sorry but snow is such a well written iconic villain and donald sutherland performs him so fucking good it's almost hilarious how i start practically foaming at the mouth every time the man opens his mouth to say something deplorable in those movies, like he's so utterly and despicably wrong about almost every crucial thing from katniss and peeta's relationship to human nature as a whole and yet the second he starts talking about how hope is the only thing stronger than fear and how you have to allow a little hope but control it so its spark doesn't grow into revolution and how it's the things we love the most that destroy us you bet your ass i am on the floor screaming crying throwing up because that is my psychotic mustache-twirling villain RIGHT THERE
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my downstairs neighbor (a saint who’s decided to adopt me): do you think you could pick me up some butter while you’re at the store?
me (thrilled she’s finally letting me do SOMETHING for her): ON IT 🫡
cut to me giving her the butter & her handing me a bag before basically running off into the night before I could give it back to her (she’s slick).
inside the bag? two sweaters she randomly bought because she thought I’d like them (I do) & she knows I’m about to go to Europe where it’s chilly, plus a freaking $20 bill.
neighbor: 1000 points; me: negative 10/🥺😭💀
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Idk if someone has mentioned this already but I have a conspiracy theory: as people made fun of the too many "What?" in the Ocean Saga, Jay revised one in the Circe Sage and changed it to be "I'm not sure i follow" at the end of Done For
That would be funny if it was the case!
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can i be honest. i am so over one piece posts because of oversaturation, i block the tag, but i will always visit your tumblr every so often because i love the idea and content of bepolaw so much. theyre so good and hot and wonderful. your content specifically. bepolaw real, even if idk jack shit about the series
anon's one piece:
maybe the real treasure were the bear best friends we kissed along the way
thank you so much for the message ♥♥♥♥♥♥♥♥♥ makes me super happy that you check my stuff specifically and its an exception :)))))) thats very very nice ♥
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Alternate version of The Odyssey where everything is the same, except Poseidon whispers a variant of "43 left under your command" to Odysseus every time someone dies.
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still not over how in The Underworld Odysseus says that he still thinks abt the infant that he dropped from that wall. and in Monster he says he'd do it again if necessary. im crying thank you very much.
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the problem is I’m such a staunch believer in the slow buildup, the earnest enjoyment of meandering through terrible story decisions and weird nothing subplots to build up into a conclusion that explodes out from all that as fantastic storytelling and intrigue based on all that buildup, such that it makes it necessary to get through all that or you’re missing something essential, that I’m also a terrible person to talk to about what makes a story good. I can tell you plenty of what actually makes something tight and well-written and all that technical speak but how could anyone take my advice when I so so so love excruciatingly long unnecessarily complex fumbling and weird nonsense that spirals into, inexplicably, weird nonsense that makes you cry your lungs sore
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