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#long live the new flesh
extra-vertebrae · 26 days
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Have some meat and teeth while I attempt to distract myself from the fact that there are still 78 days left before Shadow of the Erdtree releases.
It's fine. I'm totally fine.
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facelessoldgargoyle · 4 months
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hm. taxidermying my own tits after top surgery so i can fuck them after bottom surgery. is this anything
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kelseysshorts · 9 months
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We’re going to get the ending of X after all. This was all part of CLAMP’s master plan, I’m sure of it.
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ash-eats-film · 23 days
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I decided recently I was gonna start designing my own tarot cards related to cult horror films so please enjoy my progress so far. ✨👏
I will more than happily take suggestions but I already have a few ideas in mind. I plan on doing the whole deck but who knows if I’ll actually follow through lmao.
The designs and art style is a combo of my own and that of the original Rider-Waite tarot deck, I simply took the poses and made it my own with different horror characters.
(I’m probably gonna redesign the fool card because I don’t wanna do the same movie twice but I just had to do Dan and Herbert as a pair and they were the first ones when I was testing the waters.)
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swdefcult · 5 months
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artemis06-diana · 14 days
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The big boi and his guitar
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wrathandbones · 1 year
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long live the new flesh, long live transsexualism
videodrome dir. david cronenberg (1983) // three definitions of crossdressing from grit by silas denver melvin ( @sweatermuppet )
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laurenbxrr · 6 days
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Silliest picture!
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skullingwaydraws · 10 months
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illustration for a tshirt design 🥰 I feel like shirts aren’t something I want to do often but really excited to combine my trash monster with cronenberg 🔥🗑️ i posted to ig a few days ago but forgot to post here oop
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trans-comrade · 11 months
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It’s pride month!
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ourladyofomega · 11 months
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hellsdaydreamwastaken · 11 months
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Not trans as in "woman trapped in a man's body", but trans as in "Death to Videodrome! Long live the new flesh!".
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nmpositive · 1 month
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Casting about for something as a birthday gift for a friend, looking through a big archive of old movie posters and came across this French poster for VIDEODROME - bit of Photoshop cleaning of the creases in the image, some upscaling and scratch retouching, that'll make a fine tshirt print.
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VIDEODROME (1983)
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Despite being released in 1983, Videodrome has a lot of ideas and themes relevant to today's world. Such themes include baiting views through glorification of violence and sex, media being able to brainwash its audience to act accordingly to a set agenda, and exposure to violence creates violence. While of course Chronenberg takes all themes themselves and amps the execution of them up to 11 I can't help but draw parallel from the producers of CIVIC-TV and videodrome itself to the influencers of today in which you might see on Instagram or YouTube. Even if you didn't want to watch a movie with a political agenda, Videodrome is an impressive body horror all on it own. It's a shame it's not a more popular film because its effects and gore are impressive even in today's standards. Long live the new flesh!!
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extra-vertebrae · 2 years
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I’m sorry if this has been asked and answered but I gotta know where you go for inspiration/reference when you draw deformed and sprawling meat and organs? No one does it like you do 😭
Aw, thank you kindly for the compliment! No one has asked yet, haha. I get the feeling that many peeps know the answer and just don't feel comfortable asking.
Short answer is: I reference the real thing when able.
Long answer: I don't go to Hollywood or other artists for inspiration or reference when it comes to effects like sprawling meat and spilled organs. Slaughter houses and field dressing are generally my first stops for reference depending on what's required. If I need to, I'll reference human incidents like vehicular accidents. Organs have specific colour, form, and weight to them that most people will "guess" at because it's easier than to look up the real thing. Same goes for the meat of the body - it's easy to make assumptions on the body's limits, but I can assure you that under the right circumstances, the human body can fold and stretch a respectable distance without the spine to hold it back.
Aside from that, I do reference disease and other extreme "living" trauma when I can handle it.
Gore-centric work isn't something I do a whole lot of these days - it's very niche and its applications are pretty limited. Body horror and toned down decay and violence is generally where my work sits:
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Referencing the real thing is absolutely not for everybody - it takes a certain kind of internal fortitude that is very hard to build and really easy to lose. I do it because the real thing acts in a specific way and I want to capture certain aspects of that when able. I still fart around and embellish for effect, like swooping spills and affected trauma (and for that I'll reference utterly unrelated things like water, bird flight, various objects in motion, or something weirdly specific like a smeared cake), but I still mainly try to capture weight, colour, texture, and "life".
I hope that answers your question!
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swdefcult · 10 months
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