#how would you describe something vs how would your character describe it

[justanotherbirdbrain-blog]

A Workshop for Creating Magical/ Fictional Crystals: A Guide from a Geologist

Hi folks, its me, here to talk about fictional writing again! Today I'm just tackling the idea of magical stones/mana stones by looking at existing minerals today and some neat properties that they have, and how you can apply these things to a fictional world. The goal is mainly to help you if you are stuck trying to come up with a unique magic system, or a unique identification/characteristic of your mineral.

First Things First: Mineral Shapes

I am exhausted, petered out, down-right fatigued by seeing every mineral depicted with having the crystal structure of calcite and quartz. There are soooooo many cooler, more interesting crystal structures, don't you think you would stop and take a look at a perfect cube in nature? It is completely unsettling.

Second: Color

Color within minerals can either be really important, or not important at all! It is your choice to decide if color is going to be something that means something to your mineral. But what are some times when the color is important? Well.... there are some elements that are called chromophores, this classification just indicates that these elements, when present, will determine the color of whatever they are in. So, if you wanted to treat mana like a chromophore, you could say, "Oh everything that contains mana turns green!" This could mean that regardless of the mineral, if that mineral is a specific color, it means it contains mana. This concept is exciting because you can just stop here and use minerals that already exist! You can also use it as an indicator for a magical ore! Chromophores are typically metals, so if you are making a new metal weapon, making the ore of that metal a unique color would make a lot of sense!

However, your mineral can also just be every color of the rainbow like quartz and perhaps that's what makes identifying your mana stones elusive and create an illusion of scarcity that your character can solve.

There are other things that can change the colors of minerals, like radiation damage, and electron exchange, but I think that is beyond what would be helpful! So lets talk about some unique color properties that happen in nature that seem magical in the first place! Maybe you don't need to design a mana stone, but you want a unique gemstone that only the royal family passes down or something (IDK).

The first one is the alexandrite effect! This is where a mineral can change color in natural light vs. incandescent light. (the mineral itself is not changing, but the lights contain different amounts of different colors that then get absorbed by the stone). Even if you don't use electricity in your fictional world, you could have the colors change in the presence of light magic. This could create fun misunderstandings about what the mineral is reacting to!

Pleochroism

Pleochroism is something that most minerals have, it is frequently used to help identify minerals in thin sections, however minerals are usually not pleochroic enough for it to be visible to the naked eye! Pleochroism is just a fancy name to describe the change in how light is absorbed based on the angle of the mineral! So if you scroll up to the first image where I showed a lot of crystal shapes, most of them have angles where they are longer and shorter! This will effect the way light travels in the crystal. Tanzanite is a popular mineral that does this.

Photochromism

This is when a mineral will change color (in a reversible way) when exposed to UV light (or sunlight), I am not going to go too into the details of why this is happening because it would require me to read some research papers and I just don't feel like it. The mineral that is best known for this is Hackmanite!

Alright! These are all the really cool color effects that might inspire you or maybe not, but now I am going to talk about how you might find your minerals within a rock!

When I see a lot of magical caves/mines, typically I see them with some variation of a geode honestly, but most minerals are not found like that! Now I am sure most of you guys have seen a geode, so I will not really talk about those, but I will talk briefly about porphyroblasts which is when the mineral grows larger than the minerals around it, this happens in metamorphic minerals!

sorry random stranger, but this is an image of garnets inside a finer-grained rock at gore mountain in New York!

Another way you might find minerals is in a pegmatite! This is when all minerals are really large! This is a formed from really slow crystalizing magma!

But something else to think about is that your mineral might just be massive, it doesn't have to have distinct crystals, it may be similar to jadeite where small grains grow together which leaves it looking smooth and seamless! A note about all of these is that you would have to mine into the rock to find these, there would not be any natural caves in these rocks! Caves are only ever really formed in limestones and maybe marbles (rocks that react with acid).

How can your characters identify these minerals?

Typically when you are out in the field you will look to see what type of rocks the minerals are found in (The overall texture of the rock will tell you how it formed). If you know how the rock formed, it will narrow down the amount of minerals you need to think about by quite a bit! Next, you are going to look closely at it and observe its crystal structure, does it have an obvious crystal? if so what is the general shape? If it is broken, how did it break? Did it fracture like glass or did it break along uniform planes. Some minerals have a thing called cleavage (breaks along planes of weakness). If a mineral exhibits this habit, it will again help narrow this down. Next we can look at color. Color can be misleading, because minerals like quartz can be any color imaginable, but minerals like olivine will always be green! The next thing your character can do is test for hardness, minerals all have a specific hardness that can help identify it as well.

After you go through all of this, your mineral might have some special property! This could be magnetism, fluorescence, reactions to acid, or any of the color changing effects I mentioned above! Other than that, your character can take it back to a lab and do a number of things to identify it, but the most typical thing would be for them to make a thin section (very thin piece of the rock) and observe it under a cross polarized microscope!

On that note folks! I hope this helped in some way in thinking of new magic mineral properties! I have other guides that explore some different fictional worldbuilding issues you might run into, but if you have any topics you would like me to cover please that I haven't mentioned already, let me know!

#geology #rocks #creative writing #fictional world #worldbuilding #dnd #dnd worldbuilding #worldbuilding stuff #writing resources #info post #information #writing

[mylordshesacactus]

Random thought this morning:

When doing characterization questions to try to build a character's personality--whether that's for fiction, an RPG, whatever? "Favorite" is often meaningless compared to "average".

It's very possible your character has a favorite food! But for most characters, a "favorite" food is.....nebulous. It may or may not tell you anything about them--if it does tell you something, it's probably something you already knew, and if it doesn't, then it falls flat and the question fails to do its job of actually helping you get to know this character better and making them feel like a person.

Something that's often more helpful is: What is their default option?

Your character walks into an unfamiliar tavern. What's their "safe" order? What's their default drive-through option? How, on a normal day, would they take their coffee? If they go to a normal bar with their friends on an average night, what do they have to drink? What do their pajamas look like?

Nine times out of ten, "my character's favorite color" is a nonsense question, but is there a color that dominates a lot of their wardrobe? (Using me in real life as an example here: My favorite color is earth-tone gold, but the vast majority of my clothes have a black base because it's more convenient--black doesn't clash with anything.)

Yeah, absolutely, have fun designing what they'd wear for a fancy ball--that's also great characterization! But what do they wear on an average day? Because by definition, that's who they are under normal circumstances. The best characterization question I've ever heard, genuinely, was "describe your character's shoes on a normal weekday".

That baseline will often reveal to you that your character does have a "favorite," and much more organically! It's much more important, when it comes to portraying a character consistently, to know who they are by default--and when you know that, you can poke at them and find the...dissatisfaction points, for lack of a better term. The places where the default feels just fine vs the places where you feel your character would want something more when given the opportunity.

The "Well... she'd order venison stew and beer by default, because it's pretty hard to fuck that up and she's a pretty down-to-earth person, but I think she actually really enjoys delicate aromatic spices...when they're in big cities with real restaurants, she probably spends a decent amount of her personal funds on nice food when she has the opportunity" feeling often does a LOT more to spark an understanding of a nuanced character than going straight for trying to define a Favorite Food out of the blue.

#characterization

[centrally-unplanned]

The thing about morality is that it only matters when it's real. Discussions of rules or norms for what is right or wrong are almost always, at some level, illusions, approximating reality and guiding decisions in an uncertain world - which does not make them useless, just contextual. Profaning god in your bedroom can never be “wrong” - there is no one to hear you, no one to be hurt by it. You can only show something is really wrong from the intentions of the actions and their results.

So with that out of the way, lets talk about Knives Chau - and specifically, how the comic vs the anime handled that part of the story.

Scott Pilgrim vs The Reification of Dating a High Schooler

There is an extremely pervasive meme in Scott Pilgrim discourse that our titular Scott is a scumbag. Our returning whipping boy the Kotaku article loves this idea, describing Scott’s “detestable behavior” and wondering “was it too subtle the first time about Scott being an absolute shitbag?”. There is this viral headline screenshot from an interview floating around right now riding that same line:

Which is, of course, pretty much false. Its up to you in the end, “shitbag” is a subjective description, but the story just isn’t about events that would be described that way. Its the story of a guy getting over an awful ex, hurting some people, then meeting a new person, and realizing step-by-step what it takes to be their partner and levelling up as a person each time he does. He starts off broken, and Ramona of course is just as broken - getting better is their mutual arc. And its fundamentally about relationship drama - those stakes don’t make you a scumbag lol, just clueless, unless you are terminally online and don’t know what real stakes are.

I will let O’Malley get the last word in with his quote the writer of that interview is hilariously trying to torture into his headline:

There's a bit of, like, young people see Scott Pilgrim a certain way, and, you know, there's a lot of, like, 18-19-year-old fans that are really judgmental of the character. They're like, "Oh, he's a bad person. I would never do that." But I always tell them, like, get back to me when you're 25 or 30, tell me how your 20s went. Were you a bad person? Everyone has to make choices and do things in life that maybe they're not going to be proud of later.

Scott is a scumbag the way everyone is - you yourself will likely commit similar sins; that at least seems to be the authorial intent, and I agree with it.

So how does dating Knives Chau slot into this?

Despite the memes, age, in fact, is just a number - two consenting people dating does not a sin make. The reason dating underage people is bad is because of its consequences, not the categorical imperative. So what are the consequences of dating Knives Chau in the comic?

Knives is, as a consequence of dating a guy who is simply via his age able to appear so much cooler than her peers to her, absolutely obsessed with Scott. She worships his band:

She starts aping his taste in music and interests; she slots herself into his circle of friends, who don’t relate to her, even after their breakup (often drinking her way through it):

She totally spirals after he cheats on her and leaves her, blaming everyone but him; she is wounded and hurt for months, a year, over a relationship that lasted weeks:

Knives Chau is a literal poster child for why you should not date a high schooler. She is, at every turn, emotionally not ready to date someone who is not at her own level of social development, and is deeply affected by it. It is, sometimes, played for laughs - that is the nature of the comic, everything is played for laughs, but I would have given it a bit more dramatic space myself - but over the course of the story Scott himself realizes how much of an ass he was to her, and how he didn’t take what happened seriously.

The reason I view this with charity is what Scott did to lead to this - he met a cute girl on the bus! He was deeply hurt and kind of numb in life, and found someone who was safe and easy to talk to. He never attempts to kiss her (she starts trying to kiss him which he repeatedly rejects) they don’t even hold hands, and it lasted a few weeks. He knew deep down, pretty much immediately, it was fake:

Then he met an actual person he liked, and with some browbeating from Wallace agreed to break up with her, but chickened out for a day. Then the next day he decides to break up with her, and she drops the L bomb before he can, so he instantly ends it. It is really awkward for everyone involved.

Pushing off an awkward and uncomfortable conversation resulting from a dumb decision you made on a whim for a week - god I relate to that, that’s everyone! If you think it isn’t you I think you're lying. Its why this relationship is so interesting in the comic - Scott is always one step removed from it, putting it at abeyance, and the fact that something so minor to him is so destructive to her is a really good portrait of how these kinds of things happen. Its so easy to hurt someone when you don’t even know what the stakes are, and when its coming not from malice, but from weakness. Its a very good portrayal of a bad relationship because its bad in a relatable way, even if as a story is a bit more dramatic than is typical. And its a great portrayal of how fraught age gaps can be - this bad relationship is part of what makes the comic a good story.

But its 2023, we don’t give a shit about any of that anymore!

O’Malley in the same interview discusses the cultural shift around these kind of relationships:

I felt like in this day and age, I had to provide clarity on that [relationship]. Because when I wrote the first books, I took it for granted that people would understand that dating a high schooler was a bad thing. But on the internet, in this day and age, people are like, "He's dating a high schooler. That's terrible!" Like, that's pretty much what I say on page 1 of the book. But I try to spell it out a little bit more this time.

He isn’t telling the full story though - it was bad in 2004, but not bad the way it is today. Its dubiousness was mitigated by its frequency; people were doing this kind of shit all the time. Scott Pilgrim is a bass guitarist in an indie band; fucking groupies is like built into the cover charge. Half the problem Scott has in dating Knives is that she is the wrong kind of 17-year-old - had Scott met her at 1 am in the aftermath of a Born Ruffian’s concert at the Whippet Lounge knocking down shots off the back of her fake ID, no one would have even noticed. Hell, no one does notice; there is someone who actually makes out with a drunk 17-year-old Knives Chau in the comic Scott Pilgrim, and isn’t Scott Pilgrim:

No one cares about Kim’s inebriated petting session here; that is 10% because she is a Girl and Girls Can’t Be Predators, 40% because she isn’t the main character, and 50% because Kim Pine’s dating history is not a useful proxy battleground for GamerGate-adjacent nerd culture wars in ~2014; but that is road that goes directly to hell, so let's veer back.

The point, of course, is that in 2004 this is a crime flecked with normality, something your friend would do and you would maybe just cock an eyebrow at:

Its not that in discourse today - it is radically more condemned. It is not a contextual sin, but an original sin. It underwent a process I am calling reification - where it goes from being just a shifting descriptor of reality, to a thing in itself, with a defined (reified) meaning. And to be clear, that is in a lot ways on net a good thing? The reality is that, despite everyone’s protestations, there are today thousands of 17-year-olds taking the L line out to a gig at the Brooklyn Steel and going down on a 25-year-old guy they just met in a back alley off Frost St who swears he’s a “drummer in a sick new band” that played here “just last week”, he promises, and she is having a great time, bragging to her friends about how hot his tattoo was, and then shipping herself off to Cornell next year to start on her pre-med track with barely a memory. But for every dozen of those, there is at least one person who is deeply, deeply hurt, a Knives Chau who never deserved this. The rest can have a slightly worse time, its probably worth it.

That does not make it a categorical imperative, though - the reification has masked that truth. The crime comes from the context - those other girls aren’t victims, they would laugh at you for suggesting they were. But in 2023, Scott Pilgrim Takes Off is no longer concerned with context. It is telling you, right to your face, that Scott is a bad dude. Over and over and over - jokes from the Evil League about “wow, I thought we were evil”, its not subtle.

Yet meanwhile, Knives Chau is, like, fine? She dates Scott, is totally into him, and then literally in the middle of his funeral forgets about him for Envy crashing it:

Picks up the bass and has yuri-inflected playtime with Kim the literal next day:

And less than a week later is pitching an off-broadway musical adaption of Scott’s life to a billionaire Matthew Patel - I can’t explain that okay, I’m as confused as you are.

She is mad at Scott, sure, but she is over it in a matter of days. Hell, notice how she was already a fan of the Clash at Demonhead now? There is no scene of Scott introducing her to his kind of music. He didn’t change her. By the end she is a member of his band and they are totally chill:

This is, again, about a week or two later.

Knives is not an important character in this show, way less than in the original, this is no grand sin. But I still find it very interesting: O’Malley is wrong. He “spells it out” way less in this version when it comes to the actual consequences of Scott’s actions. Everyone’s verbal condemnations are substitutes to replace the real damage his actions dealt in the comic. Scott is a better person this time, in a world that has universally agreed he is worse (still not a good move ofc). Even Scott’s moment of apology to Knives about their dating is so tepid its almost Straussian:

Its ‘frowned upon’…which is not the same thing as saying it was wrong! I don’t think this is intentional, its just funny, but its a nice capstone nevertheless.

And it had to be this way, not just for media in general, but for Scott Pilgrim in particular. Not only are sexual crimes far more reified today, but Scott Pilgrim’s sin of dating a high schooler is reified as well - its the first piece of discourse everyone encounters about it. Its the ur-debate of the franchise. The idea of actively engaging on this point, and digging deeper into it…its too hot, too controversial. Way better to shy away from it, disown it. The discourse wrote this part of the script over the course of a decade; its not something the creatives had any say in.

Honestly they should have just gone all the way - just make Knives 19. Then how tepid it is wouldn’t be a distraction anymore. Scott can just be an asshole for cheating on her, that would work fine. If you aren’t going to commit to the reality of these things, you shouldn’t bother with it at all.

#scott pilgrim #essay

[yamujiburo]

How would you define the personalities of Jessie and James? (their personality traits) and what are their main differences in your opinion? Thank you.

Ooooooooh amazing question I could probably go on about this forever. Let's seeeee

Jessie is an incredibly passionate, vain woman who is usually pretty quick to anger. She has a very hard exterior but has shown many moments of softness when it comes to those she cares about (her friends, her Pokémon, even Ash and some of the other twerps). She's excitable and arguably the dumbest of the TRio, often asking James or Meowth to explain things to her or on the opposite end, getting mad when they correct her on something she was wrong about LOL. Prior to being a Team Rocket field agent, she was very cold and closed off (as seen in Training Daze). And before THAT she was a cheery, much softer version of her current self. I think it's sweet that she kinda went back to being happier and sillier after befriending James and Meowth. The world truly was just cruel to her.

James (I'm very excited to talk about this I have a lot of thoughts) slowly but surely made a quite drastic change in character over the series. I can ALWAYS tell when someone's only ever watched season 1 of Pokémon depending on how they describe James. In the early seasons, James is very flamboyant, quite mean, has a sharp tongue. Jessie would often strongarm him in early seasons but he'd bite back without hesitation. He was also shown to be vain to a similar caliber as Jessie. HOWEVER. In later seasons, the vanity, bitey-ness kinda dies off and James' character changes. You wouldn't really be able to tell if you watch the series over time, but if you watch an S1 episode vs one of the S20+ episodes, you can really see it. James becomes more of a silly, sweet, nerdy boy. He's often the voice of reason and geeks out about various things like sports, Pokéballs, fishing gear, bottlecaps etc. Now when Jessie gets on his ass he more or less just deals with it with either a sigh or something akin to "it is what it is". He's very down to follow Jessie's lead unless it's something he's really passionate about, in which case, Jessie takes a back seat and lets him do his thang. As far as how James was before Team Rocket, there's not too much to go off of. As a child he seems very sweet but sad, given his rough, stifling upbringing. In Training Daze, he is much less silly and a bit more guarded (but less guarded than Jessie)

I'd also like to note that Meowth in earlier seasons felt like more of the leader? Like he was always keeping Jessie and James in line. But nowadays, he and James both take that role and tolerate Jessie's antics as a unit.

I think that's all I got to say. I could talk about this forever hahaha

#ask yam

[nanowrimo]

4 Alternatives to Popular Writing Advice

Some writing advice get passed off as something every writer has to do. The truth is, these tips might not work for everybody! NaNo participant Nicole Wilbur offers some alternatives to popular writing advice that may be a better fit for your writing needs.

While there are no definitive writing “rules”, there’s certainly writing advice so common it feels like it’s become canon. Most popular writing advice is generally good – but what if it doesn’t light up your brain? What if a particular tip doesn’t resonate with you?

 If this popular advice isn’t working - try these alternatives! 

Common advice: Make your character want something.  Alternative: Ask what your character is most afraid of.

Your character usually wants something – the MC’s goal driving the story is a common plot, after all. That something needs to be concrete, meaning the audience will know definitively when they’ve achieved their goal. 

(Is “found independence” concrete? No. Signed the lease on their first apartment? Yes.)

But if you aren’t sure yet, or what they want doesn’t feel motivating enough to support your inciting incident, start with a different question: what is your character afraid of? 

Katniss wants to survive, with her family, yes. But she’s terrified of helplessly watching them die. 

Common advice: Identify your story’s theme and stick it on a post- it above your computer.  Alternative: Use the character’s arc to create a main idea statement, and craft several related questions your story explores. 

English class really made ‘theme’ feel heavy-handed. In my grade nine English class, we listed the themes of To Kill a Mockingbird as: coming of age, racism, justice, and good vs. evil. 

While these are the topics explored in the book, I’ve never found this advice helpful in writing.  Instead, I like to use the controlling idea concept (as in Robert McKee’s Story) and exploratory questions (as in John Truby’s Anatomy of Genres).

A controlling idea is a statement about what the author views as the “proper” way to live, and it’s often cause-and-effect. The exploratory question is – well, a question you want to explore. 

In It’s a Wonderful Life, the controlling idea is something to the effect of “Life is meaningful because of our relationships” or “our lives feel meaningful when we value our family and community over money.” The question: How can a single person influence the future of an entire community?

Common advice: List out your character’s traits, perhaps with a character profile. Alternative: Focus on 2-3 broad brushstrokes that define the character.

When I first started writing, I would list out everything I wanted my character to be: smart, daring, sneaky, kind, greedy, etc. I created a long list of traits. Then I started writing the book. When I went back to look at the traits, I realized the character wasn’t really exhibiting any of these.

Instead of a long list of traits to describe your character, try identifying three. Think of these like three brush strokes on a page, giving the scaffolding of your character. Ideally, the combination of traits should be unexpected: maybe the character is rule-following, people-pleasing, and ambitious. Maybe the character is brash, strategic, and dutiful. 

Then – and this is the fun part – consider how the traits come into conflict, and what their limits are. What happens when our ambitious rule-follower must break the law to get what she wants? Sure, a character might be kind, but what will make her bite someone’s head off?

Common advice: Create a killer plot twist. Alternative: Create an information plot. 

Readers love an unexpected plot twist: whether a main character is killed or an ally turns out to be the bad guy, they’re thrilling. But plotting towards one singular twist can be difficult. 

Instead of using the term plot twist, I like thinking in terms of Brandon Sanderson’s “information” plot archetype. 

An information plot is basically a question the reader is actively trying to work out. It could be like Sarah Dessen's Just Listen where we wonder "what happened between Annabel and her ex-best friend?", "why is Annabel's sister acting strangely?" and "who is Owen, really?" Those all have to do with backstory, but information plots can be about pretty much any hidden information. Another popular question is "who is the bad guy?" - or in other words, "who is after the characters?" The Charlie's Angel franchise, for example, tends to keep viewers guessing at who the true antagonist is until the last few scenes.

Nicole Wilbur is an aspiring YA author, writing sapphic action-adventure stories that cure wanderlust. As a digital nomad, she has no house and no car, but has racked up a ridiculous number of frequent flier miles. She chronicles her writing and travelling journey on her YouTube channel and Chasing Chapters substack.

Photo by George Milton

#nanowrimo #writing #writing advice #writing tips #plotting #characters #by nano guest #nicole wilbur

[parisoonic]

I just want to say I love how you do your lineart, it looks so good! ahhhhhhhh!!

I'm gathering a lot of advice about the topic of lineart and I just wanna know how you get it to look like that? My line weight is getting better but the drawing itself just comes out a bit.. weird.

Thank you so much! Lineart is probably the thing I've been working hardest on as I am not a lineartist (and still struggle a lot) but it's something I really need to get better at for my job. UM there's honestly so much that could be said on the topic of lineart. Big things for me are:

Weight -> Use line weight (aka thickness) to describe form, lighting, contact and scale. Thick lines imply shadow, contact and nearness-to-camera. Thin lines imply tension, recession and light.

Straights vs Curves -> Use straight lines against curved ones for maximum interest. This is partly a character design thing but as we're using lines to describe our characters it's worth mentioning :)

Complex vx Simple -> Use complex lines against simple. Faces are always complex so therefore the backs of heads should always be simple. Chests are quite complex so backs should be simple. Dorsal sides of the arms are complex (Delt, tricep, bicep) whilst the ventral side is more simple (tricep...mainly) etc.

'Think in Ink' -> Lower your sketch layer almost to 0% opacity so you're not getting hung up on how nice/energetic your sketch look and instead are approaching the piece from an ink mindset. BUT it's digital! So if there's something in your sketch that you like just bring it forward (copy and paste) into your ink layer. I sketch and ink with the same brush so I can use this workflow

'Confidence' -> small hesitant feathery lines will look nervous compared to big swooping lines. Less is always more. I'll redraw arms/limbs until I can get the appearance that it was done in one brush stroke. Again it's digital so you can erase to cheat this look : )

MISC 01: I always hear 'draw from the shoulder'........meh............it's digital so draw from your wrist...it's fine honestly. If we were working at A1 in a life drawing class then we could get some shoulder action going but most of us are hunched over 16inch tablets. I think this advice aims to pull people away from feathery-nervous lineart honestly which you can improve on without relearning how to draw from your shoulder.

MISC 02: For a 'smoother' look do your lineart at a larger canvas size than you need. Once I'm happy with a sketch I usually double the canvas size and do my lineart then.

MISC 03: In PS (at least) anti-aliasing goes funny at any zoom level that isn't in the 5 times table. So try not to look at your canvas when you're zoomed in to 87% or 71.39% or something crazy. Just stick to 25%, 50%, 75% and 100% if possible.

UNFORTUNATE TRUTH: Lineart is incredibly based on raw draughtmanship I've discovered. When you're working with colour you can hide a lot in rendering (shadows, highlights) or post-processing (depth of field) but in lineart all your mistakes are just...there for people to see. There's ways round this...which I use A LOT. 'Flourishes' (I use 'flourishes' to mean over-confident lineart where it veers particuarly thick or particuarly thin in contrast to your approach in the rest of the image) can sort of trick people into thinking you're more confident about an area than you actually are.

As well as leaving 'breathing room' within your lineart instead of actually...resolving the area. I do this the most around the face and hands.

Hopefully some of this helps? Honestly there's a lot of deep dives that could be done into indivudal things and there's also the massive caveat that all of these are 'guidelines' and not strict rules. I also favour a more...concept-arty? animation-y? storyboard-y? look to my lineart which favours flourishes and breathing room for a incomplete/work-in-progress feel which would make methodical colouring (ie: for a comic or something) a pain.

Keep up pratice is the main thing and doing studies of artists who you like that have great lineart - you'll pick up draughtmanship skills along with the lineart studies. Here's some of my lineart from a year or two ago...it varies between very 'standardised' (which makes it difficult to read volumes and to be honest, it's boring) and 'TOO EXCITING' (which...also makes it difficult to read volumes and for the eye to rest).

I'd like to share my brushes at some point as I've found 3 that I really like and use for everything more or less. I discovered that a shocking low amount of people use PS on tumblr (shocking to me I guess as i'm so used to PS being the standard) and everyone seems to use Procreate or Clip Studio Pro...so I want to check that the brushes are Procreate compatible at least before I share!

#sorry if none of this makes sense. im on day TWO of a hangover...kill me now #asks #art tutorial

[imsobadatnicknames2]

What's OSR? I've seen you mention it several times in your RPG posts. Is it like a genre of rpg or...?

Hey, sorry I took so long to reply to this lol you probably already just googled it by now.

But like. Anyway.

OSR (Old-School Revival, Old-School Renaissance, and more uncommonly Old-School Rules or Old-School Revolution, no one can really agree on what the R means) is less like a genre and more like a movement or a loosely connected community that seeks to capture the tone, feel and/or playstyle of 70's and 80's fantasy roleplaying games (with a particular emphasis on old-school editions of Dungeons and Dragons, particularly the Basic D&D line but pretty much anything before 3e falls under this umbrella), or at least an idealized version of what people remember those games felt like to play.

There isn't exactly a consensus on what makes a game OSR but here's my personal list of things that I find to be common motifs in OSR game design and GM philosophy. Not every game in the movement features all of these things, but must certainly feature a few of them.

Rulings over rules: most OSR games lack mechanically codified rules for a lot of the actions that in modern D&D (and games influenced by it) would be covered by a skill system. Rather that try to have rules applicable for every situation, these games often have somewhat barebones rules, with the expectation that when a player tries to do something not covered by them the GM will have to make a ruling about it or negotiate a dice roll that feels fair (a common resolution system for this type of situation is d20 roll-under vs a stat that feels relevant, a d6 roll with x-in-6 chance to succeed, or just adjudicating the outcome based on how the player describes their actions)

"The solution is not on your character sheet": Related to the point above, the lack of character skills means that very few problems can be solved by saying "I roll [skill]". E.g. Looking for traps in an OSR game will look less like "I rolled 18 on my perception check" and more like "I poke the flagstones ahead with a stick to check if they're pressure plates" with maybe the GM asking for a roll or a saving throw if you do end up triggering a trap.

High lethality: Characters are squishy, and generally die much more easily. But conversely, character creation is often very quick, so if your character dies you can usually be playing again in minutes as long as there's a decent chance to integrate your new PC into the game.

Lack of emphasis on encounter balance: It's not uncommon for the PCs to find themselves way out of their depth, with encounters where they're almost guaranteed to lose unless they run away or find a creative way to stack the deck in their favor.

Combat as a failure state: Due to the two points above, not every encounter is meant to be fought, as doing so is generally not worth the risk and likely to end up badly. Players a generally better off finding ways to circumvent encounters through sneaking around them, outsmarting them, or out-maneauvering them, fighting only when there's no other option or when they've taken steps to make sure the battle is fought on their terms (e.g. luring enemies into traps or environmental hazards, stuff like that)

Emphasis on inventory and items: As skills, class features and character builds are less significant than in modern D&D (or sometimes outright nonexistent), a large part of the way the players engage with the world instead revolves around what they carry and how they use it. A lot of these games have you randomly roll your starting inventory, and often this will become as much a significant part of your character as your class is, even with seemingly useless clutter items. E.g. a hand mirror can become an invaluable tool for peeping around corners and doorways. This kind of gameplay techncially possible on modern D&D but in OSR games it's often vital.

Gold for XP: somewhat related to the above, in many of these games your XP will be determined by how much treasure you gather, casting players in the role and mindset of trasure hutners, grave robbers, etc.

Situations, not plots: This is more of a GM culture thing than an intrinsic feature of the games, but OSR campaigns will often eschew the long-form GM-authored Epic narrative that has become the norm since the late AD&D 2e era, in favor of a more sandbox-y "here's an initial situation, it's up to you what you do with it" style. This means that you probably won't be getting elaborate scenes plotted out sessions in advance to tie into your backstory and character arc, but it also means increased player agency, casting the GM in the role of less of a plot writer or narrator and more of a referee.

Like I said, these are not universal, and a lot of games that fall under the OSR umbrella will eschew some or most of these (it's very common for a lot of games to drop the gold-for-xp thing in favor of a different reawrd structure), but IMO they're a good baseline for understanding common features of the movement as a whole.

Of course, the OSR movement covers A LOT of different games, which I'd classify in the following categories by how much they deviate from their source of inspiration:

Retroclones are basically recreations of the ruleset of older D&D editions but without the D&D trademark, sometimes with a new coat of paint. E.g. OSRIC and For Gold and Glory are clones of AD&D (1e and 2e respectively); Whitebox and Fantastic Medieval Campaigns are recreations of the original 1974 white box D&D release; Old School Essentials, Basic Fantasy and Labyrinth Lord are clones of the 1981 B/X D&D set. Some of these recreate the original rules as-is, editing the text or reorganizing the information to be clearer but otherwise leaving the meachnics unchanged, while others will make slight rules changes to remove quirks that have come to be considered annoying in hindsight, some of them might mix and match features from different editions, but otherwise they're mostly straight up recreations of old-school D&D releases.

There are games that I would call "old-school compatible", that feature significant enough mechanical changes from old-school D&D to be considered a different game, but try to maintain mechanical compatibility with materials made for it. Games like The Black Hack, Knave, Macchiato Monsters, Dungeon Reavers, Whitehack, etc. play very differently from old-school D&D, and from each other, but you generally can grab any module made for any pre-3e D&D edition and run it with any of them with very little to no effort needed in conversion.

There's a third category that I wouldn't know how to call. Some people call then Nu-OSR or NSR (short for New School revolution) while a small minority of people argue that they aren't really part of the OSR movement but instead their own thing. I've personally taken to calling them "Old School Baroque". These are games that try to replicate different aspects of the tone and feel of old-school fantasy roleplaying games while borrowing few to none mechanics from them and not making any particular attempts to be mechanically compatible. Games like Into the Odd, Mörk Borg, Troika!, a dungeon game, FLEE, DURF, Songbirds, Mausritter, bastards, Cairn, Sledgehammer, and too many more to name. In my opinion this subsection of the OSR space is where it gets interesting, as there's so many different ways people try to recreate that old-school flavor with different mechanics.

(Of course, not everything fits neatly into these, e.g. I would consider stuff like Dungeon Crawl Classics to be somewhere inbetween category 1 and 2, and stuff like GloG or RELIC to be somewhere imbetween categories 2 and 3)

The OSR movement does have its ugly side, as it's to be expected by the fact that a huge part of the driving force behind it is nostalgia. Some people might be in it because it harkens back to a spirit of DIY and player agency that has been lost in traditional fantasy roleplaying games, but it's udneniable that some people are also in it because for them it harkens back to a time before "D&D went woke" when tabletop roleplaying was considered a hobby primarily for and by white men. That being said... generally those types of guys keep to themselves in their own little circlejerk, and it's pretty easy to find OSR spaces that are progressive and have a sinificant number of queer, POC, and marginalized creators.

#ttrpg #osr

[oneatlatime]

Sokka's Master

pleasebegoodpleasebegoodpleasebegoodpleasebegoodpleasebegood

Strange choice of master but we'll see where this goes.

The meteor shower animation is quite meditative. I wouldn't mind it as a screensaver.

How to describe something exceptional to your blind friend: "You've never not seen anything like this." It's amazing the quality put into even the tiniest of throwaway jokes.

Are meteor strikes flammable?

I love how whenever Sokka's disappointed he gets noodle arms. A surprisingly consistent characterisation.

Momo butt skate.

Iroh. The fuck?

ok. So he's playing a part for the guards. Why?

Pretty.

Funny to think about, but as a former WWE character, Toph's probably had more hero worship than the Avatar.

Lots to say about this! First, I stand corrected! i honestly thought that Sokka would be immune to this specific insecurity by virtue of him not being a bender. I was wrong! Second, I love how, as soon as Sokka expresses that he feels that he isn't as talented as the rest of them, the others respond by listing his actual, invaluable talents, without which the group would be completely at sea. They don't respond with "no you're perfect!" they respond with "no one can read a map like you can" and how he keeps their spirits up with jokes. They're not using false praise. They are using specific facts. I love that an episode that looks like it's going to deal with a character feeling down on themselves establishes from the get go that the character is invaluable, actually. So often, the 'low self esteem stock episode' puts the affirmation of the character's value at the end. Which means the viewer spends the whole episode being convinced that the character in question might actually be useless. Here, we're told from the start that the character is invaluable - the problem is that they do not perceive themselves to be so. Quite on the nose for a show that deals so much with identity.

OMIGOD IT GETS BETTER!!!!!!!!!!

Validating Katara sweeps in and a) validates his feelings, while b) clearly explaining that his self-perception is not in line with how the others see him, which c) doesn't invalidate a) !!!!

Katara has such emotional intelligence when she chooses to use it.

Nuanced intelligent discussion of the complexities of emotions and self-perception in a Sokka episode I am so happy I am blessed the gods are shining on me today I'm sitting here twirling my hair and swinging my feet and doodling hearts on the corner of my journal

SHOPPING!!!!!

btw that's the same face he makes when he says SUKI!!!

"Reinvigorate my battling" this boy. just. this boy.

He lasted a lot longer than I would have with nun chucks.

Aang the Happy Meal toy.

Some say that Halberd is still spinning today.

Ladies and Gentlemen, I present: the 45 degree Sokka.

Some Foley artist had the time of their life with this weapons sequence.

Why thank you for that exposition, Mr. Exposition. Now walk away and we'll never see you again.

Toph does NOT move ONCE this whole scene and it's ever so slightly freaking me out.

Toph tells you she learned from Badgermoles and no one wants to discuss this further?!? We're going to gloss over that?

So this episode has a training montage theme.

Sokka goes freestyle on those door knockers.

That's one hell of a castle. Must be dark in there though. Tiny windows.

Which explains the several hundred candles. This show. Set up with one hand; slam dunk with the other.

This guy's reciting Sokka's s1 introduction on Kyoshi Island.

Sokka: Actually. I am a dumb. The Master: Sold.

The face of someone who is definitely picking up what you're putting down.

It's been ages since I watched the episode, but is some of what the Master saying here about swords an echo of what Zuko says to the kid in Zuko Alone when he's decapitating sunflowers?

A Sokka-less Gaang. Depressing and they know it.

The way Katara's voice actor says "oh everyone's a critic" is gold.

Multidisciplinary education vs. kid who's never been within a mile of the box he's being told to think outside of. Fight!

Yikes that was a meaty hit. Does Sokka have a nose left?

They're wearing beehives on their heads.

Was Sokka always this short?

The greens in this episode are such a delight.

The way he says "I'm finished!" Sounds like "Am finished" and you can actually hear the smiley emoji he throws in.

He's good.

What do they FEED him?

Sokka's voice actor had a great time this episode. All the voice actors had a great time actually.

Sokka invents the La Z Boy

Katara inadvertently invents a fandom war by attempting a joke.

They're all so useless and it's wonderful.

That was all only one day? That's a lot of outfit changes for one day.

"You mess things up in a very special way." Compliment? Let's go with compliment.

Sokka is so very Sokka this episode.

A reason to live is coming!

*thundering herds of shippers in the distance*

That's clever. The inciting incident gets smelted. Haven't seen that before.

This whole Iroh gets buff montage has been completely dialogue free on Iroh's part. Crazy levels of inner peace, that he'd doesn't need to snark back at the guard.

Seriously. What are they FEEDING these children. Also how is that door that shiny.

Sokka really has it in for those door knockers.

Apropos of nothing, the clouds in this episode are all so yummy. All these soft slate colours and misty layers.

Meteoric iron is actually a thing, right?

Ok but aren't mold made swords crappy?

HI YUE

I love how they managed to made a crafting montage where the character who does the least work is the one who looks like he's working the hardest.

"I saw a heart as strong as my garden decor"

"No it certainly wasn't your skills. You had none."

Creativity, versatility, intelligence, meat, sarcasm.

You've known him like two days and you can already tell he's more worthy than any man you've ever trained? Sounds like you had poor taste in students.

"No. This is my fight. Alone." Bro you are going to DIE. The first time you held a sword was two days ago. You might need the avatar on this one.

Guard who never shuts up actually kind of has a point here. He's a dick about as usual, but it's entirely possible that the rank and file of the Fire Nation army view Iroh's actions as a betrayal. Does anyone remember in Star Wars movie number 7, or maybe 8, when that Trooper sees Finn after he's switched sides and yells "traitor!" and it's the best part of the movie? Yeah, like that.

This episode throws the concept of linear time out the window. In two days, Iroh gets swole and Sokka masters sword fighting.

Do you think Sokka's realised yet that this is his final exam?

Yummy yummy clouds.

One in a million pocket sand shot.

One in a million stick placement.

So this master is like a sword spirit or something. He can't be human. There's no way he could get the scabbard to fly on perfectly without seeing.

"Try Lee, There's a million Lees. There's a tea shop in Ba Sing Se that has a super cranky waiter called Lee."

This guy's just this side of committing treason and I love it.

I see this Master is a devotee of the 'Hakoda school of shoving outrageously over the top compliments into Sokka's thick skull in the hopes that 1% of them will stick.' I approve.

This last scene has gorgeous hills and skies but you'll have to take my word for it because I've hit the image limit.

Sokka's been inducted into the super secret boy band!!!

He saved space earth for Toph! He's so considerate! He's fuelling the ships!

Let's compromise and call it space dirt instead.

Final Thoughts

This episode every two minutes: Sokka, you are currently flawless and you're about to get better. Me: Yes. Yep. Yeah. Seconded. I concur.

I like it! It's great! It's 24 minutes of the writers and characters fangirling over Sokka! Of course I like it! It made me criminally overuse exclamation marks! What else can I say?

Hands down my favourite episode is Bato of the Water Tribe. For Sokka's story, this episode is Bato of the Water Tribe part 2. Of course I'm going to love it. This episode was lab grown specifically for me.

Now let's see if I can say something about this episode that isn't poorly disguised squealing.

I love how the characters respond to Sokka saying he's not special with an evidence-based refutation rather than blanket reassurance.

I love how shopping cheers up Sokka. I love how Katara knows that shopping will cheer him up. This must be something she's learned since the show started. I don't think there were malls in the South Pole. So Katara was paying attention when Sokka and Momo went through the bag saga.

I love how much the master is baffled yet impressed by Sokka. He seems almost charmed by this breath of fresh air. I think it's hilarious that, when Sokka first approaches him, he's expecting early season 1 Sokka. He'd better send Suki a thank you card.

I also really like "The way of the sword doesn't belong to any one nation." It seems obvious to us, but in a world where there are weaponisable skills that are quite literally inseparable from the nations their wielders inhabit, it's probably something no one in the Gaang has ever heard before.

Obviously the episode is a little rushed - half hour kid's show and all that - but it's still pretty crazy that you can apparently impart a solid basic knowledge of swordplay in two days.

Toph going all tsundere is funny, and makes Aang and Katara unapologetically desperate for Sokka's company twice as funny as it already is. Toph's like "whatever" and the other two spent the day making a welcome home banner.

I love how Sokka's happiness is always so loud and shameless. It makes it contagious.

This episode highlights what Sokka's actual strengths are, by instructing him in what he thinks his strengths are. If that makes sense? Sokka is brain, which he's finally starting to realise by attending brawn lessons.

He's also heart, and I'll die on that hill.

Iroh getting swole was honestly just a thing that happened. No comment really, except it was interesting to have a reminder from the guard that a character we perceive as the good guy is currently perceived as the bad guy by everyone but us. When the Fire Nation does inevitably get defeated, a whole nation is going to have to reset their worldview and that will not be an easy process.

More like this please!

#atla #avatar: the last airbender #avatar the last airbender #sokka's master

[fishing-lesbian-catgirl]

There are times I think about playing Arknights just to see if it's as gay as your posting makes it seem.

Actually it's probably better just to ask it here. How gay is Arknights?

Well. The answer depends on how willing you are to read into subtext. If you’re the type who only cares about extremely explicit gayness to the degree of them literally saying it out loud or to have their relationship with another woman described in text as a relationship, then I guess the answer would be not that gay. There’s Tomimi who professes her love to Gavial in The Great Chief Returns event, and there’s Scavenger whose operator file describes how she was in love with a woman but they got separated, and by the time she was able to return to her her partner was dead. I think that might actually be it from the “turn to the camera and say ‘I’m gay’” level of gayness.

The reality of Arknights is that, despite all the things it does well (and there are seriously a lot of those, that’s why I’ve become kind of obsessed with it for better or worse), it is still a gacha game. And when the profitability of a game is tied directly to how much you can convince your audience to spend money to get the characters they want, it unfortunately makes them make so frustrating decisions to avoid any potential loss of profits. Specifically I’m referring to how characters are not allowed to be in relationships in text, as self-shippers are a potential revenue source (despite the fact that a character having a girlfriend vs a character being single is a much smaller roadblock to dating then the fact that they’re not real). Also it suffers from the very common problem of lack of body diversity and skin colors, fanart that you see that seems otherwise is likely fanon.

But if you like queer subtext, there’s quite a lot to work with. Especially since so many characters and their relationships with each other lend really well to lesbian readings with fascinating dynamics. Women will straight up flirt with each other in text somewhat frequently depending on the characters. Some women have relationships that are really really hard to read as anything other than lesbian (but people will always find a way, usually by not reading in the first place). It very often turns into a “there is no heterosexual explanation for this” situation. And the important thing to know is that ~80% of the characters are women, a lot of whom are very real characters with stories and everything that is well written and respecting of them (with a few exceptions). The majority of their interactions are with other female characters. If you’re picky about it any only want heavy subtext with minimal reading into it, you’ll have a number of good options of characters and relationships to enjoy, like Margaret Nearl and her two very obviously girlfriends/wives (depending on your interpretation), or Skadi and Specter, or Franka and Liskarm who got an official manhua dedicated to their relationship as mercenary partners that was so gay that the scanlators who put it on mangadex tagged it “Girls’ Love” only for the official translation to make it gayer.

It really is a your mileage may vary situation. If you’re like me and can read into the potential yuri in even the slightest interaction, it’s an unending feast. But if you’re only in it for the explicit canon then you might want to look for something else. Regardless, it is a gacha game but also it is a game with a majority female cast of usually well written characters in stories where they are the focus. Seriously, the first like 6 chapters of the main story only have a few men, most of whom are nameless npcs or antagonists, and even the main antagonists get to be fascinating women a large portion of the time. I know it might sound like I’m scraping the bottom of the barrel here but misogyny is an extremely present force in storytelling and the bar is really low. I can elaborate more if you want me to, but as you can probably tell I’m not good at being succinct, and any further elaboration would be as long and rambly as this

#arknights #asks #long post

[mrghostrat]

Hello!! I'm not new to writing but I am absolutely new to writing fanfiction and have been extremely nervous to even start doing that, do have any suggestions on where to start so I don't make it accidentally it's own story just using someone else's character names? ( I mean that in a sense of accidentally altering their personalities and other components that would be really important) Because chances are I probably won't notice while doing it and probably think it's fine. I'm really really bad at not noticing mistakes until it's too late to fix them but I have a fic idea that I think would be really cool and I don't know how to go about it without doing it terribly.

Here's a random pic I took this afternoon, I dunno just the way you describe scenes I figured you'd enjoy the atmosphere of it?

1. this picture is stunning, my god, it's giving me chills. so beautiful, thank you for sharing 👁️👁️

2, i think dialogue is probably one of the biggest components of characterisation, so linking back to canon dialogue can be a really helpful and easy way of keeping your characterisation in check. quite literally an exercise in "would he fucking say that?"

you've probably noticed how much i love using canonical lines from the show like this, even though i'm usually taking them out of their original context. as a reader, hearing dialogue in MS/DT's voices can be very grounding, and as a writer, it can keep you in line as you write their conversations.

i also like trying to create a parallel between events and decisions in my fic vs the canon. something tiny: in ATWS chapter 3, crowley orders takeaway and convinces aziraphale to get something too. in my initial plan, he was going to say no and wave crowley away/be a bit holier than thou, but when i made the takeaway food bbq ribs (like the ox rib), i realised it was literally aziracrow 101 for crowley to tempt him successfully into things, especially food. so i made aziraphale say yes, and simply act put out about it.

you'd think these kinds of parallels would be more important on a grander scale, but i like comparing every little decision to the canon, even if it's only for a moment, to think about how they'd act in that situation. it could be an entirely different universe but they can still be the same characters who make the same decisions as an angel and demon would.

3. a lot of people would say that it doesn't matter, that you can write whatever you want even if it's wholly out of character and just has their names attached to it. even though that's not the kind of fan fiction i like to read and write, it's still valid, and the most important thing is that you're having fun and being creative. basically, don't sweat it if it's not perfect.

#ask a rat #good omens #writing process

[stem-sister-scuffle]

STEM SISTER SCUFFLE: ROUND 1 MASHUP 9

Mercymorn The First (The Locked Tomb) vs GLaDOS (Portal)

Mercymorn The First is a Cryogenics Scientist and Anatomist!

GLaDOS is a Quantum Physicist and Behavioural Psychologist!

Why you should vote for each contestant:

Mercymorn The First:

"Scientist working on human cryogenics/necromancy. She's a genius in a codependent toxic polycule with God."

"Fits the criteria for STEM (science, tech, engineering, math (specifically science)), and also Quirky STEM (stabbing, tearing, eating, maiming). She was a scientist trying to save humanity from global warming, before one of her science buddies became a necromancer and killed the entire world. Now she’s the meanest lady ever and had a threesome with god. Also she got ultra exploded (also by god)"

"She was trying very, very hard to save humanity! She was aiming to preserve people for an interstellar voyage, so that humans could survive the end of the world. It didn't work out and the project got shut down, but after the world ended she pioneered the field of necromantic healing and was known as the foremost anatomical expert among God's Lyctors. She says ick! bleh! out loud when she's disgusted. Also she's much, much more ethical than most people in the series."

"She was a doctor that joined several of her friends, most of whom were other STEM people and a few who weren't, in trying to convince the governments of the world to make an active plan to save the world from climate change. This ended up with one of them destroying the solar system and everything in it, resurrecting it all, and becoming God. She was resurrected as one of his Saints, and continued to use her medical knowledge to become an anatomy specialist and as a key part of a plan between her and another of their friends to take down God for being a tyrant. She might have been an OBGYN but I can't remember if that's actually canon. Also, she has naturally "apricot-colored" (so, pink) hair."

"She was a Regular Doctor working to save humanity from climate change but got resurrected by her friend after he ended the world and became a powerful goddess-like figure. She uses her knowledge of human anatomy to do crazy flesh magic including making her hair naturally pink just for funsies (iconic). She doesn't put up with any bullshit from anyone, including the universe's ostensible god. I love her"

"It's not specifically described but she was the medical support in a cryosleep project, and she knows enough later to have artificially created a baby without either of the biological parents knowing about it

She's the worst and I love her. Here's a description of her in Harrow the Ninth:

You could press your hand to Ianthe’s chest, if you wanted—which you didn’t, naturally—and the blood-warm sternum beneath would gradually unfold for you. But it would take effort, and close contact, and you would need to know the sternum.

Mercymorn the First knew the sternum. Mercymorn the First knew the pericardial fat, the soft-tissue secrets of the mediastinum, the false-heart shape of the thymus. You might have to press your whole palm to Ianthe’s breastbone—doubtless—and take valuable seconds to search out the bone, and the things behind the bone, their characters, their locations. Mercymorn could pinpoint your pineal gland with the merest touch to the skull. This was not due to some Lyctoral power that she alone possessed, no honed necromantic theorem; as God had told you, she had simply memorised the body, by rote, over the course of ten thousand years. She had studied the measurements and their range of differences, and on the rare occasions when she needed to assume where something was or how it worked, her assumptions had the accuracy of ten thousand years’ experience. What Mercy didn’t know about the body wasn’t just not worth knowing, said the Emperor; if she didn’t know it, it hadn’t existed previously.

Over the dinner table you asked Augustine why, if it was simply a matter of memory, he hadn’t done the same thing. Ianthe choked discreetly on a forkful of boiled flour-paste shapes in red sauce. “Lord! I can barely remember what I had for lunch last week,” he said. “Besides, anatomy has too narrow an application.” Mercymorn opened her mouth, hurricane eyes promising a coastal lashing, and said, “Application!” but Augustine said, languidly— “One would only really need it to kill Lyctors, Harrowhark, and the rest of us never evinced any interest in that.”

That broke up the dinner somewhat.

This is her and I love her dearly

https://youtu.be/pvJOuUJNcx8"

GLaDOS:

"i’m not sure how to explain this one. she’s an evil computer who makes a woman do fucked up tasks that all involve a portal gun in some way. evil computer woman i love you :3"

"She's witty, fun, they had to restrain her intelligence and it didn't work-"

"She should be able to kill everyone forever. Anyways she runs aperture she loves science so much it transcended lives and identity. It’s just what she does"

"she kills people 👍 shes cool and i like her"

"…. I mean she’s categorically not but it would be funny to include her. Again, it would be Very Funny"

"mad scientist robot representation with a complex emotional arc through multiple video games"

"She might not know what the point of her tests are, but she sure is good at making them. Bonus points for being hot"

"Managed a massive and highly advanced scientific facility in which she ran tests and experiments long after the fall of human civilization. Chell/GLaDOS <3"

"She’s GLaDOS"

#stem sister scuffle #round 1 #mercymorn the first #the locked tomb #glados #portal #portal 2

[tc-doherty]

Hey! In your practical writing tips - post you said novels require lots of telling. I've noticed this too when I read, amazing books that tell a lot vs. showing but all advice gears to show and that's what I've been learning to do. Since I can't find anyone that teaches when to tell vs. show and how much tell vs. show is right and why telling is good etc. I was wondering if you could elaborate on this? Why some books that tell a lot are very engaging and others can't keep my attention? I'm so interested to see your thoughts! Thank you.

Like I said in that post, teaching people how to write isn't really my jam so this is less a teaching guide and more just my assorted thoughts on the subject based on my own opinions and the habits that I follow.

I guess what it boils down to is this. You can't really say that either showing or telling is more important in a novel, but the things that you show are perhaps more relevant.

For example, if you describe the morning routine of your character in great detail every single morning, readers are going to get bored. The story will grind to a halt. Yes you're showing us that, which most people would say is a good thing based on "show don't tell", but the information isn't relevant. If you're setting up a fantasy or sci-fi story it might be relevant once or even twice to show us how things work, but not every single time.

Similarly, if your character gets news telling them that someone they love has perished, you don't want to simply say that it made them sad. You want to show us their reaction. What do they do? What do they say? What physical sensations do they have? Are they lightheaded, do they feel out of breath, does their throat hurt because they're trying not to cry? That information is all relevant to the character, the scene, and the reader. If you simply say they're sad, then your story feels too shallow.

Many people might consider dialogue a kind of telling, but really it's both. What the characters say, how they say it, and also what they don't say can show us a lot about who they are as a person, which is relevant information to the audience even if they're simply explaining something that would be considered exposition. But what do your characters actually need to say or hear? And what can you relay to us through something happening in the background, for instance?

And what about the genre? I like to write road trip novels, which means I spend a lot of time showing the minutiae of the journey. That's relevant because the story is the journey that's being taken. But sometimes your characters just have to get from one place to another, and you don't need to get bogged down in it. You can just say that they took a bus or boat or horse or whatever.

Balancing it in any given story is the writing equivalent of "this meeting could have been email". What do you actually have to get together in a conference room to discuss (show the readers in detail) versus what can be summarized in a few sentences in an email? What will make you bored out of your mind if you see too much of it, versus what will leave you lost and confused without it?

And of course just because something is telling or summarized doesn't mean that the way that you write isn't important! Your writing should still be engaging even when you're telling. Pay attention to the words you use, the rhythm of your sentences, the variety of sentence lengths, things like that. If something is pleasant to read it will keep the reader's attention on the page. If the sentence rhythms or lengths are too similar, it becomes "monotone" and causes people's attention to wander.

Something I pay special attention to is that - unless the narrator is subjective or unreliable - I don't tell something about characters in the narration which is shown to be false. Nothing gets me riled up like supposedly objective narration which tells me a character is like so and I should feel like this about them, but then their dialogue and actions reveal that to be patently false and I feel some other way. Of course that is something that relies on the narrator being objective and having access to more information than we do. If it's a POV character who might just be unobservant, overly arrogant, biased, or kinda stupid, that's fine

When it comes to showing versus telling in regards to the background/description...well. I struggle a lot with description because I have almost complete aphantasia and can't visualize things easily. So I cheat! Anything that I describe in detail is something that my POV character is actually paying attention to. The level of detail varies from book to book based on what kind of person has the POV and what sorts of things they notice. And again, that's relevant to the audience because it's information which is relevant to the character. This is also really great way to start building up to any kind of romantic interest, because people do tend to pay a lot more attention to people they're interested in!

I feel like this has gotten really long, so if there's anything that you would like me to elaborate on more or I wasn't clear about, feel free to send another ask! I won't say I'm objectively right (usually lol) but I'm always happy to talk shop.

Hopefully some of it can be helpful to you or at least give you some things to start thinking about. And of course, it's always a good way to start by studying books that you read and seeing what you like and what you don't like and how it's been handled in both.

#writeblr #writing #writing advice #thanks for the ask #I hope I could help :3

[yuri-is-online]

hi, i'm not the same anon but i would like to hear more about the fyuuture kid au 👉👈 especially about riddle!!

hello new friend, you picked someone who is having a real bad time in this au (ﾟωﾟ；)

I am going to give some general information about Yutu and then move on to some Riddle specific stuff.

notes: they/them used for Yuu, general au explanation can be found here, and the posts can be found on my masterlist under the series section.

General Yutu Facts

"Yutu" is supposed to be a fake name fyuuture kid is using to help hide his identity, but I am open to suggestions on that. Originally he didn't remember his name and Crowley picked it out for him, but I like the idea of "Yuu two" being a nickname he had in both your world and Twisted Wonderland and picked as his alias to honor his parent. Yutu really admires Yuu, he has nothing but empathy for your situation and respect for your strength, and while he certainly fought with you from time to time (some Yutus more than others) he wants to be like you.

That desire was very much cemented when he heard about how you won against the overblot phantoms. Yutu's unique magic changes depending on who his dad is, but all Yutus have extensive experience in combat magic and have fought a lot of monsters. Including overblot phantoms, same as you. His fights didn't go as well though... he's extremely afraid of the Great Seven's phantoms and has regular nightmares about them.

Back to the names... I didn't have names picked out for every version of Yutu, but Riddle does happen to have been one of them. His real name was supposed to be March, yes like the march hare but if I'm honest I was more thinking about the saying "in like a lion out a lamb" because I thought that described Riddle's temper pretty well.

The other ones I picked out I still like are Merrin (I swear I found it on a list of mountain themed names??? But it means sea born or pearl of the sea), Laurie (yes like little women, his unique magic was supposed to something to do with painting), and Roland (I have an unironic love for French peerage ok please do not judge me).

Some of the Yutus were meant to have older siblings who stayed behind in Twisted Wonderland (Riddle! Yutu wasn't one of them), but that was very much an idea I didn't develop extensively since it was more left over from Fire Emblem Awakening. I wanted there to be a Lucina type older sibling character who was very protective of Yutu and wanting a future where he gets to stay in Twisted Wonderland and they get to be a happy family. But again I didn't cook this idea extensively so idk how to feel about keeping it as a part of the ayuu.

Anyway on to the Riddle specific stuff ¬‿¬

So that bit about Yutu's real name coming from a description from Riddle's temper: I like to leave what Yutu looks like up to the reader, but Riddle! Yutu if nothing else took two things from his father, his (lack of) height and his temper. His facial expressions when pouting and angry are eerily similar, and they both have a strong affinity for fire. Riddle! Yutu is a lot like Riddle Tsum now that I think about it? Very high energy and likes to jump around all over the place, but determined to be at least somewhat dignified.

Since traveling back in time Yutu has been "studying" with Grim to try and get his flames hot enough to burn blue to flex on his dad and to bond with the monster. He usually just ends up watching him though, the mental image he had of Grim vs what the little guy is actually like is really wild.

Back to the temper, unlike Riddle Yutu wasn't home schooled so he got into a lot of trouble for losing it on other students. He had a chip on his shoulder about not having a dad, having a parent with amnesia, and especially about being short oh god he is so spiteful about that. He got sent to detention a lot, and shamefully it made him fight with Yuu a lot too. Not that he hates Yuu, he was just very emotional and not always the easiest to deal with. His last few interactions with Yuu before they died were very strained, and he is filled with remorse for a bunch of stupid things he said.

When he gets to the point where he has to admit to Yuu who he is there is going to be a lot of crying and begging for forgiveness. He was a stupid, angry kid who just wanted to know who he was and didn't feel like he belonged lashing out at the one person who he knew wanting nothing but the best for him. He doesn't really feel the need to ask for forgiveness from his dad (yet)... by the time Yutu was isekaid into Twisted Wonderland Riddle had been corrupted by his overblot phantom and was wrecking the Queendom of Roses so he never really met the real Riddle until he traveled back in time.

He also got compared to Riddle a lot, Yutu isn't stupid by any means but because of all that time spent in detention he is a bit behind on the fundamentals. Not to mention all Riddle has done up to this point is practice magic and Yutu only just found out it was real so of course there was going to be a skill gap! But still, he's Riddle's son and Riddle was a very memorable student for Crewel, so Yutu was guaranteed to hear some comparisons. It didn't help the daddy issues though...

Speaking of Yutu's time at NRC, he did get placed into Heartslabyul by the Dark Mirror and he does know all 810 rules of the Queen's rules. He's not as obsessed with them as Riddle is but he still knows what he's supposed to do and tries to be on his best behavior. He was not interested in being dorm leader and wanted to instead focus on the things Yuu always encouraged him to do, like controlling his temper and getting good grades.

I sort of like the idea of his unique magic being the ability to grow/shrink because in the book Rule 42 of the Queen of Hearts says “All persons more than a mile high to leave the court" and I like the idea of him trying to use his spell to get out of arguments with his dad.

Riddle has no idea that Yutu hates him... at first. This is partially because Yutu is usually very polite to him and partially because he is utterly unaware of how much people are afraid of him in general, but he starts to pick up on it when he tries to interact with Yuu. He wants to have a private tea party with just Yuu? Well Yutu immediately starts acting like this is somehow scandalous and calls him out on his feelings in front of the prefect and he wants to lose it so badly- Yuu agrees anyway and Riddle immediately gets unreasonably smug while Yutu pouts. Take that sucker! He's going to study with the prefect all alone and since it's Riddle you know you really are just going to study.

I don't think Riddle really considers Yutu a rival for Yuu's romantic attention, partially because he isn't fully aware of what it is he feels for Yuu, but even if he was. Riddle knows that Yuu sees Yutu as someone under their care similar to Grim, they actually talk to him about it quite a bit and he has no issue with that. He is actually sort of grateful for Yutu's existence since it has given him an excuse to talk to Yuu more and let them know how he respects them.

Yutu's academic struggles are something that actually bring him closer to Riddle ironically enough. Riddle has created study guides for Yuu and Grim before, he has no problem doing that for Yutu and inviting himself over to give instructions.

"Did you not get a lot of help from your parents?" Riddle sounds nervous, and he should it's an invasive question to ask. Yutu wants to be angry, but when he looks at Riddle, he just feels sad. "Not that it is any of my business really but well. I just noticed you never really talk about them, even to Yuu."

"My dad wasn't really around." He forces himself to look at Riddle when he says it, but it doesn't make him feel any better. If anything it makes Yutu feel worse, he knows about as much about Riddle as Riddle knows about him now that he's forced to look at him. "And my other parent... they tried really hard. But I wasn't always willing to accept it."

"I can't say I understand what that would be like." Riddle looks like he is trying to and that should be what he wants, right? "My mother home schooled me so it's hard for me to understand that someone's parents wouldn't be a constant figure in their schooling."

"You were home schooled?"

Yutu didn't know anything about his grandmother, it didn't even really occur to him that he had one and once he learns about her... well it certainly makes things make a lot more sense. He doesn't want to meet her, but he is curious about what she thought about his parent. What would she think about him? Does he even want to know?

My last concrete thought is that Yutu doesn't really get the whole horse girl thing. He is sort of afraid of horses actually, but I can see him maybe wanting to ride with Riddle once their relationship gets a bit better just to do something with him.

I like the idea of Riddle! Yutu being very into baseball for some reason and there's no way he's going to convince his dad to do that with him ha. Well not in this timeline anyway, I can see good timeline Riddle doing a bunch of research on baseball so he can talk to his kid about it. And showing up to all his matches to scream in support of his kid instead of at the coaches. He is breaking the cycle we love to see it.

#<3 asks #twst x reader #twisted wonderland x reader #future kid au #riddle rosehearts x yuu #riddle rosehearts x reader

[hyumjim]

Audiobooks add a whole other dimension to this conversation because like I won’t tell people who listened to the audiobook that they didn’t read the book even if they… well technically they didn’t read it. But anyway, generally it’s considered to be the same as reading but like, on a material level it’s really not, for one thing there’s the simple fact that one of these things requires the skill of literacy and the other does not. (Listening requires the skill of sustaining attention, so it’s not like it’s inherently less valuable I guess, but it is markedly different.)

But perhaps more importantly, I think that something is always lost in the narration vs reading it for yourself. For example I once listened to Levar Burton’s reading of Kelly Link’s short story “The Specialist’s Hat,” and I enjoyed it, and therefore I am familiar with the story probably as much as most people who have read it. But I just recently saw a post where someone pointed out that in this story about identical twin girls, Link describes one twin’s eyes as “grey” and the other twin’s eyes as “gray.” And I was floored by that because I think it’s brilliant— this person was using this story as an example of how gray and grey actually have two separate connotations, and Link very deftly uses it to connote that the two characters have distinct moods even as they are physically identical. And this beautiful nuance of writing is something I missed out on altogether because I listened to it and didn’t read it. It’s something that there is just no way to convey through audio.

There are also a lot of books that I’ve read that would be basically unlistenable in audio format— I’m thinking of Nabokov’s “Pale Fire” just because I’m finishing up that one right now, but another obvious example is “House of Leaves.” Basically this applies to anything that’s even a little bit of an experiment in form… but I digress…

I guess as a writer and a reader and enjoyer of language it’s just a bit sad to think that people are listening to audiobooks on 2x speed just so they can meet some imagined quota, when the experience of actually reading words is just… so much more enjoyable and enriching, in my opinion. Yes it takes longer, but that’s okay. Reading isn’t something you do absentmindedly while you’re doing something else. It’s something you have to take time out of your day to do. And sometimes you don’t have time to do it. And that’s okay! You can read a little bit and not a lot. It’s not a race.

[artists-ally]

{Flatline} Harvey Specter x OFC {Pt.2}

Helllloooooooo. This is probably the filthiest thing I've written in a long time so I hope you enjoy it as much as I have. As I've been writing this part, I've tortured @rosedpetal to no end with a few teasers and I cannot wait for her reaction. As always, if anyone wants to be tagged in the next part lmk in the comments!!! I love seeing your guys' reactions it makes my day. enjoy loves <3 p.s. this is my birthday gift to you guys (even though it was two days ago it still counts)

Pt. 1 Character Playlist

Word count: 13,156 (holy shit)

Warnings: age gap, smut (18+), degration, exhibitionism, dom/sub vibes, language, anxiety/anxious thoughts, angst, a touch of fluff, more inaccurate lawyer shit

Summary: After Claudia and Harvey win their first case, the week and a half that follows is filled with more of Harvey's 'confidence boosters' and valuable lessons ;). But when they hit a snag in the case, Harvey can't keep the one promise he made to Claudia.

Tagging: @rosedpetal @maxdamax @ashcosmo

~~~~~

When I woke up the morning after, I didn’t know what to think. And I surely didn’t know what to do the next day. Or the day after that. Even a week later, mostly consumed with thoughts of Harvey and how to avoid him, I couldn’t shake the feeling that what we were doing was wrong. 

I mean, in ways it was. For starters, he was a name partner and I was a first year associate. He was at least ten years older than I was. Probably more. What would my parents think? My brothers? 

Hell, what do I think? 

It’s no secret that Harvey is a good looking guy; his sharp jaw, his cunning eyes and fierce smirk that always appeared whenever our eyes would meet. Just because I said I tried to avoid him, doesn’t mean my evasions worked. Nine times out of ten it always fails. Miserably. 

By the time the elevator chimed, the doors whisked open and I immediately looked to his office. Good, he wasn’t there. He always seemed to be waiting for me in his office, just watching. It was like he was stalking his prey. Which, in a way, always sent my skin burning and my mind running. Running right back to his tongue on mine, his hand in my hair… my hand wrapped around-

“Good morning, Claudia,” Donna’s perky voice nearly sent me to the hospital. She was already sitting in my cubicle. When did I end up in the bullpen?

“Jesus, don’t you know how to not give a girl a heart attack?”

She chuckled, “I like to start every day off with a surprise.” In her hand was another blue file. Labeled Friddle vs. Gustoson. It was a corporate case, something about some patent being violated and a stolen technology design.

“What is this for?” 

“Harvey wants to work with you on another case. He has not shut up about how well you did on the last one and knows you’ll bring this home too,” she was grinning. A look that meant trouble.

“Is that… all he’s talked about?” I had to be cautious. If she knew about what happened, I knew she’d tell me. But if she didn’t I certainly didn’t want her to find out. 

“I mean, he raved about that cross examination you gave. And about how nervous you were, but that he’s gonna keep working with you to help build that up because we all know you are the best damn associate this firm has to offer.”

Holy shit she didn’t know. She had no idea. Keep it cool, Claudia, don’t let your face give it all away.

“Oh,” I tried not to sigh in relief. “Yeah I was shitting bricks before the trial. But I did it, I guess.”

“You’re goddamn right you did,” she stood up, taking my hands in hers. “And you’re gonna kick ass again. And, since I know Harvey won’t say it to you, I’m proud of you. Good work, Claudia. Keep it up and Junior partner might be here sooner than you think.”

Donna’s ginger hair swayed back and forth as she waltzed away. That was a perfect way to describe her walk, a dance. I should learn how to walk like that.

I sat, firing up my computer and sorting through the motions and other filing work on my desk. It seemed like this part of the job never ended. We had to single-handedly be the reason twenty percent of the Amazon was gone. 

Other associates around me were gathered at Griffin's desk, chatting about whatever they did over the weekend. I had never, not once, been invited out for drinks or to lunch by any of the associates. Not that I expected to be, I never really made an effort. Not that I wanted to befriend any of these assholes. 

After I won the case, instead of congratulating me on keeping Harvey’s client with the firm and sending the losers running with their tail between their legs, all I got were dirty looks and hushed whispers behind closed doors. 

It made me feel nauseous. What if they knew? What if they found out about Harvey and I’s… whatever it was, and were spreading it through the office? Soon it would reach him. And if Harvey hear rumors then Donna would, and then Louis and Jessica and god knows who else-

“Griffin, Harvey wants to see you in his office,” Donna’s voice rang through the bullpen. Him and his group of dogs were not shy with the looks they gave me. My heart sank in my chest. At the same time I was relieved that it wasn’t me; at least then I wouldn’t have to deal with the hateful, resentful looks. Those were even worse than the ones of triumph. 

I occupied my ever anxious mind by burying my nose in the legal book next to my keyboard, highlighting rapidly to find the errors of some of the other associates' mistakes. Louis always had me check the others' work. He knew– either because Donna vouched for me, or he just saw that I was half competent– that I wouldn’t let careless mistakes slip through. So I always got them.

Lucky me. 

From grammatical errors to punctuation, it was endless. I wasn’t sure who this was, but they clearly have never taken an English class because they used ‘affect’ wrong. It needed to be ‘effect’. Within the same brief, they used ‘to’ instead of ‘too’, and ‘accept’ instead of ‘except’. I wanted to find whoever this was and smack them across the face because this was completely unacceptable for a Harvard graduate. 

I mean, how does one spend well over a hundred thousand dollars and not know the difference between their, there, and they’re? It pisses me off. If Louis ever saw these things before they were edited he’d have a coronary. 

A hand slammed down on my desk. I jumped halfway out of my skin and bit down on the cap of the highlighter, hard enough to have it crack and pinch my tongue. 

“Harvey wanted you instead,” Griffin bit out. His face was twisted and contorted. Obviously pissed. 

Why did he want me? 

I scrambled a little, careful to put all my papers away so we wouldn’t have another incident like I did with my first case. And I made sure to bring it with me this time, basically implanted it in my hand, just to be safe. 

“Mr. Specter, you wanted to see me?” He was looking out the window at the view below. Sometimes it made me lightheaded to think about how high up we were. I’ve never been good with heights. 

“Yes, I did.”

“Can I ask why you called Griffin in first instead of just coming to me?”

Harvey turned around, fussing with his cufflink before sitting down on the corner of his desk. “I just thought you’d like to have the satisfaction of Griffin being turned away.”

I blinked, “Satisfaction? I don’t understand, you did that on purpose?”

“Yeah, I guess I did,” Harvey’s smirk was evil. 

“Why?” I still didn’t get it. Why bring Griffin in and then tell him ‘sorry, I actually meant the first year, not you’. It seemed kind of pointless when he could’ve just… “Oh…”

“Now you understand?”

“You wanted Griffin to know that he is still not the first choice, and that that first choice is me.” “It has been, and it will continue to be. If he can’t see that, then I’ll make him,” Harvey stood, coming to stand in front of me. Almost too close; we were not in the safety of an empty office, I couldn’t let him get too close.

“Why not just come to the bullpen and do it yourself?”

“Because,” he squared his shoulders, “I wanted to knock him down a peg. When I call someone into my office, or have Donna do it, it means I need them for something. I just wanted Griffin to tell you that I needed you for the sole reason of getting under his skin.”

I couldn’t help but roll my eyes. “Mr. Specter-” “Harvey.” He corrected. 

I swallowed. “Harvey, I appreciate it. Well, in theory I do, but that is besides the point. Ever since we won-”

“You won,” he corrected again. I see what he’s doing. 

“I won,” I huffed, “ever since, I have had a target on my back. People are whispering about me and I don’t need you to escalate the situation. Especially with someone who already hates me.”

Harvey cast his eyes away from mine. “You’re right, I’m sorry. I shouldn’t have put unnecessary pressure on your shoulders.”

My lips pressed in a line, arms crossing over my chest. I knew what this would do, what it would look like from outside eyes: that Harvey was doing me a favor. Giving me special treatment. In a way I guess he was, but it was because I earned it. Right? I had earned this? My place by his side as an associate? Not by his side, at his side. I worked with Harvey side-by-side. And you’re goddamn right I earned it. 

Maybe Harvey’s weird Jedi mind tricks are working. As weird as they are. 

“You’ve got that look in your eye,” Harvey spoke softly. 

“What look?” He smiled, “The one where you’re having some internal conflict. Battling it out in your head like Rocky and Apollo, two greats against each other. Claudia, you’re doing great here. And I know you believe it, but you’ve gotta learn to not spiral out of control when something comes up. You can handle it.”

He’s right, Harvey’s always right. Most of the time. 

I followed his eyes to the corner of my mouth. He furrowed his brows, bringing his hand up. His thumb brushed against my skin and I froze. Spine cemented in place. What is he doing? Doesn’t he know how many people could be-

“Just some highlighter,” he reassured. I must’ve missed the cap once or twice. “Have you had a chance to look at the case?”

My brain was half melted. “Sort of, I glanced at it when Donna gave it to me. Seem’s… ballsy.”

“It certainly isn’t gonna be a walk-off,” he sighed. “Which is why I want you to come with me to the meeting with Jay Friddle. He wants to settle with Gustoson.”

“And you don’t want him to?”

“You’re goddamn right I don’t,” Harvey snapped. Not really at me, but at me. I couldn’t help the flinch, and I could see the hurt in his eyes. “Sorry. No, I don’t want him to settle. I think there is some shady shit going on, and I think he’s being framed. I’ve known Jay for five years and I know he didn’t steal their design. Whoever is behind this set him up and made this whole thing look like his fault.”

“When is the meeting?”

“Later today, two-forty.”

“Okay, give me some time to review and do some research on the employees. If he’s being framed, maybe it was an inside job. There could be someone who is from Gustoson’s posing as a loyal employee, or maybe someone cut a deal with them for a pretty penny.”

Harvey gave a firm nod, and I turned to leave. His hand wrapped around my arm and kept me from going. 

“That’s my girl,” he moved a piece of my hair from my forehead. “Always so eager to get to work.”

“Harvey,” I warned. “N-Not here.”

“No one is watching.” “How can you be so sure?” I felt that tingling feeling prick my fingers. The kind of numbness you get when something unexplainable happens and you’re not sure if it’s real. Or when your life flashes before your eyes. 

“Look around?”

I gently turned away from his touch, looking around at the weirdly empty office. All those around were occupied, engaged in conversation and not paying attention. Even Donna was nowhere to be found.   

“I can see that our first… session,” he decided on. His front was pressed close to my back, lips right against the shell of my ear. “Has started to work. You took precedent and responsibility without a second thought. But, you were still wary when I called you in here. I think I need to weed it out of you. Give you something to be in control of.”

A single finger trailed the length of my spine. I could barely breathe. My body, which was not helping me in any way, leaned back into him. 

“How about this, while you’re doing your research, you think of what you want. Of how I can please you, of how you can take control of me. Then whenever we get back, meet me in the file room on the fiftieth floor. How does that sound, sweetheart?”

He was a twisted son of a bitch, that's for sure. 

“Yeah,” I nearly choked on my own tongue when his hand wrapped around the back of my neck. “Yeah I’ll think about it, Harvey.”

“Good girl, Claudia.”

_____

Focus? What was that? How does one simply focus after they’re told they’re gonna have their deepest fantasies lived out in just a few hours? All I could do was think about Harvey between my legs. His fingers wrapped around my neck. 

Of course I knew what I’d ask him to do, but physically saying the words out loud was a whole other thing. That’s what I'm not sure I can do. And I know he’ll make me say it before he’ll even think about giving me what I want.

God damn Harvey Specter. 

At first it had been anxiety that consumed me about him; wondering when he was gonna pop by and request, demanding rather, that I help him with something. But now it was different. I craved him. His mouth on mine, his scent. Harvey always smelled so good. It was calm and didn’t give me a headache like most of them do. Definitely not a cedar or pine or some other woodsy bullshit. Mellow is a great way to put it. 

His hands certainly won’t be mellow when they’re working in and out of- okay Claudia that’s enough. My computer is spinning spinning spinning in circles as I wait for some files to be uploaded. 

When Harvey had me leave his office, not without pressing his obvious need into my ass, I went straight to looking into those employees. About four hours of searching through employee records and cross checking them with ex-employees of Gustosons. Most of them were clean, a few that had a past, but nothing in relation to what we needed. 

That was until I stumbled across one of the hiring managers. His name was Nelson and he seemed like a grade A asshole. He had worked with Gustoson for ten years before leaving and making his way to our client. And he brought over some of the IT department. 

Bingo. 

“Hey Claudia, Harvey wants to know if you’re ready to go for the meeting?” Donna paused by my desk. 

“Yes, I just need to run to the printer and then I will be right in,” I smiled up at her, tucking my file under my arm and grabbing my keys. “Tell him I’ll be right there.”

She hummed and waltzed off. If I had been alone in the bullpen I’d one hundred percent be trying to copy her movements. I mean, how was it possible that she moved so smoothly in a pair of stilettos? I could barely walk in a straight line with flats or a wedge. 

Donna was mind blowing. Donna was Donna. 

By the time I made it to the printer, my papers were there and I just skimmed over them just to make sure I wasn’t taking anyone else's. I had done that before; one of the first weeks I had been working here. I sent my papers to a printer three floors below ours and accidentally grabbed another associate’s. I was mortified, but the girl, Kathrine Bennett? Kaitlyn? Something like that, but she was really nice. She had done the same thing once. I think she got fired and was now at a rival firm. A shame, I wish I got the chance to know her. 

This might seem kind of weird, but I oddly loved the feeling of freshly printed paper. It was always kind of warm and had this very light scent. And it was smooth and easy to flip through. One of those things that brings me a little bit of joy in this hellscape. 

“Hi, sweetheart,” I damn near buckled to the floor. Harvey’s voice was right against the back of my neck, and the presence around me suddenly felt all too warm.

“Jesus Harvey,” I chuckled, trying not to let my fingers tremble. “Maybe don’t sneak up behind me like that?” “I said your name, but you obviously didn’t hear me.”

No. I didn’t. But I did feel his hand slip up the back of my thigh. I went motionless. My breath came out in stutters as he dragged it across my ass, up and around my hip, palm flat against the space right below my belly button. Harvey pulled me back into him, his earlier arousal still there. 

Had it gone away at all? Or did he walk in here just now and get another? No, that couldn’t be. I mean, it wasn’t like I was trying to get a reaction out of him or anything. 

“Harvey I-”

“I locked the door.”

That settled me instantly. I let my hand find the back of his head, letting his lips brush over my neck and shoulder. “Seems like you’re the one who couldn’t wait.”

“Not when you look like that, no. I can’t resist you when you taunt me like this. With a skirt this short, those buttons undone a few more than they had been earlier.”

“I was just hot,” I explained. 

“Oh trust me, I know how hot you are.” Harvey must’ve seen my eye roll at his terrible joke. “You’re right, I couldn’t wait until after our meeting. I needed to have something to hold me over.”

His hands crept around to my chest, fingers ever so gentle as they skimmed over my shirt. As if Harvey’s hands commanded my will, there was nothing I could do to keep from sighing out when he pinched my nipples. It forced me to arch back into him. 

“You’re sensitive, aren’t you? That is very good to know. Where else are you so sensitive? Here?” He kissed right below my ear, then nipped at it. Another spine bending shudder. God damn that laugh of his. “What about here, hmm?” He tugged up the edge of my skirt, toying with the waistband of my underwear, letting it snap back against my skin. “Aww, look at how much you want me to touch you. You’re a writhing mess aren’t you?”

“Harvey,” I pleaded. 

“Harvey what?”

That son of a bitch. I knew he was going to do it and yet I still wasn’t prepared. 

“Harvey, we're gonna be late for the meeting.”

“It’s at three.” 

He turned me around, hand on my neck, so fast I almost went dizzy. He backed me up against the wall and had this devious look on his face. Harvey crushed his mouth to mine and wasted no time sweeping his tongue into my mouth.

I sure as hell wasn’t going to stop him. He was such a good kisser, so dominant and reactive to my endless noises. And he was really good at pulling them from me. 

Harvey lifted under my thighs and pushed my skirt back in the same motion, planting me against the wall, legs wrapped around his waist. It was hard to remember what happened next, but he was quick to pluck open a few more buttons of my shirt and pull my bra down.

If I thought his tongue felt good on mine…

I had to put my own hand over my mouth so I wouldn’t make any noise. Well, I did a shit job, but it wasn’t too loud. 

His mouth was hot on my skin, leaving behind small bruises and wet marks. He bit down, and I hissed, and he grinned before letting up. He slowly set me down, not breaking eye contact as he seamlessly fixed my bra and shirt, reshuffling my skirt back to where it was before. 

“If you liked that, just wait till I get my tongue between those legs of yours. And don’t you worry, sweetheart, I promise I will be far less controlled when I taste you for the first time.”

And then he was gone. He left me there. 

I ran my fingers through my hair, schooled my face into the best neutral one I could and followed him out. Not too close, I didn’t need anyone speculating. 

How Harvey managed to keep his face unreadable was unbeknownst to me. It seemed impossible, I’d need a cold shower and at least seventy-two hours notice to get my head back on. But there he was in the lobby. Totally stoic. Totally unphased. Totally not looking like he had his teeth leaving marks on my chest and making wetness pool between my legs. 

“Oh, there she is,” Donna sighed in relief. “We were starting to think you ran away. Get going you two, you’re gonna be late. Go kick their ass in that depo.”

“Seems like that's all Claudia knows how to do,” Harvey said, giving me a wink when Donna walked off after wishing us good luck.

“You really do not know how to keep it in your pants,” I led the way to the elevator. 

“Why would I want to when I have you to take care of it?”

I just stared blankly at him, his grin spreading wider and wider. God damn Harvey Specter. 

When we slid in the backseat of the car, his hand immediately went to my thigh and it was all I could think about. It was so warm, and so deceptively big. Long fingers brushed over my skin, leaving goosebumps behind.

I had a feeling he was doing all of this on purpose, trying to get me riled up for after this meeting. Since I can’t get away from him, especially right now, all I could do was think about what I wanted most from him. 

To see him smirking between my legs while he made me come undone has got to be at the top of the list. I wonder if he’ll like the way I taste. Shit I haven’t shaved in for-fucking-ever. Is he gonna be disgusted? What if he thinks I’m unhygienic for not taking care of it?

I mean… it hasn’t been that long, a month or two? But I wish I would’ve thought about it. It never occurred to me, even after the endless daydreams, that we’d actually continue all of this. Especially to this much. 

By no means was I a virgin, but I haven’t been in a serious relationship in well over a year, so why did I need to keep things neat down there?  I do not do hookups. Never had, never thought I would. But this technically also wasn’t a hookup? 

What the hell would you even call this? 

My mind was rampant at this point. Going in a billion different directions, all delusional thinking. It was irrational. Not true. And I knew that, but that didn’t stop me from thinking about them. I couldn’t steer my mind away from one in particular: did Harvey even think I was attractive? 

It might seem like a silly question when, about twenty minutes ago, he had me moaning his name in the file room. But it still crossed my mind. Maybe he just thought I was naive and easily manipulatable. That he could have me just because he could, you know? 

It made me feel sick to my stomach. 

Why are you torturing yourself, Claudia? Obviously Harvey finds you attractive. He straight up left bruises on your skin with how eager he was to get at your tits, give yourself a little grace for once.

Why was my inner conscience now sounding like Harvey? I never told myself to ‘give a little grace’. He’s getting in my head. Changing the way I think and talk about myself. Then again I guess that was his whole reason for doing this in the first place-

“Hey pretty girl,” Harvey tapped my leg. “What are you thinking about so hard? You’re white-knuckling your seatbelt.”

Pretty girl pretty girl pretty girl…

I broke out into a huge smile. “Nothing, nothing at all.”

_____

My grin was permanently plastered on my face. We absolutely blew their fucking heads off in that depo. They had no idea what hit them.

“And when you threatened to put Nelson on the stand? Ugh, perfection, the look on their face was priceless. I’ll be replaying it all night and into tomorrow. That shit was awesome,” I couldn’t help the giddy squeal I let out either.

Harvey smiled brightly, a fondness to his face that I hadn’t ever seen before when our eyes met in the elevator on the way back to the firm. 

“Now do you see why I like winning so much?”

I nodded, “Yeah, I can definitely see how it gets addicting. That was… wow. That was amazing. You were amazing, we were amazing.”

“...And?” He pressed. I flushed, I couldn’t fucking help it. 

“And I was… amazing.”

“I’m sorry, I couldn’t hear you. What did you say?”

“You’re one cruel son of a bitch you know that right?” I rolled my eyes. “I was amazing.”

“There you go,” that same fond smile from before showing again. “Now say it again like you actually believe it.”

“I do actually believe it-”

“Say it again.” The smile was gone. 

My throat worked down and I shifted on my feet, clutching my purse in my hands. Just do it and get it over with.

“I did fucking amazing,” I said with a little more umph. It worked, Harvey grinned like the Devil and caught my mouth with his right before the door chimed open. 

“Oh, and before you go and spend all night replaying it over and over, there’s something else I’d like to have you remembering more.”

When I glanced up, I saw that it wasn’t the firm, but the fiftieth floor. The goddamn file room… I had forgotten. How could I have forgotten? I trailed behind him as he led the way, anxiety swirling so violently in my stomach I wasn’t entirely sure that I wasn’t gonna vomit. 

My brain immediately kept trying to think of ways out of it. But my stupid fucking feet kept moving. Why did they keep moving? I didn’t want them to move-

“Claudia, is everything okay? You look… really pale,” Harvey asked once he shut the door and locked it. He looked incredibly concerned, which really only made it worse. “If you don’t want to do this right now we don’t have to.”

“It’s not that,” I shook my head, plastering a smile on my face. Don’t let some god damn hair ruin this, Claudia. You’re gonna be fine. Deep breaths. “Well?”

“Well… what?” He took a step closer, taking my purse from me and setting it on a cabinet. 

“Aren’t you going to ask what I’ve been thinking about? What I’ve been wanting all day?”

“Oh I already know,” he said. “I just want to see if you’re going to tell me or not.”

Touche.

“I don’t need to ask you,” I felt my anxiety melt away, and that surge of power rush in my veins. The same way it did Harvey and I’s first night. “You said you wanted to please me, and if you already know what I want, why aren’t you already between my legs giving it to me?”

His hand on my neck was the only validation he gave me before lifting me up onto a counter, or a cabinet, I didn’t really care.

Wow I can’t believe that actually worked. We’re getting the hang of this, bitch. Keep it up.

Harvey’s tongue tangled with mine, pulling strings of pleas and moans from me. He unbuttoned my shirt yet again, adding to the marks he left earlier. I laid down; thankfully whatever I was on was long enough. Being tall has its perks for sure, but doesn’t necessarily work for these particular scenarios. 

As he bent over me, I let my shoes slide off, wrapping a leg around his hip so my front melted with his. I ground against him, and he wasn’t shy about what it did to him. He pushed back, hand palming at my chest, the other pinning my other thigh to the surface. 

It was so hard to breathe with him over me. But in the most pleasurable way possible. An intoxing sort of suffocation of having his mouth on mine, his chest pressed close, his very obvious arousal doing wonders for my own. 

The second his hands began to push up my skirt, those thoughts came with it. I felt the panic rise in my chest, and the confidence I had built up crumbled to the floor. 

“H-Harvey-”

“Yes, sweetheart?” His voice was sickly sweet and it almost made all those thoughts go away. 

“I umm- I just don’t want you to be- I haven’t… god I am so sorry.”

“You’ve never had someone go down on you?” Harvey asked, eyes wide. “Who the hell have you been with in the past cause they were obviously assholes and I’ll-”

“No no Harvey,” I couldn’t help but laugh a little. “That’s not what I was talking about.”

“Then what, Claudia.”

“Nothing nothing, it’s fine, just go back to-”

“Not until you tell me everything's okay. Just tell me, it’s alright, sweetheart,” his voice was so tender. And his eyes, if I didn’t know any better, I’d say that they were loving in a way. But that was most certainly an irrational thought. 

I blushed, so much felt it go down my neck and light up my chest. 

“Claudia-” “I haven’t shaved,” I blurted out. “I didn’t know this was happening and if I did I would’ve cleaned up for you so if you don’t want to I understand and we can do this another time but I don’t want you to be disappointed and grossed out and-” I actually yelped. He forced my skirt off, pulling off my stockings and tossing them over his shoulder. Then slid my underwear down my legs, not before he made fun of the little pink bow that was on the front. 

He splayed my legs wide, throwing one over his shoulder, pinning the other down. The first touch of his tongue nearly made me tear up. His mouth was so hot. So warm and it felt so good as it curved in and out of me. 

Bliss. Pure, raw, satisfying bliss encased me. I jolted when he flicked over my clit, sending a very much welcome tremble down my spine. I arched up and couldn’t help but grind against his face.

Harveys nails left dents in my skin. I hoped that they would bruise. He was not shy about how good I tasted. He had such a filthy way of describing what I did to him, and he knew that every word would get an even more filthy noise from my chest. 

I could see my wetness smeared on his cheeks; I was a mess since the car on the way to the meeting. Which was well over two hours ago now. It made everything feel that much better. 

Harvey took my leg off his shoulder, pushing it flat to the counter. He then took my chest between his fingers, definitely not careful with how hard he pinched and pulled. My legs quivered, clamping against his head, only for him to force them back down. 

“Keep them there,” he stood, wrapping his palm across my throat. “I’m gonna make you cum on my tongue, but you’re not going to do it until I say, understand?”

“Yes, Harvey.” I thought about calling him sir, but I wasn’t sure what it would do. I really really really wanted to know, but it was more than likely something we should save for the privacy outside of the office because I knew I wouldn’t be able to keep my screams at bay.

I could barely do it right now. 

He brought me in for a possessive kiss before laying me back down and settling between my legs. His fingers scratched and marked the insides of my thighs. I could feel my release building, and how on earth he knew I’ll never know, but every time I got relatively close, he slowed down, sending me right back to the start. It was infuriating, and I almost said something, but then he kept going. 

And kept going and going and going-

“Harvey,” I sighed, breathless and airy. I had to bite on my fingers to keep from making too much noise. Again, I was doing a really shit job. 

“Not yet,” he ordered. “Harvey I can’t…”

“Yes, you can, sweetheart. And you will because you love doing what I tell you, don’t you? You love being on display for me while I have my way with you.” I did. “You don’t even need to say it, I can taste how much you want it. Such a good girl for me, now be good and take it just a little longer and I promise I’ll make it worth it.”

I had no doubt that he would, so I nodded. I bit my lip and nodded. His smirk was devastating as he swiped his thumb through my folds and pressed it to my lips. I sucked urgently, showing him just how good I wanted to be. 

Something changed in his eyes then. It wasn’t just dominance that resonated behind his shaded eyes. It was a look of possession, of ownership. There was definitely a whole other side to Harvey I hadn’t seen yet, but I’d be damned if I didn’t do anything to see it. 

So I placed my foot on his shoulder and pushed until he knelt back on the ground. His grin was wild, purely animalistic and feral in a way. 

Harvey Specter, aka the best damn attorney in the state of New York just knelt to the ground because you told him to. This man is bent to your will, you can make him do anything.

He resumed his mostions, taking the time to mark my thighs even more. I couldn’t think straight anymore. I don’t know how long it's been since we started, but I was quivering, begging for a release. It was right there, so close and so far away at the same time but if I could just get a little more…

“You taste so fucking good, Claudia. I want you to cum on my tongue and don’t you dare be fucking shy with those pretty little noises of yours. I want to know exactly how my tongue is making you feel, just how good you feel. You want to be good, don’t you?”

I nodded rapidly, saying just as much. “Yes, Harvey, yes I want to be good for you.”

“You’re learning so well,” he looked like he was in a daze. “Cum for me, sweetheart. Be my good girl and give me what I want. I know just how much you need it.”

It came so fast it caught me off guard. His fingers… his tongue… it was otherworldly. I haven’t ever felt this euphoric. I kept my noises down, but my breath was out of control, and I had to squeeze my eyes shut and grit my teeth. 

Harvey didn’t let up even with my release, he kept going going going even well after I began to settle back down. I tried to get him to let up; I couldn’t speak so I pushed against his shoulder but he pinned my ankle down.

He wasn’t done with me. 

He licked me dry, gently kissing my skin when he was done. Sweat lined my hair and back, but he was done. And I was limp and thoroughly worked over. 

“I knew you could be good,” he cooed. His hand brushed over my exposed chest, toying with me a little before helping me sit up. He carefully helped dress me again, letting my head come back before kissing me again. Not only did he taste like me, he smelled like it too. 

But his kiss was soft. Softer than it had been before. 

“Feel alright?” he asked, and all I could do was nod. He chuckled, motioning for me to hop down. Harvey’s hand steadied me as he picked up a foot and placed my shoe one, doing the same for the other. This… fizzy feeling bubbled in my chest as I watched him. 

It made me smile uncontrollably. 

“What are you so smiley about?” He asked, welcoming me when I wrapped my arms around his shoulders. 

“Nothing,” I sighed, a content sigh and let my chest rest against his, chin on his shoulder. “I just feel… nice. Really really nice.”

Harvey laughed, “Well I’m glad you feel really really nice. You tasted really really good.”

I swatted at his chest. When we were this close, it was easy to forget all the complex things about our situation: the fact that he was my boss, or how much older he was than me. That he just ate me out like a god in our file room after a huge step in our case. There were so many risks in all of this, but right here none of them seemed that big. A swirling thought in the back of my head wouldn’t let them go, but they could be tamed in this moment.

“Oh, don’t you ever feel embarrassed about not being ‘cleaned up’ for me. I don’t care. Getting to be between your legs is an experience I am beyond privileged to get. You don’t ever have to worry about me being disgusted by you or your body. It’ll never happen, never gonna be possible, Claudia.”

For a long time, I had always thought that Harvey was kind of a dick. They he never gave a shit about anyone other than himself and his reputation. Clearly that wasn’t the case. He, very obviously, cared a whole hell of a lot more than I thought. 

Clearly Harvey cared for me beyond the idea of our sexual desires. I genuinely believe that he wants me to have more confidence in myself. This is just killing two birds with one stone. And I certainly didn’t mind having Harvey Specter between my legs.

“Would you like to-”

“Oh, Harvey what are you- oh, hi Claudia. What are you guys doing in here?” Louis asked. I instantly detached myself from Harvey and took a huge step back. “Is everything alright? Claudia you look really flushed, are you not feeling well? Do you need to go home?”

“No, no Louis I’m alright,” I could feel my skin ignite. “We were just… looking for old files for our case. I just needed a hug. Stress is a bitch.”

How did you manage to pull that outta your ass? 

“Well, you’ve come to the right place. I give the best hugs on earth. Get over here,” Louis insisted. 

“Thank you Louis, but I’m-”

“It’s non negotiable,” he nodded. “Come on, bring it in my dazzling little friend.”

I looked at Harvey who was clearly trying not to burst out in hysterical laughter. I hugged Louis, and it was surprisingly good. Not as good as Harvey, but then again maybe I was just a bit biased. 

“You know my door is always open to you, Claudia,” Louis reassured before he grabbed a box, the one right where I had just been laid out, and practically skipped away. 

When the door shut, I covered my face and Harvey nearly fell over. I wanted the ground to swallow me whole. I wanted to evaporate and never be seen again. There was no way that Louis just… I appreciated his complete obliviousness. More so than ever.

“Okay, that might’ve been more entertaining than sticking it to Gustoson.”

“Not a word, Specter,” I warned. 

“Specter, huh? Well, Martin, you’re lucky I’m in such a good mood because I would really love to go tell Donna about this little interaction.”

My heart sank. “Does she know?”

“No,” my heart began to beat again. “Which baffles me. You are really terrible at wearing your emotions on your face, by the way."

“I don’t understand how you can be so calm, it makes no sense. My brain scrambles and my mouth disconnects from it. I couldn’t believe I managed to spit out something coherent when Louis walked in.”

“It’s cute watching you stutter.”

I blushed.

“That's cute, too.”

“Shut up.” Harvey smiled. “Would you teach me? How to have some sort of a poker face?”

“You want me to?” I nodded, and he looked off behind me, obviously thinking of something. “Okay, stay after everyone has gone home tomorrow, I have an idea.”

“Uh oh, don’t hurt yourself.” He grabbed my arm, laying a firm hand on my ass. I yelped at the smack, eyes going wide.

“Wanna try that again?”

“If we weren’t in an un-sound-proofed office I’d say yes.” That didn’t stop him from doing it again, only this time spinning me around and pushing me down on the counter, fisting my hair and yanking hard enough to bring a tear to my eye. 

“Two strikes, Caudia. Be careful how you read the next pitch.” I really wanted to make an awful sports joke, but I didn’t need to risk someone else walking in and seeing this. There would be no way to explain around it. 

I’d have to move to Antarctica and become a penguin. 

“Okay okay,” I mumbled out. He released me and I turned around. Not without feeling how hard he was. I pulsed between my legs again. Man, did I want to feel that between my legs. I already had a good idea of what he looked like, and god damn did I want it. 

“I’ll be in my office if you need me,” Harvey said, playing with my hair. “Try not to think of me too much, my Claudia.”

My Claudia…

My mouth was dry. “You know I will.”

“Of course you will,” he winked before turning.

I was certainly not going to let him have the last laugh. 

I’d wait a couple hours and then attack. I had a plan, surely one he’d never see coming. It was almost six now and I couldn’t think of anything work related. Just Harvey. I had that sore, sweet burn of an overstimulated release still, and couldn’t feel more content.

But I wasn’t satisfied by any means. 

I waited a little longer before printing out the transcription from our depo to go over. Yes, we had boxed Gustoson in and backed him into a corner, but like Harvey always said, when there was a gun pointed to your head there were seventy-five other ways out. We had to be prepared for every single one. 

When I picked them up, I swung by Donna’s desk.

“Hey hot shot,” she cheered. “Heard about the depo, you really are one hell of a lawyer, aren’t you?”

“Well, what can I say? I’m just awesome at what I do,” I beamed. “Do you know where Harvey went? He wanted to go over it so we can get a clear idea of what their next move will be. I think they’re all out of cards to deal, but you never know.”

“Harvey really is rubbing off on you,” she looked me head to toe. Hide the face, hide the face. “Did something happen between you two? You’re like- glowing.”

Shit shit shit shit shit-

“No- well, no not really.”

“What do you mean ‘not really’?” She joined me on the other side of her desk. “Claudia, did he yell at you cause if he did I can-”

“No no, Donna. Everythings fine, more than fine actually. I am just… starting to feel more comfortable around him, is all. I don’t feel so nervous to be around him.”

“That’s fantastic,” Donna smiled, bringing me in for a hug. I prayed she didn’t feel my sweat back. “Good for you, Claudia. I knew it would happen sooner or later. I know he can be a hardass, but there is a method to his madness.”

“You don’t say,” she had no fucking idea. This was great. “Let me find him, I’ll be back before you leave to let you know how the depo really went.”

She just raised her eyebrows before I walked away.

Time for some real fun.

I pushed open the bathroom door, someone on their way out giving me a weird look. Harvey was at the sink washing his hands when he saw me.

“Claudia, what are you-”

I looked under the stalls and thankfully no one was in here. I locked the door. As I planted myself in front of him, I spoke so coolly it didn’t even sound like my voice. “You didn’t think I could leave you high and dry, did you? What kind of good girl would I be if I didn’t return the favor.”

“Claudia, sweetheart you don’t have to-”

“I want to. And I’m going to.”

I slipped to my knees, my eyes never leaving his. Even as I popped open the button of his trousers and untucked his shirt. They fell to his ankles and I let his briefs join them. He was hard and waiting for me so I didn’t waste time to build the confidence.

It was already there. 

Harvey braced against the sink when my tongue ran up the backside of his shaft, slowly starting to take him into my mouth. I worked it all the way in, earning a deep, guttural noise from him. 

“Jesus fucking… Claudia…”

I felt a rush of pride run through me at the thought of him not even being able to speak. It only motivated me that much more. 

I worked up and down, pausing every now and then to focus on the tip, ever so gently letting my teeth graze for a little extra pleasure. I wasn’t sure if he was going to like it, but he shivered. And when I did it again, he did it again. He was under my control.

I couldn’t help the spit that collected and fell down my chin, or the tears that fell from my eyes and smeared some of my mascara. I knew he didn’t mind because when he looked down, he swore and bucked his hips.

“God you look so hot stuffed full of my cock,” he put his hand on my head and pushed me all the way down. “And you know how to take it all the way, I didn’t even have to teach you. Such a good fucking girl, Claudia. If your throat feels this good I can’t fucking wait to be inside that pretty pink pussy of yours. I know it’ll be a tight fit but you’ll take it like such a good girl won’t you?”

I nodded, humming around him as he began to fuck my mouth. 

“Yeah, you love this, don’t you? Being full of my cock. I just know you were dying to taste it, huh? Go on then, open really fucking wide for me.”

His hips were brutal, pushing more tears out with every thrust. Harvey let the praises and moans fall from his mouth like the sweetest candy. I had to brace my hands on his thighs so he wouldn’t break my nose. That’s how hard he was going. 

“Gonna cum, sweetheart. You're gonna take it all down, aren’t you? Just wait until I get you on your hands and knees so I can fill you up and have you begging for it.”

I couldn’t help the whine that came out. Granted it was broken up by his thrusts, but that somehow made it dirtier. 

Harvey released, stilling his hips, pushing deep until his body lay flush with my face. He pulled out, cum coating his skin. I was more than happy to clean it off for him. 

“Awww look at you, Claudia. Being such a sweet girl and cleaning me up. God you are such a funcking slut for me. Show me.”

I opened my mouth and stuck out my tongue, presenting it to him. Again, that dark, feral look was in his eyes. He grabbed me by my neck and pulled me to my feet. His eyes never left my tongue.

“Swallow.”

I did. Harvey’s laugh was cruel. His thumb was pressed right up against my esophagus, and I knew he felt it go down.

“I am going to fucking ruin you for anyone else, Claudia. I am going to take you apart and put you back together over and over again until all you’ll know is my name and how to breathe.”

I clenched my legs together, already feeling my desire come back. He let go and I bent to put him back together this time. When I put the button back through the slit, I made sure to keep my eyes on him. I gave a pat to his chest before turning for the door.

Before I left, I looked over my shoulder, swiping my thumb across the corner of my mouth to get a remaining drop of him. I dragged it over my tongue, giving my own devastating wink before leaving him alone.

_____

There were plenty of ways I could’ve spent the next twenty-four hours. Were any of them productive? Absolutely not. No matter how much water or tea I drank, I could still taste him on my tongue, and it only made me that much more distracted every time I remembered it.

I loved it when he told me how good I felt. 

Not only was Harvey incredibly good at being a lawyer, he was very diligent with his body. So responsive to every touch and noise I made. He made doing all of this feel not so intimidating.

Whether I wanted to admit it or not, I did feel like it was working. never in a million years would I have the balls to initiate an intimate moment with him, let alone any type of moment.

His madness was working. A little too well.

What he had planned next was beyond me. Apparently he went out for the day, according to Donna, who also told me he cleared the rest of his schedule for the night and asked if I knew anything about it. I felt bad lying to her, but I didn’t really know what else to do. She couldn’t know yet, I needed to wait. 

But when she came to check on me, eyes a little bloodshot from staring at this damn computer all day, she wished me good luck tonight and headed home. She hoped that Harvey wouldn’t run me into the ground.

I knew we weren’t going to get any work done. 

And I was so excited. 

I waited. And waited. And waited for Harvey to come find me. Maybe he was still out? I had no idea. I was about to call him when he walked into the bullpen.

“Oh, hey I was just looking for you.”

“Good,” the corners of his mouth curled up. “Come on, let's go to my office.”

I was more than eager to follow. When I got there, there was a bag on the corner of his desk, a note pad and a pen. “What’s all this?” “You asked me to help you with keeping your face unfazed. Well, I’m gonna help you. You’re going to sit in my lap while I’m inside you and we’re going to sit on this conference call with one of my clients in California. You’re gonna learn how to keep your voice steady while taking notes for me or everyone's gonna know what we’re doing. Are we clear?”

My whole world was tilted on its axes. This could go wrong on so many levels. My mouth voided any saliva and I couldn't process this idea.

“Harvey is this really a good idea when-” “You always do this, Claudia. We do something, you question it, and then you realize afterwards that I was right. When are you going to start trusting my ideas and just do what I say?”

I just rolled my eyes, “Fine. You’re right, and I do trust you."

“Of course I am, I’m Harvey Specter.” I really wanted to smack him, but he moved away before I could. He opened the bag and pulled out three boxes of condoms. “I wasn’t sure which kind you preferred so I grabbed a few options.”

That was, weirdly enough, one of the sweetest things anyone has ever done for me. I know, it seems kind of lame, but it was incredibly thoughtful. I read the back of the boxes, settling on one and putting the others back in the bag. 

Everything’s gonna be fine, Claudia. He’s right, he knows what he’s doing. We’ve got this, just breathe and everything is gonna go great… holy shit you’re about to fuck Harvey. This is really about to fucking happen holy fucking fuck-

His presence in front of me took my rushing thoughts away. I smiled up at him before kissing him a few times. No turning back now. 

We didn’t dare fully undress, but I slipped down my bottoms and hiked up my skirt, Harvey doing more or less the same. Harvey brought my back to his front and gently swept my hair over my shoulders to help soothe me. I was shaking a little. 

“Relax, sweetheart. You’re gonna feel so good, I promise you.” Chills. All over my body. 

I eased down onto him, with his help, and settled into his lap. It burned and stretched so well. It took a good few steady breaths to adjust and let myself loosen up. 

“Good girl, Claudia,” he praised, that sickly sweet tone back once again. “That’s it, just lean back and let me do the rest.”

Harvey trailed his hands over my thighs, pulling my knees open so they fell over his own. I sighed out when his finger dragged around where we connected and up up up to where I was still so sensitive. I jolted, and he turned his face into my neck.

“Ready?” He asked, and I nodded. He dialed a number on the phone and it rang a few times before a voice came through the other line. “Brian Fergison, how is the West Coast treating you?” “Oh it’s a dream, Harvey. An absolute dream, you gotta come out here one of these days,” Brian said enthusiastically. “I have my insurance broker, CEO, accountant and consultant on here as well. Thomas, Daniel, Michael and Henry.”

A collection of hello’s and hey’s came through. “Nice to speak with you gentlemen. I have my personal associate, Claudia with me here. She’s been helping me out on a few cases recently and I thought I’d show her more of the big leagues.”

“It’s a pleasure to have you, Claudia. If you’re Harvey’s personal associate, you must be one hell of a lawyer,” Brian boasted and I could feel my flush. 

“Lets just say that I can give one hell of a nasty cross examination,” I said, voice calm and collected despite Harvey's fingers between my legs. “Most first years don’t get an opportunity like this so I appreciate it.”

“Wow, Harvey, where do you keep finding all these kick ass young stars?” “Harvard,” I answered for him, earning an array of laughs through the phone. I looked over at Harvey who had a devious grin plastered on his face. He thrusted up particularly hard, almost making me gasp out loud.

So that's how it's going to be?

I clenched hard, making him flinch. He dug in his nails as a warning. I listened.

“Alright, let’s get to the business at hand. I was hoping we could all discuss what is at stake for my company with the new rules and regulations…”

The conversation faded out for me. I half paid attention to what they were saying, but focused mostly on Harvey. And these stupid notes he had me taking. It was a steady pace, not fast at all, leisurely. He hit deep inside me, and it was incredibly difficult to not make any noise. I did my best to keep my face neutral, even though we weren’t on camera or anything. 

His hands crept up my shirt and played with my chest, making it even harder. I throbbed around him, hissing slightly. His grip shifted my hips, rocking me back and forth to grind even deeper. 

My wetness stuck to him and made noises I thought only we could hear.

“Is someone eating or something? What is that noise?” Brian asked. I went frozen, but Harvey pinched my nipple again as if to say ‘go on, answer him’.

“Sorry, Brian,” I responded, voice still together. “Harvey is a bit of a hardass and hasn’t let me have a break all day to eat. I’ll put us on mute and we can chime in if need be.”

“All good, and make sure Harvey hears that he needs to take it easy on you over there. Give that poor girl some time to breathe, man.”

“Don’t worry, Brian, she can handle that and a whole lot more.” Even I could hear the grin in Harvey's voice. I reached around me and hit the mute button, then sat up so abruptly I nearly smacked into the table. He placed one hand on the center of my back, holding me there, the other fisting my hair and pulling. Hard.

“You’re asking for it, aren’t you?” “And if I am?” I said, my breath stilling in my chest. 

“This is not how this call is going to go. It’s forty minutes long, so I hope you’re ready for that. Be careful how you speak about me because I can make this really fun for me and miserable for you.”

“I thought this was your idea in the first place,” I wasn’t going to be bullied by him. I wasn’t afraid when we were like this. “Bring it on.”

We were up so fast and I was chest down on the desk. Bent over me, cock still shoved all the way in, he whispered, “I am gonna take that phone off of mute, and when I do, you’re gonna say you’re going to the bathroom and I am gonna fuck those bratty words right out of your head. If you make one fucking sound I will make you cum. And if you make a sound when you do, I’ll do it again and again until you learn.”

My toes barely touched the floor. Harvey hit the button and nodded for me to speak. I waited a moment until there was a lull in the conversation. “Hey, I’ll be right back. Don’t rip on Harvey without me.”

“You got it, Claudia, I’ll save all his embarrassing college stories for the end.” I was going to get it for sure after that comment.

Harvey started a more than brutal pace. Thankfully I was adjusted to him so it wasn’t as bad, but with the force of his thrusts… gods help me. 

I bit down on my lip, fingers clenching the edge of the desk as he rammed into me. It was so hard to keep from crying out, to keep my knees from hitting the desk. 

“Harvey, I was wondering if there was anything I needed to do to get my patent’s turned over? Or if there is something extra I need to get to make them usable in California?” I knew Harvey spoke, but I didn’t understand. I was far too focused on him pulsing in and out and in and out of me to care. It felt so fucking good. With one particularly hard push of his hips, the whole desk shifted and I clamped a hand over my mouth to keep from screaming. 

Then my hand was gone. His hand was big enough to wrap around both of my wrists and force them behind my back. 

God fucking dammit-

“Is Claudia back? I had a question for her,” Henry, the consultant, asked. Shit shit shit shit shit.

“Yeah she just walked back in,” Harvey said, dragging me back into his lap as he sat, fingers immediately playing with my exposed chest. 

“Hey, what did you want to ask?” Still ice cold. 

“I was just wondering what your thoughts were on the idea of handling a personal case for me. My lawyer just retired and obviously you seem more than qualified, even if you are a first year associate.”

I was genuinely shocked. “Oh, sure. I’ll get your number and email at the end and I’ll make sure to reach out about the details.”

“Sounds good,” he said, switching to ask Harvey something. A brush of his finger between my legs told me I did a good job. 

Soon enough, we were back on mute while Brian took a moment to get his kids settled for bed. Harvey was quick to start talking.

“Look at you, taking me so good. I wasn’t sure how well I’d fit but you’re just such a good girl, Claudia. I bet you love this, being split open while others are just one moan away from knowing what I’m doing to you.”

“I can’t take it much longer,” my voice was trembling. 

“You’re gonna take it as long as I say. We’re over halfway, my pretty little toy. You can stay seated on my dick for a little while, can’t you?” I nodded, my brains almost gone. “See, still such a desire to please me. I think you’ve earned a little reward, no?”

His fingers circled around my clit, sending waves of pleasure and hurt through my body. I let the noises built up in my chest slip through, trying to shift away from his touch when it became too much. 

“I will put you back on that desk and tie your hands behind your back if you don’t stop moving. Sit here, be still, and take my cock like you should. Do not make me tell you again.”

I shut my mouth quickly, occupying my hands in his hair. With one hand between my legs, the other on my throat, his lips trailed over my neck. I did my absolute best not to move, but it wasn’t easy. I writhed and whined and begged for him to let me reach my high. 

“You wanna cum on my cock? Is that what you want? Go on then, make a mess all over me.”

It wasn’t even pleasurable at this point. It hurt in the most amazing way possible, but I was to the point of numbness. He quickly hit the unmute button and I bit my lip so hard I knew it’d bruise. He drew lazy circles through my slick and I was on the verge of tears.

Guess he wasn’t kidding when he said he’d break me down and build me back up over and over again.

Harvey’s hand came and clamped over my mouth when I shuddered around him. His whole body tensed and clung to me, forcing me to still even though I wanted to fall onto the floor with the strength of my release. 

Stars danced the backs of my eyelids. My voice would be rubbed raw tomorrow for sure. I’d be more sore than I had ever been. 

My chest rose and fell quickly as I came down from my high, legs and arms tingling. I don’t think I made any noise, if I did, they’d surely know and we’d be in some deep shit. But when I looked at the phone, they were still carrying on with their conversation. 

“I’m thinking of having a company party. And Harvey I’d be thrilled if you could make it out, even bring Claudia if you want. I’m sure Henry would love to meet her, as would I,” Brian spoke.

“That sounds good, Brian,” Harvey’s voice was thick, very clearly too turned on for his own good. 

“I’d be honored to come out,” I said, voice wavering just a tad. “When are you thinking of having it?”

“Not until we get everything squared away on the legal side of things. Then I’ll worry about all that stuff,” he gave a big sigh. “Man there is a lot that comes with running a business.”

We all have a laugh, Harvey starting up my hips again. I didn’t even feel it, couldn’t rather. He was content using me to get off and I was content to let him. I stayed quiet, using my legs to push up and down, rock back and forth, anything I could think of to make him miserable. 

His fingers were locked onto my sides, thrusting up into my down strokes. The noise was minimal, but still sounded around us. Hopefully just us. 

I felt his teeth lock onto the back of my shoulder and yelped. 

“You alright, Claudia?” Brian asked. 

Yeah it’s just Harvey fucking bit me, I almost said. “Yup, just stabbed myself with my pen.” Nice cover, idiot. 

Harvey let up then, kissing over the indentations. His hips stuttered, and his breath was hot and fast on the back of my neck. I leaned forward and hit the mute button. 

“You close?” I got a grumbled string of pleas. “Come on Harvey, you know how much you’ve been waiting for this, don’t be shy now. I want it, sir-”

The words weren’t even out of my mouth before I was gagging on his fingers. I struggled to breathe, eyes watering with the force of it. He fucked up into me so hard I had to brace on the desk and the chair. A noise tore from his chest, so deep it sent goosebumps scattering across my body. His hips were flush with mine, his hands forcing my hips flat, taking taking taking all of him at once. 

“Say it again, Claudia,” he commanded. 

“S-Sir?” I hadn’t even realized I said it. Now or never, I guess.

“Fuck,” he swore. Harvey pulled me off his lap and stood, dragging me over to the window. Don’t look down don’t look down- “Want it, sweetheart? You want my cum, huh?”

“Yes sir,” my voice was barely there. I gasped when he lifted me into the air, pressing my back to the window. Holy shit I hope this fucking glass doesn’t break.

Harvey damn near made me see stars when his hand wrapped around my throat. Between that and his tongue on mine, his cock shoved all the way in, so deep it was painful, I was in the most glorious twilight state I’ve ever been. 

He had his way with me, brutal and erotic and of pure primal instinct. It was clear he didn’t give a shit about if he was hurting me or not. He wanted one thing. And I was gonna let him have it. 

The release caught us both off guard, nearly sending us both to the ground. I clawed up his back and his fingers tightened on my neck. His hips were flush with mine again, jerking in and out at random convulsions. His forehead was damp against my chest.

When he eased me down, my legs were shaking so bad I couldn’t stand. I tripped over my feet trying to sit down. Harvey was far steadier, handing me a bottle of water from a drawer in his desk. While I sipped, he tucked himself back into his pants, and we gave our final goodbyes and email exchanges to Brian’s team. 

It wasn’t until a few minutes after the call ended that we looked at each other. 

“You uhh… you alright?” He asked. 

I was a little stunned, did he just stutter? “Oh, yeah Harvey I’m fine. Are you?”

“Yeah yeah I’m good.”

“Good.”

Silence. I tapped my thumbs on the plastic bottle, combing my fingers through my hair. Our eyes met again and we both broke out into wild smiles. 

“So 'sir' really does it for you?”

“I wasn’t exactly expecting to hear you say that,” he looked mildly embarrassed. “It just- it’s a power move, for sure.”

“I’ll have to keep that in mind.” He shrugged, “I am far less forgiving when I am in that state of mine. I am not nice and don’t necessarily give a-”

“Harvey,” I stopped him, standing. I took his outstretched hand and let his hands land back on my hips. “If it was too much, I would’ve told you. And besides, I’ve been dying to see that side of you ever since you first mentioned it.”

“You have?”

I nodded, humming and nodding my head. “Just like you I have my secrets. One of those is my undying desire to please. I’d find a way to get it one way or another.”

His smile was devastating. He swooped down to pick me up in his arms and gently spun me around. “God Claudia you have no idea how long I’ve waited to hear someone say that.”

My heart clenched and my stomach dropped at the same time. I didn’t want to read too far into his words but how could I not when he said things like that and placed gentle kisses along my collar bone? 

We grabbed our belongings and headed for the elevator, it was well past eleven now and we both wanted to go home. Harvey insisted he drop me off, and I wasn’t in the position to say no. my feet were killing me, and so was pretty much every other inch of my body. 

The car was warm despite the bitter February wind. The city lights were as bright as ever as we raced down the street, just a couple of city blocks, to my apartment. 

It took every bit of my willpower to not ask him to stay over. That wasn’t part of the deal, I kept telling myself. He wasn’t obligated to comfort me afterwards. And I wasn’t obligated to do the same. 

“Have a good night, Claudia,” Harvey said, brushing his thumb across my cheek.

It was really fucking hard to not melt into him.

“Good night, Harvey.”

______

The next day I didn’t see Harvey at all. When I asked Donna where he was she said he had to take a trip upstate to see his family. I didn’t want to pry, it certainly wasn’t my business, and if he wanted to tell me he would. 

But I got concerned when I didn’t see him the rest of the week. Well, I saw him, just could never catch him at the right time. He stops by my cubicle for two seconds, dumps a stack of papers and says ‘have these organized and on my desk ready to go for tomorrow’, and then disappears. 

What in the hell was going on? “Donna, I really need to talk to Harvey,” I stood my ground. He was in his office, sitting at his desk, the desk that held more than a few intimate memories.

“Claudia, now is really not a good time,” she insisted. I rolled my eyes, huffing and turning away. I’ll catch him before he leaves.

I didn’t catch him before he left. Or when he showed up the next day, or the next. A goddamn week went by and I could barely get two words in. I was getting a little pissed off. And of course my mind had been running rampant with anxious thoughts: he got what he wanted, now he didn’t need you anymore; he was just using you to get the job done and he’ll move on to the next associate. And in big bold letters: Harvey fucking used you.

I could feel the tears welling in my eyes, pricking my nose and burning my throat. 

I can’t take this torture any longer. I need to find him. Now.

I marched right past Donna and into Harvey’s office. I did have our complete case file in hand as an excuse, but I wasn’t really planning on talking about the case. My brain was on fucking fire at this point, I didn’t know what I was going to say, if anything at all, or if I was just going to break down like a pathetic little girl who couldn’t take it.

“Claudia, now is really not a good-” “It never seems to be a good time, Harvey,” I cut him off, watching his mouth snap shut at my harsh tone. “I have been trying to get this to you for four days now, you gonna take the five minutes it takes to go over it or do I need to FedEx it to your apartment so you can get to it in two to three business days?”

His eyes were wide. He stood up from his desk and took the file, but set it on the table. 

“Harvey just take one fucking look at it-”

“I’m sorry,” he said, voice calm and steady.

“You’re sorry? For what, ignoring me the past week?”

“Claudia I wasn’t-”

“Are you sure because it seems like ever since after that conference call you’ve been actively avoiding me like a fucking disease. I-I-I don’t understand what I did, Harvey. Was I not good enough for you? Did I make too much noise or-or did I say something wrong when you dropped me off?”

“No, Claudia I have just been-” “Using me? Leveraging me to climb the corporate ladder?”

“How dare you accuse me of that bullshit,” Harvey bit out, a venom laced in his words. “I can’t believe this, after everything I’ve been trying to help you with, you’re gonna look me in the eyes and say I’m using you?”

“It sure seems like it to me because I can’t think of another goddamn reason why you would go through all that trouble just to practically ghost me.”

“I have been trying to tell you that I’m not avoiding you, but you cannot take down your alligator filled moat for two fucking seconds to let me explain what the hell I’ve been doing.” 

“What the fuck is going on in here?” Donna shouted over both of us. I snapped towards her, flushing a deep shade of red. 

“Nothing, Donna,” Harvey pressed his lips in a flat line. “We don’t need you to intervene-” “Well it sure as hell sounds like you do,” she came and stood at my side. “What’s going on?” “I was just trying to tell Claudia that I haven’t been avoiding her, that I have been busy being a goddamn name partner and trying to keep this firm above water. In fact, I’ve wanted nothing more than to just put everything else on pause and actually get to sit down for half an hour and discuss what we’re gonna do in court because I don’t know if you’ve been paying attention, Claudia, but we are in some deep shit with this Gustoson case.”

“Which is why I have been doing everything in my power to hunt you down and give you that file.”

All eyes landed on it, it’s tan envelope. Harvey flipped it open and scanned the document.

He ripped it up and threw it in the trash. 

I stopped moving, I stopped breathing. 

“Are you out of your goddamn mind, Claudia?” 

“Harvey,” Donna was baffled at his tone. 

“You seriously want to file a motion to dismiss? In what way would that benefit us? Cause it seems like all you want to do is throw this case away and let Gustoson win.”

“No, I want to get their lawyer off the case so that way we can go after him, because he’s in on it and-” “We have no proof of that.” I wanted to rip out my fucking hair. “I was working on getting it.”

“Claudia, we don’t have time for you to just stumble upon evidence and hope it works,” Harvey let his hands slap against his thighs, eyebrows knitted together. “I needed an idea last night, and since you clearly can’t get the job done, maybe it’s you who should be thrown off the case because you clearly have no idea what the hell it is that you’re doing.”

There was nothing I could do to keep the tears from burning tracks in my skin. He promised… Harvey promised…

“Okay, let’s just take this down a few notches,” Donna stood between us.

“No,” Harvey shook his head. “Claudia, you’re going to learn real fast that just because you’re my associate, that doesn’t mean you get your ass kissed. I am not gonna sit here and baby you on every case. If you can’t come up with a different idea by the end of the day, I’m gonna put Griffin on this case and you’ll never get the chance to work with me ever again. I don’t lose, and I’m sure as hell not gonna risk that just because you don’t know how to do your goddamn job.”

All I could do was stare at him. Stare and stare and stare. 

My hands didn’t even shake. My breath didn’t pick up, and my tears didn’t fall. I was utterly tranquill, like a certain part of me was expecting this to happen, and here it was. Served to me on a silver platter. 

I hiccuped a sob. It hit me out of nowhere. I couldn’t do anything to control it. 

“You promised…” I wasn’t even sure I actually spoke the words, I may have just mouthed them, be he understood. I watched him snap out of his heated daze and take a jarring step back. But I wasn't going to sit around and wait for him to give a fake apology.

His intentions, from the very beginning, were blindingly clear. Harvey didn’t want to work with me, he didn’t think I was a good lawyer, he just wanted to get in my pants. 

I was disgusted by him, my stomach churned and I knew I was going to vomit. 

“Claudia-” Harvey gasped, like had been punched in the stomach; I wished it was Donna who socked him.

“You’ve done enough,” she said, and placed her hands on my shoulders. She steered me out of his office and my vision blurred. 

I was one sorry son of a bitch to believe that Harvey actually gave a shit about me. Why would I ever fucking believe that? I should’ve seen it coming. I should’ve known it from the start. A man like him does not fall for a woman like me, they only pretend to when they need something. 

“Claudia I am so sorry about-” “I wanna go home.”

She was quiet for a long moment. “I’ll tell Louis you had something come up.”

I just nodded, grabbing my purse and jacket, heading for the elevator. 

He promised… he promised… he promised…

#suits #suits tv #harvey specter #harvey specter x ofc #harvey specter smut #harvey specter suits #suits smut #suits fanfiction #suits fanfic

[konigsblog]

That mlmxreader blog also keeps claiming that you're sending your followers to go attack them and send death threats. They do a lot of arguing that your dark fic is not real dark fic and that you're purposely trying to trigger and retraumatise them - is what I gathered looking at a couple posts...

I think that for one, there are definitely writers who do romanticise some topics unhealthily with things such as rape/assault/torture, but I don't think you're one of those people? Like you frequently tag and keep stating that what you're writing is fiction, it's fantasy.

On that note, they keep trying to argue that CNC is the more "moral" kink to be writing vs. rape. I honestly think that rape fantasy is something people do fantasize about and can sometimes just not be CNC (bc they keep trying to pin it back to that kink). It's the fact that there's no established relationship and discussion like in most BDSM pairings where they talk about rape play. At the end of the day, you tag your works properly. I don't see much issue with writing what you want when you make sure to tag (which you do!) and are aware the subject you're writing about and its usual connotations (which you're also aware!). People can be mad and uncomfortable, but at the end of the day it's them who chose to keep talking about it. I think people need to get used to being uncomfortable on the internet. This is not a new concept and nobody here is a "hero" for anything.

Sorry I just paraphased some posts and asks with some of my own thoughts on it!

i mean, my content is supposed to be dark, it's dark content for a reason, and i'm not describing these characters to be standard; i'm writing them manipulative, vindictive, depraved, ect. i do appreciate you, anon, as you weren't rude, and instead polite. i appreciate it, my dear! 💗

i don't really care about this whole thing, but something i have never said was to send death threats. now, we don't know if they're lying – they could be – but, if they aren't, stop. i didn't tell anyone to send death threats, because i don't condone that. aside from death threats and mocking someone's trauma, i seriously don't care what you want to do. whether you don't block them, block them, whatever, they've made multiple posts directly insulting me in weird ass ways, so i couldn't really care about their immature opinion.

i'd like to point out something they said though, kinda funny, considering they've mentioned me multiple times outside of their callout post. they said they made ONE post about me with examples, that would be their callout post. but, they're not counting how they're talking about me in response to anons, or how they're mentioning me in their hashtags. it's childish. yes, you 100% have the right to not enjoy a certain kink/coping mechanism (because funnily enough, people use different ways to copes) but it's immature to name people, talk about how what i'm doing is "disgusting" or how i'm a "vile cretin" (like what lmfao 😭)

here's some screenshots of what i'm talking about when i say they've even insulted me, or made comments. this is 4/11 screenshots.

and comparing my supporters to an iof soldier... 😬 wtf is wrong with you? that's disgusting.

now, if anyone sends this to @mlmxreader, go ahead and let them know that they're not the centre of the world, them multiple posts taking about me and insulting me is immature on their end.

#call of duty modern warfare #cod fandom #cod #call of duty