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#haruhi is my favorite so far
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So... I’m eleven episodes in to Ouran High School Host Club, and I have some thoughts...
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First off, I was recommended it by a friend who generally likes shoujo-y series, and especially loves BL and LGBT-themed anime. Along with hearing about Haruhi online, you can see what sort of idea I formed about the show before watching it...
And boy, was I wrong. 
I was not expecting it to be so over the top, have so many unsavory tropes, and have “problematic” moments. And while most of it so far is either pretty harmless or is criticized in the show... there are just a few things that went too far.
Honestly, I think the fact that this series is loved so much even with its less-than-positive aspects says a lot about its quality. And while some of it does make me shake my head or ask myself, “Just why?”, I’ve been enjoying it so far. I think there’s a lot to say about this series. I definitely want to talk about it more once I’ve completed it. 
So thank you to my friend and all the Ouran fans online -- you’ve introduced me to a truly unique and interesting series. 
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mirai-e-jump · 18 days
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Uchusen Vol.184 (Spring 2024) Bakuage Sentai Boonboomger | Detail of Super Sentai ft. Main Cast & Staff Interviews (translations below)
Publication: April 1, 2024
Iuchi Haruhi x Hayama Yuki x Suzuki Miu
"First, regarding the three of you, we'd like to ask, what motivated you to pursue the entertainment industry and acting in the first place?"
Iuchi: When I was in my second year of middle school, I saw the TV drama "Death Note" starring Kubota Masataka-san, which motivated me to become an actor. When I was in elementary school, I was really lacking confidence and always wanted to be someone other than myself, so when I saw Death Note, I felt that I could become someone else if I was an actor.
Hayama: I joined my current agency at 16 after being contacted in Osaka. At the time, I wanted to become a hairstylist, and at first I was thinking of turning down their offer, but the agency contacted me for over six months, and my mother said, "Since they're going this far, why don't you take atleast one audition?" And so, I took it and passed, and now I'm sitting here (laughs). I can say this now, but I did my first job without knowing what I was doing……But as I did it, I learned to enjoy the work, and from there I decided to become an actor.
Suzuki: When I was little, I was a regular reader of "Nicola," a fashion magazine for middle schoolers, and I'd carry it with me everywhere I went every day. It started when my sister recommended that I audition as an exclusive model. I applied when I was in my fifth year of elementary school and made it to the final round, but was rejected there. I was so disappointed, that I applied on my own the following year and was accepted.
"Why did you decide to also pursue acting after joining as a model?"
Suzuki: It started when I took acting lessons at my agency. At first, I wasn't very good at the lessons, but after 2-3 years, I had a moment where I felt that acting was fun. It all started with something trivial during a lesson, but from there I wanted to become better, and now I'm working hard at acting.
"Have you watched any of the previous Super Sentai or other tokusatsu productions?"
Hayama: I loved "Kamen Rider Kabuto," and had the transformation items for all the Kabuto Riders and I used to play with them with my younger brother.
Iuchi: I also watched alot of them. My house was full of Kamen Rider toys and my cousin's house was full of Super Sentai toys, so we used to play with them at each other's houses. I remember "Kamen Rider Wizard" being my favorite.
Suzuki: My older sister liked Super Sentai, so because of her, we used to watch "Mahou Sentai Magiranger" together. The other day, when Director Watanabe Katsuya asked me, "Have you seen any of the older tokusatsu shows?" I said, "I watched Magiranger!" and he said, "I used to film that too." I was deeply moved and happy to think that I'm now creating new heroes together with the people who created heroes for me to admire when I was a kid.
Hayama: Someday, we'll also become the ones who people admire.
Suzuki: I want to become one!
Iuchi: There's no doubt.
"What were your first impressions of Boonboomger?"
Iuchi: When I saw the materials for Boonboomger at our meeting, I felt that the designs and naming were back to the "taste" of the old days compared to the recent Super Sentai (laughs).
Hayama: When I read the script, my impression was that Boonboomger would be a cheerful and easy to understand show that both parents and children could enjoy together.
Suzuki: When I first saw the visuals, I thought it was quite original (laughs). It's like it was etched into my mind at first sight. The tires being slapped onto their faces leaves an unprecedented impact.
"How do you feel about the characters you're playing?"
Hayama: I had heard that he was a really cool character, and that's what I thought when I read the script, but as the story progressed I couldn't help but wonder……Is Ishiro really that cool? (laughs). My impression of him changed.
Suzuki: Mira is an innocent, energetic and cheerful mood maker, and I get the impression that she's similar to me. I think it's very easy to play, and that I'm able to project what I have into the role.
Iuchi: My first impression of Taiya was that he was interesting but difficult. When I read a script, to form my first impression, I often think about how the character's personality is similar to that in an anime or movie, but that didn't come out at all with Taiya. Gradually, I'm trying to find my own version of Taiya.
"What were your first impressions of each other?"
Iuchi: I've been together with Yuki-kun since the audition. I was Red and Yuki-kun was Blue, which is a common combination, and while everyone at the audition was nervous, my first impression of Yuki-kun was that he was sharp, cool, and very much Blue. It's completely different now (laughs).
Hayama: Hey?! (laughs).
Iuchi: Once I got to know him, there wasn't a hint of coolness (laughs).
"What about Suzuki-san?"
Iuchi: My first impression at the meeting was that she's someone who pays close attention to her surroundings, and she gives off the image of treating each person in the way they'd like to be treated.
Suzuki: That was your first impression?! I'm glad (laughs).
Iuchi: My impression of Suzuki-san hasn't changed (laughs).
"Hayama-san, what about you?"
Hayama: As Haruhi mentioned, I often worked with him from the early stages of the audition. I wasn't aware of it at first, but Haruhi had also passed the audition, and I was happy that the partner I was competing with for so long was there. My first impression of Haruhi was that he was a quiet person. But when it comes to acting, his voice changes, or rather, the way he speaks changes. His on and off switch is amazing. Now that I can see more of Haruhi's natural side, the image I get is that he acts appropriately for his age (laughs).
"What about your impressions of Suzuki-san?"
Hayama: The four male members of Boonboomger are surprisingly shy, and when we're unsure of what to say, Miu-chan will talk to us and bring the four of us together, so I have the image that she's a caring person. Now, she's surprisingly outspoken and is showing new sides of herself.
"Suzuki-san, what are your impressions of these two?"
Suzuki: Haruhi-kun has a very distinct voice. I got the impression that he was someone who spoke in a very calm and comfortable tone. Also, at the first costume fitting, when they asked if anyone had any problems with their costume, Haruhi-kun raised his hand and said, "I don't know how to walk in these sneakers." The heels on Taiya's sneakers are about 6cm high, and I was really impressed by the way he walked in a very unusual way, without bending his knees, he looked like a penguin (laughs).
Iuchi: They had a high bottom like heels. I've never worn heels before, so I didn't know how to walk in them (laughs). I ended up having the insoles lowered so I could walk safely.
"What about Hayama-san?"
Suzuki: My first impression was that he was a cool person. It's different now (laughs). He's very silly, very meddling, and an interesting Kansai person.
Hayama: How strange (laughs).
"Filming has progressed and we think you've gotten a feel for your characters, but what parts of your performance are you mindful of?"
Iuchi: As mentioned earlier, I still haven't fully grasped Taiya himself yet, but I decided to create Taiya not by thinking about him, but by thinking about the kind of character he is when he's with "this person." I'm getting to know Taiya through his relationships with the people around him, such as the sense of distance between him and Ishiro, and between him and Mira.
Hayama: There are many things about Boonboomger and our character's pasts that I can't talk about yet, but I've had the opportunity to learn more deeply about Ishiro's relationships and the way he interacts with people, and thanks to that, I feel I have a better grasp on my performance as Ishiro.
Suzuki: It's a small detail, but when I speak with a loud voice, my voice tends to come from higher up. However, Mira is an aggressive kid who's always moving forward on her own, so I try to act with the image of putting her voice forward as much as possible. When I saw the broadcast of the first episode, I felt that my voice came out too high, so now I'm trying to express Mira's momentum by bringing my voice forward.
"Did you two get any feedback on your performance from watching the finished footage?"
Iuchi: Taiya's a character who isn't overly emotional, but the Director pointed out that I was too conscious of this and that there was little intonation in my line delivery. When I watched the first episode again, I realized that when the sound effects and BGM were added, my dialogue was drowned out and lost. My voice is loud during battle scenes, but I thought it sounded kind of monotonous in other scenes. I felt that alittle more inflection and speed could be added from the time I'm Taiya before transforming into BoonRed.
Hayama: For me, it was more a reflection than a new discovery. At first, there were parts where I didn't fully understand what the Director was saying, but after watching the footage, I finally realized what it was he was trying to say. I'd like to make the most of it in future shoots.
"After watching the footage, It seems that everyone's performance may change in future episodes. So, is there anything you'd like to challenge yourself with in Boonboomger?"
Iuchi: I'd like to act with more emotion. Like Mira, she's happy, angry, or sad to the fullest, Taiya hasn't had a scene like that yet, so I'd like to try it.
Suzuki: I'd like to try the so called "swapping episode." The other day, we all practiced for a possible situation where our roles have been swapped. For example, I tried predicting what Ishiro would be like in Mira by saying certain lines. So, if there was a swap, I think everyone would be able to do it at a pretty high level (laughs).
Hayama: For me it's action. The first time I practiced action, it was so difficult that I couldn't imagine what it would be like to film it while acting and saying lines. But, I think I can learn alot from it, so I want to give it a try.
"And finally, please tell us some key points to watch out for to make Boonboomger even more enjoyable."
Hayama: Some may feel that Ishiro is a cold person based on his attitude toward Mira at first, but he's a character kinder than anyone else. He doesn't view things with a biased perspective, and is a man who treats people with respect. So, as the story progresses, please pay attention to the relationships between Ishiro and the people around him. I especially hope people look forward to his relationship with Mira.
Suzuki: The five of us are all unique, and if we were in the same class, we would never belong to the same clique. What will happen to these five going forward? I think we may clash with each other when we're together, but how will we change and "become one color"? I'd like you to pay attention to that.
Iuchi: I'd also like you to pay attention to the battle scenes. The staff told me that they place importance not only on coolness, but on how to incorporate a comical touch to the coolness. The voice actors adlibs are also amazing, for example, in the first episode, Mizuki Nana-san, who plays Ittasha, adlibbed "Ka-click" before saying "Ignition," and Matsumoto Rica-san, who plays Bundorio, also adlibs, which is always fun. Because I've read the scripts, I can see that there are alot of lines that aren't in them, and I think you can especially see that in the battle scenes. I'd be very happy if you could pay attention to the comical side within the coolness.
Saito Ryu x Soma Satoru
"First, please tell us how you both became interested in the entertainment industry and acting."
Saito: When I was in my second year of high school, I won the Grand Prix in the Junon Superboy Contest, and that's when I entered the entertainment industry. When I was in middle school, I had the opportunity to think about my career path, but at that time I couldn't find what I wanted to do. However, I admired heroes and wanted to do something to help others, and after that I studied to become a high school teacher. Still, since we only have one life, I wanted to do something even bigger, so I applied to Junon, and that's when I decided to pursue a career in the entertainment industry.
"Does that mean you admired (super) heroes? Did you watch tokusatsu shows?"
Saito: I watched Super Sentai and Kamen Rider. Heroes who purely fight for the sake of others are cool, I admired them. Boys like that kind of thing even after they grow up, don't they? I thought that I wanted to get a job where I could protect people, like a firefighter, policeman, or a school teacher who leads people.
"BoonBlack, who's also a police officer, is a perfect role for Saito-san."
Saito: This character is the very embodiment of my dream!
"Soma-san, what about you?"
Soma: When I was in high school, I was thinking about what I wanted to do, but nothing came to mind. I thought that I might be able to change if I came to Tokyo, so I moved to Tokyo, found employment, and worked in sales for four years. I had alot of connections during that time, and as I worked at my current agency, and was given the opportunity to do things like model, my desire to do acting grew stronger……and that's how it all started.
"What kind of roles do you want to play?"
Soma: I'd like to play characters who are psychopaths (laughs). Genba Bureki isn't a psychopath, but he's a mysterious person whose true identity is unknown, so I think there are some similarities. I've always wanted to take on a role like that, so I'm really looking forward to discovering many new things about myself by playing the role of Genba.
"Saito-san, you said you admired heroes, so can you tell us about the tokusatsu shows you watched during your childhood?"
Saito: I'm from the generation of "Engine Sentai Go-onger," but I was really into "Kamen Rider Ghost." I love historical stories, especially "Romance of the Three Kingdoms," so I was waiting to see if any generals from the Three Kingdoms would appear in Ghost.
Soma: I used to watch "Kamen Rider 555" and "Kamen Rider W," and for Super Sentai, I still have the "Ninpu Sentai Hurricanger" book that I got in preschool at my parents house.
"Soma-san later made an appearance in Avataro Sentai Donbrothers……"
Soma: After playing the role of a playboy (the one who tried to pick up Sononi in episode 8), I finally became a hero this time (laughs). The first filming location for Boonboomger was the same for me in Donbrothers, so I thought, "This is where I was picking up women!" It's kind of inappropriate to say though (laughs).
"When it was announced that the two of you would be appearing in the next Super Sentai production, including your family, what was the reaction from those around you?"
Saito: I didn't tell my family until the very last moment before the production announcement. On the day of the announcement, I told them in a video call that, "I'm going to be playing the role of Black in the next Super Sentai." My father, mother and older sister froze for a moment and then burst out laughing for some reason (laughs). They congratulated me, but then my mother immediately said, "More importantly, there's no snow in Akita, so we can't make snow huts (kamakura)." I thought, "What do you mean more importantly?!" (laughs). No matter how hard I tried to explain it to her, my mother kept talking about snow huts. Especially since I don't come from a family that makes a living off building them (laughs). Still, rather than them expecting too much, I think I preferred it being this easy, so I didn't feel any pressure.
Soma: I think my mother was particularly pleased. Also, my older sister has a 3 year old child, so I'm hoping that when they're older, they'll watch Boonboomger. I want to tell them that their uncle is a Boonboomger.
Saito: If my nephew asked me to "Henshin!" I think I'd do it immediately (laughs).
Soma: I'd call Ono Yukimasa-san (BoonOrange's Suit Actor) to transform for me (laughs).
"What were your initial impressions of Boonboomger during the auditions?"
Soma: At the time of the audition, I didn't even know the name "Boonboomger" yet. However, when I read the script, I felt that the atmosphere would be alittle different compared to recent Sentai.
Saito: I went into the audition thinking that I wanted to be Red, but my image of Red was that from older productions……I imagined Red as a super hot blooded and serious character, but Taiya isn't like that at all. Rather, I'm more like Jou, and as a result, I perfectly fit into his character (laughs).
Soma: Since I'm 27, I didn't aim for Red. I have the impression that recent Sentai casts include older members among the younger ones, so I was auditioning with a pinpoint aim for that position.
"Did you two meet each other at the audition?"
Soma: We met in the third or fourth round of the audition, right?
Saito: I remember my impression at that time. Satoru-kun was really mysterious and I didn't know what he was thinking. Because it was an audition, everyone was very intense, but for better or for worse, only Satoru-kun was just mysterious. He was so laid back, but he had such a strong presence that I thought, "Who is this guy?" That's why I was scared of him at first. But when I talked to him, I found out that he wasn't like that at all (laughs).
Soma: He spoke clearly and had a fresh feel to him, and I felt at ease knowing that he wouldn't be playing the same role as me.
"What are your impressions of Red, Blue and Pink?"
Saito: To be honest, from the beginning of the audition, I felt that Haruhi and Yuki-kun were Red and Blue.
Soma: That's for sure.
Saito: Haruhi's voice and way of speaking are truly Red. The moment I heard his voice at the audition, I immediately "shifted gears" that Haruhi was already Red (laughs). It's not good to focus solely on Red, as Yuki-kun's way of speaking and personality are also Blue. Then I thought about what I could do and gave it a try.
"What about Suzuki-san?"
Saito: I'm not very good at remembering women's faces and names, and I don't really remember much about Miu-chan from the audition……However, I was impressed by a girl who gave me a fist bump, and later I found out that that girl was Miu-chan (laughs).
"Now, please tell us about the characters you're playing."
Saito: Jou's a character with a high amount of freedom, and I'm often asked to adlib or "try something" on set. It's a really incredible role, but it's difficult. The other three male members are cool or mysterious and don't show much emotion. Jou shows his emotions, so I try to express them through my face and body, but it's still difficult. I'm learning how difficult it is to express myself, because I sometimes feel that I'm not expressing myself well, or that it's unnatural. I hope to bring out more of the pitiful and clumsy, yet still lovable character of Jou.
Soma: Up to the current episode that's aired, there are many aspects of Genba that even I don't understand. However, he's the kind of character who will reach out to you when you need him, so I hope I can express both his sketchiness and kindness. He's a character I've never played before, so it'll be difficult.
"What are you mindful of when playing your roles?"
Soma: I'm the oldest of the Boonboomger members, and Genba is also older than the other characters, so I'm conscious of giving off a sense of seniority by speaking in a calm manner. And then there's being suspicious (laughs).
Saito: I feel that Jou's a character that's as close to me as possible, and I think it'd be good if I could bring him closer to me. However, when I try to express Jou's straightforward feelings, I find it difficult to do so. Because the character is so close to me, it's difficult to express the parts of him that are different from me.
"Was there anything that the Director told you during filming that left an impression on you?"
Saito: Director Watanabe Katsuya told me, "You're a rugged and passionate guy like the old Reds, give it your all." I was happy and could feel the Director's passion.
Soma: Genba's hair is orange and permed, so the Director's first order to me was, "I don't want him to come off as a player." I was conscious of the way I spoke and the tone of my voice, keeping my voice low so it doesn't sound too loud.
"Have you spoken with the post transformation Suit Actors?"
Saito: At the beginning of the story, when Jou doesn't appear much and doesn't transform, I didn't have much of a chance to talk to Shige-san (Ito Shigeki). However, I had alot of performances where I was suspended by wires, and Shige-san gave me advice on how to move.
Soma: I can't talk about BoonOrange in detail yet, but I'm trying to make him look more mature while talking with the Suit Actor Ono Yukimasa-san and the Directors. Other than my own role, I'm paying attention to the performance of the Nejiretta. Within Boonboomger, I like the Nejiretta the most!
Saito: Satoru-kun imitates the Nejiretta any chance he can get (laughs).
"Going forward, is there anything you'd like to do in an episode of Boonboomger, or is there anything you'd like to try as an actor?"
Soma: I'd like to do a swapping episode, which may become an annual thing. I'd like to play a character that I'd never play, someone like Mira.
"In our interview with Suzuki-san, she also mentioned that she'd like to do a swapping episode. However, she predicted that Ishiro would be in Mira (laughs)."
Soma: She's been taken (laughs). But, it'd be fun to swap characters with anyone.
Saito: You love the Nejiretta so much, that you'd swap with one of them (laughs).
Soma: I'll go all out when the time comes! (laughs).
"Saito-san, what about you?"
Saito: I'd like to do a battle scene before the transformation. Of course, I want you to see Black's battle after his transformation, but I also want to fight myself. I've been taking action lessons and I think I can do some basic things, so I'd like to do some pure action scenes. I hope the time will come when I can show you the results of my daily muscle training (laughs).
Soma: When changing clothes, everyone else changes in the dressing room, but he changes his clothes on set and shows off his muscles (laughs).
Saito: I'll pull myself together and make sure I'm ready for you all to see me without being embarrassed (laughs).
"And finally, could you tell us about some key points to watch out for to make Boonboomger even more enjoyable?"
Saito: I think Super Sentai in recent years has had many heroic action scenes, and the Robo battles are also very powerful. I hope you'll enjoy the real thrill of tokusatsu. And then there are the Sanseaters. They're not just villains, but rather, lovable characters who are somewhat clumsy, so I think you'll enjoy it even more if you pay attention not only to us Boonboomgers, but also to the enemy characters.
Soma: Don't forget the Sanseaters and Nejiretta (laughs). The members of Boonboomger have distinctly different colors and personalities, so I think you'll be able to discover new aspects of each character every time. I'd be happy if you enjoy discovering these new aspects of every character each time you watch.
Producer Kuji Yoshito x Main Writer Tomioka Atsuhiro
"Kuji-san has been involved in the production of many Super Sentai series, but this is his first interview with this magazine. May we ask about your background?"
Kuji: I joined Toei in 2011, and was one of the rare new employees at Toei who loved tokusatsu (laughs). I was involved with "Space Sheriff Gavan The Movie," and for Super Sentai, "Zyuden Sentai Kyoryuger" and later "Shuriken Sentai Ninninger," but after that, I was transferred to the Educational Video Department and was separated from tokusatsu. Last year, I heard about the use of LED walls in King-Ohger and was very interested, so I gathered information within the company and visited the filming location. I don't think this had anything to do with it, but I was later transferred to the Drama Planning and Production Department and joined the team as a Producer for King-Ohger. As a tokusatsu enjoyer, this was something I couldn't have hoped for, but on top of that, as I was entrusted with the job, I was told that, "You'll also be the Chief Producer of the next Sentai…"
"In addition to the production currently being aired, he'd soon take charge on a new one…! Did you have an idea who the Main Writer would be at that point?"
Kuji: I originally loved "Battle Spirits," which Tomioka-san wrote for. Because of that impression, I was hoping to work with him someday. So, as soon as I started thinking about the new project, I consulted with Tsukada Hideaki, who had worked with Tomioka-san on the anime "Fuuto PI" as Chief Director, and said, "I'd like to meet Tomioka-san! Please introduce me!"
Tomioka: Suddenly, I received an e-mail from Toei, so I assumed it was a request from Toei Animation.
"Tomioka-san has participated in many productions by Toei Animation, such as ONE PIECE and Dragon Ball Super."
Tomioka: When I read it carefully, I was so happy that I jumped up and down because it was a request for a live action production, which I had longed to do. However, there was no mention of the "to" character for "tokusatsu" in the e-mail, so when it was decided that we would meet……I wondered if I'd be able to write about "Kasouken no Onna." After hearing about the Super Sentai series, I wanted to write a live action drama, which is why I originally entered this industry, and furthermore, I wanted to write a tokusatsu hero story, so I said, "I'll do it!"
Kuji: He was very enthusiastic. I was also very happy because we were taking a chance. Joining in on Tomioka-san's high motivation, the conversation proceeded at a rapid pace from there.
"What was the reason you originally wanted to write tokusatsu?"
Tomioka: I love toys! Even when I was working on my debut work in anime "Brave Exkaiser," I was collecting toys of the Gattai Robos. I always wanted to write a tokusatsu show that's closely intertwined with the toys, but I could never find the right opportunity to do so. And then, Kuji-san approached me. I had written stories for various productions in the past while keeping pace with the toy release schedule, so there was no trouble in creating the story. When I heard that the motif this time was cars, I was excited and thought, "I can do car action!" but then I calmed down and realized that you can't really do car crashes in the city nowadays. Nagahara Hideichi-san, my Scriptwriting mentor, wrote "Seibu Keisatsu" in which they drive an armored car through Ginza and had car action, so I'd like to create a world like that someday (laughs).
"It was decided from the beginning that cars would be one of the motifs, right?"
Kuji: Although the keyword was ultimately decided after discussions with TV Asahi and Bandai, I originally wanted to use "creative" as a keyword. Of course, there are many Sentai productions that use cars as a motif, but if we were to upgrade them to modern values, I thought it would be possible to incorporate the "manufacturing" that children are familiar with from videos and games. For example, in the past, the super machines would be given to them by a large organization or an unknown entity like, "We'll give this to you guys!" So instead of that, I thought that building and riding machines from their own hands would be an easier choice for admiration in the modern day. From there, I expressed to Tomioka-san this desire to portray a team doing something creative while gathering together for a mission.
Tomioka: In other words, it's like "Fast & Furious" (laughs). In addition, it's tempting to make cars talk as a way to appeal to younger viewers, but if you're really conscious of the fact that they're cars, it's better not to make them talk. I wanted to express that a machine is the best it can be because of the awesome power of the human driver. Also, in addition to the Boonboom Cars, the five of them would've had a car (through production), and I suggested that their occupations be car related, but that didn't work out……As you can imagine, we can't send out five cars all at once.
"At the same time as Tomioka-san, was pilot Director Nakazawa Shojiro also sent an offer?"
Kuji: When I was thinking about the image of the heroes I wanted to create, I wanted a Director who would take the direction I had created with Tomioka-san and push it even further beyond our imaginations. I think that Nakazawa-san is a Director who adds twists to the story, not just pure coolness. I asked Nakazawa-san to direct the pilot because I wanted him to take Boonboomger to a place where my sensibilities couldn't go. Besides, Tomioka Atsuhiro x Nakazawa Shojiro was the combination I most wanted to see. This combination is "alchemy" at its finest.
"Because of the use of LED walls in the previous work King-Ohger, we think there was more filming on set than on location. On the other hand, in this production, there's alot of filming on location due to driving cars. What were your guidelines for filming?"
Kuji: They really pushed King-Ohger to the limits to see how far they could go with their technological capabilities. This allowed the staff to share the work "calories" for each process. As Tomioka-san mentioned earlier, it's difficult to produce five regular theatrical cars. However, I had alot of discussions with the staff about the possibility of producing many Boonboom Cars by using assets (3DCG model data). Live compositing is used to represent the Boonboom Cars cockpit, the highway space, and the maintenance room. While considering sustainable work calories, I thought about how to produce the best image in a timely manner.
"In the first episode, Mira joins the Boonboomger and the story begins with a three member team. How did you come up with the story?"
Tomioka: We were thinking of doing something that would be most pleasing for children, our main audience, in other words, the classic battle hobby for boys. Taiya and Ishiro, and even Bundorio were already a team, and were strong from the beginning. In my experience, this structure, where it's important to be strong from the beginning, and then add the newcomer Mira to further strengthen them, is something that children feel good getting into. When I heard Kuji-san's idea of each person being a car related professional, Shirakura Shinichiro-san, who happened to be present at the meeting, said, "It's like the Hissatsu series." Actually, I love the Hissatsu series, and Shirakura-san's words made me really excited, thinking, "I can do something that I've always wanted to do but haven't been able to do!" I hope I can portray adults that children will admire to become. The style that's often depicted in the Hissatsu series is that a newcomer (Mira) joins the professionals, and the pasts of the other members are slowly revealed. Then it naturally becomes a story about the bonds of the team. The story line of Boonboomger is moving in an increasingly interesting direction as we incorporate ideas from other Scriptwriters one after another.
"Looking back at the Super Sentai series over the past few years, Ohsama Sentai King-Ohger, Avataro Sentai Donbrothers and Kikai Sentai Zenkaiger have been written almost exclusively by a single Scriptwriter. Tomioka-san, you're working with multiple Scriptwriters to create Boonboomger, what's your goal?"
Tomioka: I believe that by incorporating ideas that come from other people, not just myself, the characters will be able to develop. I'd love to write all the episodes by myself, but I think it's more appropriate if this production is written by a team of multiple people. Besides, it'd be boring to keep the heroes I've always wanted to myself. The style I like is to call my friends and then we all go wild in this new world together. First, since I was approached for "Fuuto PI" by chance, I was sure that Higuchi Tatsuhito-kun, who was in charge of the composition for the Fuuto series would be invited. Additionally, I approached Yamaguchi Hiroshi-san, who worked with me on "K-tai Investigator 7," once the project had been decided to a certain extent. Yamaguchi-san also writes to the extreme at full power. When I came to the Toei Tokyo studio with Yamaguchi-san, he said, "You're always on the opposite side, right? (at Toei Animation)" (laughs). Also, we have a younger man named Morichi Natsumi-san participating. Higuchi-kun and I are inspired by each and every tokusatsu scene, and our members have a deep and reassuring love for the characters. I've also reached out to Konuta Kenji-san, a former Writer for "Uchusen," and I'm hoping to work with this team until the final episode. There's also the fact that each of us wants to write only for the characters we have a strong attachment to (laughs). Like the Sanseaters……
"We'd like to ask you about the enemy characters here, but the Sanseaters seem to have a formation that we've seen in a production that Tomioka-san has worked on…….?"
Tomioka: Team Rocket from "Pokemon," right? (laughs). This time, due to various restrictions, the enemy doesn't have a hideout, so I wondered what kind of enemy I should make…..When I thought about it, I suddenly remembered the Greeed from "Kamen Rider OOO" and Heart and the others from "Kamen Rider Drive." Every time they're in some unknown place, they're talking to each other. When I thought about if I could get any inspiration from that……I came up with Team Rocket. I thought, "Villains who sleep outdoors!" (laughs).
Kuji: It was Tomioka-san's idea. There was no reason to hit the brakes anymore. We all stepped on the gas during the meeting.
Tomioka: To begin with, Yamaguchi-san and I grew up watching "Himitsu Sentai Gorenger," so when we think of Sentai enemies, we got the impression that they're monsters who are abit stupid and do interesting things.
"Listening to his story, we can see that Tomioka-san, who is an authority in children's productions, is putting into full use what he's cultivated. However, you haven't worked on a tokusatsu show since K-tai Investigator 7, and this is your first time working on a Toei tokusatsu production. Did you feel at a loss in that respect?"
Tomioka: In "K-tai," the enemy wasn't monsters. The main focus was on fighting hackers, and the only thing "tokusatsu" was the cell phones (Phone Braver) moving. In contrast, in the Super Sentai series, there are monsters, they become giant, the heroes announce themselves, they transform, and…..alot of other things. I thought I knew what I was getting into, but when it came time to actually write the script, it was difficult.
"There's something you have to do each time."
Tomioka: That's right. On top of that, in order to create something interesting, we received a variety of ideas from tokusatsu Director Butsuda Hiroshi for the giant battles, as well as feedback on what to do with the regular sized battles from Directors with past experience. The interesting part is the drama part, where the Directors don't often express their opinions. Therefore, when thinking about the drama part, I prioritized what Kuji-san wanted to create. I think this is the biggest difference from anime.
"Do you mean that you put the Producer's opinion first?"
Tomioka: In my experience, it's rare for a Producer to lead a production by himself, because in the case of anime, the opinion of the author is important if it's an original story, and the opinion of the Director or series creator is important if it is an original production. However, when Toei's tokusatsu shows are first announced, fans are always wondering who the Chief Producer is, aren't they? It's refreshing to know that fans are also paying attention to who will lead the production.
Kuji: That's what Tomioka-san says, but from my point of view, I'm being too dependent on him. Normally, the Chief Producer of Toei tokusatsu productions usually leads the discussion in meetings, but Tomioka-san took my opinions into consideration and organized the discussion by saying, "This is what you want to do, isn't it?" By incorporating the opinions of other Writers, he makes it even more interesting by saying, "This one's more explosive!" I think this is reflected in the footage in a good way. Maybe this is a style that hasn't been used in the past 47 series.
Tomioka: Come to think of it, in anime, a series composition chart is created to show what happens from the first episode to the final episode, but it seems that they don't usually prepare one for the Super Sentai series.
Kuji: Even though we have a rough idea of what we want to do, it has a strong "live" feel, so there's a possibility that we'll have to adjust the story halfway through.
Tomioka: I couldn't help but be anxious about that……So, before writing episodes 3 and 4, I told Kuji-san, "I want to decide how the story will develop until the end." Of course, taking into consideration the scheduled release of items and Robos, I made a series composition chart, and decided to some extent how many episodes with Taiya would be depicted in the series. But basically, we hope that everyone will enjoy each week's explosive episodes. And then, I'd be very happy if you thought, "That was fun! Let's play with toys too!"
"Boonboomger is finally airing, and it's going to be a year of excitement. We'd like to ask you about some key points of interest that readers who are looking forward to Boonboomger can enjoy even more."
Kuji: Boonboomger is a show that'll cheer you up when you watch it. The staff has put together what they think is "cool," so whether you're an adult or child, there's sure to be a key point in each episode that'll stick with you. We're working diligently on this production, hoping that it'll be a show that'll allow people to absorb the exciting energy on Sunday mornings and look forward to the following week. We'll continue to rev our engines so that we can provide excitement to everyone of all ages and genders!
Tomioka: I see this production as a story of friendship between Taiya and the alien Bundorio, and a growth story depicting the relationship between the Boonboomgers. In addition, as a toy lover, I'm excited to write about how much I can make the Boonboom Changer and Gattai Robos more appealing. Of course, we'll do our best to bring out the charm of the untransformed actors and make this a production that'll make children want to play as Boonboomgers. Now that they've finally started running, where will they go from here? I'd be happy if you look forward to watching them all year long!
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lovelybrooke · 8 months
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Hey darlin. My birthday was yesterday.. (Sept 6th) so I was wondering can we have head canons with the ohshc crew about the reader leaving to go to college? Make it yandere to please. Thank you so much darling!
-your local weirdo
Reader Leaving for College Headcanons
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Masterlist
Everyone is devastated when you have to leave. It doesn't matter if you're going to be three minutes away or leaving the country, their reactions are going to be the same.
Haruhi understands you the most, she gets why going to college is so important for you and your future, but it doesn't mean she'll be any less sad. She might encourage you to go to the same school as her, or even just say close. If you're going far away, she'll remember to come visit so she doesn't have to deal with the rest of the hosts alone.
Kyoya is very subtle about his disappointment. He internally believes that if you need a job so bad you can come and work for his family's company, which he will eventually run. You think it's a joke when he offers and while he laughs with you, he is 100% serious. If working for him doesn't work out, he doesn't mind you leaving for college, but he would want to at least to provide for you financially.
Honey is constantly in tears the week before you leave. He can't believe you would want to leave him, of all people. Like Kyoya, he would offer you money to get you not to leave, reminding you off all the bad things that could happen if you leave them. If you insist on leaving, he'll let it go, but he won't be leaving your side the last few weeks before you leave. Don't be surprised when you get a phone call an hour after moving in.
Mori is conflicted. On one hand, he resonates with Honey, not wanting to leave you. On the other hand, he's much more realistic, he understands you can visit them during breaks, call him when you have free time, you're not leaving forever, right? The more he thinks about it, the more he doesn't want you to leave. Even if you come visit them during break, you have to leave again eventually. Once you graduate, you might get a job that requires you to move, you might meet new people at school who you like better. He doesn't express it as much, but he is just as sad as Honey.
The twins are super judgmental, mostly as a coping mechanism. They not only judge the school you're going to, but your major, your room in the dorm, hell even your workload. They're both constantly reminding you how difficult college is and how you should totally just not go, they'll even pay for whatever drop out fees you have. They remind you that everything's going to be worse at your rinky dink school, and if that doesn't work, we'll then they'll just keep an eye on you through tracking devices on your phone, just to make sure you aren't having too much fun without them.
Tamaki is the most devastated. He genuinely doesn't know what he's going to do without you. He does everything he can to get you to change your mind, offer you money, houses, jobs. It gets to the point where he's even offering you enrollment at the school, he plans on going. He has enough money to get you into any school you want, pick what you want. If that doesn't work, then he resorts to constantly reminding you of him through money. Your entire tuition is being paid for by Tamaki, he's upgrading your room, he's even paying off teachers and students who treat you poorly.
While all of them are dramatic, they are very proud of you. They attempt to express this though their fear of you leaving, but they find it difficult when their favorite person in the work is leaving them. They all try and make sure you don't make too many close friends, not wanting to be replaced, and that your time at school goes smoothly. Though, it's very tempting to offer money to the dean to get you expelled, just so they could have you running back to them. But they would never do that...hopefully.
---
A/n: Hope you liked this. Hope you had a good birthday; sorry I didn't get this out sooner.
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honeysunai · 1 year
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Hostess| Kyoya Ootori x reader
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Part eight -  Operation : Make her happy
Pairing : Kyoya Ootori x reader
General rating : Fluff, enemies to love vibes
Word count : 5k
Summary: As only heir to your family you are bound to an arranged marriage with the third son of the powerful house Ootori. His cold behavior is only a mask for you to uncover when you stumble into music room number three.
This weekend, Haruhi and her father invited you to spend some time over their house because Haruhi needs more girl friends and experience sleep overs and such. You laughed at how bold and funny the two of them are and agreed, besides it’s not like you were busy. After quitting the Host Club a day ago and being in your feelings, you finished your homework and were too drained to want to practice any instruments or read anything. A friend would be better than anything else, right now that’s what you need. 
“And so, they kind of kidnapped me to be in the Zuka Club.” Haruhi finishes her story and you laugh. You were both sitting at the table drinking coffee while still in pajamas. 
“They do that often, don’t worry about it, they won’t press you if you say no.” You drink another sip of instant coffee and remind yourself to keep it together, because to this day, you still laugh that the boys at the club had no clue that this liquid gold existed before Haruhi arrived. 
“I have to do some shopping today, I’ve grown out of a few shirts and I wanted to go get some new ones?”
“I’d love to come shopping with you! We can even bring your dad!” Your eyes were sparkling with joy, it’s the first time since you’ve made new friends you were going to shop with them. “If you’re interested, I can take both of your sizes and ask my mom for designer clothes.”
“That’s very kind of you, but we don’t do designer clothes.” She politely declines your offer. Shoot! Of course you went a bit too far, after all, Haruhi is a commoner and doesn’t care to have the fanciest of shirts. 
“Speak for yourself!” Her father barges in the room and proceeds in deep details both of their sizes and and favorite colors. You took some notes before discreetly sending this info to your mom’s secretary even if you had promised Haruhi she won’t get anything. 
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“Hey, did you really quit the club?”
You didn’t even hesitate to lie, you just blurred out the truth to her. “Yeah… I just made a fool of myself and I don’t think it would be appropriate to come back after what happened.” 
“I liked having you around, it was refreshing. Kyoya was on someone else’s back.” She jokes and you nudge her with your elbow. “Mori told Kyoya that he was a jerk and Tamaki had a meltdown after you left.”
“I bet they did.” You chuckle. 
“None of us are angry with you, I promise, but I won’t force you to come back if you don’t want to.” How you wanted her to force you into going back.  “Anyways. I don’t know if you need anything, it’s not as fancy as your mother’s couture, but feel free to shop around too.”
“I was planning to.” You smile. “Unlike Tamaki, I’m not awkward around “commoners”.” You try your best to imitate your friend and she laughs. 
She scrunches her nose and smiles. “He does that often doesn’t he?”
“It’s part of his charm.” You add. 
After an eternity in a local shop, Haruhi finally chose the three shirts she wanted. You, on the other hand, only picked out three bracelets, one for you, for Haruhi and Renge… Your two best friends. The one for Renge has large pink quartz beads, Haruhi’s are small red beads and yours has small lavender beads. 
Haruhi was pulling a few dollars out of her wallet, but you stopped her giving the cashier your card instead.
“If that’s alright with you, I’d like to pay for the expenses of today. You’ve only been kind and patient with me since we met. As a friend I would like to return the favor by paying for your purchases.” Your voice was noble and full of good intentions.
She scoffs in shock. “I can’t accept it.” 
“It would be a pleasure, plus you’ve fed me and sheltered me this weekend as your own sister.” She clearly  wasn’t taking your bluff anymore.
“You’re really not going to let it go, huh?” Haruhi asks, a bit annoyed, and you shake your head.
“I’ll even make you feel guilty if I talk long enough.” You joke and she giggles. She finally agreed and soon, you were on your way to her home. 
As you approached the building, you saw a black Mercedes parked in front of Haruhi’s home… It had to be the Host Club, who else would bother Haruhi on a weekend like this? You didn’t really want to see them today, especially after you made up your mind on giving back the uniform tomorrow after club activities. You were too much of a coward to face them now, you wouldn’t be able to do so the day after. 
“I have to go home, I forgot my French homework is due tomorrow.” You tried to lie hoping Haruhi wouldn’t see right through it.
“Aren’t you fluent in french?” She asked.
“Fluent or not, I still have to do it!” Right now she reminded you of Mauri with her cold stare. 
“Okay, I’ll see you tomorrow then.” She smiled and you were thankful she believed in your lie.
“Haru! Y/n!” Honey’s voice rang like thunder in your ears as he called the both of you. You clenched your jaw tightly before spinning around and met him with a bright smile. “We came to see you.” The rest of the group finally noticed their fellow member had left and joined you three. 
“Well, it’ll have to just be me, y/n has a French homework due tomorrow.” Haruhi smiles at Honey. 
“The homework is for next week, silly.” Tamaki snorted and you wanted to disappear. A soft chuckle echoes to the back of the group and you glared at Kyoya’s shit eating grin. 
You crossed your arms over your chest as you glared at Kyoya. “What are you laughing at, clownfish?” 
“Your poor attempt to flee us is just hilarious to me.” He adds and you swear you saw red. 
Tamaki cuts in before you get the chance to speak. “What he meant was that we are here to spend the most fun day together as a family.” 
“No we are not.” You snort. 
“Yes we are and we are starting with some bookstore fun!” He says proudly as he grabs both you and Haruhi and yanks you inside the Mercedes.
“Tamaki! That’s kidnapping what you just did there!” You yelled as he put your seatbelt on for you.
 “We are on a mission today and it’s to make you happy so stop yelling and enjoy your day with us!” He yells back and you shut your mouth. They wanted to make you happy. Were you unhappy? “We are going to the Nakajima Library.”
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You stayed silent the entire ride, you did not want to speak to any of them. They kidnapped you! 
But they did it so you could be happy… It’s still kidnapping!
You’ve arrived at your destination and you can’t believe your eyes… It’s grandiose. You can’t believe you never went there yet. Obviously it’s attached to a university and obviously you don’t go there yet. You are meant to go to the US for your higher studies, but you’re really considering going to this one instead. All of your friend's eyes are on you. You felt Kyoya’s burning holes behind your head, but never looked back at him as you took the first step towards the library.
A smile was pinned on your face as you entered the colosseum shaped library. The dim lights warmed the place with a beautiful orange like light. You felt like you were back in Rome. 
You’ve been to Rome once in your life and you fell in love with the place. It was one of the only family vacations you’ve been on with both your parents. A month in the warm weather of Italy with your loving parents, without their work coming in the way. You strut confidently between bookshelves making sure to browse the titles as you go, it’s mostly books for the students that are part of this university. Tamaki’s bubbly self, followed you like a puppy and offered you books to read. You settled on a science book he offered you that you never knew about and brought it to an empty table so you could read it in peace. 
Peace didn’t last too long, as all of the Host Club brought their own books to your table. To “read”, but other than Haruhi actually reading, the rest of them stared at you. Minutes have passed and they still haven’t stopped watching you. 
“How long should we stay here for?” Hikaru whispers under his breath. 
“Until y/n is satisfied.” Tamaki whispers back aggressively.
Haruhi snorts. “Bold of you to assume she will ever get satisfied after one book.” 
You smile quickly at Haruhi’s words without ever looking up from your book. Soft fingers brushes hair behind your ear. You looked at the person beside you and was surprised Kyoya sat there, his whole body facing you. “Your hair was in the way.” He only whispers before getting back to his book. What was that all about? You feel your cheeks heating up, but shook off that feeling. 
After a few hours of reading and hearing Hikaru and Kaoru groaning, you’ve had enough and Tamaki, once again, dragged you outside like he was kidnapping you, yanking you in the car and you were on your way somewhere else. 
The car ride, this time, seemed more lively and chatty. It was warm and familiar. It was as if everything was normal and you liked that, hell even loved it. 
After a few minutes, the car parked on the side of the road and exited the vehicle. You were left in front of a rather beautiful industrial building that seemed modern and new. 
“Where are we?” You ask as you all walked up to the gates and were allowed inside without question. 
Mori speaks. “Your mother told us that you like that very fancy coffee.” This is the new factory of the French coffee brand you always drink at home. “Tamaki’s French heritage helped us get inside.”
“The owner knows my father, so we were able to get a free tour of the factory and some samples!” The blond man says excited as you meet a beautiful tall woman waiting for you at the door. 
“Welcome! We are really excited to have you visit our factory Miss y/n.” The woman shook your hand. “I’m Elise Hanako.” The combination of the French and Japanese names made you uneasy, but for politeness sake you ignored that funny feeling and smiled properly. “Danuja Hanako, the owner and also my father, gave me his property in Japan so that we can localize our french coffee.” 
“It’s an honor to be in your presence, Miss Hanako.” You were eager to visit the factory. 
“I’ve been informed that you are a huge fan of our brand.” You blushed. “That’s great! I do hope our factory will live up to your expectations.” She adds and the automatic doors behind her open letting all of you enter the building.
This place did not look like a coffee factory, it looked like a high tech law firm or some sort. The interior was in this mix of black and dark wood with plants here and there. Everyone was dressed in a proper way, just like at your father’s workplace. Miss Hanako explains that the magic happens behind the scenes and proceeds to show you where the coffee beans were sorted out and how they were packaged. People dressed like scientists were inspecting every bean before sending it in the “good bin”... Maybe that’s why your coffee was so expensive. 
The factory was huge and you appreciated every second Hanako spoke up to explain how things were made and was kind and patient over your millions of questions you asked over the tour. 
“This concludes our tour and I do hope you enjoyed yourselves.” You all answered with a polite “yes, thank you” and Miss Hanako was pleased with that. “I almost forgot! I have two bags of our new batch that’s coming up next month, Cherry Flower and Chocolate Pecan Caramel.” She snapped her fingers and one of the workers carefully placed two bags in your arms. “My assistant sent you my personal email, so please do give me feedback.” You were in awe. “Get home safe kids.” She smiled before you exited the building to the car. 
You were shocked that they would go beyond anything to make you happy, they were true friends. “Thank you–”
“Don’t thank us yet!” Tamaki shouts over you. “One last stop, the orchestra.” The Orchestra!?
“You don’t mean–” 
“The best musicians around Japan? Yes, I mean that Orchestra.” He smirks. You were there at the presale, but never got the chance to get tickets. You wondered how they got eight of them. “But we can’t go dressed as commoners.” He adds and Haruhi slaps him behind his head. 
You didn’t look awful at all, you thought you all were a bit underdressed for the occasion, but no one would notice. Right?
“Pick whatever outfit you want, it’s on Kyoya.” Tamaki bumps his friend with glasses and he smiles as if he was forced to do so. You gave him a look that almost said : “You just learned that as well?” You all stopped at The Thread Maker, the town's finest clothing store. 
“All of you, pick an outfit I’ll pay for it.” He adds and you smile at him, a bold and bright smile. 
You all scattered around the store and looked around. You kind of wanted to take advantage of Kyoya and decided to go to the more expensive part of the already expensive store. You didn’t even have to think twice, the dress in front of the mannequin was the one you would buy. No price tag = pricey. It’s a scarlet red Queen-Anne shape with a leg slit dress. It’s a fully flared gown, floor length with a corset built in with embroidered floral details all over it. It was from your second favorite designer (after your mother) Teuta Matoshi. Honey’s voice was heard behind you, ordering a worker to let you try it on. You were dragged by another worker inside a cabin… After this day, you won’t let anyone drag you anywhere ever again!
You look at yourself in the mirror and surprisingly it’s a perfect fit all the way around, not too long, not too short, not too big or tight. It was perfect and you looked absolutely beautiful. 
When you came out of the dressing room, you only found Haruhi in another beautiful pink dress that made her look more feminine. The dress was tight on her and she is probably making Tamaki drool, because you sure would’ve. The guys were sitting on the couch in complete silence, their eyes all over you both. 
“Why aren’t you dressed?” Haruhi asked and none of them were answering. You couldn’t help but glance at Kyoya that had his eyes on your body already. You put on a show and twirled.
“My idea of a perfect day would be if you all were dressed too and not undressing us with your eyes.” You chuckle and they all cough and grunt, suddenly bashful of their actions. They rushed to get a suit and you stood there with Haruhi enjoying each other’s company. 
They all come out at the same time from the dressing room and they all are dressed the same, black and white suit with black ties. They look amazing! The last one to come out was Kyoya and when he appeared out the curtain he was playing with a red bow tie around his neck. The other’s were holding their laughter at the sight of him being the only one with a bow tie. 
You chuckled under your breath as you approached Kyoya to fix his matching bow. He froze under your touch and you just couldn’t hold your giggles any longer. “Tamaki said we would all wear bow ties because that would’ve made you laugh, but it seems I’ve fallen right into his trap.” He grunts. “I look ridiculous.” 
“You do.” You smile. “In a good way.” You add. “We are going to be late if we keep mocking our dear Kyoya!” Mori gave you his arm that you gladly took and walked back to the car where you’d wait for Kyoya to pay. 
The conversation between all of you was even more lively and joyful, you were really excited to go see The Orchestra.  Once you arrived at the place, you weren’t confident that this was the auditorium they usually play at, but you let it go once you entered and saw the beauty of the place you were in. Red walls and gold decors, with crystal chandeliers made you feel like you were in a movie. Mori took your arm and led you to golden doors that two workers opened grand and wide for you to realize this was an empty ballroom. 
You were confused and asked: “Are we early?”
“We are right on time.” Kaoru answer. 
The empty room made you a bit uneasy, but once you stepped inside the large red curtain lifted to reveal The Orchestra on stage. It’s a private concert… You spin around to meet Tamaki’s gaze and he smiled proudly at the utter shock on your face. 
“May I have this dance?” Mori asked you and you nodded, not entirely sure of what to do. He leads you to the center of the ballroom and once you do, the musicians start to play. Melodious sounds of violin echoes in the room, followed by loud cellos. Tears were filling your eyes, but you blinked them away. They organized this whole day for you, and only you.
Mori spins you around, letting go of your hand so you were now partnered with Kyoya who held you tightly against him as you swayed with him. The other’s picked each other as partners and danced to the same rhythm as you were with Kyoya. You both stayed silent as he twirled you around slowly and brought your back against his chest, swaying you gently this way.
“I did not know you danced this well.” You whispered with a hint of humor. 
He brought his lips close to your ear and you can hear the smirk in his voice. “I’m glad my efforts are being appreciated, these last four years of dance lessons are being used well.” At that you laughed. 
You danced for hours with your friends to the most beautiful songs who, on multiple occasions, brought tears. 
At the very end of the concert, you all applaud the musicians and the conductor for their performance. You were ready to leave, but an unfamiliar voice called your name, and it was none other than Ayaka Saito, the cello player you looked up to since forever, walking towards you. You felt your knees go weak, she was the most beautiful woman you’ve ever seen, she looked like she was royalty. 
“Y/n, this is for you.” She smiles as she hands you the bow that she used tonight to play with her autograph on it. “I heard you’re a great musician, with lots of potential.” You couldn’t seem to stop smiling without ever saying words. “Our manager would be interested to hear you play, especially if what your friends said is true. There would be a spot for you once you graduate if you impress Sara Nakamura.” Your jaw was on the floor. The Sara Nakamura! She is the face of the classical music industry in the modern era and she wants to hear you play? You were on the verge of fainting. 
You finally spoke to her in the calmest way possible. “It’s an honor to hear this coming from you, you are the one who made me start to play cello.” She smiles even more. “I would be even more honored to play for you and Miss Nakamura.” 
“Her assistant will send you information concerning this invitation.” She adds. “I bid you all good night.” She says before giving you a friendly hug. You were going to faint.
Once again you had to be dragged inside the car because you were frozen in place. You talked like a maniac the whole way back to your house. You were so happy to have finally met your musical idol tonight and that you’ve been given an extra rare opportunity. 
As the vehicle parks in front of your front gate you finally take a few deep breaths, the adrenaline wearing off. You hugged all of your friends inside the car and exited the car.
“We will see you for an early meeting tomorrow morning!” Tamaki smiles and yours drops. 
“Look guys…” You sigh. “I really appreciate what you did for me all day, but I’m okay I promise, I’m not sad.” It was a plain lie. “I just don’t have the heart to be the Host you want me to be anymore.” You tried to give your friends the coffee beans from France and returned the bow to them, but none of them tried to take it. 
“Keep it, please.” Tamaki’s soft smile broke your heart. “It’s a gift for you.” 
You nod and thank them again without ever glancing at Kyoya, you turned your back to them and headed inside your home. They did succeed to make you happy today, but when the door closed behind you, tears were falling down your cheeks as you held the objects tightly to your chest.
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You drop your neatly folded uniform on the tea table and sigh. You really loved your club, but it was better this way. You linger a while staring at the blue fabric that you were giving up. You were never one to give up, but recently you have. You gave up on Kyoya, your family duties, your plan to get another financé, you also gave up on your club, your friends… You were tired and disappointed in yourself. You wanted to get better and be better.
“You don’t have to do that, you know?” A deep voice makes you gasp out loud by surprise. Kyoya. 
Your hand was on your heart. “Good God! You scared me.” 
He did not care for your reaction. “You don’t have to leave the club.”
You crossed your arms over your chest. “Did they ask you to tell me this?”
“They have told me multiple times, but I chose to.” He starts. “I’m sorry.”
“Sorry won’t change my mind.” You scoff.  
“I know, you are stubborn as a mule.” He lightly chuckles.
“If that’s all, I’ll go. I have somewhere else to be.” You lied and started to walk towards the exit, but he put himself in front of you. 
“Why did you do all of this?” You were confused. “Why did you want Koichi over me?”
You scoff, absolutely baffled by what he was asking. “Because you don’t love me, Kyoya.” It was as simple as that. “Because liking on only one side is just too hard to do. You refuse to fall in love with me no matter how much I try to be perfect for you.” He was silent. You took that time to walk past him in a rush but stopped as you heard his voice once again. 
“I can’t fall in love with you. I– I can’t because if I do I am afraid I’ll end up doing the same mistake my parents did. They fell in love and then… They didn’t. It ruined the relationships between the family.” The look in his eyes… It was painful and sad, Kyoya was hurt. It probably took a lot of his courage to finally admit you spent months trying to figure out. Seeing him lose his composure in front of you saddened you. “It became a competition between me and my brothers, my mother being sad all– all of the time… My father… He doesn’t give any of us breaks, he’s relentless and he just cares about success. He doesn’t care about us, my brothers and I… My mother, his own wife who he is supposed to love and to cherish…” He was out of breath, all these feelings were finally out. “That’s why I can’t fall in love with you, because I don’t ever want you to end up like my mother if I end up like my father.”
It took you a good ten seconds to analyze what he had just confessed to you. All of it. Your heart broke for him and his family. No matter how much you wanted to console him, that was not what you needed to say. “That’s not good enough.” Was what came out of your mouth. He was perplexed. “That’s not good enough.” You repeated. “It’s not good enough for all of the times you put yourself in the way of a guy I talked to. For all the times you were kind and flirty and then you weren’t. It’s just not good enough.” He was hurt by your words, you knew it. His eyes couldn’t lie. “Is this hypothesis worth more than hurting me?” He doesn’t answer, but never breaks your gaze. You wanted to break and cry, but you stood your ground proud and strong just like your father taught you. “I can’t marry someone who’s afraid to take a leap and fall in love with me. I guess trying to make you feel what I felt was too demanding.”
“You loved me?”
“Does it matter? You don’t care, Kyoya. You don’t care about what my favorite songs are, you don’t care about my favorite books… Even Koichi was interested in what book was next on my list and he didn’t even love me one bit.” You scoff. 
“It’s Lucy by the sea.”
“What?”
“Your next read. It’s Lucy by the sea.” You were confused as to how he knows. “I got a hold of your list from your maid to know what book I should buy you next, in every stupid edition possible because that would make you happy. But no… I don’t care, right?” You were taken back from this confession. “I wore that stupid tie to make you laugh, I organized the whole day with Tamaki so that you would be able to understand that I am sorry.” He adds and something in your heart pinches. He made it all happen so that you would forgive him, but that’s not what you needed nor wanted from him.
“It’s still not enough.” You whisper with tears in your eyes. You blink them away before turning your back ready to leave the music room, you had enough. 
“Fuck.” He whispered before running after you, yanking you to the side to trap you between the wall and him. You wanted to push him away, but couldn’t as he lowered his head to crash his lips against yours. It was sudden and gentle. His lips tasted like mint and were so soft against yours. He was so careful with his next movements, his warm hands cradled your face opening your mouth just enough so his tongue could cross the borders of your lips to devour you entirely. Your arms wrapped themselves around his neck asking, begging for more. More touch, more passion, more of anything, you only wanted him. You raked your hands in his hair and fuck did it do something to him, his hand gripped your hips with such strength moving you against his thigh between your legs. It was so erotic you moaned against his lips which made him smirked. He pulled away enough to look at you in the eyes, truly look at you. “Don’t cry because of me.” He whispers stroking your cheeks so, so slowly, you want to melt in his touch. You pull him by his tie so his lips are on yours again. Your hands roamed his chest and shoulders and my god he was muscular, the uniforms didn’t do him a favor.  His hands were snacking around your waist underneath your dress shirt, memorizing the curves of your body. His touch was warm and soft, you were hypnotized by him. He slowly pulled away to kiss your cheek, then all the way up your jaw to leave one soft kiss under your ear. 
“Do you know how long I've wanted this?” He whispers in your ear. You were so warm, you thought perhaps you were running a fever, but one of Kyoya's hands carefully unbuttoned two of the buttons of your dress shirt, you knew you weren’t having any fever dreams. You looked up at him and you could see his gaze linger on your chest slightly exposed before facing you again. Hunger and lust was the only thing you could see in him. Without ever looking away, his fingers pushed the collar of your shirt to the side so your shoulder was bare for him. His featherlike kisses tickled your skin as he left a trail of them to the side of your neck all the way to your shoulder. He gently nibbled the sensible skin with his lips and tongue teasing you in a way that had you softly moaning, reprimanding for more. He smirked against your bare shoulder before biting the skin that had you rolling your eyes. 
The bell snapped the both of you out of our interaction making him pull away from you. You sigh in disapproval, you didn’t want him to leave now that you truly kissed him. He went to open the door, but stopped without looking at you. “Keep the uniform,” He spoke slowly : “and don’t replace me.” That’s what it was about… He wanted to prove you needed him, that he was better. He was jealous. Two can play that game especially if you are better at it.
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You were back in your uniform and ready to conquer the day as you walked into the Music Room number 3 the day after, slamming your hand on the tea table in front of Tamaki. “I want in.”
“Excuse you?” He asked before sipping his tea. 
“I want my role back in the Host Club, I am so sorry for how mean I was that day. But this club means a lot to me and I made a promise to you that I want to keep.” You were practically begging for him to take you back.
“What changed?” Hikaru asks.
“I guess your operation worked a little too well.” You smirk.
“You’re still in the Host Club, you don’t need permission to come back.” Tamaki smiles and you nod. You turn back to Kyoya and he smirks at you before deviating his gaze back to his laptop.
Maybe it's not about finding someone else, maybe you just need another approach towards Kyoya and if it’s through challenges and working each other up that you’ll get through him, so be it.
AN: Hi everyone! So sorry it took so long for this update, this chapter was written, deleted, written, deleted... like a thousand times. I hope this chapter filled your heart with some Kyoya love. I hope you all had wonderful holidays and since today, for me, is still Dec 31. I hope you all have a great 2023 filled with love and happiness! I promise y/n and Kyoya will get some happiness and love in 2023 as well.
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mothcpu · 4 months
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With the ability to add custom music to the cybergrind out now, what vocaloid songs/songs in general would you recommend? So far i have 39 Music! But I need more ideas
I have a couple spotify playlists for cygrind (general cybergrind / malding at P-2) but those are messy as hell so I'll also link a handful of my favorites under the cut :)
Vocaloid / J-pop News 39, Love! Snow! Really Magic, Ageage Again, and Viva Happy by Mitchie M sukisukisukisukisukisukisukisukisukisuki by PinocchioP I Nyaned for Hours (' w'​) ​‼ by DaniwellP / YZYX LUVORATORRRRRRY! by Reol Virgo by Kiichi Banshee Strikes by Kiichi Bad Apple!! by nomico (a classic)
and some general songs, mostly electronic literally anything by KEYGEN CHURCH but specifically this album ONE THOUSAND AND ONE NIGHTS by Angel Electronics Elixir by Angelspit Freedom Dive by XI Full Metal Dipshit, Mchngrl vs Wlfgrl, and This Is Your Face On Dogs by Machine Girl CITRUS! by lianhua haruhi by jarvas 9999999999 IN A DREAM by Ada Rook Robot Stop and anything off of Infest the Rats' Nest by King Gizzard and the Lizard Wizard Exorcism by Megachurch Nerds Trying To Dance by Pedestrian Tactics GOD RACE by METAROOM
my joke suggestions are The Seer by Swans and literally any Godspeed You! Black Emperor track. they're all really good but at least three times as long as an average cygrind run
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What's up? I was wondering if maybe you could do a platonic relationship between the twins and the reader and like they always help each other out and they also make pranks together?
Hitachiin twins + GN!reader(they/them)
Platonic!Headcannons
-you've known the twins for as long as y'all could remember, as your parents were close friends with their mother. Your mother being one of her main models and father being one of make up techs for Mrs.Hitachiins models
-when y'all first met, the twins admittedly wanted nothing to do with you. They were happy by themselves. They went as far as to try pranking you and teasing you.
-but that didn't stop you, eventually over time with a semi-prank war between the three of you, you found companionship with each other.
-eventually as the years went by it was hard to find the twins without you, many saying you were like a triplet to them. Even if y'all looked nothing alike.
-when the twins would go on to join the host club you supported them the whole way. As they seemed to enjoy it and wanted to have fun.
-you visit them at the club whenever you can; and they always make sure to be your favorite hosts
-when the "fight" between the twins happened, at first you were completely convinced that it was an actual fight.
-so you went to make sure they were both okay, but after telling you their plan you came to their side to help them get to go to Haruhi's house.
-even as the show/manga goes on, you stay by their sides, telling them both to follow their hearts and try to win Haruhi's, even at one point hitting Hikaru when he got out of line with Haruhi.
-over all, your the third Hitachiin kid, their triplet and they would do anything for you and you for them.
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Authors note:
So, I have been gone for some time. And I am very sorry, a lot has happened and I won't go into detail. But, I'm hoping to start writing again! Hopefully get through all my requests and start writing somethings I've been working on. Have a blessed day and stay hydrated/fed!
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letyukisayfuck · 6 months
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hey!! i really like your blog and all of your thoughts about haruhi the franchise are so interesting but what I'm curious about is how do you feel about koizumi in general? you speak about him very rarely but he's my fav character and you're my fav tumblr account so far so i wanna hear it if you have something to say about him ahah
aaaaaa thank you! i'm glad people like my particular brand of nonsense and screaming loudly into what i initially thought was a void. gotta say, being called someone's favorite tumblr is an honor i never thought i would receive from anyone
so yeah, i mostly talk about koizumi on here to give him shit, but honestly that's partially because i find it funny that after mikuru gets promoted from being nothing more than the universe's punching bag he basically takes her place in terms of 'character that suffers for comedy' (see: random numbers and seven wonders in particular), and partially because the text gives us very little of him seemingly being genuine without some level of bullshit attached to it.
like i said yesterday, i don't dislike any of the brigade; koizumi would probably be classed as my least favorite, but it's not so much because i dislike him and more because he never gets the narrative focus that would bring him up to the same level as mikuru
we never really get something that eqates to love at first sight or the melancholy of mikuru asahina for koizumi, and certainly nothing on the level of disappearance or intrigues (which i would argue are the yuki and mikuru spotlight novels, respectively)
(melancholy and surprise i would class as haruhi spotlights, one before and one after her character development; and sigh i would class as 'establishing material that is necessary but not exactly fun to sift through for the most part')
i like to think if we ever get another long-form book it'll be koizumi-centric, mostly because i'd like to see him actually get to be a major player! it's getting a little sad to watch kyon hear him go "maybe i wanted to time travel" and just go "i mean what could koizumi possibly want from me"
but really, the only koizumi spotlight we have is the tempo loss bishop exchange--which, notably, while i take it as canon (as it was authorized) was not by tanigawa; if i remember right, it was instead written by sou sagara
i read a fan translation, as there's never been an official release and my relationship with the official haruhi translations is reasonably antagonistic on a good day, and i think it's worth noting that for the first page and a half i didn't think there would be a plot. i thought it was just koizumi's philosophical bullshit, novelized.
that said, it was really fun to read something from his perspective (kind of like how editor in chief gives us insight into yuki and mikuru via their writing styles; but more direct)
so, before i get into my own thoughts (which i believe i've touched on before), it's worth noting that while the entire cast of haruhi can be easily read a variety of ways, koizumi is arguably the easiest to do this with because we get so little to work with in terms of "things we know to be true"
things we know for sure are true about koizumi: north high student (presumably a teenager), esper, works for a mysterious organization, considered attractive/popular (unless i'm misremembering something), has explicitly stated that he's always putting on an act but has never clarified how much and in exactly what way, earnestly offers advice but often contradicts himself, claims to be able to read haruhi's mood/emotions/something along those lines, and (in the later books) has made a hobby out of trying to convince kyon to deal with his very obvious romantic feelings for haruhi
my own reading of koizumi is biased by my readings of other characters and their relationships/dynamics; and it's also specifically the one i think is the funniest option: koizumi has a thing for both kyon and haruhi, is aware that neither of them views him the same way (with haruhi viewing him solely as a subordinate and only really paying attention when he's saying things she wants to hear, and kyon seemingly regarding him as a friend as well as a source of useful information, but hardly even willing to acknowledge that fact most of the time)
and, since he has accepted that neither of them like him that way but they do very obviously like each other, he's decided that they should get over themselves and get together. unfortunately, kyon's strategy when he hears things he doesn't want to is pretend no one's said anything at all, and so koizumi's words go ignored
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fluffyhare · 2 days
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Top 5 characters? I wanna know your favorites cause we stan rambles
Ayyyy thank you for asking! 💙
God, this is a tough one...
This would probably be all OCs if I used them, (and you know Avery would be #1... hehe) so I'll do regular characters only.
1. Data from Star Trek... I love him very much. His fascination with humans and their emotions, his unusual physiology, his interest in the natural world, his desire to belong and integrate, despite being so different... His gentle kindness, and his "fish out of water" demeanor despite being obscenely intelligent and physically strong... Ugh. He's obviously an inspiration for me!
Oh, my god... I think I just realized he's Avery's voice claim, too...
2. Haruhi Fujioka from Host Club. I love her so much, I relate to her so much... the way she interacts with her friends, her dry humor, her mild personality, her obvious compassion and strong interest in her friends... Yeah. I have my qualms with the show itself, but I love her very much. I'd even go as far as saying that she was partially responsible for my beginning awareness of being nonbinary.
3. Sans from Undertale... Just, classic Sans, not any of the variants. Yeah, yeah, I'm basic. I'm just really into that whole "funny goofball who is secretly very powerful, traumatized, and/or both" type beat. INB4 I am also a massive sucker for wordplay, so this shouldn't be a shock.
4. Pazu from Castle in the Sky. This is my favorite movie, and I just love Pazu's gentleness, passion and sense of adventure. Everything about this movie is incredibly close to my heart.
5. House from House MD, aka Dr. Medical Malpractice, lmao. It's exceedingly rare for me to like a villain or an asshole, but he's just so flawed and damaged that his rare moments of gentle kindness and vulnerability hit me like a truck. I love Wilson also, and their interactions with each other. I rewatch this whole show from time to time.
This was fun, thank you again! 💙
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theangelicpyro · 3 months
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khr dub rant incoming
i'm so sad. khr is finally getting a dub, but it's only three episodes and an unreleased ova, and i watched both clips they have out and i hate it
i'm happy it's getting attention but the fan casts i've seen would have been preferred, maybe i'm too attached to the japanese va's but the casting was perfect for them
tsuna's voice shouldn't be higher than haruhi from ouran, he doesn't sound like a guy at all, maybe i just need to hear him in hyper dying will mode? as is, i can't see the voice fitting when kokubun yukari did a great balancing act for him
it sucks because there's a bunch of va's listed that i know are good from other media i adore, but what i've heard so far is disappointing to me
i'm nitpicking and i know i'm nitpicking but this show means the world to me and all i see is praise for the dub and that's great and all but why
this is my favorite anime, the first time i actually continued the manga where the anime left off, i just wish they gave it more than three episodes and va's that don't feel like the directors cast themselves before anything else :((
also why did gokudera say decimo, giotto says decimo and gokudera says juudaime 😭
kyoko sounded adorable from the one line she had though, and i'm excited to hear chris hackney after knowing him from fe3h and 13sar
zeno robinson is cool too, but from what i heard in the sneak peeks idk i imagined yamamoto with a slightly deeper voice
i'm still buying it because the fact khr is getting content at all in 2024 is baffling to me and i'll support it either way
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haleigh-sloth · 1 month
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Hello, can I ask from this ask game :
https://www.tumblr.com/threecheersforinking/677824836625694720/anime-ask-game?source=share
For anime/manga : Fullmetal Alchemist, Ouran High School Host Club, Black Butler, and BNHA.
Thanks 🌻
Hi! Yes I’ll answer 🙂
Fullmetal Alchemist:
Favorite character:
Favorite Arc/Episode/Scene: I think In the Belly of the Beast is my favorite arc (Ed and Ling are trapped in Gluttony’s stomach), my favorite scene is Envy’s death bc of how the characters are involved in it
Character I Think is Underrated: Envy heehee (he’s my favorite so biased, but I also think ppl don’t appreciate how he gave us one of the greatest scenes in existence with Roy deciding not to kill him despite wanting to more than anything)
Character I Think is Overrated: Uhhhh none? I think all the characters in Fullmetal Alchemist deserve every hype they get
Favorite Ship/Pairing: Roy/Riza
Something I Love About the Show/Movie: Happy ending, EVERY character gets what they want, ends up with the people they love (both romantic and otherwise), Arakawa wasn’t afraid to be unapologetically forgiving
Ouran High School Host Club:
Favorite Character: Tamaki Suoh
Favorite Arc/Episode/Scene: The last arc is my favorite, my favorite scene is when he and Haruhi finally tell each other that they’re in love with each other—good shit
Character I Think is Underrated: Hmmmm idk if any of them are underrated, I love the twins and they’re plenty popular, Tamaki and Haruhi are plenty popular so idk
Character I Think is Overrated: None tbh lol
Favorite Ship/Pairing: Tamaki and Haruhi ❤️❤️❤️❤️
Something I Love About the Show/Movie: I love the satire, I love the romance, I love how head over heels Tamaki is for Haruhi—from day ONE
Black Butler:
Favorite Character: Sebastian ❤️
Favorite Arc/Episode/Scene: I think so far I’ve enjoyed the Book of the Atlantic arc the most in its entirety, I am however enjoying the current arc I’m on (twin reveal and dismantling of the blood collection arc? but I’m not done with it (I’m on break)
Character I Think is Underrated: Mei Rin, she’s so fucking badass and gets shit done
Character I Think is Overrated: Eh none really, everyone who gets hype deserves it imo
Favorite Ship/Pairing: idk if any ship here interests me rly, I’m here to just see what happens
Something I Love About the Show/Movie: I love the mystery aspect, how each arc is solving a mystery. I love Sebastian and I love the Phantomfam with the house staff and Ciel and Sebastian, ahhhh all of them
BNHA:
Favorite Character: Tomura Shigaraki
Favorite Arc/Episode/Scene: Current arc, favorite scene is…probably going to be whatever is in 418 or 419, but existing I’d say chapter 305 still
Character I Think is Underrated: None
Character I Think is Overrated: Idk I don’t get the hype behind literally any of the side characters like like the Big 3; I also think outside of aesthetics, Mirko is overrated, I think because Touya is often seen as something he isn’t (someone fighting for everyone to live how they want—he’s not) I think he’s gotten to be a little overrated. He’s still one of my top favorites but I tend to disagree with how a lot of people view him
Favorite Ship/Pairing: IzuOcha is good, BakuCami makes me laugh, TogaChacko is also good
Something I Love About the Show/Movie: The feel good narrative behind it all, I love how much the author cares about his characters, I love how forgiving the story is
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chellyfishing · 4 months
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apparently i have read seven books already this year, mostly because i have been too tired to do basically anything else (plus january is typically a strong reading month for me, for whatever reason). anyway that sounds like a little more than it is, since two were finishing up my locked tomb reread and two were under 100 pages (poems and essays by mary oliver and, uh, bunnicula, which i read while lying in the tub at 4 am trying to manage pain). the first non-locked tomb book i read was a far wilder magic, which is actually a book i have a LOT of thoughts on that i might get into eventually (still loved it tho! love allison saft’s prose!!) but mostly i wanted to tell you about the two romcoms i read!
i’m really so pleased with both of these books because they are apparently the first romance books i’ve ever given 5/5 stars too (unless you count kings rising, but that’s literally the only other one). i did notice that both of these are ya, which means there’s no sex in either, not even a fade to black, it just doesn’t happen over the course of the story, and i genuinely don’t know if that played a role. i kinda don’t think it did, bc my next-favorite romance book, all the feels, does have graphic sex scenes, but the reason i rated it a little below 5 had more to do with some of the writing choices in other places. SO i dunno! just something to ponder. onto the books!
the first is highly suspicious and unfairly cute by talia hibbert. this is actually my first talia hibbert, who has written a bunch of really well-loved adult romances. i’m looking forward to reading more from here because i loved her writing! it’s so full of charm and personality and literal lols. it doesn’t get boring because the narrative voice(s) are so engaging. the characters are so good in this. the main male character, brad, is also important to me because he’s very casually bisexual and also has OCD (i don’t have OCD but i have fifty other anxiety disorders in a trenchcoat and am somewhat OCD-adjacent, so a lot of his worries and intrusive thoughts really hit!). and our female lead, celine, is a fat girl, but that never ever ever comes up as a pejorative. brad constantly remarks on how beautiful she is and celine herself has a frankly enviable amount of self-confidence. and of course, both of them are black, as seen on the cover. this book truly is unfairly cute. i was rooting for the couple but i was also rooting for all the little friendships they made along the way. just a really good time.
the second one was the borrow-a-boyfriend club by page powars. this book is very ouran-coded, in that our main boy sort of accidentally joins what it is not called but very clearly is a high school host club. the boys are even sorted by Type with a capital T. more importantly this book is the purest definition of trans and queer joy. our boy noah is doing his best to “prove” he’s a boy at his new school to avoid all the little “accidents” and “slip-ups” that drove him from his last school, and it is sad to see him struggle to feel confident in his identity, but the more he’s affirmed the more his joy comes through. he’s got a very dogged personality that is so endearing. genuinely just a very lovable main character to follow. i would have liked to get to know the other characters in the club a little more but this is a pretty short book (under 300 pages) and i feel like for the length of the book we actually do get a pretty good amount of them. and they were lovable too! every time they were nice to noah and he became more embedded in this little friend group/family the happier i felt. our love interest is an absolute disaster but it was in such a quintessentially teenage boy way, especially given his upbringing. such a fun, funny (so many more literal lols) little story about male friendship and queerness and transness and boys and happiness. honestly if “ouran but in ann arbor and haruhi is actually a trans boy” sounds like a good time, do not hesitate!!
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mirai-e-jump · 14 days
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TV Guide Dan Vol.51, April 2024 Issue ft. Bakuage Sentai Boonboomger Cast Members Iuchi Haruhi x Hayama Yuki Interview (translations below)
Publication: April 5, 2024
PARTNER
"Please tell us about the other person's role in Bakuage Sentai Boonboomger."
Iuchi: Ishiro Meita, played by Yuki-kun, may look cool at first glance, but that's just him hiding his true character. Whenever I play the role of Taiya Hando, he's a character that makes me think, "Ishiro trusts Taiya." Going forward, we'll gradually get to see his cute side.
Hayama: It's true that Ishiro has a wide range of emotions (laughs). My impression of Taiya is that he values his intuition. So far, there aren't that many scenes in the show where the two of them talk together, so we don't know what led to their relationship of trusting each other, but I have a vague idea of what part of Taiya made Ishiro fall for him.
"Can you name some similarities between your roles and each other?"
Hayama: This isn't just me, as other cast members and Director Nakazawa Shojiro have also mentioned it, but Haruhi's personality is getting closer to Taiya's day after day. At first I thought I was the only one who thought that way, but when I told everyone, it seems like they think so too. I feel like he was chosen because he was the one meant to be Taiya.
Iuchi: That makes me happy (he's embarrassed). I didn't know you were talking about that.
Hayama: Taiya's a character who works quietly by himself, and Haruhi's the same way on set. During break time or when he's with the cast, he's always in a talkative mood, but before filming, he reads the script quietly by himself.
Iuchi: Now that you mention it, I think I may be like that. I like to spend time with others, but I'm also the type of person who values alone time. Yuki-kun is…
Hayama: (leaning towards him) I'm cool, just like Ishiro, right?
Iuchi: Uh, y-yeah (laughs). But, to tell you the truth, I feel that both Ishiro and Yuki-kun have a gap. They look cool at first glance, but in reality, they're cute…
Hayama: Isn't that just gap moe?! (*being attracted to the gap between one's appearance and personality)
Iuchi: That's right (laughs). In particular, I was amused by the fact that Yuki-kun recently won a figure and tote bag in a lottery for his favorite anime, and he's been carrying the tote bag with him all the time. He even takes it when moving from the waiting room, where you normally don't have to take anything with you. Seeing him do things like that, even though he's older, I think Yuki-kun is so cute that it's unfair.
"How did you become friends?"
Hayama: My hobbies are to go ramen hopping and going to saunas. When I mentioned this, Haruhi said, "I'm interested!" From there, we started going together for awhile.
Iuchi: Right! I was interested in both and wanted to get into them, but I had just moved to Tokyo and didn't know the city at all…Now, I've started to follow Yuki-kun's example, and made a photo folder with just ramen.
"What kind of ramen do you like?"
Hayama: Basically, I like everything, but I especially love Chinese soba with a soy sauce base. What kind of flavor do you like Haruhi?
Iuchi: Originally I was a soy sauce person, and liked thin, hard noodles, but recently, Yuki-kun took me to a restaurant similar to "Jiro" and I became addicted.
Hayama: It might've been a bad thing that I told you about it (laughs). The next time we have a day off from filming, us four guys, including Saito Ryu-kun and Soma Satoru-kun, should go together.
Iuchi: Yeah! It can be like alittle treat for us.
"To begin with, are you two outdoor or indoor people?"
Hayama: I'm a total indoor person. My hobbies are watching anime and reading manga.
Iuchi: We're the same. I also watch anime, movies, dramas, and have recently gotten into reading, I also play the guitar as a hobby.
Hayama: Well, if we were going to spend time together indoors, Haruhi should play the guitar as background music while I read manga. That way we can enjoy each other's hobbies.
Iuchi: Ah~ I see. But, if we were to spend time together, I'd like to go to Akihabara. I don't really go out if I'm alone, so I'd like to look around at the things we share a similar interest in.
Hayama: Alright! Come to think of it, it might be fun since we have so many things we like in common. The other three main cast members of Boonboomger are outdoor people, so it's good to have people like that by our side!
"What's something you'd like to ask each other?"
Iuchi: Ummm…when you were a student, were you smart?
Hayama: So suddenly?! why?
Iuchi: Yuki-kun, you seem like a smart guy. However, when I thought you were cool, you turned out to be surprisingly different.
Hayama: I see (laughs). I think my grade level was above half? It was alittle above the average score, but it wasn't really that high…wait, Haruhi! Are you trying to ruin my image with this interview?!
Iuchi: No, no! I'm not! (laughs).
Hayama: (laughs). This is going to be a serious question, but as I mentioned earlier, I feel that in a very short period of time, Haruhi has become more and more like Taiya, and that everyone views him as such. I read the script and make a certain plan before going to the set, but once I saw the way that Haruhi played Taiya after I got there, I changed my plans. When acting, do you do anything in addition to reading the script?
Iuchi: Hmmm…If I had to say so, I'd say that at random moments during my daily life, I think to myself, "Taiya would make a move like this right now." For example, I've always been the type of person who looks down while walking fast, but I think that Taiya would straighten his posture and walk slowly, so I've been trying to do that.
Hayama: Heh~. So, Taiya's character is taken from daily life?
Iuchi: Yeah. Otherwise, even though I'm playing the role of Taiya, I feel like I'd inadvertently come off as Iuchi Haruhi…As an extension of that, from the moment I read the script, I try to read it while keeping in mind that, "I'm Taiya Hando."
Hayama: Amazing. I'd love to learn from you!
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akitamafumis · 1 year
Text
trying to go through life thoughts
I wrote some thoughts on the l/n starira AU that i am putting here for posterity . mainly .
I don’t really know where to start or how to go into this. I made a comment to frog about how i thought that thematically l/n weren’t too far off, at least with some things. There’s the difference between revue’s focus on selfishness, but i think in a way you can see those as the difference between theatre and music (non-theatre) as art forms. Does that make sense? It’s an interesting part of a band, that the thematic idea of selfishness literally can only go so far—anyone can hope to be the lead in theatre, but a drumset player can’t hope to play the melody (you’re about to pitch your idea for a set of chromatically tuned toms. There’s nothing i can say to you that would stick in your brain).
So that was kind of my general vibe. I felt like there were enough similarities to justify the differences to make it make sense. I was only doing it as a writing exercise and it kind of spiraled. Ppl have talked about how it’s rly hard to revue something else because besides just fun aesthetics for art, it requires upward work to try and justify the occurrences in the AU to make it actually work. So i thought, maybe, it’d be fun to try and work through those thoughts a bit and see what I could come up with.
The most major change of note is that Shiho’s parents work in theatre in some way—it’s super vague and I didn’t want to come up with any concrete answers just because it felt pointless to. One of her parents might be a rinmeikan graduate or a family member was a teacher there or something, hence how they ended up with an old Rinmeiki vhs, and a result of her parents being in theatre means her desire to be a professional musician is switched to a desire to be a professional actor. A lot of what ripples out from there in terms of their childhood is pretty self explanatory: they watch Rinmeiki, put on little plays together just the four of them, and then things fall apart as they grow older.
I wanted to get them relatively close to pjsk canon at the start moreso than starira’s, so the perf department is already closed while they’re in their first year. I think in the context of this story they had more members at the start of the year, but people (upperclassmen) dropped into general education just because they knew the department was going to close down, until it was just Shiho and Ichika. Upperclassmen are only 2nd years, bc the part of my brain that cares too much ab logistics thinks the school would let any third years graduate in their department before shutting it at the end of the year but ANYWAY.
Kanade and Shizuku showing up is just because i needed two people connected to two of our people. I don’t know what school kanade/25ji go to. MMJ are frontier they’re. Idols. I have no idea who frau platin is. Actual answer probably Iori. But instead. Haruhi Minamoto. Fuck you.
There’s a lot about what I did with honami that ends up feeling like favorite character favoritism. And it IS. But it was also tied to the fact she did brass band in middle school, so she’s converted to being the most theatre oriented behind Shiho. Rather than Honami being ostracized for what she is in canon, it’s for acting, which was mainly because i needed a reason for her to quit acting specifically. Centering acting does shift the fact that for both honami and shiho acting becomes the center of their straining relationship with ichika/each other, rather than their interpersonal problems. But revue generally ties personal problems and the stage up together, so i think it’s not an unfair thing to change, and it’s not so much a change for Shiho, anyway.
Also honami’s weapon IS NOT A SCYTHE. It is just a lance. They have pretty boring revue weapons. The scythe joke is ABOUT HER NAME ONLY. IT IS UNFORTUNATE, BUT MERELY COINCIDENCE. WE SHOULD KILL KOCHO SHIZUHA.
The. Story is meant to conceptually cover what would be the school story (partially)+opening arc… a hypothetical main story (which you will never see from me because SCOPE) would large scale consist of them trying to form an official association and performance festival, etc etc etc, alongside their individual character arcs.
As far as the characters, shiho’s follow up would cover um. Obviously. Saki and Ichika have both taken Shiho helping/joining the association to mean that she’s not planning on transferring but that is still very much on the table for her. Only Honami is aware that the . Fights within their group aren’t over yet which is meant to compound with a certain lack of confrontation.
Honami’s would center around that whole revue weapon business, and the sense of regaining her brilliance. There are certain elements that tie into pjsk canon in terms of her (re)finding the confidence to speak her mind and put her foot down more, slowly. I think also as a secondary thing she gets into directing, over time.
Saki’s the most vague in my mind. I think she’s got passion and conviction but a sort of lack of direction, even though those two usually lead to the third. It’s the least developed in my brain so far. There’s also maybe something about her illness, both in terms of recognizing her own limits and acknowledging them, but also in not sidelining herself from going for lead roles, or something.
Ichika sort of lacks a lot as a stage girl initially. In her idea that she has parts of the rest of the group in herself i thought about including some implication that she doesn’t know what she would pass on to the three of them in return, but i couldn’t fit a line in about it without drawing a lot of attention to it, and it would fly under the radar after that revue and not come up again for a while. She’s also still carrying baggage for assuming the fault of the department shutting down.
Point is, when saki and ichika agree about not fighting each other and only facing other schools from now on, they are entirely off base. Things aren’t really fully aligned.
Okay. Now for my least favorite part. I thought revue intros would be fun and now i have to talk about them a little bit briefly. All of them contain an element of their name, alongside. Okay.
Saki’s is a mess well okay that’s not fair they’re all a mess to me . The “Bright skies” in the opening references the her last name, and the reference to blossoms her first name. Hers also overtly. References Rinmeiki.
Shiho’s isn’t tied to rinmeiki at all and the name references are the most vague, but her is very. Situationally accurate and i think remains so. She does the hard carrying for the revue conversion and i think up until the transferring confrontation comes to a head she’s often sort of . Antagonistic in trying to push the rest to either rise to the challenge or give up. “Brilliance pierces through the artificial shades” is the reference to her name. Brilliance standing in for sun and um. Sun piercing through the treetops. Also the final line the use of the word rises.
Ichika’s guided by the light of stars is her name reference, alongside the “melody of our song” thing. Rinmeiki are referenced as well, “against the flow of history” and the thing about her being a hero.
Honami’s is so heavy handed it hurts me and that’s what she gets for being last. She references all four of their names, and doesn’t have a specific Rinmeiki reference.
They also all specifically reference themselves differently. Ichika and Saki as students of rinmeikan, shiho as merely a stage girl, and honami as part of the performance association (which technically doesn’t exist officially when she says that).
I think…that’s kind of everything I’ve got…at least for now. That’s the bulk of it, really, i think. I hope. I don’t know :)
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reflective-muses · 8 months
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13 and 14!
14. What are five of your favorite ships? (In the rp community or otherwise)
Uhh... Haikaveh and Cynonari are two of my currently faves (read: hyperfixation), but I also love other ships and enjoy exploring other ships (and not all romantic--platonic and familial as well)
As for other fandoms and ships I've hyperfixated on, I love Reigisa (Rei x Nagisa) from Free!, YuuMika from Owari no Seraph and SorMik (Sorey x Mikleo) from Tales of Zesteria.
15. What sort of muses do you tend to write?
Oh man, I write a mix! I've written more quiet and subdued muses, some that are more extroverted and energetic and everything in between.
I tend to gravitate to muses that are different from myself, so muses like Lyney from Genshin and Nagisa from Free! who are more outgoing than I usually am. Kaveh is also outgoing, but not as overly extroverted as someone like Nagisa, and I relate to him a lot in regards to things like depression and self-deprecation. He is far smarter than me, but I actually enjoy learning new things by roleplaying him.
I also love characters with a more dry and kind of snarky personality like Tighnari from Genshin, Haruhi from Ouran High School Host Club and Mikleo from Tales of Zesteria.
It really just depends on who I tend to make a connection with. I point at them through the screen and go 'I'm going to write you' rofl
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insertpoetryhere · 1 year
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Wait im really interested abt what you said about kuze,, will you explain it? Only if you dont mind ofc
With delight and pleasure! I’m always looking for an excuse to talk about the manga.
So for context, this idea came from a conversation I was having with a friend about the possibility of a second season of Ouran. Specifically, we were discussing what we would want to see if they decided to revisit the anime. My stance was that the entire show would have to be redone in order for it to be an adaptation instead of a teaser since they left out smaller details that snowballed into larger plot points.
Enter: Kuze.
One of my personal favorite things about Ouran is it’s sense of timing and the fact that the characters aren’t interchangeable. A scene meant for Tamaki could never happen if you switched him with Kyoya, and a scene with Kyoya won’t work if you switch him out with Kaoru. Haruhi entering a plot point at one moment will drastically change it if she is meant to enter at another point. It all plays into the very natural feeling story progression. While these probably sound like they’re obvious elements of storytelling, there are a lot of pieces of media that don’t have that quality to them.
The things that happen in Ouran happen in a certain order for a reason, simply because switching the order that information is given drastically changes what the information means.
Takeshi Kuze is not a very big player in the overarching storyline, but he stands out from the other one-off characters. First up, he has a more personal connection to one of the hosts than most of the other background characters do. And second, he almost exclusively shows up during the more high-stakes competitive arcs (namely the Ouran Fair and the Sports Festival). His absence from the anime is a bit jarring, but not surprising since he also can’t be separated from the main plot of the manga very easily.
For those who don’t know, the ending of the anime is an arc that doesn’t happen in the manga. It was made exclusively to give the anime an open ended but still satisfying conclusion. In its place in the manga was a string of smaller arcs that all led up to the Ouran Fair, including one where several clubs compete for the location of the school’s central salon. This is when we meet Takeshi Kuze, Kyoya’s rival and childhood friend.
I could go on and on for weeks about how much I love the string of events, but we don’t have time for that so I will try to contain myself.
Kuze’s existence and relationship with Kyoya serves three purposes. 1.) To juxtapose Kyoya’s relationships with the hosts (mostly tamaki). 2.) To establish that Kyoya has a competitive streak. 3.) To imply that there are people who Kyoya doesn’t *have* to be nice to. And he is introduced in the same general timeframe where we meet Mr. Ootori and get to know a bit more about how Kyoya very intentionally sidelines himself and let’s Tamaki take the glory.
This all adds up to the idea that Kyoya, despite their friendship, deeply resents the fact that his family wants him to keep Tamaki in the spotlight for their own benefit. It also shows that his relationship with Kuze acts as a balancing factor, allowing him to be petty without stepping too far out of line.
This is established quickly and effectively by having it be so central in the Ouran Fair arc, giving us a certain expectation for how interactions between Kyoya and Kuze will play out in the future without having to focus too much on Kuze individually.
This changes with the Sports Festival arc. Despite only seeing him a handful of times prior, the audience has a certain expectation when Kuze enters the picture. But this expectation is shifted when Tamaki interjects, throwing both audience and characters off. Not only that, but the shift in status quo makes Kuze’s petty but harmless jabs turn into really hard-hitting attacks at Kyoya’s insecurities. This makes all of his pre-established resentment take center stage and results in him agreeing to a sports festival under the condition that he and Tamaki compete against one another.
The Sports Festival gives Kyoya the opportunity to work through some of that pent up anger without his family’s supervision. This in turn helps his friendship with Tamaki take a much healthier turn. This turn is also what prompts Kyoya to try and find Tamaki’s mother while he is in France.
When he does find her and sees that she is in perfect health, he realizes that this doesn’t line up with the description of her illness. This leads him to doing more research, thus kicking the second act of the story into gear.
Each of these steps is important and cannot function properly if you cut out any of the others. So while Kuze himself is only a minor role, he is needed to kickstart this specific chain of events. The role can’t be filled by any other character.
In conclusion: I love he
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atitarucore · 1 year
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Do you mind if I ask your top 10 favorite characters (can be male or female) from all of the media that you loved (can be anime/manga, books, movies or tv series)? And why do you love them? Sorry if you've answered this question before.....Thanks...
ironically, this is my first ever ask, haha! but, narrowing down all the characters i love is gonna be pretty difficult, so i’ll try to make it the first characters that come to mind, i suppose.
in no particular order, here are the characters i love dearly! for the sake of not being bias toward one series, i tried to only pick one character from each franchise. i also tried to keep it as spoiler-free as i possibly can!
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1. HARUHI FUJIOKA (ouran high school host club)
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when i first watched ohshc and haruhi said, "it's more important for a person to be recognized for who they are rather than what sex they are," i took that and RAN with it.
i think the reason i love haruhi so much is because of our similarities—from personality, to zodiac sign, and even down to favorite food(s) and subject(s). maybe i'm just projecting though, LOL.
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2. UKYO SAIONJI (dr. stone)
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why is this man so cute.
in all seriousness, i think i love ukyo so much because of his personality. i've always had a soft spot for pacifistic and gentle characters, and truly, he is the ultimate gentleman! such a sweetheart :( i wish to hold him in my arms
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3. HIYORI SUZUMI (honeyworks)
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my GIRL!! THE GIRLBOSS!!
i'll essentially repeat what i've said before in a previous post—similar to haruhi, i hold hiyori dear to my heart because of her resemblance to me. i admire her hardworking, optimistic, yet still clumsy demeanor. she just like me, fr fr! i think she's just an awesome character and deserves the world.
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4. ISHIGAMI YU (kaguya-sama: love is war)
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you know, for someone who loves kaguya-sama, i feel like i don't talk about him that much. ishigami yuu is my favorite character in the series primarily for his outstanding character development! i just... love how akasaka writes him, and i simply adore his relationships with everyone in the student council.
did i cry during EVERY season of kaguya sama? yes, yes i did. did i cry during his backstory moment? absolutely.
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5. ANGELA (lobotomy corporation/library of ruina)
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woah! didn't expect this one on here, did you?
it's sort of hard picking my favorite character from project moon games. even after thinking about it long and hard, i don't even know if angela is my favorite. even so, there's no denying that she's definitely scored a position as a character i love—just like ishigami, her character development really struck a chord in me!
i could go on and on about lobotomy corporation/library of ruina, so perhaps i'll cut it short there...
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6. REIGEN ARATAKA (mob psycho 100)
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he was born in a wet cardboard box all alone (affectionate)
doesn't really qualify for any of the twitter polls he participated in, but still managed to win somehow. honestly? despite him being a con artist, i think reigen truly does have a heart of gold. i was debating whether or not i wanted to put shigeo or reigen on here, but ultimately decided reigen because he's like... cute in a pathetic sort of way
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7. SAYORI (doki doki literature club)
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i'm surprised i've gotten so far without mentioning my preference of the childhood friend trope! i think it's a super cute trope, despite it's... tendency to not be the winning relationship in most shows.
i'm not sure what about sayori intrigued me so much—perhaps it was the way her struggles were written in a very real manner, despite her very cliche genki personality? regardless of whatever it is, i think she's my favorite ddlc character.
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8. ALPHONSE ELRIC (fullmetal alchemist: brotherhood)
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i just have to say that finishing fma:b ruined my life for like four days. i was in TEARS.
as i mentioned with ukyo, i really like gentle, caring characters, and alphonse definitely fits that category! he's calm, he's compassionate, and he has the strongest affection for stray cats. i really enjoyed his dynamic with the other characters, especially with edward. something about close-knit sibling bonds... man.
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9. LLOYD GARMADON (ninjago)
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is lloyd my favorite ninjago character? probably not. is he a character i really love from that series? yes!
i have my own opinions regarding the characterization ninjago gives its cast (sometimes it's... iffy), but regardless, i've always liked lloyd's character—from season one, where he was just a lil kid trying to make his name known, to now! season... fifteen?!
even after all these seasons, i still don't know what the element of energy means..!
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10. KOROSENSEI (assassination classroom)
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my favorite anime is assassination classroom!
i think this can be attributed to korosensei, who fundamentally changed my life when i was younger. he's empathic and observant, willing to do almost anything to help his students—and that stuck with me for the rest of my life.
being able to learn and grow alongside class e-3 is an experience i'll never forget.
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