You were great once. You were prideful and skillful and cruel. You still are these things, you think.
And maybe you can successfully drink and laugh and flirt and chase your pain away. But the person that you were grips your jaw and demands attention. You have no title to hide behind, no way to look away. You wouldn't deserve to.
They told you that you'd be great. It's time to face that you were never good.
Enter commander Emery Belrai, the gilded gorgon.
[ from @exilethegame ]
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On the subject of low-effort sketches that got out of hand all because I was trying a new brush... I thought, why not draw all the knights and royal soldiers OCs of mine 🙃
|High-Res Here|
Starting from bottom right to the top: Undine (Their Majesties' Pleasure), Lillian Lynzal (The Exile), Camille d'Arcadie (Arcadie: Second Born), Marshal Mora (I, The Forgotten One) and Mordred Le Fey (Bastard of Camelot)
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obviously people steal things from other people it's one of the oldest tricks in the book but it still always surprises me to learn that people plagiarise because my introduction to the concept was basically being told that if i ever plagiarised anything i would be executed by firing squad and my head would be removed and displayed on a spike outside the walls of the hallowed academic institution i was attending as a warning to others
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LOVE when a video game protag is called a title. The Warden, the Watcher, the Exile…. Yessss be defined by a concept greater than yourself that will ultimately overtake your life
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Adore each other. Be fiendishly smitten. Be frantically in love. Can there be too many perfumes, too many rosebuds, too many nightingales? Can lovers love each other too much, be too enchanting, too beguiling, too charming? Is it possible to be too much alive, too happy? Adore each other, and never mind the rest.
— Victor Hugo, Les Misérables (1862)
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i wont go easy on you just because we're training!
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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