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#jaeger: cherno alpha
gardenofchrome · 6 months
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👀👀
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monsterblogging · 3 months
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Quotes from the Pacific Rim commentary re: Guillermo del Toro's aesthetic decisions
"You cannot do world creation without filling in with texture and detail."
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"People think that world creation - movie, for example - is the big gestures. But it isn't. It's all this small details. Look at the markings. Look at the vehicles that open the doors. Look at the banners and the markings in the crawler that moves the robot. Everything is full of detail. We designed this."
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"We going to what I call gothic tech, or goth tech. Which is to go right away into a world that is rusting, that is in decay, where you have the concrete is cheap, the paint is chipping off, the armors in the robots is dented, it's sort of pitted and they feel like knights, like these ancient knights, and we start accumulating, for example, atmosphere."
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"I wanted the movie to be very romantic, but not romantic in the Harlequin novel sense or the romance novel sense of the word. I wanted it to be romantic in its epicness. You know, I wanted it to feel like an opera. I wanted it to feel dramatic. So instead of doing this in a well-lit street in New York I wanted this first fight to happen in an almost like, the middle of a romantic painting, like Caspar David Friedrich is a romantic painter I adore. And I wanted very much for it to happen in the rain in the middle of a tempest in an ocean where the waves are crashing into them. And the water throughout the movie becomes an incredibly complex expressive element."
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"We're going to go from the biggest, the widest, to the little bug of a pilot crawling out of the helmet. Isolate Raleigh. You know, we isolate Raleigh. I'm telling the story: Look at the markings on his suit, the burn marks on his skin, those are going to become scars that he's going to carry for the rest of the movie. And I'm telling you this is when we started losing. This was the price for arrogance, this was the price for youth, and we're staining the white with red. I'm trying to build a character not just by the work of the actor, but by the storytelling with audiovisual elements."
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"And look at this, Raleigh's all introduced in this one color, he'd golden, gold colors, and he's all coated in warm greens and earth tones and the light that is bathing him is always golden, and it's about that color coming together with Mako's dominant color, and Pentecost in this case, which is connected with Mako, which are blue."
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"So this, we come to the scene where they meet for the first time. And I have color-coded this scene entirely in those two colors, in the blue and the ambers. You know, the bright ambers and the blue, the sort of cyan blue. And this is Mako meeting Raleigh, so the entire thing needs to be color-coded like that. And Mako's blue, because I'm making her origin to the kaiju, the kaiju blue, the blood of the kaiju - but also you will see in a few minutes a memory. A memory that is all color-coded in blue and splashes of red in her past as a child. And that blue has stained her hair. Even her hair has this strands of blue because she cannot get rid of that memory. She carries it in her."
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"We color-coded, for example, the Chinese robot, we color-coded it red and gold and is patterned after medieval armor, and it needs to feel Chinese in essence, it needs to respond to martial arts movements; its musical theme is very strong."
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"And here again we have now a robot, a Jaeger, that is designed, a mech that is designed to resemble a T-series Russian tank, color-coded like that, with like a cooling tower from a nuclear reactor on top."
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"And we introduce Striker Eureka, the Australian Jaeger, which is designed a little bit like an all-terrain vehicle and color-coded with the outback camouflage colors and is the most masculine of the robots, of the Jaegers, of the mech, and is very much testosterone-driven."
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"We talked about the color red; well, here it becomes very important. We have these characters fighting that is very very color-coded to be warm; we have a lot of reddish art direction here. We color-coded this arena in black and red. The stakes, the wood, the machines, the color of the light hitting the machines, the symbols on the wall, everything is permeated with red. Because again, I wanted red to symbolize sort of the heart. And Mako's going to find her heart and Raleigh's going to find his heart, or life, by connecting with Mako. We saw him bleeding - the last time we saw red with any importance other than the Chinese robot was when he was bleeding in the beach."
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"And again, red coming in and linking these three characters; these three characters are the heart of the movie, you know. And blood for nobility and mortality is what makes us human. And Pentecost and Raleigh and Mako are the heart of the film."
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"And now we start bringing, literally, bringing the crazy colors into the film. I wanted to color code this movie, bring it as close as possible to a living anime, or a living incarnation of a magazine that was very important for me growing up, which is Heavy Metal with Angus McKie, Richard Corben, Chris Foss, all these guys working with super primary colors, and I wanted to bring that saturation of colors to this, and for that I needed Hannibal Chau to meet Newt in Hong Kong."
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"In shooting the film, we then came to the final moment and again, these three characters, Mako, Raleigh, and Pentecost, which have existed in a blue-amber world start to come to a red space, you know? This is the first time we used this red space properly in this film. Other than the Chinese robot, we were very careful with not coding anything in red. But now, at the end of the adventure, everybody's coming away. And at the end of the life, at the end of their life, that is Mako, Raleigh, everybody's gonna find this light is red. And now I can talk to you about the way I sort of organized the three fights for Raleigh. I wanted one fight with the kaiju to be the fight where he loses someone. He loses his brother in the beginning. That's where he bleeds red, you know? Then the second fight in Hong Kong is where he gains a partner. He loses a partner in the first fight, he gains a partner on the second fight. And in this final fight, he saves that partner. So, it's a full circle. I show him in the construction area in the beginning sitting in a sort of throne of concrete, if you remember, when he meets Pentecost; he made an incomplete circle. And here he completes that circle."
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missanthropicprinciple · 10 months
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All of my Pacific Rim (2013) NECA figurines. (Not pictured, slightly damaged Lady Danger, ironically the Anchorage Attack edition.)
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mugbearerscorner · 7 months
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Miniature Jaegers
Just a collection of miniature Pacific Rim mechs I built a while back.
Posted using PostyBirb
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thechaosgods · 1 year
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A Cherno, for your troubles
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pacificrimthemovie · 6 months
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McFarlane Toys Pacific Rim
Pacific Rim Jaeger Wave 1 Cherno Alpha 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Jaeger Wave 1 Gipsy Danger 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Jaeger Wave 1 Crimson Typhoon 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Jaeger Wave 1 Striker Eureka 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Kaiju Wave 1 Raiju 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Kaiju Wave 1 Knifehead 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Kaiju Wave 1 Leatherback 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Kaiju Wave 1 Otachi 4-Inch Scale Action Figure with Comic Book
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Pacific Rim Starter Pack Playset with Comic, Gold Label, Amazon Exclusive
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zeenovosdrawings · 9 months
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Sneak peeks of my @edgeofhopezine contributions! 💛💛💛 (I’m not tweeting but these are also gonna be on Insta if anyone wants to share over there). I’m really pleased with how these came out and I hope you think they’re cool too!
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Recently I found our my boss is also a huge fan of Pacific Rim, so we talked for a bit about it and was very fun. She knew I was very excited about the anniversary and today she gave me this!! IT'S CHERNO ALPHAAAA
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There are many benefits to being a Pacific Rim fan
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shaolinrouge · 9 months
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sometimes i have a good day and then i remember that sasha and aleksis might have been able to survive if Cherno Alpha had escape pods. the triplets never had a chance to activate theirs, but Sasha and Aleksis had a pretty extensive underwater scene where it became clear that Cherno was going to go down and they were just. stuck there
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randomdeinonychus · 10 months
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In celebration of the 10th anniversary of Pacific Rim, a fun reminder of the impact it has had on my life:
When @chimericaloutlier and I first messaged each other on a dating app, she had noticed I love Godzilla and she asked me how I felt about Pacific Rim. (Which was less than a year old at that point) When I said that I loved it, she was elated because she also adored the film.
I took that to be a very good sign, and I was right!
Four years later, our wedding cake toppers were Knifehead and Cherno Alpha with the words "Drift Compatible." Obviously, the idea was that we were both piloting Cherno Alpha.
Amusingly, we also got married the very same weekend that Pacific Rim Uprising hit theaters.
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lonestarbattleship · 2 years
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Size comparison between USS Missouri (BB-63) and the Jaeger Cherno Alpha from Pacific Rim.
Posted to r/PacificRim by u/VoidbringerEden: link
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californiannostalgia · 2 months
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Things I noticed on my Pacific Rim rewatch:
1. Raleigh had his left arm ripped off while he was piloting the left hemisphere, then had his right arm and leg shredded while he was piloting the right hemisphere. Holy fuck he has been through it. His resilience and battle focus is enough to be recognized by Pentecost, whose solo Tokyo battle was three hours long.
2. Implied that Hercules Hansen was one of the OGs, like Cherno Alpha. Wonder what happened to his copilot before he began drifting with his son. Wonder what happened to the Jaeger he piloted before Striker Eureka.
3. Pentecost says he carries nothing into the drift, but that just means he knows how to match with anyone, right? Wonder what that final drift was like in Chuck Hansen's head.
4. Tendo Choi is in command of the bridge when neither Pentecost nor Herc Hansen is present. I forgot that he reverts to Cantonese in stress situations, love these details.
5. I enjoy the bilinguals of this film. Also really interesting choice to focus on the western rim of the Pacific Ocean: Australians, Japanese, Chinese, Russians, and a badass Marshal who strikes deals with the black market and literally anyone else who will fund the Jaeger program. We get to have industrial apocalypse, alien thriller, and cyberpunk in one film. (Side question: are the Americas' coastlines devastated?)
6. Mako's expressions are so. Agh. Her face shows what she's feeling with unshielded honesty (she feels so much, like Raleigh) but she carries herself like Pentecost: deliberate, controlled. Very much his student (daughter).
7. Newt and Hermann are obsessed with their scientific theories being right, even if it means the possible doom of humankind. Iconic Academics. Also they must be important enough to have helicopters on call, since they run out of one to get to the bridge in time for the final fight.
8. Final goodbyes between Stacker Pentecost and Mako Mori.
9. Mako and Raleigh are two of many orphans who had no intention of surviving the war that took their families. Raleigh's last sacrifice was simultaneously the most selfless and selfish thing to do. Good for him to have survived, Mako would've found it hard to forgive him.
10. "Stop the clock."
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monsterblogging · 2 days
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An occasional misconception in the Pacific Rim fandom is that the "Cherno" in "Cherno Alpha" is short for "Chernobyl." It's not; it's actually short for Chernobog/Chernabog, as you can see in these images:
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charactersmashorpass · 5 months
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"Smash. If robots can be bears this most definitely is. Also for clarity we're talking specifically about the Jaeger here, not the pilots. I want to fuck this mech."
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redsamuraiii · 10 months
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Guillermo del Toro, Rinko Kikuchi and Mana Ashida from Pacific Rim visits the Tokyo Gundam Base by kiyosu jo
Guillermo del Toro treating Rinko Kikuchi and Mana Ashida ice cream.
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Guillermo del Toro shows his sketchbook where he drew the inspiration for the character of Mako Mori.
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Guillermo del Toro explains the Jaeger are heavily influenced by Gundam, such as Cherno Alpha.
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Guillermo del Toro's reaction to seeing the Gundam is priceless that they joke about him forgetting Rinko Kikuchi and Mana Ashida.
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I really love seeing everyone's reactions being so happy like their inner child finally reveal itself, not caring about what others say.
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Thank you Japan, Gundam, Guillermo del Toro, Pacific Rim, for making our childhood and adulthood an awesome one!
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thechaosgods · 1 year
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He literally looks like he goes. “Mom… mom I missed the bus…”
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