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#maybe for bullying danse
mae-peachie · 1 year
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they are apologizing do you forgive them
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waspgrave · 1 month
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Who should be my replacement spouse in fo4
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onlyonetifosi · 10 months
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Behind the camera -> chapter 2
<- previous series masterlist my main masterlist next ->
author note: if you want to be in the taglist comment it or send me a message & and i hope you like it
Chapter Warnings: bullying (mean comments, self doubt...)
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One sunny afternoon, Yn's mother, Pascale, noticed her daughter dancing around the living room, mimicking the graceful movements she had seen on TV. Yn's eyes lit up with excitement as she tried to mimic the ballerinas she saw on a children's show. Observing her daughter's genuine interest, Pascale decided to enroll Yn in toddler ballet classes, hoping it would be an enjoyable experience for the young girl.
Excitedly, Yn attended her first ballet class with a heart full of enthusiasm. As she stepped into the dance studio, she noticed a group of girls already practicing their pliés and twirls. They appeared like little princesses, dressed in their pink tutus and ballet shoes, moving with elegance and grace.
As the class began, Yn tried her best to mimic the graceful movements of her instructor. However, she was a bit clumsy, often stumbling and losing her balance. Her tiny legs would wobble, and her coordination seemed far from perfect.
"Regardez-la ! Elle est maladroite !" (Look at her! She's so clumsy!) giggled one of the girls named Isabelle, pointing at Yn as they practiced their pliés.
"Oui, c'est vrai ! Elle danse comme un canard !" (Yes, that's true! She dances like a duck!) chimed in another girl, Elise.
The other girls joined in, mocking Yn's efforts and whispering behind her back. Tears welled up in Yn's eyes as she tried her best to ignore their hurtful remarks.
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As weeks passed, the situation at ballet class only worsened for Yn. The other girls excluded her from their little circle, leaving her feeling isolated and disheartened. Yet, she never let her spirit be completely crushed. She persevered and practiced in hopes of getting better
Yn's teacher, Madame Dupont, noticed the unpleasant behavior of the other girls after some days and intervened immediately. "Arrêtez ça tout de suite, les filles !" (Stop that right now, girls!) she scolded them firmly, her tone leaving no room for disobedience.
Madame Dupont then knelt down beside Yn, offering a warm smile that reassured the little girl. "Tu es une danseuse merveilleuse, Yn. Ne les écoute pas. Continue de faire de ton mieux, et tu seras une ballerine éblouissante !" (You are a wonderful dancer, Yn. Don't listen to them. Keep doing your best, and you will be a dazzling ballerina!)
Yn nodded, wiping her tears away with the back of her hand. Madame Dupont's kind words gave her the courage to push through the obstacles and embrace her love for dance wholeheartedly.
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The situation wasn't much different when they started kindergarten. Charles's outgoing personality allowed him to form bonds with his classmates effortlessly. He was blissfully unaware that his popularity overshadowed Yn's presence in school
They remarked, "Pourquoi elle est toujours seule?" (Why is she always alone?) The words were like daggers to Yn's heart, and her eyes welled up with tears. "Je ne sais pas, peut-être qu'elle est bizarre." (I don't know, maybe she's weird) another kid said, and Yn's heart sank, and tears welled up in her eyes as she heard the cruel remarks. But the most hurtful comment came unexpectedly from Charles himself, who, without realizing the impact of his words, said, "Elle ne sait même pas comment se faire des amis!" (She doesn't even know how to make friends!)
For two long months, Yn endured the feeling of loneliness at school, while Charles remained blissfully ignorant of her turmoil. He spent his days laughing and playing, oblivious to the storm that brewed in his sister's heart. It reached a tipping point when one day, she couldn't bear it any longer.
That evening, at home, Yn mustered up the courage to confront Charles about her feelings. "Charles, pourquoi tu ne joues jamais avec moi à l'école ?" (Charles, why don't you ever play with me at school?) she asked, her voice quivering with emotion.
Confused, Charles replied, "Qu'est-ce que tu veux dire, Yn ? Je joue avec tout le monde. Tu n'es pas exclue." (What do you mean, Yn? I play with everyone. You're not excluded.)
But Yn couldn't hold back her pain any longer. "Tu ne comprends pas, Charles ! Tout le monde se moque de moi et dit des choses méchantes ! Et toi, tu ne fais que me repousser pour être avec tes amis ! Tu ne te soucies même pas de moi !" (You don't understand, Charles! Everyone makes fun of me and says mean things! And you, you just push me away to be with your friends! You don't even care about me!)
Charles was taken aback by Yn's outburst. He hadn't realized the impact of his actions on his sister. "Je suis désolé, Yn. Je ne savais pas. J'étais égoïste, tellement heureux d'avoir autant d'amis, je n'ai pas réalisé que je te faisais du mal." (I'm sorry, Yn. I didn't know. I was selfish, so happy to have so many friends, I didn't realize I was hurting you.)
Tears streaming down her cheeks, Yn continued, "Les autres enfants se moquent de moi parce que je suis timide. Ils disent que je suis ennuyeuse et que je ne devrais pas être ta sœur." (The other kids make fun of me because I'm shy. They say I'm boring and that I shouldn't be your sister.)
Charles felt a wave of guilt wash over him. He had been so caught up in his own happiness that he had failed to see the pain his sister was going through. "Je suis désolé, Yn. Je promets de faire plus attention et d'être là pour toi à l'école et je vais t'aider à te faire des amis" (I'm sorry, Yn. I promise to pay more attention and be there for you at school and I'll help you make friends)
Yn's heart swelled with gratitude as Charles embraced her. The next day, Charles introduced Yn to his friends, encouraging them to include her in their games. Slowly but surely, Yn started to feel like she belonged
That evening, Charles went to their parents and confessed his mistakes. "J'ai été égoïste, maman, papa. J'ai blessé Yn. Je veux être puni." (I've been selfish, Mom, Dad. I hurt Yn. I want to be punished)
Their parents, understanding the importance of this learning experience, instead chose to teach their children a valuable lesson. "Ce n'est jamais trop tard pour faire mieux, Charles. Sois simplement là pour ta sœur." (It's never too late to do better, Charles. Just be there for your sister)
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From that moment on, Charles made a conscious effort to include Yn in his circle of friends. The next day, Charles introduced Yn to his friends, encouraging them to include her in their games, and they patiently encouraged her to open up. Slowly, Yn began to feel more at ease, and she found herself making connections with her peers. The other children soon discovered that beneath her shyness and clumsiness, Yn was a kind and caring friend. 
However, Yn's struggles continued in her ballet school. The girls there couldn't resist being envious of her natural grace and elegance, so they decided to ridicule her, hoping to dent her confidence. "Tu ne seras jamais aussi bonne que nous, Yn. Arrête d'essayer!" (You'll never be as good as us, Yn. Stop trying!) they jeered
"Elle n'a aucune grâce !" (She has no grace!), another girl sneered
"Pourquoi est-elle même ici ? Elle n'est pas faite pour la danse." (Why is she even here? She's not meant for dance)
Yn's determination, however, only grew stronger. She spent hours practicing, trying to prove to herself and her detractors that she deserved to be there. She practiced so much that her technique improved drastically, but the emotional toll was immense.
The insults and taunts persisted, but Yn learned to shield herself from the negativity. She danced with passion and determination, ignoring the jealous whispers around her. As time went on, her ballet form improved, and she found solace in the art form she loved.
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taglist: @love4lando @celesteblack08 @gcldtom
the divider is from the incredible @reveriesources
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mllemaenad · 3 days
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Why so anti-Brotherhood?
At their best (Roger Maxon, Elder Lyons, Paladin Danse) they're massively effective humanitarians; even at their worst (Father Elijah, Paladin Casdin) they posess admirable traits (valour and determination); and most of the tine they are somewhere in the middle (Arthur Maxon, Knight Maximus): flawed but ultimately well-intentioned men and women trying to stop humanity from repeating its biggest mistakes.
They helped out in the early days of California, and when the NCR began to start following in the doomed footsteps of the old world, the Brotherhood tried (unsuccessfully to stop them). On the East Coast, they helped to save the Capital Wasteland from drought, and they stood up to the reckless experimentation of the Institute. In Filly, Lucy Maclean would probably have died without Maximus's intervention.
They can be unsubtle, and heavy-handed, and sometimes almost arrogant, but they ARE good people.
Hi, Anonymous person.
It feels like ... maybe you have the wrong end of the stick here? It sounds like you think I've got some kind of specific grudge against every individual member of the Brotherhood. And I ... don't. That would be silly and unfair. The Brotherhood has existed for a couple of centuries now. People are born into it, or indoctrinated as children. That's ... sort of the point Fallout: New Vegas is making with Arcade and Veronica – the forward-thinking children who have to contend with the mistakes of their very backward parents.
My issue is with the institution, not some random guy in power armour.
I'm not going to go through that whole list, because that's a lot. But – well, Maximus, since the TV show is going to be the hot topic.
Maximus is a refugee from a recently fallen civilisation who joined up with the Brotherhood of Steel because he was briefly impressed by the image of a knight in very literal shining armour, whom he saw breezing safely through the destruction of his home.
Then he found out that they are a group of militant cultists who use brutal beatings and ritual humiliation to "condition" their recruits (and possibly force them to take on new identities, as Maximus seems to be a name they "gave" him). His friend Dane is so frightened of going out on a mission with one of these knights that they actively injure themselves to avoid it, and Thaddeus's experience confirms that Maximus's treatment is completely normal.
When he is assigned to a knight, he quickly discovers that literally all of Titus's dignity comes from wearing a helmet that makes his voice sound deep and commanding, and underneath all that armour he is a bully and a coward. Not just a bully and a coward, but the kind of bully and coward who can't figure out that specifically bullying the only guy who might be able to save his life is a really fucking stupid move.
Nothing in that series made me think "Wow! The Brotherhood are good guys!" It made me think ... "Get out now, kid. Run as far and as fast as you can."
It is true that Maximus steps in to protect Lucy. It is equally true that Maximus would have very much died of dead-battery-in-soldier-suit had Lucy not intervened to help him. I'm not sitting here wishing ill on Maximus. But this ain't a story about how the Brotherhood are worthy saviours of the wasteland; it's the story about two lost kids (and one embittered pre-war Ghoul) finding their way together through hard won trust and understanding, which are pretty much always presented as the hopeful counterpoint to Fallout's grim "war never changes" theme.
I mean ... Maximus also falls uncritically in love with Vault 4 because they give him oysters and slippers. This is his standard for joining up with anywhere. He is a starving refugee whom the Brotherhood exploited.
I have no patience for The Brotherhood of Steel because they are violent, bigoted, technology hoarding isolationists whose defining trait is their extreme arrogance. They treat every problem as a nail and themselves as the hammer, and even when individuals in the organisation are actively trying to do good it's astonishing how ineffectual they are. I'm not sure they've had a relationship with another organisation they haven't poisoned.
They are actively genocidal towards Ghouls, Super Mutants and Synths. Owyn Lyons is undoubtedly one of the more open minded members, but a) one of the reasons they are able to appear as "the good guys" in Fallout 3 is because the particular nature of the FEV disaster going on in the Capital Wasteland means that there are virtually no non-hostile Super Mutants b) even Lyons' people still just shoot indiscriminately at Ghouls, an attitude that is simultaneously so morally bankrupt and tactically stupid that it makes me tear my hair out every time I think about it.
Also: The Brotherhood of Steel kills Danse. I don't think you can reasonably put Danse on your list of reasons why they're worthwhile without also noting that they, you know, send you out to murder him because he's a Synth.
And ohhhhhh they are so very bad at everything. It's actually quite difficult for me to think of things they've done that don't piss me off.
In the original Fallout they're sending aspirants off to die in The Glow because they think it's funny.
Lyons may be the (relatively) benevolent protector of the wasteland in Fallout 3, but he's also responsible for The Scourge: the wanton slaughter of half the population of the Pitt, the looting of their technology, and the kidnapping of their children. Undeniably conditions in the Pitt were awful, but this was no mercy mission: it was more of their mutants-aren't-people-and-all-your-stuff-is-ours bullshit. And they leave a guy behind who starts a raider gang and is basically the reason slavery exists in any large scale form in the Capital Wasteland. I'm not sure it's possible to fuck up worse than that.
Even in Fallout 3 ... they are not what you'd call an inspiration. Half of Lyons' forces threw a hissy fit and went off to sulk in Fort Independence because apparently obsessively hoarding laser riles is infinitely more important than helping people. By 2277 no one's even looking at the water purifier. That situation gets resolved because James finally decides to get off his arse and finish the project (I respect the man's commitment to procrastination). They don't manage to deal with the source of the Super Mutants. They basically spend a couple of decades mostly adequately guarding GNR – while places like Big Town get overrun – and tinkering with their stupid robot. They don't even fix the stupid robot. You know what the answer to fixing the stupid robot was? "Hey, did anybody think to ask Madison how the power supply works?" Useless.
In Fallout 4 they roll in and start extorting the settlers, like those people don't have enough to deal with, and the things they say if you bring Nick or Hancock with you to visit them are appalling.
I've recently been reminded of them threatening their allies at gunpoint in Fallout 76 because they think they have the right to steal everyone's research.
Okay. Enough ranting.
What's my problem with The Brotherhood of Steel? They are the walking definition of "following the doomed footsteps of the old world". They are just about Vault-Tec: military edition.
So we have to grab every schematic, every holotape, every book, and every goddamned note that holds the building blocks of the Old World before it's too late. Our Scribes will hold onto them, preserve them, perhaps even progress beyond them. And the Knights will protect them. Like a hard shell around a precious seed. One day, when the time is right, that seed will grow. And a new civilization will be born. – Fallout 76: Preservation of Technology
They think that somehow they are the true last bastion of civilisation, and that they have the right to decide when the world will begin anew. They can't even deal with the idea that there are different kinds of people in the world these days that your standard homo sapiens. They hoard, and they look backwards, and for all their self-righteous we-are-protecting-the-world propaganda, in practice all that means is that they get to keep all the big guns and threaten everyone else with them.
But civilisation has always just been people choosing to collaborate and help each other. And they have zero right to interfere with that.
Also: I think power armour is stupid and no fun at all to play in, and I am sitting here judging the Brotherhood for their obsession with the stuff. :)
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slocumjoe · 1 year
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I'm curious if you have any more variety NSFW headcanons about the companions (sexual or non-sexual like you did before is fine)
sure
🎉NSFW grab bag 3🎉
Cait; Completely desensitized to public sex. If she catches it, doesn't think anything of it. So, if/when someone else notices, their reaction confuses her. Someone could be bare ass boning on a table in a bar, and Cait won't react. This bothers her compatriots immensely. "Cait, please, for our own sanity, alert us when there is sex so we can leave." "...Why are you watching? Kinda rude." Stresses Danse the fuck out in particular. She's not even a voyeur, she just doesn't care. How do you think they made y– oh. Right.
Curie; Dreads inspections of the genital variety because her patients make it weird. Ma'am, Curie knows what's down there. She isn't spooked. She has one too. Just let her do her job so she can figure out how to help you. If one more person makes a fisting/fingering/prostate exam joke, she's going to do it, regardless of what they're actually in for. Broken leg? No, you brought this upon yourself. Oh, and by the way...if the doctor/nurse doesn't ask you to drop your pants, or undress in anyway...DON'T FUCKING UNDRESS.
Danse; Hypervigilant of public sex ever since he figured out that it could be happening anywhere, in any manner, and Cait won't say anything. A bossy partner has him by the throat and he's completely obsessed with it. Can get out of handcuffs pretty easily. Doesn’t know where he learned that, just knows its a fun plot twist in bed. Especially if there are repercussions. He's a good little soldier boy, he wants to serve and be punished for disobeying. Sometimes wonders if he subconciously joined the Brotherhood for impure reasons. They do have collars on the jumpsuit...and Danse ends up liking that sort of thing...
Deacon; His ultimate fantasy is a generic Royal setting. He's the concierge/bard for the visiting noble family, there to marry their son off to the king's child (his partner). But the marriage cannot go through, as there's been a murder attempt on the king! As the bard, he sees all in the court and festivities, watching from the sidelines and speaking in hushed tones with the servants, gathering clues, but...the bride/groom-to-be is what truly catches his eye...but they, themselves, suspect him as the would-be assassin. This ends in doggy in a bush outside a fancy colonial building in Boston, in place of a castle garden.
Gage; A lot more prudish than you'd think. Not to Danse's levels, but definitely not Cait's, either. Becomes more prudish if he's into someone, and they're being risqué. Most of it is directed at himself, feels like the dirty old man he is. Guilty of wandering eyes. Gets more flustered by someone being half-dressed/dressed revealingly than them being naked. Leaving it to the imagination and such.. Naked is nice, yeah, but...let him think about it, and his partner will have a noticeably more intense experience.
Hancock; Once had a wet dream his dick fell off and he kept it for himself. The idea doesn't appeal to him at all in his waking hours, so he's terribly confused. Has a soft spot for a nice jawline and eyebrows. Acts like a bottom to his partners, bratty, and then tables the turns once they're in bed. If his partner switches it up again, he'll play along, only to also switch things again. This will continue until someone cums, or they're so stubborn they never stop and both of them die of exhaustion. The longest streak was 45, both sides.
MacCready; Would die if he had sex with one of them thick gothic milfs those tiktok kids are always drooling over. MacCready likes mean, bully women. Valley girls, maybe even that Ann Codman lady in D.C. Would he get in a relationship with them? God, no. One-night stand? Yes. Yes, 100%, no question. Maybe it's the confidence to be horrible? He's pretty embarrassed about this. He should be. This fuck would clown around with Regina George in The Costume.
Nick; Long, long ago, Nick Valentine, with his theatrical tastes, his love of the arts, found himself in...certain circles. Ones with polite, soft-spoken men and women, who could turn as hard as you begged for. Later in life, Nick would use his experience in these circles for his and Jenny's enjoyment, though at that point, he was the ring-master of the show. And maybe, potentially...200 years after the world ended...a synth detective could use implanted memories of such times to gentle-dom someone's brains out.
Piper; Has spent a concerning amount of time scavenging adult shops for sex toys. Anything that works and is clean/cleanable. Just...needs something that isn't ol' reliable, y'know. Gets a bad case of the Idiot when horny, everyone becomes a bit more appealing. If she was totally honest...Cait would be her first choice, if she had one. If not Cait, X6-88. That man is goddamn pretty. Yeah, Piper has a things for bad girls/boys.
Preston; I've said before, Preston had a hoe phase, when he first joined the Minutemen. He was a good looking young man, traveling around with other physically fit people who just joined as well, sometimes helping people who were very grateful. So, yeah, Preston has had more than one partner at a time. Would he do that now? If it was a poly situation, and he liked both of them, maybe. But looking back, he's surprised he never caught something, be it a a disease or a complex. Sometimes remembers lines of dirty talk and cringes out of his own skin.
X6-88; The Institute is very strict on schedules and worktime, and there isn't much privacy. The walls are thin. There isn't often individual bedrooms, so as to save time and resources. So...when humans get a little frisky...they do it when, and where they can. This can means down a work tunnel, behind loud machinery...under a desk, occasionally. Sometimes you get guard duty. Sometimes you have to go find the people in question. Sometimes you're just walking.
X6-88 has seen a lot.
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You know what?
I just had to threaten a dickbag who is trying to take over a friend's home through bullying by banking on no one believing her because she's poor. Which means I am about to become his worse fucking nightmare because he is playing a game I won a long fucking time ago.
I am new levels of angry.
I have also had to argue with her to stop her from walking in 100°, 80% humidty heat to get away from that shit.
We are helping feed humans and animals in my neighborhood while also trying to be selfish enough to save some money because I want to buy LAND OF OUR OWN. (We are not fucking rich. We never will be. But by the gods, I will have land!)
Oh, I am having to rein in our landlady and her fucking sister across the street because we are living in a landlord's version of godsdamn high school. (They argue and our rents go up unless someone confronts them...guess who that is?)
I am watching my rights as a woman being stripped away because fascism is the new trend. My queer rights stripped away for the same. And watch non-white people's rights, few that they are, being argued as "equally unimportant". And know I have to watch my niece and nephew and the generations after them suffer for it if we can't turn this shit around.
All of this shit is triggering me from the shit I lived through as a kid and the new PTSD as an adult, so it's like I am living it twice! Yay me!
I am exhausted. I am frustrated. And, I just had some fuckwad try to argue the "good points" of the BoS.
.
.
They have been blocked, deleted, and I am going to go sit in front of a fan turned on its highest speed, and go follow Danse's questline just long enough to get me onto the Prydwen so I can turn it into my personal version of Doom because that is my happy place.
I might record it and share.
Oooooh...maybe I need to go clear out Nuka World, too!
Being a Sneaky Little Shit is So Much Fuuuuuun!
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pipipinyyy · 3 years
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Explaining why I have added every song in my entire and very long Niragi playlist because I can and because over analyzing him is my passion (I usually update it from time to time but I'll do it with the current songs)
Completely self indulgent post, but I decided to share to feed my fellow Niragi stans (*˙︶˙*)☆*°
This is entirely based on my view of the songs and how I interpret them while thinking about Niragi. I'm aware that most of them have entirely different meanings, this is just for fun :) (Also sorry if my explanations don't make much sense, English is not my first language and I might make mistakes when trying to put my feelings and thoughts into words)
This may contain manga/s2 spoilers
Hayloft-Mother Mother: Vibes
Criminal-Britney Spears: The whole song describes him ("he is a sucker with a gun") and the fandom's obsession ("mama I'm in love with a criminal")
Daddy Issues-The Neighborhood: I feel like he would act like this, using the most vulnerable spots to pick on someone ("cry little girl, nobody does it like you do")
Psycho-Jin Dogg, OVER KILL: Vibes
Riot-Hollywood Undead: He'd definitely start a riot like he did in the 10 of hearts, burning and destroying anything that crosses his path
Bitches-Mindless Self Indulgence: He most likely thinks he's a total fuckboy and popular with girls since he can get almost anything he wants out of scarying people
Baby's on Fire-Die Antwoord: Vibes
Insane in the Brain-Cypress Hill: This man is being consumed by his own way of protecting himself
Wolf in Sheep's Clothing-Set It Off: Based on how he feels towards the people who hurt him in the past ("Listen, mark my words, one day, you will pay" "You've always been a huge piece of shit, if I could kill you, I would" "Karma is gonna come collect your debt")
Death no more-IC3PEAK: Vibes
Gasoline-I Prevail: Sort of similar to Riot, ("So burn it all down, burn it all down, I don't give a fuck")
Toxic-Britney Spears: The whole fandom knows how much of a piece of shit this dude can be, but we still find ourselves liking/enjoying his character (to an extent), a toxic addiction
Nice Guy-GRLwood: As much as I love this man, he'd use the "I'm a nice guy c'mon" card just to fuck. If he wants to, he'll get it, if he doesn't, he'll most likely get mad
Dernière danse-Indila: Vibes
TRRST-IC3PEAK: Mostly vibes, I kinda see this song as how he felt the first time he killed someone on purpose inside the borderlands ("mama they say I'm a terrorist, I did nothing wrong but I got on the blacklist")
Saint Bernard-Lincoln: Vibes
Nowhere To Run-Stegosaurus Rex: Being with him at the Beach would either be ignoring each other completely or a game of tag, no inbetween. If this man wants to kill you, he'll get his fun time out of it as well ("You're gonna die, I'm gonna kill you")
The House of Wolves-Bring Me The Horizon: Based on how he sees life after being consumed by his current mental state ("Show me a sign, show me a reason to give a solitary fuck about your god damn beliefs" "What you call faith, I call a sorry excuse")
Smells Blood-Kensuke Ushio: Vibes
SIU-Maretu: Similar to Daddy Issues, don't expect this man to be a therapist. If he sees anyone crying or panicking in or outside a game, he'd most likely tell them to suck it up, just like this song.
Judgement-Kensuke Ushio: Vibes
MONSTER ENERGY GUN!-KevinKempt: Vibes + He for sure has an energy drink addiction, specially pre-borderlands
HURT-1 800 PAIN: Vibes
Fear Is The Mind Killer-Zheani: Vibes
I Bet on Losing Dogs: Based on how I know Niragi is toxic, and most likely unsaveable of his deteriorating mental state, but I still have him as my biggest comfort character ("I bet on losing dogs, I know they're losing and I'll pay for my place")
Emo Boy-Ayesha Erotica: He's been in an emo phase (and maybe still is), the lyrics are pretty self explanatory, they describe us Niragi simps perfecrly ("come on fuck me emo boy")
Crybaby-Destroy Boys: Vibes
The Fox's Wedding-MASA Works DESIGEN: Vibes
You're a useless child-Kikuo: We don't know much about his past, but judging by the unstoppable bullying he's suffered, his parents didn't care about him, or were straight up absent. He's been insulted by pretty much everyone in his past to the point of believing it and telling those things to himself ("You're a useless child, the most useless child in this world" "Drool in snot, dandruff, shit and piss" "I'm a useless child" "Nobody will save me" "I'm a lonely kid")
Take A Slice-Glass Animals: Vibes
Fighting With The Melody-Jimmy Urine: Vibes
Comics-Caravan Palace: Vibes
Rhinestone Eyes-Gorillaz: Vibes
Butch 4 Butch-Rio Romero: Mostly vibes, sort of how I think the most "peacefull" moments in a relationship with him would feel like, kind of bittersweet feeling
Suki Suki Daisuki-Jun Togawa: Yandere Niragi. If he's interested in someone, he'd go through an obsessive phase, most likely forcing the other person to "love" him. This man is so confused about the feeling of love that he's unable to tell when he loves someone or when he's obsessed with them due to his lack of attention ("Like you, like you, I love you. Say you love me or I'll kill you")
:(-The Garden: Vibes
Kitty City-Cyriak Harris: Vibes
Blood-My Chemical Romance: If Niragi went to a therapist, he'd act like this song, with his signature cocky and sarcastic personality (at least before he gets better) ("I can't control myself because I don't know how" "They can fix me proper with a bit of luck" "I'm the kind of human wreckage that you love")
A Mask of My Own Face-Lemon Demon: He feels like he needs to protect himself or else he will get hurt inside the borderlands by others again. He uses another personality, a completely ruthless one, even if he doesn't like it and hates himself for it, he doesn't see another way to deal with his fear, allowing his "new self" to consume himself. ("I'd wear that mask of my own face" "I look into my eyeholes and what do I see? A handsome motherfucker motherfucking looking back at me")
I'm a Murderer-Freddie Dredd: Mostly vibes ("I'm a motherfucking murderer")
'Cause I'm a Liar-Mcki Robyns-P: He would lie just for fun even in serious situations. If he needs to manipulate someone to survive, he'll do it his way, after all, he doesn't care anymore, he just seeks for excitement. ("Without emotion, without devotion. It's much easier to fake something happy")
I Disagree-Poppy: I don't know exactly how to describe it, but I feel like this is how he sees and feels the world and those around him, feeling misunderstood and going his own way ("If only all of you could see the world I see, then maybe everyone could live in harmony")
Personal Jesus-Mindless Self Indulgence: He has a superiority complex, that's for sure. I don't think he sees himself as a god, but I see him joking about it
Rainbow Factory-GLAZE, WoodenToaster: Vibes
Frontier Psychiatrist-The Avalanches: I kinda see this as Aguni taking the role of Niragi's "father figure" inside the borderlands, realizing he's turning insane and is unable to control him ("That boy needs therapy")
Hate it. Hate it. "JIGAHIDAI!"-WADATAKEAKI Kurage P: Jealousy. I can see it either in a pre-borderland situation where he hates the popular students in school, or inside the borderlands hating both Chishiya and Arisu. Jealousy takes over him constructing a big ego, causing himself to develop his superiority complex ("You see, I hate that popular girl!" "Does she think I don't notice? How she looks at me as if I'm trash" "I want to be praised" "I'm different from you all, I have my own ego! I'm not a side character" "I have zero common sense. I'm special")
Villain-Stella Jang: He knows damn well he's a villain, that's his goal after all, but what if someone took his point of view? wouldn't the villains be all of those who hurted him in the first place? ("We all pretend to be the heroes on the good side, but what if we are the villains on the other")
Violent-carolesdaughter: This is how I view an argument inside a relationship with Niragi. He's used to violence, to cause fear, and getting what he wants, so being in a healthy relationship would require a lot of patience and strenght. While he's getting better and suppressing those violent actions, there will be times where he accidentally uses violence or threatens the other person unintentionally, mostly hurting himself and his partner psychologically. The lyrics change between both points of view ("Don't make me get violent, I want my ring back baby that's a diamond" "She knows I'm a wreck" "I gave you all my trust and I told you just don't break it")
Hey Bunny-Baby Bugs: Based on how I think it would feel to partner up with him inside the borderlands and catching feelings for him while knowing the huge mess he is ("Hey bunny, what's with those evil eyes?" "Hey bunny, what the hell is wrong with us?" "Hey bunny, what if I loose you too? If I become the monster, together we can always be blue")
Kokoronashi-majiko: I'm pretty sure Niragi isn't able to see himself as someone able to love, even if he doesn't want to be alone (just like when he confesses this feeling while fighting with Chishiya and Arisu). If someone truly loved him and was willing to not letting him go, it would hurt. He can't see himself as someone who can love or be loved, so he can't accept the love he's seeking for in case that turns him "weaker" making his true self confront with the protective mean personality he's created. He could learn how to accept it, so he might want the other person to stay in the end, but it wouldn't be easy for him to accept it ("It's awful, I'd rather you destroy my body, tear it to sheds, do as you please" "No matter how much I'm loved by you, my heart is just one" "I don't know this, don't leave me alone")
Nightmare Parade-FAKE TYPE.: Vibes
Slipping Through My Fingers-Meryl Streep, Amanda Seyfried: Niragi seeing himself loosing his young, gentle and caring personality due to his fear, being unable to control what's happening inside, nostalgia and sadness kicking in ("The feeling that I'm loosing her forever" "That funny little girl" "Sometimes I wish that I could freeze the picture and save it from the funny tricks of time")
Kuroneko No Tango-Pink Martini, The Von Trapps: Vibes
YKWIM?-Yot Club: Him confroting his feelings of loneliness when he's left alone with his thoughts ("It feels like I care too much when I'm alone, oh no")
Romantic Lover-Eyedress: Just appreciating his physical appearance ("She's a killer, I love her features")
Wrecking Ball-Mother Mother: Based on how he sees himself as someone who needs to destroy everything in a way or another in order to be powerful + the fun he has with it ("Call me a reckless wrecking ball" "Let's break it just because we can")
Edge-Rezz: Vibes
Freaks-Surf Curse: Again, confronting feelings when loving someone, but not in such a painful as Kokoronashi ("I need a place to stay where I can cover up my face" "Don't cry, I'm just a freak")
Little Bit-Lykke Li: Vibes
6up 5oh Cop-Out (Pro/Con)-Will Wood and the Tapeworms: Vibes
PHONKY TOWN-PlayaPhonk: Vibes
I WANNA BE YOUR SLAVE-Måneskin: Freaky time. He would absolutely love this song, definitely his type of thing ("You could be the beauty and I could be the monster" "I wanna touch your body so fucking electric" "I wanna make you hungry, then I wanna feed you")
#BrooklynBloodPop!-SyKo: Vibes
A Cold Freezin' Night-The Books: Vibes
A Pearl-Mitski: My most favorite song to associate with Niragi. Represents his evolution as a character. Creating an scenario where he is loved by someone,he rejects it at first, acting tough ("I don't want your touch") and then proceeds to explain why ("It's just that I fell in love with a war, nobody told me it ended" "it left a pearl in my hand and I roll it around every night just to watch it glow") the war being the borderlands and his new personality, he loved it, but nobody drew a line and it's getting out of hand. The pearl is the feeling of power, the one he has to remember when feeling weak just to feel something. At the end of the song it changes to ("Sorry I can't take your touch"), realizing that he wants love, but he's not able to take it or else he'll become the Niragi from the past
Problematic-Bo Burnham: Him acknowledging his problematic actions but not wanting to apologize because he doesn't feel the need to. He knows he's done bad things but he is going to laugh at it and be a sarcastic mf about it
First Love/Late Spring-Mitski: Similar to Kokoronashi, he wouldn't be able to accept love and how it makes him feel. He would think that he prefers for everyone to hate him and be lonely instead of sacrificing his tougher side. Also talks about how he's grown way too quickly for him to understand feelings properly ("So please hurry leave me, I can't breathe, please don't say you love me" "One word from you and I would jump out of this ledge I'm on baby" "I was so young when I behaved 25, yet now I find I've grown into a tough child"
The Other Side Of Paradise-Glass Animals: Vibes
Bodybag-Chloe Moriondo: How I feel about liking his character, confronting feelings basically ("Don't know if I hate you or if I wanna date you" "I don't wanna like you, I just wanna tie you up, then keep you in a cage and watch you sleep for ages"
Get Into It (Yuh)-Doja Cat: Vibes
Psycho Killer-2005 Remaster- Talking Heads: Vibes
HOT DEMON B!TCHES NEAR U!!!-CORPSE, Night Lovell: Vibes
INFERNO-Sub Urban, Bella Poarch: Again, another song that describes him pretty well ("Baby I'm the reason why hell's so hot" "Terribly like terrible, she's a villain" "Think I'm getting butterflies but it's really something telling me to run away")
Bad Morning-Omori: Vibes
Trouble Brewing: Vibes
Dueles Tan Bien-Bruses: Another song about my confronting feelings with this man ("You know what? You taste better than alcohol to me. You know that and you've got control" "Because you hurt, and you hurt so good that I don't know what to do")
And that's it!! This took me the whole day to write but it makes me very happy to be able to share it :)
I've you've read the entire thing, hope you enjoyed the character analysis! ლ(◞‿◟ლ)
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on the artistry of Loïc Nottet's "Mr/Mme"
We open to a cobbled, deserted Brussels intersection. The title appears in old-timey yellow against the grayscale. A white-clad Loïc Nottet enters as a piano teases the opening, and it starts.
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I have a lot of emotions about "Mr/Mme," the last track on Nottet's second studio album (Sillygomania) and, to my knowledge, his first song fully en français. "Mr/Mme" dropped in April of 2020, which was still near the start of the pandemic in Europe and North America. I, for one, did not anticipate what the next year would hold. And yet when this song appeared in Spotify’s suggestions (as the algorithm knows my weakness for Nottet's vocal range and off-pop sound), it touched a nerve that has pulsed for the last 12 months.
To be clear, I'm not going to present any new revelations about this song. Nottet is indisputably a phenomenal artist, "Mr/Mme" is a perfect example of his skill, and that's that on that. I'm more interested in the raw emotions that this song explores and how the piece indicates a radical departure from Nottet's previous body of work. Or does it?
Born in 1996, Loïc Nottet is a Belgian singer/songwriter/dancer who made a name for himself on The Voice Belgique and ESC 2015. You can look up his Wikipedia page if you like. His first album, "Selfocracy," is entirely in English and handles themes of bullying, selfishness, the corruptibility of society, and related. I don't know what the Belgian and French reviewers said, but the album was fairly well received in the English-speaking places I inhabit. The songs are punchy and get stuck in your head. The lyrics feel clever but maybe a little strained. A Youtube star dropping his first studio album.
And then "Mr/Mme" came out. Nottet greets his audience with a "bonsoir Monsieur, Madame / aujourd'hui, j'te dis tout" (good evening sir, madame / today, I'll tell you everything). He proceeds to do just that. Nottet describes a living hell, a world that "m'étrangle, m'écrase et me brûle" (strangles me, crushes me, and burns me). The ensuing musical monologue swivels from individual anguish to a broader critique of humanity, described as nothing but a bully without love. Those who cannot afford morphine are refused the moon. Children turn into monsters and the rest of us pay rent.
About halfway through the song (which lacks a chorus), Nottet tells the listener how alone he feels while walking the glorious road to fame. He copes by drinking, poking fun at his youth, and grappling in the darkness for any sense of meaning (he's in his 20s after all). Despite living out his childhood dreams, Nottet admits to his own unhappiness.
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While Nottet sings all of this, alternating between confessional and belting tones, the camera tracks his wanderings through the streets of Brussels. It looks utterly empty until we see another figure walking past. They look over their shoulder as they pass this strange young man who sings, skips, and spreads his arms in the way of music videos. With a bitter twinge of irony, his oversized white dress shirt has "enjoy yourself" written on the breast pocket.
Nottet takes us down the narrow, shuttered, and graffitied alleyways that spread out from La Grand-Place. He carefully avoids the Baroque square, though, taking rapid turns just when you think you're nearing it. The camera follows in its shaky way. The crowds increase as the song swells, now showing other young people in their sparkling little groups. Nottet breaks through, and everything stops as he sings "je n'sais plus qui je suis, j'suis perdu" (I no longer know who I am, I am lost).
And finally, finally. We reach La Grand-Place, and the lyrics shift. Nottet tells us how he feels when he’s on stage, which is far from the horrific picture he just described:
Car j'écris quand j'me plante
Et je ris quand je danse
Et je vis quand je chante
Et pour tout ça, j'te dis :
Merci
(Because I write when I mess up, and I laugh when I dance, and I live when I sing. And for all of that, I say to you: Thank you.)
Nottet’s figure paints a bright absence on the darkened Grand-Place. The song is officially over but Nottet launches into a series of ethereal "oohs" that transcend this mortal realm. He now shows off his dancing and spreads himself open as the "oohs" reach their highest pitch. Nottet looks like a broken bird, splayed open in La Grand-Place and suspended by his rib cage. The video ends with a few more leg kicks and spins before Nottet wanders out of frame. Everything was done in one take.
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So what makes this song and music video so special? Is it not another artsy, indie production about a young singer struggling with fame?
I say to that nay. In "Mr/Mme," Nottet uses his extraordinary voice to access an emotion that is often trivialized. “A young man makes it big and then feels lonely, so what,” we could say. “Life is hard.” This is both true and not. Nottet's struggles are different from most of ours, but he speaks in terms that feel familiar. How many of us realize too late that success isn’t all it’s cracked up to be? "Mr/Mme" holds extremes that more often coexist than contradict in real life, including "humanity is fucked and we should burn everything to the ground" and "there are moments when life is worth living." I know of few other songs that capture both emotions in such a poignant way.
Moreover, the video is carefully done. Directed by Hugo Jouxtel, it seems almost self-conscious about its artsy look. The passersby may be hired extras, I don't know, but they react organically. It's almost embarrassing to see them hastily cross the street and give the singer funny looks. There’s a bit of self-recognition through the other, if you will, particularly if you’ve ever had a breakdown in public (hands, anyone? just me?). It is one thing to sing about feeling alone and quite another to be alone amid the crowds of La Grand-Place. La Grand-Place, a tourist attraction with very few things to do. A place that is good for milling about, snapping a picture, and then hurrying on with your life, oblivious.
Besides the video being aesthetically pleasing, it feels real. Nottet cannot step beyond the gated storefronts as he laments. Sometimes the camera captures an unflattering angle as he tilts up his chin in anguish. It's pretty but gritty. Like the song. Like fame. Like life.
The view from my chair is this: "Mr/Mme" signals a new moment of maturity for an artist who (I am convinced) will one day be known worldwide. It acknowledges the darker threads present in "Selfocracy" (the darkness inside us, the ever-watching “million eyes”) but strips it all down to the bare essentials. The song is honest. And for a popular artist like Nottet, who has already proven himself many times over, honesty might be the rarest thing.
*All translations are from yours truly. Any errors are, of course, my own.
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Companions and Halloween/Halloween Party
(I’ve done a Halloween post before but this was such a fun idea in my head)
Cait:
Relives what she thinks should’ve been her childhood without meaning to. She dresses up pretty well and nonchalantly bullies partygoers for their candy. She also gets absolutely wasted at said party and might start a fight if not under proper supervision.
Curie:
Is super enthusiastic about the holidays. She just is a little confused why sole’s friend, monsieur Gage suggested she wear a costume with such little clothing...oh well, it’s not too chilly.
Danse:
At first he was sort of anxious going to a party, even if it was with sole. However, he’ll dress up per their request and eventually find himself having a decently good time..who knows..maybe he’ll even dance. Get enough alcohol in him and he magically becomes the life of the party.
Deacon:
Look, on a normal day he puts on “costumes” so you bet your ass he goes all out for Halloween. However he dresses up as unconventional things like..trash can. So some innocent partygoer might go to dispose of their cup, only for it to mysteriously be thrown back at them.
Gage:
Claims Halloween is kiddy but the second the day arrives? His mission is to scare the shit out of any and all unsuspecting, poor people that cross his path. He even puts together his totally fake corpse decorations. Oh, the blood on his costume? Totally just paint.
Hancock:
Is the one who threw the infamous Halloween party. All of goodneighbor is decked out in Halloween decorations, resembling a gigantic haunted city. It’s really cool! He’s practically the king of Halloween in the Commonwealth.
Macready:
Halloween is easily one of mac’s favorites! He dresses up as some random comic book hero and hoards candy..he might also be forever known as the guy who almost drowned trying to bob for apples after the party.
Maxson:
He would only go if sole literally begged him to..but even then it would be with the escort of two brotherhood knights watching his every move. He’s really rigid until he gets one drink too many in him, then the commonwealth partygoers get to see the brotherhood of steel elder sing drunkenly with magnolia.
Nick:
Doesn’t really think he needs to dress up..I mean come on. He automatically assumes the role somewhat similar to the designated driver, he’ll go and have fun but at the end of the party he’s there to make sure his buddies make it home safely.
Old longfellow:
Puts on dead mirelurk armor and claims he’s a mutated man-crab. He has a really nice time at the party though! Drinks copious amounts of liquor and initiates a lot of the drinking games.
Piper:
Is mainly at the party to take pictures for the paper but she’s up for it! Makes sure to bring a bucket full of candy for Nat on her way back home.
Preston:
He..is sadly the one to watch the kids yknow? But he more or less prefers it that way. However he will go after a while and have a damn good time while he’s at it.
X6-88:
Wasn’t too sure at first but he let sole dress him up however they pleased and tags along. At the end of the night he realizes he rather likes the holiday and the party too!
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returnn-of-the-mac · 5 years
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I love the way you write the companions! Especially X6! Companions react to Sole giving them nicknames based on pre-war movies?
Thank you! X6 is one of my favorite characters to write (along with Ada and Danse)! Sorry this took so long, there were a few characters I struggled with (looking @u gage & preston). Also, again, I usually write a silent Sole, but I couldn’t for this one, obviously. Please enjoy!😄
Fo4 Companions React: Sole Giving Them Pre-War Movie Nicknames
Strong:
Strong and Sole where walking around Sanctuary when the super mutant heard rustling in the bushes.
“COME OUT, PUNY RADROACH! STRONG SMASH YOU INTO THE GROUND!”
Sole smirked, “Easy there, Hulk. It’s just Dogmeat.”
Strong scratched his head, “Who Hulk? He a Radroach?”
Danse:
Sole was in Danse’s quarters as the Paladin was trying on some new patriotic power armor he had designed. He stepped out in his red, white, and blue mechanical suit and twisted around a bit to show Sole.
“What do you think,” He asked, “Is it too much?”
Sole giggled, “You kinda look like Optimus Prime.”
“You mean Liberty Prime?”
“Nope. I mean Optimus Prime. He’s a Cybertronian from a pre-war movie called Transformers.” Sole explained.
“Cybertron? Is that like a synth,” Danse scoffed, “Cuz I’d be damned if I looked like a synth.”
“Well, no. Cybertron is the planet they’re from. It’s complicated, but it’s basically a fictional species of robots that can transform from ordinary objects. Like cars.”
A confused Danse gave his companion an acknowledging nod, “Ah, okay. That actually sounds pretty interesting. Maybe the Brotherhood could start crafting armor based off of these ...uh...’Cybertronians.’ You’re going to have to show me sometime, soldier.”
Nick:
“Hmm...” Nick pondered, looking over his latest case, “This Marowski fellow seems to be up to no good, yet again. His chem lab is more secure this time too...I’m thinking we’re going to have to tinker around with some scrap and invent a device to break into there undetected.”
“And what do you suggest we create, Inspector Gadget?”
Nick rolled his eyes. “Ha ha. Very funny. I happen to who that is, you know.”
MacCready:
MacCready and Sole where camping out at Outpost Zimonja for the night, lying under the stars, next to a campfire.
“You know what stinks,” Macready began, “Being an adult. So much is expected of you, and all the other adults are all just a buncha bullies.”
Sole gazed at their companion and he continued, “I swear, the kids at Little Lamplight were more mature than at least half the mungos in the Commonwealth. I wish I’d never had grown up...I wish I could’ve stayed a kid forever.”
“Okay, Peter Pan,” Sole laughed, “Growing up is a part of life. Everyone goes through it. Society wouldn’t thrive if people didn’t get older.”
MacCready was still caught up on the first part of Sole’s statement. “Peter...who? Who’s that?”
“Peter Pan. He was a mythical boy who never grew up, and he lead a group called The Lost Boys in Neverland. They’d go on adventures and stuff. It was a story that got adapted into a popular pre-war movie,” Sole explained.
MacCready was captivated by the description. “That seems...awesome, actually! Can you tell me more about it?”
Ada:
Sole and Ada were trekking through the wilderness just beyond the glowing sea when a RadStrorm hit. Adamant about making it to their destination, Sole continued to their journey, despite the wind, rain, and rads.
“[Sir/Ma’am],” Ada beckoned, “Being that I am non-organic, these rads don’t have an effect on me. You, however, might get sick if we continue.”
Sole ignored Ada and continued to press forward. Ada tried again.
“[Sir/Ma’am]? It is highly likely that you will not be able to successfully complete your mission if you were to fall ill.”
Sole, once again, ignored their companion and continued forward. Ada, ardent about keeping her companion healthy, tried a third time.
“[Sir/Ma’am]? I believe I saw an abandoned barn a few miles back. We could camp there for the night.”
Sole stopped and gave Ada a stern look. “C-3PO. Please. Be quiet for just a minute. I can’t even hear myself think.”
Ada beeped a few times. “I am unfamiliar who this model C-3-P-O is. My model number A-D-4.”
Piper:
“Okay, look. I think we’re really gonna get him this time, Blue,” Piper began, peeking through her binoculars at an unsuspecting Mayor McDonough, “Oh! Oh! Look! He put the toilet paper on the holder flap-side-up. Mm-hmm. Definitely a synth.”
Sole raised an eyebrow, “And what’s your master plan here? We gonna break in there and catch him in the act of changing his toilet paper, Lucy Stevens? Kinda not a good look.”
Piper cocked her head to the side, “Lucy...Stevens? Who’s that?”
Sole giggled, “She’s a reporter from one of my favorite pre-war movies.”
Piper smirked, “And what movie would that be?”
“Detective Pikachu.”
Gage:
Sole and Gage were building a raider base when suddenly Gage stopped hammering.
“Hey, got any more nails over there? Can’t see for shit with this eyepatch.”
Sole rolled their eyes and handed the raider the container of nails, “Why don’t you just take it off then? I know you have a fully-functional eyeball under there.”
“Yeah but it’s part of the image.”
“Alright, One-eyed Willie.”
“The fuck is that?” Gage asked, “You pickin on me, boss?”
Hancock:
Hancock and Sole were hanging out in Hancock’s quarters listening to the radio, taking hits of jet, and drinking whiskey.
“This is niice,” Hancock mused, taking a long hit of jet, “Sometimes ya need a break from running the city, yanno?”
Sole nodded.
Suddenly, the song changed and Hancock grunted. “I hate this one. It kills the vibe in here.”
As he got up to change the station, drink in hand, a random Goodneighbor resident barreled into the room, nearly knocking the mayor over.
“Woah, friend, I’ve got a beverage here.” It was then the ghoul noticed he had spilled his drink all over himself and the rug. “Ah, come on, brother. That was a new rug.”
“Easy there, Lebowski,” Sole consoled, standing up and putting a hand on their companion’s shoulder, “Whiskey shouldn’t be too difficult to clean off a rug.”
“Sorry Hancock,” the resident apologized, “But your friend here is right. I mean it is practically water.”
Cait:
Cait and Sole were crouched behind a stack of boxes, fully prepared to ambush a group of raiders who were holding an innocent settler hostage.
“Can’t wait to use this new machete ye gave me,” Cait gushed, excitedly studying the weapon, “Never have had the chance to use one of these before.”
Sole smiled.
“Ready darlin?”
“Ready.”
The pair sprung out from their hiding spot and began their onslaught. Sole took cover behind an old desk, shooting at the raiders with ease and Cait decapitated them with her machete.
“I’m just gettin warmed up, ye clowns!”
The redhead suddenly ran up a side wall and did a flip, slicing two raiders heads off at the same time. Sole lowered their weapon and watched in awe as their partner singlehandedly decimated the raiders with her melee weapon. When the last raider was taken out, Cait took a little bow.
“Damn, Uma Thurman! Leave some for me next time,” Sole joked.
“Couldn’t help it. This machete is way too much fun.”
Deacon:
Deacon and Sole were hiding in an air vent, preparing to take out some synths as asked by Drummer Boy, when Deacon started fumbling around.
“What are you doing?” Sole whispered harshly, annoyed by their partner’s commotion.
“I’m due for an image change,” Deacon answered matter-of-factly, taking his shirt off, “I’ve been in my Elvis Presley Wannabe disguise for two hours now.”
Sole clenched their teeth in frustration.
“What do you think I should go for? The intelligent Bald Doc or intimidating Street Punk?”
“How about the bumbling Austin Powers?”
Deacon chuckled, “Yeah bAbY! I’m flattered you would even suggest that. Such a cool character.”
Sole rolled their eyes as Deacon began to dress as the iconic British spy.
Curie:
Curie and Sole were walking along the coast of Salem when the synth suddenly stopped. Sole turned around, concerned.
“You okay, Curie?”
The synth looked at Sole and smiled. “Oui. I was just thinking...thank you so much for giving me the opportunity to exist in human form.”
“No problem! I’m just glad you’re happy.”
Curie nodded, “It’s not like I wasn’t happy being in my old body it’s just...I can do so much more now in this new body. Do field work, collaborate, share my findings and be taken seriously. That and...this body is very flattering. Much more attractive than metal and bolts.”
Sole laughed, “Hey, I thought your EVE form was adorable.”
“Eve? Who is that?”
“She was a character— a robot— from a pre-war movie called WALL-E.”
“I see...well, that is very interesting, [Madame/Monsieur]!”
Longfellow:
“Damn snow. I hate the North. Move me to the tropics,” Longfellow complained as he and Sole walked through a light snow flurry.
“It’s not even that bad,” Sole reassured, “Besides, what would Christmas be without snow?”
“I don’t care about Christmas. Got no family to celebrate it with anyway.”
“Oh come on, Scrooge,” Sole teased, “We can celebrate Christmas together if you want.”
“Yeah, you’re right. I am old Ebenezer. Bah humbug,” Longfellow grumpily muttered, taking a shot of whiskey.
X6-88:
X6 and Sole were on a mission tag a synth with a tracking beacon when Sole suddenly stopped.
“Is something wrong, [sir/ma’am]?” the synth asked, concerned.
“No it’s just...what would you look like without your glasses? I’ve never seen you take them off. Do you even have eyes under there?”
X6 nodded, “Of course I have eyes. The glasses make me look slick. More professional, if you will.”
“You look like Morpheus from The Matrix.”
“And he was an influential individual, was he not?”
Sole remained silent.
“Case in point, [sir/ma’am].”
Preston:
Sole had just returned to Sanctuary after a lengthy fight with some gunners with Preston beckoned to them.
“Another settlement needs our help,” he began, “The settlers at Nordhagen beach are complaining about a wobbly chair and—“
Sole raised their hand in the air, “Do it yourself, Fix-it-Felix,” they mumbled before retreating to their room for a nap.
Codsworth:
Sole and Codsworth were in their old house, assembling furniture and reminiscing about the past.
“This was such a happy home before the bombs dropped. I wish we could go back to it, [sir/mum].”
Sole nodded in agreement as they discovered old photographs in cracked frames. Codsworth hovered over to examine Sole’s finding.
“Ah! That photograph! That was the first day you adopted me,” the robot gushed, “I’m so glad you chose the name Codsworth and not any of the absurd names the [hubby/wife] was suggesting.”
Sole laughed, “But Codsworth was their idea! I was going to name you BB-8.”
“Seriously? Why? Just because I’m round and I’m a robot?”
“Exactly!”
Codsworth huffed in annoyance and floated away from an amused Sole.
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theyearoftheking · 4 years
Text
Book Twenty-Three: It
"Maybe that’s why God made us kids first and built us close to the ground, because He knows you got to fall down a lot and bleed a lot before you learn that one simple lesson. You pay for what you get, you own what you pay for... and sooner or later whatever you own comes back home to you.” 
I’m just going to come right out and say it.
Orgy. 
Pre-teen child orgy.
Weird-ass, icky, questionable judgement that I’m going to chalk up to years of drug and alcohol abuse... orgy. 
Of all the strange and bizarre things Steve has written over the years, the child orgy scene in It might be the strangest one. I’ve read articles back and forth, and I know there was controversy surrounding whether or not to include it in the movie (glad cooler heads prevailed there!), but ick!!! Maybe it’s because my daughter is Beverly’s age, but ick!!! 
I don’t think it belonged in the book. There were hundreds of other way the kids could have cemented their friendship, and shown adult status without sex. I mean, they already had a blood oath: what more do you need?? 
I know. This is such a small scene in the book, but it troubles me as a woman, a feminist, and most importantly, a mother. And as a writer, I’m also troubled that parts of it are written like a bad porn: “Something that will bring us together forever. Something that will show...that I love you all... Who’s first?” 
Gag. I just threw up in my mouth a little. 
I loved reading It. The past and present chapters of the book flowed so fluidly, the character development was excellent, and Pennywise is terrifying. But this one part just keeps me from ever wanting to read it again. And then it had me questioning my own enjoyment of the book. Should I come down hard on this one for Steve’s tone-deaf attitude towards children having sex? Should I just ignore it and move along? Is it callus for me to enjoy the book, and still be bothered by the child orgy scene? 
I think I finally settled on the last option. 
Okay. We tackled the elephant in the room, now let’s move along to my half-assed review of the rest of the book. 
I thought I had read It in the past, but when the book was delivered, I was shocked to see how thick it was. I was expecting a much shorter read. That was clue number one I had never read it. Clue number two was not really remembering the past and present story lines. So I’m going to assume I’m at that fragile, old age where I no longer remember every book I’ve ever read. 
I have seen both of the recent movies, and thought they stayed fairly true to the book, and I liked their casting. I even imagined several movie characters as I was reading along. It was a solid book, and I flew through it in a little over a week. Not bad for normal reading standards, but a little long for Coronavirus reading standards. 
Cue the Cardi... Coronavirus! 
youtube
Sorry. I really love this video, and find myself yelling, “Coronavirus! Shit is real!” far too often. 
So, for those of you who have been living under a rock your entire lives, It is the story of Pennywise, a murderous clown who preys on innocent children in Derry, Maine every twenty-seven years or so. Yes, he’s a clown, but he can also take the form of a spider, a werewolf, or whatever you’re most terrified of. “Glamour, he said, was the Gaelic name for the creature which was haunting Derry; other races and other cultures at other times had different words for it, but they all meant the same thing... The Himalayans called it a tallus or taelus, which meant an evil magic being that could read your mind, and then assume the shape of the thing you were most afraid of.” 
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So, It kills little Georgie Denbrough, and his older brother Bill lives with the guilt of Georgie’s death. Bill had been at home with the flu, but had made Georgie a paper boat he could play with outside, and race through the flooding streets. Bill feels if he had been there, Georgie might still be alive, and his parents might be far less vacant and depressed. That’s some serious guilt. 
Bill and his gang of friends: Stan Uris, Richie Tozier, Eddie Kaspbrak, Beverly Marsh, Mike Hanlon, and Ben Hanscom all band together and form The Losers Club after admitting they’ve seen It in some form or another. In addition to taking out a few psychotic child bullies in a rock fight, they also mortally wound It. They have a group orgy, and a blood oath to celebrate their victory.
The kids grow up, and all go their seperate ways until twenty-seven years later when Mike calls them all to let them know It is killing again. Stanley Uris kills himself in the bathtub, but the rest of the Losers Club all travel back to Derry to see what’s up. Richie is a California-based DJ, Eddie runs a car service and married a woman just like his crazy mother, Beverly is a famous clothing designer, Ben is a world-famous architect, Bill is an acclaimed writer, and Mike is the librarian at the Derry Public Library. 
All of them have vague memories of their time in Derry, and barely remember one another. But once they get back in town, the memories and bad habits start flooding back. Eddie is back to sucking on his aspirator every few minutes (despite his asthma being psychosomatic), Richie can no longer wear contacts and is back to his dorky glasses, and Bill is back to stuttering, something he hasn’t done since childhood. Good times. 
While the Loser’s Club is assembling and eating Chinese food together, Pennywise takes it upon himself to release psycho childhood bully Henry Bowers from Juniper Hill, the mental institution he’s been in for years. Sidenote... one of the meanest counselors at Juniper Hill is Koontz. Coincidence? I’m going with no... 
Mike informs everyone It is back in action again, killing people, and they all made a promise to come back to Derry if It ever went on another murderous rampage. So, they head back into the sewers again to take It out once and for all. They succeed, Eddie dies, Beverly’s abusive asshole husband dies, Audra, Bill’s wife, is catatonic from the shock of the whole thing, and the entire town of Derry literally and metaphorically collapses in on itself. But on the bright side, It is dead, and there wasn’t another orgy. Huzzah! 
The book is chock full of Steve tropes (chambray work shirts! multiple mentions of Shawshank prison! Happy Crappy everywhere!); and also a few mentions of past and future books. Loser’s Club member Ben Hanscom is a chunky kid, and he’s made fun of for his weight. At one point, he recants a traumatic locker room scene where kids are “fat-paddling” him. Yes, it’s as cringy as it sounds. The gym teacher finally breaks it up, and Ben describes, “...what he did was grab one of my tits in each hand and squeeze. Then he took his hands away and rubbed them on his pants like he’d touched something dirty.” This was basically the male version of Carrie: locker room torture and dirty pillows. I laughed way too hard at that. But unlike Carrie White, Ben grows up to be handsome, famous, and he gets the girl without starting anyone on fire. 
Later on in the novel, Beverly is dealing with her abusive, crazy husband, Tom Rogan. After she beats the crap out of him and flees for Derry, he tries to track her down. First, he stops by her best friend’s house, and almost beats her to death before she tells him Beverly left for Derry. Tom Rogan is so evil and terrifying, I couldn’t help but wonder if his character planted a seed in Steve’s mind for Rose Madder. I saw a lot of similarities. 
There were also a few Dark Tower references. The Turtle is mentioned throughout the book, and The Turtle is also known as Maturin, one of the Guardians of the Beam in the Dark Tower universe. #allthingsservethebeam
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Later on, Bill is on his way to take on It and, “He thought dimly of riding in a train and passing one going in the other direction, a train that was so long it seemed eventually to stand still or even move backward. He could still hear It, yammering and buzzing, Its voice high and angry, not human, full of mad hate...”
Could it be Blaine? Blaine is a pain! 
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There was also one Wisconsin reference, Beverly takes a flight out of Milwaukee. After several books with no Wisconsin references, it was nice seeing Steve give us the love we deserve. 
Orgy aside, I really loved It (things you never think you’ll say out loud, or type for that matter). If nothing else, you have to give Steve credit for making creepy clowns a thing. At one point in the book, Steve writes, “The fears of children could often be summoned up in a single face... and if bait were needed, why, what child did not love a clown?” 
Um, no children today, thanks to your sick ass! 
Next up is Eyes of the Dragon, which I have never read before, and is slow going. But at least it’s short. 
Total Wisconsin Mentions: 16
Total Dark Tower References: 16
Book Grade: A+
Rebecca’s Definitive Ranking of Stephen King Books
The Talisman: A+
Different Seasons: A+
It: A+
The Shining: A-
The Stand: A-
Skeleton Crew: B+
The Dead Zone: B+
‘Salem’s Lot: B+
Carrie: B+
Creepshow: B+
Cycle of the Werewolf: B-
Danse Macabre: B-
The Running Man: C+
Thinner: C+
The Long Walk: C+
The Gunslinger: C+
Pet Sematary: C+
Firestarter: C+
Rage: C
Cujo: C-
Nightshift: C-
Roadwork: D
Christine: D
Stay healthy and keep social distancing, my friends!
Until next time, Long Days and Pleasant Nights,
Rebecca
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fallout-snippets · 5 years
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(Love ur blog! Take as long as you need to finish each ask! Work takes time and if u need to wait for a certain mindset thats ok!) Companions react to sole being overburdened and the companion is just like alright empty your bag ill carry something but its just 300+ teddy bears. Alternately its a single massive teddy bear dressed up as the companion.
(thank you! i really appriciate the validation :Dc doing this one before the old ones cause i gotta remind y’all that there’s gonna be like 20 asks in queue so if youre just sending one in it might take a while before you see it. please keep sending me asks tho! its always open)
Cait sighs in unbelievable frustration. “There’s hundreds of these! What the fuck are you even going to do with them?” She may ‘accidentally’ drop a few on the way back. Alt: She tears the head off of it. There can be only one. Also she’ll sideeye Sole for a long time after that.
Codsworth doesn’t really know what to say. He wants to be supportive but what the heck is this? Carries what he can because he did ask if they needed him to and of course he’ll help Sole but it might be a while before he asks again.Alt: he’s probably honestly really flattered. Totally ignores how impractical it is and gladly carries the whole thing all the way home. To think, Sole loves him this much!
Curie isn’t too bothered about it. She’s excited to see what Sole will put them to use for. Maybe they’ll tear out the stuffing to make better pillows and sew the ‘skin’ into blankets. Maybe they’ll hand them out to children to make them happier. The possibilites are endless.Alt: She doesn’t really get why but she knows it’s some sort of compliment. It’s not something someone would do out of malice, right? Agrees to help carry it but will ask a LOT of questions about it.
Danse probably refuses to carry them at first. Like, yeah Sole repurposes a lot of scrap into good things but teddy bears? Come on. Eventually gets begged into helping because he just can’t resist helping out.Alt: He’s completely perplexed. Has a million questions but he’s a little afraid to ask. He’ll help carry it home but he’ll make damn sure it gets hidden where no one will ever find it.
Deacon says “Oh whoa! Where’d you get these? I thought super-secret weapons like these were forbidden!” He’ll help Sole carry them home but probably because he wants a few to himself. There are already plans hatching in how to use them. Like, maybe he’ll place one at the foot of MacCreadys bed every morning and see how long until he completely freaks out.Alt: “Be-…Beacon? I thought I’d never see you again! Hey Sole, how’d you find my twinbrother?” Will absolutely shred it though, once Sole looks away. Says his twin had a horrible accident but oh well! Why dwell on it.
Dogmeat goes NUTS once he sees all the teddybears. Sole knows only half are going to make it home now. He leaves a trail of torn heads and stuffing behind them. Alt: His tail starts wagging so hard his whole butt wags. Wants to play and wants to play NOW. Will whine the whole way home until he gets to play with his new best friend.
Hancock stares at them for a minute. “I mean, I ain’t gonna judge you. I just… Alright.” Can’t really imagine the use for them but he trusts Sole. Like Codsworth, probably wont ask to help again for a while. Alt: Tries to keep it cool but is super flattered. “Y’know, if you just wanted somethin’ to cuddle I’m right here. Don’t need a teddy for that.”
MacCready takes one look at the teddy bears and says “No.” Eventually gets bullied or convinced to help out, depending on how you look at it, but is Not Happy about it. Will constantly let Sole know just how not happy he is. Alt: He’s also pretty flattered but mostly suspicious. What’s its purpose? Is it for comfort and cuddling? Is it a punching bag? Are they going to try to frame him for murder or something?
Nick just sighs and says “Kid…” Does help out because, like Codsworth, he did say he would. Lets them know though that if this the kind of stuff they collect until they’re overencumbered, they can keep it to themselves next time.Alt: He gets that it’s meant as some sort of compliment but it’s, like, too much of a compliment.
Piper says “Oh come on. You can’t possibly need all of these.” Agrees to carry a few but just enough so that Sole can carry the rest of it themselves. Probably keeps a cute one to herself but doesn’t admit it. Alt: Depending on how close they are, Piper is either a little creeped out or laughs about it. Isn’t really into it but as long as Sole doesn’t get gross about it it’s fine.
Preston hesitates but of course, trusts Sole to have a purpose for them. Plus they’re already heading back home to drop their inventory off, he should be helping them carry the load anyway. Alt: Like Piper it depends a little on how close the are. Less creeped out though and more worried that it might be some kind of joke he’s not in on. Doesn’t really laugh about it either but gets really shy when he thinks about Sole having a teddy bear dressed as him.
Strong thinks all scrap is crap so it being teddy bears doesn’t faze him. Picks it up and carries it because Strong is strong, tiny fluffy bears are nothing to him. Alt: Stares at it like Ferris Bueller until Sole hides it ‘cause obviously it’s freaking him the hell out.
X6-88 doesn’t question Soles requests. They are far more superior not only to him but to everyone else in the Commonwealth. If they want him to carry 300+ teddy bears he’ll carry 300+ teddy bears. Maybe it’s a test. To see how loyal he is.Alt: probably a little insulted as an initial reaction. Think he’s being compared as a teddy bear; soft and harmless. Then a little worried he might be getting replaced by it, in a humiliating send off. Later understands that it’s an affectionate gesture and it warms him.
Ada is already on board, don’t need to explain anything. It can always come in handy, better to have it and not need it than need it and not have it. Alt: if bots could cry she would. Gets weirdly sentimental and tries to hug Sole but is so into it she bruises their arms. If she wasn’t already ride or die for Sole, she is now.
Longfellow rolls his eyes but carries some. Probably ditches a few along the way but unlike Cait he doesn’t bother trying to say it was an accident. “Just a few casualties.” Dropkicks one off a cliff just because. Alt: Gets really happy about it, thinks it’s pretty cool they made it look just like him. Asks if he can keep it.
Gage is a little worried that his new Boss might be losing a few screws but then figures it might be some kind of psychological warfare on their enemies. Doesn’t ask about it because he doesn’t want to seem stupid but thinks long and hard and can’t imagine what they’re going to be used for. Alt: Doesn’t have a huge reaction. Thinks it’s neat they got his details down but makes sure to let them know people can still tell it’s a teddy bear and it’s a shitty decoy.
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thewookieruns · 5 years
Text
Yeehawgust Day 28: Drunken Brawl
(Today’s story ties into Day 27′s prompt, Showdown, found here!)
The flight to the Prydwen was silent, save for the sound of the rotors of the vertibird. Once the aircraft docked with the Brotherhood of Steel’s flying fortress, Captain Erich Richardson disembarked, his boots ringing on the flight deck. Whispers followed him as he made his way into the command deck of the airship, all the way down to where Lancer Captain Kells controlled the ship. Erich numbly gave his report on his mission to eliminate the Railroad leadership.
And now, he found himself in the mess area of the airship, a large bottle of whiskey in front of him, which was now about half empty. He held his glass up, holding the glass from the bottom. After a few moments, he downed the glass’ contents in one swallow, feeling the burn of the alcohol slide down his throat. Unfortunately, the burn wasn’t caustic enough to remove the pain and regret that he was feeling away. He grabbed the bottle and served himself another glass. He slumped down, crossing his arms on the bar top, staring at the glass. He dimly registered another person sitting down next to him.
It wasn’t until Knight Rhys leaned over and began talking to him that Erich even noticed it was the knight.
“Well well well, Paladin. Seems like you have the bad habit of picking the wrong friends.” Rhys sneered. “Makes me wonder why they even let in wastelander scum like you.”
Erich turned away, doing his best to ignore the other man. He grabbed his glass and once again drained it, grimacing as it went down. Rhys chuckled as the Sole Survivor poured himself another glass. “Jesus, man! You can’t even handle your liquor like a real soldier!” he stated loudly, causing many of the other Brotherhood members milling about to look over. “Man, you vault dwellers really are soft! I’m surprised the military even let a weakling like you serve before the bombs fell!”
Erich glowered at the knight before turning back to his drink. Several onlookers turned away, feeling awkward as they witnessed Rhys continue to berate the clearly grieving man. “I heard that the military pre-war was so desperate for bodies, they began drafting women. Tell me, Paladin… were you the first to sign up for the all-women’s brigade so you could fit in?” At this point, Erich sat up and turned to face the other man.
“Can it, knight.” He growled, his voice slightly slurred. “In case you’ve forgotten, I still outrank you, whether you like it or not.” Rhys cocked an eyebrow.
“Aw, what’s the little man going to do?” the belligerent knight asked, his tone mocking. “Is he going to go to the Elder because his feewings got hurt?”
Erich turned back to the bar and grabbed his bottle and glass. With his cargo in hand, he walked past Rhys, intentionally bumping into him harder than he needed to. As he began to walk away, Rhys couldn’t resist one more jab.
“Look at him walk away, guys. That’s our paladin, knights. The one who would rather side with the machines and the race traitors. He’s no hero; he’s a fucking coward, and he deserves to die, just like Danse and his Railroad buddies.”
Erich stopped in his tracks. “What did you just say?” he asked, not turning to face the other man. His voice was astonishing clear and deadly serious. All chatter in the mess hall suddenly died down.
“You heard me. You’re no more fit to lead us than the synths, muties, wasteland scum, and race traitors you pal around with.” Rhys spat, his tone full of venom and spite. Erich turned, his face set in a furious glare.
“I’ll have you know that Danse is a hundred times more a man than you ever will be. For someone who was born in a lab, he sure seems to have more humanity than you ever will. And if that’s how you feel about me, I’ll have you know I would rather die with my friends than serve with a bully like you.” Erich responded, his voice level.
“Well, then, maybe you should. I’d kill every single one of them if it meant that we would finally be rid of you. And, I’d keep that pretty little reporter of yours for last so you could watch her begging for her life.”
The whiskey bottle and glass shattered as they hit the deck. In a flash, Erich had closed the distance between him and Rhys. He caught the knight around the middle, sending both men to the floor. Erich drew back his fist and sent it rocketing into Rhys’ face, followed by the other. Shouts erupted as bystanders began egging on the fight.
“Does… this… feel… like… I… don’t… belong?” Erich asked between blows over the din of the other Brotherhood members yelling and jeering. Rhys struggled to defend himself, but the rage of the Sole Survivor was just too much. Erich pinned Rhys’ arms to the deck with his knees. With his left hand, he grabbed Rhys around the throat and continued to pummel him with his right hand.
Suddenly, Erich was wrenched back off of the knight, still swinging. After a few vain attempts at striking the other man, he just hung there, resigned.
“Come on now, Paladin,” Proctor Ingram shouted, her tone disappointed. “That’s no way to properly discipline the man.”
Erich swore, trying to pry the fingers of Ingram’s power armor frame off of his collar. “Let me at him! I’ll kill the bastard with my own two hands if I have to!”
“You will do no such thing!” a voice roared from behind the two. Elder Arthur Maxson strode into the room, flanked by Lancer Captain Kells and Knight-Captain Cade. Maxson’s face twisted in a look of fury. The room fell silent as the three entered. Maxson turned to Erich.
“Go to your quarters. Now. Do not leave there until I send for you. Is that understood?” Erich nodded curtly, his face set in a look of defiance. As Ingram set him down, he brushed her hand away, straightening his collar by himself. He then back to the bar, grabbed another bottle of whiskey, a bottle of Nuka-Cola, and a glass before marching out of the mess hall towards his quarters.
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diloph · 5 years
Note
I have seen the film Diloph, so if you want, could you please tell me more spoilery bits?
Oh! Well, good, hopeyou enjoyed it.
Spoilers under the cut!Big ones!
So, starting off,Madison is given a TRUCKLOAD more to do, more lines, more relevanceetc. She’s great, easily my favourite part of the novelisation. Sheacts like a smart, compassionate kid who’s been conned by her motherinto joining the ecoterrorists and is appropriately horrified andresistant when she needs to be. She takes action like she does in thefilm, but there’s a bigger obstacle (and possibly in-joke for thefans of Mr Danse’s host show) which she deals with, again, in a wayI’d have liked to see in the film. Madison has lots of great parts toread about, not just the ORCA distraction. This kid has guts.
God, I hope she comesback.
I think that this sortof expanded role (POV seems to be split between her and herfather/mother, leaning more towards her father) was either cut fromthe film for time, assuming people would want to see more of Sad MadDad or hastily added into the book when they realised that she wasn’tjust a familiar face from a popular TV show when Stranger Things hitits second season and tried to do damage control, hoping not torepeat the Bryan Cranston backlash. Maybe a combination of the two. Iknow that some people were hyped when they first saw her, thendisappointed when she wasn’t the character of focus, but what she gotin both the book and the novel made me very happy with the characterherself, though I too longed for more of the girl who saved the worldand screamed defiance in King Ghidorah’s faces.
The same goes for therest of the characters. Jonah and Emma’s villainy is a lot morefleshed out; their motives are explained in greater detail, not tomention their attitudes towards those goals when Ghidorah rears hisugly heads. The friction between them goes a lot further than justJonah mocking Emma’s reluctance to commit a horrible atrocity infront of her child like he was a schoolyard bully. He’s still a dick,but we know why he’s a dick and why he’s doing this. Like a certainpurple bugger also still on our screens at the time of writing, hethinks he knows better and doesn’t care if he’s wrong. He’s going tobe fine. Emma’s doubts are focused on, she regrets releasingGhidorah’s Motley Menagerie and her part in “killing” Godzillaas, despite Mark blaming him for their son’s death, she believes thesame as Serizawa in that Godzilla serves a greater purpose and isfairly noble about it.
Speaking of, Serizawais given a greater focus and actually mourns for Vivienne (which isin my opinion, horribly glossed over in favour of Rick “Wubba LubbaDub Dub” Stanton andVerizon-Guy-Who-I-Don’t-Know-Because-I-Live-In-The-Desolate-Wastes-Of-Glasgow-Scotland),with even Mark expressing regret. Even she gets some perspective,some lines, some warm thoughts before her untimely death. VivienneGraham might not survive the film, but she’s well-remembered here atleast. Again, this makes me think of what I thought for Madison,because the Shape Of Water turned out to be a hit and given that shedidn’t survive, lead me to believe the whole finalised script thingwas rolled out and filmed before the two pieces of media hit andsuddenly their popularity skyrocketed.
Or maybe all that wascut for the monsters, I dunno.
So, yeah, Serizawa isgiven just as much gravitas in the book as in the film, but thistime, we actually get to hear thoughts and feelings and so on. Itmakes his character a lot more fleshed out and realistic, realisingthat while Emma had followed this dangerous path, he had not been ascareful as he had wished to be. His sacrifice and devotion to the bigguy is pretty touching, even if the “an innocent and well meaningman sacrifices himself to use a nuke to revive Godzilla and save theworld” thing is a little more… pro-nuke than the “an innocentand well-meaning man damaged by war must sacrifice himself to end thelife of a sentient creature equally damaged by war and mankind’snuclear abuse in order to save the world, while still causing a massdeath/pollution of the environment” that we got in 1954, but hey,he didn’t write the script and I think most audiences focus only onthe Bomb as a big booming explosive, not a corrupter and polluter.It’s a “problem solver” rather than a last resort/weapon ofterrible consequence. Sort of how the Oxygen Destroyer is alsoglossed over and not given nearly enough impact, considering what itis and what the consequences might be.
War is bad.
Dr Chen also gets more,which is good, because she’s certainly my favourite of the “new”Monarch crew (excluding Huston Brooks because of hisblink-and-you’ll-miss-it role and his presence in Skull Island). Howshe and her family ties into Mothra and how she and Vivenne were notonly good friends, but practically aunts to Madison and her deceasedbrother; this kid was brought up in Monarch long before the MUTOsmade their presence known. Chen’s the perfect bridging point betweenSerizawa’s knowhow and reverence, Vivienne’s enthusiasm and awe andthe other morons’ humour (again, better jokes and lines by far. Icould swap the three characters that died on screen with three othersor just write them out and assimilate their lines and knowledge intothe good ones and the film would lose nothing. NOTHING.)
Even Mark has hischaracter expanded upon. He’s still the man we get in the film, butat least we know him a little better. Same with Rick and Sam. Eventhe soldiers get lines that better reflect them as people, ratherthan props.
Of other things, theTitans get an introductory paragraph each (well, a lot of them).Mokele-Mbembe is given sort of its own contained mini story (andcontrary to popular belief, it’s not a Sauropod, if I’m correct it’smore akin to a Deinotherium), and how much damage Jonah’s group hasdone via infiltration.
Did we ever get a namefor Jonah’s group? It’d be easy to remember them as the ANTI-MONARCHor something. I could call them S.C.A.L.E but that’s been taken.
Additionally, the newTitans get some words put to them, but of the familiar faces, onlyGodzilla loses out. King Ghidorah and Rodan go up against themilitary in Washington DC for a bit longer, Mothra’s benevolence isechoed by everybody who speaks about her, another familiar face getsa few words in during the big monster breakout and the final sceneduring moments closer to the end of the film, which I described inthe earlier ask, I won’t spoil. It’s a big character moment andactually made me punch the air for said character’s involvement.Because of course they’d do that. That’s who they are.
All in all, a prettywell-made adaptation of a big film. Improvement on the first two wegot (older scripts), certainly better than the graphic novels (somany problems and all of them were easily preventable) and fairlybrisk to read through.
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slocumjoe · 1 year
Note
How/how often do you think the companions bathe themselves?
Assuming they have access to frequent washing...
Cait; Hardly ever. She's not in the habit of it and doesn't notice when she's dirty. Lacks a noticeable body odor, however, so Piper doesn't push her too much...will take quick showers, rarely remembers to use soap. Maybe washes a few times in a handful of months.
Curie; As often as she can! Like, once or twice a day if possible. Loves long baths with candles and music. Buys nice smelling oils for it. Really wants a public pool in Sanctuary. Curie just loves water, man. She's like a duck. Loves splashing. Meticulous about her nails.
Danse; Would prefer to not waste time and water but unfortunately, he is a mechanic. He gets covered in grease, dirt, and sweat. And he fucking smells like it. Probably the worst B.O of them all after garage work. Danse has to shower twice a week naturally, and multiple times if he's been in the garage. Otherwise, Piper starts yelling. Takes, like, 5 minutes in the shower. His hair is a sight to behold when wet.
Deacon; Dislikes being naked, has a big fear of being caught off guard while naked. So, his showers are quick, bare-bones, and infrequent. Though, really likes rubber ducks. He prefers women's shampoo, just think it smells better than whatever "Glacier Pride" is. It just smells like soap, what's the point? Well, Deacon, whats the point of shampoo when you're bald?
Gage; Bad B.O, refuses to bathe. No. Suffer.
Hancock; Also reeks. Ghoul, for one. Smoker and chem user, for two. Goodneighbor local for three. Wearing old as balls clothing for four. He doesn't sweat, and lacks B.O, but he doesn't wash much. Maybe once a month, if that. Piper lures him into baths with a trail of mentat pills. Will just sit for a few minutes while eating the pills he collected, then gets out.
MacCready; You know he smells bad. He's always partially...damp. Has oily skin. Dust clings to MacCready like plaster. Doesn't help that he prefers dust baths. Piper fucking hates this. Has tried paying him to bathe normally. MacCready takes a shower maybe twice a month, just so she doesn't kill him in his sleep. Scrubs with a wiry sponge.
Nick; Poor sense of smell, so doesn't notice when his clothes are covered in a variety of body fluids. This upsets everyone. Even Danse has turned green at a Nick fresh from a Mutant Hive. Those trench coats, man. They really marinate the aromas. Does his laundry whenever he notices people not breathing in his presence.
Piper; Intolerant of these good, civilized people having the hygiene of raiders. Very sensitive to smell, hates her hair deflating with sweat, dirt, and oil, can't think if she's sweaty. Needs to shower often, multiple times a week. Gifts bathing products in hopes it will entice these dirtbags into hygiene. Horrified at Hancock, constantly. Scrubs her skin clean until its red.
Preston; Used to wash in the river, stopped when that became their water supply. That'd be kind of gross. Once Sanctuary is properly set up, takes baths with a good book and a drink to relax. Washes often, quickly. When he can't, uses cologne or perfume to hide from Piper. Uses moisturizer and facewash, prone to acne. Very particular about his shampoos, allergic to a lot of the pre-war ones.
X6-88; The only companion who prefers cold showers. He showers as needed, for as long as needed. Has a fondness for weird titled soaps that, realistically, cannot have a scent. "Glacier pride" is a favorite. It smells like soap. Helps Piper bully the others into washing; his senses are enhanced, after all. And Danse really does fucking reek.
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toads-treasures · 5 years
Note
1, 18 and 32 please :)
K ya gurl is long winded so….brace yourself.
1) What would your OC’s last words be/what are they?
I think this would depend on where she was at in terms of ‘length of time free from hellish cryopod’. My Nora Mai is pretty freaking extra about some things and had this odd fascination with people’s last words Pre-War. She would want to say something smart. The thought of her last words being something like: ‘Well shit,’ would literally haunt her for the rest of eternity. There would be a billion things running through her head, each of them worse than the last. Some of them would be things like: ‘this isn’t fair, i’m not ready, i don’t want to die, not yet, ect.’ If she hadn’t found Shaun yet, especially if she doesn’t know he’s in the ‘happy home of the institute’ she would most likely say something about him. If it was post BB she would want to tell Danse that it was worth it. That he was worth it. Everything she did, everything she sacrificed she would do it again and more if she could. If it was Pre-BB she would want to thank him for everything he did and apologize for hiding so many things from him when he’d been nothing but upfront and honest with her. In the end I don’t think she’d have time for anything. So she’d just hold whoever she was with. She’d take their hand, and probably apologize for inconveniencing/traumatizing them with her death. Because even in death she worries that she hasn’t been enough. 
18) What is the worst possible ending for your OC and why?
This could be kind of spoilery for the fic I am very very slowly working on but I think the worst ending would be on where all her efforts are wasted. In the end some of them are. She’s found her son after everything, but he’s so far gone from her. Past the point of her influence. He’s more lost to her than he was when the Institute pulled him from Nate’s arms. All the growth she’s made in the Commonwealth, all the connections and relationships she’s formed, all the people she’s met and helped and fought, all of them just alienated her from the one person she’d done it all for. At the root of it all Nora fears failure above everything. Failure because she tried her best but her best wasn’t good enough. She fears loosing control of her life, so surrendering her freedom to someone completely and utterly would be terrifying.  Also if anything happened to Danse or Nick or Preston or really anyone she’s come to care about in the Wealth?? Yeah….bad times. 
32) Does your OC hate? To what extent?
Nora definitely has petty grudges and she says she ‘hates’ people a lot. But in truth her world has been demolished and cobbled together again so many times that she’s almost become numb to it all. She’s closed herself off to both ends of the emotional spectrum for a long time, even before she lost Nate and Shaun. She’s so emotionally stunted that she doesn’t let herself feel true hate, the same way she suppressed herself from feeling love or affection.  When she first met Nate she started getting over that, slowly. Then he was gone and that was the end of that. I guess this is just a long winded way of saying no…not really. Initially she can hate someone, like her bully from middle school, Maxon for a while, and even Kellogg but after she spends some time in his head she finds she can’t hate him. After spending time in her own head she discovers she can’t really hate any of them, not even Kellogg. She thinks of them too complexly to the point where she only pities them. She sees too much of herself in both of them to truly hate them. Maxon is a young boy who has had insanely high expectations thrust on him since boyhood, Nora was the same when she was young and her parents were still alive. He has the same kind of ambition she did when she was younger. She and Kellogg are two sides to the same coin and he serves as a reminder of what could happen to her if she slipped. Jimmy Jepsen though, middle school bully, was just an asswipe and she still holds the opinion of: “I’ll see you in hell, little bastard.”
If Danse had died in the events of BB though, she would have had a much harder time not hating Maxon. In fact, I don’t think she could have come around to seeing him as a misguided young man. So…Maybe she can hate? I didn’t expect to go this deep lol. Maybe. My final answer is maybe. Moral of the story is:
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