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meowydoe · 8 months
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FORTY THOUSAND NOTES OLIVE OSTROVSKY????
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thatdykepunkslut · 3 months
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Taylors wift is just elon musk for horse girls and gays who are afraid of faggots
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aaronstveit · 5 months
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if you’re cold, she’s cold. let her in your window
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miserywizard · 6 months
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i love all kamelot albums with tommy but man they really did something with silverthorn that they haven't quite achieved since
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charlietheepicwriter7 · 4 months
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G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̏̃n̵͙̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀Wa̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉
It was a simple mission. Damian was working with Father to confirm the existence of a Lazarus Pit below Gotham, as Ra's Al Ghul speculated. And they had found it, deep in the caves below Gotham. A Pit the size of an Olympic sized swimming pool, bubbling and steaming. He'd only looked away for a moment.
"Kin-slayer."
Standing waist deep in the water stood Damian's reflection. The hair might be white, and the eyes glowing with the waters, but it was his face. But not his face alone.
Danyal's ghost glared at him. "Get in the water."
Father threw a batarang at him, but the metal flew straight through his head like it was air. Danyal didn't even glance at him, his eyes fixed on Damian. "Get in the water," he ordered again. He stepped closer to the shore and the green water sloshed up the bank higher than it was before. "Or I'll raise the tide so high, all of Gotham will die. So get in the water."
Damian's heart jumped into throat. "Wait-"
"Get in the water."
Father shoved Damian behind him, as if it would protect him, as if he could stop Danyal. "Stop this, please-" If he could just explain-
Another step and the waters surged forward, nearly touching Father's boots. "I'll make whirlpools so profound, your entire family will drown," he promised.
"NO!" Not his brother, his kind brother-
"THEN GET IN THE WATER!" Danyal snarled, revealing monstrously sharp teeth and a black tongue from Damian's poison. "G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̟̰͙̏̃n̵͙̝̟̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀w̵̜͍̤̌a̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉͜!̷̡͔́̀̽" He lunged and Father pushed them back down the passage they'd come. "Don't mistake this for a bluff, brother. You've lived more than enough. Just get in the water." Damian swallowed, throat dry. Was this Danyal's revenge? Did he finally have to face what he had done?
"Robin, who is this?" Father snapped, trying to keep retreating down the cave. But Damian wouldn't let him; the waters, and Danyal with them, would only follow.
Danyal looked between them, scowling. "G̴̩͍͆͆̈́e̵̹̣͆t̷̬̋ ̸̻̮̎̒ĭ̸̟̰͙̏̃n̵͙̝̟̋͐ ̸̛̳̃t̶̪̣̅ḣ̸̳̇͜è̵̠̲͖̔̑ ̶̢̹̖͗͐̀w̵̜͍̤̌a̵̬̞͝ṫ̴̩̣̣e̶͉̲̯͂̏̎r̴̉͜!̷̡͔́̀̽" he snapped again. "I'll take your father and gouge out his eyes, unless you want to stop being a coward and choose to die. Now... get in the water."
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dimonds456 · 2 months
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So I was re-watching Hbomb's plagiarism video, and I noticed something really funny.
Allow me to show you.
Lol whoops.
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UNDERWORLD SAGA SKETCHY BECAUSE THE BRAINROT HAS BEGUN I HEARD THE STREAM AND IMMEDIATELY BEGAN TO DOODLE BECAUSE I CANT SCREAM [low sat below the cut cuz it’s the underworld]
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transannabeth · 10 months
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btw if you borrow dvds or cds from library you can rip them onto your own blanks or onto your hard drive or whatever. librarians don’t care and they won’t know if you do it or not
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jacketpotatoo · 6 months
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is this the eternal dark without a dawn?
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madamemiz · 7 months
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sad: falling out of a hyperfixation
tragic: watching your beloved friends and mutuals fall out of the hyperfixation while you're still in it
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gaminegay · 2 years
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People go on about good healthy queer rep but I cannot express how much I want unhealthily devoted queer rep. Raise your lover from the dead no matter the cost. Kill to get them to safety. Trade your soul for theirs. Die to reunite with them. I want gothic hyper-devotion codependent lovers
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1941-crowley-slut · 8 months
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I hope everyone realizes that aside from Crowley not being in heaven, Aziraphale will also not have anything else he likes.
There are no books in heaven. There's no tea or hot chocolate, no music, no crêpes or sushi. So not only does he lose the love of his life and has to operate without him, but he also isn't allowed any of his comfort things, all while I'm sure the angels are hostile against him (even if they pretend otherwise).
Aziraphale has nothing.
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that one post comparing ruin's and LN2 endings altered my brain chemistry so now have this
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mythology-void · 3 months
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okay so I was doing a Research™️ about ancient Greek etymology as one does and I found some Things that made me want to Violently Claw My Arms Off please allow me to force feed you my discoveries
So there are 2 words for "not" in ancient Greek, depending on the context: ou and mē. Having introduced himself in the Cyclops episode as " ou tis", or No-man, he then stabs Polyphemus in the eye. When Polyphemus' brothers come to check on him, they say this:
"... surely no man [mē tis] is carrying off your sheep? Surely no man [mē tis] is trying to kill you either by fraud or by force?"
Right after this, after the other cyclopes ditch Polyphemus, Odysseus's inner monologue goes something like this:
"Then they went away, and I laughed inwardly at the success of my clever strategem [metis]." (pronounced mEH-Tis)
Now, there's a difference between mē tis and metis. [mē tis] (pronounced mEH-Tis with a space between the syllables) is the literal translation for "no man". Metis is a word for extreme intelligence/cunning, which is something Odysseus is famous for.
Now, there are several examples of abuse of metis/intelligence in the Odyssey, but I think the juxtaposition between [mē tis], or the concept of anonymity, and metis, or extreme intelligence, is REALLY interesting. Odysseus's adoption of the title "No-man" was characteristic of metis--it was a really smart move that simultaneously hid him from the cyclops and avoided any future consequences. It was a highly effective strategy all wrapped up in a nest little package with a bow on it.
But when he revealed himself as Odysseus of Ithaca, effectively throwing off No-man (anonymity and [mē tis]), that was characterized as idiocy--he's essentially doxxed himself, and now he's doing to (spoiler alert) get tossed around the Mediterranean by Poseidon for the next 10 years.
This is really interesting because it lets you see the parallels/codependency between metis(intelligence) and humility. When Odysseus refused to allow himself to go unnoticed (hubris) he suffered for it. BUT when he declined instant glory/satisfaction (kleos) in order to achieve the long term goal of survival, he was rewarded with Athena's favor (pay attention. This part is important).
And this situation repeats itself MULTIPLE TIMES in the Odyssey--the EXACT SAME THING happens near the end of the book, with the suitors. When. Odysseus is dressed as a beggar and the suitors/Antinious are abusing him, he ACTIVELY CHOOSES not to react--he doesn't stand up and rip off his disguise and start hollering "TIS I, ODYSSEUS OF ITHACA! FEAR MY WRATH"
No. He sits there patiently and waits. He plans and schemes and quietly orchestrates their downfall without alerting them of it. Why? Because he learned his lesson the first time this happened. He buried his rage and adopted what was, according to Grace LA Franz, a more feminine form of metis, weaving a web of destruction for his enemies that ultimately resulted in their total annihilation (see Weaving a Way to Nostos: Odysseus and Feminine Metis in the Odyssey by Grace LaFranz). His patience allowed him to win the whole prize--no questions asked, no 10-year-long-business-trip strings attached--just the sweetness of a full victory. And he is, once again, rewarded with Athena's favor--both in the battle with the suitors and in the aftermath (cleanup/reuniting with Penelope).
This really reinforces the idea in the Odyssey that Odysseus's defining characteristic is not just his intelligence--it's his ability to learn from his mistakes. He used what he learned at the Lotus Eaters Island against Polyphemus--the Lotus Eaters drugged his men, so he drugged Polyphemus. He used what he learned from Circe and Polyphemus against the suitors--Circe used false sweetness and honeyed words to lure his men into a trap, so that's exactly what he did to the suitors. His hubris on Polyphemus' island cost his whole crew their lives, so he intentionally left well enough alone until the right time. He didn't just learn from his failures--he turned them into BATTLE STRATEGY.
i don't care what anyone says that is completely totally and objectively awesome
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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perplexingly · 3 months
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“Frankenstein, or the Modern Prometheus” by Mary Wollstonecraft Shelley (1818) // Frankenstein from the Royal Ballet (2016) // National Theatre Live: Frankenstein (2011) // Frankenstein: The Metal Opera (2014) // Frankenstein (TV Miniseries 2004) // Creature (TV Miniseries 2023)
Grief of the Creature across various adaptations
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