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#it was more likely than you thought!
blueboyluca · 10 months
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“When I first heard it, from a dog trainer who knew her behavioral science, it was a stunning moment. I remember where I was standing, what block of Brooklyn’s streets. It was like holding a piece of polished obsidian in the hand, feeling its weight and irreducibility. And its fathomless blackness. Punishment is reinforcing to the punisher. Of course. It fit the science, and it also fit the hidden memories stored in a deeply buried, rusty lockbox inside me. The people who walked down the street arbitrarily compressing their dogs’ tracheas, to which the poor beasts could only submit in uncomprehending misery; the parents who slapped their crying toddlers for the crime of being tired or hungry: These were not aberrantly malevolent villains. They were not doing what they did because they thought it was right, or even because it worked very well. They were simply caught in the same feedback loop in which all behavior is made. Their spasms of delivering small torments relieved their frustration and gave the impression of momentum toward a solution. Most potently, it immediately stopped the behavior. No matter that the effect probably won’t last: the reinforcer—the silence or the cessation of the annoyance—was exquisitely timed. Now. Boy does that feel good.”
— Melissa Holbrook Pierson, The Secret History of Kindness (2015)
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deadmomjokes · 2 years
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PSA: tomatoes are not spicy. Tomatoes and tomato products should not be spicy. Pizza sauce isn't inherently spicy. Tomato-based pasta sauce is not spicy. Ketchup is NOT spicy.
If tomatoes are spicy, you have an allergy to tomatoes.
This announcement brought to you by my almost 29-year-old husband learning for the first time in his 2.8 decades of putting food products into his mouth that spaghetti and saucy pizza aren't spicy foods
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zosanbrainrot · 2 months
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meet cute at your local żabka
english translation and notes under the cut 💗💗💗
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żabka (froggy) is the name of an extremely popular corner shop chain in Poland, it's literally everywhere
My translation is not always literal but sometimes vibes based, like in PL version Sanji doesn't use "jesus" in the second page, but the expression "ja pierdole" doesn't have an english equivalent that would make sense in this contex, literally it means "I fuck" lmao
I now see I mixed up prepositions when Sanji asks Luffy for the sauces, uh oh ANYWAY
I also didn't translate the cans Zoro brings at the end, the writing on the cans says "potwór" which means "monster", so yup these are basically monster energy drinks but translated literally hence the capitalized P as the logo. Why does he drink that instead of some Polish ass beer? Good question, I just enjoy calling them drinks Potwór, and dont know much about beer
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itsdefinitely · 2 months
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TUMBLR LEGWND ITSDEIFNITLEY ALSO DRAWS SANDERS SIDES?!?!???
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i dabble
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putridcowboy · 2 years
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the most important step in the hero’s journey is the gay sex
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theoldkyokodied · 7 months
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If you follow my main you had to know this was coming… anyway. Enjoy these bloodweave doodles :)
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magic-owl · 1 year
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I don’t believe in gatekeeping at all but if you flat out admit to me that you’ve consumed little to ZERO of the canon media and have gotten all of your information based off of reading fluffy fic with woobified characters, I will not be taking ANY of your fandom opinions or meta seriously
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canisalbus · 18 days
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Real fan art is coming one day, but for now I really wanted to see if it was feasible to simplify their gradients into something that would fit a simple style like Bluey’s 😅
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otaku553 · 10 months
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Thoughts on being aroace
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merrigel · 3 months
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I want it back = I drag its dead weight forward
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egophiliac · 10 months
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redesigning my headcanon for Sebek's parents, based on important new information (SCALES)
(you can't see it but they're both wearing crocs)
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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cacaocheri · 4 months
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as a treat for getting 5000 followers im going to show yall a compilation of all the times ive drawn sun leaned/hunched over while interacting with yn
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man's got terrible posture
((oh and thank you guys for 5k <333))
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wasyago · 8 months
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we're at it again🕺
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rovermcfly · 2 years
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I really wish that "asexuals don't have to want sex but lot of them will still have it with their partner!" wasn't centered in like every asexuality acceptance post. I think it's genuinely damaging to asexuals and their relationships. A lot of us don't want sex. A lot of us are sex repulsed. A lot of us don't even wanna talk or hear about sex. A lot of us don't enjoy porn or wanna "hand out drinks at the orgy". Some of us have sexual-related trauma. Some of us are sex repulsed, not 💖✨sex repulsed but actually really cool about it✨💖
Allos are out here getting into relationships with aces and then pull a pikachu-surprise-face when their partner doesn't wanna have sex with them bc everyone constantly emphasises says how we totally will do it for them. Some of us won't. That's okay. That doesn't constantly need to be followed up with "but a lot of aces will so don't worry!!!!!" We don't have to make every post about us in a way that makes allos comfortable. It's not necessary to reassure allos at every turn that we're not all that asexual and they don't have to worry about us being different in a way they might notice. Allos need to accept and internalise that some people aren't gonna want to have sex. No terms and conditions. No "unless" "but" or "except". Just none.
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willowser · 6 months
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katsuki blames the alcohol for making him stupid.
really stupid.
not that he's had a lot, but his tolerance is low for a guy of his size, and he can feel the edges of his inhibitions dulling with every drink of whatever denki has shoved in his hand. it doesn't taste like absolute shit, which is rare enough to have him indulging, just a bit, for the agency halloween party.
another sip has his head feeling a little swimmy, and before he knows it, his eyes are trailing across the room until they find you. again.
whatever the hell you're supposed to be tonight—a witch, or something else in a pointy hat—is really fucking with him, and has since you walked in. the costume isn't revealing in a sense that it's inappropriate for a work event, but it's...hugging you in all the right places. in every single one of them.
without tights, it would be on the too-short side, but—and no, katsuki can't fucking explain this—something about them is making everything worse. and your calf-high boots ain't helping, either.
it's just—your fucking—hips.
katsuki couldn't tell you what song is playing, but you're swaying back and forth to the tune and one of his canines digs into the plastic of his cup, so deeply that it makes a terrible creaking sound and dents beneath the pressure—and that's when a sharp elbow is delivered to the center of his chest.
mina is at his side when he looks, and her wide, freaky eyes scan his face before narrowing in her little shit-eating way.
"you're a pig."
katsuki chokes, and the little freak takes that as an admission of some kind.
"oh my god," she gasps, mouth falling in all her disgust and awe. "you can't even deny it!" and then she laughs, high and chirpy, and there's no way you can't hear her. "oh, you're down bad."
"cram it," he snaps, sinking his scowl into his cup. "i dunno what the hell you're talkin' about."
"you know i really thought better of you," mina sniffs effectively, turning her face up and away. "not the type to be blantly checking out somebody's ass."
katsuki bristles, and his aggrivation growns until the plastic in his hands starts to melt. "i wasn't—"
"i'm kidding!" mina snorts before flicking him in the nose, narrowly dodging the hand he swipes out at her. "quit being a baby and go shoot your shot already."
"piss. off."
but the hero is unaffected by him, simply scrunching up her face in response before turning on her heel to disappear further into the party.
she's wrong, katsuki thinks, because he's not a pig like sero or fucking dunce face or even kirishima, from time to time, who gets red in the face over a low cut shirt and a pair of tits.
fucking ridiculous, katsuki thinks, because he's way better than that.
it's just—the alcohol. that's making his lids heavy and his thoughts dark and his face hot. has him peeking at you over the lip of his cup, has him picturing you in his head when he's forced to look away.
and, well, maybe, the short cut of your dress has a little something to do with it, too—but he's keeping that shit to himself.
taking it to the grave, even.
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