félix's attitude towards adrien is so fucking funny. like yeah, he'll shove cheese under his pillow. yeah, he'll sabotage his relationships. yeah, he'll mock him to his face and frame him for assisting a terrorist. but he also (before deciding later to add kagami and marinette) hatched a plan to make them the last two people on earth together. like felix was legitimately like "man the world would be so much better if it were only adrien and i. sigh. then we could hang out all the time." talk about mixed messages. how does adrien interpret this
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One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation. People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him. He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work. He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad. That he’ll drop dead sooner or later, but then so does everyone.
And that’s the most important thing: so does everyone. Look at Martinaise. Look at the world in which Harry lives. It is not our own, but it is adjacent to ours. More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people. And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them. The buildings are still half-destroyed. The bullet holes are still in the walls. The revolution was decades before, but it still feels to the people there like a fresh wound. The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few. Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is. He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.
Harry is not unique in his trauma. He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied. He is trapped between the occupation and the people on the ground, along with all the rest of the RCM. Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets. The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines. The RCM is corrupt, but it is corrupt in the same way its culture is. Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’. It’s how the RCM stays afloat, and the rest of Revachol completely understands that. Everyone would take a bribe if it meant they kept eating. Everyone would take a little under-the-table money if it meant keeping a roof over their heads. The officersof the RCM certainly don’t make enough to see a doctor. They have an in-house lazarus, and if he can’t fix them they just die. Mental health care? What mental health care? Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist. There are no counselors, no psychologists, no psychiatrists. How would they even start? If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest. Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol. He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father. So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.
To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative. Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.
All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta. If anyone can point me to some good, juicy essays from that perspective, I would be grateful!
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okay, because i saw a poll earlier and i thought the choices weren't clear enough and also the answers i saw to it annoyed me and also i'm curious:
NOTES:
I am including having watched gameplay of a game and not having played it as having watched the source material
In this context if you are writing fic/making art and you are not being commissioned to do so. This is purely for funsies
You getting into something because you saw a post/gifset/video about it and then watched the source material does not count. That's just how you get into new things.
Goncharov does not count because it's not real. I'll break kayfabe here I don't care.
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the thing about imogen saying that "if getting rid of delilah means getting rid of [launda] too, it's not worth it" is that it doesn't really change anything, does it? yes it provides laudna with reassurance that she is loved regardless of what lives in her head, but it doesn't mean that imogen doesn't still have negative feelings about delilah being there. "I love you more than I hate delilah" doesn't mean she isn't still disgusted by delilah. I get the sense that this is not an important distinction for imogen--she's said her piece, she's told laudna that she matters more, and that's the end of it for her. laudna matters more. her meaning is crystal clear: I love you and I'm choosing you.
but laudna has been obsessed with imogen saying she was disgusted by delilah watching them. she said herself she can't stop thinking about it, and marisha has said she can't stop thinking about it either, out of game. as far as they know currently, delilah's soul is twined in and around laudna's to the point where they are indistinguishable. the only way to get rid of delilah is to lose laudna. laudna doesn't know where she ends and delilah begins. imogen loves her, but imogen is disgusted by delilah. how does that work if they are one and the same? how does laudna cope with the fact that an inextinguishable part of herself is both genuinely evil and hated by the person she loves the most? at what point does being disgusted by delilah become being disgusted by a piece of laudna herself?
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