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#i'm pretty sure that was where one character i really like was introduced

roosterforme · 2 months

Text

Covering the Classics Part 1 | Bob Floyd x OC

Summary: Bob is happy for his friends, but feeling like the fifth wheel every weekend has gotten old. Anna's main goal is to fly under the radar as she starts work at San Diego State University with her shiny, new graduate degree. She is convinced that the only company she needs is her own, but a specific flyer in the faculty lounge catches her interest.

Warnings: Fluff, angst, adult language, eventually 18+

Length: 2800 words

Pairing: Robert "Bob" Floyd x Female OC (this story is part of the Beer Boy/Sugar and Jake/Jessica universe)

Covering the Classics masterlist. Check my masterlist for more! Thank you to @mak-32 for the beautiful banner!

Bob hated it when Natasha was deployed without him. He always ended up feeling like the fifth wheel now that Bradley was married and Jake was dating Jessica. Well, both of those were actually understatements. Bradley was devoted to his wife, and Jake was soppy now that Jessica moved in with him. And Bob's feelings on the matter were never more evident than on nights out at the Hard Deck.

Without fail, a girl or two or three would hit on one of the other guys, and they would deftly try to pawn said girl off on Bob only for the girl to look rather disappointed and kind of wander away. He just had that effect on women. He was a lot better with the written word than with the spoken, and something just didn't translate well for him when he was met face-to-face with an intriguing smile and an attractive body.

He groaned as he watched another woman head off in the direction of the bar as soon as he nervously stumbled his way through a sentence where he tried to introduce himself. How exactly was he supposed to compete with Jake Seresin anyway? Nobody who originally wanted him was going to settle for Bob.

"I got you more peanuts." Bob looked up to see Bradshaw's wife smiling at him and holding out a cup. Ever since he visited Chippy's bar, he didn't want to admit to Penny that hers weren't quite as good, but if someone went out of their way to bring him a cup full, he was going to eat them. And it was also nice of her to make sure he was included tonight while Mickey was babysitting his nephews.

"Thank you," he replied softly, and she patted his shoulder.

"I saw you talking to that girl?" she asked, nodding her head toward the bar. "She's really cute."

Bob shook his head as he looked down at his ginger ale. "I mean, yes, she was very pretty, but I wasn't really talking to her. She didn't want to talk to me, actually." He could feel the heat rising in his cheeks as he looked up at her from his stool. "She wanted to talk to Jake."

She rolled her eyes, and Bob kept his fingers occupied by cracking open a peanut. He craved the familiar intimacy he saw when he looked at his friends and their partners. Maybe jealousy wasn't the right word, but he always felt left out of the loop. They all knew something he didn't, and he craved to be on the inside with someone of his own.

"I'd choose you over Jake any day, Bob. You're smart, and I like talking to you."

He smiled at her as he said, "That may be the case, but you'd choose Bradley over me."

"You got me there," she said with a laugh as she kissed his cheek, making him avert his eyes to the floor. "I'm probably not the best judge of character though."

Bob looked toward where she was smiling now and saw Bradley with his hideous tie dye shirt and idiotic looking backwards baseball cap as Jessica slaughtered him in a game of pool. "Yes, you are," Bob told her quietly. Because as soon as Bradley looked at his wife, his expression became one of complete wonder.

"Sugar! Come here! Jessica is being mean to me again!"

She squeezed Bob's shoulder and then took him by the hand, bringing him along with her to the pool table. He blushed again as he looked a little nervously at Bradley, but everyone knew Bob was harmless. He was the one just drinking a ginger ale since he had to drive home.

"Baby," Bradley whined. "She won't even let me try to make a shot."

"That's not her being mean to you. That's her being better than you," his wife replied. "And what's the moral of the story again?"

"Women should never be underestimated," Bradley and Jake said in unison.

"That's right," Jessica said as she sunk the 8-ball into one of the corner pockets. "Especially ones who have a PhD and tenure." She handed her pool cue to Bradley and did a little dance. Then she reached into Bob's cup of peanuts and said, "Chippy's are better."

"They are," he agreed with a nod and a grin. He cleared his throat as Bradshaw's wife finally dropped his hand. "So I heard the new semester starts on Monday?"

"Yes," Jessica gushed as she fixed her glasses. "And Brian took a position at the community college, so this should be my best semester yet."

Bob already knew that Jake was relieved that his girlfriend would be going to work in a more comfortable environment every day, but it was nice to see how excited she was.

"You know what I was thinking?" Jessica asked Bradshaw's wife quietly. Bob wondered if he should step away and give them some privacy, but they both kept helping themselves to the cup of peanuts. "Maybe we could put something up on the notice board in the main building, kind of inviting the other female teachers at the school to have lunch together one day? I felt so embarrassed and excluded from things because of Brian, I just thought it might be nice for anyone else who feels marginalized?"

Bradley's wife nodded. "I think that's a great idea."

Bob listened to them for a few more minutes before he wished them good luck as they started back to school for the fall term, and then he excused himself for the night. He stood outside in the dark parking lot for a few minutes and listened to the sound of the ocean before he climbed into his truck and headed for his silent house.

--------------------------

"Dr. Webber."

Anna looked at the name placard on her office door and bounced up and down. "Dr. Webber," she read out loud again. She had the worst office on campus, no doubt about that. It was miniscule and kind of smelled like stale bread since it was so close to the cafeteria, but she loved it. All of the shelves were crammed with her books, and she could lock the rest of the world out when she needed a minute to herself. She just hoped that the tiny office wasn't a sign of bad things to come after San Diego State University willingly hired her less than a month before the start of the term.

In a matter of eight weeks, she had finally- finally- graduated with her PhD in English Literature and secured a job on the other side of the country. She sold everything she could think of, including her rings, and moved from gloomy New Jersey to a studio apartment in sunny southern California. Sure, all she had in her kitchen was a toaster oven and a mini fridge, but she was on her own. She had nobody to answer to. And she never would again.

"I guess everything is smaller here," Anna told herself as she locked her office door and went in search of the classroom where she would be holding the first lecture of her teaching career. She was too early for the class, but she was filled with nervous energy and decided that walking around would help.

She looked in classrooms and listened to a poetry lecture on the third floor. She found a really secluded ladies' bathroom as well as a reading nook. Eventually, she and her copy of A Tree Grows in Brooklyn managed to wander all the way to the main building where she found a faculty lounge.

It smelled like coffee, and there were snacks out on the counter, and everyone was talking in pairs or small groups. She should probably get to know her colleagues, but she also didn't mind the anonymity that came with observing everyone without engaging. She was good at that, and she'd spend too much time around people who needed to be in the spotlight all the time. As she reached for a donut with pink frosting, she saw a notice board across the room and went to take a look.

The hum of conversation around her was comforting as she read about a yoga class in the quad, alumni night, and a teacher appreciation banquet. Then her eyes caught on a single piece of paper with a plain black font. It wasn't flashy, and somehow it reminded her of a page from a favorite book.

WELCOME BACK FOR THE FALL SEMESTER, LADIES!

If you're interested in getting to know some other women who work on campus, let's meet for a friendly lunch on the first Tuesday of the term! Noon in the quad next to the weird tree.

Anna laughed. She knew where the quad was, but she wasn't sure which tree was the weird one. They actually all seemed a bit out of place to her since she wasn't used to living near palm trees. She started to skim a notice about how to recycle old textbooks, but she didn't get far before she was re-reading the one about meeting up for lunch.

If it was truly meant just for women, then it sounded kind of nice. She could eat her sandwich outside. She liked weird trees. The idea of having zero men around made it even more appealing. The last thing she wanted was to develop an interest in anyone right now. Or maybe ever again.

She took out her phone and snapped a picture of the page before checking the time and leaving with her donut. Twenty minutes later, with her class assembled before her in a small lecture hall, she cleared her throat and said, "Welcome to English 205. I'm Dr. Webber, and this semester we will be covering the classics."

------------------------

"You can do this. You'll be fine," Anna said as she walked slowly across the quad toward a palm tree that looked like it somehow started growing sideways about six feet up from the ground. "It's just some people."

But she wasn't good with people. Kevin had been quick to tell her that all the time. He liked to point out that she was awkward unless she was talking about literature or poetry or something from the New York Times bestseller list. Apparently she didn't know how to talk about normal things. Her hands started to sweat as she held onto her brown paper bag and can of ginger ale.

"Oh god," she groaned as she got a little closer. Truly, there was nothing to be afraid of. It was just two women smiling as they talked to each other with their lunches. But they were both beautiful. Like the kind of stunning girls that Anna was always afraid to talk to when she was a teenager. One was wearing a suit and high heels, and the other was wearing cute brown loafers and some tweed, and she felt like her own outfit looked awful now by comparison.

It wasn't too late to just walk past them and loop back toward her office and never try to socialize again. "Yes, let's do that." She nodded and picked up the pace a little bit. She could turn left at the weird tree and then maybe even make a run for it. "What are you doing?" she whispered, slowing down again. It was one thing to swear off men, but it wasn't going to be an enjoyable existence if she never tried to make a single friend here.

With a deep breath, she forced herself forward, and then soon two sets of eyes were on her. All she saw was matching smiles as she approached and said, "Hi. I'm Anna Webber. Is this the weird tree?"

"It's the weirdest tree I've ever seen," said the first woman as the other one jumped to her feet.

"Hi! Are you here for lunch?" she asked as she adjusted her glasses. "I told you someone would come," she whispered to the first woman before sticking her hand out. "I'm Jessica Reed! I work in the physics department, and this is my friend, and we are so, so happy you're joining us."

Anna smiled at how bubbly she was as she briefly shook her hand. "I just got here," she said with a wince. "I mean... it's my second day working here? I just got hired. In the English department. I'm teaching literature." God, could she sound like any more of an idiot right now?

But Jessica gasped in response. "Advanced Literature!" Then both women squealed, and soon the other one was introducing herself and talking about the math department and pointing out a building Anna had never been inside yet.

"It's silly, we know, but we kind of have code names for each other. I'm Advanced Calculus, and Jessica is Advanced Physics. You can be Advanced Literature. If you want." Now she looked a little uncertain while Jessica bounced in her high heels. "Wow, we sound like absolute nerds."

"We are nerds," Jessica confirmed with no shame as she looked at Anna. "I collect scientific journals. She uses math as foreplay with her husband. Do you want to eat lunch with us, Anna?"

Her response came with an ease that she hadn't felt in a long time. "Yes. Please." Then both women were shifting their lunches down and making room in the middle of the bench. Anna took a seat and watched Advanced Calculus pick a carrot stick out of the most beautifully organized lunch container she'd ever seen. She also had a tie dyed lunch box that was charming in a hideous way.

"How's your first week going?" Jessica asked as she bit into a delicious looking sandwich on fancy, multigrain bread. Anna knew she didn't fit in here at all as she pulled a plain turkey sandwich and some peanuts from her bag, but it was all she could afford right now.

"Well," she said with a sigh. "It's better than New Jersey."

Both women squealed again. "You're from the east coast!"

"Yeah," she replied as she opened her ginger ale. "I grew up in New Jersey. I went to college and grad school in New Jersey. I attempted to move to New York, and then somehow I ended up here." She left out the heartbreaking parts about Kevin, because he didn't really belong in a conversation where she was surprisingly kind of enjoying herself.

She learned the two women were from Massachusetts and Virginia, and that they both had PhDs from prestigious universities. They were both in committed relationships with naval aviators who also happened to work together. And both of the men loved packing their ladies lunches.

"Lucky," Anna muttered as she popped a peanut into her mouth and thought about the kitchen in her studio apartment. It was so small, it almost didn't exist. She was almost thirty and essentially still lived in a dormitory. How sad.

"Hey," Jessica said suddenly. "If you like peanuts, you'd probably love Chippy's!"

"What's Chippy's?" Anna asked curiously.

"Eww, no. Don't listen to Jess. Chippy's is a disgusting dive bar on the other side of campus."

"It's not disgusting! He just doesn't clean the floor."

Anna laughed. "I actually do love peanuts, but I'm not a big drinker." Then both women silently studied her, and she could feel heat rising in her cheeks. She'd said something wrong already. Of course things couldn't be this easy.

"Huh. You like ginger ale," said Advanced Calculus as she sat paused with a carrot stick halfway to her mouth.

Anna nodded as she said, "My... well, a guy I know used to make fun of me for being a ginger and loving ginger ale." She gestured to her auburn hair which was clipped up at the back of her head.

"Are you married? Or in a relationship?" she asked, and she finally bit into the carrot.

Anna didn't even have a chance to reply as Advanced Physics gasped on her other side. "You like peanuts. And ginger ale. How do you feel about men with glasses?"

"How do you feel about men with greenish blue eyes?"

"How do you feel about sweet men who blush?"

"Would you ever date a guy in the Navy?"

"Are you fond of beat up pickup trucks and country boys?"

"Do you want to come to the Hard Deck this weekend?"

Anna was starting to get whiplash as she looked back and forth between the two of them. "Wait, I'm sorry. What? I thought we were talking about a place called Chippy's?"

"We were. But now we're talking about a man called Bob."

-----------------------

Omg omg omg. Okay, here we are with a story for our lovable Bob. Thanks for reading about the Sugarverse. I'd love to hear your thoughts. Thanks @mak-32 and @beyondthesefourwalls

PART 2

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#bob floyd x oc #robert floyd x oc #robert bob floyd #bob floyd #bob floyd imagine #robert floyd imagine #robert bob floyd x oc #bob floyd fic #bob floyd fanfiction #robert floyd fic #robert floyd #top gun imagine #top gun maverick imagine #top gun fanfiction #top gun maverick fanfiction #roosterforme #covering the classics

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seospicybin · 5 months

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TOO HOT TO HANDLE.

PART I

Changbin x reader. (s)

Too Hot To Handle masterlist

Synopsis: You and Changbin become contestants in a reality dating show, Too Hot To Handle. (14,5k words)

Author's note: I chose Changbin because it's cuffing season and now we got a reason to get a big boy, I want a big boy oh.... ifykyk

"Oh, this is so beautiful!" You sigh in amazement at the beautiful view of the beach.

You turn your head to the beautiful blond girl you're holding hands with, Sabine and it feels nice to be the first one to enter the villa with her.

"Oh, my Gosh!" She gasps, looking as amazed as you.

There are two small round tables with bottles of chilled wine inside the bucket of ice. Sabine takes one bottle and manages to pop it open without hassle.

You hurriedly take two champagne flutes and hold them as she pours the bubbly wine, she squeals as she almost overfills them.

"Cheers!" You both exclaim with your glasses clinking against each other.

Sabine gasps after taking a long sip and looks at you, "You're really pretty," she says.

Who doesn't like hearing a compliment especially when it comes from a beautiful person?

"You too," you say back with a cheeky smile.

"I see that you pierced your nipple," she says, easily spotting your pierced nipple through your blue bikini.

"Yes. I like them," you show her the piercings you have on both of your ears.

"That's really cool!"

"I did them myself," you proudly tell her.

Sabine gasps at that, "You're wild!"

Well, it's something you often hear people say about you, that you're wild and probably have been that way ever since you knew boys.

YOU: I'm the main character of my life, not a secondary one. I have a lot to give [winks] so bring me men, bring me women, bring me whatever. I hate rules and I do not follow them. I'm a little crazy [laughs] I'm not here to fall in love. I'm here to have fun.

"Wait, I'm picking up an accent here," you notice that Sabine is carrying an accent in the way she speaks.

She swallows her wine before saying, "I'm French."

"Oh, la la!" You playfully say with a nudge on her shoulder.

Sabine has that blue eyes that slowly drowns you in them and she knows how to use them as a form of seduction.

"Stop staring at me like that, you're so hot," you tell her while fanning yourself.

She laughs in satisfaction, "I got the feeling that you're open to anything."

You allow yourself to look at her small, heart-shaped face and her ski slope nose with a nose ring on the left nostril, there's no doubt that you can easily vibe with her.

"I am," you shortly confirm.

She gives you the eyes again and flashes you a flirty smile, "We're going to have so much fun then," she raises her glass for another toast.

If they leave you two alone for another minute, you're sure you would be kissing her already but fortunately, the next guest enters the villa.

"Okay, he's cute," Sabine comments while holding her glass close to her mouth.

First, this guy is so tall and he has that dirty blond hair that he keeps brushed to the back.

"Hello," he greets both of you with a bright smile.

He stands between the two of you to introduce himself, "I'm Oliver."

"I'm Sabine," she introduces herself as they exchange a quick hug.

As he turns to hug you, you hurriedly introduce yourself to him. You hand him a glass next and Sabine fills it for him.

"Where are you from?" Sabine asks.

"Guess where I'm from!" He dares you with a sly smile.

His distinct accent is not hard to guess, "Australia?"

"Yeah, but I've been living in the US," he adds, then takes a sip of his drink.

"My ex is Australian so I know," you mindlessly share.

That gets Oliver's head turned at you, "So, you're into Australians?"

"Sometimes, yeah," you give him a vague answer just to amuse him.

That seems to work wonderfully as he has his eyes on you until he realizes that he has another girl to pay attention to.

"You guys look gorgeous by the way," he says as he takes a step back just to check out the two of you.

"Oh, thank you!" Sabine says with a bashful smile.

"Anyway, what are you looking for in this show?" You ask him out of curiosity.

"I'm here to have a damn good time, honestly," he answers with a grin.

"Yes! Cheers to that!" Sabine says, initiating another toast by lifting her glass in the air.

YOU: They're so hot. I can definitely have a good threesome with them [laughs]

Changbin has no pressure whatsoever to be the last one to enter the villa.

He has so many things to offer more than just his looks. He's a confident man, he knows what he wants, and a great conversationist. A fair warning though, those good qualities are followed by a short fuse. Let's hope no one is having intentions to spark that fuse.

Changbin takes pride in being dominant but he balances it with his loyalty. He may be a casual dater but he never cheated on his partners or led them on when he has no interest in taking the relationship further.

In other words, whoever gets to be with him is lucky.

With the mindset that he owns this show already, Changbin steps into the villa, walking in confident strides that match his smoldering eyes.

If he thinks that he's it, then everyone would believe that he is it and Changbin feels like he owns this place already.

His presence demands attention and all eyes are on him, looking at him with eyes that are either curious or impressed.

"Hello there, big boy!" One of the girls greets him rather enthusiastically.

She introduces herself right away to him with a cheek kiss, "I'm Niamh."

"Changbin," he tells her his name and proceeds to introduce himself to the other guests.

All of the males are taller and more good-looking than him but he has all the girls' attention on him. See? It's not about looks, it's about how he carries himself.

"I'm just going to be honest, you're so my type," the other girl says to him.

"Yeah?" Changbin asks with a cocky smile.

"Yeah," she answers.

He believes her name is Riley and she is a gorgeous brunette with legs for days.

"Come over here then and have a drink with me," he says, leading her to the other table and popping a new bottle of champagne open.

CHANGBIN: I have a strong personality. I need someone to match me, I like them wild just so I can tame them [smiles] A look can say it all [flexes biceps] I put my whole body in the game so there's no reason to look at me and not want me right? [seductively smiles]

You didn't believe in love at first sight but today, when you saw those five guys walking into the villa, you fell in love five times in one day.

The last guy though, ooh, he exudes a strong aura, a charisma that you rarely find in men. Not to mention, he's big and muscular, you feel the urge to climb him like he was a tree.

Not wanting to make it obvious, you turn your body to the girl standing next to you, a Brazilian hottie, Rita.

"My god, he's delicious," you quietly whisper to her with an overwhelmed sigh.

Rita's eyes automatically search for the one you're talking about, "Who is?"

You glance at where he's standing, "Changbin."

"Who is Changbin?" She innocently asks.

You snicker in response and put your arm around her arm, it's convenient because she has a petite yet toned body.

"You're just one clueless baby, aren't you?"

For now, he's occupied by Riley as she keeps filling his glass with more wine but you can see that he's not that interested in her.

Frankly, you have more to offer to him.

YOU: Changbin... The things I want to do to that man. Ugh! [groans]

The first stop on the tour of the villa is the bedroom and everyone is excited at the number of beds in the room. There are ten of them and only six beds in the room, everyone has to pair up or they can choose to sleep alone on the bed.

Changbin has a plan to get himself a bed partner soon but he doesn't want to be hasty about it. He considers himself lucky that he's been getting the eyes from a couple of girls but he's curious about one girl and that's you.

Frankly, you're just as attractive as the others but you have this charm that inexplicably attracts him, making him want to get to know you more.

He sees you sitting at the end of a bed and decides to sit next to you.

"Where are you going to sleep?" He asks.

You lean back on the bed with your hands propped against the mattress, "I don't know," you answer with a cheeky smile.

"Where do you think should I sleep?" You ask him back with your eyes staring deeply into his eyes.

This level of confidence, not only that he likes it, Changbin feels the need to match it.

"On these big arms," he answers while showing off his big, toned arms.

Catching you ogling at them, he uses it to his advantage to let you touch him, "Want to touch it?"

"I wouldn't say no to that," you answer with a sly smile.

Changbin quickly pumps his arm for a while to present you with his glorious biceps, "You can touch them now," he says.

Your hand flies to feel his muscles, "Oh, wow, that's hard," you say in awe.

"Is that hard enough for you?"

You let out a chuckle, "For now, yeah."

"I can pump it again for you," he jokingly offers.

Your hand glides up his arm and rests it on his shoulder, "Or I can pump it for you next time," you make a lewd joke.

He has to admit that you know how to make him hot and bothered and he's not the type that easily gets hot and bothered.

CHANGBIN: I'm going to keep my options open but I got a head start so now I just have to maintain it.

"So girls, if you have to pick one right now without thinking too much, who would you pick?" Niamh asks with a thick Irish accent.

The girls are all gathered in the firepit to talk about the boys and which one of them they fancy. Sabine gets to be the first to reveal her answer, she turns her head to look at the boys who are hanging out in the cabana.

"I don't know... can I just let them pick me?" Sabine says with a giggle.

That's easy for her to say since she's the most popular girl in the retreat, you bet half of the boys are talking about her right now.

"How about you, Rita?"

Rita is busy playing with her hair to pay attention to the conversation going around the space, "What?"

She happens to sit next to you so you put your hand on her knee to keep her engaged, "Is there anyone you fancy?"

"Oh, I like Liam," she says.

Nico is dark and tall and has a gorgeous smile, you can see why Rita is attracted to him. They would make a cute pair with their height difference.

"Oh, yeah, Liam is one hella piece of chocolate," you nod in agreement.

Rita breaks into laughter at your words, "I bet he'll melt in my mouth," she cheekily says.

Niamh looks at the girl sitting at the end of the sofa, "Riley?"

"I want to keep my options open but I got my eyes on Changbin," she answers.

Welp, there goes your competition.

"You're not upset, right?" Riley thinks you wouldn't catch her throwing a glance at you but she's wrong to think that you'd feel threatened.

"Not at all," you calmly answer.

"Well, he's really hot," Riley shamelessly adds with a laugh.

"He is hot. Who disagrees?" You respond with a coy shrug.

YOU: If she feels like it, just do it. I'll do whatever I want but if someone tries to cut me off then... [blows kisses] bye-bye baby.

"Girls!"

Everyone's head turns to see Liam calling for them from across the swimming pool with the rest of the boys.

"Come, join us!" He says, inviting everyone for an impromptu pool party.

Not long after everyone gets into the water, they scatter to get some move on and you decide to wade your way to the side of the pool.

You have time to get your moves later and if someone snatched your guy away, it would be alright with you, you're here to have fun anyway.

Talking about fun, you see that you're about to get some.

It's hard not to notice that Changbin is making his way to you, his hands are wading in the water as he gets closer to you. With a hand pushed against the wall of the pool next to you, that leaves not much space between your bodies.

Changbin doesn't say anything but looks at you with a smile plastered on his face.

"You look shorter from a distance but you're actually quite tall," you tell him, even though he's only a couple of inches taller than you but men like it whenever a girl compliments their physique.

"Well, I'm huge," he simply says and he probably thinks you won't notice that he slowly closing the gap between your bodies.

Your eyes automatically look at the beads of water trickling down his arms and chest, you don't even try to keep it subtle while doing it.

"Yeah, I can see that," you tell him.

Changbin seems to like being ogled on, his mouth curls into a cocky smirk and it looks so damn attractive on him.

You look at him and brush your wet hair to the back, "How about me?"

"Very hot," he answers without a beat.

The way he eagerly answers you tell how much he's been waiting for you to ask him that, and you can't help but chuckle at it.

"A bit aggressive, okay..." you respond with a nod.

He rests another hand against the wall of the pool, caging you in between while closing another inch of space between your bodies.

"Why not?"

"Well, you could say I'm cute," you answer with your head tilted to the side while maintaining eye contact with him.

His hand moves to your side, holding you by your ribcage with his thumb teasing the elastic band of your bikini top.

"You're cute, you're gorgeous, you have good energy," he compliments you as he steals another inch to get closer to you.

"And you're really hot," he finishes with a flirty smile.

It's in the eyes and the words he said, he knows how to combine those two and turn them into a weapon.

You gently push him away but seeing how big he is, of course, it's a useless effort.

"You're bad, you're a smooth talker," you tell him with giggles.

He puts on a triumphant smile, "You can make me good," he says.

You look away to collect some senses into your head, not wanting to fall into his trap just yet. It's still early, you still want to explore your options.

"Not sure about that but do whatever you want," you tell him with a light head shake.

There comes the sly smirk on his face again, "So, I can do whatever I want, huh?" He says.

You keep your hand on his chest to stop him from coming closer, "Do whatever you want in your personal space," you correct your first remark.

There's no winning against him, Changbin takes another step to close the remaining gap between your bodies, "Well, I'm in your personal space now," he says with his face mere inches away from yours.

Your hand on his chest fails to stop him so you may as well use it to feel his firm muscles. You can feel you're slowly cracking under his intense, lustful gaze. You quickly look to the side and have nothing to say back to him.

He pushes his body against you and you can feel the heat his body emits even though you are both soaked in water. He then leans into the side of your face and whispers, "We're in a shared space now so what's going to happen?"

Changbin knows how to play this game, his eye, his words, and now his whole body is pushed against you, they're all moving under one powerful command and that is to conquer you.

He makes you forget about your surroundings and everyone can see what he's doing to you. You dare yourself to look at him and place your hands on his chest.

Still, you have nothing to say to him knowing that he'll use it against you.

"Come on," he says, getting bolder by putting his arm around your waist.

"Just a kiss," he mutters with his hot breath fanning your neck, not hesitating to kiss your neck afterward.

Oh, fuck, he's so confident and aggressive, the next thing you know, he'll be preying on you. You find it hard to resist him and can only lowly laugh at his persistence but what's the fun of giving him what he wants? This cocky boy needs to learn a little patience.

At once, you push him stronger than before, sending him a few steps back, and that way, you can escape him.

Changbin hits the water and it splashes over you, "Come back!"

You're only laughing at him as you're heading to the steps and before getting out of the pool, you look over your shoulder at Changbin, "Later!."

YOU: I can tell that this guy is going to give me a hard time.

Changbin wouldn't say that he failed, it's just that, you're a little tricky to win over.

He gets it that maybe it's just day one and you want to keep your options open, but he doesn't want to waste time.

Changbin dries himself off with a towel and then sits on the empty lounger.

"I see that you made your move, man," Liam says, sitting on the lounger next to him.

Changbin tosses his towel away and sits with his hands clasped in front of him, "Yeah, but you saw everything, she's acting like—"

"Just let it go, you know, go with the flow, let the gears spin," Liam cooly suggests.

If Liam still wants to go with the flow then that's his choice, but Changbin doesn't see why he should wait when he already knows what he wants and he wants you, there's no one else that catches his interest like you.

He can see that you have quite a fiery personality, you're passionate and forthright, and there's nothing fake about you. He senses that you're a little wild but he knows what to do about it.

"Frankly, I would hook up with all of the girls, they're all attractive," Changbin gives his honest opinion.

Liam nods in approval, his dark curly hair bouncing along with him.

"But she's the one that I can connect with more than the other," Changbin continues as he takes his water tumbler to take a sip.

"Yeah, you make a good match," Liam comments.

Changbin swallows his water before continuing to talk, he wipes his mouth with the back of his hand after.

"I want to know whether it's mutual or not," Changbin says.

"Yeah, yeah," Liam nodding along to his words.

"If it's not then that's the way it is," Changbin finishes then takes another sip of water.

"Then go for it, man! Take control of the game!" Liam encourages him.

It doesn't get to him that he has indeed lost control of the situation. Liam is right and he knows exactly what to do.

Changbin should get back on his feet and call you to the game.

CHANGBIN: It's time to take control of the game [smirks]

Taking advantage of the empty dressing room, you decide to be the first one to shower and put on a new pair of bikini. After drying your hair, you think of putting on something over your bikini.

You're standing in front of your closet as you try to settle on your choice of clothing. Hearing footsteps coming toward you, you close the door of your closet to see who it is.

Knowing his personality, Changbin wouldn't stop until he gets what he wants so you kind of expect that he'll come for you again, but not this soon.

He leans the side of his body against the closet and looks at you, giving you the eyes without saying anything.

"Stop looking at me like that," you tell him with a chuckle.

He stays quiet but crosses his arms on his chest as his smile grows wider on his face.

You turn to face him and ask, "What do you want?"

"What do I want?" He asks you back because he knows that you know.

"Okay, you don't need to say it," you tell him and you can't escape him again, not this time.

He leans in close and sweetly asks, "Can I do it?"

You subtly roll your eyes at him, "Do you even have to—"

With or without your permission, he's going to kiss you anyway so you lean in first and let him do the rest.

The kiss is intense, like you can feel how much he wants it and at the same time, he wants to show you what he is capable of. He puts his arms around you before resting his back against the closet. With the strength he has, you're sure you can't easily escape him this time.

But boy, he knows how to kiss, he knows how to make you dizzy with the way he uses both his plush lips and slick tongue. He makes you feel like breathing isn't necessary, you just want to keep kissing him until you turn blue.

Driven by the desire, you find yourself pushing him against the wall and opening your mouth for him, a moan or two escapes your mouth in between kisses.

When your lungs feel like catching fire, you let go of the kiss but not without sucking on his lower lip first.

Changbin smirks, liking what you're doing to him and you expect no less than that.

You have him caged between your arms now as you catch your breath, looking at him with filthy thoughts in your head and you bet he thinks the same things too.

"I know what you're doing to me," he says.

Well, great minds think alike.

"Mmh? Yeah?" You let your breath brush his cheek.

You crack a laugh at how he stifles a breath as you put your whole weight against him, pressing onto his crotch.

"Are you laughing? How about I throw you onto that table, mmh?" He taunts you but that only gets you excited.

"Shh..." You shush him and press another kiss on his lips to shut him up.

You feel his hand glides down to your ass and fondles it as he deepens the kiss. It's so quiet in the room that you can only hear the smooching sounds of your kisses, it's good that no one comes into the dressing room and interrupts the two of you.

Changbin lets go of your lips to drag his mouth down your neck and kisses you there. You drop your hands around his shoulders, allowing him to bury his head in the crook of your neck.

With one slobbering kiss on the column of your neck, Changbin finally lets go.

"I'd better go," he says.

You giggle because not only that he doing the opposite of what he said, but he tightens his arms around you.

"I'm getting excited," he continues with a heavy sigh.

The growing bulge inside his swimming trunk is apparent and you can feel it without having to look at it, "Yeah, I feel it," you tell him.

Truthfully, you don't feel sorry for turning him on but you do feel bad for not taking responsibility for it. You take a step back to put a space between your bodies yet Changbin pulls you by the elbow to place a long peck on your lips and smiles when he pulls away.

It seems like you're already trapped in his charms but what's there to lose? You win big here.

YOU: I can't say it was bad because it wasn't. It was so fucking good [groans] I want more!

Excitement and jitters are mixed into one in the dressing room as everyone gets ready for tonight.

The excitement comes from everyone getting so hyped up for the first party in the villa while the jitters come from not knowing what the first quest will be.

"What do you think the first quest is?" Niamh asks while coloring her pale cheeks with pink blush.

You cluelessly shake your head, "I have no idea," you answer.

"As long as I don't have to hunt or skin animals, I'm good," Riley says with a laugh.

As for yourself, you feel good about tonight. You put on your best outfit, put make-up on and a thick coat of red lipstick.

The boys are already waiting as you and the other girls are coming to join them by the pool, everyone takes a drink served on the table along with trays of bite-sized food.

Everyone raises their glasses in the air to propose a toast.

"To a good time!" Liam leads the toast.

"To a good time!" Everyone repeats.

Sabine adds a high-pitched scream at the end of the toast as she clinks her glass with yours, sending the sweety alcoholic drink sloshing out of the glass and trickling down your wrist.

You laugh it off and sip your drink at the same time the music starts playing, kicking off the party with an upbeat song.

"Got you!" Someone says, holding you from the back.

From the size of his arms, you can tell who it is. You immediately turn around to face him and put your glass away, "be careful," you warn about the little incident you had earlier with your drink.

Ignoring your warning, Changbin takes your hand and places an open-mouthed kiss on your wrist, from there, he continues his trail of kisses upward, along your arm and stopping at your shoulder.

You giggle as he places a final kiss on your neck, "Put your drink away and dance with me," you say.

He obeys right away, putting his drink on the table nearby and back to putting his hands on your waist. The two of you dance with your foreheads pressed in the middle and your bodies slowly swaying against the fast-paced music.

It's either the weather or the proximity or the intensity of his stare, you find yourself feeling hot inside and out. You can feel a thin layer of sweat forming on your forehead.

Changbin drops his head into your neck and you feel him inhaling your scent.

"Do you like how I smell?" You playfully ask him.

He smiles against your neck and nods, "Smells heavenly."

You place a kiss on his jaw and get a quick sniff of his perfume. He smells of musk and citrus which is something that quite captures him as a person.

"You smell good too," you tell him with a smile.

The hand resting on the arch of your back moves up to the nape of your neck and you can easily guess what he's going to do next.

The second he starts leaning in, you close your eyes and feel his lips on yours the next second. The tongue that pries open your mouth, the hand taking a fistful of your hair and the other one that grips your waist only proves that his kiss is never just a kiss, it's passionate, deep, and hungry, and it consumes you whole.

Ultimately, he does it to show everyone that you're his.

You have to push him by the chest to stop kissing you as you're running out of breath, "I need to breathe, don't you think?"

Changbin responds with a shameless grin and draws you close again, not letting you get away from him.

You wipe the lipstick mark on his lips with your thumb only for him to kiss you again. You roll your eyes at him in response to that.

"It looks good on me so leave it," he coyly says to you.

You manage to dodge away as he's about to kiss you again and laugh at him while he pouts at you.

Changbin sure has a distinct charm that you rarely find in a guy.

You lean in this time and place a long peck on his plump lips, slowly forgetting about your surroundings and that you're filming a TV show.

The lights suddenly off in the villa and the music abruptly stops, everyone turns their heads to the source of lights remaining in the vicinity.

The staff leads everyone to the beach and not long after, you see a boat coming ashore. As everyone else is cheering, you feel a little nervous about it.

"Do you think it's the first quest?" Niamh asks from next to you.

The quests! It only sinks into you now that the show tells you that the guests have to do a series of quests to win the show.

After registering everything, you gasp in surprise, "Oh, my God!"

Someone is getting off the boat and you assume he's the host of the show, he takes a stand on the small platform propped on the sand.

"Welcome to Love Quest!" He starts.

Everyone is cheering and applauding, then Oliver comes out of nowhere and puts his arm around your shoulder, his cheeks are blushed from drinking.

"What do you think we'll do?" He asks the same question with Rita.

"No idea," you honestly tell him.

The host takes a look at everyone with a cryptic smile on his face, "What do you think the first quest is?"

"I don't know but I'll probably shit my pants," Riley answers with a laugh.

"Well, are you ready for it?" The host turns on his feet to look at the boat.

"Yes!" Everyone answers in unison, followed by more claps and cheers.

"Time to find out your first quest!"

Two people are carrying a box down the boat, from the way they carefully place it next to the host with a loud thud, you can tell how heavy it is.

The host holds the handle of the lid of the box and keeps his cryptic smile on his face.

"This is your first quest..."

YOU: Oh, my God! What is about to happen?

Changbin has no idea why everyone is shocked to see a cone rising out of the box.

It must have something to do with the quest right? But why does everyone have to be this devastated? It's just—

Standing next to him, Sabine asks, "Is this what I think it is?"

"What?" Changbin cluelessly asks her back because he's confused still.

"Oh, my God!" Sabine turns panic with her hand flying to cover her mouth.

He looks around and everyone is having similar reactions as Sabine, except him, he's the only one being utterly confused.

Changbin helps Sabine steadies herself and asks, "What? Tell me! What?"

Sabine turns her head at him to finally answer him, "This is too hot to handle."

What is that? He asks himself, going deeper into the pit of confusion. He's more curious as to why everyone is acting like it's the end of the world.

Then the cone chimes and lights up, startling him because he thinks that it's just an air freshener or a portable speaker, not an AI talking robot.

"As you can see, this is no longer Love Quest," Lana begins.

He looks to the side and notices you with your mouth hanging open.

"This is Too Hot To Handle," he cone announces.

"No!" Sabine groans, grabbing at Changbin's arm.

"That means no fun, ever!" She emphasizes every word with deep sorrow.

"You have been specially selected because all of you are having meaningless flings over genuine relationships."

"That's rude!" Niamh shouts at the cone.

While Oliver grins and agrees right away, "Not wrong at all!"

"Since your arrival, I have been gathering data on your wild behavior but from now on, you must adhere to my retreat rules."

Next to Sabine, Changbin sees Liam put his hands on each side of his head, looking upset. He catches him looking, then says, "Oh man, I didn't get to rub one out to like, you know, say goodbye."

Changbin has no idea what it's got to do with the rules or maybe...

"No kissing."

What? Changbin has kissed you so many times only to be told that he can't do it again?

"No heavy petting."

It starts to dawn on him why everyone reacted the way they were when the cone popped out of the box.

"No sex."

He gets why everyone acts like it's the end of the world because it's far worse than that.

"The rules also apply to self-gratification."

"Shit! Fuck!" Changbin curses out of reflex at the mention of it.

Not only that he can't do physical things to other people, he can't even touch his own body. Does that even make sense?

Sabine hits her head at Changbin's arm, "We're fucked!"

"As part of your social development, I have allocated a prize of $200,000," Lana announces.

"That changes everything," Liam comments

There's money on the line now and that motivates everyone to follow the rule and some people are cheering in excitement.

Well, the money sounds good but to earn it by refraining from any sexual practices for a month? That's kind of impossible for Changbin.

"Surely, we can spend a few grand," Oliver says with his arm around you.

Changbin allows him for now as he seems a little tipsy.

"No, man, no!" Liam quickly shuts him off, putting an end to his rebellious ideas.

"But we got 200k of them," Oliver says with a subtle grin.

Liam lightly shakes his head at him, "Oh, no, you're going to mess this up for all of us," he says, sensing troubles in what Oliver said.

Looking at Sabine, Changbin believes that Oliver is going to have a hard time not touching her. Then he looks at you and realizes that it's going to be hell for him too.

"Welcome to your long, hard, sexless summer!"

CHANGBIN: It's too late to back out right? [Clicks tongue] Guess we're going to go with it [sighs]

"That was a bad party," you groan, taking off your strappy heels as it's hard to walk on the sand in them.

Rita links her arm with you to walk back to the villa together, "How much do you think a kiss costs?"

"Two to three grand, I guess?" You wildly guess.

You're familiar with the show but never stayed long to pay attention to how the show works except that it doesn't allow you to get all kinds of sexual with each other which is going to be difficult for you.

All these times, you do things as you please and that includes kissing or even sex. It's so easy for you to do it with anyone because you keep things casual, with no attachments whatsoever which makes it easier.

Now that the fun is being taken away from you, you have no idea how you're going to do it. It becomes harder later that you're sharing a bed with a man that you are physically attracted to.

Seriously though, what have you done that makes you deserve this?

You're not the only one moaning and groaning in complaint about these sudden rules in the villa, the girls can't stop talking as they remove their make-up to get ready for bed. Your bedtime routine takes double the time as you can't help but join in on the chat with the girls.

"Which one do you think is going to be first to rule break?" Riley asks while brushing her long brown hair as she speaks.

"Not me," Niamh immediately answers.

You glance at Sabine who's giggling in response to Riley's question, "Sabine..."

Sabine puts her hand under her chin, "I think we should kiss each other and be the first to break the rules," she gives her opinion.

"That's not a bad idea," Rita agrees with her.

"No, I think we should make the boys sweat a bit," Riley offers another idea.

"I like that more, yes," you agree with her.

"But Oliver is so hot and I'm sharing the bed with him," Sabine whines at you.

You shrug because you have no answer to that, you're in the same predicament as her.

"Sabine, no, honey, you can do it!" Niamh encourages her

You sense that Niamh is going to be the protector of the prize money and you can't blame her for that, it's a lot of money, and you would love to win it.

However, the possibility for you to win that money is close to zero.

"Something about being told not to do something, you know," Riley says, now braiding her hair in one big pigtail.

"I know, right?" Sabine gasps.

For you, rules are something you are never good at following because they are meant to be broken anyway so why bother following them in the first place?

YOU: Now that I can't have it, I want it more [bites lips]

It's been an eventful day and he's looking forward to ending it.

Changbin sees that you're stepping into the room and heading straight to his bed, this is the part he's been looking forward to, he wants to end this day with you.

It sucks that he has Lana's rules to follow but that doesn't stop him from feeling ecstatic to share the bed with you. Especially with you dressed in a short night dress that barely covers your ass.

Oh, it's going to be a long, agonizing night for him to try not to touch you.

A smile dances on your face as you crawl on the bed and sit next to him with your back facing the room, you innocently rest your hand on his thigh like it wouldn't affect him.

"Is this what you're wearing to bed?" You ask him, pinching the hem of his black boxer.

"Yeah," he simply answers, looking at his sleeping attire of a boxer and a black t-shirt.

Changbin tries to look at your face but the plunging neckline of your night dress keeps distracting him, he can also see your nipples poking through the thin fabric.

However, his hand remains steady on your thigh, fingers lightly rubbing the skin to feel how smooth it is.

It's getting a little noisy in the bedroom with everyone talking all at once, or they're simply as excited to share beds.

You look over your shoulder for a while then put your leg between his as you look back at him, "I think it's going to be so weird to have sex in front of people," you suddenly say out of nowhere.

Changbin is half listening when his eyes are busy listing over your body, "Yeah..."

"Not that we're going to," you quickly add with low giggles.

Your hand glides up to his stomach and slipping it under his t-shirt, it's like you know that's his sensitive area.

"Just saying..." you add with a playful grin.

Now that you hinted at it, he can't help but imagine it, and without waiting for his brain to send the command, his hand moves up to your waist and grips it.

"Because you know, you get going..." you slightly grind on his thigh and pretend to moan to show it to him.

"And you know, like, it's going to be so loud," you finish talking with a sly smile on your face, knowing what you just did to him and what it does to him.

Changbin's imagination is getting vivid and he bites his lower lip to suppress the urge to kiss you. He plays with the lace fabric of the hem of your night dress, "Is that how you do it?"

You tip your head to the side, "What? Fast and loud?"

"If we do it fast, I'm not sure you can keep up with me," he says with a daring smirk, fueling his filthy mind with his own words.

You prop your hands against the mattress to hover above him and then mutter, "I just want you to throw me around."

Then you put your body on top of him which he gladly embraces, he can feel your body slowly molding into his and it feels so intimate to feel each other's bodies like this as he puts his arms around you to keep you close.

You feel soft and small against him, Changbin gets the urge to protect and take care of you but at the same time, he wants to rip your clothes off and make you cry out of pleasure.

And he never met someone that made him feel that way until today.

CHANGBIN: She makes me horny as hell, makes me want to get down and dirty right there with her.

Maybe both of you were mentally drained from the revelation that this is not Love Quest anymore and not much happened before you both went to sleep last night.

Through the curtains, you can see that it's already bright outside but the lights aren't on yet.

Changbin's arm is draped around your waist and you clutch it close to your chest, snuggling yourself close to his body.

"Oh?" You lowly gasp, feeling something poking behind you.

You feel tempted to touch it or at least, take a look at it but you refrain, you decide to tease him by rubbing your ass against his morning wood.

It doesn't take long for him to realize what you've been doing to him, he lays his hand flat on your stomach to stop you but you're relentlessly continuing to do it.

"Stop it," he scolds into your ear but you pick up the playful cadence in his sleepy voice.

Ignoring him, you arch your back more and keep teasing him. This time, Changbin firmly grips at your waist to stop you.

"You're going to get me in trouble," he mutters.

You decide to obey him and pull at his arm, wanting him to hold you close again.

Changbin puts away the hair covering your neck then places a long kiss there, he places another kiss on your shoulder blade before cuddling you again.

"Mmh..." he delightfully hums, "I can get used to this."

And you can't think of a better place to wake up to than next to him, it feels warm and snug in his arms and you don't think you'd get it from anyone else but him.

Then the lights are on and the cone chimes, waking up everyone from their slumber.

"Good morning, everyone!" Lana greets.

It's not ideal to start the day hearing the cone talking but then again, you're here under her authority.

"Morning," you sleepily answer.

You lay on your back but Changbin clings to you, burying his head in your neck with his hand resting across your chest.

"Get ready for some fun in the sun but the only way you're going to get wet is getting into the pool."

Lana is a robot but she surely masters sheer sarcasm and you admire her for that, she's not one to mess with.

"Is there any way we can turn her off?" Oliver asks with a gruff voice.

That shifts everyone's attention to his shared bed with Sabine and you notice the subtle smile on her face, "Looking so smug there," you tease her.

Sabine softly chuckles and brushes her hair to the back, not saying anything but resting her head on Oliver's shoulder.

They seem suspicious that Niamh can't help herself but ask, "What's going on, guys?"

"Nothing," Oliver answers for both of them, sweeping his hair to the side.

What everyone is doing is not your business so you choose to mind yours, hugging Changbin and feeling the muscles on his back.

"What are your plans for today?" You ask.

After a moment, he finally answers, "Working out."

"After that?"

"Shower."

"After that?"

"Breakfast."

"And what time are we going to break the rules?" You playfully ask him but you're curious if you both have the same thoughts about it.

Changbin lifts his head to look at you to see if you are serious or not, then cracks a laugh.

"Tonight?" You ask again.

Not getting an answer, you slip your hand into his soft curls and ask again, "Tonight at 8, mmh?"

He looks at you again and you both burst into laughter at the same time. He overlaps your body with his and nuzzles his nose into your neck.

"What do you think we should do, mmh?" You tease him more with a gentle ruffle on his hair, "Kiss? Handy? Sex? Anal?"

Changbin breaks into laughter again and he has the kind of laugh that is infectious, making anyone who hears it laugh along with him.

Jokes aside, you get the feeling that Changbin hesitates to break the rules, you can't tell if is it because of you or if he has his reasons.

Well, there's always a way to find out.

YOU: If he wants to come up to me, he can get some talk, he can get some actions [smirks] I'm up for anything.

Changbin is feeling refreshed after taking a shower.

He worked out a little late into the afternoon because of the big breakfast he had this morning, he felt the need to lose the extra weight he gained and turned them into muscles.

He almost bumps into Liam as he enters the dressing room, not knowing that there are people in there.

"What's up, man?" Nico asks who happens to be there as well, playing with the girls' make-up brushes.

"Not much," Changbin shortly replies as he opens his closet.

Not long after, Oliver comes into the room, grinning ear to ear. He just stands in front of everyone but not saying anything.

Changbin smells trouble from him, "Looking smug. Where have you been?"

"Just had some alone time," he talks almost inaudibly.

"With Sabine?" Nico asks for confirmation.

Oliver starts pacing around the room still slyly smiling, it's like he waits for someone to catch up on it.

"Oh, don't tell me you kissed!" Liam says with a defeated sigh.

Changbin can tell the answer right away from the smile plastered on his face, "It's true," he confirms for anyone.

Liam calls Changbin and even though he's only dressed with a towel around his waist, he helps Liam corner Oliver and forces him to confess.

"Why are you guys so big?" Oliver asks both of them, looking slightly intimidated by their sizes.

"What did you do?" Liam asks him again.

Oliver holds his hands up and nods, "Yeah, we had a little kiss."

"Oh, no, it's only day two, bro!" Nico says from behind Changbin.

With his hands up, Oliver starts to explain, "We had a moment, okay?"

Changbin walks back to his closet to start putting clothes on and sees Liam is still towering over Oliver, "Is that the only thing you did?"

"Yeah," Oliver answers.

Liam then looks around the room to see every there, the boys are all here except for Shane.

"Now if any of us do any rule breaks, I'd appreciate it if you just... fess up," he says to everyone.

Oliver nods in agreement with a winning grin for successfully becoming the first one to break the rules in the retreat.

It's getting interesting now that the first rule break has occurred and it's only about time other people start doing it too.

Changbin wonders if he should do something about his appointment at 8 tonight.

CHANGBIN: Is it going to be my turn? [Smirks] I might do something tonight. We'll see.

It's only about time that someone broke the rules and you're right to put your money on Sabine.

However, you didn't expect that it was going to happen this soon, Sabine and Oliver did it in less than twenty-four hours after Lana's sex ban.

"You think everyone is mad at me?" Sabine nervously asks you.

Everyone shouldn't act like they're going to be perfect going forward, the retreat has only just begun so there's no guarantee that there'll be saints left at the end of the retreat.

"You know I was just waiting for someone to do it," you honestly tell her.

Sabine pauses applying her lip liner and cracks a laugh, "Yeah?"

"Yeah, me and my man have a plan now," you jokingly say.

"What are your plans?"

"We're going to give each other head," you joke.

The actual plan is not very far from it, you're going to look so good tonight that Changbin can't resist you. You check yourself in the full-length mirror in the dressing room and are satisfied with what you see.

"I look so hot," you praise yourself, turning around to see the back view.

Rita comes and puts her arm around your waist, posing together in front of the mirror with you.

"We look hot!"

The night is warm with the scent of the sea clinging in the air. You grab a drink before stepping out of the villa to prepare you for tonight.

"Looking gorgeous," Shane compliments as you meet him by the pool.

You take a moment to look and search for something you can compliment on him "I like the shirt," you say with a quick pull at the collar of his shirt.

"We're kind of matching, you see?"

You're wearing a white top with a black leather skirt while he wears blue jeans with a striped blue and white shirt, the similarities are almost nonexistent but hey, he's just trying to shoot his shot.

"Yeah, we kind of do," you say to him.

Let's see if Shane got game so you stop by the terrace to give him the chance to play.

"Have you ever dated an English guy?" He asks out of the blue.

A bit too strong for an opener but okay, "Nah," you answer.

He takes a step closer, then asks, "Never?"

You look him in the eyes to see if he would flinch, "Yeah."

He coyly sips his drink to stall and continues talking after, "Would you like to?"

A solid 7 out of 10, could be better. You laugh it off and let him die to know the answer.

"You know everyone is attracted to you, right?"

"No, not everyone, I believe," you play humble like how good girls play.

Shane takes another step closer and leans the side of his body against the pillar, "This is good. We should talk more," he says with a flirty smile.

"Well, I'm open to getting to know everyone," you tell him, making sure that you mean it generally, not specifically with him.

Shane runs his hand through his hair, sending it disheveled, even so, it makes him look attractive.

"I think you went in with Changbin so quick," Shane comments.

You nod and admit that it's true, "Yeah."

He then slyly smiles at you, "So, you know—"

Before you can finish listening to Shane talking, someone has his arms around you and without warning, carrying you with him.

Thankfully, you manage to not spill the drink you're holding once Changbin puts you down. He pats the small space left on the small sofa facing the sea view.

You sit with your legs hanging between his and his arm around you, this way you can put your full focus on him. You like seeing the glints in his brown eyes and your eyes flick to his small mouth with its pair of plush lips, looking so inviting as he licks them after taking a sip of your drink.

"What were you talking about?"

Changbin tries to sound cool about this but you sense a hint of jealousy in his words.

"Talking about you, actually," you honestly tell him.

"Yeah?"

He's wearing this tight white top that showcases his sculpted muscles and makes you unconsciously roam your hand on his clothed body.

You lose track of the conversation and innocently mutter, "You're so big..."

Changbin smiles at your words, looking thoroughly happy to hear them, and wants to hear more of it.

"What about it?"

You use your fingers to play with the opening of his top, teasing the skin there, "I like that you're big," you shamelessly admit.

It's impressive how he doesn't flinch as you stare him dead in the eyes. He remains calm with his hand playing with the thin strap of your top.

"Mmh?"

You lean in close and lower your voice as you say, "Makes me wonder if you're big somewhere else too."

Men like it when you're being straightforward like that and it seems to work on Changbin too.

YOU: He is so hot. It's going to be really hard to keep my hands to myself.

Everyone else can look as much as they want but they can only dream of getting it on with you.

Changbin feels like he won big to have you sitting close to him, looking damn attractive in your leather skirt and you're deeply staring into his eyes and your legs are slowly rubbing his inner thigh.

Oh, he knows what you're doing and he sure as hell knows that he's in trouble. The sexual chemistry is there and it's electrifying, awakening every cell in his body.

He looks away for a moment to take a grip on the situation and tries to restart a conversation. Then he looks at your face and how beautiful you are, your nose, your eyes... which reminds him to compliment them.

"You have beautiful eyes," he says.

You snort and put away your drink, "Your eyes are nowhere looking at my eyes," you point out.

That's right, he was looking at your lips when he said it, how they tantalize him.

You put your hand around his neck and gently massage the back of his head, "What are you thinking, mmh?"

There's no way of denying it so Changbin resorts to playing pensive, "Why don't you take a guess?

You're playing with the zipper on the front of his chest, "Uhm... food?" You wildly guess.

He laughs then nods, "That's a pretty good guess."

"No, wait," you take back your answer and take another guess, "it was tits."

You sure know how to amuse him and other than that, make him feel aroused with every little thing you do, including now, when you fix your hair from being blown by the wind.

Changbin has been thinking about it and knowing that someone has broken the rules making it easier for him to decide.

It's his turn to break the rules now but before that, he looks around, making sure the coast is clear, he sees that everyone else is gathered in the firepit.

Changbin looks back at you, then his hand reaches for your chin to bring your head close to his so he can kiss you. He likes how eager you are to receive his kiss and return it in such eagerness.

He holds you by the jaw, his thumb pulling at your lower lip to make you open your mouth for him so he can kiss you deeper, harder.

He wants to keep going and get drunk in your sweet, sweet kiss. He's tugging your lower lip between his teeth before pulling away.

Once he breaks the kiss, he looks at you at your parted mouth and your lips wet from the kisses, you're smiling when you open your eyes.

All of sudden, you throw your arms around him and mutter, "That was a good kiss."

He plants a kiss on your shoulder and another one on your neck, "I know."

You sit back on the sofa to get your drink and secretly look at where everyone is gathering, "Did they notice?" You ask him.

He throws his head back to look behind him and shakes his head, "I don't think so."

Breaking the rules is not as bad as he thought it would be, it was easy and strangely fun, he's sure it's coming from the rush of doing it without getting caught by anyone.

Changbin can only hope he doesn't get addicted to the rush.

CHANGBIN: So it happens, my first rule break. I knew it was wrong but I still wanted to do it so... [shrugs]

Despite the strong wind blowing your way, it doesn't help keeping you away from sweating.

You use the back of your hand to dab at the thin layer of sweat forming on your forehead but you feel like your make-up is fading away with the night.

Putting your empty glass away, you break away from Changbin's cuddle.

"Where are you going?" He asks.

You get up from the sofa and fix your skirt, "I'm going to fix my make-up quick," you answer.

He takes your hand, not letting you go, "You can do it later."

You smile at him, "I'll be quick," you say.

On the way to the dressing room, Rita joined you and it just happens that she seems to have the urge to tell you something.

"Now that Riley has given up on your man, she's going for Liam," Rita informs.

You sit on your chair and unzip your make-up pouch, "Really?"

Rita leans against the vanity table and crosses her arms in front of her, "So I was there with there with Liam then Riley joined in and she won't stop talking," she grumbles.

Riley does seem like the talkative type and you can imagine her butting in between Rita and Liam, talking non-stop.

"She keeps going on and on..." Rita complaints.

You feel bad for Rita but can't help but laugh. You gently powder your nose and make sure its

"Is Liam the only one or is there anyone else you fancy?" You ask out of curiosity, taking out a tube of lip gloss out of your pouch next.

Rita gets quiet and rolls her eyes as she thinks of an answer, "I was the first to call dibs on Liam," she innocently says.

You snicker because she makes it sound like it's a child's play, "What about Nico?"

"Nico? Hmm..." Rita has an adorable habit of pinching her cheek when she thinks.

You shift on your chair to look at her, "But you know, if you want to see how things go with Liam, then go for it," you suggest.

"I'm going to do that," she says while bobbing her head in agreement.

"Then get your cute butt there," You encourage her because you don't want her to overthink things when she should just do what she wants.

She squeals in response and takes a hairbrush from her table to fix her hair, "I believe Riley is still talking when I get there," she says with a dramatic eye roll.

As she turns around to leave, you land a gentle slap on her butt, "Go get your man!"

Now that Rita left the room, you can put on a fresh coat of lip gloss on your lips and take a quick look in the mirror only to find Changbin is checking you out in the doorway.

"You told me you'd be quick," he whines.

You laugh at how he's fussing like a toddler, "I was about to walk out—"

You get cut off as he comes crashing his body against yours, hugging you so tight with his hands feeling your clothed body.

It's obvious that he's horny. You hold him back and let him bury his head in your neck, "We're going back out there or stay here?"

Changbin doesn't say anything but looks at you, his eyes are looking at your lips and filled with so much want. You kind of have guessed that he would be coming back for more because honestly, one kiss is never enough.

"You can throw me onto the table if you want," you jokingly say with a flirty smile on.

With smoldering eyes and a smirk on his face, he lifts you by the waist to sit you on the table, that way he can be at the same eye level with you.

You loop your hands around his neck and pull him close, "And now we can kiss," you whisper with your face only inches away from him.

And just like that, he caves in and kisses you. This time his kiss has intensity to it and for a moment, you feel like he's devouring you whole which is turning you on.

Changbin slides his hand down your leg and lifts it, wrapping it around his waist to close the gap between your bodies.

His other hand is angling your head slightly to the side just so he can kiss deeper, skillfully using his tongue to make you feel the slightest bit lightheaded.

A moan slips out of your mouth as he squeezes the back of your thigh. You feel faint not only because it's one of the sensitive parts of your body but also because of how close his hand is to where you want him the most.

Then the sound of heels clicking against the floor shatters the tension in the room and the two of you abruptly stop kissing.

Your head turns in the direction of the doorway and see Sabine grinning at both of you.

"I caught you rulebreaking!" She says in a sing-song voice.

"Shit!" Changbin quietly mutters as he looks away from her.

Sabine walks to her closet, "Don't worry. I won't tell anyone!" She says while switching the shoes she's wearing with sandals.

After she leaves the room, Changbin pulls you into a hug and nuzzles his head in your neck.

You jokingly pull his head close, "Okay, now, come back."

He breaks into laughter and kisses you on the cheek to compensate for not being able to give you what you want.

It's already hard to get him to rulebreak and it would take a long time for him to fall into the temptations again.

YOU: [Snickers] I don't know what's wrong with us. I don't know why we're doing it again [laughs]

Changbin jumps onto his bed, feeling so tired but inside, he's feeling euphoric.

"What's going on, big boy?" Nico asks from the next bed.

Changbin pretends to look exhausted and stretches his arms out, "I didn't do much tonight," he lies.

He knows he can't be the only one breaking the rules tonight but it's safe for him to keep a calm expression to avoid suspicion.

When he looks at the boys, he notices the smugness on their faces and they probably can see it on him too. For now, he saves the worries about the money for tomorrow.

Changbin stops thinking altogether when you climb onto the bed, wearing a white tank top and tight shorts. If only he was alone with you... oh, he's scared to even try to imagine it.

You sit cross-legged on the bed facing him, looking so beautiful even with a bare face, "Isn't it hot to sleep with a t-shirt on?"

"You can just tell me if you want me to sleep naked," he says with a mischievous smile.

"You know, I always sleep naked," you share then sips water from your tumbler.

He puts his hand on your knee "Then why aren't you?"

You put on a daring glare at him, "Do you want me to? Cause I would," you say.

If there's anything he learned from being around for these past two days is that he shouldn't challenge you because, in the end, he'll end up losing to you.

When the lights are out, he puts his arm out so you can rest your head on it but instead of that, you overlap his body with yours.

"I'm not sleepy yet," you whisper into his ear.

"Anything you want to do?" He asks and regrets it the second after he says it. He shouldn't give you ideas or worse is letting himself open to your ideas.

"A lot," you answer with a hot kiss on his neck.

Changbin feels threatened as you start placing kisses around his face, his heart skips when you get too close to his lips but he sulks when you don't do it.

You have your hand slipped under his t-shirt, splaying it on his stomach and feeling his skin there. You lean in close, rubbing your nose against his and teasing his lips with the warm breath you let out of your parted mouth.

"Want to rule break again?" You ask with your thumb swiping his lower lip.

Oh, Changbin is being put in a predicament once again. You best believe that he wants to do and will do whatever it is you want because that's what he wants too.

However, he promised himself that he wouldn't do another rule break for the rest of the night.

He hates to say no to you so he tries to lay it as gently as he can so he softly caresses your head, then takes the hand holding his face to kiss the inside of your hand.

"That's enough of a rule break for today," he murmurs with an apologetic smile.

Even in the dark, he can see you softly smile at him and nod, "Okay."

It's not about the compliance, you can be a little wayward to him but Changbin likes that you know when to hold back. Yes, he takes pride in being dominant but that doesn't mean he can force you to do what he says, you are your own person after all.

You sweetly kiss him on the cheek and mutter, "Goodnight, Changbin."

He plants a kiss on your jaw in return and mutters back, "Goodnight, angel."

For someone who has known him for a couple of days, you understand him well and that says something.

CHANGBIN: A kiss with her is always too good but it's bad because it's making me hornier [chuckles]

The day starts with Lana's morning greeting.

For a second, you thought Lana was about to announce the rule breaks right after everyone woke up and that would be so cruel of her but you're glad she didn't.

Changbin nuzzles his nose against your neck before placing a soft kiss on your shoulder. You open your eyes and see him smiling at you.

"How was your sleep?" You croak, putting your hand under his t-shirt to feel the skin on his back.

He kisses you on the arm and softly sighs, "I got bit by mosquitoes last night."

"That was me. Sorry," you joke.

That amuses him so much, that he laughs with his head buried in your neck and playfully biting at your shoulder.

When he stops, you look at him and say, "I'm not sorry actually."

With freshly showered hair, you're doing your make-up with Rita while Niamh is also dressing the other part of the room. You look at Rita whose hair is flying around her head as she's drying it.

"So, how did it go?"

Rita turns off her hairdryer, "What?"

"With Liam last night?"

"I don't know. He's been very vague about it," Rita answers, sounding as confused as her answer.

You put down your eyebrow pencil and look at her, "He probably wants to keep his options open for—"

The melodic chime coming from the cone in the corner of the room interrupted you from talking and your heart starts to sink, knowing that you committed a couple of rule breaks yesterday.

"Hello, girls!" Lana greets.

Niamh pops her head from behind the room where everyone is using to change their clothes.

"Hey, Lana..." you answer with sheer enthusiasm.

"Please gather everyone in the cabana," she orders.

You exchange a horrified look with Rita and grimace at the horror looming over you the second you hear Lana's voice.

"Sure, babe," Rita is replying to her this time.

You know exactly what's going to happen in the cabana and it's none other than the time to get publicly shamed by a talking cone.

There's only one seat left on the small wooden sofa at one side of the room and you sit there, having no one there to help you calm down.

"Okay, guys, who kissed who?" Nico asks everyone.

Niamh couldn't be faster responding to it, "I didn't kiss anyone," she says.

"Me too," Rita says.

As if it would help take everyone's suspicion off you, you're avoiding their eyes and trying to act calm. You are calm until Sabine places her hand on your knee.

"Babe? Did you kiss?"

That's so sly of her to ask you that when she walked in on you and Changbin kissing in the dressing room. You scrunch your nose and decide to lie, "Nah, I didn't."

Sabine slyly smiles at your answer and lets it go as the cone chimes in the middle of the table.

YOU: I know for sure that Changbin and I kissed twice but I'm not saying a word. I'm hoping Lana didn't see [snorts]

"Hello, everyone!"

Changbin tries to remain calm but he can't quite control his body, his heart is racing and his palms are starting to sweat. He can only hope that he's putting on a good poker face.

"What's happening, Lana?" Shane asks from the other end of the sofa.

"You were brought here to form deeper emotional connections and were given rules to adhere to."

Lana is an artificial intelligence but Changbin can hear the displease in her voice and she sounds upset.

"This is tense," Nico says with a heavy sigh.

"Yeah..." Oliver says.

"Despite this, your flagrant disregard for the rules has resulted in a deduction of..."

Changbin knows he takes part in that deduction and he can feel the guilt starting to seep into his mind.

"$15,000."

Everyone collectively gasps at the announcement of how much money has been lost from the prize fund and it's only the third day now.

But this also means that he's not the only one screwed up last night.

"That's the most expensive 25 hours I've ever lived," Oliver says as if he didn't spend some of that money.

"You guys are blowing it," Niamh says with a disappointed look on her face, genuinely pissed at losing money.

"In total, there were five rule breaks," Lana informs.

"Five?" Nico says with a shocked face.

"Anyone want to admit to anything?" Rita says.

Changbin glances at you and he sees that you're also looking at him, exchanging unspoken words through the eyes.

Staying silent is not an option for him, he knows better that he has to own up to his mistakes.

"Changbin and I kissed last night," you get ahead of him.

He feels less nervous to talk now that those words are out, "Yeah, we kissed."

"We had a moment and it was perfect," you add, explaining the things that led to the kiss.

"Just one kiss?" Niamh asks.

It's like something caught in your throat and you abruptly stop talking, it's time for Changbin to take over.

"No, we uh... we kissed again in the dressing room," Changbin admits.

He's expecting shouting or yelling coming at him but they're quiet, he can only hear a few deep sighs.

"Well, there's three more we need to account for," Rita says, leaning back on the sofa and crossing her arms together.

"Sabine?" You call her name loud enough for everyone to hear even though she's sitting next to you.

"What?" Sabine plays dumb.

"We knew about your kiss at the beach," Rita says to her.

Niamh scoots forward on her seat and looks at Sabine, "Is that it?"

Sabine looks at Oliver and everyone knows right away they had more than one kiss.

"Yeah, okay, we kissed twice," Oliver finally confesses with an unapologetic grin on his face.

Oliver's confession is also greeted by more sighs and Changbin feels a lot better now that he's not the only one being scrutinized at the moment.

"One more to go now," Nico mutters, scanning everyone's faces to spot the guilty ones.

"Honesty is the best policy, you guys!" Niamh warns.

Everyone wouldn't let it go until the last culprit comes forward and Changbin just wants to get this over with.

A moment passed in silence until Riley pointed at someone, "I kissed Liam."

"Look at you sitting there all quiet," Changbin mutters at Liam who happens to sit two seats away from him.

Ironic that he was the one who warned everyone to speak out immediately when they messed up yet he's the last one to do it.

"I felt a little something for Riley so I don't regret it," Liam explains.

He notices that you're exchanging looks with Rita as she seems to be upset upon hearing what Liam uttered to everyone.

"The prize fund now stands at $185,000," Lana updates before signing off.

Changbin does the math in his head and is slightly shocked to find out how much he spent but at that moment, last night, the kisses felt worth more than that.

However, everything changes now after hearing how much it costs.

CHANGBIN: $15,000... that's a lot. I'm feeling guilty now.

When Changbin hears that there's going to be a workshop, he hopes it's something that will help him control his urges.

The moment he gets told that he has to pair up with you, he doubts that it would help him much.

"Hello, I'm Billy," The instructor introduces himself, "I'm a sex expert."

"Whoo!" Oliver excitedly reacts.

"How are you all doing?" Billy asks.

"Good!" Everyone answers in unison, sitting on their respective mats for the workshop.

"Today's workshop is about ways you can connect with somebody without sex," Billy announces the lesson for the workshop.

"Breath is a huge thing so when you feel sexual tension, step away and go do your breathing, it'll help you profoundly."

Changbin feels skeptical at first but he knows now that it's possible to keep his impulses in control.

Billy then turns over a picture showing a cuddling position and everyone should do it with their partner. You crawl over to him and sit cross-legged on the space between his legs.

It takes him a moment to study the picture, he puts his arms around you and you intertwine them together in front of you.

"Hand over your heart," Billy reminds him.

He places his clasped hand on your heart and he accidentally brushes your breast in the process.

You lowly giggle in response and look over your shoulder at him, "Over my heart, not my tits."

He presses his mouth close to your ear, "It happens that your tit is close to your heart," he playfully replies.

"Breathe..." Billy instructed as he's he's pacing back and forth observing everyone, "Connect with them on a deeper level."

Changbin does what he said and closes his eyes, breathing in and out, eventually syncing your breathing together. It feels nice, he feels relaxed.

Billy walks up to Sabine and Oliver, "How do you feel in that position?"

"Damn good," Oliver shamelessly answers, making Sabine laughs in embarrassment.

Billy walks back to the front and flips a new picture on the easel, "It's going to get a little bit intimate..."

He then reveals the next position for everyone to see, he's grinning as he says, "I think you guys can handle it."

Changbin applies the lesson right away, inhaling air and exhaling it as he sits on the mat.

Okay, it's getting hard to try not to think about sex when you're sitting on his lap and your legs wrapped around his waist.

"Don't I look good on top of you?" You ask with a sly smile on your face.

He takes a deep breath and puts his hands on each side of your waist, "Yeah," he answers, can't stop his brain from imagining it.

It doesn't get any easier with the way you're looking deep into his eyes and Changbin reckons he should look away.

He pulls you close and rests his head against your chest, listening to your steady heartbeat helping him to calm down.

"How are you guys doing?" Billy asks him.

"We're doing good," you answer for both of you.

After he leaves, you look back at him and put your hands around his neck, "Good, right?"

Changbin bets that you know how good it is for him as you sit right on his crotch. The sexual tension is getting unbearable and breathing doesn't help him as much as it did before.

Thankfully, Billy ends the workshop before it gets dangerous.

"Thank you, all of you beautiful people and I appreciate you for being present with me," he concludes.

Everyone is giving him a round of applause as a token of gratitude for his lesson.

CHANGBIN: It's clear that we have a strong sexual chemistry but I also sense that there's something genuine there.

It's unclear whether Changbin is up to doing something naughty tonight.

Nevertheless, you're putting on a tight dress and a luscious coat of lipstick, you know he can't resist you when you look this good.

Changbin is talking to Nico when you come and put his arm around you, wanting to get his attention. Successfully having him for yourself, you corner him and take him to sit together on the lounger.

"You look good tonight," you compliment, feeling his pecs through his black shirt.

He reacts with a mix of shy and cocky smiles, you don't know how he does that but it looks good on him.

You bring your mouth close to his ear and murmur, "You look so delicious."

Changbin is oddly quiet tonight and you guess you just need to warm him up, showering him with compliments and talking about random things.

"I only noticed it now that you have a dimple," you say.

Changbin smiles again for you to showcase it and you use your finger to poke the dimple on his cheek.

"Your cheek is squishy too," you playfully poking at it while giggling.

"I think my right cheek is more squishy," he disagrees with you, poking his other cheek with his index finger.

He looks so cute doing it and out of nowhere, you feel like biting at his cheek and doing it.

"Why did you do that?"

"Nom nom nom nom," you tease him instead of answering.

Changbin pulls you close and gently bites at your arm to get back at you, sending you laughing uncontrollably.

Now that he's warming up and relaxed, it's time to find out if he plans to do something about the night. You rest your hand on his chest, fiddling with the button of his shirt as you talk.

"What are we going to do tonight, mmh?"

He only smiles at you with his hand caressing your back.

You press your head close to his and lower your voice as you say, "How about you finger me in secret?"

He bursts into laughter and pulls you closer, holding you with his arms around you, but it feels more like he's trying to restrain you.

"We're going to be good tonight," he tells you.

The message is well-received.

You fully understand if he doesn't want to rulebreak tonight and you're alright with it, you don't want to pressure him to do something he doesn't want.

You press a kiss on his cheek and then rest your head on his chest, "Yeah, sure, we can be good."

Also, perhaps he needs a little breather too.

YOU: He doesn't want to rulebreak tonight but who knows about tomorrow? [Raises eyebrow]

Just like Billy said, Changbin get away and do his breathing as the sexual tension is only rising when he's with you.

Most of everyone is gathering in the cabana so he goes there, trying to get his mind distracted by talking to other people than you.

Nico is sipping his drink and silently watching Sabine and Oliver canoodling by the firepit.

"I don't know if Sabine were like flirty with anybody but I kind of want to make Ollie cry," he says to him.

Changbin feels like getting another drink but he stays seated for the drama.

"Do it, man!" He encourages him.

The next thing he knows, the night is getting late and it's time to turn in for the night.

He manages to not rule break today as he planned but it doesn't feel like an achievement at all, if anything, he feels like shit for saying no to kissing you. Now, he has the image of your eyes dimmed when he told you he doesn't want to rulebreak tonight replaying in the back of his head.

It's not dramatic of him to feel ecstatic to see you get on the bed, he barely saw you after you both cuddled on the lounger earlier.

"Where have you been, baby?" He asks you.

You dive right into his arms and rest your head on his chest, "Talking with Rita," you mumble your answer.

He notices that you sound exhausted, "Tired?"

You turn your head to look at him and nod.

The moment the lights turn off, you get off of him to sleep on your side of the bed.

"Goodnight, fam!" Liam says to everyone in the dark.

"Night," a few replying to him.

Changbin doesn't want to assume things but he's scared that the reason why you feel a little distant is because he said no to rulebreak with you.

Then you're shifting on the bed and he sees you trying to take your top off under the duvet, you notice him watching.

"It's hot," you mutter at him, putting your top on the bedside table before laying on your side with your back facing him.

And he can see what you're trying to do to him.

Changbin scoots closer until his chest meets your back, he then traces the curve of your body with his hand, only using his fingertips to touch you.

He feels nothing but miles and miles of silky soft skin.

"Are you ticklish?" He asks, dropping his voice low and sultry.

"No," you answer.

That only encourages him to touch you more, exploring your body while trying to avoid it becoming something sexual. He presses his mouth on the back of your shoulder and softly inhales your scent while his hand caresses your abdomen with his knuckle.

With the way your body slightly shaking, he knows you're holding in your laughter.

"Tickles, mmh?"

"Not really."

Changbin lowers his hand down your waist and keeps going until his hand lands on the softness of the back of your thigh, caressing it with his knuckle.

"How about now?"

You shake your head.

He has no other option but to squeeze the flesh and you jolt on the bed. You take his hand out of the duvet and turn your head to scold him.

Before you can do that, he captures your lips in his. He knows he catches you off guard but you manage to return his kiss.

Changbin pulls away to have you pinned under him before leaning in and kissing you again. You moan as he puts his whole weight on you, sending your breasts squashed between your chests.

He's aware that everyone else in the room can see it but something about doing it in secret makes it inexplicably kinky.

CHANGBIN: If I'm being honest... I want to eat her all up [smirks]

Another day means another session of listening to a talking cone.

Changbin is prepared to face everyone when he comes clean about what he's done with you last night. It's the only rule break he did yesterday and he knows it's not progress but he feels good knowing that he showed a little more restraint than the last time.

Other than that, he's sitting next to you now so he feels reassured, knowing that you have his back.

The cone chimes at the same time he takes your hand and holds it.

"Hello, everyone!"

Everyone gets tensed as soon as Lana talks even though she hasn't said anything but her usual greeting.

"What's up, babes?" Rita replies to her, sounding chipper than usual.

"The rules of my retreat have been broken," She announces.

Here it goes, Changbin says in his head. He takes a deep breath and squeezes at your hand.

"Is there anybody who wants to come clean?"

Changbin clears his throat before speaking, "I want everyone to know that it was me who started it," he begins, taking full responsibility for what he's done.

"It was me, I kissed her last night."

His confession is yet again getting answered by low groans and sighs, he understands that he let them down but... oh, well.

"The kiss has cost the group $3,000."

There goes another $3,000 down the drain and Changbin admits he did wrong for making the same mistake.

"Anyone else wants to fess up?" Niamh asks.

The grin on Oliver's face is unmissable and that means he did something, most likely a bad thing.

"Did you two kiss again?" Liam asks him, pressuring them to talk with laser in his eyes.

Oliver rubs his chin while Sabine can only look at him, waiting for him to speak for both of them. He deeply sighs, then nods, "Yeah, we did."

"Just once?"

Oliver nods again, "Just once, I swear."

Lana confirms by announcing another $3,000 has been deducted from the prize fund.

Changbin feels a lot lighter now after telling the truth and accepting the truth that a chunk of money is gone because of him but it's too early for him to let out a sigh of relief yet.

"They were not the only ones to break the rules," Lana informs.

"My God?" Sabine scoffs.

Changbin is on the hunt for the culprit, he scans for any guilty faces sitting on the sofa and not realizing that you've been fidgeting next to him.

He turns his head at you and wonders if...

You uneasily look at him, then say, "It was me."

CHANGBIN: What the fuck is going on?

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#stray kids smut #skz smut #changbin smut #seo changbin smut #changbin x reader #skz x reader #stray kids imagines #skz imagines #stray kids scenarios #skz scenarios #skz fics #skz fanfics #kpop smut #kpop fics #kpop fanfics #seospicy smut #too hot to handle series

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wxshing-aep · 11 months

Note

Hiii, I saw ur request post!! could you maybe

write some dating Ethan morales hcs??💖

Dating Ethan Morales Would Include

pairing: ethan morales x reader (all characters are 18+) AN: this will be dating college!ethan cause i thought it'd be more interesting, also didn't proofread this warnings: swearing, gets nsfw in the second half so 18+ (minors dni)

you met ethan when you were assigned to tutor him cause he was failing calc. you originally found him to be pretty obnoxious and got tired of his overly nonchalant attitude which culminated in you yelling at him about how he needs to start trying or he's gonna get kicked out. he made no move to respond to your angry rant and just stared back at you with wide eyes and blown out pupils. "what?" you question. "sorry, you're kinda really fucking hot when you're mad"

one of your study sessions ended with him pulling you onto his lap while you made out and his hands roamed your body

he got a little nervous asking you out on a real date even though you've already made out multiple times. he was a bit worried that you'd reject him. he wasn't sure if you'd want a serious relationship with him since he's got a bit of a womanizer reputation. (spoiler alert: you said yes)

his grades got a lot better once he actually started trying because he loved seeing how excited you'd get for him when he showed you a good grade that he got on a test

ethan's love language is definitely physical touch. he needs his hands on you at all times, normally around your waist or resting on your thigh. he's constantly drawing little shapes on whatever part of your bare skin he has access to. most of the time he doesn't even realize he's doing it

you go on a lot of late night drives that may or may not end with the two of you in the backseat of ethan's car

he loves when you wear his clothes but still consistently accuses you of robbing him. "wearing my jacket again, you little thief" "oh, did you want it ba-" "no"

he is your own personal hype-man, there is no shortage of compliments coming from him

"see you later, gorgeous", "damn, my girl looks sexy", "my girlfriend is the most beautiful person on the planet"

he lets you braid his hair when you're bored

he'll match his nail color to yours but will never admit that he did it on purpose and always insist that it was a coincidence

he gets very jealous, but will deny it if you call him out. you were once at a party very innocently talking to a male friend from your psych seminar about how hard your recent test was before ethan walked over to your conversation.

"oh hey, jack, this is my boyfriend ethan" you introduce him, "ethan, this is-" "yea, don't care" ethan interrupts before pulling you by the waist into a searing kiss until jack had left. "there's no reason to be jealous you know? he's just a friend" "i'm not jealous, but that loser was definitely eye-fucking you" "he was not eye-" "let's go make out"

ethan is very distracting when you're trying to study or do any homework

"baaaaaabe, i'm bored", he whines. "m'sorry but I really have to do this research paper" you respond. "or", he starts, closing the book in your hands and tossing it to the side of your bed, "you can take a much needed break and do me instead"

his friends call him whipped bc of how obsessed with you he is and he doesn't give a fuck cause he is in fact obsessed with you

he lets you color in his tattoos

he definitely tries to teach you how to skateboard and holds both your hands if you're too scared to let go of him

he got you a necklace with his initial on it and has a ring with your initial on it

nsfw 18+

that man definitely knows what he's doing in the bedroom cause, let's face it, he was a bit of a whore in the past

you guys have a lot of sex, like a lot of sex to the point where you might have gotten a few noise complaint's from the people that live next to your dorm room

he's a capital M Munch. ethan loves eating pussy, like he definitely does it for his own enjoyment. he could spend hours in between your thighs and any moans or whimpers coming from you just egg him on even more

ethan was so turned on when you agreed to sit on his face

"your face is pretty", you complimented him. "yea? you should sit on it" oh. "like sit on it sit on it?" "sit. on. it." "but what if I like suffocate you or something" "you won't, and if you did i'd die happy" so you did and holy shit does that boy know how to use his mouth. he wouldn't stop till you came on his face multiple times and your legs are shaking around his head

he keeps his hair long cause he likes when you tug on it while he's eating you out. it turns him on so much that he has to actively try not to cum in his pants while he's going down on you

ethan is very vocal, he's not afraid to let you know that he's enjoying it. he whimpers for sure. while he's definitely a giver he loves when you have your mouth on him. his mind goes fuzzy when you're blowing him, moaning your name, shaking under you

he's a bit of a sub and loves when you boss him around. ethan absolutely loses his mind when you choke him while you're riding him. he just loves seeing you on top of him, telling him what to do, using him for your own pleasure. he'll beg, especially if you're edging him

"baby fuck please i need it, i'll be your good boy i promise"

jealous!ethan is definitely more dominant though. "right there baby? look how wet you are for me. he can't fuck you like i can hmm? want you to cum on my dick like a good girl"

this man cannot hide when he's horny. he immediately gets super handsy and will be whisking you off to the nearest bathroom

he loves your boobs. holding them, sucking on your nipples, cumming on them if you're cool with that. your chest is rarely not covered in hickies.

you're obsessed with ethan's hands and he knows it. he knows how to use them and has no problem sneaking them into you under the table on a date night, only to remove his hands from you right before you finish and make a point of sucking the fingers that had just been inside you clean while holding eye contact with you and letting a smug look take over his face

he has a praise kink and definitely responds with "yes ma'am" when you boss him around. he's gotten turned on when you guys are arguing before, there's just something about you yelling at him that goes straight to his dick

if you wear a sundress, oh it's over for him. he'll have you bent over the nearest surface in seconds and the dress stays on.

#ethan morales #ethan morales x reader #michael cimino #michael cimino x reader #never have i ever #never have i ever s4 #nhie #nhie s4 #ethan morales smut

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earthstellar · 2 months

Text

Brave Bang Bravern!: A Review for Transformers Fans

I've seen so much about this on my dash that I had to give it a try, and I gotta say, as someone who hasn't watched any new anime series since around 2008 at the most recent and I also hate the fucking military, this is a pretty good show.

THERE WILL BE SOME MILD SPOILERS. Nothing major. I'm not gonna spoil anything critical or mention characters that are introduced later etc. At of time of writing, only 6 episodes have been released.

Understanding Genre: The Trailer is A Lie

Now, while there is a trailer here, I want you to largely disregard it.

Why is that? Well, we need to talk about the "big two" robot show genres in Japan, which are as follows:

Real Robot -- This refers to a typically military setting or other serious setting, in which robots are handled as realistically as possible in terms of how they work and how they are applied. There tend to be less individual/sentient robots and more "suit" type mechs right along side human-made, more realistic machinery and mech designs, although that isn't entirely unique to this genre. Usually this stuff is labelled as sci-fi/action outside of Japan.

Super Robot (THIS IS THE SHIT TRANSFORMERS FANS GENERALLY WANT) --Essentially borderline seemingly magical robots with their own rules and in universe backstory for how they work, which isn't necessarily tied to realism. Usually this stuff is labelled as sci-fi/fantasy or space fantasy outside of Japan, since a lot of these tend to be space robots. They can be "driven" by pilots or just straight up sentient robots who are vibing with some human companions, although it's not exclusively that. It can be both, it can be neither, but no matter what, Super Robot shows are less about strict realism and more about really cool shit with robots that are basically their own people and exist according to their own rules.

Now, the trailer for BBBB (the acronym for the show is based on the Japanese title, which is Bang Brave Bang Bravern) is a COMPLETE FUCKING LIE.

It wants you to think this is going to be some dumbass GI Joe shit.

While there are elements of dumbass GI Joe shit, this is largely just to set up the premise for why shit is happening in the first place, and to help introduce the main threat (alien space creatures with fucking light beam lasers) as well as bring in our main characters under the premise of everyone having to work together to address this alien threat to Earth.

What we care about here amongst Transformers freaks is gay space robots, and this show delivers.

Getting Into Bravern: First Episode, Mild Plot Spoiler Summary

It wants you to think this is a Real Robot show.

The first episode sets things up as though it will be a Real Robot show.

There is a threat to Earth, a mystery space alien mechanical enemy, and nobody knows what the fuck to do. A military exercise between multiple nations using Titanostriders (which look very much like Shiro Masamune Appleseed-style mechs, human made in nature) to practice battle drills who are now instructed to swap over to real ammunition and go to fucking town.

Nobody knows how to do that.

They're skilled with the Titanostriders, sure, but it turns into a shit show. The alien mechanical enemies are using fucking space laser shit, it's a disaster---

--And then Bravern drops in from the fucking sky and it IMMEDIATELY TURNS INTO A SUPER ROBOT SHOW.

There's a "get in the robot, Shiji" moment where one of the Titanostrider operators, Isami Ao, is encouraged by Bravern to get inside of him.

He does. And immediately has no idea what the fuck is going on, Bravern is largely in control, and starts to blast his own theme song inside his cockpit as diegetic music while Isami is generally losing his shit, as one might do.

Humanity's reaction to Bravern is Real Robot genre type, where it is handled seriously by all the characters and organisations involved in universe, however Bravern is very much a Super Robot genre character who brings more of a Super Robot energy to the show at large.

The serious elements are mostly balanced by how fucking silly Bravern is, and there are some excellent moments in this show (currently only 6 episodes have been released) which make it entirely worth a watch.

Fun Things About Bravern Himself

Braven is very, very, very gay for his pilot.

Chances are, you've seen the screenshots of some of these moments on Tumblr already, but the delivery of these lines is magnificent.

Bravern sings his own theme song. It's the voice actor for Bravern doing the vocals, and the song itself is reminiscent of 1970s orchestrated big band energy mecha themes. For Transformers fans, it has a very Transformers Victory theme kind of vibe to it.

You gotta hear it, it fucking rules. The album cover shows Bravern holding a giant microphone.

Bravern is generally light hearted, doing his best to motivate his pilot while not hesitating to enter the action and try to defend humanity.

Now, why does Bravern care about humans so much? We don't know, but we'll talk about some mysteries in a later section below.

He is surprisingly insightful at times, while also fucking around and enjoying himself. (You may have seen screenshots going around Tumblr of Bravern with a loop of hot dogs strung around one of his chevron points on his forehead. This follows a scene in which he wants his pilot to take a break and associate with his peers for once, as a way to relieve stress. So they go to a bar, it turns out reception is positive and someone even brings weenies out for Bravern since he's too big to fit inside, lol.)

Generally, he's a very interesting mech, because we have so little information about him. He's fun, and clearly vibing, but he's also borderline if not outright obsessed with his pilot and has unknown origins, which has lead to some darker interpretations and audience discussion.

A lot of people have compared Bravern's energy to Rodimus, and generally I would agree with that. He has his high-energy silly moments, and his more serious personal moments (primarily with Isami, but also with Smith), and I think these aspects of his character work well to create a fun mech with the potential to be deep in a believable and effective way, with an equal capacity for being a doofus.

Bravern is obviously the number one reason to watch the show for most people, and I would say that if you're purely here for a giant gay space robot, then this is going to be a decent watch.

The Military Sucks: There Are Militaries Involved Yet Somehow This Is Still Watchable

I hate the fucking military, so at least the military here is depicted in an acceptable way (so far, at least). In episode 2, they waterboard Isami to interrogate him for information he doesn't have regarding Bravern, which is a realistically shitty and awful thing for the military to do-- They don't sugarcoat how fucked up the military is. These people very much have the capacity to harm their own staff, and they will do so if it means they might get an edge over the enemy.

At the same time, the actual characters in the military are depicted as primarily doing this shit out of a genuine personal desire to defeat these horrendously destructive space entities, which have attacked at least some of their home towns and home countries, so it's more personal rather than purely being a military directive that people are being forced to follow.

In this way, it's not really realistic, but everyone is on board for their own largely humanitarian aid type of reasons (there is a mission which is basically just locating survivors of an attack and then getting the fuck out) which makes the military context feel less oppressive and shitty.

Part of why this is more OK than other military depictions is because the military forces involved here are international (collaborating to defeat a global threat rather than kill each other's civilians) and because the military is clearly losing this war.

Because it's an international effort, this brings more diversity to the show-- There's a surprising amount of English interspersed between dialogue in Japanese here and there, and the military board consists of representatives from multiple nations, including some Germans who at first believe Bravern is some kind of secret American operation, lmao.

Bravern calls the military out on its shit, and essentially tells the military board to stop with the suspicious infighting bullshit and drop the internal tension because otherwise they'll all die to this mechanical nightmare creature threat.

They actually listen, which means this is an unrealistic portrayal of the military, lmao. I think they struck a good balance so far between showing that the military sucks and has problems, while also making sure that you're not really cheering for any given military force, but rather, you cheer for individual characters who just happen to be stuck doing this military shit as a premise for anything to be going on in the show at all.

So it's not the worst when it comes to the military shit; At least so far, it's watchable, which as someone who passionately hates the fucking military, is surprising to me.

It's less GI Joe and more "we just needed a reason for these characters to be involved in this situation".

Of course, your mileage may vary, but personally I found it easy to tune out or just skip through any military shit that got grating and I didn't miss anything important by doing so. At the very least, you can skip around and ignore a lot of this stuff and get right to the gay robot if that's all you want to do. It becomes clear pretty quickly what's going on if you skip around a bit, so no worries there.

Fun Speculation: What is Bravern?

Only 6 episodes are out at the moment, so there's tons of shit we don't know yet.

Bravern has a notable resemblance to a type of enemy in the show, called a Death-Drive.

Death-Drives are mecha who are distinct from the "minion" type enemies (which almost resemble flying saucers with laser gun arms and light shields), and have their own unique character designs and names.

Why these things are here, how they are here, why they are interested in Earth, and everything else is currently unknown.

Bravern looks like he could possibly be of the same mechanical species, although we don't know if that's true (yet). He has abilities that the other mecha don't seem to have, but how far this goes and what it might mean is not yet clear.

Bravern also seems to have knowledge of human media (he references The Abyss at one point and he likes 3D printing figures of sentai show characters lmao), and was immediately able to speak to the humans using language they would understand, so it's unclear if Bravern may have been studying Earth for some time before his arrival or why.

He is obsessed with his pilot and cares for him so much that he extends some care towards others purely based on their relation to Isami as co-workers; Why? What makes Isami special?

How does Bravern know seemingly every human language? How does his piloting system work? How similar is he to the Death-Drives-- Are organic beings critical to them in some way? If so, why are the other mechs killing so many of us? (These are big questions especially by the end of episode 6, due to some spoilers and a spoiler character who shows up later.)

We know little to nothing about a lot of the key elements of the show, including any motivations for the Death-Drives or what they are, what's up with the fucking UFO looking laser things, etc.

There's more to speculate on, but that would be getting into deeper spoiler territory so I'm gonna hold back on that for now.

Summary: It's Gay and Cool and Has Interesting Ideas

Bravern's not the sole source of gay vibes in this show, but it's fun that he is also a source of gay vibes in this show.

The designs are great, the Titanostriders remind me of Appleseed style mechanical suit designs which is nice, the Death-Drives are super interesting, Bravern is fucking fabulous but he's not too goofy to take seriously, and the military is unfortunately present but it's clear that they suck and are generally losing (and since the conflict is not between different groups of humans but rather is about human collaboration to defeat a non-human shared threat to our entire planet, this goes a long way to make the military shit tolerable).

It pretends to be a Real Robot show but has so much Super Robot show sprinkled in that you might as well consider it a little bit of both which the show balances pretty well.

I haven't watched an anime since around 2008 at the very latest, so I don't know how this might compare to any other robot animes since then and I am certainly not an anime expert by any means LOL, but this has been a fun show to watch so far.

It does have its problems, of course, but if you can get past the setup for the first episode (when it's still pretending to be a Real Robot show), from the moment Bravern arrives towards the end of that first episode, the show gains momentum and starts to get interesting very quickly.

It has some issues. But we're only 6 episodes in, so at the moment, they have plenty of time to potentially address those issues and we'll see where things go.

I'd recommend it if you want to give it a try!

I think there's enough here to appeal to the usual Transformers crowd and you might end up liking it, or at least having fun while watching it in the background.

If you end up wanting to to tap out then no worries-- I think it's worth giving it a shot and if it's not your thing, no problem.

Each episode is around 25 - 30 minutes, so while the first episode might feel like a slog to get through because fuck the military, once Bravern shows up the show actually gets started and I wouldn't blame anyone for just skipping to that point in the first episode and going from there, because there's nothing in that opening that you won't be reminded of or be able to figure out. It mostly just sets up the intro to the human characters and the collaboration training session, introduces the Titanostriders as a thing, and you can always go back and watch that part later if you want to.

All in all, pretty decent! Obviously we're Transformers people so we're here for the robots, and the robots are interesting and fun, and that's all I need to have a good time.

Hopefully this was a useful summary if you're interested or have seen Bravern stuff on your dash! :)

Thanks for reading!

BONUS: I forgot to mention this somehow, but there's a lot of overlap between Transformers and other Brave shows involving actual Transformers re-used in Japan for these shows; There's a good video about it here on YouTube which explains some of this, but if anyone's wondering, yes Bravern has a grounder alt-mode and it's pretty cool. Will we get a transforming Bravern figure??? We can hope!

There's another video here which mentions some of the Transformers elements in other Brave shows/Yuusha, which might be interesting for those of you who are unaware. :)

#maccadams #maccadam #bravern #bbbb #ba #bang brave bang bravern #long post #bravern review #transformers

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ladyluscinia · 6 months

Text

Ok, I think I might be exiting the "are you fucking kidding me?" period and ready to make a real argument, so lets talk about Three Act Structure!

Is OFMD S2 just the "Darkest Hour"?

A very common explanation I've been seeing for some of the... controversial... aspects of S2 is that it's meant to be that way. That the middle act is where the protagonists hit their lowest point. Where we get the big failure point. Where everything looks kind of shit.

S2 is supposedly just that point. It's The Empire Strikes Back. People have been making that comparison since before the first episodes even dropped, telling everyone to expect something that could be disappointing or unsatisfying - it's just a matter of needing to wait for S3 to pull it all together.

It's not a baseless framework to consider the show through - I'm pretty sure David Jenkins has mentioned it in interviews (or at least mentioned he planned for three acts / seasons) so it's certainly worth asking how he's doing at the 2/3rd mark.

So - quick summary of Three Act Structure:

Act 1 introduces our characters and world. It includes the inciting incident of the story and the first plot point, where a) the protagonist loses the ability to return to their normal life, and b) the story raises whatever dramatic question will drive the entire plot. Act 2 is rising action and usually most of the story. The protagonist tries to fix things and fucks them up worse, in the process learning new skills and character developing to overcome their flaws. Act 3 is the protagonist taking one more shot, but this time they are ready. We get the climax of the story, the dramatic question gets an answer, and then the story closes.

If you want examples, the Star Wars Original Trilogy is a very popular template. And, hell, he said it was a pirate story... the main Pirates of the Caribbean trilogy also does a solid job with their three acts.

Let's compare. (Spoiler: I'm not impressed 🤨)

---

First thing I need to establish... Wait. Two things. First is that Three Act Structure is flexible, so we can't really analyze success or failure by pulling up a list of necessary plot beats that should have been hit in X order. Second is that if you tell me you are writing a romance with a Three Act Structure - where "the relationship is the story" - the first thing I'm going to do is ask you how you are adapting it. Because while there's not necessarily anything preventing you from applying this to a character driven plot, most people are familiar with it as plot structure for externally driven conflict.

Unless there's a reason the status of the main relationship is intrinsically tied up in the current status of the war against the evil empire, a standard Three Act Structure is going to entail either an antagonistic force that absolutely wants your main couple apart being the main relationship obstacle OR the romance aspect being a subplot to the protagonist's narrative adventure. None of those sound like how the show has been described.

So how is OFMD adapting it?

---

Act 1

(Can't figure out how well Act 2 is doing if we don't start at setup.)

Right out the gate, OFMD breaks one of the main "rules" for a story where the Acts are delivered in three parts. Namely the one where the first Act is treated as an acceptable standalone story, with it's own satisfying yet open ended conclusion.

In Star Wars, A New Hope ends with the princess rescued, Luke finding the Force, Han finding his loyalty, and the Death Star destroyed. The Empire isn't defeated, the antagonists still live... the story is not over, but this one movie doesn't feel unfinished.

Similarly, Curse of the Black Pearl gives Jack his ship back, Elizabeth and Will get together, and Norrington has the English Navy let them all off the hook and give Jack and the pirates one day's head start.

OFMD's final beat of S1 being Kraken Arc starting is not that, even if Stede returning to sea is still a pretty hopeful note. Now... I don't necessarily think this was a bad call. At least, not if the story is the relationship. It's easy to close on a happy ending and then fuck it up next movie if the conflict is external and coming for them. Not so much if you're driving the story with your protagonists' flaws, in part because it should be really obvious at the end of setup that your main characters need development and can't run off together right now. I actually like that they were risk-takers and let S1 look at the situation clearly vs doing a fragile happy end, because it takes into account the difference between a character-driven and plot-driven narrative.

I think OFMD's Act 1 actually ends at maybe the Act of Grace? Well, there through the kiss on the beach, counting as our "first plot point" before everything goes wrong, basically.

At that point, they have setup the story and characters. We've been introduced to Edward and Stede's current issues. Signing the Act of Grace does make the intertwined arcs between them real - it's no longer a situation that either one of them could just walk away from like it was in 1x07 - and we narrow in on the (alleged) driving question of the show:

It's not about "Will Stede become a great pirate?" or "Will we develop a better kind of piracy for the crew?" - the show is the relationship and the big question is "What is Stede and Edward's happy ending?"

Act 1 ends on their first solution, being together and making each other happy and admitting it's more than just friendship. Act 2 starts, appropriately, by saying both of them are currently too flawed for that to go anywhere but crashing and burning.

Now... looking back, what does Act 1 do well vs poorly?

I think it's really strong on giving us the foundation for BlackBonnet's characters and flaws. We aren't surprised Stede goes home or Edward goes Kraken (or at least... we weren't supposed to be surprised. There are still a lot of holdouts blaming Izzy for interrupting Edward's "healing" despite how at this point in the story it doesn't make sense for Edward to have the skills to heal... but I digress). The relationship question is compelling at the end of S1, the cliffhanger hooks, and the fandom explosion of fics did not come from nowhere - the audience was invested.

I also think Act 1 does a great job of settling us in the universe. We understand the rules it abides by, from how gay pirates are just a fact of life to how there's no important organs on the left side of the body. Stede has a muppety force field. Rowboats have homing devices, and port is always as close as you want it to be. Scurvy is a joke. The overblown violence of pirate life is mostly a joke, but we are going to take the violence of childhood trauma seriously.

Lucius's fake-out death, while technically part of Act 2, works well because Act 1 did a good job of priming everyone to go "obviously this show wouldn't kill a crew member for shock value, and we're 100% supposed to suspend disbelief about how he could have survived getting flung into the sea in the middle of the night." And we do. And we get rewarded for it.

Regarding antagonists - a big focus of any setup - the show is deliberately weak. The one with the most screentime is Izzy, and he's purposefully ineffective at separating our main couple. Every antagonist is keyed to a particular character, and they function mostly to inform us of that character's flaws and development requirements. The Badmintons tell us about Stede's repression and feelings of inadequacy, and Izzy tells us about Edward's directionless discontent and tendency to avoid his problems. Effectively - the show is taking the stance this will be a character driven narrative where Stede and Edward's flaws are the source of problems and development the solution. No person or empire (or social homophobia) is separating them...

...which leads me to something not present - there nothing really about the struggle of piracy against the Empire. Looking at Curse of the Black Pearl... we see piracy is in danger. The Black Pearl itself is described as the last great pirate threat the British Navy needs to conquer. Hangings are omnipresent - Jack is sentenced to die by one almost as soon as he's introduced to the story, when his only act so far had been to wander around and save Elizabeth from drowning. OFMD tries to invoke this kind of struggle in 2x08, but there's no foundation. Our Navy antagonists are Stede's childhood bullies, and so focused on Stede the crew isn't even in danger when they get caught. The Republic of Pirates is getting jokes about being gentrified, not besieged.

Even the capture of Blackbeard by the Navy is treated as a feather in Wellington's cap but not a huge symbolic blow against piracy... because we just do not have that grand struggle woven into Act 1. You only know the "Golden Age of Piracy" is ending if you google it, or have watched a bunch of pirate shows.

Overall, a solid Act 1, well adapted to the kind of story they've said they were looking to tell - a romance in the (silly-fied) age of piracy, instead of a pirate adventure with a romantic subplot.

---

Now, Sidebar - Where is the story going?

The thing about the dramatic question - in OFMD's case: "What is Stede and Edward's happy ending?" - is that a) there's normally more than one question bundled up in that one + sideplots, and b) while you aren't supposed to have the answer yet, you can usually guess what needs to happen to give you the answer.

Back to our examples... Luke's driving question is "Will the Empire be defeated?" Simple. Straightforward. Also: "Will Luke become a Jedi?" The eventual climax of our story from there is pretty obvious... the story is over when Luke wins the war for the Rebellion in a Jedi way. That's the goal that they are working toward.

Pirates of the Caribbean is a bit more complicated. We're juggling more characters and have a less defined heroic journey, but there are driving questions like "Is Jack Sparrow a good man?" and "Is Will Turner a pirate / what does that mean?" and even "Will the British Navy defeat piracy?" They get basic answers in Curse of the Black Pearl, and far more defined ones in At World's End. Still, this is another plot-driven narrative. They've laid the foundations for the Pirates vs Empire struggle, and when that final battle turns into the trilogy climax then you know what's happening.

OFMD is not doing a plot-driven narrative. To judge how they are doing at their goals, we have to ask what they think a happy ending entails in a character sense.

Clearly it's not the classic romantic sideplot, where the climax is the first kiss / acknowledgement of feelings. They've teased a wedding in Word of God comments a lot, so that's probably our better endpoint. Specifically, though, a wedding where both of our protagonists aren't ready to flee from the altar (big ask) and where they've both grown enough that their flaws / mutual tendencies to run away from life problems won't tank the relationship.

In Stede's case it's still massive feelings of inadequacy and being too repressed to talk about his problems. Also he ran away from his family to chase a lifelong dream of being a pirate - "Is Stede going to find fulfillment in being a pirate captain, or will the real answer be love?" Edward meanwhile expresses a desire to quit piracy and retire Blackbeard, but we also find out he's struggling with massive self-loathing and guilt from killing his father - "Is retiring what Edward wants to do, or is he just running away?"

If they are going to get to a satisfying wedding beat at the climax of their story, what character beats do we need to hit in advance?

Off the top of my head - both characters need to self-realize their flaws (a pretty necessary demand of anyone who runs away from problems). They are set up to balance each other well, but also to miscommunicate easily. They have to tell each other about or verbally acknowledge that self-realization so it can be resolved. Stede has to decide how much being a pirate means to him. Edward has to decide if he's retiring and what he wants to do. They both need to show something to do with getting past their childhood traumas given all the flashbacks. Through all this, they also need to hit the normal romance beats that convince the audience they are romantically attracted to each other and like... want to get married.

Oh, and this is more of a genre-specific sideplot, but once they demonstrate a behavior that hurts the people who work for them, they need to then demonstrate later how it won't happen again. Proof of growth, which is kind of important in a comedy where a lot of the humor is based in them being massively self-centered assholes. Stede doesn't earn his acceptance in the community until he kicks Calico Jack off the ship, making up for causing the situation with Nigel in the first episode. A workplace comedy can get a lot of material from the boss as the worker's antagonist, but if you want the bosses to stay sympathetic you have got to throw them some opportunities to earn it.

All that sounds like a lot, but like - the relationship is the story, right? If we spend so much time on establishing flaws big enough to drive a story, we also have to spend time on fixing them. Which is where the turning point hits.

---

Act 2: How it Starts

This is where the full story reality-checks your protagonist. Glad you saved your boyfriend and embraced new love in Act 1, but his repressed guilt means he's about to completely ghost you, and your own abandonment issues and self-loathing are about to make his dick move into everyone else's problem.

Again, it's a non-conventional choice OFMD has this start at the very end of S1 rather than with a sudden dark turn in the S2 premiere, but it's still pretty clearly that point in the Three Act Structure.

In Star Wars, The Empire Strikes Back opens with a timeskip to our Rebellion getting absolutely crushed and hiding on a miserable frozen planet. The Empire finds them as the plot is kicking off and they have to desperately flee. They get separated. Han and Leia try to go to an ally for help and end up in Vader's clutches. It's a sharp turn from the victorious note that A New Hope ended on.

Pirates of the Caribbean's Act 2 starts dark. Dead Man's Chest opens with our happy couple Will and Elizabeth getting arrested on their wedding day for the "happy end" escape of the last movie. Jack has not been having success since reclaiming his ship, and we'll soon find out he's being hunted by dark forces. As for the general state of piracy, we get a horrifying prison where pirates are being eaten alive by crows, and a new Lord Beckett making the dying state of piracy even more textual. "Jack Sparrow is a dying breed... The world is shrinking."

The key here is making a point that our heroes aren't ready. This is the struggles part - things they try? Fail. The odds do not look to be in their favor.

Now, OFMD apparently decided to go all-in on flaw exploration, especially with Edward. The first 3 episodes of S2 are brutally efficient in outlining Edward's backslide. In S1 you could see he had issues with guilt and feeling like a bad person. S2 devolves that into a destructive, suicidal spiral where Edward forces his crew into three months of consecutive raids, repeats his shocking act of cruelty with Izzy's toe offscreen (more than once!), escalates it with his leg, and finally they state directly that Edward hates himself for killing his dad so much that he fears he's fundamentally unlovable and better off dead.

Stede's struggles are subtler, but most definitely still there. He's deliberately turning a blind eye to tales of Edward's rampage, half from simply being too self-centered to care about the harms Edward causes others, and half from being unable to face or fathom that he had the ability to hurt Edward that much. Upon reunion he wants to put the whole thing behind them, not addressing why he left in the first place. Very "love magically fixes everything" of him, except Stede is no golden merman.

Interestingly, here, BlackBonnet's relationship dysfunction has very clearly been having a negative impact on the surrounding characters we care about. Make sense, since it's the driving force of the story, but that also adds a lot more relationships we need to make right. Like... Edward is the villain to his crew. The show focuses on their trauma and poisoned relationships with him. And then draws our attention even more to Stede taking his side to overrule their objections to him.

For a story where the conflict and required resolutions are primarily character based, and the setup had already given the main couple a good amount to work with, dedicating a lot of S2 to adding more ground to cover was... a choice. Potentially very compelling on the character end, certainly challenging on the writing end... but not a complete break with the structure.

Bold, but not damning.

---

Act 2: How it Ends

Now it is true that Act 2 tends to end on a loss. Luke is defeated by Vader and loses his hand, and Han has been sent away in carbonite. Jack Sparrow for all his efforts cannot escape his fate, and he and the Pearl are dragged to the locker.

But the loss is not the point. The loss is incidental to the point.

Act 2 is about struggles and failure, but it's also about lessons learned. There's a change that occurs, and our cast - defeated but not broken - enters the final act with the essential skills, motivation, knowledge, etc. that they lacked in the beginning.

Luke Skywalker could not have defeated the Empire in Return of the Jedi until he'd learned the truth about his father and resisted the Dark Side in The Empire Strikes Back. (Ok, confession, I'm using Star Wars as an example because literally everyone is doing so, but frankly it's a better example of formulaic Three Act Structure repeating within each movie because on a trilogy level - relevant to this comparison - it is a super basic hero's journey in a very recognized outfit and as such the Act 2 relevance is also... super basic "the hero tries to fight the antagonist too early" beat where he learns humility. Not really a lot going on. So, for the better example...)

Dead Man's Chest has a downer ending with the closing moment of the survivors regaining hope and a plan against an enemy now on the verge of total victory - a classic Act 2. But in that first loss against Davy Jones we get Will's personal motivation and oath to stab the heart, Jack finally overcoming not knowing what he wanted and returning to save them from the Kraken (being a good man), Elizabeth betraying Jack (being a pirate), Barbossa's return, and Norrington's choice to bargain for his prior life back. The mission to retrieve Jack from the World's End is the final movie's plot, but things are already on track to turn the tables back around as we enter the finale.

Now, relevant sidenote - one major difference between Three Act Structure within a single work vs across three parts is that Act 2 continues into Part 3, and only tips over into Act 3 about midway through. This is because obviously your final movie or season cannot just be the climax. That's why both movie examples start with a rescue mission. They have to still be missing something so they can get the plot of their third part accelerating while they go get whatever that something is.

But if you wait until the 3rd movie / season to get the development going at all - you're fucked.

Jack's decision in the climax of At World's End to make Elizabeth into the Pirate King goes back to the development we saw in the Pearl vs Kraken fight in Dead Man's Chest. So does Elizabeth's leadership arc. Will's whole arc about becoming Captain of the Dutchman gets built upon in the third movie, but it starts in the second. Not just as an idle thought - he's actively pursuing it. Already consciously weighing saving his father vs getting back to Elizabeth as soon as he makes the oath. Everyone is moving forward in Act 2. Their remaining development might stumble for drama, or they might be a bit reluctant, but I know that they know better than to let it stick, because they already faced their true crisis points.

I'm not sure we can say the same about OFMD.

S2 does a good job of adding problems, yeah, but there's not really any movement on fixing them. Our main couple stagnates in some ways, and regresses in others.

Stede opened Act 2 by running away in the middle of the night back to his wife without telling Edward anything. We know he did it because of feeling guilty and his core childhood trauma of his dad calling him a weak and inadequate failure. Now in S1 he actually speedruns a realization of his shitty behavior with Mary, but what about S2? Well...

He continues to not talk to Edward about... pretty much anything. My guy practiced love confessions galore but Edward only finds out about going back to his wife via Anne, and it gets brushed aside with a love confession. He seems to think Edward wants him to be a dashing pirate, or maybe he just thinks he should be a dashing pirate. Idk, it doesn't get examined. Regarding his captaincy, they give him an episode plot about Izzy teaching him to respect the crew's beliefs, but this is sideplot to a larger arc of him completely overruling their traumas and concerns (and shushing their objections) to keep his boyfriend on the ship so. That.

Stede kills a man for reasons related to his issues, shoves that down inside and has sex with Edward instead of acknowledging any bad feelings. At least this time Edward was there and knows it happened? Neither Chauncey's death nor his dad have been mentioned to anyone. He gets a day of piracy fame that goes to his head, gets dumped, and ends on a complete beat down by Zheng where he learns... idk. Being a boor is bad? He's still wildly callous to her in the finale, and spends the whole time seeking validation of his pirate skills. He reunites with Edward, kisses, and quotes Han Solo.

Where S1 ended on a great fuckery, his S2 naval uniform plan after they regroup is ill defined except to call it a suicide mission - and we don't get to see what it would have been because it devolves into a very straightforward fight and flee. And gets Izzy killed. Quick cut funeral (no acknowledgement of his S2 bonding with Izzy), quick cut to wedding (foreshadowing), quick cut to... innkeeper retirement? Unclear when or even if BlackBonnet discussed Stede's whole driving dream to be a pirate and live a life at sea, but I guess that got a big priority downgrade. Despite the fact he was literally looking to Zheng for pirate-based compliments in the post-funeral scene.

I guess he's borderline-delusionally dogged in his pursuit of love now - so unlikely to bolt again - but he's also got at least a decade of experience mentally checking out in a state of repression when he's unhappy. And he's stopped being as supportive and caring toward the crew in that dogged pursuit, while arguably demonstrating a loss in leadership skills, so, um, good thing someone else is in charge?

And if Stede is a mess, Edward's arc is so much worse.

As established, they devote the Kraken to making Edward worse. He literally wants to kill himself and destroy everyone around him in the process because Stede left, and this is fixed by... Stede coming back. That's it. The crew tries to murder him and then exiles him from the ship (and Izzy takes the lead on both, indicating exactly how isolated Edward has become), but it's resolved in half a day by Stede just forcing them to put up with his boyfriend again. Like they think he murdered Buttons and still have to move him back in???

The show consistently depicts Kraken Era as a transgression against the crew, but they also avoid showing Edward acting with genuine contrition. He admits he historically doesn't apologize for anything, and then mostly still doesn't. It's a joke that he's approaching probation as a performance (CEO apology), and then the only person he genuinely talks to is Fang - the one guy cool with him - and the only person who gets a basic "sorry" is Izzy - the guy he really needs to be talking to. Edward's primary trauma is guilt, but apparently he only feels it abstractly after all that? He's only concerned with fixing things with Stede, despite Stede being about the only person around who hurt him instead of the reverse.

Speaking of primary traumas, Edward hating himself doesn't really go anywhere after the beat of self-realization. Apparently Stede still loving him is enough of a bandaid to end the suicide chasing, but he doesn't like. Acknowledge that. Edward is maybe sorta trying to go slow so he doesn't hang all his self-worth on Stede again (you can speculate), but they a) absolutely fail to go slow, and b) he doesn't make any attempt to develop himself or another support structure. Just basically... "let's be friends a bit before hooking back up." And then we get the whiplash that is Blackbeard and/or retirement.

Kraken Era is Blackbeard but way worse, like no one who has known Blackbeard has ever seen him. In the Gravy Basket Edward claims he might like being an innkeeper, before destroying his own fantasy by having the spectre of Hornigold confront him over killing his dad. The BlackBonnet to Anne & Mary parallel says running away to China / retiring makes you want to kill each other - burn it all down and go back to piracy. Stede rightfully points out prior retirement plans were whims. Edward gets sick of the penance sack after a day and puts his leathers back on to go try "poison into positivity". But also claims to be an innkeeper (look - two whole mentions!) when trying not to send children to be pirates after teaching them important knife skills.

Killing Ned Low is a serious, bad thing that prompts ill-advised sex and then going hardcore into retirement mode - leathers overboard, talk about mermaid fantasy, get retirement blessings from Izzy, end up dumping Stede for a fishing job instead of talking about how he's enjoying piracy. The fishing job, however, is also a bad thing and a stupid decision because Edward is a lazy freeloader fantasizing about being a better person. We have an uncomfortable, extended scene of "Pop-Pop" weirdly echoing his abusive dad and then sending Edward to go do what he's good at - disassociate, brutally murder two guys, fish up the leathers, rise as the Kraken from the sea. He continues with comically efficient murder but also he's reading Stede's love letters and seeking to reunite with him so... wait, is this a good thing? Post makeout / mass slaughter he's trading compliments on his kills with Zheng so. Yeah. Looks like it. Murder is fine.

Wait, no, skip ahead and Izzy is dying and Edward suddenly cares a whole lot as Izzy makes his death scene about freeing Edward from Blackbeard. Now being a pirate was "encouraging the darkness" because Izzy - a guy who had little to no influence over Edward's behavior - just couldn't let Blackbeard go. Murder is bad again, and he is freed. Minus the little detail that the murder he explicitly hates himself over was not related to Blackbeard or piracy whatsoever, so presumably haunts "just Ed" still. Anyway he's retiring to run an inn with Stede now, as the "loving family" Izzy comforted him with in his dying moments sails away from the couple that can best be described as the antagonists of their S2 arc. Also Edward implicitly wants to get married. It's been 3 days since making out was "too fast". He's still wearing the leathers.

So most of the way through Act 2 and Edward's barely on speaking terms with anyone but Stede, who he has once again hung his entire life on really fast? Crushing guilt leads to self-hatred leads to mass murder and suicide, but only if he's upset so just avoid that. He's still regularly idealizing Stede as a non-fucked up golden mermaid person (that maybe he personally ruined a bit) because he barely knows the guy. His only progress on his future is "pirate" crossed out / rewritten / crossed out again a few times, "fisherman" crossed out, and "innkeeper ?"

Just.

Where is the forward movement?

It's not just that the inn will undoubtedly fall apart - it's that the inn will fall apart for the near-exact same reasons that China was going to at the beginning of Act 2, and I can't point to anything they've learned in the time since that will help them. I guess Stede realized he loved Edward enough to chase after him, but that was in S1! They should be further than this by now. You can't cram another crisis backslide, all the Act 2 development, and the full Act 3 climax into one season. Certainly not without it feeling like the characters magically fix themselves.

If they just fail and keep blindly stumbling into the same issues because they don't change their behavior, then Act 2 doesn't work. You're just repeating the turning point between Act 1 & Act 2 on a loop.

---

Where Did They Fuck Up?

Actually... lets start on what they did right.

The one consistent aspect of S2 that I praised and still think was done well in a vacuum (despite being mostly left out of the finale) was the crew's union-building arc.

With only 8 episodes and more to do in them than S1, side characters were going to get pinched even if the main plot was absolutely flawless. That was unavoidable. With budget cuts / scheduling issues, we regularly have crew members simply vanish offscreen outside of one scene, meaning cohesive arcs for your faves was not likely. Not to say they couldn't have done better - my benefit of the doubt for the TealOranges breakup and Oluwande x Zheng dried up about when I realized he was literally just her Stede stand-in for the parallel - but something like Jim's revenge plot from S1 was realistically not on the table without, like, turning half the crew into seagulls to afford it.

The union building works around this constraint really well. They turn "the crew" into the side arc, and then weave Izzy's beats in so that they aren't just about Izzy. The breakup boat crew working together to comfort each other and protect him turns them into a unit, and Stede's crew taking it upon themselves to address the trauma vibes while the captains aren't in the way solidifies it across all our side characters. The crew goes to war with Stede's cursed coat and wins, they Calypso their boss to throw a party, and they capitalize on a chance to make bank with an efficiency Stede could only dream of.

We don't get specific arcs, but Frenchie, Jim, and Oluwande are defaulted to as leaders in just about every situation, and Roach is constantly shown sharing his inventions with different characters. Individuals can dip in and out without feeling like the sideplots stutter. Any sense of community in S2 is coming from this arc - even if there are cracks at the points where it joins to other storylines (Stede and Edward, Zheng, etc.)

So why does it work? Well, because it's a workplace comedy, and you can tell they are familiar with working on those. They know where the beats are. They know where to find the humor. They know how to build off of S1 because they made sure the bones were already there - an eclectic group of individuals that start as just coworkers, but bond over time in the face of their struggle against an inept boss who they grow to care for and support while maintaining an increasingly friendly antagonism because, you know, inept boss.

OFMD does its best work in S2 when it's being true to its original concept... and its worst work when it seemingly loses confidence in its own premise.

"The show is the relationship," right? It's a romance set in a workplace comedy. The setup of Act 1 was all about creating a character-driven narrative. So given that... where the hell are we getting the dying of piracy and a war against the English Navy?

That's not a character-driven romcom backdrop, it's an action-adventure plot from Pirates of the Caribbean or Black Sails. It's plot-driven, creating an antagonistic force that results in your characters' problems. Once the story is about the fight against the Empire, the dramatic question becomes the same as those adventure stories - "Will the British Navy defeat piracy, and will our protagonists come out the other side of the battle?"

Forget the wedding. The wedding is no longer the climax of the story, its back to the happy ending flash our romantic subplot gets after winning this fight.

Except, of course, trying to pivot your story to a contradictory dramatic question near the end of Act 2 can be nothing short of a disaster, because either you were writing the wrong story until now, or you've completely lost the plot of the real one. I shouldn't even be trying to figure out if they are doing this, because it should be so obvious that they wouldn't.

And yet.

What do the Zheng and Ricky plots add to the story if not this? Neither of these characters have anything emotionally to contribute to Stede and Edward - they truly are plot elements. It's a hard break from the S1 antagonist model, but it also takes up a lot of valuable screentime. This was considered important, but still Zheng's personality and motivation only gets explored so far as it's an Edward-Stede-Izzy parallel with Oluwande and Auntie, and they only need the parallel for Izzy's genre-jumping death scene. Which follows a thematically out-of-left-field speech about how piracy is about belonging to something good (workable) and how Ricky could never destroy their spirits (um...?). And then David Jenkins is pointing to it and saying things about "the symbolic death of piracy" and speculating S3 might be about the crew getting "payback"??? An idea floated by Zheng right before our temporary retirement, btw.

Fuck, the final episode of S2 didn't have time for our main couple to talk to each other because it was so busy dealing with the mass explosion of Zheng's fleet and Ricky's victory gloat. We get lethal violence associated with traumatic flashbacks until they need to cut down enemy mooks like it's nothing, at which point we get jokes with Zheng. The Republic of Pirates is destroyed outright, and it feels like they only did it because they got insecure about their "pirate story" not having the right kind of stakes. Don't even get me started on killing a major character because "Piracy’s a dangerous occupation, and some characters should die," as if suspending disbelief on this aspect makes the story somehow lesser, instead of just being a fairly standard genre convention in comedy. Nobody complains about Kermit the Frog having an improbably good survival record.

Did someone tell them that the heroes have to lose a battle near the end of Act 2, so they scrambled to give them one?

Just... compare the wholly plot-driven struggle in 2x08 to Stede and Edward's character-focused storylines in 1x10 and tell me how 2x08 is providing anything nearly as valuable to the story. Because I can't fucking find it.

At best they wasted a bunch of time on a poorly integrated adventure plot as, like, Zheng's backstory or something, and just fucked it up horribly by trying to "step up" the kind of plot they did for Jim. In which case the whole thing will be awkwardly dropped but damage is done. Otherwise, they actually thought they could just casually add a subplot like this because they've done something wildly stupid like think "pirate" is a genre on the same level as "workplace comedy" and can just trample in-universe coherency while you draw on other media to shore up their unsupported beats.

Bringing us to the most infuriating bit...

---

"...end the second season in a kinder spot."

If this was the goal, the entire season was written to work actively against it in way that is baffling and incompetent.

The really ironic thing is that the reason that the Act 2 part typically gets a downer ending is because of the evil empire that OFMD did not have to deal with until they pointlessly added it. A plot-driven story has an antagonistic force - a villain - that the heroes need to defeat. Something external working against them. The story ends when they beat the thing, and it's not much of a climax if they do most of the defeating before you get there. Ergo, they have to be outmatched up to the climax. Ergo, the second part cannot end on them feeling pretty comfortable and confident going into the third.

The same rules do not apply in the same way to a character-driven arc.

We already established Edward and Stede declaring their love is not the end of the story. Nor, necessarily, is both of them confidently entering a relationship. Even once they've developed a bunch they will have to show that development by running into the kinds of problems that would have broken them up before and resolving them better.

David Jenkins keeps talking about this idea that S2 is getting a hopeful open ending and S3 will get into potential problems, and like... I don't see any reason why they couldn't have done that successfully. They didn't, but they could've.

If S2 grew them enough as characters and then had them agree to try again in the last minute of the finale, they absolutely could have had a kind and hopeful ending where you were confident they could do it. And then a potential S3 can show that. It's a bit rockier than they were counting on, but they have learned enough lessons to not break up. And then the overall plot can build to proposal (start of Act 3) and wedding (the romantic climax). It doesn't have to be a blow out fight to be emotionally cathartic.

(Hell, the main rockier bit that they overcome in the S3 Act 2 portions could be marriage baggage. I'm sure they both have some. It would work.)

In the same way focusing on our character's long term flaws and character-driven conflict makes an Act 1 "happy ending" more difficult, I suspect it makes an Act 2 "happy ending" easier.

Instead they wrote an Act 2 that failed to convincingly start development and got confused on its direction, and then presented a rushed finale ending in a copy of the predictable disaster from S1 as though it's a good thing. They yanked the story at least temporarily into an awkward place where a romcom is trying to sell me on a bunch of serious drama / adventure beats that it has not put the work into, and inviting comparisons to better versions of those same beats in other, more suited media that make it look worse. The need to portray everyone as reaching happy closure overrules sitting with a major character death and using it for any narrative significance, while still letting it overshadow those happy endings because a romcom just sloppily killed a major character with a wound they've literally looked into the camera and said was harmless.

If I'm being entirely honest, Dead Man's Chest ends effectively at Jack Sparrow's funeral and then cuts to the British Navy obtaining a weapon of mass destruction, and it still feels kinder and more hopeful just because I leave with more faith the characters are actively capable of and working toward solving their problems.

OFMD S2, in contrast, has half-convinced me our main couple would live in a mutually obsessed, miscommunication-ridden horror story until they die.

---

Additional Reading

Normally I link stuff like this in the post, but that requires more excitement than I'm feeling right now. Here's my alternative:

Where I thought they were going with Edward - really outlines the mountain of character development they still have unaddressed

Where I thought they were going with Izzy - touches on a lot of themes that might be dead in the water & also context that's still probably relevant to why Izzy got a lot of focus in S2

My scattershot 2x08 reactions

An ask where I sketched out the bones of this argument, and another where I was mostly venting about the fandom response

This one, this other one, and this last one (read the link in op's post too) about genre shifts and failure to pull them off

The trauma goes in the box but it never opens back up - the whole point of Act 2 is that they needed to start opening shit like that - and also they focus so much on needed character growth and so little on following through

They can't even carry through on character growth that we got last season???

Why Izzy's death feels like Bury Your Gays ran smack into shitty writing

EDIT: Oh and this post is REALLY good for outlining the lack of change in way less words than I did

#our flag means death #ofmd #ofmd s2 #ofmd s2 spoilers #ofmd meta #three act structure #character arcs #blackbonnet #genre #blackbeard ofmd #stede bonnet ofmd #my meta #ladyluscinia #ofmd critical

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absolutebl · 5 months

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This Week in BL - a shocking upset to the rankings

Organized, in each category, by ones I'm enjoying most at the top.

Nov 2023 Wk 4

Ongoing Series - Thai

My Dear Gangster Oppa (Thurs iQIYI) ep 5 of 8 - It remains absolutely delightful. We already knew this pair does boyfriends damn near perfectly. It’s a pleasure to watch them as a couple, coupling all over our screen. The relationship does feel a bit rushed but frankly I like the pacing, it’s kind of Korean style which makes sense considering the original IP.

The Sign (Sat YT) ep 1 of 10 - You know what this is? It’s FUN is what it is. I haven’t felt this way about a BL in a while. Sure is has an uneven story, fight sequences, pacing, and acting but still… yay! Billy is great, he very good at thirst. It’s a crime Lee Long Shi isn’t in this, but otherwise weeeeeeeeee!

(Also was that Bangsean I spotted?)

Last Twilight (Fri YT) ep 3 of 12 - The montage of them learning and training together was so stinking cute I can hardly contain myself. Plus a little language play? (Did you catch the added “na” on to thank you? Gah! So sweet.) Have mercy. I love the banter that these two can execute so smoothly. It reminds me the most of TayNew back in their Kiss days. Or Nanon & Ohm in Bad Buddy.

There’s this breezy casualness to friendships and long-term relationships that Asian BLs seem to find really hard to execute (I’m thinking about something like Hospital Playlist as the best example). It’s more a friend chemistry than a lover chemistry, although of course it can morph into that.

Anyway, I am waffling, but I’m loving this show. (The bit with the teacher made me cry.) I also really love how much actual Bangkok we’re getting from it for a change.

Finally... how much did @respectthepetty and I love the pink milk shirt moment? SO MUCH. Color theory, plot devise, fashion, food, and a trope reference all in one. Well done GMMTV! Very well done.

Twins the series (Fri GaGa) ep 4 of 10 - I would like it if we got onto the BL section of this BL. Please and thank you.

Pit Babe (Fri iQIYI) ep 2 of 14 - it's delightfully trashy, btu slightly less trashy than last week because they introduced AlanJeff who are my new babies of age gap delight and you cannot have them. THEY ARE MINE. Also Way. WAY IS MINE. Also, I decided to do a trash watch.

Bake Me Please (Mon Gaga) ep 1 of 6 - It’s nice. It’s fine. Atmospheric and pretty and full of deserts. What’s not to love? Is it inspired? No. Definitely has an Antique Bakery (play it again, BL). But I do love food based cinema.

Middleman’s Love (Fri YT & iQIYI ep 3 of 8 - What’s annoying is that this could’ve been so good. It’s a poster child for squandered potential.

Absolute Zero (Weds iQIYI) ep 9 of 12 - Because of the temporal paradox, and Thai BL not being all that great on narrative consistency anyway, this is a confusing piece as well as a painful one. Now Ongsa seems to be nothing more than a stalker who cries all the time.

Playboyy (Thurs Gaga) 2 of 14(!) eps - This really feels like Thailand is trying to relive the gory days of Japan's pinks. I wasn’t into it then and I’m certainly not into it now. It’s a mess and weirdly mechanically not sexy. I’ll stay watching it but, like Only Friends, I don’t think I’m gonna warm to it. I just don’t like shows where there are no likable characters.

Also imma say it, so plug your assears. This is about as deep as a dildo can go. Which is to say, the size queens seem to be finding it more deep than the rest of us who are already bottoming out. Just make sure you're taking adequate lube prep with your psyches.

My Universe (Sun iQIYI) Friends Forever ep 14 of 24 - No thank you. 1/10

I've decided, for spreadsheet reasons, that each of these is going to be tracked as its own 2 part show.

Ongoing Series - Not Thai

A Breeze of Love (Korea iQIYI) eps 5-6 of 8 - The shopping together scene was absolutely darling. But I’m getting a little frustrated not knowing exactly what happened in the past.

VIP Only (Taiwan Fri Gaga) ep 1-2 of 10 - Of course it starts with the crash into me trope, oh Taiwan. It’s cute enough, I love the support cast, and it’s always nice to have something from my favorite tiny island on my dash.

You tell me: is it safe?

One Room Angel (Japan Gaga) 6 eps - This one finished. It's an adaptation of Harada’s manga (which I did not like and dnf'd) about a clerk who nearly dies and ends up cohabitating with an angel. Thoughts? Is it sad? Is it meh? TELL ME!

It's Airing But...

The Whisperer (Sun ????) 1 of 10 - Thai horror BL that ALSO involves cheating (what joy is mine). He has dimples (My Ride) but I don't think even that gives me the will. You can tell me how this goes if you can find it.

SHADOW (Thai Gaga) 14 eps - I'm not wild about Thai horror (or horror at all) even one featuring Singto and Fluke. I'm holding off. If told it's good, I'll binge.

7 Days Before Valentine (Weds WeTV) ep 1 of 10 - trailer here, horror-esk. Adapted from y-novel of the same name, directed by Tu (180 Degree) stars Jet (Why You… Y Me?). Giving me Luminous Solution vibes, so I'm waiting to binge if told it's safe.

Beyond The Star (Weds iQIYI) 8 eps - House of Stars meets Boyband. I was NOT impressed with ep one. Waiting to be told if I should bother.

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - I find this series more fun to binge, so I'm waiting until it completes its run.

In case you missed it

I posted 20 BLs with the BEST Thirst! and decided to distinguish the different type son need in BL as follows:

Thirst wants to slide a hand under his waistband right tf now and grind.

Horny wants to rip his clothes off, and probably pop buttons and laugh about it.

Yearning wants to run both hands up his back while they kiss deeply.

Hunger wants to lift him by the ass and slam him against the wall.

Next Week Looks Like This

(Today) 11/26 Cooking Crush (Sun YT) 1 of 12 - OffGun are back, trailer here. Adapted from the novel “Love Course! เสื้อกาวน์รุกเสื้อกุ๊กรับ” by iJune4S this is about Prem who runs a not-so-popular restaurant with 2 friends. About to go on a cooking competition with a huge reward, Prem gets involved with Ten, a stressed-out med student who wants Prem to teach him to cook.

11/30 For Him (Thurs iQIYI) ep 1 of 10 - high heat trailer From the people who brought us Unforgotten Night (please no) based on a y-novel, man nursing a heartbreak has a one-night stand, but the other boy didn't want it to end. It looks terribly trashy so I'm in!

Original 2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED).

THIS WEEK’S BEST MOMENTS

Look at how gd cute they are!

Ah yes... (both Last Twilight)

We stan a supportive bestie/brother (orphans together? - not sure on the backstory)

It is a rule universally aknowledged that an cutie in a baceball cap must get his brim tweaked. (all from The Sign)

Way is the best.

I kinda love the BTS for Pit Babe.

(Last week)

#this week in bl #bl updates #bl review #My Dear Gangster Oppa #thai bl #the sign the series #Last Twilight #gmmtv #JimmySea #TayNew #ohmnanon #One Room Angel #japanese bl #pit babe the series #Twins the series #playboyy the series

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jinkieswouldyoulookatthis · 7 months

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Anti-destiel Wank (sorry but I have to)

If you hardcore ship Destiel, please just scroll on by. Please.

Ok, I'm gonna get myself in trouble, I'm sure, but I gotta get this off my chest...

Destiel may be a perfectly fine ship,

but,

IT'S JUST A SHIP.

In the actual context of the show there IS NO ROMANTIC OR SEXUAL TENSION/RELATIONSHIP BETWEEN DEAN AND CAS.*

Full fucking stop.

Subtext can be interpreted in ANY WAY YOU WANT. It is subjective. You will find whatever you look for in it. Please stop waving subtext interpretations around as if they were objective facts, they aren't. Subtext, by its very definition, relies on implied meaning and understanding, this means it is a subjective interpretation of the media that varies from viewer to viewer. The inherent variations are what make it fanon/headcanon instead of canon.

If you see tension of that sort there and it makes you happy to postulate the what if, then go ahead, that is what fanon and head canon and fan fiction is all about. But if the fact that the tension you think you see isn't being addressed in actual canon makes you grumpy, maybe you need to take some of the fanatic out of your fanning. If you are beginning to think the show creators are actively trying to repress Dean's "true sexuality and feelings" because they are evil, you might need to consider that you've dug in too deep.

Because, like I ship wincest. Yeah, I said it. But I am aware that canon doesn't actually include any level of sexual or romantic (in the modern sense) relationship between Sam and Dean. Wincest is not canon.

Now, are Sam and Dean the real "love" story of the show? Yes, yes they are. That has always been 100% the entire point of Supernatural, the great love story of two brothers struggling to save the world together. It's about family and everything that means, but at its heart, it is about Sam and Dean WInchester. Not all kisses and cuddles and sex kind of love, but love nonetheless. Full stop.

Now, the fact that Destiel is such a popular ship is not surprising to me in the least. Jensen and Misha are two gorgeous guys who share a lot of chemistry on screen and off. And, it is canon that Cas loves Dean. That has been evident since Lazarus Rising (4x01) when Cas was introduced. Castiel's love of Dean Winchester has been his character's main motivation all along and culminated with Cas sacrificing himself to save Dean, after telling him that he loved him in Despair (15x18)

But Dean's main motivation has always been to watch out for his brother. And though Castiel became Dean's best friend, he still comes second to Sam. Nothing against Cas, he just isn't Sam.

So why are so many people so absolutely convinced that Destiel is so real within the context of the story?

Well, I'm pretty sure that it is the same reason that they are so opposed to the idea of wincest.

As we all know, incest is bad, mmmkay? Incest is probably one of the biggest, strongest, cultural taboos we have. So it makes perfect sense that the idea of two blood-related brothers having sexual or romantic feelings for each other is considered icky. It's so off putting that it is a complete no go for even fantasizing about for most people. And that's probably a good thing, tbh, incest should be taboo. But where does that taboo spring from? Why is it so deeply off limits? There are several reasons, but the two main ones are:

That incest can lead to inbreeding.

That incest too often involves molestation or rape of children.

Both of these are seriously bad enough that we all pretty much collectively agree to avoid incestuous relationships. But, do either of these two reasons really apply in the case of Sam and Dean?

The short answer is no. Primarily this is because they are fictional characters that are being played by unrelated actors. But to humor the objectors we'll look at it closer.

We can take the first one right off the table. As two cis men, neither of them is capable of becoming pregnant, so outside of the mpreg (male pregnancy) or gender bending subsets of fanfic tropes, this is not applicable.

The second reason only becomes an issue when talking about the characters earlier in their lives, pre-show or flashbacks. Weecest or teencest, or whatever, are things, but these typically have separate ship names for a reason, because even when dealing with fictional characters this squicks a lot of folks who are otherwise down with the wincest ship. So most content is tagged or labeled as its specific flavor, so anyone can find it or avoid it. But wincest that involves adult Sam and Dean (the specific pairing I'm referring to in this post) doesn't apply to the second reason listed above.

So there really is nothing morally wrong with Sam and Dean having sex with each other. I know that statement is going to bother a whole lot of people, but it is true. Just because something is taboo does not automatically make it morally wrong. Being gay used to be taboo in our culture, and is still taboo for way too many people, even though there is nothing morally wrong with homosexuality.

Now, I wasn't in the fandom back at the beginning of the show, but I've heard tell that the very first Sam/Dean fic was posted just a few hours after the pilot episode aired. A few hours, that's all it took for some highly motivated fan to type out a story where they were more than just brothers. The story is called Reunion. If you watch the pilot, even with your anti-incest goggles on, the chemistry between Jared and Jensen is palpable throughout. There is a reason the show lasted for 15 years, and that reason is that Sam and Dean just work on screen so well together. So if it only took one episode for that ship to be born, what did all the future destiel shippers do? Well I imagine they felt somewhat uncomfortable for the first 60 episodes.

Flash forward to season four and the introduction of Castiel. Finally there was another male character for fans squicked by the notion of sweet, sweet brother loving to focus on! Cas was clearly fixated on Dean more than Sam, which followed the plot since Cas had been instructed to rescue Dean from Hell. As it would turn out, the brothers were destined to be the meatsuits that Michael and Lucifer wore to the big prize fight to determine the fate of the world. Prepping Sam for Lucifer involved him consuming demon blood, which made most of the angelic host view him as an abomination, a factor that Cas had to learn to get past in his relationship with the younger brother. But Dean was ready to go right out of the box, no assembly required for Michael. Castiel, and many of his angelic brethren, as well as a lot of Demons, seem to be drawn to Dean in a way that they just aren't drawn to Sam. Is this fair? Hell no. But I mean, look at him! Jensen has sexual tension with literally everything he comes in contact with, people, food, his car, the man oozes sexual attraction. Don't get me wrong, Jared is a sexy fucking ball of sunshine, and our Sammy is a damned attractive man, but he tends to be more repressed and less openly sexual than his brother, so it is what it is.

Where was I going with this? That's a good question. I got a bit distracted, sorry. Oh right...

At its root, destiel is a reactive projection. There is undeniable tension between characters in the show. Since all of the main cast are male, that tension is highly homoerotic. The two main characters, who are undeniably emotionally enmeshed and co-dependent with each other (a very well established canon fact btw), happen to be blood-related brothers. Oh no! Where is all that tension coming from since we cannot admit or accept that it's coming from them? Ah ha! Here is a new male character that we like, yes, it is obviously coming from his interactions with one of the brothers, even though he wasn't in the first 60 episodes. Yes, it all makes perfect sense now, all that tension was merely foreshadowing.

I've read through all the destiel subtext posts. I've gone back and watched all the scenes they reference multiple times with the express purpose of finding destiel. I'm telling you it is just a fanon ship. Which is 100% fine and good, ship that ship, just stop declaring it more canon than canon, because it's not.

And if you don't like fictional incest, cool, cool, you don't have to. But the underlying sexual tension existed in the first 60 episodes prior to Misha being cast on the show, so it was coming from somewhere. And it'd be cooler if you learned how to scroll past people shipping wincest, like I'm sure you do for all the other weirdass, squicky shit that people post all over the internet. But if it makes your heart beat a little faster to imagine that Dean and Cas have eyesex but that Dean and Sam don't, that's fine. I think it's delusional because neither ship is actually canon and both are 100% A-Ok in fanon, and honestly Jensen doesn't seem to be able to control his eyes, which is not something anyone should feel bad about (it's fucking marvelous) but you do you.

*Castiel does love Dean. He confessed as much, but Dean did not reciprocate. What I am referencing is a mutual romance or attraction, which does not exist.

#anti destiel #anti destihellers #anti hellers #wincest #canon vs fanon #fandom wank #destiel wank #I've been sitting on & adding to/refining this post since Feb 2018 time for it to see the light of day

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bonefall · 5 months

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i know u dont rework arcs untill theyre complete but im very excited to see what you do with a starless clan, theres so much exciting things happening in this arc to work with. do you have any changes you already know for sure you’ll be incorporating?

No for-sures. I don't want to make any for-sures. I have ones I'm feeling but I don't want to call ANYTHING a for-sure yet. I need to find out what the ending is, WHERE this is all going, because I have a strong philosophy in my writing that a story is like a spear;

IT'S ALL ABOUT GETTING TO THE POINT.

But we are 4/6 of the way in, so I CAN start talking about thoughts!

I'm actually leaning pretty heavily towards axing Nightheart as a POV. There's still time for the books to turn around and justify it, BUT HEAR ME OUT

(Saying AS someone who is a Nightheart Enjoyer)

So far I'm really feeling that his character would benefit from us never being inside of his head, or seeing what he's been going through. As much as I WILL stand by that I enjoyed books 1 and 2 and liked his perspectives there, I'm starting to think that it would serve the story a lot better for Sunbeam and Frostpaw to be guessing just as much as we are.

We'd get introduced to Nightheart on the journey for catmint.

Sunbeam connects with him immediately, because she's tossed on this mission while she's in the middle of a swirling tide of drama. With nothing but Clerics and a hardened Rootspring to the left and her ex-bestie (exstie) to the right, he's really her only other choice for companionship. She's chronically unable to stop problems before they get out of hand, the sort of person who becomes frozen by indecision, and then here comes this Glorious Bastard

In her eyes, he's so caring, and bold, and fun! He's the first one to jump headlong into danger, to really be interested in her problems and just let her talk, and his story is so heartbreaking! A mother who's so hard on him... and his Clan is so mean all the time, but he wants to prove to all of them that he's more than just Firestar's descendant... but he was so brave to choose his own name.................

And then, when she follows him into ThunderClan, she learns he fucking lied. She changed Clans based on SOB STORIES

When she first comes, no one knows what he's been saying behind their back. Even if they did, they don't want to start trashing Nightheart right to his new mate's face. But then he LEAVES, and Sunbeam will bring up,

"Maybe it was because you were hard on him?"

And then Sparkpelt tries to agree, just to take blame onto herself and stop all this, but Finchlight's had eNOUGH and ends up setting the record straight;

"No this is DEFINITELY another tantrum. He already ran off once before."

"NO he didn't pick his own name, he stopped the whole ceremony to complain and Bramblestar gave him a compromise"

"MEAN to him?? I had to do HIS WORK because he couldn't STAY ON THE GROUND"

"Oh he's buckling under the weight of his legacy? that must be so hard. I was cat-fifteen when i punched my first fascist and he was wearing the face of my grandpa."

"His mom aba-WHAT?? ABANDONED???? OUR MOTHER WAS EXILED AND HE STAYED HOME!!!!! WE WERE CAT-FIFTEEN!!"

With this false hope shattered, Sunbeam is thrown into a devastating situation where... her mother was right. She was tricked. And now she's stuck in this new Clan without any of her old friends, without this mate who was too-good-to-be-true, the ONE impulsive choice she's made on her own in her WHOLE LIFE turns to ashes in her mouth. She can't go back, either, because Berryheart would NEVER let her live this down.

But... it's okay.

It's a slow shock, to make a choice SO impulsive and SO self-concerned, and find a safety net below her. It's going to be okay. The trials are fair. The cats of ThunderClan interrupt and speak over each other, but, that teaches her to be more assertive. Sparkpelt and Finchlight are not the mean assholes that Nightheart built them up to be, and they'll support her no matter what she chooses to do with her possible mate.

I want Nightheart TO get better, but, in order for that to happen, he has to face, and, more importantly, ACCEPT consequences. He needs to develop the maturity to say, "I acted like a brat and didn't appreciate what I had. and I'm sorry. you don't have to forgive me."

Bottom line being, Nightheart is striking me lately as a character that works best as unpredictable, because we have NO IDEA what's truly in his head. It would be interesting for him to have a novella later, but as it stands, his POV has consistently just been a duplicate since he joined ShadowClan. We gained NOTHING from splitting the Frostpaw Journey of the newest book in half POV, and VERY little from splitting the ShadowClan one into half POV.

I might reduce the POVs to 2, just Sunbeam and Frostpaw, or change Nightheart's to Lightleap. If I NEED 3 main characters, then they should all be a consistent camera on different parts of the conflict.

Again. I do not commit to changes until the arcs are done. Nothing in BB!ASC is set yet.

But here's some other little things I'm thinking,

Bramblestar is VOTED out.

He does not step down. The little "game" he played with Nightheart to create a situation to yell at Squilf, who hasn't been his mate in a long time in BB, was the LAST straw for ThunderClan.

They had sympathy for him before that point, because of what he went through with Ashfur, but his leadership was long and controversial even before the Impostor.

And there's a really strong sentiment that IF Bramblestar had been a good leader... they would have realized he was possessed sooner. So, there are those who partially blame him for the tyranny of the Impostor.

Basically; enough is enough.

Berryheart's hate group has ACTUAL consequences. Someone gets killed; probably Antfur, who survived the last arc to die here.

More fights. This arc has been too bloodless. Already planning SEVERAL sudden, random brawls in RiverClan as tensions boil.

Heartstar is going to be MORE controversial. Not controversial enough in canon imo. I don't like how Leaf and Squilf seem like they have "hypothetical" issues with the invasion instead of being able to point at REAL ones.

riverclan didn't forget how to do the chores they've done their WHOLE lives, no. I'm going to talk about POWER VACUUMS and create ACTUAL factions that begin to coagulate in RiverClan.

if we're going to have a brainless plot about how "Well Ackshually democracy has enough problems to make us reconsider not having unaccountable, tyrannical dictators, because a vote could maybe be called over One Single Issue" then I'll talk about shit like the spoiler effect, mob mentality, and factionalism. Get the hell out of my way ERIN I'll cook

No Smoky. Society has progressed past the need for Smoky. No Smokyng Area.

Whistlepaw should to try and take care of her ALONE, not trained enough to take care of SUCH bad wounds and barely able to keep her trembling paws straight, and Frostpaw realizes that she's making her watch her own friend die.

Is this how her life is going to end? slipping away under the paws of someone she loves, for what? pride? to do what her mother told her-- trust no cat?

As she TRUSTS Whistlepaw? Trusts her SO much, that Frostpaw will force her to be the only witness to her death?

FROSTPAW CALLS THE HUMAN

...which in BB, is a team of researchers. She drags herself to them, and collapses. This is why they just HAPPENED to have the proper equipment on them; they're WILDLIFE VETS.

Not sure how I'm going to handle Frostpaw's Journey though. In BB, the Park Cats are already a foundational part of Clan Culture.

In all honesty, while I HAVE to praise the fact that the Erins have FINALLY created ONE outsider group that isn't malicious or defenseless... I don't much care for them.

sending frostpaw on a side quest to what's essentially a big DOTC reference. Look! It's that group we introduced in the last 5 chapters of our latest glorified recap! cooool.

We're just going to get nothing but fucking founders in every dream from now on. I'm SURE of it.

As a consolation prize to myself though I will be writing cool angel scenes of the absolute BEING that Riverstar has become in heaven.

Riverstar (normal cat): "Elder Bones I'm going out!"

"not dressed like THAT you're not!!!"

Riverstar (the manifestation of the river, the rain in the sky above, and the abyss below, and how through water we are all truly connected as one being): "better?"

I will probably keep the Park Cats and rework them significantly, but I'm leaning pretty heavily towards Frostpaw visiting a LOT of places. A holy pilgrimage.

ESPECIALLY one of the Tribe's three wards; the River Ward. The Tribe of Rushing Water believes (it's even in the name) that water connects all things.

So I think it would be really fitting for Frostpaw to learn from MANY perspectives, starting with this philosophy put forth by the River Ward.

And she realizes-- that's what Riverstar is, as well. As a being. He is mentoring her on this pilgrimage, while barely saying a word. She can feel him wherever she is, because he isn't JUST the God of the River.

He is connection. He is peace. He's water. Too much and you'd drown, not enough and you'd thirst.

#BB!ASC #better bones au #Bone babble

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pyreo · 5 months

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I've never thought about this in the 11 years I've played but I just realised gw2 must look.. pretty zany to outsiders? It didn't even occur to me. I'm really glad it's in a low fantasy setting that allows for pretty much anything and I think it's inkeeping with the focus on player creativity in an MMO to have that kind of range.

Like I know the overall aesthetic can get wacky but because that's so fitting for a multiplayer game... it's never occured to me that anything looks odd.

Like, here's a screenshot of me, someone's bird, and some lovely folks from the last pride march

Like real pride marches, being over the top and loud is the point. We have the tools to do that, even in regular gameplay. I think it's fascinating that nothing about this feels out of place. Magic in this universe does practically anything you want it to. Technology varies from nonexistent to far beyond real life. There's a massive range but everything feels kind of.... justified?

Some people will wear fantasy armour and keep everything on a theme. Some people are going to group transform into giant frogs and some people are going to cosplay as Johnny Bravo. It happens. The game doesn't mind. It doesn't shy away from people being incredibly weird. I remember the devs recalling a decision they had to make about letting players jump on top of a plot-important table where NPCs sat for serious discussions. The decision was they they shouldn't stop people from doing that if they wanted to.

The openness of the setting means these are all things that could exist. People reanimate corpses here for the hell of it. The weapons are magic and can be literally anything. The mounts are all creatures that have been tamed, or vehicles someone could have invented. Even the living plushie mounts are lore-compliant because... magic.

But on top of this, this game has one of the most sincere stories of anything I've ever played? Whether it's to your taste or not, I don't think you could deny how much care goes into it. From terminal conditions to villains having tantrums over childish insecurities to symbolic anticapitalism to racial superiority rallies, it has treated its topics with dead-solid respect. It does not undercut its serious moments - but it allows you the privilege if you'd like.

Maybe it's the balance of being so immersed in that that's stopped me from thinking any of this looks silly. The players can be silly, sure. Maybe there's a kind of game-and-player suspension of disbelief. We tell our story, and you have your freedom, and for the most part they won't intersect (except for the infamous Wynne cutscene).

In the MMO space there's other ways to approach this. You've got ESO which holds back very tightly to its high fantasy setting. That's for people with different tastes who don't want anything aesthetic-breaking in their game, and they have to cut back the player freedom to get it while trying to introduce a steady stream of new armours that can't be too interesting. They have magic, but don't go too far. It also means you get deals begging you to come to the cash shop to buy, like, rags. Fun rags for your character!

Then inbetween those two there's 'your name has to be lore compliant but fuck it, flying convertible'

#gw2 #this is NOT a dig at those games I'm just fascinated by the varying levels of what they'll accept #and that car is one of the most immersion breaking things i've ever seen just bc nothing else is like that

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avelera · 1 month

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So I've been watching Three Body Problem with my partner and we just got to Episode 5. It has (spoilers) a pretty gruesome scene in it from the book, very bloody. I literally didn't watch it, just listened and watched my partner's (shocked) face throughout it.

This got me thinking. Not so much about Three Body Problem, because I haven't finished it yet nor read the books so I haven't really formed any sort of opinion on the show or the overall story, but more on Benioff and Weiss.

While looking away from That Scene I was curious if it was even in the book, so I was looking that up instead of watching. It was, but sure enough, Benioff and Weiss had embellished it.

I'll discuss it in more detail beneath the cut to avoid spoilers but suffice to say this is my take away:

For Benioff and Weiss, it's always been about cruelty. The chance to show cruelty above and beyond the source material, using the source material only as a spring board to delve into horrific imagery, is literally what attracts them to the stories they choose to depict.

And I felt like I'm taking crazy pills when I pointed this out all through the Game of Thrones era, not so much no one was figuring it out but because it felt like no one in the mainstream media was talking about it. They'd get asked these deep artistic questions about a certain scene (like the quote below which has spoilers) and it would be asked completely seriously and they'd give this answer like, "Oh we didn't want to show all that gore but we had no choice."

And I'm just sitting their flabbergasted like... what the fuck are you talking about, just admit that's what you wanted to depict?? That's what gave you a boner to tell this particular story??

Let me be clear, an artist choosing to depict gore and cruelty isn't a problem. I'm not a horror fan but it's not like I think horror shouldn't exist, or gore, or horrifying scenes that shock us to our marrow. That's very much a thing art can and should do!

I just feel like I'm fucking crazy because Benioff and Weiss and the people interviewing them never seem to get that this is their story kink. They always put this like... veneer of genteel shock and respectability over their questions about the cruel and gorey scenes they depict, like it just happened that way, when it's really really clear this is the stuff they like showing the most.

Benioff and Weiss's Game of Thrones was literally more gorey, graphic, and dehumanizing in places than the actual book. Where they departed from the books was, more often than not, to make things more abjectly cruel, dehumanizing, and shocking towards the characters. That's what they like doing as creators.

So this scene in Three Body Problem...

(SPOILERS)

... Where the ship gets slashed to ribbons and little children are literally shredded apparently isn't even depicted in the book.

"“We wanted to show it, we didn’t want to evade it,” Benioff said at a roundtable earlier this month. “I think when you actually see something on a screen, it is going to be more horrific than in the book. You’re reading these descriptions, but you’re not seeing blood, you’re not seeing a bunch of kids running away, you’re not seeing children’s backpacks getting split in half.” (source)

Didn't want to evade it? The book literally doesn't show children getting shredded and you went out of your way to show us numerous scenes introducing these children just so you can lovingly show them and their world get shredded to ribbons while completely aware and confronting the full horror of their fates like...

Again, I am not trying to moralize here. There is a space for horror, there is a space for exploring horrible things happening to innocents.

But they always talk about these very deliberate depictions of abject cruelty as if it's just *shrugs* "What can ya do? It had to be done!" NO IT DIDN'T. IT'S LITERALLY NOT IN THE BOOK IN THAT WAY. JUST OWN IT. OWN YOUR ARTISTIC VISION. OWN THE FACT YOU GLORY IN MAKING SLASHER LEVELS OF GORE AND TORTURE AND DEHUMANIZATION. STOP BEING SO FUCKING GENTEEL ABOUT IT. JUST FUCKING... LEAN IN TO WHAT YOU ARE INSTEAD OF ACTING LIKE IT WASN'T THE CHANCE TO SHOW CRUELTY THAT ATTRACTED YOU TO THE STORY IN THE FIRST PLACE.

And just as a lateral, US politics note, it felt like this under Trump too. I'm not saying artists depicting cruelty in an artistic work is anything like a politician with real power reveling in flexes of power channeled towards deliberate acts of fascistic cruelty.

But in both cases I felt like I was taking crazy pills because the media would just... speculate about the root desire behind such actions? Like "What could possibly be motivating these guys? Gosh, we don't know, to say what's actually happening here would be far too gauche so we'll just pretend it was an unpleasant byproduct of their TRUE goals, whatever those may be, no matter how implausible they may be."

Like: it's cruelty! The point is cruelty! Some people are just sadists! Some people get off on hurting others or in having the power to hurt others OR (and this is by far the only acceptable version of this and by the way it's completely acceptable to do this in FICTION) in creating artistic works that depict terrible cruelty and sadism.

... So anyway, I definitely went into Three Body Problem going, "Huh, I wonder why Benioff and Weiss chose THIS supremely difficult story to adapt as one of their next big projects?" And then I saw the boat getting shredded and the children they added to the loving depictions of gore and was like, "... Ah, yes. That's why."

(Edit: Just to be clear for those thinking of watching the show, it's not a gore-fest. It was easy to see this scene coming and to look away for it. There's some other moments of violence but those are also pretty easy to anticipate and look away from. This isn't a slasher horror show and it's had a lot of good points (so far). This particular scene just made me go, "Ah, there's the Benioff and Weiss I remember.")

#netflix three body problem #benioff and weiss #game of thrones #come at me bro I don't even care if people disagree

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seangelfish · 2 months

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I HAVE BEEN WAITING FOR THIS MOMENT FOR A LONG TIME YEIII amh I could ask for headcanons for bae and kanata with a cute mc fem from the town who just arrived in the city therefore she doesn't know anything about paradox or hiphop or the city in general je but she is open to learning new things uvu that would be all ~ thank you

MEETING A NEWCOMER

Featured characters: Allen Sugasano, Hajun Yeon, Anne Faulkner, Kanata Yatonokami ♡ Tags: Headcanons but also a bulletpoint fic, mutual crush, casual romance, she/her pronouns, not really proofread! Not really sure what to write for Hajun, so I'm sorry if it's not up to standard! ♡ Word count: 1,895 ♡ Synopsis: You, a newcomer, was introduced into a city of hip hop. You didn't quite understand it, but you were eager to learn from the people around you.

You have moved here for university, not knowing what this city was actually known for. You just assumed it was any other ordinary city...

Allen, who was one of your fellow classmates at university was an odd one. He didn't look friendly so you didn't try socialising with him at first, but when you saw how he acted towards his friends, you decided to at least try.

You found out that he was just awkward. He greeted you in return when you introduced yourself, but his eyes started sparkling when you mentioned that you were new to the area. He asked whether you're into hip hop, but if you weren't, he had some recommendations for you to listen to.

"Is hip hop that big here?" you asked him curiously.

"Yeah!" he exclaimed. "There used to be this place called Club Paradox where..."

You listened to him ramble on and on about hip hop and these legends called 'Buraikan' who founded these so-called 'Phantom Lives.'

It was all a little confusing, but it had you intrigued. Because of this, the two of you had exchanged contact info so Allen would be able to send you his recommendations. When you were finished listening to them, you would text him your thoughts. Gradually, you started having a taste for hip hop that in your free time, you'd visit record shops looking for songs that you haven't heard of yet!

Allen was always so appreciative of how willing you were to indulge in his interests — in his life. He wanted to show you more about the city and about hip hop, but he also just wanted to spend more time with you.

"I also produce and write my own songs!" Allen said one day, hoping that would impress you. "Would you like to listen to them?"

"Seriously? That's so cool. Of course, I'd like to listen!"

"Alright, just meet me at the club! I'm performing there as BAE with Anne and Hajun."

"C-Club?"

"Oh, haven't you been to a club before? Then I'll accompany you before our performance starts. It'll be fun!"

Why not? you thought.

Allen picked you up before his performance and showed you around the club. It was an interesting yet fun experience, but what you found kind of weird was how he kept holding your hand throughout it all. You didn't think too much of it though. He was probably doing that in consideration of you, so you wouldn't get lost in the crowd.

"So yeah, that's pretty much the gist of it!" he said. "Will you be okay here? We're starting in ten minutes."

"Yes, I'll be fine," you replied. "I can't wait to see you perform!"

"Alright, see you later, (Y/N)!"

Watching him perform live was amazing. You finally understood why people here liked watching 'Phantom Lives.' They were incredible! You were so drawn into Allen's performance that you couldn't see anything else but him.

"Haha, how was it?" he asked you, panting.

"It was so cool!" you chirped. "And that was the song you wrote too? It was great!"

"Hahaha, thanks, (Y/N)!"

So whatever Allen did with hip hop, you were there too. You became closer to him than before that he no longer was a classmate to you, but someone even more special.

Just like everyone else, you were drawn to Hajun's prince-like charms, but you never dared to speak to him. He was definitely on another level than you, and you didn't want to disturb him with your plain, ordinary presence.

However, fate brought you together when Hajun spoke to you first. He picked up clues that you were new around here and wanted to help you familiarise yourself.

Confused but thankful, you accepted his offer. He was like a tour guide, bringing you in his limo around the city. It was kind of awkward at first, but he eased you into it when he would ask you where you came from and why you decided to move. He was friendly, but you could taste the way he teased you too.

After bringing you to so many places, Hajun had asked you if you knew about hip hop or anything to do with phantom lives. When you denied it, he merely chuckled and said that you should watch him perform. He didn't go further than that, so you had to find out yourself what he meant by it.

BAE was his hip hop group where they performed phantom lives at clubs. You entered by yourself, waiting for the show to begin. Hajun was up there on stage accompanied by Anne and Allen. Their performance was spectacular. The way Hajun rapped was something you didn't expect coming from him, but at the same time, it made perfect sense.

"So you made it," he teased. "Did you enjoy the show?"

"Y-Yes, it was good!" you exclaimed. "Those were the illusions you talked about? They were pretty! How were you able to do that?"

"With my phantometal, of course," he replied, showing you the feather ring on his finger. He let you touch it due to curiosity. "Isn't it cool~?"

"It is!" you giggled. "Can I watch you perform again next time?"

"Haha, sure."

Not only did Hajun help you with familiarising yourself with the city, but with university work too. You should be grateful though because he wasn't doing this for just anyone. However, he was also questioning his actions when he thought about it.

He supposed that he was helping you out so much because he was also in a similar position when he arrived in Japan. He just wanted to make your experience here easy for you.

Plus hanging out with someone cute like you was actually fun. He loved answering whatever questions you threw at him especially those relating to hip hop. He always looked forward to your daily greeting in person and text.

Anne had caught an interest to you almost immediately. Of course, it was because you were cute, but it was also because your outfits were embarrassingly plain. They wondered if you'd allow them to dress you up. So one day in class, they introduced themselves.

Once Anne took in the info that you were new here, they were even more excited to become your friend. They wanted to show you everything! Entertainment, fashion, music, everything you were interested in!

And that's how you were introduced to hip hop too.

Taking in the knowledge of the city from Anne was like homework. They dumped everything on you so quickly that it was hard to grasp, but as they pulled you around the city, it was always so exhilarating.

"Oh, I'm also a part of BAE," they said. "It's the hip hop unit I'm in with Allen and Hajun. We usually perform at clubs, but we're going to be competing in Paradox Live next!"

"P-Paradox Live?" you queried. You knew of phantom lives since Anne mentioned those before, but this was different.

"Yep, it's gonna be huge! We're going up against other hip hop units to win ten billion! You'll come support us, right?"

Of course you were.

But standing in front of Club Paradox was intimidating. Everyone around you looked excited out of their minds, but you were the opposite.

"(Y/N), over here!" called out Anne. As you turned, they linked your arm with theirs and led you inside with Allen and Hajun. "I'm sorry, I'm going to have to leave you here," they continued. "But watch us closely, okay?"

Watching Anne perform that night was thrilling. Even when the rest of the units performed their songs, Anne's performance was something you couldn't shake off. The illusions that they described to you through words could not compare to the real thing.

After that, you would always watch Anne in person whenever they were performing with BAE in Paradox Live; cheering them on and voting for them. Anne would always look for you in the crowd too, happy that you appeared in their life.

Unlike BAE, you didn't meet Kanata at university. You bumped into him on the streets to university. You were lost and that's how you ended up at the slums. He thought you were an idiot, but he helped you out anyway.

You explained that you were new to the city, so you still didn't know your way around. Kanata was disinterested, but when you asked him why hip hop was so prevalent around here, his ears perked up.

He explained everything, but he also mentioned how there's 'real hip hop' and those who desire to make hip hop but fail. You were curious about what he meant by this, so you pressed him further into showing you what 'real hip hop' was.

He was about to refuse. He didn't really want to get close to you to begin with, but seeing that sparkle in your eye made him think otherwise. It also didn't help that you were kind of cute.

"Fine," he breathed. "When do you finish uni? I could show you today."

And so he did. After dropping you off at university, he picked you up straight after you were finished. It was evening by then, so the streets you walked on were crowded with people waiting for a team called 'Cozmez' to perform.

He grabbed your wrist and dragged you into some shady underground business, situating you in a corner where he was sure nobody could disturb you.

"Just stay here," he said. "You'll be okay."

"W-Wait, where are you going?"

"I'm performing."

Before you could say anything else, he grinned. "You'll see what real hip hop is, (Y/N)."

And he was gone. You noticed that he was with someone else too, someone that looked oddly similar to him that you just knew he was his brother. When they were on stage, the crowd cheered louder than before.

That's when Kanata started rapping. You watched him intently, your eyes following his every movement, his every word. The music was loud, but it was exciting.

"So this is a 'phantom live'..." you murmured to yourself as you watched the illusions the twins were creating. "It's beautiful..."

You didn't expect Kanata to come back to you right after performing, but he did, asking you what you thought of it. You caught the slight bit of excitement in his question which also surprised you because even if you had just met him today, you already had his character noted down in the back of your mind. He was rude and aggressive, but he was also kind in a way.

You smiled. "It was awesome! I can't believe this is what I was missing out on!" you replied. "You were amazing, Kanata!"

His cheeks heated up, but you couldn't tell as it was dim. "Thanks," he said casually.

"Eh~ who's this?" asked his twin. "Kanata, I didn't think you were that type of person–"

"I-It's nothing like that!"

Nayuta introduced himself because if his brother was willing enough to bring a random girl to a place like this, he was sure that Kanata was a little interested in you.

"Be good to my brother, okay?" he whispered into your ear teasingly.

From then on, you became close to the Yatonokami twins, but you were even closer to Kanata, the boy who helped you on your first day. He became a lot more patient with you as he introduced you to even more places around the city, familiarising yourself with hip hop and the story behind it. It was always so fun learning more things when it was with Kanata.

And perhaps, Kanata was a little thankful that you got lost in the slums that day too.

Intro page | Paradox Live masterlist | Request rules

#paradox live #paralive #paradox live x reader #paralive x reader #bae x reader #cozmez x reader #allen sugasano x reader #hajun yeon x reader #anne faulkner x reader #kanata yatonokami x reader #x reader #x y/n #fanfic #fic #paralive imagines #paradox live imagines #paradox live headcanons #paralive headcanons

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ectomoog · 4 months

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How to Get Your Friends into Doctor Who (2005) - A Guide

Ok I really like Doctor Who, and of course I like introducing people to it, but oh my god do you forget how randomly terrible and/or cringy and/or uncomfortably Moffat-esque some of the episodes are, *especially* when you're watching it with someone who has no idea what to expect.

SO I made a list of ten episodes that I think would be the best loose sequence of episodes for a causal introduction to the show...

But first, some requirements:

It has to be a one-off (NO TWO-PARTERS), low commitment, etc

It can't require watching previous OR following episodes to be enjoyable

It needs to actually be good

It needs to represent Doctor Who well

In a social setting where you're showing a group of people an episode, most of these would be fine. Watching consistently with one person however, loosely follow this order, and if your person decides at any point that they want to commit to actually watching the show, skip straight back to The End of The World and watch Series 1. Ok list time...

1. Rose (S1, E01)

I think Rose is the perfect episode of Doctor Who to start on. It's campy, it's fun and weird and it sets up almost everything you need to know for the Revival Era. You get the companion, the Doctor, regular Doctor Who tropes and themes, etc. Plus, if they can't get past the Mickey bin scene, this show probably isn't for them anyway.

2. Dalek (S1, E06)

Skipping a few episodes into Series 1, Dalek is a great way to get a feel for the format of the show, and also a great and intentional introduction to the Daleks. The Doctor and the companion turn up in a mysterious place and have to battle an alien force and really unlikeable one-off side characters, the works basically. It's a fun monster-movie of an episode.

3. Vincent and The Doctor (S5,E10)

Jumping a whole five series forward, Vincent and The Doctor is a notoriously heart-wrenching historical that I think is a classic (if a little indulgent) example of Doctor-meets-famous-historical-figure. It's nice to jump to a different Doctor and a different era of the show, to get a feel for its' diversity. Although there's a few moments relevant to the greater series plot, it's contained, very pretty, very sweet, and easy to understand.

4. Midnight (S4, E10)

Midnight just feels like an essential episode to be honest. A fantastic one-off sci-fi horror/thriller, with one of David Tennant's best performances, a great introduction to the 10th Doctor. It's a shame you don't get more Donna, but I think this one would be my go-to if someone asked for the best episode to watch stand-alone, just based on how genuinely great it is.

5. Heaven Sent (S9, E11)

Jumping to Series 9 with another critically-acclaimed episode, but also one that I think is an amazing introduction to the 12th Doctor. Heaven Sent is a little unconventional, and I'm not 100% sure it should be here, but it does give Capaldi a whole episode to just act his ass off, and he completely delivers. It's artsy, mysterious and dramatic, very much the high concept sci-fi style of Moffat's later scripts, so I think an appropriate watch.

6. The Voyage of The Damned (2007 Special)

If you're not in a festive mood, try The Lodger or Demons of the Punjab instead

The Christmas episodes are too iconic not to show, and as far as Christmassy vibes, celebrity cameos and whimsical concepts go, this one is a fun one. This is David Tennant in his prime, with Kylie Minogue, a massive budget and a romp of a script.

6. Blink (S3, E10)

I mean, duh, but genuinely I think Blink is just *too good* not to include. A tense, creepy, tightly-written piece of horror TV with twists and turns and drama, it's considered the best episode of Doctor Who for a reason, and along with Midnight is an amazing stand-alone episode. It's not super conventional, but all the timey-wimey stuff is very Doctor Who.

6. The Mummy on The Orient Express (S8, E08)

If you're a Tennant stan you could swap this out for The Planet of the Dead

This one is just a fun one really. The Mummy on The Orient Express is stylish and fun, with a cool concept and a little peek into a more complex Doctor-companion relationship. With a short explanation you can get the context pretty easily, and it's a good example of your typical episode anyway.

HOWEVER if you have time, there's a bunch of two-parters you should watch instead, like The Family of Blood, The Empty Child, Silence in the Library, even Extremis.

9. The Haunting of Villa Diodati (S12, E10)

Finally some 13th Doctor rep! This one has some of the strongest writing in the Chibnall era, and is a fun horror mystery that serves as a fun introduction to Jodie Whittaker as the 13th Doctor. It has a little bit of series-wide arc, but that's okay.

10. The Church on Ruby Road (2023 Special 4)

If your person liked all those episodes but still doesn't want to watch 13 seasons of TV, just abandon ship and watch the 2023 Christmas special in preparation for Series 14 (or Season 1) in Spring 2024. The Church on Ruby Road is the beginning of the latest soft reboot of the show and has been explicitly created as a jumping on point for new fans. Ncuti Gatwa and Millie Gibson absolutely shine in this special, it's fun and silly and in my opinion bodes very well for the next season of Doctor Who...

"in 900 years of time and space, I've never met anyone who wasn't important" - Bannakaffalatta

I hope that was a success! After all those episodes hopefully you either had a good time with whoever you were watching it with, or you've already moved onto Series 1! I'll be trying this out the best I can with my girlfriend this year, so look out, because I may be back with adjustments later...

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arthurtaylorlester · 2 months

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malevolent season 4 was... something, that's for sure

i want to preface this by saying i LOVE malevolent as a show and this is no means an attack on the creator or anything like that, i don't think i'll ever stop listening halfway, no matter how i feel about it. i'm not saying season 4 is all bad either.

it is a deviation for malevolent, though i found it VERY well written up until part 31 (and part 31 is my favourite malevolent episode ever)

s4 started off really strong for me, part 29 set the tone really well, much lighter after s3's emotional lows. the butcher was an interesting enough new villain to put yarson aside for now. part 30 had some charming moments, but the real star of the early season was part 31, a truly incredibly written and directed look into arthur's psychology. it truly gave us everything, from lore to highly comedic moments (to me)(no because why was arthur dreaming of waking up next to a shirtless man who tried to kill him)

parts 32 through 34 i'm not sure about, but i can write them off as awkward mid season points. part 34 was an interesting shift in perspective, but here is where my doubt's about the season's villains started rising

but the oscar & scratch arcs.... guys i'm gonna be honest, i might be oscar's #1 hater

scratch and oscar in this season were functionally useless filler. it's not unusual for arthur and john get sidetracked during their missions, but it usually ends up leading them right where they need to be by the season finale. this felt like a parenthesis that killed any tension created by the butcher.

this season had, quite unnecessarily, 3 antagonists. now this wouldn't be a terrible idea, had they been established before. but no. for some reason it was chosen to leave the only villain we could genuinely be afraid of alone, in favour of introducing not one but two antagonists yet to be established. neither because of this have the adequate fear factor (the butcher is better about this) and both get the most abysmal ends i could've imagines. what do you mean scratch is just gone like that after causing some emotional conflict with his deal. what do you mean the butcher was KOed by the fucking priest with a bedpan? what? that's it? you expect me to be scared or even care about the butcher now?

speaking of the priest. i want to like oscar i really do but. he's a terribly written character. we get to know him while arthur is teaching john intimidation tactics so out of gate our initial impression of him is as someone meek. and then in part 36 after "sorting out" the butcher, oscar just dumps out his trauma point blank to someone he's spoken to a handful of times in the past 3? 4? days.

malevolent in general has a bit of an exposition problem, but it usually works out if it's john expositing because. that's literally all he can do. but when a character with more agency do it, it makes them flat. oscar didn't have to tell us all that, he didn't have a reason. arthur confessing to 7 murders isn't a prompt to make himself vulnerable like that. i did not start caring for him, just because he had a tragic backstory. that's... not how you get someone to care about a character. oscar could be defined as a static character, and while it's not too unusual for a static character to be the focal point of an arc, i don't think it works the way most authors think it does.

also the worms in the farm only happened because of him messing with the stove so like. that's not helping his case.

the completely unnecessary farm arc concluded, we return oscar to the hospital, with arthur caving very quickly to john's demands if he truly cared about oscar so much. and so, a single episode before the finale, we get properly acquainted our main ally for the showdown. a choice definitely, but i feel like this one worked out pretty well considering noel had time to simmer before we got know of his past + he had interesting conflict with john and arthur.

and then there's the big one, the thing that appalls me entirely. leaving larson and yellow, the main villains of the finale COMPLETELY alone until the very end. why? why would you choose to not use them earlier? we spent so much time away from larson, so we weren't really as scared of him as we were at the end of part 28 (i literally was listening to the last 15 minutes of this ep on my toes because i thought he might do something) and we had had no CHANCE to even fear yellow, since we knew nothing of his power?

and what, the butcher is on our side now because noel granted his release? just like that? i know he's a contract killer but arthur insulted him to his face, he can believe they understand each other but did he feel no anger?

the finale did well, considering the context it was given to work with, though i did not understand the point of the memory thing... that didn't go anywhere? because not arthur nor noel actually lost anything. we don't know what the box was for, we only know some guy wrote "the birth of my son" on slip of paper and put it in. arthur assumed it was a memory, when it just as well could've been a literal offering, arthur assumed it would involve losing said memory, and they assumed it was related. initially i thought it would only go through if the ritual took place, which, it didn't. but reading back here is no further clarification on it. hold your angst horses, blindfaith enjoyers

i feel like john physically manifesting, if now an established power of his, was very cheap. unless it was a one-off, or some sort of power up, it just literally took away the main premise of the show. an all-powerful god rendered powerless by being stuck in some guy's mind and being forced to confront the troubles of someone infinitesimal to him. if you let him astral project and save people, then what's the point?

but i do actually think it was a one-off, so we'll see how it goes

simply put, john saving arthur when he jumped in s3 had more impact than this because he did it with a single, human, hand. no magic.

it was pleasant to have kayne and his expected chaos back, jarring as always. john's deal was exactly what we all thought it was going to be, maybe more about himself than arthur, but i don't think anyone can fault him for that.

one things though, and this questions may just be me not remembering, is arthur supposed to know that yellow is a separate entity from john when they realise larson has him in his head? because i remember arthur just assuming that 'yellow' just had all of his memories returned in part 23, and therefore not knowing that he's a separate guy from john.

just in general, i feel like s4 had a LOT of good ideas that weren't given enough room to breathe and therefore weren't written very well that really weighed down my enjoyment of the season. that's not to say there weren't things i liked. the emotional moments hit just as hard, like reconciling with daniel, the comedy was on point (genuinely this season was so funny) and even the most out of pocket thing arthur has ever said, calling john a child, no matter how much discourse it caused, was actually sort of in character for him? i mean arthur is an asshole so like i get why his immediate reaction to his severely emotionally unintelligent friend being possessive is babying him. they're awful people. they deserve each other. it made somewhat sense in retrospect.

all this to say, while i didn't hate s4, i think it had a lot of writing issues, especially when comparing it to the other 3, and it could've been done WAYY better but hey we all have our moments.

i await anxiously intermezzo's public release and the rest of season 5 👀

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