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#lollapalooza 1996
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Chandler, AZ – 07/26/1996 
(via @lovehate-love and @bearcub81212)
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k-i-l-l-e-r-b-e-e-6-9 · 9 months
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Joey Ramone performs during Lollapalooza at Spartan Stadium on August 2, 1996 in San Jose, California.
Tim Mosenfelder
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Members of Devo, Joey Ramone & Lars Frederiksen, 1996.
When Devo joined the 1996 Lollapalooza as one of the „Mystery Acts“, they made sure to bring a fair amount of their legendary „Energy Dome“ hats - so their fellow tour pals could walk around with a flashy red helmet.
Here‘s Rancid singer/guitarist Lars Frederiksen receiving his, backstage at the George Amphitheatre, Washington, July 30, 1996.
When asked about the origin of the „Energy Dome“ hat, lead singer Mark Mothersbaugh stated:
„We designed them, Jerry and I. We were influenced both by German Bauhaus movement and geometric fashion, and Aztec temples. We just liked the look. It looked good, and it didn’t look like any other bands out there. We weren’t interested in wearing groovy hats or groovy clothing. We kind of looked like Lego toys or something by the time we got those on our heads, and that was a positive thing.“
📸Tim Mosenfelder
From RAMONES MUSEUM BERLIN on Facebook.
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blackros78 · 6 months
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aiiaiiiyo · 1 year
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paulainchains · 6 months
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lollapalooza 1996
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legendarytragedynacho · 9 months
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Jimmy Marinos and Chris Cornell at Lollapalooza 1996 while CJ Ramone is on stage
📷 by Warren Cohen
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tallicafanpage · 1 year
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Lollapalooza 1996 © Pete Menting
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lithiumcreepblog · 9 months
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jancy weekend day 2: music
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music is how we decorate time- Jean-Michel Basquiat
a decade of decorating time
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1989. their favorite albums of the year.
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1990. records shop date. jonathan gets nancy 'faith' by george michael. nancy picks out 'peepshow' by siouxsie and the banshees for jonathan.
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1991. left under their door from their neighbor after they played pet shop boys the whole night at high volume.
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1992. a gift from nancy to jonathan. the cure's 'wish' pendant necklace.
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1994. lollapalooza, taken from jonathan’s camera.
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1993 & 1996. two of many concert ticket stubs.
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1995. nancy is learning how to play the guitar. they make the drive to hawkins, humming along to fantasy by mariah carey.
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1997. scribbled on a piece of paper at a bar. then endlessly fretted over and tweaked and added until it feels right.
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1998. nancy's new cd player to listen to while writing. jonathan puts his own spin on the cd covers.
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1999. after an evening at an unplugged gig. photo taken by will.
the only truth is music….music blends with the heartbeat universe and we forget the brain beat- Jack Kerouac, Desolation Angels
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Sonic Youth - Liquid Room, Tokyo, Japan, January 24, 1996
Lollapalooza 1995 was just the beginning of Sonic Youth's time spent sailing the Diamond Sea. The band subsequently took Washing Machine all over the world — including several shows in Japan in early '96.
A very sweet audience tape from the Tokyo stop shows what a well-oiled machine SY had become at this point. Sleek and steady ... not words you would have used all that much in the past. But the professionalism just adds to the power. This is a band that has mastered the art of dynamics and texture, sculpting their feedback-laden songs into perfect forms, whether it's tightly coiled momentum of "Bull In The Heather" or the beautiful whiplashes of Washing Machine's title track.
Once again, you've gotta hand it to Steve Shelley, whose drumming feels almost orchestral here (in a minimalistic way, perhaps), blending abandon with focus, leading everyone skywards. The dude knows how to take a song to the next level.
And speaking of next levels, "The Diamond Sea" in Tokyo is reaching a state of transcendent bliss, sinking into the depths, luminous leviathan vibes. Love is definitely running wild ...
Bandcamp | Merch | Concert Chronology
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punkrockhistory · 10 months
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27 years ago today
One of the greatest 👊
Joey Ramone of The Ramones during Lollapalooza at Downing Stadium in Randall's Island, NYC. July 10, 1996
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#punk #punks #punkrock #ramones #joeyramone #history #punkrockhistory #otd
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🔥 Lollapalooza 1996 🔥
(via @lovehate-love)
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Johnny Ramone, Lollapalooza Tour 1996. 
📷  Tim Mosenfelder
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thekingofgear · 8 months
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Official Color of Jonny's No1 Tele Plus
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Jonny picking through the intro of 2+2=5 Lollapalooza Berlin on September 11, 2016 (radiohead.com). The reddish outer ring is unusually prominent in this photo.
For a while now, we've referred to the finish on Jonny's No1 Telecaster Plus V1 as "Tobacco Burst." While Jonny’s Tele is often called a “sunburst”, on closer inspection the finish is little different. A traditional sunburst has three sections: a semi-transparent yellow center, a red ring around that center, and black edges. In contrast, the finish on a 1990s Tele Plus lacks a clear red ring (though it does turn reddish near the edges), and the central yellow section is darker than on a traditional sunburst. So the darker “Tobacco” version of a burst seemed accurate. It doesn’t help that the guitar is often seen in low-quality footage and under stage-lighting, both of which can mask the details of a guitar’s finish.
In fact, Fender’s official name for the finish on the 1990s Telecaster Plus V1 is “Antique Burst.” Thank you to Ben for pointing us to uploads of some official Fender price lists from the early-90s (click the download links on that page to view spec/price lists for all Fender guitars, not just Strats). Checking those price lists, we can see that Fender used the “Antique” finish for their modern, higher-end instruments. The finish is offered for the “Signature”, “Designer”, “Set-Neck”, “Ultra” and “Plus” series instruments. In contrast, the 1992 “American Standard Telecaster” was offered in a traditional “Sunburst”, while the 1992 Mexican-made “Standard Telecaster” wasn’t even available in any burst colors. Vintage reissues had their own set of bursts in 1992: “2-Color Sunburst” for the ’52 reissue and “3-Color Sunburst” for the ’62 reissue.
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Jonny playing his No1 Tele during My Iron Lung at the Chicago Metro on April 6, 1996. Jonny had only recently acquired the guitar after his original No1 Tele Plus was stolen in Denver, hence the lack of stickers. Some combination of lighting and digitization has totally masked the details of the finish, giving it a "2-tone" appearance. But it's still recognizable as the same guitar, note the wear to the finish on the edge of the lower bout.
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A closeup of Jonny's Telecaster from Radiohead's show at Victoria Park on June 25, 2008 (photo by Neil Lupin).
On many sunburst Fender guitar from the 1950s, the red ring would fade with exposure to sunlight, sometimes fading entirely and leaving behind a 2-tone burst. Some good examples can be seen in this TDPRI forum thread, along with some 3-tone burst guitars from the 1960s (after Fender found a way to prevent the red from fading). Presumably, the “Antique Burst” is so-named because it resembles the faded finish on a 1950s guitar.
Jonny's "No1" Tele Plus shouldn't be confused with his "No2" backup Tele. The backup is originally an American Standard Telecaster, but Plank converted the guitar to Plus specs (though by necessity it has a full bridge plate, rather than a humbucker ring like an original Tele Plus). The American Standard wasn't available in "Antique Burst", but was instead offered in the more common "Sunburst" finish.
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Jonny playing his No2 Tele during Ful Stop at the Glastonbury festival on June 23, 2017 (photo by Sara-Lou Bowrey). This guitar has the more common "Sunburst" finish, if you look closely around the Kaoss Pad and all the stickers!
For some further confusion, check Fender’s official “instrument finish chart.” The online chart includes both “Tobacco Burst” and “Antique Burst”. However, the picture for “Antique Burst” is distinctly reddish, more closely resembling the “Crimson Frost” on an early-1990s Tele Plus (and not to be confused with the mid-1990s “Crimson Burst” finish, which lacks the black edges). The online chart doesn’t include “Crimson Frost” or “Crimson Burst”, and instead lists a “Crimson Red Transparent” color that isn’t on any price list from the 1990s. So it appears Fender may have switched some names around to more accurately describe the colors (for example, the 90s “Crimson Burst” is really more transparent than burst).
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paneleirices · 1 year
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metallica playing at lollapalooza on james' 33rd birthday - california, usa.
motörhead's lemmy kilmister later joined them on bass and vocals for "overkill"
august 3rd, 1996!
(by the way, you can find more photos here)
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mrossifoto · 2 years
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James Hetfield do @metallica em 1996 durante entrevista para a @aradiorock antes do show do @lollapalooza na Florida, USA Fotos e histórias no meu livro, pra conhecer acesse o Link na bio ou www.mrossifoto.com.br Assista também meu filme sobre o universo dos shows no Brasil e a importância da fotografia para a música. https://youtu.be/ldd2XfVy4xQ #mrossifoto #saopaulo #olivrodorock #mrossi #metallica #jameshetfield (em West Palm Beach - Florida) https://www.instagram.com/p/CeUehtzgg_Q/?igshid=NGJjMDIxMWI=
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