UPCOMING ISSUE OF EC FAN-ADDICT FANZINE ANNOUNCED!
Coming around October from Fantagraphics! Fasten your drool cups! Editor Roger Hill and Associate Editor Grant Geissman have teamed up to create the biggest and best issue of the EC FAN-ADDICT FANZINE yet! This profusely illustrated, 112-page, full-color issue is absolutely chock full of EC lore and rare artwork by EC artists! Front and back covers by Jack Davis. Featuring Frazetta’s original hand-colored silverprint of his legendary Weird Science-Fantasy 29 cover, an unpublished interview with EC Picto-Fiction cover artist/pulp fiction illustrator Rudy Nappi, a 1978 visit to Gaines’s legendary EC art vault, a feature on EC’s Leroy lettering team Jim and Margaret Wroten, EC Artist Christmas Cards, Jack Davis and Playboy, a feature on the Davis-illustrated Dracula’s Greatest Hits album, an exhaustive listing of all the various versions of EC’s Picture Stories from the Bible series, articles on the creation of—and history behind—the seminal 1960s EC fanzines Squa Tront and Spa Fon, and much more!
It was very exciting for me. Unlike these other people on the panel, I wasn’t publishing fanzines, but I was reading them early on. The first exposure I had to the original Captain Marvel was in Alter Ego #7. I’d heard a little about the Golden Age Captain Marvel, but I didn’t know what his costume looked like or anything. It was fascinating. We take the history of comics for granted nowadays because it’s so accessible. All the ECs have been reprinted, the wonderful DC Archives collections are out there. In the 1960s, every original scrap of information you could get your hands on was a treasure. One of the early fanzines -- Fan-to-Fan, I think -- ran an article about EC. Though I’d heard something about EC, this was the first I had a chance to hear about Weird Science and connect it to Mad comic books and such. So it was a wonderful, valuable place to start finding things out, and it just continued over the years.
Transcription of the The Golden Age of Comic Fandom panel at SDCC 2000, from Alter Ego (1999) #9.
Highlighting and annotating my readings for HST-331! I’m really happy to have this reading because for the last two weeks, I’ve been learning the exact same thing in my Colonial America class and my Politics in Latin America class, so I’m glad the two are starting to diverge.
EC-102: Read Ch. 3
HST-331: Read + Annotated 3 readings
HST-331: Discussion Prep
Onboarding for Internship Part 2
Officer Meeting for 1 Club
I also made it to both my classes today and took some pretty good notes in both. I also starting working some more on my HST-297 topic, which is going to be something with British Punk Rock in the 70s-80s. I was searching through archives to find self-published fan magazines (fanzines). I would love to do something with those, but they’re hard to find. I’ll learn some more tomorrow, and hopefully be a little more productive than I was today.
latest returning thought is considering what comics and cartoon strips dd characters would enjoy. firm belief that foggy loved doonesbury in college. i think he'd also be a bloom county fan and would enjoy calvin and hobbes. as a kid he loved peanuts and nancy. this is a more modern timeline foggy obviously. i gotta go back to my comic history learning to see what older strips he would've liked from the 40s-60s for college and kid stuff. i also have to think about matt for that matt would have loved those classic adventure comics. mike gives me the impression of someone who loved archie comics and mad magazine as a kid. he probably liked underground comix scene stuff too when he was an adult. this is only based off me knowing him as matt's alter ego this gives no regard to real boy mikey as i don't know him. matt definitely liked calvin and hobbes. sorry i can only give surface level popular comic strips bc it's the easiest to access in my brain however this means they'd know them so it's fine whatever i don't think any of them were any particularly niche cartoon strip aficionados. but i can see foggy doing this actually. foggy would've loved ec comics i know this to be true in my heart. he told me. he liked them as a teen. i think he also liked stuff like fanzines for trek and other popular shows from around the time of like you are getting this mailed to you from someone you met at a very small hotel basement con or saw in a newspaper ad fan stuff. this is because foggy is an utter nerd but im going based off his star trek poster nerd aspect instead of any bookish nerd stuff right now. and his model car type nerdiness that also brings you to interests like this. i know alongside cars he would probably have a few action figure garage kits he never got around to making. he started oned of them but abandoned it halfway through because he got busy and just never picked it up again. sorry i lost the entire plot of this post
IN MEMORIAM, BERNIE WRIGHTSON -- FOREVER LINKED TO SLAYTANIC THRASH.
PIC(S) INFO: Spotlight on the repurposing of underground '60s horror comic-book art for quasi-malevolent extreme music supremacy in the American mid '80s thrash metal scene -- Particularly that of the "Live Undead" sleeve art by the mighty SLAYER, c. 1984.
OVERVIEW: "Artist Albert Cuellar very conservatively referenced the central image from this very early panel by the master of macabre himself, Bernie Wrightson! This drawing originally appeared in an EC horror spoof called "Ghastly Horror Comix" in 1969 but it was reprinted and made more widely available in the 1980 Wrightson collection "The Mutants."
You can hardly blame Cuellar for ripping this off. It's a perfectly archetypal zombie and, in the spirit of fair play, Wrightson himself was aping the great comic artist Graham "Ghastly" Ingels when he drew this for an underground fanzine in the late 60's."
-- THE BATTLE FOR ART! (blogspot), "The Occult Roots of Metal Iconography," published May 4, 2011
5 de jul. de 2022 — PDF | Paradoxical elements on Quatro Estações do Sonho, a flute concerto for solo guitar, by Brazilian composer Carlos Cruz (1936-2011). This article addresses two compositions written for solo guitar in 1974: Ritmata and Momentos I by composers Edino Krieger (b. 1928) and Marlos Nobre (b. 1939), de JD SEXTRO · 2015 · Citado por 4 — stops and dissolves into dissonant guitar screeches, very similar to a real musician making a mistake on his or her instrument. This type of interactivity isJohn Rahn - Basic Atonal Theory - Free ebook download as PDF File (.pdf) or read book online for free. Fanzine editado pela SPH.Scans by Jorge Stretcher.A case study of non-guitarist composers | Márlou Peruzzolo academia.edu › The_collaborative_processacademia.edu › The_collaborative_process Música atonal de minha autoria baseada no sistema de composição muito usado pelo mestre GUITAR LAB - Instituto de Guitarra Online - SEJA MEU ALUNO! Originalmente, o Sibelius envia uma partitura do Sibelius 7.5 e um arquivo PDF (apenas da partitura). reference.book Page 30 Friday, May 30, 2014 4:14 PM
Thank you all very much for your participation and patience, the content of the fanzine is finally ordered and the index is finished. Very soon you will be able to download it along with more surprises.