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#i don't like when i kin characters this hard
greenapplebling · 8 months
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So I've learned some stuff about Malleus' mom, Maleonor (I think that's her official English name), and apparently she has a bad temper and is self-sacrificial...
Thanks, Twst. I didn't need to kin Malleus harder than I already did...
I swear to God if Malleus starts making self-deprecating jokes I'M DONE
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77ngiez · 27 days
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so i heard we're doing pafl tierlists
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soyoursoulisgreen · 6 months
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3, 4, 19, 20!
3. What ideas come from when you were little
I have two OCs that have really stood the test of time: Akane and Kin - though their names have changed over time haha ♪ They were the first ever queer couple I made, long long loooong before I was out even to myself and shock among shocks, they're angels lol ♥ I remember I even wrote a short story about them from like - middle school probably?? as part of an assignment haha. They've been with me for a loooong time, and I'm still very fond of them 💕
4. Fav character/subject that's a bitch to draw
GLaDOS is so beautiful and I am so bad at drawing machine parts jfdklsasdf. I'm determined to draw her from both games now tho! Her design in Portal 1 is so weird!! <3
19. Favorite inanimate objects to draw (food, nature, etc.)
Plushies, no contest. Drawings the seams and darts and stitches and wear and fluff and fabric vs. fur I just ugh it's all so satisfying! The way the cloth folds over itself or stands firm on its own over well-stuffed filling! I love plushies!! Funny enough, I rarely use them as props tho haha - that's usually things like books, cups, pencils, etc.
20. Something everyone else finds hard to draw but you enjoy
I haven't heard the complaint in earnest in a while, just in a jokey fashion, but I really really enjoy drawing hands :) Hand expressions are so fun to me! They're just as expressive as faces - especially masked characters haha - and they're so versatile! Come in so many shapes, some hard, some rubberhose wiggly, some sharp and Shaped, but they still all emote similarly. Even just slight position changing can change the temperature of how it reads! It's a challenge for sure but it's just so satisfying >:3c
#Woah an original post#Ask#Ask me#Thank you! :D Fun fun!!#I always love talking about my own lads hehe <3 <3#If I had to guess a year to put to Akane and Kin oh gosh hmm...#Somewhere around 2008/9 if I had to guess?? It's hard to keep track from before I was online haha and I joined kind of late#I've had them for a heck-while! I love them ♥ It's not shown in their tag I linked but I also made some Aarakocran versions of them haha#I still have a lot of the journals and stuff from when I was a kid but none of them have been as long-lasting#I think it's probably because I was very ''inspired'' by what I was reading at that time - which was mostly high school romance lol#Aya and Haruka are almost more like self-parody of that haha - not many characters survived from that time#But Akane and Kin were always in that vague sort of adults sort of teens haze that lets them convert over easily#Their problems weren't related to school or anything so it makes them more versatile :)#I wonder if I still have their short stories anywhere - I also cried while writing one of them lol I've always been the sensitive type haha#Sorry if GLaDOS is the obvious answer lol but it's true! I'm slowly improving but she really is difficult to pin down#Any kind of machinery my brain just blanks out lol. ''It is shaped'' ''How?'' ''Yes'' Pfft#Also rude to imply nature is inanimate! I almost mistakenly said tree but they are animate! They're very alive!#But that's alright - I like drawing trees but I don't very often haha#I really do love drawing plushies tho I lose my mind about them they're so cute <3 Send me pictures of your plushies I will love them /gen#And for hands I mean - I've been enjoying drawing them for so long that it almost feels like the Curse of Knowledge lol#Do people genuinely struggle with hands?? I mean I still do at times - especially closed fists or certain angles#But in general? When they're just hanging out and being silly fruity little appendages?#Or with ASL or the like ♥ They're so fun! My latests have been working with more knuckles than usual haha it feels weird#I never have to worry about same face syndrome with hands! They really feel so intuitively individual haha
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harunayuuka2060 · 9 months
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Malleus: My love, I have brought you a companion. *has given them a bird*
MC: ...
MC: Thank you, Malleus.
Malleus: *kisses their cheek* See you later after classes.
Lilia: Malleus~! We're going to be late!
Malleus: I'm going—
MC: *has grabbed his sleeve*
Malleus: What is it, my love?
MC: ...
MC: Enjoy your day.
Malleus: *smiles* I will. Thank you.
MC: ...
MC: *when they're sure that Lilia and Malleus have already left*
MC: *talks to the bird* You don't have to accompany me. *walks to the window and opens the cage*
*the bird looks at them before flying out of the cage*
MC: ...
Silver: Oh. Has Malleus already left for class?
MC: Yes. Is there anything you need from him, Silver?
Silver: Yes— No. I mean, I actually came here to see you.
MC: ...
Silver: ...
Silver: I know it must be hard not being able to leave Diasomnia so... *walks up to them and gives them some story books*
MC: ...
MC: What are these for?
Silver: ...
Silver: Even a little, I want you know what the outside world feels like. It's imbued with magic, so you will be able to smell the flowers or hear the chirping of birds or the voices of the characters in those books.
MC: ...
MC: These are great, Silver. I'll be sure to read them.
Silver: That's all I wanted to say. I'll be going to my classes now.
Silver: I hope you have a great day. *then leaves the room*
MC: ...
Sebek: Look, Waka-sama! I've got them some flowers!
Lilia: *chuckles* Sebek! Malleus should be the one getting them some flowers! You're going to make the husband jealous!
Sebek: N-No! That's not my intention! Waka-sama! Please believe me!
Malleus: *smiles* Don't worry, Sebek. You're free to give them presents.
Lilia: Silver? Have you already given them the story books you borrowed from the library?
Silver: Yes, father.
Malleus: ...
Malleus: I didn't notice you giving them anything, Silver.
Silver: Because you had already left when I went to your room.
Malleus: I see. *smiles*
Silver: ...
MC: *doesn't feel anything after reading almost all of the story books, until they opened the last one*
"Once upon a time, in realms of old,
A cherished soul, my kin, I hold,
Their spirit danced, a joyful sight,
A radiant smile, a beacon of light.
Once upon a time, they graced my side,
But now, alas, they seem to hide,
Oh, where have they flown, I ponder and weep,
In the shadows they vanish, secrets they keep.
Will they return, like a fairy's vow?
To my heart's hearth, I humbly bow,
Their chamber awaits, a sacred space,
Preserved with love, their cherished place."
MC: ...
MC: *tears started to fall onto the page*
MC: Why does this seem familiar to me... *not realizing that they're crying*
MC: *then flips over the page to see the illustration it has*
*It's their room.*
Malleus: ...
Malleus: You want me to design this room like the one in this illustration?
MC: Yes. If it's fine with you.
Malleus: *his expression changed but only for a split second* *smiles* For what reason?
MC: ...
MC: I love how it looks...
Malleus: *sighs in relief* I see. I'll make this room similar to this then. *touches their cheek gently*
MC: Thank you, Malleus.
Malleus: Is there anything else?
MC: No. That's all.
Malleus: *holding the book*
Malleus: *burns it*
Malleus: Nothing should be left. *glances at the sleeping MC*
Malleus: *smiles*
Malleus: That is the last one. And there won't be another.
Silver: ...
Silver: *smiles after remembering what MC has said to him*
MC: Thank you, Silver. I have enjoyed my day because of the books you gave me.
MC: I'm looking forward for the next.
Silver: Instead of books, would it be alright to bring you some forest animals?
Silver: I'm sure you will enjoy them more.
MC: ...
MC: *smiles* Yes. Please do.
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spookyghostbunny · 3 months
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I missed your smile too
Alright everyone, come get your yummy bread crumbs!
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Lucifer was pacing back and forth in his room full of rubber ducks. That fight with the hotel's busboy really got to him. What was his name again? Doesn't matter. He stops when he sees a duck that looks like Charlie. He picks it up, beginning to rant aloud.
"That busboy is insane! He really had the fucking nerve to call him your dad to my face! Me! Lucifer!The King of Hell! Your real dad! Your flesh and blood! Your kin! He can't possibly think he's a better dad than me!? No one in Hell is a better dad than me!" He paused, looking down at the Charlie duck. "Right?"
The duck of course didn't respond.
He lets out a pathetic sigh, holding the duck close and flopping on his bed. Who was he kidding? Anyone would be a better dad to Charlie than him. He was barely in her life! He doesn't know her favorite drink, her favorite color, anything! He didn't even know she had a girlfriend until today!
Lucifer rolled over, shoving his face into a pillow with a groan. He was the worst dad in the universe!
The sad little man looked up from his pity party when he heard a soft knock on the door. He quickly gets up, clumsy running around and fixing his appearance. "Uh- C-come in!" He answered once he looked mostly presentable.
Charlie opens the door, peaking around the messy room. She doesn't remember there being this many ducks.
Lucifer stared at her in complete shock. His daughter? Here? HIS DAUGHTER WAS HERE!!!
He coughs, trying to act cool. "Heeeey, Char-Char! What- what are you doing here? Couldn't get enough of your old man today, eh!" He rubs the back of his neck. What do you do in a situation like this? It's been years since Charlie came to visit him. Did she somehow know he was thinking about her?
Was the princess psychic this entire time!?
Charlie carefully steps into the room. "Hey, dad. Nice ducks?" She picks one up to examine. The ducky flipped in her hand before it suddenly started spitting fire. "AH!-" She yelps, dropping the duck and jumping away in fear.
Lucifer freaked out. "CHARLIE I'M SO SORRY THAT DUCK WAS A NEWER ONE I KNEW IT WAS STUPID PLEASE DON'T HATE ME-" He was cut off when Charlie placed a comforting hand on his shoulder.
"Deep breaths, dad. It's ok. I don't hate you. I never hated you." She helps him get his breathing normal as she leads him to the bed.
They sit down, Charlie taking her dad's hands in hers. "I just wanted to thank you for... Everything. I know we were... Distant- But today was a huge step forward!" His daughter smiles, and Lucifer had to hold back tears. "You're an amazing dad. I wouldn't want anyone else."
That did it. That broke the camel's back. He choked on a sob, pulling the sweet princess into a tight hug. His daughter really was psychic!!
Charlie hugged back just as hard. She didn't like seeing her father cry. A frown wasn't a good look on him. Like Alastor says: You're never fully dressed without a smile!
And she knew just the trick to bring his back.
Without any warning Charlie pulls back and tackles her dad.
"Oof! Wha- Charlie! What are- Oh no. Nononono!" His eyes widen with panic from the mischievous smirk on her face.
"Who's this Charlie you speak of? I'm.... The Tickle Monster! Rawrrr!" She broke character for a second to giggle. Lucifer used to use this trick on her when she was sad, so now she's returning the favor! She formed her hands into claws and wiggled them above his stomach. "I'm here to feast!" She growled in a deep funny voice.
Lucifer panicked more, but he also felt a mixture of silliness and pride. It's been a long long time since him and Charlie played together. He thought she wouldn't remember this game. His smile turned wobbly, deciding to play along. "Pl-please, Miss T-tickle Monster! Have m-hehehercy!" He was already starting to giggle.
Charlie broke character again to squee in pure happiness. She didn't actually expect him to go along with this! She clears her throat, putting back on her scary tickle monster persona. "Silence! My meals don't talk!" She dives in, attacking his belly with many scribbles and pokes. "They laugh!"
Luci squealed, bursting into high-pitched giggles. He grabs onto Charlie's wrists, but he made no move to push them away. "Chahaharlie! Ihihit tihihickles!"
Charlie couldn't help but to coo at her dad. "That's the point, ya goober! And that's Miss Tickle Monster to you!" She moved up higher to pinch at his ribs.
The King of Hell's giggles turned into full on laughter. He kicked his feet and squirmed, still not trying to get away.
"My, these ribs give off some tasty laughter! I must have more!" With each pinch she made a nomming noise like she was actually eating his laughter.
Lucifer flushed at the silliness of it all. He had to admit, this was making him feel better. It's been so long since he had a good laugh, and the anxiety from earlier melted away with each "nom."
Charlie stopped to give her father a quick break. "Mmm! Those ribs were delicious! Now I'm craving something for dessert!"
Lucifer froze. He knew what that meant. Still, he didn't want to ruin the fun. He pretended to be curious. In reality, he was preparing himself for what's to come. "What would that be, Miss Tickle Monster?"
"Raspberries!" The Princess leaned down, blowing a huge raspberry on Lucifer's tummy.
Luci went absolutely crazy with laughter! He even let out a few snorts! "OHOHOHO GOHOHOHODNEHEHESS!!" He shook his head, covering his blushy face.
Charlie was delighted by his reaction and laughed along with him. She blew a few more raspberries before deciding he had enough and falling onto the bed next to him. "You alright there, dad?"
"Ihih'm fihihine!" Despite still being giggly he felt great!
Soon enough, they were both taking a well deserved nap.
"That's good. I really did miss your smile too, dad." She hugs him, snuggling into his side.
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n3ptoonz · 5 months
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mk1 dialogues with the outworld guys!
a/n: only some characters will have flirtatious lines, while others i can't stand so they WILL get made fun of (i'm looking at you shao.)
i get reiko has fans, so i pander A LIL BIT🙄i can't with havik tho im sorry i didn't grow up w his character so 🧍🏾‍♀️
for syzoth reader is a demon that can shapeshift cause he clearly got a type (ashrah is so freaking pretty)
enjoy ;p
Rain
you: i like wizards
rain: i don't like being called a "wizard"
rain: you couldn't handle the son of a god.
you: if you mean in a fight, probably not, otherwise, absolutely
you: i don't mind getting a little wet from rain
rain: you earthrealmers sure are painstakingly persistent.
rain: i would never court a commoner.
you: you won't be saying that after this match, i guarantee it (wink sound effect).
Reptile
syzoth: if you're from the netherrealm...do you work for quan chi?
you: when i was brain washed yes, now i am reformed and seek redemption
you: do not be afraid, i am kin to ashrah and share her ideologies
syzoth: never thought i would meet so many demons in this life
syzoth: you see what you like? i mean like you- see-
you: demon got your tongue?
you: i find you adorable in both forms, syzoth
syzoth: hey, that's my line!
Shang Tsung
shang tsung: how could I bring harm to such a fine specimen?
you: the same way i'm about to
you: stop flirting with me, sorcerer
shang tsung: not until you consider my offer of ruling the realms by my side
shang tsung: i wouldn't fight me if i were you, i could split your body into eighths
you: tough talk from a man with a silk press
you: you wanna kiss me so bad
shang tsung: kiss, kill, life is all about wonder
Reiko
reiko: you dare poke fun at the ways of an Outworld warrior?
you: uh, you should've seen how you looked shadow boxing at Raiden, I had to laugh
you: come here often?
reiko: wha- you came to my house!
reiko: you just won't quit, will you?
you: there's just something about meatheads that do the trick
you: kiss me, k-k-kiss me, infe-
reiko: it was ONE drunk night!
General Shao
you: just big and greedy
shao: careful, kung lao might overhear you.
shao: ha! you think your puny little self could win against me?
you: you were bested by a farm boy with a sleeper build. nothing about you scares me
you: reiko did not get his looks from his father
shao: soon you won't live long enough to compare!
shao: if i win, you serve as my consort
you: you actually have to have power first to have such imagination
Baraka
baraka: your flesh smells amazing.
you: thanks, new fragrance I made mys- oh you meant as food.
you: so like, does your mouth ever get dry?
baraka: that is the stupidest question i've ever been asked since my affliction
baraka: every day i wake up in aguish.
you: i asked you what time it was...
you: i would ask you to dinner, but you'd run straight for the civilians
baraka: i cannot help what i've become- wait, ask me to dinner?!
Havik
you: what in the actual fu-
havik: continue and you won't be having a mouth either!
havik: why are you looking at me like that?!
you: i'm trying to figure out just how the hell you and baraka pronounce your M's and P's
you: impressive you didn't die from getting a face full of lava
havik: it's probably the only thing liu kang did right!
havik: don't tell me to relax! i lost half my face!
you: hey, you could chill on the whole realm domination and killing a god thing, just saying
--
a/n: this was so hard to write omfg i don't even like half this list😭let me know if y'all want kameo dialogues either in comments or ask box
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hiskillingjar · 15 days
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love your headcanons <3 Can I have a headcanon about which girls and guys the BTD characters prefer? Lawrence, Ren and Strade
yuh
ren 🦊
ren is pansexual with a capital P but has a feminine preference
so basically, he likes pretty girls and he likes pretty guys
high aesthetic, so if you were goth, e-girl, lolita, high fashion, he'd be so into you
and of course just likes cute girls all around. he's got enough pictures and figures of his favourite anime wifes, that should be obvious
might have...a slight prediction towards chubby girls (cus he's a chubby chaser AHEM)
for guys, he has a pretty rampant affection towards femboys. like it's a little embarrassing how much he likes them (he's decent enough to acknowledge that it makes him MLM though lol)
on the flip side though, he's intimidated and horny-scared of masc guys like strade, and with that comes an attraction (not so much as his fem pref).
that's when his switch brain turns subby and obedient and sweet <3
law 🥀
[TV STATIC]
law is just a little more specific about people they're into
not a type exactly, but law will easily fall for someone who like. makes them feel wanted or listened to or understood....the world is so lonely and it's hard to find connections with other people, you know?
autism4autism, trans4trans
that's not to say they don't have a physical type though
probably likes people who are a little more delicate, can't fight back, can't struggle...
likes shorter people, doesn't care about weight or build though, might even like someone who had a distinctly different body type to them (and like how soft someone chubbier is too)
flower names, flower motifs...would be a real sucker for a cottagecore girlie or a guy in a pair of overalls and hiking boots
it is mostly down to emotional connection for law though
strade 🔨
IF IT HAS A HOLE STRADE WILL FUCK IT
if there isn't a hole HE'LL MAKE ONE
i mean, the only real preference (sadism and Dynamics wise) is him liking people who are a little more meek and shy, but really, if some six foot buff guy wanted a ride on the wagon, he might go for it!
he mostly likes people who are Interesting
piercings, tattoos, he loves (so many stories to talk about!), scars or stretch marks (more things to compare to <3), beast kin or monstrous attributes (now that's cool!)
other than that, he's not picky at all. he's a bisexual stereotype in that he can and will fuck anyone he meets <3
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AITA for being more poetic and vulnerable about fictional ships than I am to my irl boyfriend?
It's basically a core trait of mine that I'm always fixated on *some* pair of fictional guys. I'm also a writer and a pathological content creator, so I'm always got some kind of project or sideblog or something. There's nothing that I care about more than gay romantic love especially *in* fiction because I also love a solid narrative and symbolism, etc - and due to those things, I've always vastly preferred living vicariously through fiction to real life. I tend to essentially kin one character really hard and, through them, be genuinely in love with the guy he's in love with. And my bf definitely knew this before starting to date me because we were friends for like 3 years first (and we've now been dating for 2). The thing is, he used to be like this too, but once he moved in with me and his real life got a lot happier, he basically grew out of fixating as hard as he used to on media bc he no longer needed to live vicariously through it.
He says he understands that it's not something that I'm gonna grow out of and that it's fine. But more and more he's getting upset and genuinely jealous about my current fixation. He all but refuses to watch the show I'm currently into even though it's been a singular obsession of mine for over a year now, though he does read some of the fic I write and look at my sideblog for that show. And sometimes it's fine but other times he brings up romantic headcanons I've posted, upset that I don't ever say/do that kind of stuff for him. Or he'll outright tell me to say "something sweet" to him and when I inevitably can't think of something on the spot, which I NEVER have bc I'm just not that kind of person, he'll be like "[character A] would have something to say for [character B] :((((("
I've tried reassuring him SO many times that it's not a matter of me not loving him, or of me loving fictional characters more, but that I simply am not vulnerable like that in real life and maybe I wish that I could be, but I'm not. I'm not a fictional character, I don't live in a narrative, and I'm way too self-aware, to my own detriment, to feel authentic saying the kind of things that I write about. I'm also in my 20s and I grew up on the internet, as opposed to the middle aged men that I write about. In any case fiction allows a certain veneer between the notion of those feelings and my instinct to cringe. But my bf basically never believes me, and he doesn't say this outright, but he's clearly upset that he isn't enough to make me want to "live in real life." Even though literally nothing and no one ever has been.
As for what could potentially make *him* the asshole: I'm kind of really fucking tired of having to explain this to him. And I hate being made to feel like I'm not allowed to do what makes me happy when it's literally all fiction. I'm literally so depressed any time I don't have a show to be obsessed with and he knows this. I really don't understand why he wants to look at my posts and keep bringing it up when it just causes the same argument every time.
Basically, is his jealousy justified? AITA?
What are these acronyms?
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pupmkincake2000 · 2 months
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Funny how I keep getting comments like this
And it's not that it's harmful,it's that it's just not right whatsoever 💀 all your reasons for them being together are faulty and are things shared between friends aswell.
So, the dude called me and my ship weird while (and I'll keep saying it nonstop) HankCon is the most harmless ship in this fandom.
Okay, we are not saying that people can't ship whoever they want, are we? Especially in this particular fandom? In which most of the ships have no logic behind them at all, yet people are quite fine with those just because they fit into people's standards of beauty and how guy x guy ships have to look like, in their opinion.
So my questions are like those I've seen on twitter: "why do people find it so hard to be silent haters? like genuinely? why is it so hard to see something you don't like and think "ew weird" without feeling the need to tell the person who likes it that you think its weird/bad/gross/wrong ??"
And here's the answer: It's because they need to feel like they have the moral high ground. Actual virtue signalling. Ewww you like this, here's why you're wrong.
And nobody was able to give me an open answer why HankCon seems so offensive to them. And we do not talk about age gap here, it is too ridiculous to bring this up as an argument even. We are not talking anbout father & son issue because canon relationship is still friends, any father & son as well as romance are headcanons. So why those who like father & son are supported and those who love romance and fucking between the character are hated?
In a fandom (with no canon ships, except maybe Kara x Luther) where people literally ship characters with everyone they want?
Someone on twitter also said that the massive increase in self-insert, kinning etc. has created parasocial relationships with fictional charas. It's always happened but it's more now. Any perceived attack (moral or otherwise) on the chara equals an attack on that person's identity.
But I doubt that's the only issue. Although the theory has its place, given the general infantilization of Connor, which, however, is immediately forgotten when people need him to be an adult.
If haters are here to spread morality and justice, why aren't they doing it in other fandoms? After all, as I've mentioned before, there is the Rick and Morty fandom where people ship a grandpa and a grandson and I've never heard of people hating on this ship. Why these people are not among those discussing, for example, the laws of Japan, where a man over forty can marry a sixteen-year-old (correct me if I'm mistaken) if it is really an age gap that bothers the haters so much? But for some reason they chose as a victim a harmless pairing that does not harm anyone and is not even as popular as it was before? Or the goal is to errase it from the fandom spaces completely? If so, I'd suggest those to go outside and touch the grass.
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jahnavisurenda-21 · 26 days
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Haikiyu!||Waktoshi Ushijima X Reader|| Introduction to Dating Him
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These click keyboards are everywhere. Introducing a new character, you can read if you watch Haikiyuu.
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He's firstly usually very blunt, but somehow, you grew to love that part of him. It bothered you at first if you should ask his opinions on different date ideas, or sometimes he was just trying to sneak in a compliment for yourself if you wore a new outfit or a sandal that really suited your style.
You later realized you were worrying about literally nothing, he didn't always open his mouth and shower you with overflowing compliments, or show you off to anyone, but you never felt the need for him to do so.
It was because he was earnest, he gave you literally princess treatment and he was shocked one day,
"I wish I could like you know openly ask your opinions on certain things, but I'm afraid you would find it too clingy or annoying." That one line was sending your body to a nervous breakdown, it was as if oxygen could no longer be supplied to your cells.
For a moment Ushijima said nothing, but then, "I don't think that about you, you look beautiful... in every outfit you wear, even in your pajamas when we are watching movies together, I should have been more honest in letting you know how I feel. I'm not used to this."
You couldn't help but, let your lips curve to a smile of relief and the occasional squealing whenever you read romance novels.
Ushijima's love language was gift-giving and actions, he would support you like an actual iron wall, and he was the responsible one,
He knew how to have fun and goof around, but he also knew where to draw the line,
He's insanely protective, which is another part of Ushijima that makes you blush, he would not stand you getting bullied, or if someone takes their teasing too far.
He has the best hugs to offer you, you feel him as comfort, it's because you know that he is honest, and really kin, if it is a bad day he'll ask you what he can do for you, but, if you need time for yourself, he understands. But, before the day ends, he'll call you and ask you if you're alright again.
You never will question his loyalty. His authenticity. His awkwardness sometimes makes it hard to control your giggles, which gets you death glares, that you've never taken seriously.
He's the kind of man, who would make good husbands.
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skyeventide · 9 months
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taking a stab at the whole valinor trauma rebirth tragedy thing
without getting into the various iterations of mandos throughout its development, the fact that it shares the etymological root with angband (angamando in quenya) or its use as both a prison/punishment place and as the temporary "afterlife" of elves, I think it should be obvious why "mandos cures everything" doesn't work for most people. it's simply narratively unsatisfying. we know that, technically, spirits are solitary in mandos and don't tend to interact with each other, and we know (iirc) that nienna does most of the healing work, when those spirits don't reflect on things by themselves.
healing in complete isolation might work one rare time, but it's otherwise simply not how healing works, how adjusting to a new life works. being way too in your own head is discouraged. healing all your traumas because a goddess did it via magic counseling gives, at best, uncanny vibes, at worst erases the struggle and journey of adjusting, with help, into the life you're actually living. so people either say that spirits can actually meet in mandos and figure things out among themselves, or subvert the narrative and have people come out of mandos either not truly healed or only partially so, and needing the real living feedback of society to exist within it again. a reading which allows mandos to still function as a recovery, but whose achivement is to "prepare" for the journey of spiritual healing, to bring elves back to a stage where they're able to face the circumstances that generated their trauma (aka the living, embodied world, and maybe more precisely even the people involved in it).
this barely touches on the grievances that dead elves might have with the guys who are running this show. this isn't just feanorian followers (or the exiles more at large) who renounced the valar's authority, it can also be the avari, who now either get valinor or they get valinor. it can be the falathrim, who wanted to go to valinor and lost the chance. it can be those sindar who were waiting for a full intervention from valinor, and it didn't come until earendil came around. it's hard to envision healing within a system when the system itself is what you take issue with. it requires a personal compromise, or an acceptance of the system's authority, and that's simply not always possible, nor can fanworks always easily tackle it — which is also why I think fics where living relatives "bully" or like, strongly entreat, the valar into releasing specific elves from death are popular. it's one way of giving that specific problem a solution, though it may in effect be unrealistic. it's less about realism (I for one don't believe the Valar would ever do that) and more about trying to find a way through wanting to see those characters heal without having to bend and accept the system and its authority.
which also brings me to what comes after and the necessary divide, real or perceived, between people who were always in valinor and people who returned to life after conflict.
to put it simply, making sweeping statements about whether amanyar elves can understand the trauma of exiles and other reborn elves is not possible and in itself pretty silly. even the amanyar themselves don't perceive their experiences of trauma and the darkening in the same way! the teleri refuse to set foot in beleriand despite their own kin being there, and despite the fact that noldor and vanyar embark on a valar-sanctioned war. it's pretty obvious that their own internal experiences and cultural understanding of the darkening or of valar authority is still vastly different, that even going by the imprecise and generalising divide of clan, that trauma was processed differently. or not processed at all.
and then, would those who fight the war of wrath understand the trauma of a continent-wide collapse? yeah, surely in a sense they can, they live through it. but can they understand it from the point of view of a sinda who had lived in beleriand all their life and didn't simply come here with the understanding that this was war? who saw their home be destroyed slowly and painfully, and in the end, when the saving arrives, it's a saving with such an immense and heartbreaking price? maybe they can empathise, maybe they can't. the darkening, by the time of the war of wrath, is no viable term of comparison. even among the living, this isn't cookie-cutter.
so what of those who die and return? I think it's obvious, in the text itself, that someone can go through a death, real of metaphorical, return to their old home which has itself gone through some considerable trauma, and realise that no matter if both you and your home have changed, both have bled, you're still unable to readjust to it the way others can. other people who were with you in your journey can integrate, they find old friends and loves who help them in this. you can't. I'm obviously talking about frodo.
it's not the same for everyone and it will never be. and I do feel as though the reading of valinor being in itself unable to take back people who went through trauma is a push-back against the idea that valinor must inherently be blissful, healing, and perfect; but the text presents us many situations where the environment of valinor plants the seeds of dissatisfaction; the fact that it doesn't work as neatly as it seems is at the core of the early conflict in The Silmarillion (even without pointing out stuff like: troubled people, Frodo included, go to the gardens of Lorien in search of that healing and peace of mind that the rest of the land can't actually provide. it's just a land. it's mostly free of toil because there's literal gods providing things, but it's just a land). valinor is not perfect, but its status as blessed realm invites a certain unease in many readers. I believe this unease leads easily to cotradictory and equally extreme positions, ranging from "no one would or should feel out of place after rebirth" to "actually no one would understand the trauma of someone who died and returned".
plus, of course, the obvious: someone's trauma, collective or individual, and how people process it, doesn't somehow erase someone else's and how they process it. the two things can come in conflict with one another, but they're not, like, mutually exclusive.
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vincord · 3 months
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Borderline Kotoko and why.
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(I'm not a psychiatrist, a specialist, or anyone else. Everything that follows is just my own vision of the character as a person with bpd. I like to headcanoning to my favorite characters what I have, especially if I see similarities with their feelings/behavior/relationships. I don't headcanon to the characters and my kins what I don't have myself and what I don't know much about. It's just a hedcanon and you may disagree with it, if you want.)
Since her second MV has been released, I can finally put all my thoughts together and write this post. (thanks to my mutual who told me to post this here. Without her little support, I wouldn't have done it)
I would like to start by saying that it is obvious that Kotoko divides the world into black and white, good and evil, allies and enemies. This is one of the main themes that can be traced throughout Kotoko's narrative. There is no middle ground for her, It's either this or that. This hinders Kotoko in her relationships with others, it hinders her in her relationship with herself and the perception of everything that is happening around her.
A pattern of unstable and intense interpersonal relationships characterized by extremes between idealization and devaluation.
During all this time, it has been shown how Kotoko is able to idealize people or just treat them well, but then push them away from her if they do or say something that undermines her trust in them. She takes a defensive position, because an opinion different from hers is equated with a threat and danger.
"Lucky"
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Kotoko treats the rescued girl quite well only as long as she doesn't read the news.
_ Kazui
The 1st trial. Question 6.
"Who's the prisoner you have the most interest in?" Kotoko: It's hard to say. As of now, if it's about whose character I can't quite grasp, it'd be Kazui with his strong sense of intellectual curiosity.
The 2nd trial. Timeline (2022/08/05)
Kotoko: ……Mukuhara Kazui. Thanks to you, I wasn’t able to properly serve justice to those who did something unforgivable. I’m currently acting as an agent for our prison guard Es. Don’t get in my way next time. Kazui: Oi oi, don’t be silly, Yuzuriha-chan. There’s no way I could just look away from your outrageous display of violence. Anyway, even disregarding the fact violence against those voted guilty isn’t a part of Milgram’s system, what you’re doing is just acting recklessly based on a broad interpretation. As long as I’m free myself, I’ll stop you. Kotoko: ……what a pointless argument. Hmph. Since Es forgives you, I have no choice but to forgive you myself too. If you to keep to your words, then you’d best do what you can to keep being forgiven. If you’re not, then next time you’ll be one of my targets.
She is interested in him and communicating with him. They really have common topics to talk about and maybe they could even get along. But he does something that she doesn't like and is directed against her and her ideals. Kazui stands up for those whom Kotoko planned to punish, thereby turning her against himself, despite the small number of common themes that seemed to make her a little more loyal to him. This act alone is enough for her to instantly begin to see him as an enemy, not an ally. _
Es
Kotoko's idealization and disillusionment with people are best manifested in her relationship with Es. In the beginning, she offers them cooperation, seeing that Milgram is somewhat similar to what she adheres to, only to push them away when her opinion was not agreed.
The 1st trial. Voice drama.
Kotoko: Some scenes.. you can only see it in a cell. Because you and I are the same, always observing the other prisoners.
Es: Kotoko. A person like you.. What have you planned? Kotoko: Heh. Me, I want to be like you. There's no way I can tolerate sin.
Kotoko: To be honest, I don't know your true intentions. And I don't know whether you are a similar person with similar thoughts. Who knows, maybe it's just my delusion of wishful thinking.
The 2nd trial. Voice drama.
Es: Listen to me. You're wrong. Kotoko: What? We've decided to work together, so i've become your fangs.
Es: That's enough. We have different views on it. I'm not continuing to work with you.
Beginning. They make it clear to her that they disagree with her and consider her wrong.
Es: Kotoko. I will not do what you say. I will determine the way i see both sin and punishment as i want it. It may seem wrong from your point of view. And that's understandable. I'm pretty aware of it.
Kotoko: How ridiculous... It's always like this... All of you weaklings always act like this... All of you enjoy seeing someone getting hurt...
Kotoko: You keep asking for it, but as soon as it happens near you by your own choice, you all start complaining and evading your responsibility... You're always like this... Always such idiots!
Kotoko: You have no power, and yet you make no effort to gain it! You're talking about justice, but it just doesn't make sence! You're invested in people's disasters, yet you take a position of "i have nothing to do with it"! You can't even face your true selves!
Ending. After they disagree with Kotoko, she instantly forgets everything she said before. Now they are no longer similar people with similar interests. Now Es is the exact opposite of that. _
It is also worth recalling that since her birthday in 2022 to birthday in 2023, Kotoko has never contacted any of the other prisoners. She isolated herself from her surroundings for quite a long time, only to then offend them all. She didn't trust any of them before, but now, when she sees that no one agrees with her, she has done everything to build a barrier between them and herself.
Most people with BPD react sharply to rejection, disagreement with them, actions directed against them, and so on, which they can interpret as betrayal and something that threatens their own safety. Sometimes it doesn't matter what a person has done or said. The reaction to this can be strong and vivid. ___
Transient, stress-related paranoid ideation or severe dissociative symptoms.
Here I focus only on paranoia and stress. Kotoko doesn't trust anyone, she's always tense and wary. Even in simple conversations with prisoners, she may feel threatened and something directed against herself. Actually, there is already a post that would fit this point and which is a little more detailed. It says more about PTSD, but still.
The 1st trial. Timeline (2020/05/30)
Mahiru: Hey, Kotoko-chan. There’s something that’s really been bugging me, so do you mind if I ask? ……how do you style yourself so well? Have you always dressed like that? But it also looks like something you’d wear for training. Do you play sport? Ah, or maybe some kind of martial arts? Kotoko: ……you really are carefree. Everyone in here is a “murderer” right? Is this really the time to be asking questions like that? Mahiru: Hmm, I guess so. That’s what they said. But nobody here seems particularly scary or anything, right? If I had to pick someone, then maybe you’re the scariest! Ah, wait, do you do like yoga or something? Kotoko: ……I can’t tell if you’re making fun of me or are just an airhead.
The 1st trial. Timeline (2020/07/09)
Kotoko: Kazui, you do martial arts right. ……what type? Judo? Kazui: Ah, my main is…… judo, and kendo. I also know a little bit of karate. You must have some martial arts experience too, right, Yuzuriha-chan? I can tell by looking. Hmm… probably a combat type…… I’m guessing not karate…… is it Taekwondo? Kotoko: ……I’m not telling you. Stop ogling me like that. It’s gross. Kazui: I-isn’t that a bit unfair?
+ Literally this moment.
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___
Inappropriate, intense anger or difficulty controlling anger (e.g., frequent displays of temper, constant anger, recurrent physical fights) +
Emotional instability in reaction to day-to-day events
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or
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or
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In both of her MVs, from time to time there is a sudden transition to wolves, the red moon and Kotoko's inner world, during which she gives free rein to her emotions. It's like emotional outbursts and outbursts of aggression, the appearance of which you cannot predict, which is why they cause damage both to the one who has them, and, perhaps, to those who are around.
Not that I can say anything about symbolism, I don't think i understand it. But since this is my post and my headcanon, I can interpret what is happening the way I want.
For all its secrecy and unsociability, most of Kotoko's outfits are quite open, compared to the outfit with the red jacket. When she's in this outfit, she's either in her inner world, or with an emotional outburst, or hurting someone. Wearing a hood is an attempt to protect yourself from the outside world and the people around you, to keep all your emotions to yourself, which are already suppressed. Kotoko, with her hood up, is cold and aloof from everyone. She builds a kind of wall between herself and the others. When she removes the hood from her head, she breaks down these walls, allowing a bunch of different emotions to break out and mix.
I would also like to mention how she sounds in her second voice drama and second song. She goes from emotion to emotion and pretty quickly. The way she quickly goes from laughter to intense anger, from intense anger to utter despair and is on the verge of tears, only to then return to anger again, and then suddenly quiet down. ___
Identity disturbance with markedly or persistently unstable self-image or sense of self +
Chronic feelings of emptiness
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The 1st trial. Question 1
"Just who are you?" Kotoko: Yuzuriha Kotoko. Someone who plans to fight for your sake. Well, that depends on you too, though.
Kotoko doesn't perceive herself as a person, but rather as a tool to achieve a particular goal. Someone who will do the dirty work that others won't do. She has a first name, last name, age, and that's all. Her whole definition goes through her own ideals, which she desperately clings to and clings to. Kotoko's views are radical and in most cases don't imply compromises. She's either a hero or nobody, so she always needs a reason to follow her ideals and do everything according to them.
Otherwise, there will be nothing left of her. ___
What can I say at the end? Well, this is my headcannon and that's it. I could have forgotten something, made a mistake somewhere, or not completed it. It's hard for me to keep track of it.
Kotoko is one of my favorite characters and some of the things related to her evoke a strong response in me, even if these things show the negative side of the personality and cause a pang of guilt/dislike. It's like you're being shown those disadvantages of yours that you're trying to ignore.
I like to think that she crushes a lot of emotions inside herself, trying not to let them escape. I like to think that sometimes she's afraid of herself, and sometimes she's not. Her cooperation with someone is both a feeling of being needed, and avoiding loneliness, and a moment of socialization. But she can't stand it, because any little thing or the wrong word triggers a survival mode in her head, which is why she builds high walls between herself and the environment again.
I have a lot of thoughts about her. I just wanted to pour at least a small part of these thoughts out of my head into a relatively structured post and that's all. Thanks for reading it. I've been carrying it all in my head for quite a long time and I don't want to wait for the release of her answers to the questions, you know...
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bonefall · 5 months
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Willowclaw Nightcloud sparring buddies to lovers slowburn send post
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[ID: A headshot Willowclaw from Warrior Cats. She's a fluffy gray cat with deep, reddish amber eyes and white highlights.]
Background characters that mysteriously vanish between books that I get to give brand new personalities to, my beloved
She's allegiance-only. We know nothing about this woman. There's a Missing Kit statement that she got her name for being a "Fierce Fighter" and that's it. So obviously I'm obsessed with her and I'm giving her stuff to do in BB <3
I might have do the Sparring Buddies to Lovers slowburn or I might just have them remain friends... but in any case here she is. A future buddy of Nightcloud. Girl who has positive opinions on Nightcloud but never really said anything until Nightcloud reached out.
Are you READY for RANDOM INFORMATION THAT I COMPLETELY MADE UP FOR HER? LETS GO
She LOVES kibble. It's her favorite food. She can't even begin to try and recreate the dish at home because then it would be known that she regularly takes food from humans.
Willowclaw is known as one of the strongest warriors in WindClan, but also one of the most secretive. She barely talks and her Clanmates gossip about her a lot because she's so mysterious.
She secretly speaks a fair amount of Seamew because she does hang out with local barn cats and loners. Yew probably learned some Clanmew from her.
That's also where her three kits came from, various local toms. She claimed Queen's Rights of course.
Those kits are Furzepelt, Boulderfur, and Dewspots.
(I wish I could give Dewspots some kits of her own too... but WindClan has sooo fewww catsss)
Her family is 100% different from the Missing Kit statement; her mother and father are Robinflight (prev. Robinwing WC) and Whintail (prev. Gorsetail TNP), her brothers are Owlwhisker and Weaselfur.
Willowclaw is probably slightly older than her brothers, and she looks NOTHING like them. I'm not sure if she was adopted or if one of her parents had an affair but I don't think she's completely related to Owl and Weasel.
Aftergathering attender. Brings kibble and drives a hard bargain to any cat who's curious about what crunchies taste like.
When she's in camp she's usually training, likes border patrols.
She's known as a loner, but she pulls her weight and isn't CHRONICALLY absent so she's left to it.
Anyone who talks bad about her can get clobbered if they want; she's not afraid to exercise her Right to Challenge.
Honestly though? She has good opinions about Nightcloud (strong, hardworking, polite, yet not a total pushover), but she thinks Breezepelt is a bad egg. She's not entirely unfounded in that opinion either-- Furzepaw was Breezepelt's apprentice, and he brought her into the Dark Forest with him. Furzepelt later runs off with him and Sunstrike to join The Kin, too.
(her relationship with furze was... strained. She loves her daughter, but blames most of her problems on Breezepelt. She doesn't understand why she can't just be like Dew and Boulder.)
Meanwhile HARESPRING, blessed boy, mentor of her sweet boy BOULDERFUR, is going to make a wonderful deputy because he has learned from his mistakes. Thank the Stars it wasn't Crowfeather.
She's one of the few cats who fins Crowfeather absolutely INSUFFERABLE. Egotistical little freak. It's no wonder Breezepelt turned out the way he did, when Crowf is SO full of himself. She was popping the FRESH kibble when Onestar stripped him of his Honor Title and exiled him for a while as Just Crow.
But, these opinions, she keeps to herself. Willowclaw rarely does more than react with a smug smile or a grumble-- and she CERTAINLY doesn't get involved in politics. Which is a shame because she's strong and senior enough to be considered for the role of Deputy, but she's really not a leader.
When she makes friends with Nightcloud, she'll be in camp a lot more, almost like Night's "melting" her shell a bit. It's met with baffled rumors from the other WindClan cats. Was it really THAT easy? Nightcloud just asking to hang out with Willowclaw more? THAT'S what got her to be more social?
"Yes," She deadpans, side-eyeing anyone who's still talking, "Maybe they just weren't interesting enough."
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neversetyoufree · 1 year
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Looking back through the first couple volumes of VnC, it's wild how much of what Vanitas does in early chapters is nothing but a series of transparent attempts to put himself in control when he feels uncomfortable. You don't notice the first time you read it, or at least I didn't, but he's really quite obvious once you have the knowledge of what subjects he's sensitive about.
I've touched on this before, but I think Vanitas's biggest defense mechanism is theater, specifically playing up his own power/unpredictability in order to make everyone around him uncomfortable. "Vanitas" is a character that he plays, and he weaponizes that character against others when the man behind the act feels threatened.
(Now that we're under the readmore, here's your warning for a VnC-standard amount of discussion of sexual assault).
Even starting in his very first scene in chapter 1, when we've yet to see Vanitas get anywhere close to vulnerable or upset, we get a hint of how he operates. His first attempt to get Noé away from Amelia isn't to physically fight him—it's to play sinister and deliver a vague threat.
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He could have gone straight for the knives, or he could have told Noé the truth that Amelia herself was dangerous and urged him to get away. But that's not the person Vanitas is. He doesn't talk things out with honesty, and he doesn't resort straight to violence unless he's really over the edge. He threatens and plays up his dangerous persona to get what he wants.
He even uses the very same line with the security guards later in the chapter, playing sinister again to escape arrest because he might be screwed otherwise.
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He's pretty much never authentic pre-catacombs, but moments like this where he dials up the act to achieve something show how in control he is of his own inauthenticity. And he never takes advantage of that control more than when he feels threatened, be that threat physical (like the security guards) or emotional.
When Noé asks him about how he inherited the book of Vanitas in chapter 2, something we now know is a sensitive secret, Vanitas immediately changes the subject. He gets in Noé's space, acting borderline flirtatious (and he often does get flirty as part of his persona), then returns to the topic of Noé being his shield (which is an act in itself, given how he really reacts to being protected).
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It takes one poke to the chest and a couple of sentences to switch the conversation from "Noé insists on knowing Vanitas's sensitive past" to "Noé has to deal with the mysterious, overbearing Vanitas's whims," which is just how Vanitas wants it. Playing up his demanding, in your face side buries the threat of an uncomfortable topic.
Then, when Dominique suggests that he worships the blue moon during the bal masqué, we get a much more extreme incarnation of this same behavior. Domi's words threaten to undermine a huge part of the narrative he's built for himself as Vanitas, and they do so by dredging up a truth that he wants desperately to keep buried. He might not worship the blue moon, but he really did love Luna, and being reminded of that throws a big wrench in the narrative of his revenge against them.
He cannot handle having his narrative undermined at this point, and especially not by a reminder of Luna, who is arguably the most sensitive part of his whole tragic backstory. So he freaks out, and freaking out for Vanitas means throwing himself into his false persona as hard as he possibly can. He grows sinister, speaking darkly before breaking into maniacal laughter that startles Dominique and her attendants. Then he hurls his constructed narrative into public view, revealing himself and ensuring that every vampire knows his claim of "wanting revenge."
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Nobody's going to forget the human that leapt onto a chandelier in the middle of a ball, revealed himself to be the kin of the blue moon, then swore his vengeance against that very kin, and that means nobody else is going to misunderstand him like Domi and dredge up the truth: that he never really hated Luna.
Going manic and theatrical like this is a defense mechanism, and it's one that ensures not only that Domi stops hassling him, but that, hopefully, he'll never even have to consider worshiping the blue moon ever again. It's a total rejection of an idea that made him uncomfortable, achieved through theater. It also takes a situation that was quite out of his control, his being chained up by Domi, and turns it into a scenario that he engineered, where he is in absolute control of the crowd for at least a few moments.
The best example of all this though, the time when Vanitas combines every form of weaponized persona I've talked about into one awful act, is the scene in which he forces a kiss on Jeanne.
As I mentioned before, Vanitas often plays up his flirtatiousness as part of his persona. He does it with Jeanne quite often, and he does a (usually) subtler version of it with Noé a few times as well. It's a great way to change the subject and make throw people off their game without resorting to threats, and his treatment of Jeanne in chapter 4 is an extreme, but not too surprising incarnation of this same flirty habit.
He might be attracted to Jeanne, but attraction alone is not a reason to force a kiss on an unwilling stranger while ending a fight. Vanitas kissing her was, as much as any other moment I've referenced here, an instinct to protect himself and gain control of a situation that otherwise threatened him.
Winning the fight or not, Vanitas is in a tenuous position in terms of control when dealing with Jeanne. Jeanne is an incredibly strong opponent, and she managed to withstand both a bite from a curse-bearer and a direct stunning hit from the Book. Vanitas has played all of his cards, and his only insurance that she won't murder him immediately is Noé, a man he barely knows, successfully keeping Luca hostage without realizing that's what he's doing. These are not great odds. He's also extremely attracted to Jeanne, and though his initial attraction to her isn't nearly as distressing as his full-on infatuation in mal d'amour, being weak to the sight of her represents yet another loss of control.
Then Jeanne tries to sacrifice herself. She tells Vanitas he can do anything to her he pleases, so long she can protect the child she's devoted herself to watching over, and there is no way on Earth that this moment isn't a trigger for Vanitas, because he once did the exact same thing. He's already in an unsteady situation, and then she reminds him of Misha and his own darkest moments, which means that conversation has to end immediately.
"Please don't hurt him," is the last thing Jeanne says before Vanitas flips suddenly from threats to advances, and his face when he gets close to her is manic.
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So when Vanitas gets uncomfortable, what does he do? He changes the subject wildly, suddenly making the whole situation about him and his fickle, unpredictable moods and unreasonable demands. He cranks up the character of the wild, demanding, show-stealing Vanitas to eleven. He kisses Jeanne. And even though it's a cliche line, the fact remains that sexual assault is never really about the sex. It's about power and control. Vanitas does wild things and plays up his persona as a clutch for control when he's uncomfortable, and this is that to an extreme degree. This kiss gives him the power in their interaction.
Plus, the specific bad memories that Jeanne unintentionally triggers for Vanitas are all about bodily autonomy. His own "do what you want to me, just don't hurt the kid" moment was protecting Misha in Moreau's lab, which led to physical violation after violation. It was a complete loss of his agency and autonomy. And his memory of Misha is also deeply tied to whatever happened with Luna's death, and given the possibility of his being made their kin without consent, that memory may also be one of the loss of autonomy.
This scene is Vanitas not just getting triggered, but being reminded of his loss of control and ownership of his body. It makes a twisted kind of sense that the resultant clutch for power and control comes via him forcing his body onto somebody else. He manufactures a situation that is all about bodily autonomy, but he has all of it and the source of danger has none. And he does it all while stealing the show and rerouting the topic as he always does.
Just like so many other actions he takes early in the series, his most reprehensible moment is just another desperate grasp at control. He has to be threatening and showy and unreasonable. He has to be the kind of man that announces himself as savior to a room full of powerful enemies. The kind of man can force himself on a powerful woman like Jeanne. Because if he doesn't drive home the act well enough, somebody might gain access to the horribly vulnerable person underneath.
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evelmiina · 2 months
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Hi, Eva! Love your works so much! How did you develop your shape language? Do you also simplify shapes as what we see in your illustrative works when you do studies from life/movies/any resources?
Hey thank you for your message! Glad to hear you like my works When I study I will definitely simplify the subject just to be able to draw/paint it, but I try to be aware of not stylizing too much from the get go. I do have my own biases though and there's habits and sometimes strong inclination to draw certain way. Like the way I use some tools I'm familiar with. I usually make decisions on the fly, like sometimes I want to draw very stylistically from reference and other times I think there is something interesting but I set out to figure it out while I draw it. I think when I really try to be focused and observe earnestly what I see it helps me to imagine better and come up with new shapes and ideas. I've noticed it's important to me to not expect too much from a sketch or exercise, or it turns into something performative where the focus shifts from my desire to do things and figure it out, to expecting someone to see it and being evaluated. Anime and feeling of movement whether it's animation or dancing and acting have definitely influenced a lot in my shape language. I'm aiming for certain level of clarity and design without losing freedom. I always feel like it's kind of battle between emotion and discipline in myself, or having sort of contradicting approaches too. I think I have distinctly western influences from storybooks, golden age illustrators and animation but I don't particularly follow western animation design principles like line of action or squash and stretch. I always feel like I don't want to say "too much" or that some expressions and designs feel too descriptive to me. Not to say I don't like or admire it in other people's work because I do, it's just that I have strong sense of what feels just right amount of ambiguous to me that is hard to explain. I think anime character shapes are more defined by symbolism and graphic composition of the drawing in frame than western characters and that appeals to me. It is more kin to comic panels whereas western animation would be more closely kin to film composition. Obviously there is variety and overlap but that is what initially influenced me.
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relatableblorbopoll · 5 months
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Round 1 of preliminaries, group 6
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The first two places get a place on the bracket
Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket
propaganda under the cut
Jesper Fahey (Six of Crows)
No Propaganda
Crowley (Good Omens)
"He's gender. He's been in love with one guy for literally 6000 years and then royally fucks up his entire confession. He yells at his plants. He drapes himself over every fucking surface he sits on. He walks like *that*. He just fuckin makes sounds sometimes. He's me fr."
Dave Strider (Homestuck)
"everything that can be said about Dave's relatability will probably sound redundant, clichéd, or overdone if you are at all familiar with tumblrs sort of blorbo culture. this is exactly why he should be in this tournament.
stop me if you think that you've heard this one before: he hides his genuine emotions behind a persona, deflects sincerity with jokes, but also has a deep desire for validation and connection, so that his persona has many cracks where little bits of his true self slip through. deeply insecure, compares himself to others. a defeatist streak, avoids responsibility. does not wish to be troubled by The Horrors. he just wants to hang out and do his lil creative hobbies (making music and drawing comics). talks a lot to the point of being pretty awkward, rambling, and accidentally saying stuff he shouldnt.
all these things I think tend to resonate deeply with a lot of people, especially on Tumblr - that "person who is insecure and struggles with emotional openness so copes by making jokes" sort of trope, it's just like kin bait (affectionate). he also has a complicated relationship with gender which I know many find relatable (shout out to the "Dave homestuck was my trans awakening" homies) but whether it's about figuring out gender or sexuality or trauma or the apocalypse or anything else, Dave comes at it with an initial, learned, fear and reluctance that I think a lot of people have experienced, because it's very human and very much a part of many readers experiences (we live in a society). but he's always good, and likeable and that makes for a very important sort of relatable character. very comforting. even if he's a mess and he's an idiot you can believe he can get to something better, and you can watch him develop and grow.
also, I think he's extremely relatable because he never really knows what's going on in the comic either. I mean, that's gonna be relatable to most people Vis a vis homestuck. he's confused and he just wants to vibe and make his friends laugh. WHO AMONG US cannot relate?? I do not believe you if you say no.
I wrote too much and got way too weird about it. I'm sorry it's late I'd edit down but I really don't have the brain capacity.. which is very Dave core of me actually"
Junior (Total Drama Presents: The Ridonculous Race)
"i relate to him a lot because his whole character is being embarrassed of his dad who tries too hard to be cool, but still loves him anyways. that is literally me"
Kim Dokja (Omnicient Reader's Viewpoint)
"kim dokja. oh kim dokja. so, without going into spoilers too much, kim dokja is very much a character you are expected to relate to and it makes the novel DEVASTATING. here's just a few things about him: - he is obsessed with a particular piece of media, and finds comfort in it when real life doesn't give him any. he's constantly thinking about it and defending it and trying to recommend it to other people (even though no one else bothers reading it, because it is an objectively bad 3000-chapter webnovel). even beyond that one novel, he's been using fiction as an escape for just about his entire life, something that rings true for a lot of people, especially in the modern world. - he struggles with socializing with other people. the first chapter alone gave me so much second hand embarrassment. it's so real but god it's So bad. he has zero friends and has that sort of loneliness where you're miserable but you can't really bring yourself to feel anything but resigned to it. in general he is just very Resigned to his unfortunate life and can't fully understand or accept it when it finally does get better - he has a complicated relationship with his mother. it's the kind of relationship where the parent genuinely does love their child, but they fail to give them what they need & have to accept that they hurt their kid and that they cannot be the most important person in their life. it's certainly not a universal experience but those sorts of parent-child relationships are woefully common but scarcely acknowledged -the insecurity. god there is so much insecurity in that man. it's hard to even completely tell it's there at first, because it's so ingrained in how he thinks that you don't question it until you know more about his character and suddenly it's all too apparent. he cannot believe that he can be loved (or, if that he can be, that they certainly would not be able to love all of him, only what he chooses to show them), and is selfless but like. the literal meaning of the word, where he will throw away all of his being for the people he loves. in general there is a lot of sacrifice as a love language which like. while i'm not off around throwing myself in front of magic death beams for people or anything i sure would give up everything i could if it meant helping the people i love - ok enough of that. here's some funny things i can relate to. the guy meets his favorite fictional blorbo and instead of worshipping him instead he bullies him constantly and internally complains about how unbearable he is both in the book and in real life. it's like a "i love my blorbo. i would not last 2 seconds in a room with him." You know. he gets so caught up in his fanon characterizations and biases about characters that he completely mischaracterizes them like constantly. he literally kills a guy half because he was his least favorite character. -this is a poll about blorbo relatability. therefore i must mention that kim dokja too related to his blorbo (or at least attempted to) and what is more relatable than that. anyways. kdj made me realize far too much about myself and is by far the most i have ever related to a character (and i Hate it). and tumblr would definitely relate to him too so :thumbs-up:"
"(SPOILERS) He is literally all of us. Reader. Just some guy. And then insane tragic backstory. But he’s also just some guy. He’s special and also just a guy. He’s also god. He can be shipped w anyone. He has versatility and interests and motivations. He also never tells anyone anything ever. He is so me."
"He reads a trashy, long-ass novel as a coping mechanism and doesn't think he's capable of being loved. Bro dissociates when he's emoting too much."
"I'm a homestuck fan, a Dave Strider fan even Never heard of Omnicient Reader's before Voted for the kim fellow because judging by the propaganda it looks like he himself would be a homestuck reader therefore making him more relatable than the homsetuck character himself"
"This guy’s been my companion since I was 11, I’ve grown up with Omniscient Reader’s Viewpoint and I think that’s pretty funny since he grew up with Ways of Survival (the 3149 chapter novel) and therefore I’m straight up mirroring him. I, too, scare everyone off by being too enthusiastic whenever the webnovel is brought up! His insecurities are severe but I do see myself in some parts of him (which is worrying but whatever.) He is absolutely The Guy Ever. Utterly pathetic wet cat of a man. I love him. He represents the crazy fandom tumblrina in all of us."
Donutella (Tokidoki)
"she's made of donuts basically like me at this point"
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