Tumgik
#its thursday night
that-ari-blogger · 6 months
Text
Critical Role's Cameraman
So, Critical Role (@criticalrole) just released their newest opening title sequence, an animated sequence in the same style of Your Turn To Roll and I would be remis as a film nerd to not pick apart every detail.
What fascinates me about this introduction, however, is the camera movement and shot composition. Allow me to explain.
I DONT THINK THERE ARE SPOILERS AHEAD, BUT JUST TO BE SAFE
Tumblr media
So, we open with a hand, this is a close up, I don't think that is unobvious.
Tumblr media
But this stops being a close up rather quickly, before it starts moving away. The shot just gives the hand context, and suddenly you aren't in an extreme close up of a hand, you are in a medium shot of a very large person. Then the camera pans backwards, and you can see villains and places spring up, although the perspective on Matt remains weird. Is he a few metres from you, or a hundred? How big is the Game Master here? There's a sense of mystery, of incomprehension. This is setting up some cosmic horror shenaniganry.
Tumblr media
Then, we get Fearne. This is a wide camera motion, swivelling around her in a tracking shot that focuses on her face, and those eyes. It is like a reverse panorama, where Fearne is taking in the world, the world is observing Fearne.
Tumblr media
But I want you to take note of the leaves here, because they are used to form a connection between her and Orym. The transition uses them, while it isn't a direct wipe transition (the leaf just flies close to mask an abrupt cut), it is framed as one. The name of that isn't important, though, what's important is the leaves. By being in both shots, they emphasise the relationship between the two characters. But where for Fearn they show off her sense of wonder, for Orym, they take on a very different meaning.
Tumblr media
Notice, however, how still this shot is. There is no sense of danger here. This is a scene of a warrior with a sword and two people passing on from this world. But it's calm. Because this is a memory. Orym might not be at peace with the death, but the memory isn't a violent one, it's a memory of his family's lives.
Cut to a close up. Orym creates a gust of wind.
Tumblr media
And cut to the next shot.
Tumblr media
I will not lie, Bertrand is my favourite character across all of Critical Role, so this shot of him made me smile, but it isn't the point here. The point is Imogen's introduction.
Tumblr media
Although is Bertrand not actually the point? Because take a look at how Imogen is shown here. Do you notice anything?
She's shown in the exact same way. Imogen is shown doing the exact same thing that those who have died have done. And she can see them ahead of her. The camera panning back shows a wider perspective here, showing her as she tries to run, tries to get away from the same path as Bertrand.
The wind from Orym's blade that came to this scene gets across a consistent element: Memory. This is a dream. But dreams can become nightmares.
As Imogen loses her footing, the camera gives some of its wildest movements yet. It tumbles around her, then looks up.
Tumblr media
The camera stops moving when it sees the red moon, because now the viewer has something to orientate themselves around. There is a constant point, and we can see Imogen falling down. And getting closer, and closer, and closer, until.
Tumblr media Tumblr media Tumblr media
These are the three frames in order, there is nothing in between.
Imogen crashes into the screen, and we get an abrupt impact frame (that's the black and white one) then Ashton. This is so cool to watch, in my opinion, but it is quite possibly the opposite of smooth in camera work. So why is it so cool? Motion.
The motion is in towards Imogen and out away from Ashton. They are both falling, just in different directions. And the impact frame both helps smooth over and accentuate the abrupt transition.
Tumblr media
The camera around Ashton is a tracking shot. They are falling, but they remain the exact same in the screen (shrinking slightly). The rest of the world moves. And when Ashton lands, the screen cracks. The tracking shot is used to show Ashton's disassociation with their surroundings. Not in a "I feel nothing" type of way, but in a "it's me vs the world" type of way.
Tumblr media
Then, there is an abrupt cut away. Nothing hides or smooths this at all, because Ashton's memory isn't smooth, and neither is Ashton. Remember the disassociating thing I mentioned, now it changes again to someone who gets lost in his thoughts. Medium.com calls this an "anxiety stare" and as someone who does that on the regular, I can attest to this abruptness being exactly what that feels like.
Tumblr media
I'm not going to talk too much about the ship, but just be aware that there is a Dutch angle (the horison is diagonal) here to heighten the stress of it.
Tumblr media
Likewise with this shot, there isn't much to talk about. The slow outward zoom and triangular composition are neat, and the tiered reactions (bottom row reacts, then middle, then Fearne) are amusing, but other than that, not much.
Tumblr media
Then we meet Laudna, playing with Pate and giving him life. That's a neat little shot, I wonder if there's a metaphor there.
Tumblr media
Oh.
This is a super cool visual because it establishes exactly who this character is in two seconds. But I also want to point out the symmetry of this. The hair becomes the blood which becomes the hair again, and then the tree.
Tumblr media
Laudna is introduced as big and scary and imposing, and that is very intentionally undercut by making her look small.
Tumblr media
Being small means you are less likely to be the focal character, so shrinking Laudna takes away her agency. Only to give it back through Imogen, and when the camera pans back outwards, Laudna is the same size, but the colours and the surroundings make her feel less alone, and as a weird result of that, less small.
Tumblr media
And last but not least in this moment, there is the delayed drop of the hands. Laudna finally feels safe and finally breathes a sigh of relief.
Tumblr media
That, however, imediately match cuts to this. FCG's vision. The red tinting has obvious implications that I don't need to explain, but the match cut heavily implies a connection between this group and the Bells Hells. There is a fear that this might happen again made clear by a single transition.
Tumblr media Tumblr media
Here's something else. FCG doesn't move. At least, the camera doesn't treat them as moving. It's a slow panning out as if nothing is happening. It's the disassociation vibe that you get from Ashton's falling shots now repurposed to someone who isn't in control of their own actions. This is what FCG is afraid of, this is the important pieces of his character. This is FCG.
Tumblr media
And just like Laudna, FCG finally gains agency when surrounded by their friends who hug them, and FCG finally moves.
Tumblr media
Chetney Pock O'Pea, outlaw of the RTA, alpha of his own heart. A fundamentally chaotic character who takes rules as suggestions to be intentionally ignored. A man who's first instinct upon meeting you is to consider how you could be killed. And he is introduced whittling, with a steady camera and warm light illuminating his face. This is a peaceful side of Chetney, there is a duality to him.
Tumblr media Tumblr media
Speaking of which, notice how Chetney draws back from the light as he transforms. His eyes begin to glow, but they don't illuminate him, until this:
Tumblr media
Chetney is now backlit by the cold light of the moon itself (There's a neat reveal of Ruidus caused by the pan, but that's only tangentially relevant). Notice how much further you are from him here than in his first shot. But notice how much of him is visible, and how much of the screen he takes up. It's the same, this is still the same character. It's a true Doctor Jeckyl and Mr Hyde character. This isn't split personality, but a character who can be a different person in each form, while still remaining Chetney at all times.
Tumblr media
There is more in this video. I encourage you to watch it, but unfortunately, Tumblr has a limit on how many images I can include, so I will leave you with this final shot. A group of heroes looking up at a threat that is so much bigger than them, a threat that is literally controlling the light. But the Bells Hells are closer to the camera, they take up more of the screen. The battle isn't lost, instead, it is just starting.
516 notes · View notes
no-regertss · 1 year
Text
characters i want to make a return in the m9 reunion: - kiri!!! - the Bad Luck Bandits - henry crabgrass - pumat - that guy that beau-tracy flirted with on the docks that one time - dairon!! - g e l i d o n
104 notes · View notes
blackcatgaming · 2 years
Text
Tumblr media
Finally, it’s Thursday. This has been our faces since last week. Hang in there Critters!
27 notes · View notes
env0 · 2 years
Text
Isn’t in the opening songs, “ Two-By-two, we fall Will we meet our end Or meet our destiny”
HOW DID THEY KNOW?
20 notes · View notes
puttybutter · 2 years
Text
Can't wait to get my heart broken tonight...
Tumblr media
**Its Thursday niiight**
10 notes · View notes
77words · 1 year
Text
In honor of us getting to hear from Robbie Daymond himself tonight, here's a wonderful screenshot I got while I was comfort-rewatching the beginning of Campaign 3:
Tumblr media
Happy Thursday y'all 💙
17 notes · View notes
miezkind · 1 year
Text
i’m sometimes wondering what is my main drive to getting drunk is and  sometimes i think ist the only time im loving people uncritically
2 notes · View notes
chekovsphaser · 3 months
Text
Shoutout to the guy on my street who is drunk and belting out 4 Non Blondes What's Going On but he only knows the hey-yey-yey part.
1 note · View note
titsthedamnseason · 9 months
Text
so the doors have barely opened but already the selena rumors are raging, the light up bracelet rumor turned out to be true and therefore implies some sort of additional surprise / change with the lights, professional camera crews are walking around and getting footage/interviewing fans (and supposedly giving away closing night tickets)…..IM SCARED
255 notes · View notes
rainbowcaleb · 6 months
Text
what if robbie walked in as boromir during this episode
102 notes · View notes
sniperct · 1 year
Text
Tumblr media
490 notes · View notes
m00ngbin · 3 months
Text
TFS TUESDAY!!! (WEDNESDAY??)
Tumblr media Tumblr media
51 notes · View notes
autistme · 10 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Thursday dressed up as zombies for their Halloween show at Soma in San Diego, 2006. Photos from DA user ElectricFritz
148 notes · View notes
forecast0ctopus · 3 months
Note
Just wanted to pop in and say that your art is so cool!! It's so-- SHAPES!! And I especially like how you draw McCoy, he's a favorite of mine and he has such a specific set of facial features that seems so hard to simplify, and yet you manage so well! And there's something I really love about your poses and compositions too, they're so very dynamic and/or evocative even when characters are just standing. Aaa so much to say--
I also saw your last ask, and as someone who was also intimidated by the sheer amount of content there is like you, just know that if you get invested you kinda just forget about it. I got into TNG first and that series alone looked like an enormous task to finish. Before I knew it I finished it and went on to watch DS9, and I already can't wait to see more. In general my tip is to go with the flow and see it as a hobby rather than something to achieve, because nobody is forcing you to watch EVERYTHING there is. You get there when you'll get there, y'know! It's a show about silly space people, have fun with it! (but with all the fan art you're drawing, I'm sure you already are hehe)
ANYWAY SORRY FOR THE BARRAGE OF TEXT THIS AIN'T EVEN AN ASK BUT UHHH BUH-BYE
THANKS i just. like shapes and points and lines.. i just think they’re neat…… i really like drawing mccoy hes got such a specific posture haha i will definitely be posting. more of him lmao
im on tng s2 right now and i definitely never push myself to watch things i don’t want to watch (except angel (1999) because. i like spike) but i do take my time with watching things so itll be a good while until i’m on the next series.. it did take me uhhh years to finally finish tos but the dam really broke on that in december so. here we are
bones time
Tumblr media
45 notes · View notes
skunkes · 2 months
Note
Hope you giggle and smile big today
i hope so toooo t_t thank u
22 notes · View notes
sapphire-heart-tippy · 5 months
Text
I'm back everyone! Just gonna take it easy for now. I still have some things to finish, and need to focus on my mental health. Just been distressed with anger and sadness, but I've been finding ways to soothe my negative emotions
Tumblr media
20 notes · View notes