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#i read the whole damn original comic

caustic-crow · 8 months

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you good dude? you're posting a lot of homestuck in 2023. i'm not mad, just concerned

I need you to know, anon, that I just wheezed for three minutes straight. I cackled. I was unable to form proper words. fuck. yeah man I'm so in the shit. @witch-of-stem handed me homestuck and it rewrote my entire brain with dave strider. yeah I'm good just fundamentally changed as a person and I can never be who I was before. fuck.

#this will do nothing to ease your concern #legit tho yeah im fine #homestuck just literally rewrote my brain #i read the whole damn original comic #and then had an identity crisis so hard i realized several things about myselx #its so chill #thank you anon i needed that laugh fuck it was so funny #“im just concerned” killed me like yeah man i would be too #im saving a screenshot of this

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decepti-thots · 5 days

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okay well ACTUALLY i will elaborate on my Whirl feelings. fandom tends to parse 'I want my hands back' as Whirl very specifically being upset he has claws, because they are assumed to be less functional, and broadly that he wants a body which is not empurata'd again. but as I said in this post, we know people who underwent empurata can get new hands and faces- perfectly good ones. tarn used to be damus and damus was a victim of it too, and they got the guy a whole new body! there's no way that with ratchet as autobot CMO, he would not be insistent that they make time and find resources for any empuratee who wants new hands or a new face at SOME point throughout the war. let alone now it's over.

but they would be new ones. the point is that when whirl says 'i want my hands back' he doesn't (just) literally mean 'i want hands again instead of claws', or even 'i want the original hands i was forged with back'. i would argue he means he wants to go back to the person he used to be before the shit he went through beat him into a new shape he hates. (because whirl reeeeally hates himself. we are literally introduced to him during a suicide attempt as his defining character moment, i mean…) but he can't, because that's not possible, and getting new hands won't magically make him the person he was when he was a watchmaker even if it'd make it easier to make watches again.

and that's why whirl doesn't get new hands or a new face! because it's scary to admit that doing so doesn't make him the person he once was again, and if he did it and was still the same damn person, it would be that ultimate proof that nothing he does will ever acheive this. it's safer to remain as he is in a body he hates than to change it and not actually have solved the underlying issue.

it's also why he rejects the offer of ratchet's hands in LL #25. at that point, he has been able to accept the person he now is and will always be going forward, so they no longer carry the same symbolism. sure, that means he could choose to take them without fear, but it also means he can reject them as not really necessary anymore, and i think it makes the most sense for whirl's arc that he chooses the latter, tbh.

(sidenote: especially worth noting we never actually see if whirl can't make watches with his claws. he can at least make clocks! i've seen people suggest you can interpret it as him actually being perfectly capable with his current frame and he doesn't want to admit it and learn a new way because *points at above*, and honestly, intentional reading or not, i fully buy this. i like to imagine post-canon, he's perfectly good at making them with his current hands, because now he's not so hung up on all that baggage that teaching himself the necessary new techniques is unbearable to consider like it was before. this also has the bonus of mitigating some of the comic's uhhh. confusing? messaging around forged/constructed stuff and disability, so i'll take it.)

#i don't talk about whirl as much as some characters but pound for pound #he just is one of the BEST characters in the comic imo #just such a solid throughline that rewards paying close attention to him #idw #whirl #meta

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ikroah · 2 months

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I have reached the breaking point, the point of no return, it’s very clear to see a fool like me will never, ever learn. I have reached the breaking point, I hear the drums of doom, I’m gonna flip my wig in one great big atomic boom! —“The Breaking Point,” Bobby Darin (1966)

It Keeps Right On a-Hurtin’ #27 - Ring-a-Ding-Ding VI

Collaborative Issue! Guest Artist: @sas-afras

«« First | « Previous || Next » | Last »»

Read IKROAH on Archive of Our Own

Notes / Transcript:

Notes

Huge thanks to Monty over at @sas-afras for getting this one done! I handled the original layout and lettering, but the rest was all them. Layouts like this can seem simple and easy because of how straight-forward and repetitive they are, but when all you've got are a dozen and one reaction shots, every single one of those reaction shots needs to be as perfect as you can get them. And Monty did a hell of a job. Especially on the coloring! Monty, if you're reading this, you're a hell of a good colorist (on top of everything else). Thanks again!

Another note about this issue is that it, along with the previous one, were some of the most difficult to write in this whole damn comic so far. I really hate repeating in-game dialogue verbatim without good reason, but there's really not much else I could do here. It's a very necessary part of the story that is also literally a part in the game where your character is fixed in place listening to a monologue. I took some liberties, did some punch-up, not just for its own sake but to really drive home what I find most interesting and vital here about Mr. House as a character.

Anyway, Agnes is in trouble. And there's only one issue left in Volume 2! The next one closes out this arc of the story, at long last. Stay tuned.

Transcript

INT. LUCKY 38 BASEMENT. From an observation deck of sorts, AGNES SANDS watches several SECURITRON robots position themselves in a testing area, containing several sandbags, dummies, and makeshift fortifications. A voice booms from an unseen speaker.

MR. HOUSE: You're well familiar with my Securitron police force. But have you ever wondered: what exactly makes them the marquee option in perimeter security and pacification?

AGNES glances in the direction of the voice, uncomfortable.

MR. HOUSE: Well to start, the reinforced titanium alloy housing of each unit, which protects its electronic core, easily deflects small arms and shrapnel.

MR. HOUSE: As for its offensive capabilities, its X-25 gatling laser—produced to spec by Glastinghouse, Inc.—is deadly against soft targets at medium range.

SFX: BZZTZZTZZTZZTZZT

AGNES recoils as a red glow washes over her from the testing area.

MR. HOUSE: And then for close-range suppression or crowd control, the Securitron is also armed with a 9mm sub-machinegun.

SFX: DAKKA DAKKA DAKKA DAKKA DAKKA DAKKA

AGNES shuts her eyes, wincing from the crack of gunfire.

MR. HOUSE: These features have been sufficient for keeping the peace within Vegas, but with the NCR and Legion closing in on Hoover Dam, and sizing up my city like a piece of prize cake, more than ever we need to be prepared for, well...external conflict. Policing is one thing, but when geopolitical powers are involved, my Securitrons can only pose so much of a threat.

MR. HOUSE: That is...if they're forced to rely exclusively on their secondary weapons--as they have been, all this time!

AGNES looks upward, surprised.

MR. HOUSE: Remember, the Great War interrupted a pivotal moment for RobCo's work. Consequently, all extant Securitrons have been stuck, running on a mere Mark I operating system—the first production version of the OS—which has simply lacked the software drivers for the use of their primary weapons all this time!

AGNES looks around, as if HOUSE were in the room somewhere and she could find him, in a panic.

MR. HOUSE: The platinum chip, you see, was never just a token. At a time when industrial espionage ran rampant, it was minted as a high capacity, proprietary, and uniquely irreplicable data storage device. In a way, it's more like a computer chip. And now—with the data from the platinum chip finally installed onto my nextwork—it's time for a very crucial software update. Behold: the new Mark II Securitrons!

AGNES gawks downward at the testing area, eyes wide. Oh no.

MR. HOUSE: Their newly accessible M-235 Missile Launcher gives them the ability to engage ground and air targets at significantly longer ranges...

SFX: PSSSSSHHH KTHOOM THOOM THOOM THOOM

AGNES flinches, covering her face for protecting, and screams as explosions rip apart the testing area below.

MR. HOUSE: ...and their rapid-fire G-28 grenade launching system, another part of the Mark II, makes them much more powerful in close-range engagements as well.

SFX: THMP THMP THMP KRRSSH KRAKTK KABOOM

AGNES, nearly frozen, watches the bombardment with horror.

MR. HOUSE: It also includes rewritten drivers for the Securitrons' auto-repair systems—although always sophisticated, the new optimizations render them inexhaustible in even the most protracted and attritious of engagements. Altogether, the Mark II upgrade confers a 235% total increase in combat effectiveness per unit—and it's all because of you!

AGNES lowers her arm slowly, jaw slack, mortified.

MR. HOUSE: Vegas finally has an army—worthy to protect not just the city itself, but the best interests of all of mankind, at home and abroad. Which is to say: this simple display of might remains a mere teaser for what I can, and what I will, accomplish, in an illustrious new epoch.

AGNES sinks further into a paralytic terror.

MR. HOUSE: What we will accomplish, Agnes—should you accept my offer, of employment. Ah—but I digress. I'm certain that you've had a long day. You can rejoin Miss Cassidy in the presidential suite for the night, if you'd like to, as they say, "sleep on it."

MR. In fact...say for as long as you'd like. However long you may need, to think everything over. And you'll be very well provided for in the meantime, consider it a taste of what could be...should you make the right choice before you.

MR. HOUSE: That reminds me—I've already sent Victor to collect your belongings from the Vault 22 Hotel, so no need to exhaust yourself further by making that trip on your own, hm? There's much about your future to consider, Agnes—and I would like you to think of it as our future.

AGNES stares straight ahead with a deadened expression.

The testing area in the basement has been reduced to smithereens. Fires rage on the rubble of obliterated structures, gnarled steel, and collapsed walkways. The dummies have been dismembered entirely.

MR. HOUSE: ...Goodness, what a mass. With friends like these, I sure wouldn't envy my enemies.

MR. HOUSE: Wouldn't you agree?

#fallout #fallout new vegas #fnv #mr. house #courier six #agnes sands #it keeps right on a hurtin #ikroah archive #volume 02 #27

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sucker-for-shifters · 3 months

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For Day 4 of GtWAC:

Share one of your favorite scenes from a creator.

~~~

I was tempted to put the whole thing, so I’m putting the whole thing.

I’m obsessed with this little comic by @might-be-tiny-gt, and for good reason! IT’S FREAKING AMAZING! (Also because I wanted to share something that wasn’t fandom stuff for a change. XD)

Even though there isn’t any speech at all, and most of the text that you read is on the potion bottle itself, it conveys all sorts of emotions so well, just from expressions! Also, the attention to detail is just astounding, and, admittedly, I’m kind of jealous of their art skills. XD

But to be serious, it’s also relatable as hell. Sometimes, you just don’t want to deal with people and have a low social battery/energy for anything. It’s the G/T equivalent of a spa day, and I’m totally here for it.

Also this comic from @eightyuh. AU be damned, this simultaneously made me go “Aww~” and bawl my eyes out. Like DAMN, it’s both well-written and WAYYY too relatable. (Also, please, for Pete’s sake, read the original story. Not only will it provide more context into their relationship, but it’s just a damn good story in general.)

#g/t #giant/tiny #gtwac #writer appreciation #g/t writing

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thewertsearch · 10 months

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GG: so anyway, that reminds me ive got to talk to john! GG: ive got to get him to make me some new gizmos… TG: no dont bother john TG: hes on like his fuckin TG: wind mission or whatever [...] TG: in any case egbert lost his computer and game disc TG: so he cant do anything for you anyways

I honestly didn't think that was going to be a problem. Dave's Turntop had Sburb preinstalled when he alchemized it, so I assumed John could make another Sburb machine without the need for a disc.

Maybe John just didn't save the code for his computer. Damn it, Egbert!

TG: we just have to think outside the box here [...] TG: [...] honestly i figured wed have to do something like this TG: so i guess here we are doing it GG: doing what?? [...] TG: i need you to deploy something first [...] TG: deploy the intellibeam laserstation

Ooh, I remember that thing.

I originally thought it was a turret - but a turret wouldn't help Jade recover her Sburb devices.

Maybe it's a range-extender for the Sburb Server program, allowing Dave to move his cursor from Rose's house to Jade's, and deploy her gear himself.

TG: it reads captcha codes GG: on the back of cards? TG: yeah GG: but GG: we can already read those! TG: some are too garbled and complicated TG: the human eye cant decipher them

Captcha codes! Hell yes, it's been so long since we've done anything with the Captcha system.

I did always hope that we'd eventually be reading the 'locked' codes we occasionally saw in earlier Acts. The Laserstation breaks one of the final limitations of the Alchemiter, allowing us to duplicate forbidden items like pumpkins - and, notably, Sburb discs.

It also allows us to perform alchemy with these objects. We may have just unlocked some very, very powerful items.

GG: but isnt the whole point of captchas that only humans can read them? GG: and not robots???

Cackling right now.

TG: so the solution to the anti piracy measure is to override the anti spam measure [...] TG: cause god knows the last thing youd want was some web bot being able to figure out the code for like TG: a potted plant

The idea of Sburb alchemy being automated by computers is fascinating beyond words - it just begs so many questions.

Can a computer take on the role of a Server Player, or maintain a Grist Cache for itself? Can an AI be a fully-fledged Player, created in the Veil and sent to Earth on a reinforced hard drive?

We're pretty deep into the comic now, and I can say with a reasonable amount of confidence that Homestuck isn't going to go there - it's just not what the comic is about. But I'd love to read a fanfiction which dealt with ideas like this.

TG: basically robots are in control now TG: which is good news and bad news TG: the bad news is theyre all pornbots and theyve got LOADS of provocative material theyre just dying to share with us GG: whats the good news? TG: thats also the good news

This page came out in 2010

#homestuck liveblog #full liveblog #act 5.2 #s89 #3024

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2deadkat · 25 days

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i'd love to hear ur complaints abt modern geronimo! If u'd like to share that is

Thank you for asking anon, I’d love to share and you have inadvertently entered the dragon’s den/lh

But fr tho, it’s a lot. It’s mostly pertaining to the writing.

The reason why I hate modern Geronimo is in the biggest nutshell possible, they screwed up the original dynamic for the Stiltons, a majority of the books is just one big game of Geronimo torture porn between the other characters, and overall a lot of wasted potential for unique interactions between the wider cast and the rest of the Stiltons as its limited to just Geronimo himself. Hell a lot of the plots could have the input from the other Stiltons if they were brave enough. And there seems to be a new character every few books and there’s no rhyme or substance to it anymore. Since when did trap reproduce???

And you’re telling me von Volt has another relative???? Yk at some point you just stop reading the books. Oh and do not get me started on the Thea problem…

Let me start with the Stiltons real quick, somehow they got worse by watering down their personalities to a bunch of cheap jokes.

What made the classic (or early) books work was that the whole point of Geronimo’s character is that yes he’s a wimp, but that’s because he’s a tired boss who gets dragged into his family’s shenanigans, and by extension his friends and allies around him. Everyone has some eccentric personality that shocks or baffle him in some way, and that’s where the comedy comes from. He’s able to stand on his own because of his duties and eagerness to stay in his comfort zone is where the meat of the interactions come from.

His family especially Trap and Thea were meant to be respective foils to him. Trap consistently bullies him and Thea is meant to be the direct opposite of him, she’s the driving force in the group and has more pants to cover up what Gerry doesn’t have. She’s the one behind a lot of their adventures or scoops, hell she’s also the one who keeps finding them in the first place and drags her family and connections into them which makes sense because that’s her job and also where a lot of the plots start from. She fills out the spots that Gerry doesn’t have. Trap is just pure comic relief and is basically that outside force to the group. Hell the two even have a dynamic of their own where’d they just fight over the most trivial things and that makes us side with Geronimo more because of the ridiculousness of his family, that’s what made it click (to me). Highly recommend you read the early books, it shows the strongest character imo (#1-20).

Now Geronimo has all his autonomy stripped away and he’s been reduced to a nothing but a punching bag for everyone around him. I hope I’m not kidding here but try reading a classic book (let’s say #7 or #26) and compare it to the writing in a modern book (let’s say #46 or #74) it’s very jarring. They put more emphasis on different ways his day is ruined and give him no room to breathe or stand on his own. There’s just no charm to that anymore. There’s no fine line with his relationship with the other characters (Run for the Hills Geronimo is probably the worse one and represents everything I don’t like about the new dynamic)

Now over time that initial draw to action is also done by Trap, which I thought was cool because it still plays into the idea of Geronimo’s family dragging him into their shenanigans and the motives make sense to him specifically. It’s like he keeps getting calls from his relatives on schemes which is fun. But the more you keep reading the modern books the dynamic gets skewed over time and here’s the part I’ve been waiting for…Thea gets shelved completely. And now it’s somehow the GOD DAMN GINGER BROS SHOW?????

Now I think about it, Trap used to be a lot more clever in the classic books as well, he’s essentially a bumbling fool who keeps falling into the wrong situations to make a quick buck which slowly backfires on him. If you know me that well you know I’d call him a less scummier Grunkle Stan. The fact that there’s no Thea to balance it out or at least ground the dynamic to some level feels really annoying now.

You don’t really see much of her anymore as she’s either smiling at the back or doesn’t say more than five lines anymore, which is baffling because she’s the one who can pick up the pace the most. I really wished they showed more of her involvement again…They’re a trio, not a duo…and the books are suspiciously phasing her out to make room for the ginger bros fail routine and it ultimately feels very empty…there’s not much acknowledgement or involvement from her really like they could say she’s busy at mouseford or something but nope! Shelved completely without an explanation or a missed opportunity for a tie-in mention.

So far the only redemption I see is the Mayan Mystery one and the Soccer one where she had a more integral role which are way more recent but it still bothers me that they just shelved her for a majority of the modern run.

Listen if the modern books weren’t cowards she would SOLO all these people

she’d probably have an interesting dynamic knowing that she gets along with everyone well and is technically an adventurer. It’d be such a good parallel to her brother to play off of.

hell it’s even worse in the comics. Like there’s legit no acknowledgment of her at all, when trap is absent that gets an explanation but she’s just suspiciously…gone and the only time she does have a major role is when she’s used as a fake mask for a psyche-out to the villains (I’m sorry but if the comics are gonna pull that shit then I’m baited to believe that Thea and (cat lady) would have a homerotic switcheroo fight akin to Ms.Bellum and Sedusa. SHES THE TOUGHEST AND SMARTEST RODENT, USE HER GODDAMIT)

Idk man I tried reading some of the comics and it never worked out that much, again the dynamic feels suspiciously empty with zero acknowledgment. It’s not the Stiltons it’s just the fucking ginger bros for some reason. It doesn’t feel solid like it used to. I really can’t get into them which is a shame, and tbf why would I want to read a comic where Geronimo goes back in time and helps a colonist do his thing 💀

I’d be very happy if someone here can give me one good reason to get into them somehow, I want to like modern Geronimo, please/s

Look if there’s one character I don’t mind them putting in complete absence it’s probably the unaccompanied minors/s…Or Petunia which makes much more sense since she’s a family friend!

Look I actually like Ben and Bugsy as a duo, I think their whole concept is really wholesome, but the books don’t really push their parts that much, like there’s no meaningful interaction they have with the adults which is a lot of missed potential that or it’s just limited to Geronimo. Like listen I get that the whole point of the books was that it was from Geronimo’s perspective, but it’s not like everyone else was just “present”. They had more active roles and Gerry would just write all his observations down. You want a good example? The Mona Mousa Code.

Still…Benjamin had more charm and a bigger role in the classic books…that boy can hyper fixate and master niche skills in anything and was the emotional rock for Geronimo. But now he just goes along with his uncle being a punching bag routine :/ and I KNOW they could do a lot more for Bugsy here, especially since the paws are practically family friends.

—-

But you know…I’ll do give it credit here this era has one of my favorite art styles in the series and notably the one I grew up with the most (classic books illustrations still hold more charm imo) but the way action and expression is illustrated is just *chefs kiss* there’s a certain bounce to it that makes it so memorable.

And I’ll do admit all those geography facts (even if it’s just basic facts I mean it’s a kids book) and long detailed lists or charts about a characters detail is really cool and somehow makes it more immersive.

And it’s really nice to see the universe get expanded.

But overall, the writing is not the same anymore, the original dynamic is screwed up, and lots of missed opportunity to round up the cast together. It’s either empty or I’m just getting too old…Maybe I’m just nostalgia-biased in different areas who knows. But that’s pretty all my thoughts I can pull out.

#I now understand how it feels to be a Simpsons or a SpongeBob fan #I would not be suprised if the modern books are written by ghost writers #I could use this in a four hour long video essay #I would if tempted hard enough #thinking about what a friend said I wonder if this would expose the way I characterize the stiltons #been holding this out for a while and also I’ve been busy #trying my best not to fume at the mouth #hope you like me rambling Anon #Keith answers #mouseposting #geronimo stilton #thea stilton

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brawltogethernow · 9 months

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I actually misremembered who made the suggestion; this is @heyyoufriendthere (orange⬇️)'s fault. Plaintext with annotations below the cut.

This is the very picture of an intellectual rights fracas Comics will warp to be like films as fast as you can say "huzzah" But when a megamonopoly swallows up the competition It yanks our blorbos back and forth in an ugly retcon perdition When only Fox can make a movie about the Fantastic Four, The Disney-owned comic office will shove the Four right out the door Until the Disney studio absorbs those rights and then you'll find The comics are suddenly awful sorry they left them behind(1) Then in the instant comic fans begin to cheer an awful lot The news comes in from Bleeding Cool(2) the writer is that fucker Slott(3)

Oh yes when comics warp to be like films and leave you quite agaw This is the very picture of an intellectual rights fracas

When Disney didn't have the rights to film the X-Men and their friends The Inhumans were their idea to have that same magic again But absolutely nobody could give a damn about their deal There was a gas or something uh, the Moon? Nobody cares get real EXCEPT for Ms. Marvel, the only Inhuman breakout success They want her all over the screen at excited public behest Oh yes when comics warp to be like films and leave you quite agaw This is the very picture of an intellectual rights fracas For years the MCU was not allowed to say the word "mutant" They twisted themselves into pretzels out to recoup every cent The silver screen had two Quicksilvers purely for dumb spite reasons With roots in even dumber masturbatorial rights reasons(4) Wanda and Pietro had their sixth or seventh origin retcon(5) To fit the "No More Mutants!"(6) edict corporate decided upon Then Disney bought the M word back for 73 billion bucks (A number that should make you want to strangle all these greedy fucks)

Oh yes when comics warp to be like films and leave you quite agaw This is the very picture of an intellectual rights fracas

Now suddenly it's mutant city all over the comic line They let the X-Men start a sex cult; also they can never die With no need for Inhumans they admitted that they're pretty cringe And nobody will ever give their lore a proper reading binge The MCU made Kamala a mutant like immediately Faster than you can say "bad adaptation" or "brand synergy" In short order the comics gave her the murderization hook In such a hurry it wasn't even in her own fucking book(7) Now big surprise she's coming back on the fucking sex cult island They gave it less than one whole month before they played their fucking hand So Kamala's a mutant now(8) and got a shitty mourning book(9) Which when she's coming back NEXT MONTH you might call a pretty bad look

IT'S TRUE WHEN COMICS WARP TO BE LIKE FILMS AND LEAVE YOU JUST AGAW THAT IS THE VERY PICTURE OF AN INTELLECTUAL RIGHTS FRACAS

~ (1) "At the time, we were told that the Fox-licensed X-Men books weren't to be cancelled as they made too much money for the publisher, but the FF as a middling sales solo title could be missed without hurting the bottom line."

From 2014, when Fox was preparing its 2015 release of Fant4stic, until Disney's film branch recovered the rights by absorbing Fox, the FF were conspicuously absent from comics. The Fantastic Four book was discontinued for the first time since 1962 (for most of those decades they'd supported multiple titles at once) along with all associated merch tchotchkes. By 2017 there was a Twitter hashtag, #WhereAreTheFantasticFour. If you want to hear some people be driven slowly insane by this, Stormcast had a segment called Stormwatch where they analyzed any Johnny Storm appearances in a given month. We're talking deep analyses of single panels.

(2) I know I just linked them, but part of the joke is Bleeding Cool's weird place in the geek news ecosystem. They report everything first, so for the first week you know something you can't strictly confirm it's actually true.

(3) I don't have time to enumerate Slott's crimes but we hate him. Source: Dude trust me👍

(4) How A B-List Hero Became Hot Hollywood Property Fox could adapt him because they had the rights to all mutants, and Disney could because they had the rights to all Avengers. Some characters are both because the comics didn't use to care about this. This is the entire reason the MCU introduced a Pietro Maximoff and then killed him off. Like seriously who kills off one twin. No that was not based on any comic story.

(5) They're not currently Magneto's kids in the main comic line. Everyone hates this.

(6) This is a cheap reference to the comic storyline "House of M".

(7) They killed her off in Amazing Spider-Man (2022) #26 and none of her supporting cast was there.

(8) Kamala Khan to Return in “Ms. Marvel: The New Mutant”

(9) Look at this thing:

WHO are those anonymously multiracial teens and what are they so goddamn happy about?

Bonus

#marvel #is this #filk #ms. marvel #kamala khan #franchising in a world that hates and fears them #xmen #essays #fantastic four #f4

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adorkablecringeworks · 10 months

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That Color Looks Good on You

~The Kissing Prank~

| First | Next | Previous |

This is my first ever fic!!! For many years I’ve attempted writing. Most never made it past the notes and plot outlines while a few never made it past the first paragraph. My main medium for my creativity has always been drawing so this is a HUGE deal for me!!! Especially since any of possible skill for creative writing I had apparently died back in high school. Thank you and I hope you enjoy!❤️

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Pairing: rottmnt x gn!reader

Warnings: Mild swearing

Summery: You show off your new lipstick to your favorite dork, Leo. After a series of events, you and Leo come up with a plot for a perfect prank. You’ll ambush every one of his siblings and smother them in kisses with your new lipstick all the while Leo films the whole thing. Let the Shenanigans Commence!

Author’s Note: I originally came up with this as a Leo x Reader. But the way the story progressed, it can be read as any rottmnt x reader as well as either romantic, platonic, or familial. The same can be said for the gender. I was putting on my own lipstick when I thought up this scenario and I thought ANYONE CAN WEAR LIPSTICK!!! So gender neutral it is! Writing in the 2nd person made it easy too.

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Part 1: -The Beginning- Neon Leon

You are excited about your new lipstick.

Berry pink.

Not too light. A deep shade without it being too dark.

Putting on the final touches, you admire yourself in your bathroom mirror. It made you feel strong, confident, Dazzling!

“Whadda ya think?”

You strike a pose in your bedroom doorframe, framing your face with your hands. You have returned from your shopping trip and eager to show off your spontaneous purchase. Your favorite mutant turtle ninja lounges on your bed with his snout deep in the newest issue of Jupiter Jim: New Universe H2G2. Not only is he claiming your space as his own… he’s out right ignoring you.

Leonardo Hamato. Your other half, partner in crime, bestie, your first mate. Although Leo would beg a differ on that last part, claiming that since he’s the only one with pirate experience that you would be HIS first mate.

Eeeehhh… Tomato Tomahto.

The point being that you and your Neon Leon give April and Donnie the run for their money for the ‘Besties Awards’.

You deadpan at him. At this point in time, you’re thinking about accepting new applications for the Bestie role.

Meanwhile, that said comic (that is apparently Soooo much more interesting than you) was the purpose of your errand. A favor for him for it was sold out online and the one comic shop that still had it in stock was for pick up only. Donnie had gotten caught up in his newest project, something about a portal device to alternate realities, alternate selves, (other Mad Sciencey stuff) and Apparently forgot to preorder the damn thing. That particular shop just happens to be down the block from your apartment as well as you are the ‘bestest-most-awesome-supreme-person-ever-and-he-loves-you-sosososo-much’.

So much for being the ‘bestest most awesome supreme-’ so on and so forth.

With a huff, you pick up a hoodie you left on the floor, balled it up, and chucked right into Leo’s head. With a ‘THWUMPH’ and ‘hurmf ’, you pounce on him, snatching his comic from his grasp (carefully for you just bought the damn thing), setting it to the side during which you grab your pillow and whack his still covered head.

“I was joking!” He cries out as you laugh maniacally. “I heard you I heard you!”

Fully satisfied with his punishment, you stand up and plop to the side all the while you let him get his bearings. Leo finally frees himself from your shirt and throws it back on to the floor simultaneously sticking his tongue out at you.

Such a drama queen.

You roll your eyes and return the gesture whilst you adjust yourself to sit facing your Leo with him doing the same, finally takes in your lips.

“I like it.” He nods approvingly, “Muy Bien!”

You grin so big your checks begin to ache. But then you notice your turtle going quiet, grabbing his chin as he goes deep in thought.

“You’ll hurt yourself if you keeps that up.”

You know to well how clever he is but that doesn’t mean you won’t give him a ration of shit. It’s in your job description.

It’s Leo’s turn to roll his eyes.

“I was just thinking on about how it would look on me.”

You lean back on your hands and squint at his face for a moment. You then pull out your lipstick form your pocket to hold the color bottom sticker up to him.

“Hmmm I don’t know… I think something more of a red shade would be better for you. You know, to match your moons.”

You love those moons.

“Are you kidding?!” The Bratticus Maximus snatches it out of your hand, “I can totally pull this off!”

You gasp and quickly reach for it back, but Leonardo (being a stupid fucking turtle ninja) easily keeps it out of your reach. Keeping you at bay by smooshing his hand against you cheek.

Where’s the respect?

Then a wicked idea creeps into your mind. You drop your arms and let them hang for a moment causing Leo to pause. You switch your effort. Grabbing his wrist, subsequently tearing it off your face. You then yank him towards you, pulling his face close to yours.

“Well then let’s try it out shall we?”

You lean in, planting a firm kiss to his cheek with an exaggerated ‘MWAH’ .

You take in his face for a moment as he gapes at you.

“Hmm I can’t tell, I need a larger sample size.”

A mischievous grin spreads across your face and in turn Leo balks. He’s on to you. You both are on the same wave length. Even though it isn’t possible, everyone swears you two can Mind Meld together. He goes to shove you with his free hand but you catch that wrist as well, leaving him open.

You attack.

Smooching all over his face, leaving kiss marks in your wake. He cries out as you leave no spot uncovered.

You fall back and admire you work while your dear slider sits there stunned

“I guess I was wrong,” you release him, “That color does look good on you.”

Leo bolts up and dashes to your bathroom to assess the extent of the damage during which you almost fall to the floor cackling.

You await his return, biting your lip, trying to stifle your giggles. However, you fail when he appears back in your doorway.

There Leo’s tries to put on his best sulk (adorable really), crossing his arms as you devolve to wheezing. But who’s he kidding. You got him good. Plus watching you turn blue in the face and on the verge of passing out is pretty hilarious in on it self.

He returns to your bathroom and you're able to gather yourself enough to follow. He give you his signature smirk once he sees you in the mirror where upon poses with his finger and thumb in the L position to under his chin.

“I told you a could pull it off .” His smugness oozing off of him as he looks over himself again. You swear you saw sparkles.

You’re finally able to get yourself under control and you meet his gaze in the mirror as you come up from behind him.

“Yeah ya did stud muffin.” You shoot him a wink. “That’s a good look on you.”

A furious blush blooms across your favorite blue boy’s face to which he responds by bumping his hips against yours as you pull up next to him. In turn, you bump back, pushing him over to make room for you in the mirror.

Chuckles are shared and you lean towards the mirror to reapply your lipstick.

There’s a moment of comfortable silence as you focus on the task at hand while Leo watches you. You and him share glances between each other through the mirror when a plot begins to form. Your shared glances become knowing ones. Insouciantly, you turn to face each other, Leo crossing his arms as you lean against the counter.

Your wicked grin returns to which the leader in blue bares one to match.

Once again, evidence that supports the conspiracy that both you can Mind Meld.

“Sooo…?”

“Sooooo…?

“We should show my brothers how good I look.”

“They’ll be sooooo jelly. We should totally include them so they don’t feel left out.”

Nonchalance is evident in your voices as you converse.

Leo reaches into his pouch to pull out his phone, his brows bounce up and down as he holds it up between you two. Your brows return the gesture in agreement. So, with your lipstick and his phone in hand, you both set off. At your front door, the true blue slider casually opens it and stands off to the side, bowing while holding his hand out. You play along, responding in a curtsy before placing your hand into his. The two of you are barely able to contain excitements check as you both leave your apartment.

You and Leo soon arrive at the lair, ready to set you plan into motion.

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Please remember to reblog every post you enjoy for that is how exposure on Tumblr works. It’s how Artists and Writers here survive. Thank you! X3c

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thagomizersshow · 10 months

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Content warning: blood, gore, sexual content, sexual assault, parasites and body horror

This is a heavily modified version of an essay I originally wrote for a literary theory class and then turned into a script for a video essay that I never finished.

Enjoy :)

One of the things that really bothers me about the critical conversation around Alien (1979) is the long-running idea that the alien and its various forms are so enduringly horrifying because they break the sexual/gender binary.

The worst example I can find is this excerpt, from Alien Woman: The Making of Lt. Ripley, by Ximena Gallardo and C. & C. Jason Smith:

The Alien species disregards the sexual difference that is so essential to our definition of what it is to be human. The male body is repositioned to correspond to the female body: the male mouth becomes the vagina, the chest the womb. The dichotomy male/female is broken down, as all humanity is female (a womb) in the face of the alien.

I get that this was published in 2004, but Gender Trouble had already been around for over a decade, so that’s not much of an excuse for weird ass gender essentialism in academia.

Art by AlexanDraxleean ↑

The idea that the xenomorph and its various stages are scary because the gender binary is being broken down is comically disregarded by the simple fact that trans people (like myself) ALSO find the damn thing scary. We are living embodiments of a shattered binary, but we aren’t shitting ourselves over our own existence (usually). I contend that the alien is scary not because of a violation of gender or sexual norms, but because it utilizes a much more widespread and visceral kind of horror: that of the parasite.

Most other animalistic horror monsters rely on the fear of the predator: monster wanna eat you → you run away → get caught → get eated. This is an oversimplification, obviously, and if you want a really good exploration of how the fear of predators effects us, read Val Plumwood’s Eye of the Crocodile. For real, my fav ecophilosophy book.

No, instead of the more straightforward horror presented by the predator, the alien uses the inescapable, cloying, and violating horror of parasites and parasitoids. Where the predator hunts, kills and eats, the parasite clings, defiles and tortures. When the predator catches you, you’re dead. When the parasite catches you, you don’t know what is going to happen. Is it going to bury inside you? Is it going to feed on your body? Is it going to lay eggs in you? You literally don’t know, and that’s what makes them so scary. Hell, they could get inside you without you even knowing. It isn’t just the fear of death, it’s the paranoia of violation AND the fear of the unknown. This makes Alien akin to a Lovecraftian horror in many ways, but instead of the fear of race-mixing or disabled people, it is the fear that whatever you do, wherever you go, there are beings that can enter your body and use it against your will.

Hell, the whole premise of the movie, at least according to the screenwriter, came from the thought “what if ichneumon wasps laid eggs in us instead of in worms?” That basic idea is glossed over constantly in analysis of Alien in favour of more Freudian explanations that rely heavily on antiquated notions of gender essentialism. When early screening audiences were throwing up in their seats in 1979, were they thinking about how “this monster really transgresses gender norms :/” or were they thinking “fuck what if that thing was growing inside me?!?!”

The only time I agree with these old school interpretations is when they view Alien through the lens of sexual assault. The fear of sexual assault and the fear of parasites are fucked up sisters in a way. They are both fears of bodily violation that induce a strong paranoia, and their symbologies easily feed off one another. Sexual imagery (e.g. a penis shaped head with a mouth on the end) combined with parasitic imagery (e.g. a creature grabbing a hold of you and doing unknown things to your body) are both niggling at the part of your brain that is repulsed by internal invasion.

However, I’ve seen arguments that Alien specifically targets fears for cis men being sexually assaulted, and I think that’s a very limited approach to the movie. The idea of a creature latching onto you, ignoring your autonomy, and using you as an incubator is pretty universally scary if you ask me, and I think for most people, that idea connects to a primal and often unaddressed fear of parasites far more than sexual violation. Just look at videos of botfly maggot removals and tell me you don’t get the same yucky feeling as when you watch Alien.

Even for people like me who find these creatures fascinating, I still get that skin crawly feeling when I look at images of them for too long. And it isn’t just a short-lived disgust reaction happening, it’s also that feeling of paranoia that it could be happening to you right this minute. This is all a part of what is called the behavioural immune system, which is the brain’s first line of defense against infection and why most people are grossed out by signs of disease on the body (pus, rashes, body odours, etc.).

We really don’t like thinking about parasites, and it shows across our culture. Deadly predators of all kinds have been worshiped all over the world, but is there anyone in history who paid fealty to the tick? Who invoked the name of the roundworm for strength? Are there cartoons about anthropomorphic scabies and their kingdom of flesh? (If any of these exist and I just don’t know it, please tell me.)

I’m not saying that this is an innate feeling in all of us (the human experience is about as diverse as it gets, and I’m sure some people just don’t have this reaction and never have) but I do think it’s widespread enough and so infrequently felt that when this parasite repulsion is triggered it makes for a horror that is far harder to shake than any socialized fear of gender violation. Far more than any Freudian psychosexual imagery, the horror of the parasite is what I believe has made the xenomorph such an enduring cinematic monster.

I wanna leave this post off with one of my favourite quotes about parasites from Annie Dilliard’s book, Pilgrim at Tinker Creek:

It is the thorn in the flesh of the world, another sign, if any be needed, that the world is actual and fringed, pierced here and there, and through and through, with the toothed conditions of time and the mysterious, coiled spring of death.

#crit tag #movies #alien

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untitled-gem · 10 months

Text

Everything we know about Fionna and Cake's first episode!

As you know, the episode was just shown at San Diego Comic Con. I thought I'd make a helpful post to let you all know exactly what we learned about the episode.

All the information will be from user HypraSeaPea on Twitter, who attended the premiere.

WARNING: This post contains what some would consider to be spoilers!!! It's important to note that there WAS essentially a play-by-play of the episode in the AT SubReddit, but as far as I know, that has been removed. I did not read it as to not spoil myself, and this post is mainly HINTS at what's to come, not a full recount.

The episode is apparently a lot different to what a lot of people are expecting, and VERY GOOD

According to this user, the reason why the descriptions of the series have all been pretty vague is because it is a case like 'Distant Lands: Together Again' and it would essentially spoil the rest of the plot.

The show has light swears such as 'damn' and 'Jesus', however we don't know which characters are saying them.

It has been described as a 'departure from the original series but still feels like Adventure Time, with lots of little references like Distant Lands'.

We don't know what time period it is set in yet, since it is a different universe.

Gunter makes an appearance! (It could be because of the Ice Thing-like sword)

The episode references the original AT episode 'Fionna and Cake and Fionna', but in an unexpected way.

The episode was around 25 minutes long

There was not a title card like the original series, but there was a credits animation.

It has an intro sequence, although it's unknown if it was for the show as a whole. It contains a lot of quick cameos.

The episode was rated a 10/10 (if the payoff is good). It seems like this episode was just quite a lot of buildup.

The one second snippet from a while back wasn't in the episode, but it's possibly from Episode 2

There was a cameo of Flame Prince/Princess early on (possibly within the intro)

Episode 1 is very centered around Fionna as a main character. Cake still has a major role but it doesn't seem to be so much from her perspective.

The swears, specifically the use of 'Jesus' is thankfully done in a way that makes sense, and these swears don't replace the already used AT swear words like 'Glob' etc

Marshall Lee seems to be in it! And he also seems to be voiced by Donald Glover!

Finn and Jake didn't seem to have any involvement, which isn't surprising

Prince Gumball's voice has reportedly been changed

BMO has at least a line in the episode, still voiced by Niki Yang! Their 'Come Along With Me' room is also seen in it briefly as a reference it seems

Simon did not appear in the first episode. It's assumed that he will come up later, possibly in the second or third.

There were lots of the gender swapped characters, and lots with speaking roles besides the main two.

There were also some new gender swapped characters that we haven't seen before.

Apparently, this episode also includes a character we've only seen one time before.

In this episode it is also apparently revealed that Fionna's last name is Campbell, as opposed to Finn's which is Mertens. This is the genderswapped world so this makes sense

Marshall Lee seems to play quite a big part in the first episode

Flame Prince does make an appearance!!!!

I'll be updating this from time to time to include any details I missed!

#adventure time #fionna and cake

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racefortheironthrone · 5 months

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Considering superhero comics predate the invention of spandex, when did the idea that superhero costume are made from spandex come from?

Great question!

To answer this question, I first need to backup and do some history about fin-de-siècle strongmen and the origin of the "superhero costume" as a distinct cultural concept. In the late 19th/early 20th century, circus strongmen were not just huge draws but celebrities and cultural icons in their own right, part of the whole obsession of anxious masculinity in that era, along with the emergence of bodybuilding and quite a bit of racist eugenics (think "Passing of the Great Race" stuff) about how industrial civilization was making white men effete and degenerate and thus vulnerable to the Other.

However, the strongmen had something of a fashion problem: in order to do their shtick, they often wore close-fitting silk tights and shirts in order to show off their musculature, and these had a tendency to split when they were flexing. This could run the risk of leaving the strongmen hanging in the wind, as it were, so they adapted by putting on wrestler's unitards over their tights to keep themselves under wraps.

Throw on a cape, and you literally have the archetypal superhero costume. But if you take a look at how these costumes look on an actual human body, they're not literally skin-tight. You can see some muscle definition in places, but there's also visible wrinkles and folds at the joints and other places where you need more flexibility. It's just not quite there yet in terms of evoking the whole George Sandow aesthetique.

And then in 1958, spandex was invented as a much more elastic fabric that could be truly skintight without splitting, so you could really see the musculature much more clearly. Add this to the expanding and increasingly professionalized and advanced culture of postwar bodybuilding, and people's expectations about what their superheroes could and should look like began to change. Thus, starting in the Silver Age and into the Bronze Age, superheroes start to look a lot buffer and their costumes look a lot tighter so that the reader can see every damn muscle (and curve) on superheroes' bodies - because artists and editors and publishers realized they could make more money by making comics that were a bit sexier, thanks to the magic of "spandex."

Now this gets us into the economics of the comics industry and changing generational cohorts, but as we passed from the Silver Age to the late Bronze Age, you started to see a shift from comics artists who worked in comics because Jews and Catholics weren't welcome in the Art Departments of Madison Avenue, to comics artists who worked in comics because they had grown up reading comics and learned to draw from comics.

This had an impact on superhero costumes, because the older artists tended to be plugged in more to fashion and fashion art and thus drew superhero costumes as clothing with real three-dimensionality to it and the younger artists found it easier and faster to just draw familiar superhero bodies naked (with "spandex" as the figleaf) and then put in a few lines showing where the costumes end - and this easier and faster style that turned up the dial on allowable sexiness was more profitable for the companies.

Once you get to Jim Lee, Rob Liefeld, Todd McFarlane, and the other "Image Kids" of Nineties Comics, the spandex-ification of superhero comics had reached its peak because now the hot new trend was stuff that wouldn't work even with real-world spandex, hence the phenomena of the boob sock and the logical extension of the swimsuit/bikini for superwomen to the battle thong.

So ultimately it all comes down to the combined pressures of culture and economics.

#comics #comics meta #superhero costumes #silver age #bronze age #nineties comics #cultural history #superhero comics #marvel #dc #marvel meta #dc meta #image comics

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unlikelyjapan · 9 months

Text

s2e6 rewatch notes - part 1

I'm breaking this up over two days (for length, clarity, and my own mental health) - I pause and scribble my way through scenes as I go, so there may be a few repeats here and there.

Natalie's bereft face in the opening, attempting to disassociate but failing miserably because that's not her coping style. She obviously doesn't even smoke by the way she's holding the cigarette, she just does it because - much like working inside a commercial kitchen - it's the only legitimate excuse for a break from the chaos. Both she and Mikey act like they've just exited the fog of war (because they have) and - unlike Carmy - they've never had the emotional or material means to escape it.

Sugar's "No one can make anyone else act a certain way" comment to Mikey - it's very clear that they perceive mental illness from very different angles. Mikey admonishes Natalie for her check-ins as an attempt to blunt/control Donna's outbursts, and Sugar's skepticism of Mikey's strategy of just riding the lightning/ignoring the outburst (while acknowledging that he and Carmy have more success, but she attributes most of that to being the female middle child of a grievously ill female narcissist).

Carmy coming out = a hot mess of family dynamics. He asks Mikey (innocently enough) to come in and handle the crowd by being "fun cool guy" and Mikey assures him that he will, but with a vacant look in his eye (no wonder this man was on drugs, what other choices was he afforded?). Fak is literally yelling indistinctly inside, upping the chaos, as Richie bursts outdoors amidst the three siblings to ask if "there's any family shit going on that he should know about".

Along with just trying to be ok themselves, these three adult Berzattos are a magnet for every other wayward adult-child who needs a home to reckon with their own trauma, and their inclusion becomes their problem as well and only ups the frequency of the despair. Mikey literally makes space for the three of them by dismissing Richie "for a minute", and you can tell that's not normal protocol.

"Would it kill you to pick up the phone?" - Carmy is already wounded by Mikey more than 4 years before his death. You can immediately tell by Mikey's earnest response (along with his previous discussion with Sugar) that he was just keeping Carmy at arms length to ensure he never returned, to spare just one of them from a life of hardship. In spite of everything else we see about Mikey and how poorly he manages his trauma in this episode, he is an inherently good brother who started early in inciting loathing in the person he loves above all others just to save him.

I wanted to peek behind the "Our Mother of Victory, Pray for Us" bit, as you know damn well it wasn't selected by Storer by accident. The whole idea is that Mary, the Mother of Victory "pleads our cause with a mother’s heart and concern with whatever we bring her. Confident that Our Lady’s prayers are always heard we pray"

I may be reading too much into this, but that's a whole fuckton of power projected onto Donna. Even though it's said in jest, its maternal compassion and mercy that was never extended to the Berzatto kids. It could also be seen as "only Donna's prayers are heard and answered" (through the placating and emotional gymnastics performed by her children) so they utter this little prayer to her as much as they do to God - for control, for relative calm, for the day to simply be ok. They know better than to expect much more than that.

What is the actual point of Fak and Ted? I mean this narratively. I know that the Ricky actor who plays Ted originally worked on the set of The Bear in S1. Did the producers think they had an awesome "boys club" vibe and just plop them in as chauvinistic comic relief? Or is this part of a long-con? Do Fak and Teddy embezzle all of The Bear's money and retreat to Hawaii or something? Right now it's giving "Matty Matheson needs to sell more cookware" and I need a reason for this set-up, as the rest of the players offer more than enough relevant chaos to the episode.

Also, when they ask "Mrs. B, are our skateboards in here? Can we sleep over?" as Donna is cycling in the kitchen - Matty Matheson is in his 40's, so he time-traveled back to a rough-looking 35 to freeload off of his fake-besties Mom and aid in her spiral? I don't get the age timelines/ideas on what arrested development in this show are anymore....

"Say the fucking words" - ooof. I feel like a lot of ink has already been spilled on what the word "love" means in the Berzatto realm, but no wonder Carmy can't comprehend it even when it's right in front of him. Love to him is sacrifice and struggle, panic attacks, pacifying meltdowns, idealization and inevitable betrayal (hello other shoe!), and just saying the word because it diffuses an argument - not unlike rubbing one's chest.

So....what's the likelihood that the abusive chef at EMP is just a projection of Donna living rent-free in Carmy's head at this point? The way she lobs the ball at Carmy with all of the elements that need to be swapped when the timer goes off, the practical matters of running a high-pressure kitchen trailed with jests and insults and total emasculation. Yeah...I think it's pretty high up there.

The second Richie and Carmy trade off the homemade Sprite (before Carmy can grab the prosciutto and mortadella that his mom asked for 2 seconds ago) is just enough silence for Donna to feel abandoned and start unravelling again/start screaming about moving the pot. I can't quite place my finger on the weird amalgam of mental illnesses they gave this woman (hit me up, psych majors) but if its not over-scripted/acted, its a lot.....

Richie and Mikeys "Just take a break from being a mopey little fuck" - phew, these dudes really think that a high-school chick will be Carmy's salvation.

"I don't have a love of my life?" Carmy doesn't even flinch or show recognition of who they're talking about at first, and then it dawns on him that they've probably embarrassed him and he wants to crawl in a hole and die (which is the most honest feeling expressed this episode to date).

And wow. Donna intercepts the whole thing by throwing a spoon at Stevie and screaming "Richard, bring her the fucking pop!" - a.k.a the title of the previous episode with the house party. Those words ended the gang's harassment re: Claire, but then future Carmy willingly waded right back into the abyss of thoughtless conversations, bullying, projections, others' expectations, and the terrible Christmas.

Ok, that's it for now - I'll be back on my bullshit tomorrow.

#the bear fx #the bear season 2 #the bear spoilers #the bear #carmen berzatto #carmy x sydney #carmy berzatto #mikey berzatto #sugar berzatto #the bear fishes #syd x carmy

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batmanisagatewaydrug · 1 year

Text

every single book I read in 2022. all 129 of them.

jesus christ

let's start with the best of the best; everything else will get listed beneath the read more because I'm not an animal. even just picking out my favorites is honestly probably going to get pretty lengthy, even though I'm trying to keep the synopses short.

batmanisagatewaydrug's noteworthy books of 2022

Complaint! (Sara Ahmed, 2021) - necessary for anyone doing diversity work in higher education, tbh

America is Not the Heart (Elaine Castillo, 2018) - achingly gorgeous novel of heartbreak and healing.

The School for Good Mothers (Jessamine Chan, 2022) - honestly? I feel very good calling this my favorite book of the entire year. sensitive, smart, chilling.

Black Feminist Thought (Patricia Hill Collins, 1990) - truly ashamed to say I didn't read this sooner. Collins' clear-eyed analysis remains crazily spot-on 30+ years later.

Hurts So Good: The Science and Pleasure of Pain on Purpose (Leigh Cowart, 2021) - I read this book so early in 2022 and literally have not stopped thinking about it since.

Batman: King Tut's Tomb (Nunzio DeFillippis, Christina Weir, José Luis García-López, and Kevin Nowlan, 2009) - dare I say the most fun I had with a comic all year.

You Made a Fool of Death with Your Beauty (Akwaeke Emezi, 2022) - a romance unlike any other. queer, fun, sexy, bold as hell, and joyfully life-affirming.

The Dangers of Smoking in Bed (Mariana Enríquez, trans. Megan McDowell, 2021) - DELICIOUSLY creepy short stories that will lurk in your brain forever.

Lesser Known Monsters of the 21st Century (Kim Fu, 2022) - if a more perfect short story collection exists I am yet to find it.

The World We Make (N.K. Jemisin, 2022) - I normally hesitate to include sequels on a list like this, but god DAMN Jemisin is the queen of modern spec fic for a reason.

We Do This 'Til We Free Us: Abolitionist Organizing and Transforming Justice (Mariame Kaba, edited by Tamara K. Nopper, 2021) - excellent collection of Kaba's abolitionist writings, drawing on years of organizing experience and wisdom.

Jade City (Fonda Lee, 2017) - look out! new favorite doorstopper fantasy series alert!

Priestdaddy (Patricia Lockwood, 2017) - about the best damn memoir I've ever read. heartbreaking and hysterical in turns, poetry the whole way through.

Batman: The Long Halloween and Batman: Dark Victory (Jeph Loeb and Tim Sale, 1996 and 1999) - it's always so exciting when something much-hyped lives up to the hype in every way. Batman at his grim and moody Batmaniest with a Gotham that’s deliciously bleak.

Station Eleven (Emily St. John Mandel, 2014) - I didn't think I'd like this book much at all, then ended up proposing on the second date. oops!

I'm Glad My Mom Died (Jennette McCurdy, 2022) - you will also be glad McCurdy's mom died, and also experience every other known human emotion along the way.

Kaikeyi (Vaishnavi Patel, 2022) - SPLENDID mythology retelling + political fantasy.

My Body (Emily Ratajkowski, 2022) - haunting haunting haunting personal essays about Ratajkowski's life as a model and subsequent alienation from her own body.

Batman: Bruce Wayne, Murderer? (Greg Rucka et al, 2002) - genuinely what can I say I'm a messy bitch and I love when the Bats are having a terrible time.

The Batman Adventures Vol. 2 #1-17 (created by Dan Slott, Ty Templeton, Rick Burchett, Terry Beatty, and Bruce Timm, 2003) - a continuation of the Batman: The Animated Series universe that frankly just fucking rules.

Little Rabbit (Alyssa Songsiridej, 2022) - a potent and erotic adult coming of age story.

The Right to Sex: Feminism in the Twenty-First Century (Amia Srinivasan, 2021) - thorny, difficult, vital essays.

Fearing the Black Body: The Racial Origins of Fat Phobia (Sabrina Strings, 2019) - jaw-droppingly thorough research into the role of fatpobia played and plays in the project of race-making.

On Earth We're Briefly Gorgeous (Ocean Vuong, 2019) - yeah so it turns out no one was REMOTELY exaggerating. Vuong really is That Good.

Hench (Natalie Zina Walschots, 2020) - wild fun with a ruthless protagonist and her sex villainous beetle man boss; what more could you ask for?

Love Your Asian Body: AIDS Activism in Los Angeles (Eric C. Wat, 2021) - learning about queer history makes me feel like I’m holding something so vibrant and fragile and precious right in my little queer hand. this book is an emotional journey in such a shining way.

Never Have I Ever (Isabel Yap, 2021) - EXCITING short story collection centered on girls having Just The Weirdest Time.

and everybody else:

fiction:

Light From Uncommon Stars (Ryka Aoki, 2021)

Our Wives Under the Sea (Julia Armfield, 2022)

A Tiny Upward Shove (Melissa Chadburn, 2022)

A Prayer for the Crown-Shy (Becky Chambers, 2022)

Disorientation (Elaine Hsieh Chou, 2022)

The Laws of the Skies (Grégoire Courtois, trans. Rhonda Mullins, 2019)

The Monster Baru Cormorant (Seth Dickinson, 2018)

The Tyrant Baru Cormorant (Seth Dickinson, 2020)

Greenland (David Santos Donaldson, 2022)

Dead Collections (Isaac Fellman, 2022)

The Halloween Moon (Joseph Fink, 2021)

A Dowry of Blood (S.T. Gibson)

Nightmare Alley (William Lindsay Gresham, 1946)

The Vegetarian (Han Kang, trans. Deborah Smith, 2015)

The Metamorphosis (Franz Kafka, trans. William Aaltonen, 1915)

Before the Coffee Gets Cold (Toshikazu Kawaguchi, trans. Geoffrey Trousselot, 2019)

Woman, Eating (Claire Kohda, 2022)

Long Division (Kiese Laymon, 2014)

Jade War (Fonda Lee, 2019)

No One is Talking About This (Patricia Lockwood, 2021)

Portrait of a Thief (Grace D. Li, 2022)

Elatsoe (Darcie Little Badger, 2020)

A Snake Falls to Earth (Darcie Little Badger, 2021)

Glitterati (Oliver K. Longmead)

Gideon the Ninth (Tamsyn Muir, 2019)

Harrow the Ninth (Tamsyn Muir, 2020)

Nona the Ninth (Tamsyn Muir, 2022)

The Memory Police (Yoko Ogawa, trans. Stephen Snyder, 2019)

Even Though I Knew the End (C.L. Polk, 2022)

100 Boyfriends (Brontez Purnell, 2021)

Flowers for the Sea (Zin E. Rocklyn, 2021)

Any Way the Wind Blows (Rainbow Rowell, 2021)

Interview with the Vampire (Anne Rice, 1976)

Aristotle and Dante Discover the Secrets of the Universe (Benjamin Alire Sáenz, 2012)

Aristotle and Dante Dive Into the Waters of the World (Benjamin Alire Sáenz, 2022)

Into the Riverlands (Nghi Vo, 2022)

Siren Queen (Nghi Vo, 2022)

Strange Beasts of China (Yan Ge, trans. Jeremy Tiang, 2020)

short story collections:

The Memory Librarian: And Other Stories of Dirty Computer (Janelle Monáe, Yohanco Delgado, Eva L. Ewing, Alaya Dawn Johnson, Danny Lore, and Sheree Renée Thomas, 2022)

Walking on Cowrie Shells (Nana Nkweti, 2021)

Terminal Boredom (Izumi Suzuki, trans. Polly Barton, Sam Bett, David Boyd, Daniel Joseph, Aiko Masubuchi, and Helen O’Horan, 2021)

nonfiction:

Gender Trouble: Feminism and the Subversion of Identity (Judith Butler, 1990)

How to Read Now (Elaine Castillo, 2022)

Playing the Whore: The Work of Sex Work (Melissa Gira Grant, 2014)

What We Don't Talk About When We Talk About Fat (Aubrey Gordon, 2020)

White Tears/Brown Scars: How White Feminism Betrays Women of Color (Ruby Hamad, 2020)

Belly of the Beast: The Politics of Anti-Fatness as Anti-Blackness (Da'Shaun L. Harrison, 2021)

Some of My Best Friends: Essays on Lip Service (Tajja Isen, 2022)

One Day We'll All Be Dead and None of This Will Matter (Scaachi Koul, 2017)

How to Slowly Kill Yourself and Others in America (Revised Edition) (Kiese Laymon, 2020)

Sister Outsider (Audre Lorde, 1984)

Conversations with People Who Hate Me: 12 Lessons I Learned from Talking to Internet Strangers (Dylan Marron, 2022)

Cultish: The Language of Fanaticism (Amanda Montell, 2021)

World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments (Aimee Nezhukumatathil)

Histories of the Transgender Child (Jules Gill-Peterson, published as Julian Gill-Peterson, 2018)

Yoke: My Yoga of Self-Acceptance (Jessamyn Stanley, 2021)

A Queer History of Fashion: From the Closet to the Catwalk (edited by Valerie Steele, 2013)

Transgender History: The Roots of Today's Revolution (Revised Edition) (Susan Stryker, 2008)

The End of Policing (Alex S. Vitale, 2017)

The Trouble With Normal: Sex, Politics, and the Ethics of Queer Life (Michael Warner, 1999)

Read My Lips: Sexual Subversions and the End of Gender (Riki Wilchins, published as Riki Anne Wilchins, 1997)

poetry:

Short Talks (Anne Carson, 1992)

Content Warning: Everything (Akwaeke Emezi, 2022)

Prelude to Bruise (Saeed Jones, 2014)

Alive at the End of the World (Saeed Jones, 2022)

Bright Dead Things (Ada Limón, 2015)

Motherland Fatherland Homelandsexuals (Patricia Lockwood, 2014)

Nature Poem (Tommy Pico, 2017)

Night Sky with Exit Wounds (Ocean Vuong, 2016)

Time Is a Mother (Ocean Vuong, 2022)

comics:

Batman: One Bad Day - Mr. Freeze (Gerry Duggan, Matteo Scalera, and Dave Stewart, 2022)

Spandex - Fast and Hard (Martin Eden, 2012)

Harley Quinn: The Animated Series: The Eat. Bang! Kill. Tour (Tee Franklin, Max Sarin, and Marissa Louise, 2022)

Batman: Whatever Happened to the Caped Crusader? (Neil Gaiman and Andy Kubert, 2009)

The Sandman: Preludes & Nocturnes (Neil Gaiman, Sam Keith, Mike Dringenberg, and Malcom Jones III, 1988)

The Sandman: In the Doll's House (Neil Gaiman, Michael Zulli, Mike Dringenberg, Chris Bachalo, Malcolm Jones III, and Steve Parkhouse, 1989)

The Sandman: Dream Country (Neil Gaiman, Kelley Jones, Malcolm Jones III, Colleen Doran, and Charles Vess, 1991)

The Sandman: Season of Mists (Neil Gaiman, Kelley Jones, Malcom Jones III, Mike Dringenberg, Matt Wagner, P. Craig Russell, George Pratt, and Dick Giordano, 1992)

The Sandman: A Game of You (Neil Gaiman, Shawn McManus, Colleen Doran, Bryan Talbot, Stan Woch, and George Pratt, 1993)

Run, Riddler, Run (Gerard Jones and Mark Badger, 1992)

Catwoman: When in Rome (Jeph Loeb and Tim Sale, 2005)

Batman: Year One (Frank Miller and David Mazzicchello, 1986)

Batman: One Bad Day - Penguin (John Ridley, Giuseppe Camuncoli, Cam Smith, and Arif Prianto, 2022)

Batman: Bruce Wayne - Fugitive (Greg Rucka et al, 2002)

Batman: One Bad Day - Two-Face (Mariko Tamaki, Jaiver Fernandez, and Jordie Bellaire, 2022)

Batman & Robin Eternal Vol 1 & Vol 2 (James Tynion IV and Scott Snyder, 2015 and 2016)

Batman: Their Dark Designs (James Tynion IV, Guillem March, and Tomeu Morey, 2020)

The Joker War Saga (James Tynion IV and Jorge Jiménez, 2021)

Papergirls Vol. 1-6 (Brian K. Vaughan and Cliff Chiang, 2016-2019)

Real Hero Shit (Kendra Wells, 2022)

Poison Ivy #1-6 (G. Willow Wilson and Marcio Takara, 2022)

and some gaming guides!

Monster of the Week (Michael Sands, 2012) - great game. so cool. cannot wait to actually play it someday.

Thirsty Sword Lesbians (April Kit Walsh, 2021)

special shame zone because I want you to know how bad this sucked, do not read this:

Rethinking Sex: A Provocation (Christine Emba, 2022). patronizing, puritanical, reductive, painfully cisheteronormative. weirdly afraid of group sex. not actually that provocative, just aggressively Catholic.

and last but most certainly least, a comic that I want to remind you all fucking sucked just one more time before the year is done.

Batman: One Bad Day - The Riddler (Tom King and Mitch Gerads, 2022)

Tom King, go fuck yourself. Mitch is cool though, the art slapped.

#bookblr #if you find a typo in here no you didn't xoxo #feel free to tell me your thots or ask about any of these i love to talk about my unhinged reading habit

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elisysd · 8 months

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1. Guess my childhood is over

Masterlist - Previous - Next

Chapter soundtrack: Older - Alec Benjamin

She will miss her room. That’s what Julia thought as she was finishing packing. Today was her last day in her childhood bedroom before leaving to pursue her dreams. A few months ago, she finally achieved one of her biggest life goals. Well, at least she was one step closer to it. After a lot of interviews and tests she had gotten a job as a junior engineer for the F1 team Skoda. It was a team from the back of the grid, with almost no budget even though they were helped by Ferrari, especially with the engine. But still, she was so damn proud of herself. All those years of sacrifice finally paid off. She would work on the tracks with the team for the whole season. It was a one-year contract for now, but they had made it clear that if they were happy with her, they would gladly keep her. She was excited and she couldn’t wait to start. From a very young age she had always been passionate about how cars were working, how they could be improved to be faster. And that’s what she was about to do. With enthusiasm, she locked her big suitcase and put it in the corner so her dad could bring it downstairs later.

Stepping out of her room, she was welcomed by happy barks and a fluffy Australian Shepperd. Bailey was the family dog that Charles got them almost ten years ago. Even if originally, Bailey was a dog for her little brother Louis, she had quickly taken a liking for Julia and at some point, she became more like her dog than her brother’s. Not that he minded, he didn’t care much about her.

“Hey my girl! Let’s go eat. Come on.”

The dog began to turn around her, wiggling her tail.

“I’ll be playing with you later, I promise.”

Bailey barked again and Julia rushed downstairs. Her mom was in the kitchen, finishing to prepare the lunch as her dad was reading his notebooks and taking notes. She took the plates that were on the kitchen island to put them on the table and on her way, she took the opportunity to kiss her dad’s cheek, taking him by surprise.

“Ready for the season, princess?” Charles Leclerc asked his daughter.

“I can’t wait to be the one who will bring the ideas to upgrade the Skoda and make it faster than your Ferrari!”

“Don’t think I’ll make it easy for you. We worked hard on the car and I have the feeling we will be very competitive this year!”

“More competitive than Lamborghini?” asked Julia to tease her father.

“We hope so.”

A few years ago, Charles had taken the job of Team Principal of the Scuderia. Julia remembered how they came to their door one day, practically begging her dad to work with them. She was nineteen at the time and had only started her college degree, but she remembered how her dad hesitated a lot before finally agreeing. He didn’t want to leave his family behind again, knowing that it was what had almost cost him his marriage a few years prior. But her mother had insisted, saying that he would regret it if he were saying no. It took time to bring back Ferrari at the top. Three years. Three years of hard work of intense recruiting and negotiations but they finally managed to become vice-champions in the constructor’s championship twice in a row, behind Lamborghini. Not where they wanted to be of course, and Charles was hoping that this year, they would finally be on top.

“Ju? Can you go tell your brother that lunch is almost ready?” told her Lyanna, making Julia stood up and go to her brother bedroom.

She knocked on Louis’ door but heard nothing. Slowly and softly, she opened it to see him lying on his bed, reading a comic book, his headphones securely put on his ears. She stood in front of him so she would be in his field of vision before waving and taking away his comic book.

“Lunch is ready.”

He nodded and stood up before leaving the room closely followed by his sister. When seeing his kids back, Charles smiled and put away his notebook as Lyanna was coming with a plate for Louis where she had separated the vegetables by colours and size. Louis also took a little bag of potato crisps and made sure to make two sides: one where the crisps were full and one where they were not. It was always like that he always had to separate everything before eating or it was triggering him. No one was paying attention anymore to his little quirks that Julia found endearing.

“What were you doing, Louis?” carefully asked Charles.

“Reading.”

“Yeah? And what are you reading.”

“A comic book about Spiderman that mom bought me, yesterday.”

Julia was seeing that her father was struggling to find ways to make him talk. For as long as she could remember the relationship between her father and her little brother had always been weird, often uncomfortable. Not from Louis’ side, but from Charles’. He never knew what to say or how to say things.

“Do you have any fun facts about him to tell us?” asked Julia, knowing very well that her brother was a mine of information when he loved something.

“Oh yes. Did you know there is an alternate version of Spider-Man where Peter is an anthropomorphic pig. His name is Spider-ham.”

“No way! That’s so cool!” exclaimed Julia.

“How did you learn that?” said Charles.

“I don’t remember.”

Charles sighed. It was not today, again, that he would achieve a more than two sentences conversation with his only son. He looked down on his plate as Julia saw her mom scooting closer to him and put a hand on his thigh.

Louis didn’t talk much during the lunch, not that he talked a lot anyway but usually, when Julia was giving him the opportunity to talk about things he loved, whether it was Marvel, animals (insects in general) or music, he was unstoppable. But not today. He ate in silence, with his noise cancelling headphones that he didn’t put away and when his plate was empty, he left the room to go back to his bedroom.

“I’m going to see him.” Julia stood up as well and followed him. When she finally caught up to him, he was already back on his bed and with his book. “Louis… talk to me.” she pleaded him.

“You’re leaving me.” he said as a matter of fact, but Julia could hear an ounce of sadness in his tone.

“You know that I have too…”

“You always promised me you would be there for me.”

“And I’m not backing down on that. You know that if I could bring you in my suitcase to have you with me I would.”

“You will be all over the world. You won’t have as much time for me as you have now. You will have new friends and you will forget about me.”

“That’s not true. I will call you every day. And you can text me whenever you need someone to talk to or to help you with your homework.”

“I don’t need help with my homework.”

And Julia knew it was true. Her brother was a little genius. A little genius that her parents didn’t want to put to school, preferring to have him studying at home. Julia sometimes felt guilty about that. She didn’t have the most amazing school years, being bullied because of her last name. People always liked to reject her or to use her in order to have access to privileged places. It was something she didn’t like to think about as it was always bringing back bad memories.

Sometimes, the insults, the pulled hair and the nasty remarks were coming back haunting her. If she had a hard time trusting people, it definitely came from that time of her life. She still remembered vividly the pain it caused her when her first boyfriend, when she was fifteen, played her and made her believe he loved her only to find out later that it was just in order to meet her dad. It had been a hard pill to swallow and since then she had been careful around men. She never really had a boyfriend since that time. Of course, she had a couple flings and one night stands, but it was never serious. She didn’t let anything be serious. Her only focus was her career and her dream to work one day alongside her dad at Ferrari.

Her parents didn’t want Louis to go through what she had gone through and had decided to let him be homeschooled. They knew how cruel people could be and since he had been diagnosed with autism, it was less frightening to keep him sheltered. Julia was not always sure it was the best idea. Louis would have to face, sooner or later, the world and how cruel it could be.

She looked at her little brother and couldn’t help but feel guilty. He would be alone. Sure, he had their mom, but Julia was the only one Louis would willingly confide in. She was his pillar. And Julia was scared that without her here, he would crumble. She tried to think that it was not as different as when she was away for college. But still, she was coming back home whenever she could, and she was in Switzerland so not far away from home. Now, she would be all around the world, with messed up time zones.

“Are you hating me for leaving you?” she asked seating on his bed.

“I’m not angry to see you leave, just sad, I guess. You are the only one who understands me here.”

“You know that’s not true; you have mom too. And Bailey. You will take good care of her for me, right?”

“Mom is mom. It’s not the same. And I’ll take care of Bailey. Australian Shepards need a lot of attention. So, I will try to play with her twice a day for an hour.”

“Thank you, Louis. Can I hug you?”

“Did you wash your hands before?” he asked seriously as Julia rolled her eyes.

She stood up and went to the bathroom before coming back showing him her clean hands.

“Done. Can I have my hug now?” she insisted.

Louis went to her and threw his arms around her clumsily. He hated social contacts. He could barely tolerate his mother’s kisses. But Julia was not the same, she was his favourite human being.

“I love you. Always. Whether I’m three meters away from you or on another continent, I love you.”

He sighed and she felt him nod. He pulled away from her and put back his headphones, letting Julia know that he didn’t want to talk anymore. She left his room to face her dad that had probably heard their conversation. He was not trying to be subtle about it.

“I wish I was as good as you with him.” he told her.

“You’re trying, dad. That’s what matters the most.”

“That’s what your mom said as well.”

“Well, listen to us then.”

“Like your uncle Arthur would say, Leclerc’s women know best.”

“And he is absolutely right.”

Charles threw an arm around his daughter shoulders and kissed the side of her head. They soon joined Lyanna in the living room who is petting an enthusiastic Bailey.

“So, how are you feeling about everything?” asked her mother.

“It’s strange. It’s a mix between excitement, nervousness, and fear of failing.”

“It’s normal things to feel, princess. I was the same.”

“It’s going to feel weird to have you both away…” confessed Lyanna.

“I’ll take care of her, Lya.”

“Oh no! Please don’t embarrass me!” groaned Julia.

“That is basically my job as your father. That and scaring boys away from you.”

Lyanna and Julia both rolled their eyes making Charles laughed. It was always amusing to him to see that his daughter had similar if not identical expressions to his wife.

“And about Ethan… how do you feel about that?” asked Charles.

Ethan was Julia worst enemy since kindergarten. They never got along, nor did they really try to. Fortunately for her, as Ethan started to get really good with karting and later made his way into F3, then F2 to end up finally in F1 three years ago, in Maserati, a midfield team affiliated to Lamborghini, the new name of Red Bull, she didn’t have to see him or interact with him more than necessary.

“I’m not going to work for him or with him for what matters, so I won’t see him much. And as long as he is not acting like a dick, everything should be fine.”

“I hope so. You are both adults now, surely you can act like civilized people.”

“I know I can. The question is, can he?”

“Julia… He is not that bad you know. He is a bit of an idiot sometimes, but who wouldn’t be considering how he grew up.”

“Dad, I know that you like him. For unbeknownst reasons. But using his childhood as a way to excuse his behaviour is just not it. I think Louis and I are the perfect examples of growing up privileged but not being pretentious assholes. You and mom did a pretty good job raising us to be humble and hardworking people.”

“Julia, he is not that bad. He is actually a very focused driver, always asking questions, always wanting to learn. always trying to get better. It’s admirable. He is going to get big.”

“That’s just a facade, dad! That’s a mask he puts on to make people like him. Why can’t you see that? Don’t you remember how ruthless he was with me? Like the one time he stuck gum in my ponytail and mom had to bring me to grandma so she could cut my hair? Or the one where we had this school trip and he just decided that it would be funny to hide my lunchbox somewhere and I couldn’t eat. And I have tons of other examples!”

“Now you are being dramatic.”

“I’m not! I know exactly who he is deep inside. He is rotten. It’s crazy that you can’t see that!”

Her parents smiled at her. They were used to it by now and were not taking it seriously anymore. It was a rivalry that was lasting for more than twenty years now. With an angry gesture Julia left the room. She had a few things to check before being sure that she would not forget anything.

In her room, she took her time to print every corner of where she grew up in her mind. She looked around and went through the mess she accumulated over the years. Her eyes found a vision board, made when she was 12. She smiled when she saw written in bright red capital letters, in the centre of the board, almost taking up all the space “WORKING FOR FERRARI”, and next to it between parentheses with her adult writing “with dad”. In the box under the board, she found pictures of her, her mother and her father, on racetracks, when she was young, before Louis’ birth. She found her favourite one from Le Mans where her dad participated along with Max. It was a bittersweet day, she had to spend it with Ethan, but seeing her dad accomplishing one of his dreams was a wonderful experience to witness. One they shared just the two of us. She folded the picture and put it in her purse.

As she was sitting on her bed caught up in her memories, she didn’t hear her mother coming and taking place next to her.

“I remember this picture. It was maybe your third or four Monaco Grand Prix. You were five years old, something like that. Your eyes were glued to the cars, nothing could make you look elsewhere.”

“Yep, that’s sound like me.” smiled Julia.

“I don’t tell you this enough but, I’m proud of you. I know how far you’ve come, and I know how hard your worked to be able to be where you are today. I’ve never doubted you. Not once second. You have the stubbornness of your dad.”

“Dad would argue and tell you that it comes from you.”

“Your dad is an idiot.”

Julia laughed.

“I wanted to give you this. So, you have something from home when you miss us. Whenever you feel blue, you just have to hold onto it, and it will be like I’m right by your side.”

Lyanna took out of her pocket a black velvet box. When Julia opened it she found a red bracelet with a little horse on it. It seemed old and the iron was slightly rusty. Beside the horse, there was a movie clap next to the Monegasque flag. Two wedding rings circled around each other and two baby socks, one pink and one blue were completing the bracelet. Julia recognised it and knew the importance it held for her parents; it was a perpetual reminder of their story. Julia put it around her wrist and hugged her mom.

“I promise I’ll never take it off and I’ll take care of it.”

“I have no doubt you will. I want you to add things to it. It is yours now, Julia. It is your story to write. But no matter what, your dad and I will be by your side. Forever and always.”

The next morning, she was boarding the private jet that was bringing her to Bahrain for the pre-tests and her first GP. She would stay on the side for starter, just the time for her to adjust, and then progressively she would get tasked on specific things to look at on the car.

“I know that being Ferrari team principal comes with some perks, but it always shocks me. It shouldn’t, but it does.” she said, moving awkwardly in the alley of the plane.

“Technically, it’s supposed to be for Ferrari team members. And since you are working with Skoda, you shouldn’t be here. It’s a favour, I give you Julia.” joked her dad.

“If you want to get into technicalities, Skoda uses your engines so… we are allies.”

“There are no such things as allies in F1, princess.”

She sat opposite to her father and looked outside the window. It would not be long before they took off. A few hours later, as they were both bored to death, Julia looked at her father pensively, biting her lips as if she wanted to say something but didn’t dare to, something her dad caught.

“What is going on in this little head of yours?”

“Can I ask you something?” she asked with hesitation.

“Anything. You know that Ju.”

“Why don’t you want me to work with you?”

He put down his notebooks and crosses his arms against his chest. He took his time to answer her.

“I’m not going to teach you how F1 is a make-or-break kind of world. You know that. I don’t want to people to think that you are where you are only because you are my daughter. They will look down on you. I want you to prove them wrong. And you can’t prove them wrong if you are already with me. You are talented Ju, you have an eye for details, you are smart. I want you to show them that you are a fighter and that you deserve to be there. I would love to have you working with me, it would be a dream. But before, show them all what you are made of.”

“And what if I fail?” “I’ll have your back. I’ll always be there if you need me. For whatever reasons. But you are my daughter, you are a Leclerc, and we don’t give up when things go rough, we fight with all we have until the end. And that’s what you’ll do.”

Author's note: And let me introduce you to miss Julia and her family that you already know!! I love her, she is amazing and you have seen nothing yet hehehe. I hope you caught the little Cruel Summer reference that was there.... 👀 let me know in the comments.

I can't wait to read your thoughts about it, so don't hesitate to leave a comment or an ask, as well as reblogging and leaving a like. It helps a lot for the story to find its audience. I also have a taglist for this story, so if you want to be added so you never miss a chapter, let me know.

Taglist:

@herondalism @aundercover @musingsbyshreya @karmabyfernando @reengard @mycenterfold @smoooothoperator

#writing #fiction #charles leclerc #charles leclerc fanfic #max verstappen fanfic #max verstappen #f1 story #f1 fic #f1 x reader #f1 imagine #f1 fanfic

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popculturebuffet · 4 months

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Top 20 Animated Episodes of 2023 Part 1

Hello all you happy people! It's now 2024, and with 2023 behind us it's time for my faviorite yearly thing on this blog: my top 20 episodes of the year list!

For those of you new to this tradition or needing a refresher, each year I take 5 episodes each (or less if the show had less), from the various shows I watched that year, and then slowly wittle it down from a massive pile to the 20 best, split into two digestible parts, and let you all enjoy the results. It's one of my favorite things as it gives a nice, personal, wide berth of what happened in that year, gives this blog something unique to do, and allows me to touch on shows I haven't covered yet or may simply not get to for some time, if ever.

2023 was a mixed bag for me, both professionally and personally: It started.. with a kick in the teeth as my cat Stewie died after living a long, fufilling life of looking mildly pissed at everything but still being cute.

He was a good cat and his loss is something I still haven't fully gotten over a year later.

It was a harbringer of change: with Stewie's death we finally moved out of the house I lived in pretty much my whole life, and into a smaller, nicer and far better apartment with my own mini office in my room even and all my children/books/children returned to me. It's taken 6 months but I feel like i've fully settled into my new, wonderful home.

And towards the end of this year as the loss of Stewie still stung all this time later, I got another great change with the addition of Maddie

Maddie was the dog of a close friend of the family who had to go into a retirement home. She needed a home, and now has one in my room looking morose, licking my face and occasionally going under the bed for hours at a time like the cave goblin she is. She was a much needed bolt of sunshine in this storm of a year. I do metaphor good.

So with all these c-changes, how did this blog fair? Suprisingly great but not entirely in tact. Quality wise I do think I did some of my best work this year: I tackled the first apperances of every spider-man, woman and pig in into the spider-verse, the movie itself, finally web swining around a bit thanks to kev with a little more spidey planned for this year, with a tie in for Kraven later this year that's exactly what you think it is. I finally got to do an x-men month, covered rocko's modern life static cling for pride month, and in one of my finest hours, got to do a retrospective on one of my faviroite fairly recent comic strips breaking cat news with the help of my friend emma. Her sponsorship meant I got to cover something great and while few people have read it, i'm happy just to have it out there.

In addition to that I covered Tugs, an osbcure UK series and spirtual brother to thomas the tank engine that involved state mandated death dates for boats, pirates, and eleven minutes of explosions. I finally got to enjoy the madness that was the Telltale Sam and Max Games, with Save the World in the pocket and Beyond Time and Space wrapping up next week. And biggest, best and brightest of all I did a retrospecitve on little shop of horrors, finally seeing both the stage play and original corman film, as well as little shop. And someday i'll have recovered from seeing little shop.

The delay on that though brings me to the other shoe.. this year my productivity was in the basement and my week was at an all time low. Several reviews got delayed, from stewie's death leaving me unable to work for a few days for damn obvious reasons, to the move frequently taking my time or leaving me off balance. Not only that I didn't plan my time off for the move well, so I was left having to rearrange my whole schedule. It's why both pirate month and pride month, proud institutions on this blog, were reduced to a week and a three part special, something I wasn't remotely happy with. Things kept slipping by, and in general it wasn't my best year for getting shit done. I realized i'd simply taken WAY too much on, and thus have scaled back to ten reviews instead of 12 a month, and may scale back further if necessary: i'd rather these reviews be their best and get put through a spellcheck than be glad it's done only to realize I have nother thing that's due yesterday.

Not helping were towards the end of the year, a massively loud noise from my computer fan that made it hard to concentrate, something that's hard for my adhd ass in general let alone with a giant whirring fan that nothing can out loud, and having finally solved tha tproblem thanks to my dad's help.... then having my wrist go out, and while it's recovered now, it meant an extra week off, which sounds nice and was in places.. but was mostly spent in pain or asleep to escpae the pain till I got things to help with that. Then after a nice christmas, a lovely few days after... I got a cold, which spent up a large chunk of my vacation in a sick coma.

I apologize a bit for all the venting as you can tell this year's been a long one. I came out the otherside well with a loveable dog and a great new work/living space, but it was a bitch getting to here.

Thankfully animation wise, the industry wasn't in as MUCH turmoil this year. It still wasn't great: We got more cancelations with Lumberjanes and Phoebe and Her Unicorn announced formally dead before arrival had even started, and cancellations for Inside Job, Star Trek Progidy and Praise Petey, the last two seemingly in limbo as a result, with only one getting saved. While it wasn't the cancelnado of last year that wrecked many a service and nearly ended me, it was still pretty bad and Warner showed zero signs of learning from their lessons: after taking a few months off thinking the heat died down they tried canceling coyote vs acme.. only to then nakedly start a bidding war, making what they were really doing with most projects obvious: making them unaviliable.. and then starting a bidding war for other streamers. I'm not upset many of these shows are on other streamers as their safer from Zaslav there, but it shows just how nakedly greedy, transparently corrupt and blatantly fraudlent Warner Bros Discovery has become.

While the sales of the brilliant Merry Little Batman and sure to be great Batman: Caped Crusader to amazon are GOOD as Amazon has learned what animation means, it unmasks warner as simply doing all this tax writeoff shit to make money.. and then often forgetting to even sell the shows, not carring if no one's buying and just shrugging off someone's heart and soul being cast into the void. The loss of Final Space and Close Enough STILL stings and hasn't gone away even with the maker of the former both having found a way to finish the story and move on with his life.

The cherry on top of this shit sundae is Zaslav, no shit, saying the decision to shelve Batgirl, a movie that was entirely done and could've had the elseworlds label slapped on it if they didn't want it in the DCU, BRAVE. Yes that.. really happened.

It wasn't just Zaslav fucking up this year though, as other execs certainly tried their hardest or were arm and arm with him: The biggest blunder is obviously the strikes which while not affecting animation for the most part, was still a long dark night of the soul that was entirely the fault of executives not wanting to give up the precious theorietical money they could make once AI gets to the point it can create actual things, nor the likenesses of DEAD PEOPLE they should have no right to. Exec behavior was at it's most disgraceful this year... I don't know how that bare somehow got lower but that's the hellscape we're in with both zaslav and iger beign part of the corprate hydra that kept rejecting any deals presented and tended to flip the table and leave in a huff , leaving the negotations for weeks at a time till it became apparent that no amount of veiled threats of starving them out.

That said the strikes... were a net positive: they were long, brutal and threw tv off and delayed a show or two.. but it was well worth it. It helped show just how much actors and writers of all pay levels are needed, got them badly needed pay increases and protections and left the door open to help fiddle with AI protections as while AI isn't remotely good at creating scripts, that's never stopped execs from promoting something anyway. Despite MANY attempts to demonize the strikers, frame them as hollywood elites despite the fact the bulk were just trying to live on and were putting their liveleyhoods at stake to make sure they had one, or paint them as the bad guys.. it never worked. The public held firm, the strikers held firm and deflected most attempts with solidarity, with said big fish they tried to use as propoganda.. instead gladly donating to help the strike keep going. Fran Drescher and co fought hard, and the result is a slightly better hollywood.

And that hope for a brighter future really radiated this year: while Animation is still in flux in places, a lot of the networks hit hard by corprate dumbfuckery last year started to regrow: Netflix, after a year or two of rapid cancellations and baffling decisions, finally regrew it's animation divsions: Outside of Inside Job, most cancelations were shows that really weren't the best idea or execution to start with, and most hits got renewed, with them even picking up Star Trek Prodigy for another season and likely as many as they can carry. They pivoted more to adult animation with hits like Scott Pilgrim Takes Off, Pluto, Castlevania Nocturne, Carol and the End of the World and Blue Eyed Samurai, the latter three I wish I got to but i've heard are incredible.

While WBD was still BURNIN DOWN THE HOUSEEEE, it snuck in a few hits with My Adventures with Superman and tons of great stuff I did'nt get too like Scavengers Reign, the beginning of the end for Craig of the Creek, Fired on Mars, and Hair Love, while having a suprise banger in the form of Tiny Toons Loonveristy, proving just how to reboot a classic property once again. Not only that the finale movies for Venture Bros and Metalocalypse came out, which given the last year was a huge fingers crossed thing. But both came out, I got both on blu ray, and got neat posters with them in the bargin and both closed up two of adult swims best series in the way they richly deserved. We also got an Urkel Christmas Movie. I guess.

Amazon continued it's own building: in addition to the dark knight picups mentiond, Invincible and Legend of Vox Machina both had amazing season 2's, with Vox Machina picked up for two more seasons to close it out proper and a Mighty Nein spinoff, with a Belles Helles Spinoff all but guarnateed at some point, and Hazbin Hotel after a truly agonizing year of waiting for someone to announce they had it, finding a perfect home for the happiest place in hell.

Finally, the indie scene, already thriving blew the fuck up. For the first time I nominated six diffrent pilots from various indie creators who all did a fucking great job: Godspeed, Lackadaisy, In Limbo, Atlas and the Stars, and Swift Spark and the Defensive five all had impressive showings and I regret not watching Lackadaisy in time to support it, but I can't wait to see what it brings to the table and to see all of these shows make it to series, not to mention up coming ones like ToonrifiqTariq's "Hey" that are likely going to come out next year.

It's a strange time for animatoin.. but one tha'ts proven you can make your own way, that the big coprations are trying and that in film.. is at one of i'ts brightest: while there ere some stumbles we had masterpieces like Nimona, which also made disney look horribly stupid for homophobically canceling it, Across the Spider verse (which needed to treat it's animators better but still deserves mention), and TMNT Mutant Mayhem.

It was a hell of a year and I can't want to share the best of it with you. And as a result of such a good year there's a few firsts: This is the first year with Anime included and if you want to know why i'ts taken so long it wasn't snobbery.. I just.. plain forgot to watch the ones I DID want to watch the past few years. That's... really it. I usually prefer reading the manga, as it's both faster and less time consuming, and Some of the best often aren't on the streaming platforms I do have. Pluto and Scott Pilgrim got by by being adaptations of something I love with all my heart a piece and thus coudln't bear myself to miss, but I might try to vary up my viewing more next year. I do want to check Zom 100 out at some point.

Anyways the other is that I allowed two dtv movies in here. Now this is with a caveat: It has to be directly linked to an existing animated series, a sequel, a prequel, etc. It's something I never really thought about before, but makes sense: While Radiant is the Blood of the Baboon Heart and Army of the Doomstar were both considered for my film list too and are films.. their the proper conclusion to their stories. Not only that with Pluto's inclusion on this list, we have a series that had episodes only about ten minutes or so shy of both films runtime, so I figured fudging the rules like this was fair. I would've included Craig Before the Creek, but I want to wait to watch it when it comes on HBO Max next month.. and buy it on Physical as I don't remotely trust WBD to keep digtial copies up forever anymore. And really it feels in the spirit of things like operation zero back in the day or in both metalocalypse and venture bros own histories, all this and gargantua 2 and doomstar requieum.

Okay now that's settled this years list is intresting as while there's a decent amount of returning shows most haven't been on this list before. Of the nominees the only returning shows are The Legend of Vox Machina, Invincible, Helluva Boss, The Great North, Miraculous and Big City Greens, with mainstays like Tuca and Bertie and Close Enough sadly gone thanks to WBD being pralines and dicks. Thus our shows competing are an eclectic mix of returning combatants, one for sadly the last times, revivials of old shows, reboots of old shows, two limited series, and a handful of spectacular pilots

These are the shows that I got to see this show and thus entered the running, all sorted by platform since.. there's a lot.

Amazon Prime: The Legend of Vox Machina Invincible

HBO Max: YOLO: Silver Destiny Clone High Tiny Toons Looniversity Adventure Time : Fionna and Cake Aqua Teen Hunger Force My Adventures with Superman Disney+: Moon Girl and Devil Dinosaur The Owl House (Final Year) Kiff Miraculous: Tales of Ladybug and Cat Noir Big City Greens Hulu: The Great North Futurama Bob's Burgers The Simpsons Netflix: Scott Pilgrim Takes Off (Limited Series) Pluto (Limited Series) DTV: Venture Bros: Radiant is the Blood of the Baboon Heart (Special) Metalocalypse: Army of the Doomstar (Special)

YouTube: Helluva Boss Godspeed Lackadaisy In Limbo The Amazing Digital Circus Atlas and the Stars Swift Spark and the Defensive Five

So with our nominees in clear view, who shined the brightest, who didn't and whose going to yell at me over my choices? find out under the cut!

FULL SPOILERS FOR MOST EPISODES ON THIS LIST. YOU'VE BEEN WARNED

20. The First Episode (Atlas and the Stars, Pilot)

"Sorry for dragging you into this man. You don't have to trust me but I promise to make this up to you, I swear."

Coming in just under the wire as the last released episode on this list, it's placing is just a fun concidence, we have The First Episode... the pilot for new series Atlas and the Stars. You can watch it here

youtube

So it's come up soon but the reason I put MOST episodes on the spoiler warning.. is this pilot and another on the list, I really DON'T want to spoil much as both rely on you watching it, this one in paticular not revealing what the show's premise will be from here on out, instead telling the parallel tales of Atlas, a human from a dying planet who hyjacks a space ship to acheive her dream of endless freedom in the stars, Atmosphere, a shy loveable alien embarking on his first day regestring ships at a space port, and Quasar, the lord of a mysterious planet who keeps having to sacrifice.. somethign to a portal to keep it alive... and it can't keep up forever and his beligeured assitant nebula. ALl of this comes togeter in a beautifully animated, well active and creative sci fi adventure with one hell of a hook from where it goes form here, awesome character desgin work and some neat sci fi tek in Atlas' googles. Miranda Toomey used every inch of whateve rbudget she had to make this and it turne dout gorgeous, and I can't wait to see the next episode in this and how this story progresses. It's well done, gorgeous, heartfelt and engaging and I recommend you go watch it before we move on to our next entry.

19. Radiant is the Blood of the Baboon Heart (Venture Brothers, Finale Movie) "All you need to know is the person who gave birth to you loves you, I promise you that"

From a start to a finish we have Radiant is the Blood of the Baboon Heart, the long awaited and thankfully came out with a dvd and everything ending of the Venture Brothers. It's shockingly low on this list, but as much as I love this series.. it came out in a tight year with some even better finales, and had the burdern of having to cram in a season's worth of content, even with the cuts they made, into an 84 minute film.

The results are still excellent: Radiant is a fun, frantic race to the finish line that satisfyingly answers a lot of the series biggest questions: Who the boys mom was, how Monarch and Rusty are related, can HELPER fire a shot gun, will Hank and Dean reconcile... all the closure we needed in a tight 88 minute story that also includes classic hip hop traick it's takes 2, magnetic shenanigans, Hank using giant novelty checks for money, dermott using a piss filled super soaker, dean thinking he's a vampire, a halfway house for supernatural heroes, and Mantilla, one of the series most delightful villians and one I really wish we'd gotten proper time with. It's a joyous reaffermation of what this series is about, has nice moments for most of the best cast members, including Brick Frog my beloved, and ends on a mostly satisfying note. It also gives us a golem made entirely of pants and isn't that the greatest adventure of all?

18. "Lights, Camera, Sparks?!" (Scott Pilgrim Takes Off, Episode 5)

"You've known him for three f***ing days!" "Is that all it's been?!" Scott Pilgrim Takes Off was an easy faviorite this year and given my longstanding love of the Scott Pilgrim comics and like of the movie, it wasn't a huge shocker i'd love whatever the anime turned out being. I was pumped from the announcement, worried it'd just be "the movie but animated" when the cast was announced.. and then over the moon when it turned out that no, the cast was all coming back but the take on the franchise was all new.

What we got wasn't the straight adaptation that was pitched.. and was all the better for it. If you haven't seen Takes Off.. please do it's fantastic, I did a whole review on it, go, and if you won't then this is your last warning as I can't really talk about the episodes of it on this list without getting into spoilers as it's one of those series where the first episode twist.. defines the rest of the show.

Okay we good. So the first episode progresses as normal, a few tweaks to let you know this is it's own universe, enough character moments to show that even with the film voice actors the main cast is closer to the comics..... then Scott seemingly dies.

From there things go off the rails, and that's where the magic kicks in: While Scott's still key to the story and turns out, naturally, NOT to be dead, instead kidnapped by a mysterious portal, Ramona takes the lead, with us getting to know her better now she's the pov character instead of the guy worshipping the ground she skates on. While Ramona was fleshed out in the comics, the series gives her more to do as she solves this mystery. It's intriguing, it's fun, and it gives Mary Elizabeth Winstead the chance to play a more fleshed out version of the character with more sides to her than "aloof".

What the series also does well.. is go the fuck off the rails. Matthew uses his newfound confidence to punch gideon out of all his companies and fancy suits, Gideon becomes the best worst couple with julie, and Young Neil becomes a spacey moron who assumes the mysterious person writing a script based on how the story originally went is his sleep paralysis demon. The series has a lot of great character, animation and development as Ramona's forced to .. talk with her exes instead of her new boyfriend punching most of them for her.. but it can't be forgotten it's also delightfully nuts, easily the goofiest this franchise has gotten and i'm here for it.

That brings us to "Lights, Camera, Sparks?!", easily the biggest shit post of the entire series, and one of the funniest episodes of the year easily. While the previous ones are a bit melancholy in tone with the goofy stuff as a nice side dish, fitting how scott pilgrim rolls, LCS is just one long farce with Ramona struggling to get any detective shit done while Wallace wrecks envy and todd's relationship, Edgar Wright but voiced by Kevin McDonald slowly looses his mind, and Neil gets into various shenanigans while only being a quarter aware of anything going on, including what was in the script his sleep paralysis ramona from the future wrote.

The setup is simple: Toronotwood is making a film based on how scott's story usually go, again ghost written by a mysterious sleep paralysis demon, and hired Lucas and envy to play scott and ramona. Lucas got can...something for dating a 30 year old who looks like a high schooler, so now i'ts todd clumisly shoved into Scott's clothes. Wallace is also there, having throughly humilited the notoriously straight actor playing him out of a job and letting his ego grow 15 sizes that day.

What follows is a mocumentary masterclass as Envy and Todd can't stop being horny for two seconds, Wallace making out with Todd and being his bi awakening reading them to constantly "run lines in his trailer", Neil is hilaroius and you will repeat everything he says and Ramona is left bobbing around unable to actually get any answers.

This all leads to a delightful explosion as Todd falls in love with Wallace, Wallace is a callous dick, Wallace sicks his stunt doubles on Envy, Ramona is sicked on them, and everyone is confused, all cumilating in todd binge eating poutine and crying, an option I wish americans had but alas we are poutineless while Matt shuts down the production then sputters like a kid who got a lucky punch in on his bully when he finds out Scott is alive. Also Knives and Stephen get a meeting with him leading to the greatest musical of all time.

As you can tell this episode is very stupid and I love it. It's just 100% nonsense the whole way through, letting Wallace do something since the only main character who isn't Ramona he interacts with is in the future right now. There isn't much to disect, i'ts just pure comedy gold with props to both Kirean for really nailing a more douchestastic wallace and especially Brandon Routh who has shockingly deep comedic chops. A great episode and a nice break before we dive full speed into just where Scott went.

17. Lackadaisy (Pilot Episode)

Old Man River! That seems far too austere a name for something made of mirth and rage. O, roiling red-blood river vein. If chief among your traits is age, You're a wily, convoluted sage.

Is "old" the thing to call what rings the vernal heart of wester-lore? What brings us brassy-myth made kings. And a preponderance of bug-type things. To challenge titans come before!

O, demiurge to a try at Avalon-once-more?

And what august vitality in your wide aorta stream. You must have had to oversee alchemic change of timber beam to iron, brick and engine steam!

Your umber whiskey waters lance the prideful, sober sovereignty of faulty-haloed temperance, and wilt her self-sure countenance; Yes, righteousness is vanity. But sport's for imps, not elderly.

So if there's a name for migrant mass of veteran frivolity That snakes through seas of prairie grass and groves of summer sassafras; a name that flows as roguishly as wild waters, fast and free, It's your true name: Mississippi.

That beautiful poem opens up Lackadaisy, thank you wiki so I didn't have to transcribe that whole glorious thing, as a roustabout cat in 1927 St. Louis names rocky spends the first few minutes playing fiddle, basking in the glorious moonlight and waxing poetic about the mighty missisipi. It's a beautiful opening that shows off the series deft animation and MIssouri setting, something that makes me want to learn more about my own state's history. It's clear from the word go a LOT of love and research went into this setting, and given creator Tracy Butler had started Lackadaisy as an even MORE lavishly drawn webcomic.

Lackadaisy has a simple setup: three cats working for the titular saloon, Rocky, our dreamy narrator and mild loon, Freckle, his grumpy sidekick whose perhaps a bit TOO good with a gun, and Ivy, a peppy girl who takes jabs at Rocky and flirts with Freckle. I .. I ship the fuck out of it. These two are adorable. The three are robbing a body for canadian hooch but have to deal with the deathly serious and deathly hot, Mordecai Heller and his much more excitable, jokey and bloodthristy associates Serfafine and Nico Savoy.

The short is mostly a tense back and forth between both parties as our heroes barely surivive, we get a lot of good Ivy and Freckle content and Rocky saves the day by hyjacking a goddamn steam shovel and loading it with dynamite while waxing poetic and laughing madly. If that's not enough to get you to check it out if you haven't, I have clearly failed in some way as Lackadasiy is excellent and like Atlas and the Stars, leaves me wanting more of this cast. I'll defintely be reading the comic and plan to at least try to get the print editions coming up soon, as the pilot does a good job of showing who these characters are simply by action.. but leaving you questioning WHO they are and how they all ended up in a failing saloon, and why say Mordecai spares Ivy towards the end. Whatever it is I only want more of this, and am so happy those of you who weren't late adoptres like me helped get us a full season 1. Thank you so much and I can't wait for this show to show up here again. It's gonna be a riot and Micheael Kovach steals the show any time Rocky speaks, while SunWongCho is just... amazing as Mordecai and gives us a great antagonist to work with, a classic mystery man whose side your not sure who he's on, you just know he's a threat when he shows up.

16. Simon Petrikov (Adventure Time: Fionna and Cake, Season 1 Episode 2)

Does somebody jump for joy? Does somebody cry? Now that I'm not part of that sadness? Does somebody want me now? Now that I can’t fly? Now that I'm not part of the madness? Part of the madness?

Adventure Time: Fionna and Cake surprised the hell out of me in the best way possible. See while I never stopped caring in SOME way about adventure time, my dropping off mid series after ... THAT happened in Breezy, only coming back occasionally for an episode or two, the orgalorg arc and the finale, I really wasn't interested. I did enjoy the two episodes of Distant Lands I saw, Stakes was excellent and Together Again felt like a more fitting final chapter to the series. Both didn't feel like continuation of the story: Stakes was a coda giving us the Bubbline content CN denied us and Together Again is an Epilogue, set at the very end of Finn's story.

So I was kind of.. Meh on Fionna and Cake's announcment. I wasn't against it but I'd just never really cared about these two, with the series having made two great episodes about them (and two more I hadn't seen at the time), but the whole "created by a creepy old guy" part of it always held me back from fully embracing these two. I was badly hoping they'd throw away the whole fanfic conceit and just move on.

They didn't do that.. but Fionna and Cake not only found a way to revitalize that, but reminded me WHY the original series was so strong. Fionna and Cake grew up with the original audience, a piece about metafiction, fandom, growing up, and depression all made wonderful and really stretching the property as far as it'll go and i'ts unexpected season 2 greenlight makes me all too excited.

The thing I was most excited for though.. was still greatly done. Alongside Fionna and Cake getting a slice of life makeover thanks to Simon going back to "normal", we get some closure for Simon who ended the series seemingly fine: Betty is gone, but he's sane, Marcy gets her real dad back, job done right?

Adam Muto, Adventure Time's ep from season 6 and the archeticht of most things from Rebcca Sugar's leaving till present day, disagreed, planning a simon special for distant lands before rewriting it for this series. And it points out something a lot of fans noticed about this ending: it's.. not okay. Simon lost betty AGAIN, and is now trapped in a world he never made.

And the series makes this into his arc, how does he fit into this world, and what he tries to do to escape it instead of dealing with it. Simon Petrkiov paints a picture of where Simon's been in the 10 year time jump between Come Along With Me and his debut in this series, Simon Petrikov.. and it's a deeply depressing picture.

Simon's a living exhibit on the humans floating island, unable to connect with his fellow humans as he can't relate to them in any way shape or form. He's a 20th Century man and their 24th century men and women. Not helping is an overzealous, or sweet fan girl he keeps shooing away who just CAN'T understand that the man who wrote Fionna and Cake.. ISN'T the same guy making toast in a fake apartment and watching Cheers every day. The Ice King was PART of simon, but they were never the same person and every reminder of the hell the poor man went under, the things he did, the people he hurt just reminds Simon how far away he is from home.

Not helping is something all too common with depression and trauma, something I know all too well... Simon won't open up to people. He doesn't get help (and as we learn via a minerva bot in the finale Therapy was ALWAYS there for him), and he keeps space from the surrogate family he does have. He dosen't want to "ruin" marcy finally being in a good place and thus barely calls her, content to just visit and pretend things are okay. Finn TRIES reaching out.. but while he's older, wiser, and beardier now, and to my delight still with Huntress Wizard (and in headcanon in a throuple with Flame Princess, but that just me. ), but he's still an adrenline junky raised by a loveable manchild who can't quite relate to someone like Simon, who just wants his old life back.

All this is punctuated by the return of Rebecca Sugar, who sings the beautiful and tragic "part of the madness" which sums up where Simon is: he's normal, he's who HE wants to be.. but the world simply feels like it rejects him, when really he's just as much rejecting it. Instead of trying to find some calm in the storm of this life and admit he needs help.. he chases betty, trying badly to get her back even though it just.. isnt' possible.. and causing this series as a result. He just can't let go.. but the series shows him he has to if he wants to truly live.

15. Miraculous World Paris : Tales of Shadybug and Claw Noir (Miraculous: Tales of Ladybug and Cat Noir World Special 4) | In the daytime, I'm Gabriel Just a normal man, with a normal life But I have a secret I must keep at any cost Or all hope will be lost. Miraculous! Fear is a cage! Hear the message, answer the call! Miraculous! Yes, you can change! The power of love will free us all! Miraculous!

Yeah after two years of watching it, Miraculous Ladybug actually made this list. I'm shocked i'ts both this high AND this good. See while i'm a fan of Miraculous Ladybug, most of the fandom is more a fan of what it could be, the potetial it'd have if Thomas Astruc hadn't been the one mostly running it for 5 seasons and running it straight into the ground into the molten core of the earth. The Recent film, while far from perfect, felt like more what the series SHOULD'VE been, with the secret id bullshit resolved by the end of what's essentially movie/season 1, Gabe given more depth etc.

So i'ts ironic that in the same year the show itself, via it's spinoff specials gives us ANOTHER universe that's way better than the mess they've made of the main timeline with Miraculous World Paris. Mirror Universes are nothing new, to the point Kev and I have a whole series on mirror universe episodes featuring this very special planned, starting later this month.

With Ladybug's lack of subtley, misuse of good ideas and goofy incompetence, I assumed this special would be at best goofy fun with overblown multiverse and mirror universe tropes. Instead... it's the single best episode of the shows run, a truly moving piece that made me enjoy mirror universes again the same way Fionna and cake has made me enjoy AU's again

Miraculous knows just the right way to make evil counterparts: instead of the earth 3 versions of Marinette, Adrien and Gabriel the complete opposites of our heroes or just "Evil, Evil and less of a prick", Shady Bug, Claw Noir and Betterfly are all the same people we've come to know, simply gone down a diffrent route. Gabe is a better person, having STARTED as his earth 1 shitheal self working with his earth's eviil shadow overlord supreme... the loss of his life somehow changing this course. Instead of using the butterfly miraculous to try and bend the world in shape to get his wife back, he honors her legacy as Betterfly, helping others, something that seems IMPOSSIBLE for our gabe to consider without an ulterior motive.. but all too plausible if he just let go of his ego and his wife and let her die in peace instead of holding her in a dome coma and fighting teens. If he accepted he can't control something

Likewise Shadybug is Mari if Alaya hadn't befriended her, if Chloe just kept bullying Mari and Mari never stood up to her, the bullying just made her worse. If her parents WEREN'T there to support her: the bakery and her room is.. but it's very clear her alternate parents just aren't the loving duo our Mari's are. This is the kind of Mari that would've easily become an akuma.. but instead becomes something WORSE thanks to Supreme, a mysterious entity linked to the guardians, very heavily implied to be earth 3 Master Wu, who gives out the miraculouses to those who can tighten his grip on earth, and selected Mari and an Adrien who never went to school and thus never got out of his shell and is even MORE distant form his dad due to Gabe's new job as his pawns.

It results in a tearful battle as our heroes are both forced to TRUST the best life version of their nemisis, and battle what easily could'e ben them, while their counterparts find out , after Shadybug tries the wish thing, that supreme was using them and their lives are being drained by overusing their powers, explaning why the regular miraculouses limit our heroes to one use of their powers and limited timing. This is what happens otherwise and Monarch is all too happy to take advantage of that. There's more to this special, a lot more I can't wait to explore in april, but needless to say Miraculous World Paris.. is what I wanted from this series: a creative, tightly told, heartbreakingly well done superhero story with tense action, creative uses of the kwamis, and good character stuff for BOTH versions of our protagonists. I'ts a true masterwork and I wish THIS is the show we got more consistently.

14. The Amazing Rudy (Bob's Burgers, Season 14, Episode 2)

"I kinda walked away on dinner with my dad and her boyfriend and dad and his vicky for the first time which I guess how family dinners are gonna be from now on and I guess technically... I ran away"

It's weird but despite my deep love of the Great North (Which for the first time since it's debut missed the list this year, but damn did it have a good one, even if season 4 had to wait for 2024), until this year I wasn't consistently watching it's sister show Bob's Burgers anymore. I liked Bob's, I loved the movie, I had nothing against it. But any time I tried to get back there'd be an episdoe that just took me out. So now while I won't watch every episode, I still watch most, as the show is good as ever, if not on a comeback after a few seasons apparently felt (if TV Tropes is a good indciator) as very hit and miss. Season 14 is fantastic and it's no surprise it's second episode ended up being one of the series best.

The Amazing Rudy is something completely different in tone and staging, with a more melancholy peanuts style soundtrack, a somber tone and more muted humor. It fits perfectly, as the episode isn't centered around the Belchers this time but Louise's best friend, future husband and morality pet Rudy. The show has had secondary character spotlights before, Rudy getting a few himself, but usually the Belchers are still front and center and one of them still plays a major role in following this character around. For instance a few episodes later we get "bully-leive it or not" a zeke spotlight episode, but one where the other three kids are still very present: Zeke and his shameful past are the focus, but Louise and Tina still figure heavily into the plot, louise nearly bullyign Zeke's former bullying victim thinking the guy bullied zeke and that's why zeke freezes up seeing the guy, while Tina guiding the kid around is what kicks things off. The two aren't the focus, but it still feels like a bobs burgers adventure, helped with a bob subplot where he grapples with Jimmy Pesto, now played by Eric Bauza after a long absence thanks to his previous actor being an insurrectionist which lets face it Jimmy totally also was or at the very least thought about before finding the air fair was too much.

Here the focus is on Rudy to the point it feels like an episode of a Rudy spinoff show that does not exist but we now all want it too. It's still in Seymour's Bay (Which I forget is the name of the town this show takes place in as mostly people we know are in wonder wharf or on ocean avenue), just following Rudy as the lead instead. The Belcher's show up, in the middle of a bob's burger's episode we'll never see about Gene getting good grades and thus getting baked potato lasagna, a recipie he made up and assumes "everyone else must enjoy" is part of the reward, with the payoff him realizing he can't force someone to love his abomination, but he CAN have their portions. Being Rudy's closest friends and future wife it makes since there the ones he talks to when he goes to the mall with his dad to get a magic trick for the night and a snappy hat when he crosses them.

The Belcher's presence also hammers home what Rudy's dealing with though and that's.. a loss of family. Rudy's Parents are divorced. This isn't a new fact as it's come up casually in the past: being the kids Teddy, i.e. the person closest to them in their age group to be clear, not the person who defintely has passed by the restraunt at night every night and just.. stares in the window. But being the kids most prominent supporting character, with Jimmy Junior and Zeke a close shared second, we've gotten to know him: his parents divorce is amnicable, he alternates weekends, and they've both moved on. We haven't really seen his mom but Rudy seems just fine with her and with his dad being his primary caregiver, is a bit closer to him, as shown in this ep as the two are adorably in synch and have their rythm.

See Rudy didn't LOOSE his mom or dad, both are still very present.. but he lost the three of them as a family and until recently had their monthly "We're still a family' dinner", what, as we learn in a heartbreaking montage i'll get too shortly, was a monthly family dinner and became a way to show that both his parents still loved him and still liked each other even if they weren't together. The problem is while a well meaning gesture, both parents have started bringing their partners, which is fair but makes it less a family dinner.. and more Rudy stuck with four adults having a hangout who accidently forget he's there. While I never went through one of these as a middle schooler when my parents broke up, I know the type of event Rudy deals with all too well: it's mostly adults, there's no one to talk to and your alone. Granted I was fine with it because I just.. read whatever book I brought anyway, but rudy is a social butterfly, an awkward awkward butterfly, so he has no idea how to handle this, or really deal with it.

His one ace in the hole is a magic trick, from his faviorite shop, the same one we saw in the magic episode way back. See while Rudy's love of being a magician is another character trait that's come up, this episode gives weight to it: Rudy got into magic not just because he dearly loves it and the person at the shop gladly mentors him and supports his talent, but it's seen in a montage of previous dinners that any time his parents started fighting, before and after divorce, a simple trick reentered the night and reminded them what's important.

Naturally the trick, done using a glass of drinking water and some tablets, goes wrong, and while Rudy's parents encourage him to try again and no one really is mad at him or upset it went wrong and spilled everywhere, he feels utterly humiliated, something we all went through as kids: you screw something up and while your parents don't make a deal out of it, you just can't. Hell I still have that problem. So combine that with already not wanting ot be here and Rudy bounces, his parents not aware he's gone.

Naturally, given the earlier setup, he bounces to the Belchers. And it's easy to see why: The Belchers are a loving, wonderful family, and Bob and Linda not only gladly let Rudy join, but engage with him in a way Rudy's parents simply forgot. Rudy's parents aren't callous... adults simply make mistakes and in likely trying ot make sure rudy's okay with both their partners being there, their partners feel good, the million other things they got going on.. they talked over Rudy. It's what makes this work: we feel for rudy, but it stings more that this isn't some problem with an easy fix. There will be plenty more dinners where he's wallpaper and plenty more times they likely forget him without meaning to. The trick COULD'VE helped.. but it failing was a reminder it was just a distraction from the fact his parent's aren't a family anymore, just two people who share a kid, loving him and caring about each other.. but what little bit of what he had before the divorce is just gone.

Brian Huskey's voice as he gives the monologue I used for this episode's quote is just heartbreaking.. you can feel the kid just.. relaizing he can't just run away from it. It's just.. how things are. HIs sad revelation of this just hits, Louise's "Oh boy", and Rudy sounds on the verge of tears.. we've seen him mad, we've seen him kinda sad.. but never like this. Just a child realizing things won't be the same and he has nothing to do but go back to it.

Thankfully as bob and linda mindly panic after realizing "oh god this child just ran and his parents don't know oh god", Louise knows what her best friends need and offers to walk him back. not only is the moment shiptastic.. it's sweet. Louise gets Rudy is having a hard time with all of this and needs some support, needs someone his own age there to talk with and to help deflect attention. And to punch out anyone on the way who tries to hurt them with brass knuckles, which naturally linda gave her as santa. After all he IS from the streets. It provides a pretty morose episode an utterly sweet ending as the two walk back, Bob couldn't be prouder, and Rudy.. for now at least.. isn't alone among his own family anymore. He may never have what he had back.. but he's gained someone pretty good along the way.

13. Watching and Dreaming (The Owl House, Season 3 Episode 3, Series Finale)

"Eda, King, Thank you for Everything" "Right Back atcha kiddo" "Weirdos?" "Weirdos"

The Owl house was the best show of the 2020's and while it had some stiff compettion this year, it still hasn't been surpassed. It was hilarious, had a wonderfully built messed up world with lots of thought, deep character arcs, and was sadly cut short way too soon, but will never leave the hearts of those of us who loved it.

So thankfully they stuck the landing, as Watching and Dreaming was a worthy conclusion to the series. After the decent but easily weakest of the three season 3 specials "For the Future", Watching and Dreaming is a nicely packed finale that wraps up the series wonderfully and while it leaves me wanting only MORE, MORE DAMN YOU MORE, as the series always had, it's a good note to end on while Dana gets the hell out of mouseton for a while.

It was also the last episode of a show I covered as it came out, with an attempt to do so with legend of vox machina adding way too much to my work load this year to really work out, and as a finale to that.. it was just as welcome.

Watching and Dreaming spends it's first third on the Collector, and while there is a bit of disconnect between what he puts our heroes through and where he left off, with Luz once again hving her anxieties reinforced via a horrifying puppet show, the show quickly recovers as the big three are reunited after two long episodes and several long months in and out of universe: Luz has her other mom and little brother back, Eda has her kids back and King has her family back. We also get a quick show of just how far they've come since the pilot as each one easily bodies the collector's games... and leaves him wondering why they won't play fair, why this isn't working. It takes three people who had to learn their lessons the hard way through tears, isolation and learning their life was a lie, to teach the boy god empathy and unveil that at his heart.. he's just a kdi who REALLY didn't know what he was doing was awful.

Unfortunately just as the collector learns friendship, belos POSSESS THE TITAN'S CORPSE ITSELF and plans to do .. something.. genocidey and after an attempt to just forgive him fails, the only thing our heros have is each other, with Luz's friends aka our other heroes busy saving allt he puppets with their new starry pjamaed pal.

Luz gets a last minute somewhat asspully upgrade, but it's all three together that defeats belos. It's an epic finale but one that nicely focuses on who Dana intended as the core of the series: a child who found her place in another world and learned responsibility and to forgive herself, a witch who learned to forigve and let others in, and a titan who learned empathy, all kicking that blobs ass. And then curb stomping it. It's a moving, fast paced, excellently animated finale with a fun time skip epilogue to tie it all together. Owl House may be gone... but it'll never be forgotten.

12. Army of the Doomstar (Metalocalypse, Finale Movie)

"I am a wheel in the gear of the Klok. I feel not my mortality".

The other adult swim finale movie this year and the one that had the harder road. While Venture Bros got it's movie offer at the same time as cancelation, it took Brendon Small a decade, a whole ass album designed to be as close to a finale as he could get without a lisence and a LOT of campaning to finish his story to get here. Metalocalypse ended just as the final verse of blood, metal and stupidity was about to be written, and it was thanks to Small and the Fans themselves that we finally got it with this movie.

Army wraps up 4 seasons and another movie, a movie I dearly loved when it came out and still do, with an epic. It's darker in tone as the metalocalypse that begun at the start of the series is almost here and Nathan Explosion has a full on existential crisis trying to write the song that will save the world, having no idea how and not helped by his disasterous attempted propsoal to abigail while on a lot of wine and xanax (Props to small for ending a pretty disliked subplot exactly the way it shoudl without just.. tossing it out for time or some shit AND making it tie perfectly into the plot). The films dives into the overexpecations we put on creatives to MAKE US MORE DAMMIT, and how hard that actually is.. but also how fans.. are something to treasure and not spit in their face as our heroes have the whole series, seeing them more as parasites than people.

It maintains the series ballance of having an epic story.. but not sugarcoating that these guys are fucking morons with Nathan charging into a funeral on xanax and telling everyone, Pickels having ot literally be everyone's mom, and Pickles ordering a last meal fo rnathan of cool ranch diritos and choclate milk. The shows as goofy as ever, but adds a heart that's been only glimpsed on occasion as our heroes are allergic to feelings, as our heroes must save the world. We also get some kickass metal music as always, with SOS being a standout, giving us one last awesome dethklok performance and song as our heroes rally the world to show them their not alone.. and they never were. An epic, hilarious, and well done film that manages to cover all the bases it needs to and wrap everything up in 96 minutes. Pretty brutal.

11. The World Vs Scott Pilgrim (Scott Pilgrim Takes off Episode 6, Series Finale)

"Hey, because I'll have a lot of trouble saying it later, let me say it now: I love you, Scott. And I run away from the thing that I love. But what I've done in the past doesn't have to define me. Help me keep remembering that, okay?"

Scott Pilgrim Takes Off was a thrilling watch but there was one worry I had as it went.. sticking the landing. It set up a compelling mystery, to the point I genuinely wasn't sure who would kidnap scott as while the twins DID have to show up and were likely involved.. it just didn't fit that it was them. It being their robot who being a robot has never eaten anything, thus never eaten meat and would have none of the bilogicial weaknesses of a human, was brilliant as it is hilarious bonkers.

Who sent the robot.. was even better as it turned out to be Scott himself, a twist that told me everything was going to be alright. Specifically this is a scott who lived what this story would've been: Scott beats the exes, gets the girl, and they have a happy relationship and then marriage for 15 years, having become their best selves. The thing the series challenges though .. is if they can STAY better versions of themselves. It's something the other versions didn't really WANT to poke at because it makes the ending less happy: if they don't end up together, what's the point of all this. Yet.. relatoinships break up. Hope Larson, the real life inspriation for Ramona, divorced Brian Lee O Malley. The relationship COULD fail and where would that leave them.

As it turns out.. not great as Ramona bailed when it got hard while being vauge as usual, and Scott spiraled hard into his worst habits, moving in with wallace, again, and rather than figure out where he wen twrong.. wanted to hit undo on what he felt was a sunk cost, a relationship he put his heart into only for it to seemingly fail, even if he still had a chance to save it. Hence the brilliant and only not making this list because this year was paccckkked with good episodes, 2 Scott 2 Pilgrim before this. It also helps the takes off scott spedrun his charater development as future him is everything Scott tries to ignore about himself, his laziness, selfishness, short sightentess and very stupid brain, as a person he really can't ignore because that person kidnapped him because he took a joke Wallace made seriously.

So Scott naturally motors with the help of Future Wallace and Older Ramona, who was indeed the sleep paralysis demon and like her ex husband really sucks at plans, but gives Scott a lift home. So.. everything good? Ramona Grew, Scott Grew, Scott acknowlegeds he never should've dated a literal teenager... we goo dright? Right?

Thing is as this episode reveals midway through... Older Scott REALLY didn't want his past self to take the gamble that he could do it the right way and instead of giving himself tips.. gave himself anti kissing nanites so he and ramona can't kiss, the two naturally thinking it's the exes. We get a great opening here as scott confronts each of them, having only kinda witnessed their changes.. and most don't care. Even Gideon's moved on to Julie, his perfect match and a pariing I can't belivie I love and fits perfectly: their both the worst, and together their awful. Brilliant.

The two seemingly don't solve things.. but thankfully Old Scott is more than willing to show his hand.. as even older scott. Even Older Scott is terrifying, taking some of Scott's good traits.. and making them into something nightmarish. After his failure to change the future, not considering that

Instead looses his mind, training himself in video games and the martial arts for 10 years, all to counter everything his friends and the exes can do... all so he can KILL EVERY LAST ONE. Scott's worst nightmare across all realities has come to past, he's an evil ex.. and the evilest ex of all. Well in terms of power and madness, Gideon still put a bunch of women in jars because they broke up with him who Matt hopefully let out in this timeline.

We get a great fight as the utterly jacked, utterly terrifying even older scott, who nicely resembles evil ryu from street fighter and has pixel effects ala movie!gideon, cleans house, with Ramona wondering if she should just.. leave all this. It's only realizing that's literally all she does that gets her to realize she want sto fight for this, even if it ends poorly, and Scott, already all in, helps her.

Ultimately it's not the duo who win their future this time.. but Ramona's own future, what could be, even older ramona, saving her past self via fusion, a super mode (Just like Sonic 2.. or 3.. or dragon ball.), and some words of encouragment, giving EOS another chance and Scott the beautiful words above.

It's a powerful message and one that's real: it's hard to change.. but it's even harder to get change to stick. You just have to keep remembering it.. and keep trying. No matter how bad things seem.. you can make it better.

This is all helped by the beautiful ending, a pixel version of god only knows as everyone, exes now included, gets to live their best life and we last see Ramona as she dons what we finally find to be her natural hair color, blond (with some highlights because, hey, it looks badass), ready to face the future)... and the best worst couple hyping a sequel that will never happen, but frankly it'd be werider if they didn't, A truly spectacular finale to what may be the best version of this story.

#scott pilgrim takes off #lackadaisy #atlas and the stars #metalocalypse #the venture bros #the owl house #bobs burgers #miraculous ladybug #animation #2023 #best of 2023

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