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#mic audio
just-phils-things · 1 year
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Opinion on mic audio, trying to achieve better audio using what i have.
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royalarchivist · 5 months
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Over 6 years ago, Technoblade and Etoiles played together on United UHC. Although they never got to meet each other on the QSMP, it's nice to see that they already had some nice banter and a fun dynamic developing during the brief time they knew each other. Here are some highlights from the video where they played together!
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Subscribe to Technoblade! Technoblade's United UHC video
[ Part 1 || Part 2 || Subtitle Transcript ↓ ]
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Technoblade: Bonjour, mis amis! (Hello, my friends!) Oh god, we already have a zombie on us. No! It's targeting me 'cuz I have subs!
Etoiles: Excellent teammates.
Technoblade: Do trees spawn in these worlds?
Etoiles: [Laughing at a screenshot of Technoblade saying "deforestation has gotten pretty bad"]
Technoblade: It's gotten pretty bad, man. What is this?
Etoiles: B-bonjour.
Technoblade: Stop speakin' Chinese.
Etoiles: You're the best Skywars player, dude. That's why.
Technoblade: That doesn't mean much.
Technoblade: Oh my god, I found diamonds!
Etoiles: Oh, whoa.
Technoblade: Subscribe to Technoblade! I'm suddenly a UHC god.
Etoiles: Oh, I got diamonds too! :D
Technoblade: ...Wow, way to ruin my moment. Wow. Can I just have this one moment?
Etoiles: Yeah.
Technoblade: Does everything- does everything need to be a competition? First diamonds I've ever mined in Minecraft.
Etoiles: Let's redo it, Techno. Let's say I don't have diamonds. I don't have diamonds, you have-
Teammate: I found diamonds!
Technoblade: Oh my god.
Technoblade: I have seven diamonds! And I'm not saying that to one-up you, but- I mean I am, but I mean I'm- I'm also tellin' the truth.
Teammate: Nobody knows which one of you guys is the mole.
Technoblade: Yeah, that's gonna be very awkward.
Etoiles: Maybe Technoblade is already-
Technoblade: I'm right behind you.
Etoiles: Technoblade is already saying to his friend-
Technoblade: I'm already in the Mole chat, plannin' your death.
Etoiles: Like, I'm kind of scared of Technoblade, actually.
Technoblade: I'm not even good, why would you be scared of me?
Etoiles: Because you're the King of Bedwars.
Technoblade: Alright, ok, ok, so here's how it works- I get paid per episode, right? So I'm not gonna betray you on Episode 2.
Etoiles: [Laughs]
Technoblade: Now let me enchant.
Etoiles: I'm so bad at hearing sound because when I'm hearing lava-
Technoblade: Nah, it's 'cuz the sounds are in French, isn't it?
Etoiles: [Laughs] I'm gonna kill you, bro.
Technoblade: No!
Etoiles: [Laughs] I'm gonna kill you.
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gauntletqueen · 1 year
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@fishing-lesbian-catgirl (original post)
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cellray · 7 months
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I'm releasing a few of my private audio files. It's been a few years and they're using my old mic and editing skills but they've been collecting dust and I think they deserve to have some limelight.
Come enjoy them.
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mar64ds · 8 days
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I GOT A BIG ARO FLAG!!!!!!!!!!!!!!!
ignore flowey
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tyttetardis · 3 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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mewguca · 11 months
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Peep the Rot
there are probably implied downpour spoilers in here idk
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might-be-tiny-gt · 15 days
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Welcome to Chapter 1 of the TAoLaW "dramatic" reading
What can I say, the theatre kid in me needed to record this in audio format.
Have I mentioned how much I love this fic? Yes? Well I'm saying it again, I LOVE THE ART OF LOVE AND WAR!!!
If you haven't read it please go read it. Index Page | Chapter 1
The Art of Love and War Is written by @fireflywritesgt and the audio reading is recorded and posted with permision.
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yaknowlikenyah · 15 days
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Another lovely audio of an eager dog fucking their master! For a transcript look no farther than @your-favorite-dogboy Who's living up to his moniker by writing posts like this one
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blueskittlesart · 5 months
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having a broken laptop is all fun and games until. public embarrassment
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eleancrvances · 4 months
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audio gift!
happy holidays, here's a full the phantom of the opera in trieste, july 8th 2023's evening show. as a treat.
cast: ramin karimloo (the phantom), amelia milo (christine), bradley jaden (raoul), earl carpenter (andre), ian mowat (firmin), anna corvino (carlotta), gian luca pasolini (piangi), alice mistroni (madame giry), zoe nochi (meg) + (full cast in the folder)
please list as eleancrvances's master. it was my first time recording so sorry for any flaws and if you hear me cry at the end no you don't.
enjoy!
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nureyevs-worst-alias · 2 months
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I hope That Podcast makes the kissing sounds wetter and sloppier
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kuppikahvia · 10 months
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Mic Mac @ Lohja
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litlkim · 2 months
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My thumbnail for WampusASMR 💖 lol
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dreamaze · 5 months
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A collection of some of my favorite details in Minhyuk's vocal performances (studio & live) ♡
The Dreaming: all of this range but especially the gorgeous & fleeting lowest note One Day (No Limit Tour 2022 in Seoul): the one-note melody change in the final chorus (taking a higher note in the chord on 'I'm' — it's so good I'm devastated it's not in the studio version) Wildfire: the quick melisma on the 'in' of 'inside' thanks to a happy accident in the recording booth that became permanent Love Killa: all of this lovely melting tone in the bridge but especially the vibrato on the final note (we love thoughtful vibrato choices!) Beautiful Liar: the floating countermelody in the ending Rush Hour: that growl that only happens in certain performances Gambler: another (subtler) growl between 'calling me' that is unique to his interpretation (Kihyun doesn't do it in his earlier part) Gambler (It's Live, ft. Kihyun): because how could I not love him performing the upper harmony live with no backing track!
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submitforher · 4 months
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a sub's never in control and on a tight leash even when he gets to be on top.
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