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#it just depends on the perspective
andreal831 · 2 months
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Where does Lucien rank among your favorite TVDU villains? Personally, outside of the Mikaelsons, he’s my favorite.
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It's complicated. Mostly cause I don't really have a rank in my head for villains. I love/hate them for different reasons.
Lucien is a really good villain and I like that they just let him be a villain. Yes, he has a sort of sad backstory, but so does everyone. I hate how people say characters "aren't evil, they're just broken." 99% of villains in media have tragic backstories. It doesn't make what they do ok. And Lucien's story was not more tragic than a lot of what we saw. He was essentially a "lower class" person who got rejected by a girl... and then, yes tortured and killed by the nobility... But who hasn't?
I like that they never really tried to play up his backstory. We see him in flashbacks and can feel a little bad for him, but then Lucien is still just Lucien in present time. He never feels sorry for what he does. He never questions his choices. In his mind, he deserves to do what he is doing and doesn't hesitate. Even when he has bonded with characters, he's still willing to harm them to achieve his end goal. Like I said, I like him as a villain because he is unapologetically a villain.
He came to New Orleans with an elaborate plan to take down the people who he felt wronged him. I really liked the storyline where he was going after wealthy men, but the show kind of dropped it. I love vampire serial killer storylines because they all are serial killers but most of them are just sloppy with it. Lucien was methodical. It makes him even scarier as a villain. He had this hatred towards elites, yet he was one. He complains about how he grew up, yet he spent the vast majority of his life at the top of the food chain.
I will always hate him for what he did to Cami, but it makes him a better villain. He had a fondness for Cami or was at the very least amused by her bravery and spirit. But it didn't matter. His revenge was above everything. So this may put him at the top just for the fact that he was such a good villain all the way through.
I also really love Dahlia, Celeste, and Aurora. Yet, they spend so much time trying to make us understand Dahlia and Aurora that they lose some of their edge. Don't get me wrong, I love that they got their redemption, but it felt like it took away some of their "evil." It was supposed to. We were supposed to root for them and their redemption at the end. So it just makes me not want to list them as my favorite villain.
Celeste, not surprisingly doesn't get this ending (since she is a woc, I am not surprised by how quickly her arc was finished). If Celeste had a main story, she would probably be my favorite villain. She doesn't get enough credit for how she manipulated and launched TO. People love to credit Katherine for sending Katherine to NOLA, but Celeste was the one that manipulated the prophecies and was there at the beginning, destabilizing the factions in order to make the witches desperate to call the Mikaelsons back. She was incredibly powerful and actually had the Mikaelsons running scared because she knew how to emotionally manipulate them.
Speaking of Katherine, I know people love her as a villain, and she is fun. But if we are talking about the top villains, she doesn't rank very high for me. She was too caught up in the teen drama of it all and revolved around Stefan. It was just never a good enough reason to me to like her as a villain. But I don't want to turn this into me just going through each villain and analyzing them, because that's not what you asked for.
All of this to say, Lucien ranks pretty high for favorite villains for me. To me, the TO villains were all a lot scarier than TVD since they all had to be so much more powerful because the main characters were. While I liked TVD, the villains just don't rank as high for me. But I really liked all of the TO villains. I can't think of one that I was bored with actually, I can, Greta, but all of season 5 was a mess so that's not surprising. Even the Hollow, which was a bit of a messy storyline, still had a really neat backstory and was scary.
Season 3 is one of my favorite seasons because the story was so interesting. You can see where the villains are coming from, but they are never redeemed. They are villains and choose to be villains. It also plays on the idea that one mans villain is another man's hero. Like I don't consider Aya a villain at all because she was just fighting for her freedom, whereas some of the other's were motivated by power. I definitely prefer Lucien over Tristan, but Aurora is my favorite of the trio. Yet again, I never felt she was as good of a villain as Lucien because Aurora's actions were more understandable and even justified at times. She did things that weren't, but so did everyone. It really just depends on how you rank your favorite villains.
Sorry for answering this in a stream of consciousness. Let me know if you want any clarifications!
Thanks for the ask!
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sillyfudgemonkeys · 8 months
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WAIT MADOKA MAGICA IS GETTING ANOTHER MOVIE????? AND IT'S A SEQUEL TO REBELLION???? YESSSSSSSSSSSSSSSSS YESSSSSSSSSSSSSSSSSSSSSSSSSSSS!
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craqueluring · 1 year
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i'll write a proper long post about this thats more detailed eventually, but another deliberate way hannibal manipulated will in s1 is by blurring the lines between their therapy sessions conversations about will's emotions and killers' emotions/motivations.
for example:
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will is frantic and traumatized by his hallucination of killing the girl that georgia madchen killed in 1x10. hannibal responds to that, then relates will's experience to the killers experience. uses the word delusion as a bridge. this prompts will to dig further into the killer's head. while he's responding, will is closing his eyes and staring off into the distance, as if he is seeing what the killer is seeing. then, using the word lonely as a bridge, he brings the subject back to will.
hannibal does this constantly.
even in episode two, the second time they had ever been alone in hannibal's office together, hannibal does this.
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will is frantic and traumatized from his hallucination of hobbs in the grave of one of the mushroom garden people. hannibal just barely talks him down from it, then instantly changes the subject to the killer. forcing will back into the killer's head. then changes the topic to will again. blurring the lines between them, again, and again, and again.
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feintenstein · 11 months
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canon vs silly billy(me)
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PnF Minecraft #5 (kinda)
I'm working on designing pixel art for Phineas, Ferb, Candace, Perry, and the logo (all will eventually be a part of the rollercoaster that is synced with the theme song)
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becauseplot · 6 months
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i feel i should preface this with saying that this relationship analysis "takes place" before qcellbit's emotional exhaustion and motivation crash---
---but i have been having SUCH crazy thoughts abt the archivists (qcellbit n qphilza). guy who needs evidence of Everything 🤝 guy who takes pictures of and hoards Everything. two-cars-passing-each-other meme whenever cellbit (practically nocturnal at this point) makes a late-night run to the Ordo to grab some notes he left there and bumps into phil (trouble sleeping ever since the birdhouse incident) who's sitting in one of the evidence rooms organizing a new backpack of photos to hand over to cellbit.
"oh. hey phil." "hi mate."
their conversations and interactions center mostly around cellbit's investigations---the ones cellbit lets the public know about, anyway---and whatever new info phil managed to scoop up since the last time they saw each other. theories are exchanged, and photos are passed between them as easily as pleasantries. "how're you doing?" "oh, doin' alright, doin' alright. you?" "eh. busy, you know?"
they don't talk about much else.
see, they both understand secrets. intimately. things you did you would much rather leave behind you, if you can, or thoughts, worries, doubts you would much rather keep to yourself for fear of speaking them into existence. sealed lips; a tight lid. they look at each other and know they're only seeing what the other wants them to see, but that's okay. they get it. sometimes, it's just easier to focus on what is directly in front of you. what you can see, what you can touch; what you know is true, what you know is real.
what you can do.
so cellbit generates and bounces his theories off of phil, and phil is more than happy to be a sounding board. phil fills up a backpack with photographs, and cellbit is more than happy to take it off his hands. they focus on The Work, on the spiderweb of red string and loose ends and grainy pictures and scrawled notes pinned to the wall, madness-incarnate sprawled out before them. they trust each other's judgement, and they trust each other's skills, and they trust each other, and neither asks too many questions. they both appreciate it.
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Just finished reading Pez Dispenser Debris (I don’t even go there but I am fueled by Wiki articles and a love for your storytelling) and first of all—amazing!!! 10/10, I think I need to watch this series now. 
Second, I  noticed that (while very much distinct) Yuuta & Izuku have a lot of similarities in the voice you gave them—maybe it’s the constant panic attacks or perhaps both of  them placing blame for everything squarely on their own shoulders, but ough it makes for the perfect blend of gut-punching angst. I’d love to hear any ramblings you currently have about either of them. I am currently obsessed with both of them now and am placing the blame on you <3
I’m gonna pretty heavily discuss some spoilers for my hero academia in this. I figured that was okay since you’d already read my fanfic and the wiki so the cat is out of the metaphorical bag. That being said, maybe wait to read this answer if you want to not be spoiled for more details in my hero.
Yuuta and Izuku absolutely have the most similar voices out of all of my narrators and it is 90% because they are both completely insane and in violent need of a Xanax and a nice soothing cup of chamomile tea. God I love them both so much. They should each be heavily medicated.
My hero academia is a pretty great watch through the Shie Hassaikai arc. The concept is entertaining, the characters are GREAT, and the world building is really cool.
Then the story sort of. Went to shit.
I tried for a while after that, but eventually had to stop watching. My friends and I have a group chat named “horikoshi just call us” because we got so despondent at the writing decisions after that arc.
Horikoshi. If you’re out there. If you’re reading this. Just call us. We just want to help.
That being said, my love for the characters maintains its death grip on me. I simply adore them. They’re delights.
Yuuta and Izuku, on their face, have a lot of similarities as protagonists. The aforementioned insanity and need of Xanax, of course, but the skeleton of the stories has a lot of common touchstones and themes, like:
Both characters have some kind of history with suicidal ideation or tendencies. In the second scene of JJK0, it’s established that Yuuta canonically tried to kill himself. In the first episode of BNHA, Izuku is told to kill himself by his bullies, in an act which appears to be common to izuku’s life, and the only reason Izuku comes up with to not do it is “then you’d get in trouble for telling me to do it.”
Both characters have severe self worth issues. Yuuta’s looking for a reason to be alive at the start of JJK0. He’s looking for a right to be alive. In a way, Izuku is too at the start of BNHA. At the open of action, he is told by everyone in his life that he is useless. His nickname is “Deku,” which uses some of the same kanji as “Dekunobo,” meaning blockhead. The most direct translation were given is that this is a way of calling him useless. He’s the powerless member of a society choked with superpower, and he’s been told his entire life that he can do nothing, that his dreams are pointless, and that he’s a burden who would be better off dead.
They’re both saddled with power they can’t fully control. Yuuta with Rika, and Izuku with One for All, a transferable power that’s too strong to be contained in his body.
They both have a close relationship with an impossibly strong mentor that they are implied to be the successor of. Yuuta with Gojo, as he’s second only to Gojo in the modern age, and Izuku with All Might (aka Toshinori Yaga), who he is more literally taking on the mantle of One for All from.
They both are chugging that Loving Their Friends Juice and have tried to kill grown men with their bare hands as a result
That all being said, they could not be more different characters and honestly aren’t all that similar.
I have this sort of lasting grievance with literary analysis when people take a list of common plot points or events and use them to make the argument that characters are similar or parallel one another. Like, that’s all facial. The real question is how do they substantively handle those events. How do their story arcs treat those things? How does their character react to them?
Yuuta and Izuku’s actual substantive characters don’t really react to those events in the same way at all. The analysis could go on all day in this respect, really, but the biggest difference is how their respective story arcs treat the cornerstone of their original conflicts.
Yuuta opens action with Rika as the cornerstone of his conflict. She’s who he wants to free, she’s who he’s chained to, and it’s her protection of him that makes him think he deserves to die. Izuku’s cornerstone, meanwhile, is his own Quirklessness. He desperately wants to be a hero, and everyone in his life tells him he can’t be because he is Quirkless. He’s useless because he’s Quirkless. He should kill himself because he’s Quirkless. He’s a burden and always will be because he’s Quirkless.
And while Yuuta’s arc reconciles him with his cornerstone, Izuku’s forgoes it entirely.
The story just. Forgets. That he’s Quirkless. They stop talking about it. It never comes up again. It doesn’t make any real big impact on his character or decisions. It’s one of my biggest axes to grind with how the story developed, and it’s actually one of the biggest reasons why I wrote pez dispenser debris.
Pez dispenser debris was actually inspired by this one piece of my hero academia art where Izuku is hugging his younger self. I don’t know if it was official art or fan art, and I have no idea where it is or where to find it because by god have I tried so I can find it and link it for credit/to boost it. I saw it literally years ago, thought “oh that’s cool,” wrote the original first scene of the fic (where Midoriya stops the bus and is hit by the Quirk), wasn’t feeling it, got distracted by other projects, went to law school, graduated law school, signed up to take the bar exam, and was suddenly electrified in the last fucking month of studying with this fugue state of feverish artistic inspiration. I have never written so easily or so compulsively in my life. I’d write for eight unbroken hours and it would be fucking magic every time. It was like an addiction. I was writhing with a need to create and had so much fucking anxiety about the test I was not studying for instead. The words could not be restrained.
Anyway I taught myself three subjects on the plane ride to the state I was taking it in and passed anyway so it’s fine we’re fine
The moral of the story is that this story has been cooking long enough for me to get two more diplomas than I had when I started it and I have no idea where to find that fucking piece of art that inspired it, but if I find it, I’ll reblog it so y’all can see it too.
The thing is, the narrative sort of forcibly excluding Izuku’s past as Quirkless would make total sense to me if it was used as something Izuku himself was doing.
Izuku necessarily had to hide the truth of his former Quirkless status at the start of action—he needed to keep the secret of One for All. Like, he could not let people find out that a Quirk was transferrable, but you know, just the most powerful one, and also he had it, please come torture it out of him.
But as the narrative goes on, that rationale becomes less important. He has people he can trust with it. And yeah, eventually One for All becomes more known, but the discussion is all about him being all might’s successor. Him being Quirkless and how that affected him and still affects him isn’t really discussed or treated as important. And Izuku doesn’t act like it’s important to him either. He never really thinks about it.
And I just hated that. Like. He spent almost his entire life as a member of society who was spit on. He’s had a Quirk for less than a year. How are his experiences with Quirklessness not important to how he interacts with the world?
The other point of contention I had was Mirio.
Mirio is this superstar of a senpai who takes Izuku under his wing. He has an extremely powerful quirk that’s only as effective as it is because he put in the work and learned how to handle it. He’s a perfect, eternally smiling paragon of heroism. He’s flagged early as the one out of everyone, including heroes with established careers, who is most likely to replace All Might.
He’s also the one who was supposed to get One for All.
His mentor had found him and trained him to be All Might’s successor. Before All Might could meet him, however, he found this feral raccoon child in a sewer and said “oh my god I can’t not offer him incomprehensible power within the first three hours of meeting him” and tripped face first into fatherhood.
During a rescue mission, Mirio loses his Quirk in a way that’s borderline irreversible. There’s no known cure, and the only possible one is dependent on a little girl learning how to control an extremely volatile and dangerous quirk and using it in a way she never has before.
So surely, they’re going to commit to that writing decision, right? He’s Quirkless. We’re bringing back having Quirkless characters. It’s going to be this sick as hell juxtaposition between Izuku and Mirio. We are at least going to force Izuku to reflect on his own times as Quirkless or have some kind of discussion about how Mirio is treated differently now that he is Quirkless.
But no. He gets his Quirk back by the next season. We don’t talk about it much. It’s more of a minor inconvenience than anything.
It’s almost as if the show accepted as an actual rule that you couldn’t be a hero without a Quirk. And then just. Forgot. Everything it had to do with its literal protagonist.
Anyway, I hated it.
In contrast, I fucking loved how yuuta’s storyline with Rika ends. That scene where Yuuta’s turning back to Rika, thanking her for loving him, telling him they can die together? I’m obsessed with it. I recently moved across the country and listened to that theme song on loop during the drive.
Yuuta and Rika’s love was unhealthy. They hurt each other. But it wasn’t malicious.
They just didn’t know how to love each other in a way that didn’t hurt.
They were in shit circumstances. But the love was there.
Yuuta felt guilty for Rika’s love for him and his for her almost the entire narrative. He thought he cursed her with his love. He wanted to kill himself because of how she hurt people out of love for him. It’s why I have moments in sea glass gardens where Yuuta talks about begging Rika to stop loving him—he didn’t know why love had to hurt so goddamn bad, and he’s sorry for that, he really is. He wishes he was better at it than he was.
At the end of JJK0, Yuuta truly is the last person who remembers Rika as she was and still loves her for who she is. He’s faced with Geto, who wants to use her as a weapon. Everyone treats her as a threat or a tool, except for Yuuta.
Like. Just that moment. Of loving someone so genuinely, and being the last one who does, and knowing that everyone else will just use them. I’m obsessed with it.
Yuuta reconciles with his love for Rika and her love for him, and they’re both finally freed. It’s this perfect moment of acceptance that I adore. He comes to terms with his past. It doesn’t hurt him so much anymore.
I wrote pez dispenser debris to sort of force Izuku to have that kind of reconciliation. As it is, he hasn’t reconciled with his own Quirklessness and how that affected him. I wanted to give him something he couldn’t physically escape and had to face.
#tw canon typical discussion of suicide#tw suicide#tw suicide baiting#pez dispenser debris#sea glass gardens#from a narrative voice perspective you are so so right#I tend to change my writing style a bit depending on who I’m writing#and Yuuta and Izuku I use VERY SIMILAR STYLES WITH#to the point where I reuse a lot of sentences between the two stories#I do shift my writing a bit#with Yuuta I tend to use shorter simpler sentences and have a lot of ‘distance’ in the sentences#I use a lot of ‘Yuuta thinks’ and ‘Yuuta feels’ when normally I would just cut to what he actually thinks and feels#like those are a lot of fucking words that aren’t the point. they’re dead weight in the sentence. most of the time they’re unnecessary#but I /want/ there to be that distance between the start of the sentence and the point because it gives more of a detached feel to the#writing and I think of Yuuta as a very detached narrator. he spent most of his life isolated and traumatised. the distance protects him.#he’s got space between him and the rest of the world.#I go off on way more asides with Izuku but that’s less because of a mindset I’m trying to build and more because it’s my silly fun story. I#wanted to write it ‘badly’ and break rules. I wanted the silly asides that have no affect on the story but existed in my head. I don’t let#myself do the same in sea glass gardens.#pez dispenser debris isn’t abandoned by the way I’m just burning myself out on sea glass gardens before I go back to it. I have to take#periodic breaks with stories and I’m trying to get through this one arc before I take one with sgg. that arcs the entire reason why I wrote#sgg to begin with actually. I have a LOT of stories that I /love/ that I never post because I know I only have so much time and there won’t#enough to finish them all. a story has to have something I really want to do for me to actually post it. sgg wouldn’t have made the cut if#it weren’t for this one arc that I found so damn funny that I decided to write the entire thing for the sake of one scene in it. it’s not#that I don’t like sgg to be clear. I love it. it’s just one of my much softer stories?#it doesn’t have a big climactic or intricate narrative. it’s softer and about healing.#its less narratively dynamic and more introspective and probably wouldnt have made the cut were it not for one scene ngl#ill probably finish toy rosaries next once i do that arc like im so close
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abeluser · 4 months
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I propose Cry of Fear dlc/game that follows the plot of Alesana's album 'The Emptiness' (2009)
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mantisgodsdomain · 4 months
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Red/green colorblind Hornet. Thinks she's blending in to Greenpath. She is not.
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satanfemme · 4 months
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I hope that everyone who's mad about the kid getting a life sentence for hacking isn't just mad that the "danger to yourself or others" criteria can be weaponized by corporations, but also that "danger to yourself or others" can be weaponized at all.
no, hacking corporations does not make you a danger to others and it's complete bullshit that courts can claim so in sentencing you.
but also no one should be involuntarily institutionalized due to subjective risk assessment, period. and no one should be involuntarily institutionalized at all.
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lucalicatteart · 10 months
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-- Poorly Constructed Enchanted Tool --
A small tool carved from a fruit tree seed. Energy to power the enchantment has seemingly run-out long ago, and the method of recharging is unknown - but, based on the appearance, it's very likely that this was once used for detecting magic. Usually, looking through the glass center would highlight areas of higher magical energy concentration present in the viewer's environment, even if they were otherwise obscured to the naked eye. While this form of enchantment itself is highly advanced, the craftsmanship of the item is far less neat or complex than what might be typically seen in similar devices. It may have been made as part of training/practice, or as a hasty replacement for a previous tool that had broken.
#written from the perspective of some fantasy traveler who checks all of the local thrift-stores and lost & found places for every#town they visit - looking for interesting items and documenting them or something#In reality - just another one of my goofy little avocado pit carvings lol. Still working on inlaying little stones in them and stuff#I don't really have the tools to make super intricate stuff but doing little plain swirly patterns is still fine enough lol.#WORKING ON NEW POLL ADVENTURE also I know I know it's been months.. I have been Busy and struck by the evils of summer#But like I mentioned in the previous one I do want to at LEAST finish the quest with the egg lol#ANYWAY.#Things like this would plausibly exist in Nanyevimi (my fantasy world) but wouldn't be very common as - like mentioned- this would be an#extremely advanced enchantment. REALLY advanced mages could sense magic around them (to varying degrees of pinpoint accuracy of location#) without even having to use any external device. But for a majority of people there's really no way to know someone is using magic near#you unless you either see visual proof or if it's strong enough to feel effects from it (since magic is kind of like radiation in that the#higher energy/more of it youre exposed to the more it damages you/can make you sick/etc.) and even then most people would just be like#'hmm why do I feel so nauseous and bad out of nowhere?' likely wouldn't directly think to link it to magic. Thus the only really reliable w#way isto just hone your senses over like 500 years as you become an expert mage - OR use enchantments like these. But a 'sense magic' encha#ntment is not as common as a just 'magic is not allowed here' enchantment. If you wanted to prevent magic from being usedin a space#it's easier to just put up a broad barrier enchantment around that space than to have some sort of Magic Sensor to pick out if it's being#done and then handle each individual case of it . etc. etc. These sort of things can have their uses (especially for people investigating#things or trying to be secretive about detecting something etc.) but are less common - especially in this form (where visuals are used. itd#be more likely to jsut have like 'piece of metal that gets warm or cool depending on magic nearby'.) ANWAY so this is why it's a notable#object. Though a majority of the realm is not very magic literate - if you were a researcher or a mage and found this at a pawn shop you'd#definitely be like 'oohhh!! :0 inch resting... ' if not you might just be like 'oh cool necklace!' lol#also love the quick 2min ''costume'' for the image of it being used. literally just 'wrap yourself in scarves from the waist up' and slap o#a wig and ears lol#on this blog I guess since it's worldbuilding related and technically art.. maybe more like crafting? I should have a crafts tag lol.. hmm
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amanitapilz · 1 year
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A train of unrequited crushes (perhaps not so unrequited later in life who knows)
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loki-wants-an-army · 1 month
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spn and pjo might actually work as a crossover- a brief essay
Percy Jackson and Supernatural would actually make a decent crossover- both having that early 2000s, road trip Americana vibe mixed with myths and monsters of the week. Dean and Sam would freak the hell out. Percy and Annabeth would be sassy and suspicious as shit.
Annabeth wouldn't know about them, having spent most of her life on the run and then sequestered at camp, but it's entirely possible Percy or maybe even Grover might've seen Dean and Sam's mugshots somewhere or something. Percy can't be too quick to judge based on that alone considering his own dodgy record, but still it does warrant concern.
Imagine- from the Winchesters' end it sounds like there's weirdly consistent descriptions tied to rumors of kids disappearing or involved in almost inexplicable altercations. From the kids' perspective it's running into weird guys who seem to be a little too aware of the things most people ignore with the mist, while they're on an important quest away from camp.
They could bump into each other a few different times on the road before either one group finally decides to confront the other, or they end up in the same battle. Maybe the brothers save them in a fight, maybe it's the other way around and the kids (especially Annabeth) end up doing the rescuing instead. I don't know, it could be interesting and funny both ways. Let's just say they take turns.
Or alternatively, maybe the halfbloods just happen to pull up to some random town diner or motel, near flat broke and at least a little bloody, running from a monster the Winchesters also happen to be tracking, or vice-versa you could have the brothers arrive somewhere chasing a monster the kids happen to already be running from, and the conversation starts from there, with Sam leading with a few careful questions.
Naturally, when he realizes they're the direct target of the attacks and that it'll probably continue that way if not get worse, Dean frets over them even more, because he's a good guy like that, and then he accidentally ends up semi-adopting the gang, or at the very least reluctantly cross-country taxi driving this group of insanely powerful but scary young demigods (and a satyr)- who apparently have superpowers and their own magic weapons made of a special monster-killing celestial bronze- he should see about adding that to the arsenal- while Sam asks all kinds of questions about Greek monsters and the gods, updating and expanding on his notes, initial enthusiasm quickly tempered by increasing alarm.
They can also bond by angsting over shitty parents, hell knows Dean would immediately cave and take them all under his wing for that alone.
I think it could be an interesting parallel between the hunters and the hunted. Both tormented by monsters and unable/unwilling to give up the fight, and in Sam's case he could also relate to the whole "being haunted by visions" thing. I also imagine Percy and Annabeth's flaws of unwavering loyalty and pride respectively might make an interesting match with the themes of Supernatural. Plus I'm a sucker for found family tropes that follow their own unique dynamics and don't try to just mirror a weird, idealized, suburban nuclear family unit.
edit: Oh! Also Dean hates airplanes and Percy can't do flying because of the whole Zeus wanting to kill him thing
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drastrochris · 4 months
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It's! That! Time Again!!! TLT Brain-Rot Theater! "Someone had washed out all her cuts with reeking vermilion tarry stuff, and it smelled bad and hurt like hell whenever an errant drip of salt water touched the wounds. This made her feel sorry for herself, and feeling sorry for herself left her eyes even wetter."
That is 100% a Nona sentence, with a 97% Nona sentence before it.
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crimeronan · 10 months
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there's an amity POV thing i wanna write for the princess luz AU, but it's truly plotless n largely just involves her being a spectator to one event that has already happened within the AU canon. which is fine i guess, i can do whatever i want and all that
but. i must admit. that 98% of the reason that i want to write this is.... just for amity watching hunter and luz be How They Are. & having a very long moment where she's genuinely and not-unkindly like. okay. Wow. you two really truly honest to god are complete freaks. god bless, love and light, diplomatic phrasing and all that, but jesus FUCKING CHRI-
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duusheen · 6 months
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okay but hear me out: do you think Leif did so well with his daughters because he idolized his mom and adored daphne but jay reminded him too much of his dad and so his resentment and him finally being the one with power in the relationship took over??? like they even sorta named the kid after journey and leif & journey KINDA made up but he never actually really dealt with the impact his dad's alcoholism had on his childhood.
first of all. i love you 😭💖👏🏽 And the short answer is yes! Now, the long answer...
I mean, it's never been a secret that Leif enjoys the company of women. Growing up in a household with two men after losing his mom, it makes some sense. Now, the two most important women in his life have been Lindsay and Daphne, both much more mature than him, who dedicated themselves to taking care of him. Can you see that? Because I see some mommy issues there 🤣🤣 Leif's weakness extends to his daughters, being permissive and understanding.
Now, about "fixing" things with Journey… I guess Leif could never fully forgive him for the alcoholism thing, and Journey knew it, but no matter how many apologies were made, the past couldn't be erased. They both agreed to leave it behind for the sake of the entire family.
As for Jay, he not only reminds Leif of Journey but also of himself. We all saw how difficult it was for Leif to decide to leave college, to fight with his dad during that time in his youth when he didn't know exactly what to do with his life until he took the big step to become a freelance artist. A part of him doesn't want Jay to go through all that and have his dreams crushed, especially since being a musician might be even harder than being an artist. The problem with Leif is that he won't put in enough effort to truly UNDERSTAND Jay. He said no, Jay said yes, and from there it all went downhill lol. It didn't help at all that Jay chose Miracle as his life partner because Leif and Lindsay… yeah, not good. Another person he has hurt and has never apologized to.
In essence, Leif has always lived in a bubble where he's the center of attention, and anything that doesn't go his way, he simply brushes aside. The problem is, now that he's lived long enough, he's realizing that all his decisions have only served to push away the people he cares about. Especially because his fight with Jay somehow affected Daphne and the girls, given that he simply disappeared from everyone's life. But even so, I'm not sure if he knows how to take the step and say "I'm sorry"
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