Low level/continuous pain tips for writing
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
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When Al Haitham dreams, it's in shades of sandy blonde and red, metallic gold and feather-blue. His nightmares are colored much the same.
Kaveh leisurely strolls ahead of him, shoes leaving deep treads in the soft desert sand. He keeps a careful distance, arms length, and in return Al Haitham keeps an eye on him, the other man's back dead center in his sights.
He curses the sand in his boots and the long line of footprints he steps into, already the exact shape of the soles of his shoes.
They aren't lost. Al Haitham knows where they are. They've been here before. They are still here.
Kaveh doesn't watch their feet. His head is constantly tipped back with his eyes on the stars and their constellations (of which Al Haitham only knows two, Vultur Volans and Paradisaea). He'll walk right into a cactus like that. Al Haitham yells ahead for him to watch where he's going.
Kaveh reaches up to touch the side of his head in a strange motion, but otherwise there's no acknowledgement. They press on into the dark of night.
Something squelches beneath Al Haitham's boot.
It stops him short, pulls his attention like a magnet and as much as he wants to, he can't ignore it. He doesn't want to lose any more ground. But something won't let him move on. Al Haitham watches as red seeps into the golden sand, spills beyond the border of his bootprint until he slides his foot aside.
It's an ear.
It's a human ear, and there's a heavy earring attached, metallic gold, gems red and green, a familiar shape, a familiar shade-
Al Haitham opens his mouth to yell. Chokes. Swallows the lump in his throat as he quickly restarts his pace. Tries again.
"Hey!"
Another squelch under a hurried footstep. He doesn't stop to look. Al Haitham is pretty sure he knows what it is.
"Kaveh, hey!"
The path becomes littered, little slices and small pieces, fingertips and knuckles, Kaveh's arms once held casually behind his back now strewn along the sands. Every time Al Haitham extends his hand to him, reality warps and bends like the twisted image in a broken mirror, lines mismatched and edges jagged. Kaveh flits just beyond his grasp, fleeting fae, no longer able to hear him or to reach out to him. Al Haitham can only grit his teeth and follow.
His right foot marches forward. His left follows. His right again. His left suddenly doesn't follow, and Al Haitham is thrown off balance and pitches forward, swinging his arms outward to land on his palms and keep his face off the ground, because he's been in the desert enough times to know what a foot suddenly being stuck can mean.
Quicksand.
Al Haitham curses and swears in just about every language he knows as he tries to spread his weight as evenly as possible, stay afloat at the top of it because if he sinks, he knows he'll be done for, and shit, Kaveh.
His neck cranes uncomfortably in his search, Kaveh had only been a few feet in front of him, he can't be sunk much further, and he's in the desert much more often than Al Haitham anyway, he'll be familiar with what to do-
Kaveh stands in front of him, empty sleeves fluttering loose. Still just out of his grasp, still watching the stars. The quicksand is already up to his calves.
"Say, Al Haitham..." It's the first he's spoken this whole time. His voice resonates somewhere deeply nostalgic in Al Haitham's chest, produces a ripple that momentarily stuns his heart.
Kaveh is sinking.
Al Haitham stretches out on his belly as far as he's able, it's quickly up to his knees, Kaveh isn't even trying to redistribute his weight or pull himself out, it's at his thighs, Al Haitham sucks in a breath and yells for him, his hips, yells louder, his waist, Al Haitham's trembling fingertips can almost reach, his chest, Kaveh drops level with him, quicksand about his neck like a noose.
Kaveh's head tips back, back, impossibly far back, until it hangs, angle awkward, and he's looking right past Al Haitham with his tired smile and gouged, blinded sockets full of starlight.
"Do you believe in karma?"
The quicksand swallows him entirely and Al Haitham dives, shoves his arms deep and pushes off with the one foot he'd had left on safe ground, because he can't, he can't, it's not the same without Kaveh, not anymore, he needs him, no one else keeps him sharp, no one else challenges him like Kaveh, if he can just grab him, if he can just pull him back up-
Al Haitham thrashes, against the sands, against gravity, against the hardwood of his bedroom floor. Clumsily scrubs the back of his hand across his face to rub the grit of quicksand and sleep out of his eyes.
Sometimes he thinks he preferred it when the Akasha was still harvesting his dreams.
He pops his head out from under his weighted blanket and lays where he'd fallen out of bed for a moment, blinking blearily against the lamplight shining from his desk in the corner. Deep breaths. His consciousness shifts along the blurred line of nightmare and reality, crosses over the slow transition into wakeful awareness.
He's home, Kaveh is home. It's dark out. The house is dead silent.
He's just going to go check, he tells himself as he peels himself out of his sweat-soaked shirt and roots around for a replacement. He's already losing memories of his nightmare, the details spilling away from him like wet ink, but he knows he needs to see Kaveh. It'll feel better to do something, anything, than try to go straight back to sleep.
He's quiet when he slips out of his bedroom door, because they both keep late hours but their bedrooms are right next to each other, and Al Haitham will never hear the end of it if he wakes his roommate up.
Lights off, door shut. Nothing conclusive. He moves out to the main room.
Kaveh sits on one of those ridiculous sofas he'd ordered three of for some reason, back to him as he tucks a lock of hair behind his ear. A mostly-empty wine bottle stands tall on the table, next to the cobbled-together remains of an architectural model that's been picked and fussed over for four days straight now.
"Kaveh? What are you doing?"
This earns him an exaggerated startle, but Kaveh doesn't turn to look at him, preoccupied with whatever new sketch or blueprint he probably has in his hands. "Ohhh, nothing," he slurs cheerfully. "Just working. Just thinking."
Kaveh has always been the world's chattiest drinker. Al Haitham waits for the rest of it.
"Say, I think...I think I asked you this years ago, back then, but you never answered me." Al Haitham feels all the blood drain from his face in ominous familiarity, drip cold down the length of his spine. Kaveh sinks into the couch until he can tip his head over the back of it, looking up at him with a tired smile and exhausted eyes.
"Do you believe in karma?"
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Ambrose and Elliot Extra #3
Masterpost
Warnings: none
This is not currently canon, but would take place much later into Elliot’s recovery, when he finally knows about Ambrose’s immortality and abandonment, but not the details. This may become canon later, I haven't decided
It was a Friday night, the last one before planting season, and the dining room was packed. It was more of a meeting than anything else, but Master Ambrose prided himself on being a good host, and Elliot would follow his wishes.
Elliot helped him send out a steady supply of platters laden with food, and drinks flowed over the chatter.
“So we’re going to rotate the fields this year-”
“Well what about the sheep-”
“I’m just saying the orchards-”
“Ambrose, sir, I need more bread for the table,” he called as he put down more pints of ale.
“Got it.” Ambrose went to the kitchen to slice a new loaf.
The dull roar of the dining room suddenly turned to silence.
He looked up.
Elliot had never seen a god before, but there was no mistaking him. He was tall, even taller than Ambrose, with reddish brown hair and one golden eye.
He was looking around the room, and he was holding a bouquet of purple and white flowers.
“Excuse me,” he said, his voice low and smooth, is Ambrose here?”
No one answered him.
It couldn’t be… could it?
There was movement in the corner of his eye, and then a clatter. Ambrose stood in the doorway, platter and bread at his feet.
The god beamed. “Darling,” he said, stepping towards Ambrose. Ambrose stalked forwards, his face stormy, and the god paused.
Ambrose raised a hand, and slapped the god across the face with full force. The crowd gasped, and Elliot winced.
The god didn’t move away, still holding the flowers. “I am so sorry, my love.”
“Sixty-five years,” said Ambrose, his eyes closed, face unreadable. “Without a fucking word.”
Elliot had never seen him so angry before.
“I know.”
“You left me!” he shouted, voice breaking, tears beginning to flow down his face. “You bastard!”
“I’m sorry, Rosey.”
“Don’t ‘Rosey’ me! Where have you been?!”
“I- I’d rather not say in front of-” Ambrose grabbed the god by the wrist, and they marched upstairs, the flowers dropped and forgotten on the floor.
Somebody cleared their throat, and the crowd launched back into discussion about the upcoming growing season.
Michael sat on the chair nearest him. “Did you know?”
“I knew he was married, but-” Elliot shrugged.
Michael looked up from his tankard. “None of us knew either, but I thought he’d at least tell you he was married to a damn god, especially the god of lies.”
Elliot bristled.
“Michael!” snapped Judy from across the room.
“We don’t talk much about the past,” bit out Elliot. Michael, for his part, looked chagrined.
Elliot didn’t know who exactly knew the details about his old life, but the regret on Micheal’s face told him that the man knew some.
“I’m sorry,” he said. “I should have guessed.”
Elliot picked up the bouquet of flowers. Some of its petals had dropped to the floor, but miraculously they were growing back.
Of course they were magic flowers.
“I’m going upstairs,” he announced to the room. No one stopped him.
He found an old water pitcher in his room, and plopped the flowers in.
He didn’t hear any screaming from Master’s room, which seemed like a good sign.
Elliot cautiously made his way upstairs, holding the flowers.
He knocked and pushed open the door. Ambrose and the god were sitting on the couch, hands locked together and tear tracks on Ambrose’s face.
Ambrose looked up, wiping his face. “Oh, uh, come in, Ellie.”
“Sorry to interrupt, Master,” he said. He put the flowers on the altar in the corner, and he realized the statue of Ambrose’s god was actually his husband.
“It’s fine. Janus, this is my friend, Elliot. Elliot, this is my husband, Janus.” Elliot did not look at the god’s face.
“A pleasure to meet you,” said Janus. His gut twisted. Michael had said he was the god of lies.
But then again… If Ambrose married him, maybe he was okay.
He hesitated. “Likewise,” he managed, and Janus smiled at him. Soft and gentle, just like his statue.
___________________
Ambrose slammed open the door and kicked it closed behind them.
He whirled on Janus. “So,” he crossed his arms, anger draining out of him. “Where have you been?”
“Well, you know how Mael and I never got along for long?”
“I recall.”
“I may or may not have been turned to stone for a while.”
Ambrose pinched the bridge of his nose.
“Stone.”
“I came as soon as I could, I promise.”
The story checked out as far as he knew. Mael and Janus had a famous rivalry, and it was sometimes less than friendly. Mael was not above turning a fellow god into a statue. Janus was not quite as proficient at physical magic as Mael, better suited to mental tricks.
On top of which, the other gods wouldn’t have been interested in getting involved in their petty arguments. Ambrose knew some of them; they often rolled their eyes at Janus and Mael. They might have thought Janus deserved it.
It made sense it took over fifty years for him to break the spell.
“Are we divorced?” asked Janus gently. “I understand if you want me to g-”
“You’re an idiot.” Ambrose took Janus’s hand, lacing their fingers together. “Don’t ever leave me again.”
“I won’t.”
They sat down on the couch. Ambrose couldn’t bear to stay mad at Janus.
“You know, it’s awfully rude Mael didn’t tell me about your predicament. Wasn’t he at the wedding?”
Janus laughed, running his fingers over Ambrose’s knuckles. “I’ll let him know you’re offended.”
There was a knock on the door.
___________________
“There’s something strange about that boy,” said Janus, long after they had indulged themselves with each other. “What’s wrong with him?”
Ambrose sighed. “It’s not really any of your business.” Janus rolled onto his side, facing him.
“I’m just concerned,” he said, “Is he okay?” His hand drifted to the curve of Ambrose’s side, his thumb rubbing over the bare skin like he was fragile but irresistible. Ambrose shifted closer to him.
“No, but… he’s better than before.”
“How did you meet?”
“He came in one night begging for food. He was starving to death, and I wasn’t going to refuse.”
Janus nodded. His hand moved up past Ambrose’s ribs to his cheek. Ambrose leaned into his hand. He had missed Janus so much.
“How long ago was that?”
“Uh, three years give or take. He’s been staying here since. And I won’t make him leave, so deal with it,” he warned Janus.
“I wasn’t objecting. Just curious. He called you ‘master’ earlier. You didn’t-?”
“No, that wasn’t my doing. We tried working on it, but it’s something he can’t shake. Usually it’s ‘sir’, but sometimes he slips.”
“Mm.” Janus’s hand dropped from Ambrose’s cheek, and landed back on his side.
“He means a lot to you,” he guessed.
“Yes. Just… leave him be, okay? I don’t want him spooked. We’ve worked so hard.”
“I’ll keep my distance, if that’s what you want.”
“Thank you.”
Janus kissed him on the forehead, a familiar gesture that he’d been craving for so long.
“I love you,” said Janus. “I missed you.”
“Me too.”
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