring the world and ends up in metropolis. She showed up in the city just by flying in don’t worry she flew in at night no one noticed. No super boy noticed.
He’s worried lex made another clone and approached her. She laughed at him. She wasn’t Superman’s clone she was phantoms clone.
Dani never learned stranger danger or anything from vlad. She left amity as soon as she was stabilized. She just moves from place to place.
So she just tells him everything about amity park and the little she knows about the infinite realm. Don’t worry she didn’t out anyone’s identity so it’s all fine and dandy.
Danny and crew were not pleased when the justice league began investigating there town. Especially when they investigated his parents. But hey the anti ecto acts were gone so that was a bonus.
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tepkunset · 11 months
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So. That PowerPoint I joked about making? Turns out I am even more passionate about this than I thought.
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fromtheseventhhell · 3 months
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Dany: *breathes*
Dark!Dany "theories": I honestly don't know how there's any question of Dany turning evil when we have such obvious foreshadowing like this in the books. In the first place, this is not just Dany exhaling...it is a violent expulsion of air from her body. It's a sigh, a sign of impatience which shows that Dany becomes frustrated and restless very easily. Not only that, the presence of oxygen strengthens a fire and can lead to a sudden explosion; when Dany gets impatient, intentional or not, her first instinct is to add "fuel to the fire". And finally, air is the very essence of life. She expels "life" from her body, rather violently at that, the moment she becomes impatient and unconsciously begins to turn to fire...do I really need to say more? It's so obvious that Mad Queen!Dany is being built up, George isn't even trying to be subtle lol
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it is so so interesting to me that one of the most popular forms of a Hallmark movie is that a woman is returning to her small town either for an emergency or because things didn't work out in The Big City™, and realizing that what she needed was in that small town all along
It's so rare that it's a man returning to his small town for any such reason
I'm just interested in what that may say culturally? Like, a woman leaving her home and family for the sake of her ambition
And either that ambition doesn't pan out, or despite her success, she's going to leave it behind because hometown dick is just that good
What does that say about a woman's ambition, and what script writers think an ambitious woman is most likely to regret and subsequently value? And furthermore, what does it say about the ability and ambition of the men in their stories? Does it tie into the "traditional American home/family values" (I am using the heaviest of quotes around that)? Or does it point toward the writers believing that men are more firm and certain in their choices and values? Or does it point to the idea that men have no ambition beyond their immediate lives?
I dunno. I'm just. I'm just thinking
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Mad Queen Misogyny
All the mad queen Dany takes, from both D&D and the audience, are just plain misogyny. They are literally just repeats of common misogynistic ideas. D&D have given a few reasons for why they wrote the mad queen ending for Dany, and all of them are the same old misogynistic tropes of fantasy and mythology.
The Mad Queen:
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I'm going to start this off by going into how the mad queen trope itself is rooted in misogyny. This is one of the oldest tropes in fantasy/fairytales. Whether it's Snow White's evil step mother or the Queen of Hearts, literature is riddled with mad queens.
The idea of the mad queen is informed by the desires of men to keep women out of power. Yes there are historical women who were horrible people and unstable when in power. However, those examples are not enough to justify the amount of times the trope occurs, especially since some of the examples occur after many stories have already been written (ie, Mary I and medieval fairytales). These fictional women were written as cautionary tales of what happens when a woman is placed in power.
By writing the mad queen Dany arc in GOT, D&D are perpetuating an old trope rather than "subverting" anything as they claim. The most powerful woman in the world turning out to be a war mongering and mass murdering tyrant isn't subversive in any way. The only reason it was surprising was because it came out of nowhere narratively.
ASOIAF fans who constantly try to justify this turn for Dany's book character are attempting to do the same thing D&D did. They want to employ an ancient trope to justify their dislike for her in name of being "subversive".
The Violent Woman:
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A trope that stretches back all the way to the Ancient Greeks is that of the angry, homicidal woman in power. From Hera to Medea, the myths are full of women who commit atrocities simply because of anger. This trope isn't just about avenging a slight or retribution on the guilty; it's about a woman taking out her anger on innocent parties.
Daenerys has fallen into the role of the avenger many times throughout both the show and and book. She killed Mirri Maz Duur for the murder of her son and husband. She killed the Undying for attempting to trap/kill her. She kills Kraznys mo Nakloz and many other slavers for the atrocities they commit constantly on the people they enslaved.
In the show, she imprisoned Xaro Xhoan Daxos and Doreah in a vault for killing Irri and helping the warlocks steal her children. She killed the Khals who threatened to rape her. She kills the Tarleys for rebelling against the Tyrells, thus getting them killed, and refusing to bend the knee.
Every time Dany killed up until season eight, it was purely because those she killed harmed her or her allies/children. That is why none of her past kills justify her burning KL. The people of KL did nothing to her; it's not an established part of her character to harm innocents out of anger. She even outright condemns the killing of innocents in earlier seasons.
The inconsistencies show how D&D chose to blatantly ignore the complexities of Dany's character in favor of a sexist trope. They perpetuated the idea that a woman in power who is angered will ultimately commit injustice and atrocities.
Dany antis in the ASOIAF fandom are no different from D&D. A common argument used by Dany and Targaryen antis is that they are bound to be corrupt and tyrannical because they have dragons. Essentially saying that Dany was doomed to be the villain the moment she hatched her children.
They point to her dragons' existence and her conquest in Essos as reasons for her "villain arc", despite the fact that none of her actions reflect the things they claim. Dany is simply being condemned for being a woman with power; it's expected of her to be a tyrant for those reasons alone.
The Woman Scorned:
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This reasoning given by D&D in a behind the episode interview is probably the excuse that I hate the most. They said that one of the reasons for Dany's descent into madness was because Jon Snow refused to kiss her back once he found out they were aunt and nephew. This is an insanely misogynistic trope.
Used time and again by writers (mostly male), this trope is about a woman who becomes an antagonist due to rejection, unrequited love, or betrayal from a lover. In the case of Dany and GOT, it's Jon refusing to continue their romantic relationship.
For some reason, this is seen as a breaking point for Dany. A woman who has endured poverty, homelessness, sexual slavery, a traumatic miscarriage and death of a spouse/protector, and the stresses of war was broken by a man refusing to kiss her. Doesn't that sound fucking stupid? Well that's because it is.
Dany has never felt entitled to people's love (with the exception of shitty writing from D&D) let alone someone's sexual/romantic reciprocation. It's out of character and flat out insulting to women to believe that is enough to make Dany into a mass murdering tyrant.
Once again, there are members of the fandom who espouse this reasoning into their own theories and metas. Jonsas especially are guilty of this; some claiming that Jon's rejection of Dany in favor of Sansa will be a catalyst for the "mad queen".
An offshoot of this thinking, is the idea that Dany went/will go mad because she was rejected by the realm.
In the show, the Northmen are dismissive or outright hostile to Dany when she arrives (even after she saves them). Due to this rejection by the Westerosi people, Dany decides "let it be fear" and chooses to burn KL to the ground.
Once again, this idea isn't grounded in her past actions at all. Dany has always known she needs to earn people's love and respect as a ruler, why should she change her mind the moment she steps onto Westerosi soil? The answer is simple: she's a woman, so she can't possibly be able to deal with rejection.
Fans theorize constantly that Dany is going to go mad and destroy KL and Westeros because the people will definitely reject her in favor of Young Griff/Jon Snow/any other king they can think of. This theory is simply clinging to misogynistic ideas about women and it's disgusting in every iteration (it also dismisses the fact that there are people in Westeros excited about the idea of Dany and her dragons in the books but that's a different post).
The Woman Bereft:
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This argument is probably the least outright in its misogyny. The idea that a woman who has lost everything will lose her mind isn't a new one and it can be played in a non-sexist way. However, GOT played it completely in the sexist roots of the trope.
Throughout seasons seven and eight, Dany loses basically everything. All but one of her children, her closest advisor and best friend Missandei, Ser Jorah, a massive chunk of her army, her other advisors, most of her allies, and is rejected by Westeros and Jon. That's a lot of loss to endure.
However, Dany has endured severe loss before and never reacted by murdering a city full of innocents. Again, this decision and descent isn't backed up by anything else in her storyline.
The sexism of this idea, that loss produces mad women, is that it's rarely applied to men in the same situations. For example: Tyrion lost everything he cared about, yet he's never written by D&D to be in danger of becoming a mass murderer. He even outright says he wishes he'd poisoned the whole court, but is never portrayed as a mad man by D&D or fans.
Dany is expected to go insane after enduring loss because she's a woman. She's perceived as being fundamentally weaker, mentally as well as physically, so she must be more vulnerable to madness than the male characters.
The Foreign Seductress:
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The idea of the foreign seductress is a xenophobic and racist stereotype. For Dany, her antis use the instances of her exercising sexual autonomy and her life in Essos as fodder for this disparaging trope.
In the books and the show, Dany pursues sexual and romantic relationships outside of marriage. This is something that doesn't fall in line with the medieval setting of the world. In Westeros and Essos, it's common for men to do that, but not women, due to systematic misogyny. Because of this, Dany's antis often feel free to argue that because she doesn't act "pure", she is wrong and evil. Dany's bound to become a villain because she isn't a chaste and "good" woman.
In the same way, Dany is painted as wrong for wanting to take her family's throne purely because she wasn't raised in Westeros. She's perceived as a foreign invader by both her antis and D&D.
D&D wrote many scenes of outright xenophobia from the Northmen, Sansa, and Arya towards Dany and her forces without ever condemning those ideas. In fact, they justify them by writing the mad queen ending. The fact that Dany isn't "one of them" is used as an excuse for her descent.
Dany antis also employ this rhetoric, especially when people compare Dany's conquest for the IT to the Starks' desire to retake Winterfell. It's good for the Starks to want to retake their throne because they were raised in Winterfell, but Dany has no right to her ancestral home because she wasn't raised in Westeros.
However, this idea is never applied to Young Griff, who was also not raised in Westeros. Despite this, people will talk about how excited they are for his story and how sad it is that he's totally going to be murdered by his evil aunt. Once again a double standard is applied to Dany.
All this is because Dany is a woman who refuses to conform to patriarchal standards and was raised in a foreign country.
Never Good Enough:
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Dany antis and D&D thrive on applying a different set of standards to Dany than other characters. They do this an a way that's reminiscent of the double standards set for women even today.
No matter what Dany does, it's never good enough for them. She dealt with Viserys and his death in the wrong way. She didn't protect her people in the right way. She tried to abolish slavery in the wrong way. She saved the goddamn world wrong. Like nothing Dany does is right in their eyes.
In their minds, Dany should've died in AGOT being a perfectly passive woman. She refused to submit to those (men) around her, and for that they punish her.
She's wrong for fighting the slavers, she's wrong for trying to avenge murdered children, she's evil for killing to protect herself. D&D used each of her actions throughout the show that they seemed too aggressive as justification for what they wrote. Dany's antis do the exact same thing in their theories.
The mad queen Dany theory is rooted completely in misogyny. It has no true justification in the narrative and every argument conjured up is just as sexist as the trope they want to perpetuate.
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jonsaslove · 2 months
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someone has been going through my blog and liking hundreds of posts over the last few days and so i've gotten to look back at the real time live blogging of season 8 and all the discourse and theories and i'm sorry it's been 5 years, i'm gonna say it.
we were SO robbed of the kidnapping plot.
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Before I write anything that's fully coherent, some bullet points on the overarching theme of 3x06 - being seen:
Colin tries to go under the radar, but Trent sees him. Trent sees Colin's struggle and comforts him by relating his own experience. Colin feels seen & takes solace in the fact that someone understands. There's someone he can trust in the Richmond inner circle.
Dani wants to see a tulip, but there were tulips in the hotel lobby (and they likely will have driven past them on the coach). He was too busy being distracted by the match & his obligations to see that the thing he wanted was right there the whole time.
Roy & Keeley seeing each other in a new light. Roy sees Keeley moving on and living her life without him. It forces him to confront his feelings & insecurities. Is this the beginning of their reconciliation?
Ted & Total Football. The solution was already there, he'd just never thought about it before until his trip-that-wasn't-a-trip. 'Triangles, tri-angles, try angles' - he's seeing things from a different angle, in work and potentially in life.
Rebecca & the bike lane. She should have seen the fall coming because the signs were all around her, but she didn't. She's spent the last few episodes obsessing over and looking for signs and now she's missed them and fallen into a new phase of her life.
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Richmond weird/funny interview idea.
I was going to write this as a fic but then realised I would have to try to figure out how y'all do awards shows and what they are called and gave right up.
So in AFL (Australian football), we have this awards night for the best player in the league that year and most of the other big awards (called the brownlow). It basically means all the biggest players in the league come together to this award ceremony. And on the red carpet, they do interviews and stuff for radio and tv. Pretty normal stuff. Most the time, it's what are you wearing, how do you think your year has been, who do you think will win blah blah. But there is this one segment a radio station came up with entitled 'sh*t brownlow questions', and the interviewer just asks completely random and stupid questions for fun. And it's hilarious because these players are just so out of depth with the random questions.
Now I cant get a Richmond version out of my head.
Like they go to an awards show, all dressed to the nines and there is some interviewer there who decides to ask random questions for entertainemnt on his channel, when all the guys are expecting the usual questions and it starts of pretty well and funny
Interviewer: Hey Dani, just a quick question. Would you rather fight 1 Isaac McAdoo sized duck or 100 duck sized Isaac McAdoo's?
Dani in his chipper demeanour: oh I wouldn't want to fight any version of Issac at all he is such a great guy, and I love him....
Dani suddenly going serious and grabbing the mic and looking straight down the camera: But if I had to chose, I would go 1 duck sized Isaac because 100 tiny Isaac's would be too many Isaac's, they would completly overwhelm you and tear you apart!
Interviewer: Hey Colin, just wondering do you do your tax returns as soon as you can or wait until just before the cut off date?
Colin going pale: oh no. When are the tax returns due? I don't know when the last time I did my taxes was......
Interviewer asking like this is going to be a football question: Hey Sam, we are getting to the serious end of the season now so I was was just wondering, who do you think will win..... this seasons Lust Conquers All?
Sam with his serious face at the beggining of the question laughing by the end: Oh Janet for sure but I think I would be a amiss if I didn't mention Jamie was robbed last season.
Interviewer: Hey Roy, just wondering.....
Roy barley glancing at him as he walks past: Nope not doing it, f**k off.
Interviewer: Hey Richard, so the big one is coming up, Wembley Stadium, 90 000 people, just wondering........ did you manage to get Taylor Swift tickets?
Richard without blinking: Yes, yes I did.
Any question asked of Ted, Ted is just ecstatic, takes it 100% seriously, and is generally happy to answer.
The interviewer joking pulls out a cross word from the paper and asks for some help from Beard. Two minutes later, he has a completed crossword, and he just looks at it in astonishment.
Then the interview goes off the rails a little.
The Interviewer asks Jamie a random queation about history but instead of stumping him Jamie lights up and peoceeds to give an in-depth answer with alarming detail and the interview now knows more than he ever needed to on the subject. (This makes Roy even more unhappy because Jamie is now going to 100% talk his ear off about this for the rest of the night, just info dumping on him. Let be real he secretly loves it)
Interviewer: Hey Moe, just wondering if you had an opinion on the election in (insert random country here, most people wouldn't know about the elections of).
Moe: automatically goes into lecture mode about democracy and the evil's of government  and gets so passionate and loud aftet 5 minutes of it Issac needs to come and save the reporter who eyes are as wide as saucers and is questiong everything.
Like, I can just imagine the chaos of the AFC and their personalities in a segment like this. The fans would go crazy for it, too
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winterprince601 · 9 months
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symbolically, dany (probably) not being able to have kids is very powerful. throughout the first book, her worth as a queen, threat as a conqueror and value as a body is determined by her ability to breed: the prospect of a son overshadows all her achievements and her body is used and abused as the vehicle of her brother's, her husband's and various other men's conquests. that is why it is so radical when instead of her barrenness being depicted as defective, she births the dragons all by herself, all of herself, without any real male intervention. SHE is the true dragon, it's in HER blood, HER power and she flips the terms of reproduction so that she is the one inscribing meaning into lifeless matter, animating clay. any marriage she now enters will be far more on her bodily terms. in fact, there doesn't have to be a husband or a son or even a legacy - she defines daenerys and she defines targaryen.
of course, personally this is still heartbreakingly sad for someone like dany who desperately wants a home and family. even as it potentially grants her more autonomy and forges a very important maternal bond with her dragons, daenerys is still left feeling isolated from and through her body.
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