♡ Intimate Moments | Bleu & Justin | GENEVA ISLAND
* Bleu wakes up early with the sunrise. She makes coffee and enjoys a book in the rec room. She gets ready upstairs before she approaches Justin in the kitchen*
Ju: Glad to see you’re up! I was just about to come find you, you’ve been missing all morning.
B: Yeah, sorry about that, but I was actually up earlier making coffee and relaxing. I decided yesterday that I am taking the reins of my own destiny and I am going to enjoy this amazing moment, this beautiful villa, in my own way. And I guess that meant more alone time than I realized… Is that bad?
Ju: Not at all!
B: Good, cause I am actually really glad that I did. I feel a lot better now.
Ju: That is awesome, I’m so glad that you found a way to turn things around. You don’t want to end up like Sean..
B: Oh my gosh, you did not just say that! [giggles] I really appreciate you being here for me and helping me to feel better.
Ju: It’s my pleasure. I am just glad to see you enjoying yourself finally.
B: I enjoy your company a lot Justin! I wanted you to know that too…
Ju: Same here Bleu, you are an amazing girl!
* Later, Bleu is sunbathing and back floating in the pool. Her and Jasmine start talking while Jasmine is making drinks*
B: Thanks for making this drink for me!
Jas: No problem! I need one myself I think..
B: I feel you, I’m loosening up tonight! I have a feeling it might be my last one anyways…
Jas: Don’t say that! You never know what could happen. Things in here change in a blink of an eye. You still have all evening to get with one of the boys!!
B: No, no, it’s actually okay. If I left tonight, I wouldn’t mind. There are a lot of lovely couples here, and even though at first I didn’t know if I would like it, I actually loved being here, and I don’t regret anything.
Jas: Well cheers to that!
* They cheers and drink *
The Start || Beginning of Episodes || Previous || Next
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what if we were two mentally ill kids in a society that has no words or tolerance for that. what if we killed someone and unavoidably our identities and relationship were built around that trauma. what if we spent the rest of our lives trying to grapple with what we did to each other, still without words for it. and what if we were both girls/boys/it’s complicated ashkdjhdgjhg
Words: 28735, Chapters: 8/8, Language: English
Fandoms: Doctor Who (2005), Doctor Who & Related Fandoms
Rating: Teen And Up Audiences
Warnings: No Archive Warnings Apply
Characters: Twelfth Doctor, Missy (Doctor Who), Theta Sigma, Koschei
Relationships: Twelfth Doctor & Missy, Theta Sigma & Koschei, Twelfth Doctor/Missy, Theta Sigma/Koschei
Additional Tags: The Vault (Doctor Who), Doctor Who: Academy Era, torvic - Freeform, Trauma, Dissociation, i think. or something like it, wibbly wobbly memories, Self-Harm, Hurt/Comfort, Bathing/Washing, Vomiting, only in the last chapter, Non-Linear Narrative, Flashbacks
alternatively, what if youre like 10 and you almost get drowned by a bully and get that memory warped so that instead of the victim you become the murderer. what if you did that for your best friend. i mean what if your best friend did that to you. did you die?
theres love, somewhere in your body. theres death, somewhere in your body. you are remade so many times by through because of love. you die so many times by through because of love. are you dead yet? were you ever alive?
you were remade before you were made. you are a person inside out. you are a body without a soul. your friend did this to you for what you did for them. have you decomposed yet? why have you not decomposed yet?
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I'm totally in support of the writers in theory but I'm trying to understand more of what you're fighting for because I've seen some people on twitter claim writers make more money a week than most of us make in a month so I'm trying to understand what the issue is. Also if that info is accurate. This is a genuine question. Not trying to have a "gotcha moment". I really want to hear from a writer.
people have always had wild misconceptions about how much a writer earns because of their lack of understanding of how the industry actually works. there's so many posts about how "you guys make 5k a week. what more do you want?!" yeah...let's do some math on that.
5k a week for 14 weeks (and that's a long room. a lot of rooms these days are 8-10 weeks. those are the dreaded mini-rooms we're trying to kill) is $70,000. for roughly three months of work. you'd think we're cooking with gas...BUT HOLD UP. that's gross! let's see everything that has to come out of that check:
10% to our agent
10% to our manager
5% to our entertainment attorney
5% to our business manager (not everyone has one but a lot of us do. i do, so that's literally 30% immediately off the top of every check)
most of these breakdowns ive seen downplay taxes severely. someone made one that says writers pay 5% in taxes and i would like to ask them "in what universe?". that doesn't even cover state taxes. the way taxes work in the industry is really complicated, but the short of it is most of us have companies for tax reasons so we aren't taxed like people on w2s/1099. if we did we'd be even more fucked. basically every production hires a writer's company instead of the writer as an individual. so they engage our companies for our services and then at the end of the year we (the company) pay taxes as corporations or llcs (depending on what the writer chose to go with). my company is registered as a "corporation" so let's go with those rates. california's corporate rate is 9% and the federal corporate tax rate is 21%. there's other expenses with running a business like fees and other shit so my business managers/accountants/bookkeepers have recommended i save between 35-40% of everything i make for when tax season comes.
you see where the math is at already??? 25-30% in commissions and then 35-40% in taxes. on the lower end you're at THE VERY LEAST looking at 60% of that check gone. 70% worst case scenario. suddenly those $70,000 people claim we make are actually down to $28,000 as the take home pay. and that's if you're only losing 60%. it goes down to $21,000 if it's 70%.
lets pretend you worked a long 14 week room (that's the longest room ive ever worked btw) and let's also be generous and say you only have 60% in expenses so the take home is $28,000. average rent in los angeles is around $2,800-$3,000. if you're paying $2,800 in rent that means you need AT LEAST $4,000 a month to have a semi decent life since you need to also cover groceries, gas, medical expenses, toiletries, phone, internet, utilities, rental and car insurances, car payments, student loan payments, etc etc etc. and again, this is los angeles. everything is more expensive so you're living BARE BONES on 4k. and these are numbers as a single person. im not even taking having children into account. so those $28,000 you take home might cover your life for 6-7 months. 3 of which you're in the room working. the reality is that once that room ends, you might not work in a room again for 6-9-12 months (i have friends whose last jobs were over 18 months ago) and you now only have about 3 months left of savings to hold you over. we have to make that money stretch while we do all the endless free development we do for studios and until we get our next paying job. so...3 months left of enough money to cover your expenses -> possible 9 months of not having a job. this is how writers end up on food stamps or applying to work at target.
this is why we're fighting for better rates and better residuals. residuals were a thing writers used to rely on to get them through the unemployment periods. residual checks have gone down from 20k to $0.03 cents. im not joking.
they've decimated our regular pay and then destroyed residuals. we have nothing left. so don't believe it when they tell you writers are being greedy. writers are simply fighting to be able to make a middle class living. we're not asking them to become poor for our sake. we're asking for raises that amount to 2% of their profit. TWO PERCENT. this is a fight for writing even being a career in five years instead of something you do on the side while you work retail to pay your bills. if you think shows are bad now imagine when your writer has to do it as a hobby because they need a real job to pay their bills and support a family. (which none of us can currently afford to have btw)
support writers. stop being bootlickers for billion dollar corporations. stop caring about fictional people more than you care about the real people that write them. if we don't win this fight it truly is game over. the industry as you know it is gone.
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