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#i was going to post this with the ask but i also have like... 6 other edit ideas
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Woe, Crack Baby Shitten au be upon thee.
(@bamsara 's little doodle of Nari being dubbed Cult Babysitter and holding a little lamb irrevocably changed my brain chemistry. So of course, I'm now making it everyone else's problem with the headcanon that Narinder is good with children of all ages.)
A couple of months before Lamb gets captured, they meet another lamb or a very small flock that have to split up very quickly after meeting since there's more chance of the lamb species surviving if they aren't all together. In the meeting, Lamb agrees to try continue the lamb species and gets pregnant via *magic* or afab.
Of course, all of the lambs are captured and killed with Lamb being the last, still a few months away from giving birth.
But then they are chosen and resurrected by The One Who Waits.
Fun fact: a fetus can survive for a few minutes after the death of the carrier. (Also this is a world with magic and gods in it. Logic means nothing to me.)
Lamb starts their cult, crusades across the lands and meets all sorts of allies and enemies. All while quietly mourning their entire species and the child that never would be.
Right up until they go into labour.
The baby is lamb through and through with soft wool, wide eyes, tiny cloven hooves and floppy ears.
But the influence of the crown is blazingly obvious since the baby's wool is jet black and they have three red eyes.
I can't tell which would be funnier. Lamb giving birth in The Lonely Shack or while they are physically in The Gateway just post-beating Leshy. Like they were in active labour right throughout fighting Leshy and had no idea. Either way, it's Shocked Pikachu .jpeg all around. (My fucking KINGDOM for a doodle of this.)
Various dot point shenanigans under the cut
There are two ways to go about this. But either way, Baby is not staying in the Cult. Too dangerous, especially if word gets to the Bishops about there being another lamb. So Lamb can and will speed-run this shit. So it takes them about 4-6 years to fully defeat the Bishops.
Baby stays with Ratau:
Lamb goes and yells at TOWW. They are panicking because they have no idea how to raise a probably-half-god baby.
Narinder has no idea what happened right up until Lamb comes in screaming about him being a Baby Daddy and child support.
Ratau is Grandpa now. This is his fate. He embraces the Grandpa life.
Baby learns how to play knucklebones before they can speak.
Shrumy tries to wager with Lamb/Ratau for the whole Baby. Once and only Once.
Baby's first word is dice. Or die.
Baby worships TOWW, but they are a Baby and don't really comprehend worship so the small shrine gets a lot of flowers, neat rocks and some drawings. Narinder always gives a lot of gold for them. And No, it's not favouritism. Shut up.
Baby knows curses. This is concerning for everyone except Baby.
Baby gets a little TOWW doll. It's their favourite, it goes everywhere with them and washing it is a nightmare for everyone involved.
Baby is jokingly referred to as TOWW's most Devoted Follower because of the doll.
↑ this action will have consequences.
When Baby is not so baby, they make stuff out of their wool for TOWW and for his disciples. Or asks their parent to help them make stuff.
Cue Lamb awkwardly giving the three some very wonky scarves or hats.
Baal loves it.
Aym refuses to take his off. Ever.
Narinder is actually upset cause his doesn't fit. He's too big. He had to wear it like a little ring.
Or Baby stays/is brought to the Gateway ala Aym and Baal situation:
If Lamb gives birth in the Gateway, everyone is getting a free midwifery education and free trauma. The cats want a refund.
Ya know when a baby instinctively clasps their little hand around a finger and it's like a crime to pull away? That but with Narinder's big ass claw that Baby can only barely cling to.
Aym cries the first time he holds Baby.
Baal straight-up refuses to give Baby back for a good hour.
Lamb visits at least once a day.
Lamb also brings baby things since a baby will do what a baby will do.
Depending on how old Aym and Baal were when they were gifted, Narinder is either learning all of this for the first time or is reminded of how challenging baby care can be.
Narinder purrs = a zonked Baby.
Baby's first word is Vessel.
Baby is taught to fight. Lamb doesn't like it but accepts it.
Baby has a little lamb doll. It is only due to the fact the afterlife doesn't have dirt that they avoid the nightmare of trying to wash it.
Baby is jokingly referred to as TOWW's most Devoted Follower since they refuse to be parted with him for long.
↑ this action will have consequences.
Lamb teaches Baby about being a lamb and if Aym and Baal join in, well who are they to deny their child's only friends/guardians this?
Narinder and Lamb figure out how to get Baby to teleport to the Living World and Baby gets to visit Grandpa Ratau.
Post-game shenanigans.
Narinder: Give me back my crown. Lamb: Ok. Sure. Narinder: I will now sacrifice my most devoted follower (the Lamb) for my freedom. Lamb: *Kill Bill sirens*
Lamb somehow doesn't kill Aym and Baal and instead kidnaps them via Indoctrination Circle out of spite/ reluctance to hurt them.
Narinder feels betrayed that the Lamb would refuse like this and kidnap his acolytes. He was going to resurrect them! He can't fully commit to raising a child while being the God of Death.
Lamb feels betrayed that Narinder would want to kill their child. After all they've been through together! After the way they saw him treat Baby with such gentleness and now he wants to kill them?!
This comes out in the very final moments right before Lamb goes to give the final blow.
Narinder: You are a vengeful false idol and a traitor! Lamb: At least I'm not a monster who wanted to kill my own child! Narinder: Wait. What.
This devolves into a massive argument with divorced-couple vibes.
Narinder is insulted and a bit hurt they thought he would kill his own child.
Lamb is hurt that Narinder would just demand their sacrifice without even talking to them about the whole situation.
Either way the lesson learned is Narinder needs to be more blunt and Lamb needs to not jump to conclusions.
So they are left with a newly usurped Narinder and a newly crowned Lamb. Oops.
Baby is with Ratau when all of this is going down.
Baby is happy their family is all together properly. Baby is Not Happy about this whole cult thing demanding attention from Their Baba.
The Cult is baffled by the sight of their leader with both a baby and a Spouse? Bitterly Divorced Ex? Estranged Co-parent?! What ever it is, most of them have elected not to touch the whole situation with a 10ft barge pole.
Baby learns what the word Father is and how that word refers to Narinder.
Baby calls Narinder Father/Papa/Daddy. Instant KO.
Narinder somehow gains a small hoard of children that like to follow him. Baby Does Not Approve.
Baby also Does Not Approve of this newly formed rift between their parents.
Cue Parent Trap level of Shenanigans.
Aym and Baal are recruited.
The Hoard of Children are recruited. Baby now Slightly Approves.
Narinder and Lamb have an Actual Conversation after the 18th time they get locked in the confessional together.
This of course evolves into Narilamb.
Bishops are saved from purgatory.
Despite all attempts otherwise, Baby is introduced to them.
Shocked Pikachu .jpeg x4
Maybe after a few more years, not-so-baby Baby wants a sibling.
This got so much longer than I thought but yes. Shitten Shenanigans: Accidental Child Acquisition flavoured.
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Here we go again
Hi gang. I'm back on my Chris-Get's-Healthy kick, again. I know I've talked about this and asked for your help in the past. I am once again attempting to quit sugar and work out more.
If you have offered me advice in the past and are tired of my requests, yet again, for advice and ideas, I understand. I get it. Believe me, no one is more tired of my bullshit and my inability to stick to a regimen and make the healthy choices than I am.
This last time I was derailed by my mom's illness and death. I just did not have the mental space or physical energy to commit to disciplined nutritional choices and consistent work outs while taking care of her. But the reasons don't really matter because there were excuses before this one, and on and on. I have been starting and giving up on, healthy living routines since I was 18 years old. Let's do the math, that's 30 years!
A little background: I am not a yo-yo dieter. I very slowly put on weight starting with my first desk job at 20 and never dropped it. The weight has never bothered me. I am a confident woman who has never needed to fit into a six 6. I am also single by choice and nothing in the last 30 years has given me a reason to change my mind about this.
This situation now is that I'm looking hard at 50 and the little aches and pains: the trick knee, the occasional sciatica, the feet that get a little too sore too soon, are, I feel, all red flags signaling that hitting snooze on my health is no longer an option.
I truly believe that fitness and nutritional eating are not only the key to staying fit and active, but I think if I just commit and get through those first few tough months, I would actually like it.
Lately I've been drinking my Dr. Pepper and eating my high-calorie cheesy pasta and lots of sourdough bread (all my favorites), but they just haven't been as satisfying as they once were. [Sidebar: I realize some of this could be residual depression and grief making life just not as wonderful as it once was. That will take time.]
Mostly, I'm just tired of giving the "I have got to get my health in order" thoughts the mental real estate in my brain. I need to deal with it so I can move on from it. So it is not such big part of my daily thoughts.
My long-winded and self-indulgent post here is just to ask once again - and I swear for the last time - what do you all find works for you as far as fitness and nutrition goes? My fitness goals are:
to get stronger and improve flexibility and mobility while protecting the joints and ligaments
staving off osteoporosis
alleviating some peri-menopause symptoms
My nutrition goals are:
to kick the sugar addiction once and for all and change my palate so I don't crave sweet things so much
prevent diabetes/heart disease, etc. before they start
improving gut health
I welcome all comments and advice, and that includes the tough-love "girl, you have got to get your shit together!"
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sflow-er · 10 hours
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I heard people are mad because they feel like August should be apologizing to Simon also, and I think that’s like, a no-brainer because of course he will – – he’s changed now. He’s not the same person who did that thing so – – we saw him suffer and now he apologized to Wille whom he knows and then – – I’m sure when [August and Simon] meet, he’s going to talk to [Simon] about it too. Linnéa Roxeheim, director of S3 eps 5& 6, PRP interview 59:00-59:22 (– – used for legibility, the redacted phrase is 'you know')
So...this kind of seems to confirm something I've been thinking since I watched the season: the lack of apology from August to Simon feels less like an intentional, character-defining writing choice and more like a mishap overlooking or even retconning the August-Simon conflict.
Some thoughts under the cut.
That conflict was one of the central building blocks and driving forces back in S1. Simon wouldn't have ended up selling drugs if it wasn't for August looking to buy, Wille wouldn't have found out about August's finances and been able to use them against him, and Alexander would not have been framed to save Simon. And for that matter, August's eagerness to pin the blame on Simon was likely fuelled by the fact that he wasn't just a sosse sleeping with Wille, but also a constant thorn in August's side. Someone who had even physically roughed August up at one point.
Still, I do believe August's decision to post the video mainly concerned Wille. I've written about that too many times to rehash it again; let's just take his dismissive reaction when Sara says Simon is distraught in S1E6 at face value. And that made perfect sense for his character, considering his only moral code at the time was (elite) loyalty.
However. From S2 on, the history between August and Simon has been sidelined, and the focus has been on the conflict between August and Wille.
We didn't see Simon suffer any more daily consequences from the video in S2. He could already sing karaoke in Bjärstad without people giving him dirty looks, and both the rumour mill at Hillerska and the hate comments online had stopped. Not being allowed to sing his song at the Jubilee was a concrete consequence, but even that felt more like an obstacle for Wilmon and an opportunity for Wille to stand up for them. Simon and August barely even interacted over the season - but at least Simon did refer to Sara knowing everything August had done to him in the gun range scene, so that was something.
I had hoped for the August-Simon conflict to be picked up again in S3. Even if the writers wanted to focus on other relationships and tensions, to me, it felt too essential to pass up. It would have been a clear sign of August learning the accountability and empathy that he needed to grow, and it would have also provided some much-needed closure for Simon (and tied the series together as a whole). I guess the writers felt differently.
Even though the focus on Simon getting hate on social media again could have provided an easy tie-in, the vile hate messages focused on his and Wille's relationship, as well as him being a POC. Apart from Linda's comment in the settlement negotiation, I don't think the video was even mentioned once in all the hate comments we saw. There was no indication of the media or the public having dragged it back up either (or asked who filmed and leaked it, but that's another matter entirely). Nor were there any references to Simon having already received some hate after the leak - on the contrary, it seemed like he was completely blindsided by all the vitriol. I do realise that the scale was much bigger this time around, but still.
Circling back to the August-Simon conflict, there's also another aspect that is easily overlooked. Namely, that Simon himself actually seemed pretty content to just put all his dealings with August to rest after the settlement was finalised. The only time the two of them even interacted after that was all about Sara. It could have also been an opportunity to show Simon's own feelings, but that didn't materialise.
Don't get me wrong, I'm sure Simon could still use that apology, but I never got the impression that he needed it the way we fans needed to see it. Based on S3, you might even think their only source of conflict was Simon coincidentally being on the video, and when that was settled, Simon was okay just moving on with his life.
Which brings me back to the ending.
I always figured that August was portrayed as genuinely remorseful towards the end. Yes, I would have liked to see more of his growth and development (even just showing his reaction to the sale of Årnäs instead of having Simon say that Wille said it was a fitting punishment would've worked wonders)... But the authorial intent seemed to be that he had already taken enough steps. His and Wille's reconciliation was as sincere as anything could get, with Wille not forgiving him as such but agreeing to move on, start healing, and even wish each other well. Wille was sincere when he congratulated August upon graduation and tapped him as the next king, thinking he was well suited for the job (it's the narrative that frames it as a sort of punishment, not Wille).
Crucially, Simon doesn't seem bothered by this. If both Wille and August had truly just ignored the harm caused to Simon and reconciled amongst themselves, with Wille essentially giving August the position that everyone but August still thought was all August ever wanted...while Simon was still hurting and needing the closure of an apology...well. That would actually make Wille look like kind of a terrible partner even right at the end, which clearly wasn't the intention.
We can't be sure if Wille told Simon about the reconciliation when they talked at the lake, but Simon will still know that Wille stepping down means August stepping up, and he is happy about it. Wilmon are off to start a new chapter in their lives, and we don't get the feeling that the lack of an apology to Simon is left as an unresolved issue between them (or between them and August).
So...yeah. I guess I'm just trying to point out that this seems to be another example of a previously important plot line being dropped from S3, and to a lesser degree, also another example of execution vs. authorial intent.
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malacandrax · 2 hours
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hi sry this is a lil long but i just felt like giving my own comments about ur post re: feeling left out/regarding more detailed work, and wanted to say that your work singlehandedly has inspired me SO much to the point that because of your more simplistic coloring/shading and focus on movement/body language, i was finally able to find a coloring/rendering style that i actually like aesthecially and enjoy doing! i've struggled w replicating color in a way i like digitally for over 6 years but your work, and especially so your sketchbook scans on patreon have been so useful for inspiration and for my own understanding of anatomy and what not. we're always our own worst critics with comparison and whatnot, but please know that your work and your style are a huge accomplishment and skill in their own right, and your comics inspire me to keep studying so i can one day make my own!!! i'm so thankful you share your work with us and to have come across it and be able to draw inspiration off it! your colors, expressions, and the palpable intimacy and dynamic character interactions are so amazing and specifically unique to your work, never doubt the impact it has just because of other's having a different style or approach or something <3
This is so extremely nice I don't even know what to say!!! I honestly feel so hyped that my style inspired someone else, I feel like it's not something I expected and its SO COOL. I sometimes feel like my style isn't particularly STYLISH you know, I often admire really strong punchy styles, so it's nice to hear my own kind of chiller style is inspiring! And that the things I enjoy come across as strengths, too! Also I am so happy to hear someone enjoys my sketchbooks haha, they're really precious to me but I also try not to be too fussy about my art in them which means it's not 'beautiful'*- they're for studying and/or chilling out, so it's SO nice that it's inspiring nonetheless! Wishing you the best in your art journey and also I think if you want to make comics you should just give it a go! Make teeny tiny comics! [it does not have to be good] [tangent oh my god] I feel very hypocritical because for the longest time comics were something my friends made and I didn't know how to, and I felt like my style didn't work for comics, but honestly when I eventually sat down and started a long comic the style happened out of necessity, I Had to simplify or I wouldn't be able to keep up. And you can see from the links that I just did sketchy comics before and that was fine! I think it was just as valuable as making polished pages. I actually probably ended up making comics For Real because I made a silly fandom ask blog, where I kept wanting to say more than I could do in one image, and that gave me the confidence to try something longer with OC's.
ANYWAY thank you so much!
*I find polished sketchbooks so inspiring, but its so limiting imo to try to make a beautiful sketchbook HAHAHAH
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leahnardo-da-veggie · 16 hours
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Masterlist of Writing
Oh my goodness this took so long to finish haha! Anyways this is a compilation of everything I've written so far, it will be updated as I go along.
Hello, and welcome to my blog! I'm Leah, a sometime writer and animator, who's also a massive fan of CJ Cherryh! I'd be honoured if you read any of my stuff, and even more so if you like it :) To any other writers reading this, feel free to tag me in any games or send me asks!
I also have a sideblog where I post random stuff and reblog other people's works, it's @leahpardo-pa-potato
Worldbuilding:
Geography
OCs
Linguistic Post
High Fantasy:
The Holy Crusader (1k)
Honey-cake (1k)
Deer-shade (2k)
A Thousand Lives (1k)
My Worst Nightmare (1k)
Lich-Queen:
Part 1
Part 2
The Oracle and the King
The Godhuntress & the Void:
The End of the World (1k)
The Beginning of the World (2k)
Old Friends (1k)
For Want of a Flower (2k, sequel to Old Friends)
Spirits:
The Spirit Emperor (3k)
No (1k)
Merida (3k)
Attempts at fluff/Writing experiments:
Pt 1 (fluff)
Snippets of my novel:
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 8 (Part 7 doesn't exist)
Part 9
Urban Fantasy:
Tituba and the Darkness (1k)
It watched me without eyes (1k)
Impossibility (1k)
Convenience Store Vampire (1k)
Now, now Dearie (1k)
The Wanderer:
Part 1
Part 2
Part 3
Non-fiction:
On Reading
Bird In a Cage
Dawn
Crumpling Butterflies
Expressions
Misc:
Mahogany (IDK what genre, <1K)
God (Sci-fi, 1k)
Spirit of the Hole in the Wall (Horror, 1k)
An Explorer's Log (Sci-fi, <1k)
Heroes (Superhero, 4k)
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MTG or YGO?
Long post? Long post!
Are you asking what I prefer? YGO. Are you asking what I think is better? That is wholly dependent on what a person wants out of a card game.
YGO's biggest barrier to entry is the fact that the cards are written in their own form of legalese. I mean this very literally, too. They use "Problem-solving card text" where it makes use of deliberately placed adverbs in effect descriptions to dictate moment to moment interactions. It is almost like learning a new language, and has been compared to learning how to read through legal documents. It becomes comprehensive once you wrap your head around it, and is the reason you can do some properly crazy/funny shit in the game, but wrapping your head around it and understanding what new cards do is a whole thing. Having someone who's played YGO before teach you how to play the game is basically the most reliable way to learn it. It's genuinely a problem.
MTG is, comparatively, much easier to learn. Very low floor of entry, and sequenced in such a way that you can understand basically how the entire game works in a few hours. MTG's complexity 100% exceeds YGO's at the uppermost levels, but the way game comprehension builds on itself is much cleaner, so it feels less obtuse overall.
MTG is mechanically more casual friendly. The current MTG darling format, Commander, is basically a 2ish hour social game where four people engage in a free for all that hinges partially on social politicking. It's typically chill. You also have a lot of assorted 1v1 formats and such. There is likely a "way to play" that will resonate with you, and the games tend to be slowish.
YGO doesn't really have multiple formats in a meaningful way. You can absolutely do group stuff and set informal rules, but the game ultimately hinges on 1v1s. With the frontal complexity of card text, these can and will feel very lopsided and frustrating until you understand what's going on. Once you do know, it's super cool, but getting to that point can feel like a chore. The games are also typically quite fast (maybe 3-6 long turns) and very dense with card interactions and timings. I enjoy it for the way it makes me strategise (or not), but it's definitely a preference thing.
Cost is something where YGO absolutely curb stomps. I can get a whole deck of picked out cards, plus a suite of "staple" (eternally meta relevant) cards, with lots of cool foiled versions and stuff, for like 50-70 bucks USD. You are NOT doing that with MTG. MTG is a stupidly fucking expensive game, where reprints of important cards are rare to encourage market speculation (I am not kidding) and finance bros have an ACTUAL PLACE in the community. There is a reason that casual MTG encourages proxy use. It's fucked. Also, as an aside, MTG's shiny/foil cards are dogshit. Same-y and super prone to curling. YGO foils are extremely good and pretty.
Cost feeds into another issue; set rotation. You can argue merit in both directions with this one, but for the average person with average money to spend, MTG takes another L here. MTG has set rotation. Basically, in the standard 1v1 format, cards that have been out more than 3 years will no longer be playable in that format, and you have to get the new cards. A lot of the alternate 1v1 formats in MTG actually just boil down to "1v1s but you can use cards as far back as X" because... people want to use their cards they bought. YGO doesn't have this. It instead has a banlist, updated every couple of months, that aims to curb problematic card interactions. Ultimately, though, if you buy a thing and like the thing, you can basically always use the thing. (MTG, as an aside, also has banlists for its formats, but it's in addition to the rotation stuff. The fact so many formats are there to ignore X years of rotations is also kinda telling, imo.)
Art direction and flavour are a personal thing. I like both, though I think that YGO's reputation for archetypal/thematic variation and card art quality are well-earned. That'd be wholly up to your preferences.
So yeah, I have a fondness for both games, but I ultimately prefer YGO because I like doing unhinged bullshit in it, I like the art a whole lot, and I like that all my cards are affordable and retain usability in a typical play environment.
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hidengifs · 3 days
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~Tokusatsu × Mother's Day!
May is the month of Mother's Day! Let's celebrate with an event!
Details!
Event Period: May 7th to 12th
Event Tag: #tokumothers
Any medium of creation is allowed (GIFs, Drawings, Collage, Video, Writing, etc.) preferably not explicit.
Any Tokusatsu from any region is welcome! This is not limited to (Major) Japanese Tokusatsu series.
Prompts!
Favorite Tokusatsu Mother(s)
Favorite Tokusatsu Grandmother(s)
Favorite Motherly Figure(s)*
Favorite Mother/Daughter Moment(s)
Favorite Mother/Son Moment(s)
Favorite Mother/Father Moment(s)
Bonus: Favorite Tokusatsu Father (I'm not doing Father's Day for June, so just going to include it here for anyone who wants!)
*- these are characters that posses motherly qualities, despite not actually having children.
For prompts 4-6, feel free to also do Grandmothers, or any other kind of female parental figure.
Complete as many prompts as you’d like/can!
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I'm posting this early in case anyone wants to get a head start on their posts! If there are any questions please send them to the [ask box] and I will update this post accordingly.
Reblog so this event reaches more people! I hope to see your posts soon!
Divider Source
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buglaur · 7 months
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if virgil was in a horror movie he'd probably be first to die
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psymachine · 1 month
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i think it'd go like this lmao
whole version
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lorillee · 10 months
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alright everybody. its finally time for my ace attorney investigations 2 retrospective/excuse to talk about the von karma-edgeworth family soap opera for a few thousand words. ive never been good at intro paragraphs so we're just gonna get right into it. this is gonna get long probably so be warned - i was originally going to put it under a cut but unfortunately doing that breaks the image format for some reason so uhhhh we're both just gonna have to live with it 😔 obviously this post is going to have major unmarked spoilers so if you havent played this game for some reason yet you should definitely get on that. anyways. without further ado:
investigations 2 is kind of ultimately about who edgeworth was and who edgeworth is and who edgeworth wants to be, explored via the lens of the nature of parent-child relationships and how parents' legacies impact the decisions their children make and the people they become.
at the end of aa1 (+rfta), edgeworth is confronted with the harsh reality that his mentor/adopted father & the man who taught him everything he knows about prosecuting is 1) a terrible person and 2) did actually have a habit of using forged evidence to keep his 40 year streak going. after being accused of corruption for having used fake evidence himself (unknowingly, but still), edgeworth goes on his whole journey of "what does being a prosecutor even mean, anyways" by means of worlds most melodramatic fake suicide. the answer he ends up arriving at is that defense lawyers and prosecutors, when they have relatively upstanding morals and are given the tools to actually do their jobs, serve as vehicles for the truth, and cannot reliably fulfill this duty without each other. however, the question has always kind of lingered - "well, what about being a defense attorney like gregory?"
phoenix routinely brings up the class trial as like the most formative memory of his own childhood - that experience is inherently tied to who phoenix is as a person - but that trial literally only exists because edgeworth was imitating his father in being a defense attorney. the main character of the main series' inspiration for becoming a defense attorney is intrinsically tied to "back when edgeworth was "good", before manfred "corrupted" him". its because edgeworth becomes a corrupt prosecutor that phoenix chases after him into law school - this apparent complete and entire betrayal of phoenix's whole understanding of him as a person.
so then, now that edgeworth is "good" again, why doesnt he quit the whole prosecutor thing and go back to his childhood dream of becoming like his father?
this question is kind of just left up in the air until investigations 2. with the prosecutor investigation committee being completely corrupted, they make it abundantly clear they dont appreciate edgeworth sticking out of line in an attempt to do his literal job, and try to control him by threatening to take away his badge. furthermore, shields, gregory's old companion, shows back up and works with edgeworth to find the the truth of a handful of incidents that would've otherwise been covered up by the p.i.c. - including gregory's last case, in which he proved that manfred, who prosecuted that same case, did indeed forge evidence.
after relinquishing his badge in a protest against what is clearly an injustice, manfred's old habits being dredged back up, and the extended hand of the man in charge of his father's old law firm, edgeworth is getting pulled in a number of different directions - will he capitulate, give up on prosecuting entirely, run away from his past, and become a defender of the people and an attorney like his father? or will he reject manfred's terrible methods while working to rectify his mentor/adopted father's wrongdoings, face his past head-on, and seek the truth as a prosecutor, regardless of his mentor's legacy and reputation?
both of the paths offered to edgeworth hinge on who he used to be - a boy who wanted nothing more than to be like his father, a phenomenal defense attorney who stood up for those who had nobody to stand up for them, and a young adult who saw the injustice in the world and wanted to punish it in the best way he could think of - becoming like his adopted father who never failed to put a (seemingly) guilty person behind bars.
investigations 2 gives us..... a whole slew of parent-child relationships. like what can only be described as truly an impressive amount: gregory & miles & manfred, master & katherine, sebastian & debeste, gustavia & simon, dover & knightley, blaise & sebastian, courtney & john, lang's dad & lang, and more tangentially manfred & franziska and byrne & kay. for our purposes, though, we're going to focus on the most immediately relevant ones to edgeworth's development specifically - sebastian & blaise and gustavia & simon.
for starters, i think it would probably be best to get the von karma-edgeworth family soap opera soapboxing out of the way.
edgeworth's arc in this game primarily revolves around what he wants to do with his life - he talks a whole lot about his "path", but doesnt really know what that means outside of seeking the truth at all costs. the people around him like to slot him into either "defense attorney" or "prosecutor" for a variety of reasons, but more often than not it ends up boiling down to his fathers in at least some capacity.
franziska is personally betrayed and frankly disgusted by edgeworth giving up his badge (which makes plenty of sense, particularly after their conversation at the end of aa2 and which i have talked about here), and a notable portion of that does have to do with her & manfred's relationship to edgeworth. manfred's influence was a huge factor in miles' decision to become a prosecutor, and they both know it. of course, the more pressing issue for her is the fact that miles is abandoning her again - but the point remains that had it not been for manfred, the likelihood of miles becoming a prosecutor would be, frankly, much lower.
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shields, on the other hand, spends a whole lot of the game projecting gregory onto miles. he wants edgeworth to follow in his fathers footsteps and play the role of the returning prodigal son, because he misses gregory and sees a lot of his influence and mannerisms in miles. actually, something i kind of found particularly interesting is that at one point, shields remarks that edgeworth's trademark glare was the same as that of gregory's. theres a whole lot of remarks made on that glare, actually, particularly in combination with edgeworths furrowed brow.
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but... shields himself is the one who says this
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about - would you guess it - a certain manfred von karma. its no secret that miles has picked up a whole number of manfred's mannerisms and attitudes, even as he's unlearning some of the more harmful ones, but what i found particularly fascinating is that shields saw something that miles picked up from manfred and saw gregory in it instead. while part of it certainly could be that miles did pick part of it up from gregory (which is something that has a basis in the sprites - something i may actually get into a little bit later), its also very possible that this is shields projecting what he wants to see onto miles as opposed to what's actually there. its even more interesting though, because when they first meet, shields actually mistakes edgeworth for manfred because of that glare
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shields is so caught up in wanting gregory back from the dead that he occasionally blinds himself from acknowledging that miles is an entirely different person.
and, of course, throughout both this game and the previous investigations game, there's more than a few moments in which edgeworth personally accused of using falsified evidence to convict people - specifically harkening back to our good friend manfred von karma, posterchild of world's most corrupt prosecutors and edgeworth's adopted father/mentor. shields even expresses immense distrust of miles at first simply on this fact, acknowledging that miles was indeed like a son to manfred (..... for whatever that's worth)
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actually. while we're here on this point i want to speak briefly about sprite similarities
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this game does a whole lot of calling attention to the influence manfred & gregory have had on miles - obviously theres the furrowed brow & piercing gaze and terrible people skills that miles got from manfred, but he also has gregory's affinity for tea and dorky camera face. the sprites also do a great job in visually establishing his inherited mannerisms though - while manfred's influence has done a lot, gregory's habits still peek through the cracks.
ive talked about this a little bit on another post, but i feel like it warrants repeating here anyways. the sprite animations in ace attorney are great for a lot of reasons, but one of the most interesting ones is how they're frequently used to imply connections between characters and the influence of certain relationships.
we know that miles definitely did not get his bowing from manfred, but with gregory's sprites in this game it becomes abundantly clear where they originated from (of course, with the over-the-top melodrama of the von karmas added on top). similarly with miles' hand bounding sprite, its a pointed finger (giving it an accusatory tint, definitely coming from manfred), while gregory's is an open hand (much more inviting), but the bounce nonetheless remains. the sprite similarities between miles & manfred are a bit more straightforward, but something i find tremendously interesting is how the mannerisms miles picked up from his father have the von karma influence absorbed into them - it really is a brilliant visual indicator of the impact both his fathers have had on his character.
i've talked about this general topic semi-extensively on this blog simply because i am truly a bit obsessed with the von karma-edgeworth family soap opera, but i feel like it warrants repeating here anyways since it comes up in this came so often. miles' relationship with gregory is... honestly not really explored terribly much? like shields will reference him a lot and both him and the game itself absolutely loves comparing the two, but as far as edgeworth's personal feelings on gregory go... we. honestly don't get much, either directly or indirectly. which makes sense, obviously - edgeworth was like 9 when he died - but its still interesting. we obviously know that gregory loved edgeworth a lot (see: him thinking about miles periodically throughout the investigation . which is. for the record. absolutely adorable)
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but miles doesn't get much of anything at all in terms of internal or external dialogue about gregory. his relationship with manfred, however, is... a lot more messy, but also explored a fair bit through implications.
mr von karma gets brought up a lot in both investigations 1 & 2, and miles' reaction is largely the same - he'll comment on objective facts (usually ones that were brought up in the first by the people around him) whether its manfred's skill in prosecuting or his tendency towards forgery, but blatantly refuses to ever give any sort of subjective opinion on him (franziska is, for the record, the exact same way). theyll dance around the topic, sure, but never genuinely engage with it - as much can be seen if you make edgeworth present his badge to amano in investigations 1.
while franziska's feelings on her father are a lot more obscured, miles' are a little more openly messy - after all, he still keeps his prosecutors badge in his pocket all these years after manfred told him prosecutors who wore their badges are tacky. he still wears the jabot, an integral and iconic bit of manfreds attire (and another thing that made shields briefly think he was manfred). he still has no problem connecting with and helping manfred's old friends (amano, for example). and, mostly damning of all, he still keeps his old prosecutors outfit - the outfit manfred gave him based off of his own suit - plastered to his office wall. its clear that he doesnt approve of manfred's methods of prosecution and recognizes that he was definitely corrupt, but even with all the murder and framing and so on and so forth... manfred was still his dad. even if its not logical for miles to still hold on to that filial love, you cant really argue your emotions into changing into something rational.
with the repeated importance being placed on the influence of gregory and manfred on miles' life, their relationship to him, and other people's expectations for miles based on their legacies established, i think we can probably try to get into sebastian now. gonna be copy-pasting most of my sebastian vs miles & franziska mini-essay here because i dont want to retype it.
sebastian is actually a kind of interesting foil for franziska and miles - its pretty clear that franziska didnt become a prosecutor specifically for manfreds approval (see: miles’ comment on her always having been a prosecutor) and likewise with edgeworth (see: his statement on his motivation for becoming a prosecutor having been to chase down criminals after what happened to gregory), but throughout the flashback case in investigations 1 it is so obvious that both of them desperately crave manfred’s approval even to the point of competing over it.
while this competition follows the usual format of franziska insisting on something and miles passively going along with it as opposed to actively engaging, he spends the entire case literally trying to be a mini-manfred (its very sad and also kind of cute), and its made pretty clear that at the very least he would not be the prosecutor he is without manfred’s influence. furthermore, at the end of aa2, franziska also comments on the pressures and expectations being placed on her by virtue of being manfred’s daughter - she felt that she was obligated to become a genius prosecutor simply because of her birth. while the wording indicated to me outside pressure rather than manfred specifically, the point remains that manfred, while not the sole driving reason, did have a significant impact on their career choice.
sebastian, however, specifically says he became a prosecutor for the purpose of getting his dad's approval. blaise routinely speaks ill of sebastian, calling him stupid and an idiot and embarrassing and so on and so forth, but its incredibly clear that sebastian is genuinely desperate for any sort of positive affirmation from his father. he unknowingly cheated his way through law school, graduating at the top of his class purely through blaise's connections, and is genuinely distraught when he finds out that everything he built his adult life on was a lie. the game spends a fair amount of time showing you how wildly terrible sebastian is at being a prosecutor, only to reveal that the reason he's like this is, like, 80% his dad's fault.
unlike sebastian, however, franziska and miles are both quite competent at their jobs and manfred, unlike blaise, actually has confidence in their ability to perform to his expectations (see: him bullying badd into letting them try to solve the case in the investigations 1 flashback case). sebastian & blaise are like a worse and caricatured version of the von karma family soap - basically, they're what would happen if miles & franziska 1) were absolutely dependent on manfreds approval and 2) weren't terribly good at prosecuting, and if manfred was 1) prone to coddling and 2) actively verbally abusive.
theres also the added parallel of “oops! my dad actually really sucks as a person” and the ensuing Complicated Feelings On Dad after this. franziska expresses an egregious amount of disdain for sebastian before we really get into the blaise debacle because she doesnt respect him as a person at all, but is honestly surprisingly sympathetic when it turns out his dad is a criminal. futhermore, she willingly relinquishes her place at the prosecutor's bench for him when its clear he's ready to stand up to blaise, even if hes crying and sobbing the whole way through. its this shared experience and his subsequent growing of a spine that earns her respect.
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edgeworth, for his part, also doesnt seem to respect sebastian much at all before the kidnapping incident. however, upon trying to prod him into telling what happened, edgeworth recognizes a part of his old self in sebastian, as well as sebastians willingness to grow up and move past his desperation for his father's approval.
more than just being a funhouse mirror version of the von karmas, blaise and sebastians relationship highlights the dangers of blindly chasing after your parents, critical thinking long forgotten, which has a twofold meaning in regards to miles. obviously, theres the pretty straightforward parallel to his blatant idolization of manfred as a young prosecutor - while the situation wasnt necessarily the same, it still possesses those echoes of a desperate need for acknowledgement/approval, to the point of following their fathers' examples even in the worst ways. @/pkducklett left some really great tags on one of my posts which hits the nail on the head:
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but it also begs the question: is blindly chasing after his childhood dream of being like gregory really what miles wants to do with his life? a point we'll loop back around to in a bit, but important to keep in mind for edgeworth's overall arc.
so onto simon & gustavia! simon's relationship with his murderous father gustavia also serves as a foil to miles and one of his dads like sebastian & blaise - however, instead of our notoriously trigger happy friend manfred von karma, it's actually.... gregory! which is, for the record, tremendously fun. simon & miles both became orphans at a young age - which is a notable part of the reason edgeworth agrees to take his case in the jail episode, even. the camaraderie between two people who have shared in the same traumatizing experience and so on and so forth - but instead of being taken from his son like gregory was, gustavia purposely abandons simon once he's deemed him worthless.
post-orphaning, both miles & sebastian are taken under the wing of men of questionable character - miles is adopted by manfred von karma, gregory's rival, murderer, and the anti-thesis of everything he stood for, and sebastian becomes the apprentice to dogen, a ruthless assassin. interestingly enough, though, this parallel diverges in the end - manfred throws miles under the bus and backs up over him like three separate times, metaphorically speaking, while dogen actively puts his life on the line to save sebastian.
miles & simon both experienced the injustice of the law system - miles in the absolute failure of the courts to find his father's true murderer, and simon in his personal experience in its utter corruption. their reactions to this injustice leads them both to commit further injustices - miles in uncritically adopting manfred's ideals and teachings, and in this process definitely sending innocent people to jail at some point or another, and simon in his attempt at semi-vigilante justice via manipulating all the people who ruined his life into either ending or ruining each others', regardless of anybody innocent who got caught in the crossfire.
of course, the narrative purpose of making simon a foil to miles is the final confrontation on three main points - 1) what does miles fight for? why is he a prosecutor? 2) how do you deal with the absolutely rotten law system in japanifornia? 3) are we simply doomed to become our parents, or can we become more than just their continued legacies? which naturally leads us to the final question posed in the thesis - the heart of the game - who does miles want to be?
shields spends a lot of time trying to convince miles to pick up gregory's mantle and join him back at the law offices, but the problem is that miles simply isn't the starry-eyed child who would do anything to be like his father anymore (growing up under the roof of one of the greatest prosecutors of one's time will do that to you). he's no longer the sebastian to blaise for either of his fathers - he cannot simply throw everything he's learned and experienced away in an attempt to imitate gregory, but also has soundly rejected many of manfred's most staunchly held ideals. while not all of them remain, a major part of the reasons he became a prosecutor still hold - even as he's abandoned his badge.
simon was what edgeworth could have become under slightly different circumstances, and he says as much himself. he recognizes that the law isn't perfect and more often than not is wildly abused by everybody in power to subject everybody else to their whims - and that, no matter how hard a defense attorney tries.... if the courts are inherently stacked against them, a corrupt prosecutor will inevitably win. at the end of aa2, edgeworth returns from his wildly melodramatic sabbatical with the answer that the prosecution and the defense need to work hand in hand to reveal the truth - which is, obviously, a correct statement - but there's more to it than that.
there's more than just the defendant at stake in trial - the protection of the victims (whether recognized as the victim by the law or not) are why the laws exist in the first place - this is the reason that edgeworth arrives at for his reason for being a prosecutor. its simon who reminds him of why he started down this path in the first place - the visceral pain edgeworth felt at his father's death and the desire for justice to be done for gregory and himself mirroring simon's feelings after being abandoned by his father and his flight after being the witness to a crime wildly corrupt people in power committed. to be what phoenix was for him in turnabout goodbyes - to be a beacon of hope and justice for the wronged - that is miles' duty.
edgeworth speaks a lot about following "his path" to truth, wherever that might lead, but at the beginning of the game doesnt seem to have a clear idea of what he actually wants to do. he stalls out on shields' many wink wink nudge nudge offers to join the defense attorney firm and be like his dad and continues acting like a prosecutor (indicting people, investigating, the likes) even while being stripped of his authority as one (by his own choice!).
ultimately it all boils back down to these three questions miles asks sebastian in the logic chess game post kidnapping - "what are you going to do now? will you walk the same path as your father? will you continue to be a prosecutor?"
much, much earlier in the game, shields says to edgeworth, "to fight crime as a prosecutor, or to save people as a defense attorney. i want you to think carefully about how you want to live your life from now on." - which, taken with the context of the game as an essay on parents and inheritance and manfred & gregory's influence on miles, is... pretty much the game in a nutshell, actually.
miles spends the entire time playing both defense attorney and prosecutor, indicting certain people and defending others throughout. this is arguably most notable in the flashback/flashforward case where all the members of the original is-7 investigation are there, except for manfred and gregory, who are both being stood in for by - would you guess it - our very own miles edgeworth. he is their legacy, their successor, and their inheritor. in the end, he takes the skills they taught him and the values they imbued him with and the lessons he learned from them to forge his own path - it really is just his final answer to shields' question in the finale of the game: "i want to save people as a prosecutor."
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skitskatdacat63 · 4 months
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More matador!Fernando! Ferrari this time :D (I can't help myself.....)
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- facial hair
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+ closeups
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I really wanted the vibe of this Nando pic, I think I did pretty well??
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#GUYS THE BULL DO YOU NOTICE WHAT BULL DO YOU UNDERSTAND THE SUBTEXT DO YOU UNDERSTAND MY IMPLICATION#lmao tho i mostly put it there cause i saw this rly cool pic w the shadow of a bull on a matador's cape#i dont understand how i ended up making this one more intensive and detailed than the other#but im not mad cause i really like it aaahhhhhh#but i think this one took more than 6 hours and the other one was 5½?#and both i ended up working until an absolutely horrible time. dont ask me what time i wrote this post#okay btw i didnt draw that embroidery. thank you medibang pattern brush now beloved 🙏#i think it suits him!!!! i was thinking of doing stars anyways so I'm glad it worked out#two people id like to blame:#thank you 005 for accidentally reminding me of the sword!! im glad his other hand is not just idle :)#and thank you suzuki-ecstar for asking me at some point if id ever draw facial hair on nando#^ particularly the 3 Musketeers look. so thanks. i suddenly remembered and i had to draw it 😭#it kept shocking me how baby faced i drew him every time i took that layer off#also every time i worked on the suit red genuinely ceased being an actual color to me#its bright red right?? like very fluorescent?? but my brain kept going: is this too orange?? this isnt red right????#anyways happy with this!!!!! there were a lot more roadblocks than the other but it all worked out#but wow wish i had this level of diligence for yknow. schoolwork.#i can spend 6+ hours on a drawing straight but school? nah i give up every 20 mins or less fjfkkfl#also not abandoning my other aus or anything but i have a lot more ideas for this honestly#i think the ref pics are a lot easier and more interesting to find than for my other AUs#<- cause its so much more modern lmao. so i have a lot more inspo than trying to find ultra specific 18th century paintings#i wanna draw 3 things rn:#nando w the ceremonial cape. seb in a matador suit. and of course some silly vett//onso in this AU#f1#formula 1#fernando alonso#catie.art.#fa14#matador au
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yohankang · 3 months
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hiiii besties i'm back <3
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atissi · 7 months
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if you are 1) currently in a university where your student healthcare covers hormone therapy, and 2) in a good financial, emotional, and social position to start hormone therapy, i would recommend pursuing it. because in my experience, it's a huge pain in the ass to get an endocrinologist once you're on your own
#unless you live near a planned parenthood or another equivalent to that#but in general you might as well take advantage of the mandatory student health insurance while you have it#it's also cheaper than you might expect. my vials cost $40 CAD for 4 months and then the injection materials are like a couple dollars each#for me i got a therapist with the university and asked them to recommend me to one of the uni's doctors#so i got to skip some of the waitlisting process yay#and then even after getting access to hormones i went to the clinic maybe 5 or 6 times because i needed a nurse to help me with injections#all of which was 'free' because it was with the university#now that i'm graduated though i need to find a new endocrinologist and it turns out the process is WAY more complicated on your own 🤡#of course your mileage may vary depending on how based your school is but it's definitely worth checking imo 🤷#beepbeep.txt#wanted to say this because i basically didn't use the uni health services until my last year and i was like 'wow#'i'm actually getting so much shit for free right now'#like i was seeing a therapist and a dietician and the endocrinologist and a nurse simultaneously at one point#and i might've missed out on all that if i didn't have someone tell me how easy it was to get help if you ask the right questions#so there's my word of wisdom for anyone who might benefit from it.......#also going to post tips about injections later because i think that would also help people out 👍
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twpsyn-who · 12 days
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Talking a little bit about 'boycotting Eurovision' under Keep Reading, feel free to scroll down if is not what you want to see.
The most used argument on the matter of banning Israel from Eurovision is the fact that Russia got banned from Eurovision, which is the worst argument anyone could bring.
Kindly reminder that Russia didn't get banned because of the war with Ukraine. Russia got banned because many countries has threatened to withdraw from the competition. Sadly, that's a big difference.
Yes, the countries has threatened to withdraw because they support Ukraine and see Russia as the party in the wrong. That was their reason. EBU's reason for banning Russian was because those countries threatened to withdraw, not because the war was bad and Russia must be stopped.
This situation isn't the same. Why? Because many countries support Israel in their genocide. Because this time around Palestine is the party in the wrong. Because we're taught to believe that Israel isn't in the wrong here.**
Boycotting Eurovision won't work. There are people out there who don't know the truth and want to watch Eurovision. There are people out there who don't care and will watch Eurovision regardless of the situation. There are people out there who, despite having the facts, still don't see Israel as the bad guy in this situation and will watch Eurovision. Sadly, boycotting won't work unless everyone does it.
The only way Israel will get banned, in my opinion, is by going through the same thing as Russia. If other countries threatened to withdraw- and not any countries, but the ones investing the most in Eurovision, then yes. That will get Israel banned.
Otherwise? The only thing we do is hurt artists that don't deserve it. Artists who use Eurovision as a way to get more exposure and experience. Artists who deserve to be heard.
Don't vote for Israel's entry. Don't stream their song either. Heck, turn off the TV when is their turn to perform.
**This whole situation (the war, not Eurovision) isn't only black and white. Civilians die daily because of this, all of them from both sides. Innocent people who has no fault. Let's not forget that
#Honestly I'm tired of the whole 'Russia got banned Israel should be banned too' speech because is truly bullshit#It has nothing to do with the war per se. It was because countries were unwilling to participate in support for Ukraine#If the whole situation was truly political then other countries wouldn't be able to participate either#Is it fair? No. But that's the situation#Alas Eurovision exist so we forget about the bad in the world for a bit and be more united. Have some fun. Stuff like that#I'm going to get so much hate over this omg. But this is just my opinion/point of view on the matter#Sadly this whole situation isn't even about helping the innocent put in danger by this situation. Is about hate like everything else#My wording is so shitty but people on the internet don't understand shit unless I call 'X bad Y good' so we go with that#eurovision 2024#Also another reminder that THE WHOLE AUDIENCE chanted 'Cha Cha Cha' during eurovision 2023 and were rotting for Finland to win just to lose#Many entries got fucked up by the jury votes too. Our opinion doesn't matter as much as some of you might think lol#Jury votes GOT CHANGED during another eurovision under shitty reasons (I can't remember which year but there were 5 or 6 countries who got#their votes changed). Eurovision has never been fair#We always get annoyed over it and trash talk it then watch it the next year#Also this is not the same as boycotting brands and shit like that who support Israel. No money go from Eurovision to Israel.#This competition as far as I am aware (please correct me if I'm wrong) doesn't support Israel in any way#Be it financially or by donating arms or any other way#Their only fault is for allowing Israel to participate. That's all#Weapons* don't ask me why I said arms instead sorry#i'm tired lol#Fair warning I won't answer any replies to this post
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definitelynotshouting · 8 months
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Do you have any tips for starting a story? The middle and end is easy (lie) but the beginning SUCKS to write sometimes
oh gods no joke openers are one of the hardest part for me. Theres so many ways a story can start, and it makes me CRAZY because that right there is your hook, thats what convinces people to start reading!!!!! And there are so many unique ways one can start, so it ends up feeling a bit like that one reaction image of the girl being handed so so many pancakes
I think for me, what i try to ask myself when sitting down to write an opener is: "what kind of story is this?"
Because each story needs something different to accomplish its goals. A slower story might want to take its time with setting the scene, while an action-packed one might start in media res and with a bang!!! I guess if i had to give advice i would say, take the time to identify what your story is trying to say, and then look at what different openings can do for you to identify that goal.
For example; this is from my fic when the night cries, which is essentially a ghost story:
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This was meant to be an introspective story, with a very gentle pace overall, so i took the time to really set the scene, build up the sense of what we're looking at before we get dropped into the fic proper. I remember my thought process for this was: how can i make this unique??? how can i make it FEEL like one of those old paintings with the beautiful yellows and summery oranges, while giving the reader a sense of whats to come?? Adding in the repetition of "it begins" was a way for me to sorta hammer that home: this is the start. This is where the story originates. And in a technical sense, it hooks your attention, with the question and immediate answer within the narration. The intention here is for the reader to want to know why this is important, and now it's answering that, but still leaving gaps for more questions.
Now compare that to, say.... lost in the dark's opening:
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The overall pace of hunger au is slow, but this opener isn't-- partially because it's a rough draft, but also because what i wanted out of this scene was a sense of deep, deep urgency. We're in the middle of action; Grian is physically running while he thinks, and i wanted the reader to feel hunted and uncertain with him. Dropping everyone in with Grian at one of his most frightened, shaken points was the best way i felt i could establish that scene, and throughout it i drop hints as to what's actually going on. He's scared. He thinks he's going to hurt people. He's been on the move for a very, very long time. These are all things that are meant to pique interest and get answered later, when the reader is already invested. And i guess in that regard, its really all about timing.
But yeah!! Rambling aside, i'd say try out a few different ways of opening your fic and see what works. Think of em as thumbnails; write maybe 200 or so words at most and see if something works better than something else. I think theres this secret culture of shame among writers for not putting the perfect start down on the page the very first time you open the doc, but it's super normal to have to workshop things around to your liking!!! There's absolutely nothing wrong with writing a few different openers to see what works best for you and your story, and in fact is something i genuinely recommend. Its good practice, and essentially functions as a warm-up!!! You also get the benefit of exploring new angles in a scene, which can sometimes unlock really cool stuff for your writing
Sorry for how long this is, anon!! Hopefully you find my rambling helpful :D thank you for sending in this ask!!!
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cordeliawhohung · 4 months
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just wondering, are we going to get anymore in the soft spot Simon series?
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i've got to be getting trolled at this point surely
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