#just need time and money

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME #there is no replacement here bc i am not filling a position. i am just writing #and the writing is what i need to be doing #writeblr #this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to #edited for the typo wrote it and then was late to a meeting lol #i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!! #my friend says i should tell you ''thank you beta editors'' but i don't know what that means #i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her) #hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong #i write for free. i always have. i have worked 5-7 jobs at once to make ends meet. #i did not grow up with access or money. i did not grow up with connections or like some kind of excuse #i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!! #i do not write for money!!!! i write because i fuckken NEED TO #i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness #and i would still be writing pretentious angsty poetry about it #im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us #i'm saying. you could take away our jobs and we could go hungry and we could suffer #and from that suffering (if i know us) we'd still fuckin make art. #i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work #even if it means being miserable #but i will not give up this thing. for the whole world.

[stil-lindigo]

HELP PALESTINIAN ARCHITECT EVACUATE HER FAMILY FROM GAZA

This is a verified fundraiser for a family of four to evacuate to Cairo. The fund's creator, Amal Abu Shammala, reached out to me personally to share this since she's failed to get her fund on Operation Olive Branch and Let's Talk Palestine's fundraising linktree.

As of right now, she has raised €2,397/ €42,000. You can see the breakdown of what the money will be used for in the fund description.

Please give generously!

#ive talked to amal myself and can vouch for her #she was so understanding about me having to verify her story first #its so bullshit how people have used the tragedy of a genocide to masquerade as palestinians in need #perhaps its selfish for me to personally advocate for only a few families in need when so many people require help #but i feel like the way i stay sane is to just. focus on one family at a time #im gonna try to do another fundraising event (?) soon idk how successful it'll be #i just dont have enough money man #palestine #free palestine #free gaza #donations #gaza #rafah #khan younis

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true? #clockwork: ... #also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

[lucabyte]

Taking pride in One's own appearance.

#you people are becoming my guinea pigs for my finally learning how to communicate information via comics. a thing ive needed to practice at #also BLEGH. YUCK. andrew hussie was right candy makes you sick. this is a little too saccharine for me. yeesh. let me get back to the meat. #isat #isat spoilers #in stars and time #in stars and time spoilers #isat fanart #in stars and time fanart #isat siffrin #isat loop #sifloop #doodlebyte #'let me get back to the meat' i say eyeing something similarly sickly in my sketches. at least it's mildly tormented as a counterbalance... #you people have no idea how much im having to stay my own hand. oh i can draw miserable nudity but the most basic of fluff? visceral #anyway i dont know the logistics of picking up a glass eye or where loop got money (besides pilfering from siffrin) & ive previously drawn #sif with a vague blank middle-grey eye as either being scarred over or a blank occular prosthesis put in quickly at the nearest town #i dont know that they'd have a glass eye during the game but considering prosthesis are reccomended to keep the skull etc from deforming #id imagine it would probably come up postgame as something to do now theyre not on a time limit trying to save the country #plus i assume that having it gouged at by a sadness wasnt exactly a clean wound by any measure #all this to say. idk i just wanted to get some information across in comic form to Test my Abilities #and we're far enough down now to say my absolute most wretchingly sweet fluff headcanon that actually inspired this #which is that i think siffrin gets into the habit of not wearing the eyepatch around loop so they kinda match. #and as a signifier to the other that they're letting their guard down around them. vulnerability etc. #just kinda wearing it around their neck so they don't lose it

[tapakah0]

Animation commission I guess...

Um... ha-ha, okay, it has been stuck in my head for the whole month, but if I will keep it any more I will explode, I need to busy my brain even more I'd like to take an animation commission. Like, a fully colored, shaded, with lightning, with in-betweens, with the clean line (and background). Up to 5 seconds depending on what you want to get I guess the price may start from 250$ and be higher or less depending on complexity of the details, character or movement (<- of course everything will be negotiated) I never took such commissions before so please be patient with me since I might spend even months ha-ha (really wanna beat this fear of taking something more complex) But I will do my best since it will be first experimental time for me 1. Payment via Boosty after acceptance of the sketch animation (very rough idea) 2. I think I can draw mostly anything (but won't 18+, guro and I can decline something if I feel like I will not like to do it) 3. You must have a reference of the character, I'm not ready to work with something that doesn't have a ref to start working right away 4. Please, properly think of what you'd like to see, I will not make 3 different rough animations of different ideas because you suddenly had another idea ;~;; 5. Note me in dms if you'd like to take commission... (I'd like to move to discord later since it's more comfortable in here) Uh... I have only this as a more or less proper example (it was based on amazing storyboard by yeye23)

Okay, I'll just leave it here if someone really will be interested and will delete if it if it will be decided.... I just feel like my brain is dying if I don't have an enjoyable/stressful more complicated work on a side that demands an attention from me. Have a nice day

#I just... #I have what to do #Plenty of what to do #But it doesn't stress me enough to make my brain work #Such kind of commissions give me both a boost of work and enjoyment because of the process #So... yeah ah my brain is very much lacking it right now #And I think it will be interesting to finally do something complicated again but more properly #from the very beginning #I need an experience while I have time to pay attention to it #commission #I'm still not very confident to take money for these kind of works so I need to understand what pricing is okay for what I'm able to do wit #animation... #*opens the door* #*leaves the stage* #hahhh my dear life why did you give me such a lazy brain...

[ihatebrainstorm]

Brainstorm’s the kinda guy to not know what the state of the Cybertronian economy is like at any given time

Original joke credits go to @toyotacorolla2008 !

#mtmte spoilers in tags #I like to think Brainstorm could've just bought the stuff he needed for the time machine #but his lack of knowledge surrounding anything money related caused him to think it wasn't an option #so he ended up joining the cons because THAT would be more accessible to him somehow #he's just a silly guy #mtmte #transformers #maccadam #maccadams #tf idw #transformers fanart #frootertooter archive #more than meets the eye #brainstorm #nautica #perceptor #stormceptor #simpatico #lost light #LL

[rustedhills]

Disney, releasing Wish: "so it's all about legacy--the new generation surpassing the old, overcoming the evils perpetuated by them, relinquishing singular power... and there's an old man in a tower, uh... animal sidekick, i guess..., ah... magic...?

Miyazaki, just out of frame, sledgehammer raised:

#the boy and the heron #not tagging wish 'cause i'm being a little acidic #this isn't to be negative in the slightest--I really respect both films--but it's interesting to see how visceral boy+H gets with its story #what evils have to be rejected and what they represent--and how characters and the world suffer from those evils--as well as how the whole #'rejecting' part goes. in terms of animation powerhouses discussing their legacies - disney and miyazaki both - I find it interesting that #one makes a pretty safe and nostalgic movie about imagination and dreams; the other is a long trudge through the land of the dead. #b+h is a hard watch - and a look at the legacy of a man questioning his whole purpose in the world - after his cultural touchstones #have long passed by. Mahito needs to understand his grief to keep living--but if he drowns in it he'll just continue the cannibalistic and #violent world of his granduncle. how the hell do you make art when the trauma of your entire life has colored it forever? How can anyone? #maybe after a while... it's time to detonate that damn tower and keep living. #this is to say #if you have enough money to make whatever you want #Make It Fucking Count

[stuckinapril]

every time i walk into my local library i make sure to look at the receptionists with big wet eyes before heading to my corner to study bc i really want them to hire me as a part-time aide

#not even bc i need the money like it would just be so good for my mental health #extra cash would be nice but i also just like existing there #i don't need another thing on my plate but this feels like anxiety relief more than anything #esp bc w all my pre-med stuff sometimes i feel guilty for reading recreationally. this would force me to be somewhere i love to be #i WANT to be around books for 6 hours at a time. stacking. shelving. cleaning those precious books #i will burst into tears if they don't let me #i literally know the dewey decimal system by heart i'm perfect for this #p

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school. #like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it. #was it fucking hard? was i choosing the hard thing?? yes. #but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create'' #when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent. #speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice. #''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession. #''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt? #u need to work countless hours and it will often be thankless? well i wish i was that lucky'' #we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

[mattodore]

20s vs 30s

#river dipping #matthias evanoff #theodore doe #echthroi #ts4 #ts4 edit #the older they get the more i need to [redacted] them... #matthias is already 26 so. not much changing going on in his face. his hair just starts receding a bit before he gets it under control #but theo’s in his early 20s so his cheeks definitely lose some baby fat in his late 30s #MIND YOU! matthias is really vain. so. he has a skincare routine and he's very serious abt it along w/ regular dermatologist visits #and injections/surgeries probably... so he is someone who will age very gracefully thanks to money lmao... #theo on the other hand is just blessed with beautiful skin <3 well that plus he rlly doesn't emote often... not many lines on his face #until he's in his mid-forties probably. but like fr... theo isn’t someone who puts a lot of work into his appearance like matthias does #and he uses and smokes like. his skin looking so good is just the result of a genetic lottery #i do think he quits both by the time he’s 30 #but while he doesn’t go back to cigarettes… hm. he probably continues to relapse w/ drugs every few years #not with anything hard—he’s off the stuff for good i think past 28-ish #i think when he relapses he’s usually safe with matthias who helps him by focusing on harm reduction so. lighter ones. #…just got a bit emotional thinking about that but anyway #kisses for theo 🫂 #i was going to post this last night before bed but decided that i wanted to actually edit them first so! here take this <3 #i've gotta get ready to go get my novavax shot in a few hours but then i'm going to start editing again #seriously rlly enjoying my editing process rn... like it makes me so happy!! to finally really like the way i edit and how things look #but yeah........................ mattodore are so sexy as they age god. #i gotta redo that old family lineage post i made now that mattodore look different... and i need to redo their parents for sure #…anyway cross your fingers for me 🧎 i’m hoping my side effects aren’t too bad this time around

[chachacharlieco]

#to be fair #all of these titles frighten me #they all require patience #skill and time #and the legend titles just need money to be one #meanwhile... the no titles can be a wild card #you'll never know if theyre the most casual player #or the most craziest and skilled player you'll ever meet #edit: oops i forgot some titles i shoulda added an ''other'' option #sorrieeesss❤️ #poor legend titles tho

[puppetmaster13u]

Prompt 80

 So Dan knows that there’s heroes that have gone back in time, he’s aware of that fact. But he doesn’t exactly care and has more important things to worry about. Like the fact that Danny and Ellie are now three years old, right when he’s moving, though maybe that’s a blessing in disguise seeing as the GIW are searching for them in Amity. 

  But still, he has more important things to worry about than the speedster vibrating five feet away from him. Like making sure Ellie and Danny are alright to visit (ugh) Peepaw Clocky while he goes to work. 

  Ms. Mercy is not messing around, which he appreciates in a workspace, but he has to wait for another opening in the daycare before he can bring his, as far as everyone else is aware, siblings who he got emergency custody of. 

  What with how Jazz is interning in Gotham, they figured Metropolis would be safer. Now if the speedster would stop following him, he would really appreciate it. He’s literally just an intern under Ms Mercy as an assistant, not even one of the scientists, and it’s not like his timeline of the end of the world exists anymore! 

#dcxdp #dpxdc #prompts #de aged danny #dan works at lexcorp so mercy can have a break some days #Lex sees this as extra useful because dan can double as intimidation and a bodyguard #Oh he's a meta? Oh that's fine- Immune to mind control?! Well seeing as the alien in the city gets mind controlled every week heck yeah #Bart is fuckin terrified when he sees Dan & calls Tim because *holy fuck* it's the thing behind his nightmares #W-with a pair of kids? Fussing over the pair of kids??? #Double checking that they have their things to spend the day with their grandpa???? #Luthor: If I hire a meta I will have diversity and it's good for PR #Mercy: Yeah I just need to train someone to not take his shit y'know how it is #Dan: I just need enough money to not ask for cash from Vlad I am not dealing with his motherhenning #Dan: I moved away to not be fussed over and I am not dealing with him #Vlad on the phone: Son why am I hearing about being a grandpa why was I not informed :C #Clockwork: Ah yes more time with my grandchildren :) A perfect timeline

[mikrotyalm13]

everything about Gavriil feels suffocating.

how his presence alone can be almost overwhelming, how his massive body cages you everytime without a chance to escape. you wouldn't dare to try anyway, knowing that you don't even have a say against a creature of his caliber. he will find you. in your dreams, in your nightmares. in your room.

how he will be intense and vague about everything just for the sake of it; to confuse you further, to see the conflict of emotions in your eyes merge with arousal. eventually your hesitance turns into acceptance, a desperate need to feel his hands all over you. and he will be oh so grateful to fulfill that desire.

how his thick tongue pushes past your lips and into your mouth, reaching almost the back of your throat, relishing in the muffled little sounds you make. your drool mixed with his saliva drips down your chin, and your hazy eyes look up at him when he finally pulls away, giving you a second to breathe.

how his hips are slamming into you relentlessly, your wetness and lack of resistance allowing him to move almost effortlessly. forced to hold onto him for dear life instead of pushing away. all of your morals and principles are being tossed out of the window every single time he comes to you. he has you where he wants you, and will not stop until he feels like you can't take it anymore.

and how in the morning he vanishes away, leaving you guessing: was it just another wet dream? but the cold stickiness between your legs tells you more than you need to know.

#yes bringing this back bc at the time i didn't tag it properly #okay im gonna complain in here now. #need... to... draw... something... but i dont... have the strength.. #drawing on my phone is so exhausting but i have no other option #bc i think my traditional art is not very polishedddd and i dont want to answer asks with ittttt #but maybe i will #bc i think i'm really getting to that burnout #and giving how my bday is getting closer and closer.... #i dread it. but hey. cake. money. i'll get a new piercing #i WILL cry ofc but hey. maybe someone will buy me tea as a gift. who knows. #i just want to spend some time with someone yknow:( #just... talk. about anything. sit beside eachother and stare off into the waters #i hope the snow will melt soon because i want to go out more even if by myself #gonna find a job when summer comes... maybe talking to colleagues and all that will help... everythings gonna be fine.. i hope #i just need friends. god. #microtya's kids #microtya: gavriil #monsterfucker #monster fucker #monster x human #monster boyfriend #monster lover #teratophillia #god x human #monster smut

[jarchaeology]

when i first started this blog i got an anon saying that i shouldn’t tag jensen in my finds because it was unfair to embarrass him.

anyway, i wonder if that anon came from one of the twitter people who repost my finds without credit and get 20k views on “never before seen” pictures.

#if you’ve been here since the start you know that credit isn’t normally something i stress over #cause i didn’t photograph the stuff and it’s not art that i’ve lovingly crafted #BUT it does irritate me a bit when it’s something that i spent stupid amounts of time and energy and often money to find #do i need credit no but does it annoy me when someone writes that it’s a never been seen before picture and it’s something i dug up #yeah it does when i’m feeling pissy #1. well these are in national newspapers so technically they’ve been seen before by a large number of people #2. if you’re that up to date on the extant young jensen photos to know that it’s newly unearthed did you think maybe someone #did the work to find it? #i don’t care if you’re just sharing photos casually but a full time jensen account just hits different #ps i only care about this when i’m in a bad mood so i’ll go back to not caring and enjoying making shit available to everyone

[ef-1]

Happy Nelson Piquet has to pay a $5 million fine for the racist and homophobic tirade he had against Lewis 🥳

All the money will be allocated to funds intended for the promotion of racial equality and against discrimination of the LGBTQIA+ community

#i wish he would have gotten the chair or some time in prison but for now im just glad the money is going to people who need it #f1 #lewis hamilton #nelson piquet

[senselessalchemist]

Bow problems (+ other nonsense)

#saroart #dead cells #the beheaded #the collector #they just wanted a nice bow #the collector can do a lot of stuff but i don't think he's good at bows #i was drawing a lot of antagonistic beheaded/collector content so i wanted to do some more cute junk #okay a lot is an exaggeration. still #need some guys being buds content sometimes #weird monster guys doing domestic shit is my favorite genre #i got a bonus at holiday time and im tempted to buy a tablet i can use portably #esp because holy fuck i don't know how to draw anymore #but also i just spent stupid money on tickets to live podcasts so i probably shouldn't #unrelated im very upset today because fucking UPS didn't ring my goddamn doorbell and so “”missed me“” and couldnt deliver my specialty meds #why must i get my meds through ups #because the us is a hellscape and i am beholden to my health insurance company #ups who has literally never managed to get a package to this apartment #tbh im stressed as fuck about having to go through this every goddamn month