Bro, okay, so, you like dragons. And you like Welcome Home. And so do we, your audience.
So… why don't we just…. *starts gently pushing the Welcome Home characters into the dragon-ifying machine*
bold of you to assume that wasn't one of my first WH thoughts!!! have everyone's favorite apple hoarder <3
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i love watching the behind the scenes bits because of the insight it gives you. the death scene was TWENTY EIGHT PAGES LONG in the script and boy did it feel like it. one of the producers mentioned how they “never wanted to take the cameras off the kids because then it’s kind of like.. letting them off the hook” and my writer brain found that supremely gratifying. the complete lack of ‘downtime’ from tom’s call to the press conference forced you to feel some of the tension the siblings did, and it did NOT give you a break because they didn’t get a break. it yanked you in unexpectedly and didn’t let you go for almost a full half hour. it was so masterful and i expect emmys all around <3
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Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)
- explanation & w/o text:
Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!
First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.
Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.
Basically: He's both a Bond girl and Bond villain.
Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.
About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.
I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")
I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.
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honestly, looking at izaya's life from a third person pov, it's just... sad? like.
here's this guy who touts himself as something akin to a god and a master manipulator and someone to be feared, and he IS very good at what he does, except... when you take a look at the rest of his life, you see a mid-20s man who has no friends, nobody who really likes him- his clients fear him, his secretary isn't fond of him, and the one friend he DOES have is honestly kind of a garbage friend. and when people draw attention to this, izaya goes on this spiel about how this friendship is so intricrate it can't possibly be understood by an outsider, but what's REALLY happening is that shinra routinely doesn't care for izaya on a personal level via ignoring and ostracizing him, and izaya kind of just. takes it up the ass
he sees everyone around him as an object and the sad thing is everyone, in turn, sees HIM as an object- less an actual living being and more an abstract concept, or at least something that only exists for others to gain something from. it's this vicious cycle of izaya keeping everyone at arm's length and denying his own humanity, which in turn leads to people also denying his humanity, unknowingly feeding into this fucked up cycle of self depracation that most likely started when he was a child- his parents didnt see him as a person, just a mouth to feed and later, a way to have the life they wanted while still appearing respectable- they had kids, just like society said they should, but theyre not obligated to care for them.
and the one person who DOES notice there is something unhealthy going on can't be assed to do anything about it- in volume 9, shinra explicitly says that he doubts izaya expects to live long enough to die of old age- celty actually agrees with him! celty not being assed about it i'd expect, she already hates izaya and doesn't actually know all that much about him, but shinra at least should realize that there's something off about the whole situation. wether thats out of apathy or he just genuinley doesnt believe izaya is being unhealthy, i don't know.
but as it stands, here's a man who insists he can't be manipulated and that he's in control, who's... routinely mistreated by his only friend whom he still talks to and expects some sort of closeness from, and who ultimatley not only loses control, but loses it so spectacularly that he ends up disabled, possibly permanently. i KNOW the spinoff novels said he couldve walked if he went to physical therapy, but "ability to walk" does NOT equal "not disabled anymore."
like... it's just. a sad life! it's a horribly sad existence of a perpetual misery cycle that izaya not only doesn't pull himself out from but actively perpetuates via constantly giving in to his worst impulses and keeping everyone away from him via said impulses, ensuring nobody will notice anything wrong, and that people who DO notice and DO realize its unhealthy, won't give enough of a shit about him to help
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