✨April O’Neil protection squad✨
2003 has my whole rn and I’m gonna have brain rot bc of it🥹🥹
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Bruh fam yall I just had this idea instead of exiting the shower!
Danny and Dani are never seen together. Like ever by any other Hero.
It starts off as just Danny working with the others and then he goes home to tell Dani all about it. Or OR Dani really wanted to tag along with Danny to meet the others but hearing about how Superman was Danny is worried for her safety so it’s a “you can’t show yourself but you can come. If you promise me to stay hidden the entire time. Please” so she agrees and tags along. They both are probably very worried about the Justice League (since the ecto acts and the League aligned with the government)
Danny doesn’t join up per-say but he is like on call if they truly need help. Though normally he just shows up if they need him. They have no idea how he knows. Cut to one day Danny is unable to go so Dani goes in his place. Shes always gone with him so she knows everything he does right? Lord is Danny super worried about her, his protection obsession going into overdrive. He trusts her though and she goes.
Thing is shes also a bit worried about the League. She just shows up and tries her best to stay out of their way and get the job done. Then it happens. Shes called over with a “HEY! Phantom!” A deep breath to calm herself and she flys over. ‘It’s ok Dani they haven’t attacked Danny once. You ate gonna be fine’ kinda deal. Shes putting up a mask or smiles like Danny always does. She has seen him interact with the League tons of times so she can imitate his behaviour with them to a T.
This of course caused some confusion among the League “are you a girl?” And just like that she gets an idea. A great Idea! If they don’t know that there are two of them then one will always be able to save the other. Plus it would be funny. So she goes full ham into the bit. “Oh yea hehe its just how i feel.” Time to put on the sheepish Danny act of rubbing the back of her neck and looking away “I uhh hope you guys don’t mind me being a girl”
Bam they all bite. Saying stuff about being who you feel you are or whatever. Accepting her on the spot. Well accepting the fact that Danny can be whoever he feels right being. At least they aren’t complete assholes. Though The Batman is giving her this look. She decided to use that to her advantage. Better the team think the bat is homophobic than to get on her case. It works of course. If she learned anything from Vlad it’s how to put on an act. As she flies off she can even still hear the team berating The Batman for his old fashioned backwards ways. Takes everything she has not to giggle as she goes, can’t have Superman hearing that.
When she tells Danny about it he just giver her a wicked grin. It’s been ages since the gremlin duo had this kind of fun.
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trying not to talk too much abt the bear s2 but im Really fuckin frustrated that even with everyone demanding that they’re sooo media literate and sooo smart that no one has talked about claire and the way she sparks audience discomfort. like, she feels out of place within the show because CARMY cannot accept that he is getting this good thing—she feels out of place in HIS life. she’s actually crafted to be the ideal girlfriend, with glowy bokeh lighting in a grocery store and beauty shot close ups and a sweet instrumental leitmotif to show to you, an audience member, that she’s too good to be true in carmys eyes. if you’re an audience member, she raises alarm bells in YOUR head because she raises alarm bells in HIS. he literally tells us that—that’s the crux of his final monologue, that he doesn’t believe he can have the life of food and wines best chef and a life of love and human connection. he doesn’t believe he’s deserving of good things because his family has always been so fucked, because nothing he’s ever tried to hold together has held together—except for his cooking. it’s done this way on purpose, to make you feel that anxiety that he feels around this relationship, and to make you question why you feel it too
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listen I don't know how but I know somehow she's losing that thumbwar with herself
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i wish i could save my mother.
@/veniennes on tiktok // Elena Poniatowska, from "La Flor de Lis," published c. January 2011// love drought - beyonce // Athena Farrokhzad, "My Mother Said" // Oleander, by Janet Finch// Hannah Green from "Night Terrors" // Sharon Olds, “Holding To A Wall, Treading Saltwater” // Kyung-sook Shin, Please Look After Mom // take care: mothers, daughters, and inheriting self-hatred by Ella Wilson // tumblr user honeytuesday // Marge Piercy from "our neverending entanglement", Made In Detroit // Honey Girl, Morgan Rogers// supernatural season 12 ep 22 // Silas Denver Melvin, from Grit: Poems; “Twenty” // Hayan Charara, from Mother and Daughter
for @shestrying
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forever thinking about johanna shooting fogg and what it says for both her and anthony as characters
because the whole show, from the very first scene, we've been set up to see anthony and sweeney as parallels of one another; anthony is sweeney back when he was benjamin, he's full of hope, he's in love (with a woman who looks almost identical to lucy), and then he gets that love brutally ripped away by judge turpin
in 'no place like london' sweeney says: "you are young, life has been kind to you-- you will learn" and by the point in the show where anthony is going to rescue johanna we're almost inclined to agree with him
except anthony cannot shoot the gun, he's not like sweeney in that he cannot kill another person even if it was to save someone he loved. anthony is never going to become sweeney todd.
and then we realize that we've been looking at the wrong person the whole show, and it's so obvious it's laughable: johanna shoots the gun.
johanna who has been raised to be silent and obedient and perfect, johanna who, without knowing the half of it, has had everything taken away from her by judge turpin, her mother, her father, and her freedom. johanna who we've been led to believe is the lucy to anthony's sweeney.
she is fully justified in shooting fogg, no one could fault her for it, but she doesn't even hesitate.
in that moment she is her father's daughter.
that isn't to say that I think johanna is going to go on a killing spree after the musical, obviously, but it's such a fascinating scene in terms of their development: because despite it all anthony is still the same, and because of it all johanna is not
anthony is the last bit of hope left in the story, and johanna is the last bit of sweeney
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neuvillette's lore is actually insane. we all took one look at him and went "haha dragon🫵" but i significantly underestimated how big of a role he would play. he's the incarnation of the original hydro sovereign. he took back his rule right under the heavenly principles' nose. he's the one handing out hydro visions now (not even because he has to, he doesn't, he just grew so fond of humanity that he chooses to). he gave away the hydro gnosis bc he straight up doesn't need it. he's planning to DETHRONE ALL OF THE ARCHONS (in a few hundred years, when the traveler's not around to see it, so it won't be awkward for them). he's kind and soft-spoken. he's full of vengeful rage. he's a father to hundreds. he found his purpose after feeling lost for 500 years. skirk pulled him aside for a super-secret convo and when he saw us again he immediately spilled the tea. as far as i can tell, he spawned into existence fully formed. no other character can fucking compare
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