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#no business registered in georgia under that name so
zoe-and-quinn · 6 months
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Whumptober Day 15
Back with another addition to the story! I know its been a while, but things have just been so busy. Thanks to Aubrey for the motivation and ideas!
Makeshift Bandages / Suppressed Suffering / “I’m fine.”
TW: Torture, Partial Nudity (non-sexual), restraints, medical whump (kinda? Not really. Theres a table involved though), knife, partial flaying/skinning, blood loss, death wish, general despair... yeah, this one's a lot.
Felix was laying on the floor, feet up on the wall and eyes closed. It was sometime in the afternoon, and boredom hung thick in the air. It had been a week and a half since the last client, and although Alexei had taken Georgia a few times for ‘follow-up training,’ he had left the three captives mostly to their own devices.
Both Georgia and Casey were healing up nicely, although Casey still winced when he moved, and Georgia’s head snapped up in terror at every noise from behind the door. As much as they hated to say it, they hoped she would numb up soon. Everything would be so much easier, for both Casey and Georgia, once they got used to the situation.
Felix had grown numb long ago. Not to say they didn’t feel fear, or they didn’t scream. They would even fight back, every so often, if they knew it could actually have an effect on their latest tormentor. But most of the time, there was nothing they could do that would make much of a difference. They just knew that there was no use in struggling.
So, when Alexei pulled the door open and poked his head through, saying Felix had a client on their way, they didn’t put up a fight. 
The new client looked pretty average at first glance; short-cropped hair, defined muscles, cruel eyes that scanned over Felix’s body as soon as he entered the room.
This client had wanted Felix on the table, stomach down, which might have taken first place for ‘worst ways to be tied up’ in Felix’s book. Hands stretched above them and feet tied below, they could hardly move at all. Not to mention that they couldn’t see a large portion of the room. They glared at the man until he walked out of sight, heading to a portion of the wall dedicated to knives and other blades.
Felix rolled their eyes. Basic. If they had to endure a guy torturing them for an hour or two, the least he could do was be interesting.
The man moved quietly, and Felix started when he pulled up the collar of their shirt and slid the knife under. It only took him a second to cut through the fabric, exposing the multitude of scars covering their chest and back.
“Huh,” the client remarked, almost to himself. “Pretty full. Might as well start over fresh.”
Felix had no idea what he meant by that. Start over? Nobody could erase a year’s worth of scars.
The first cut was painful, but not unexpected. Long and deep as it was, Felix grit their teeth to keep quiet. The second cut was just as bad. He moved the knife so slowly, carving a straight line into their skin. They had to take a breath halfway through, and couldn’t silence the instinctive gasp of pain.
The next two lines were horizontal instead of vertical, near the top and bottom of his back, and the fire doubled when the cuts intersected. Felix’s thinking was clouded, but they managed to keep mostly still and quiet.
That is, until the knife slid under.
They screamed into their teeth before their mind could fully register what was happening. They could feel the metal pushing through, pulling-
Oh god.
Pulling their skin from their body.
They tried to squirm away as their torturer slowly, carefully grasped their skin and pulled it up, sliding the knife in between it and their muscle, separating one from the other, but the restraints held them taught and they couldn’t do anything.
It had been a while since Felix had fully screamed. They had almost forgotten the feeling. The ringing in their ears, the rawness of their throat. In the beginning, these things were as familiar to them as their own name, but over the months, fewer and fewer people were able to coax a scream out of them.
This slow, careful flaying of their body did the trick, though.
The knife continued it’s path, moving across their back, keeping the skin in one, rectangular piece. Blood was coating the table, covering everything, by the time they were halfway through, and Felix was still screaming.
They couldn’t see straight, not through the burning agony, not through the blood loss, not through the tears filling their eyes as they screamed and screamed and screamed.
Gradually, the screaming turned to sobs and whimpers, as their throat became too raw to make much more than a croak. They felt the man fold a flap of their skin over, and they couldn’t breathe right.
The room was spinning and they couldn’t breathe right and there was nothing they could do to stop the man from peeling the skin off their entire body, head to toe, until they were muscle and bone and blood, so much blood.
Their eyes trailed to the floor.
To the pool of red growing on the floor.
To the drip. drip. drip.
drip.
drip.
The door opened. They could hardly hear the creaking hinges over their own sobs.
They could hear the yelling, though they could hardly make out the words.
Something about blood loss. And death. 
Death didn’t sound half bad at the moment.
Alexei shoved the client away from the table and grabbed Felix’s discarded teeshirt. They cried out when he placed it onto their back, skin half removed and bleeding profusely, and held it in place.
Felix vaguely registered the phone call, the sound of Alexei’s frantic voice. Everything was blurring and they didn’t have the strength to resist.
They didn’t want to be strong anymore. Didn’t want to be numb. Didn’t want to endure the torture and assure Casey that they were fine. If this was what the rest of their life would be, they didn’t want it.
They closed their eyes and hoped that maybe this time, they wouldn’t have to open them again.
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Helter Swelter
Rating: MA, NSFW
Spoilers: None
Trigger/content warnings: alcohol, semi-public sex, implied voyeurism
This is for the IN THE POOL square of @thatesqcrush 's Sexy Summer Bingo, and was requested!
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"This is a fucking disaster," Olivia sighed, throwing her bag onto the bed in frustration.
Amanda rammed the heel of her hand against the sputtering A/C unit in the window and frowned. "I don't know why you ever expect anything more from Daddy Dodds than a fuckup," she muttered.
Liv ran a hand over the nape of her neck under her hair, finding it moist with sweat, and surveyed their room. Dodds had told her that he had booked them at a high-class hotel for the Extended Learning conference that weekend. A five-star, full-service, swanky joint, he had sworn.
Yet, here they were - sweltering during the peak of a heatwave, in a barely passable room with one double bed and a busted A/C unit. Even better, they weren't even in the right city for the conference - a fact discovered when they called Dodds upon landing to tell him that nobody had heard of the hotel he named.
Fuckup was putting it mildly.
"I'll go talk to someone at the check-in desk and see if they can do anything about the air conditioning," Olivia announced.
"I'm going to take a cool shower in the meantime," Rollins said, palming sweat from her forehead.
The young man at the front desk looked at Liv as though he'd fallen asleep and she had walked out of one of his fantasies into the lobby. Handyman? Not on weekends, it turned out.
"The pool's open 'round the clock though," he shrugged. He finished up by giving her some info on what was available to order from the kitchen, then went back to the glare of his cell phone screen.
When Olivia got back to the room, Amanda was already out of the shower and had changed into light cotton shorts and a sports bra. Liv shrugged apologetically and tossed the info about food to her on the bed.
"No-go on the A/C. There's a pool though." She stopped at the bed long enough to grab her bag. "My turn in the shower, I guess."
Amanda nodded disinterestedly, perusing the menus as the brunette disappeared into the small bathroom.
.
.
The clock in the room was ticking past 1:30am. On the coffee table in front of the room's armchairs was a plate of mostly-eaten chicken nachos, and what was left of a six-pack of beer, still sweating condensation.
On the bed, the SVU detectives were also sweating, awake atop the bedclothes. Olivia was on her back, eyes to the ceiling, Rollins was on her side. They breathed the overwarm air and tried not to move too much, but neither could sleep. Amanda's tossing and turning was more irritating with every creak of the narrow mattress.
Tick -
Creak
Tock.
Always followed by the dying, strangled hum of the useless A/C.
This is it, this is how I'm going to lose my mind, Olivia decided.
Tick. Tock. Tick -
Creak.
"Amanda!" Liv snapped, "Can't you stay still for five minutes?!"
"I"m sorry!" the blonde whined, "I can't fucking sleep!"
Liv rolled her eyes. "I thought you grew up in the South? You must've had nights hotter than this."
"We slept out on the porch in the Summer."
"Be my guest and go sleep in the parking lot if you'll be more comfortable."
Amanda gave a surprised huff that was partway between amusement and annoyance. She leaned up on her elbows, shot Olivia a look, then rolled to her feet. "I'm going for a swim," she announced.
Liv's head turned on the pillow. "Amanda - it's nearly two AM."
"It's still almost 97 degrees! I can hardly breathe, I'm so hot," the blonde groaned. "Plus, I bought an expensive new bikini to wear at the hotel Dodds promised, and it's a damn crime for it to go to waste."
She crossed to her suitcase and unzipped it. "'Sides, you don't have to come. Stay here and melt, if you'll be more comfortable," she mocked.
Ten or so minutes later, both women slipped into the elevator, dressed in thin complimentary hotel robes, bikinis and sandals. In their robe pockets they had tucked cans of the warming beer from their earlier order.
On the main floor, they followed the signs to the door that lead to the pool and pushed outside into the thick, hot night air. The pool was somehow cleaner than their room, and they had it all to themselves. It rippled and beckoned under the starlight and the few florescent lamps that lit the tiled area around it.
Amanda stopped alongside a lounge chair and emptied her pockets of beer before she slipped off the robe. "What do you think?" she asked Liv, hands on hips.
Olivia swallowed dryly, glancing quickly at the bikini and then away. "Very nice," she murmured, busying herself with her own robe and cans. As Amanda walked away toward the pool's edge, Liv took another, more surreptitious look at the bathing suit. It was a dark green color, highlighted with square, gold rivets along the straps, the band under the bust, and along two split straps at the front of the bottom, which tied at each hip.
She popped open a beer and took a long pull from the can. I've seen underwear with more material than that entire suit, she mused. Her own suit looked conservative by comparison: a sporty black two-piece with boyshort bottoms ruched at the sides, and a crocheted, mesh high-neck top that covered her cleavage.
Amanda let out a loud, satisfied groan that startled Olivia out of her bikini thoughts, nearly dropping the drink in her hand.
"Oh my God that feels so good!" she cried. Blood rushed into Liv's face and groin simultaneously. "Hurry up and get in - and bring me a beer!" Rollins urged excitedly.
Olivia shed the last barrier between her bikini and Amanda's gaze, and grabbed two cans of beer. She leaned down to hand one to the blonde at the pool's edge.
"Thank you," Amanda said, and smiled genuinely for the first time since their plane touched down. It raised a relaxed twinkle to her blue eyes, and Liv stared until she caught herself.
She let herself down carefully on the tile and then scooted to the pool's edge, stretching her long legs into the water. Amanda was, of course, right - the water felt fantastic against the cloying heat - and Liv sighed with relief, letting her head fall back as her eyes closed.
The Southern blonde smirked and drank her beer, feeling more herself now that she wasn't sticky and uncomfortable. Setting her drink down, she plunged under the water and wet the rest of her body, kicking hard. When she split the surface, she was a few feet away from Olivia, who was still kicking her legs, watching.
"You didn't come all the way down to just sit on the sidelines, did ya?" Amanda teased.
"What, you wanna play Marco Polo?" the brunette tossed back, smiling as she raised her can to her lips.
"Don't make me drag you in here, City Girl!"
Liv set aside her drink and rolled her eyes, pushing her weight up and over the side with both hands against the concrete tile. The soothingly cool water ribboned over her warm skin, sending goosebumps racing in every direction.
"Better?" she grinned.
Amanda put a finger to her lips thoughtfully. "Mostly . . . " she drawled, "just - " Then she spread both arms wide and used them to scoop and splash water at Olivia, laughing.
Liv opened her eyes as the water settled, letting drops drip from her jawline and hair. "I'll make you regret that, Dixieland," she said calmly.
Rollins laughed and tipped backward into the water, kicking her feet and floating along the surface. Liv ducked under the water to finish cooling off, then swam back to the side for another drink. The dehydration from the heat was making the beer go to her head more than usual; she felt good, and she was enjoying Amanda's flirting.
"You'll have'ta find me, first!" Rollins giggled from behind Olivia.
Rolling her eyes, Liv swallowed what was in her mouth and replied, "Right, because the pool is soo - " she turned around to face the water, finding herself alone, " - big," she faltered. Scanning the pool she didn't see ripples or bubbles - no sign of the blonde mermaid.
Olivia shivered, partly from her lowering body temperature, and partly from the eerie silence of standing there in the water alone.
"Enough, Amanda," she called. "you're not funny." When there was still no response or sound, the brunette turned defiantly back to her beer. The quiet, early morning dark wasn't so peaceful, suddenly.
With absolutely no hint of movement or sound of warning, Amanda tunneled up out of the water behind Liv, the noise breaking the surface like rolling thunder as splashes rained down. Liv let out a gasping yelp as she startled, then Amanda's arms locked around her middle from behind.
"Marco Polo!" she shrieked in glee as she pulled Olivia underwater against her.
Sputtering, they broke the surface again together after just a beat, Amanda still holding tight. "Jesus, Rollins!" Liv coughed out, "You gave me a heart attack!"
They stilled as Liv caught her breath, heart pounding from being caught unawares. Slowly, the feeling of Amanda's wet body wrapped around her from behind began to register with her senses: their legs, sliding against each other, cool skin on skin, the press of hard nipples against her back where Amanda's wet suit pressed. It sparked another shiver, but this one went to Liv's center.
"I don't think that's how Marco Polo is played," Olivia murmured softly.
"Well, we didn't play it that much in Georgia," Amanda chuckled, her warm breath tickling the back of Liv's neck. Then, just as suddenly, she let her go.
Liv pushed away slightly, back to the side and the drink that had been interrupted. But her mind was buzzing about more than beer now, wondering if Amanda's flirting was purposeful, natural or beer-induced. She kept her eyes on the stone tile as the blonde floated over and resumed her own drink. Their bodies were unnervingly close. Liv's breathing shallowed as she bored a hole in the spot she focused on.
Then, Amanda's foot, sliding against Olivia's ankle. Too pointed to be an accident. Higher - the leg was slipping against calf. Underwater footsies, Liv mused, a little drunkenly. Still, she refused to turn her head, not wanting to break the tranquility.
Rollins drained the can she was holding, then set it poolside before shifting her body so that she was directly behind Liv again. Cool, wet lips pressed against the nape of Olivia's neck, and she drew in a ragged breath, held it.
The kiss warmed and went on, lips dragging over the water drops on the sensitive skin there until finally her tongue joined in. Liv's eyes closed, relaxing into the touch as she exhaled. Next there were fingers at the strings where her bikini top was tied, tugging slowly, gently, giving plenty of opportunity for the brunette to call the stops.
All of it felt too good, however, for stopping to enter Olivia's mind. The water, the touch, the buzz from the beer - it all beat an Extended Learning conference to hell and back.
Amanda pulled the ties away slowly, one side at a time, kissing and nibbling warmly over Liv's shoulders, while her legs continued to playfully rub and slip around and between Liv's underwater.
Liv felt a hand return to her middle, pressing firmly, while the other arm crossed her upper chest. Amanda tipped Liv's head to the side with wet fingers to the jawline, then licked the point of her tongue up the curve and pulled an earlobe into her mouth.
A moan escaped Olivia as she wriggled against the blonde's hold, turning in her arms. "You taste like salt and flowers," Rollins smirked, her voice thick and deep. It was all she got out before the brunette framed her face with dripping hands and kissed her mouth.
Her tongue was a shock of heat in comparison to her hands, and Amanda gave back everything she received, their kisses as deep and wet as the pool itself. The turning in her embrace had taken care of moving Liv's top out of the way, and Amanda could feel the brush of wet breasts as the brunette made out with her madly.
She fought to get her hands between their bodies, then the smooth weight of those same breasts filled her palms. The sensation sent a ripple of desire throbbing through her swollen center. Amanda's thumbs grazed over the hard peaks and it finally broke their kiss, Liv's head lolling back.
"Fuck," she hissed, spurring the blonde on to rub harder. When she couldn't take it any more, she pushed her hands under Amanda's arms and grasped the bottom of her bikini top, yanking it over her head.
Olivia ducked low, her mouth just as hungry for this as it had been for Amanda's tongue. One cold, dripping nipple, then the other rolled under the brunette's tongue and pebbled under the scrape of her teeth until Amanda was panting, fingers slipping in their search for purchase on Liv's shoulders.
Kicking her feet, she steered them back to the pool's side until she could leverage her weight to regain dominance. Amanda pushed her knee in between Liv's thighs and made contact with the place she wanted to touch most. Immediately, Olivia's head dipped to the blonde's shoulder, her breathing quickening. She turned so that her lips were just under her ear and breathed, "I want you to make me come."
Without a breath of hesitation, Amanda buoyed Liv's weight up with her hands spread on her outer thighs, and deposited the dark haired woman on the pool's edge. Both hands tugged on the bottoms Liv still had on, until they rolled down and were tossed to the tile with a wet splat.
Amanda pulled Olivia's ass flush to the edge and wrapped her arms around her tan thighs, then lowered her tongue to the dewy pink valley between. Her clit was swollen and aching, twitching as Amanda nosed over it and sucked it gently.
Impatient, Liv bucked her pelvis into every touch of Rollins' sweet mouth. "I'm so fucking wet, Amanda, please . . . "
"Patience is a virtue," Amanda grinned. "Guess they don't teach that in the city," she teased, running her tongue down and inside Olivia's dripping entrance with a moan. She brought two fingers into the mix, slipping then inside carefully, then rubbing firmly against the G-spot.
The normally restrained SVU detective was sprawled on the pool tile, propped on her arms with her head dropped back and her legs over the Southern blonde's shoulders. Mouth open, thighs quivering, Olivia could hear the roar of her blood rushing and the sound of Amanda's talented fingers fucking her blind.
"Oh God, Amanda . . . don't stop, please . . . don't - yes, fuck me fuck me . . . " she babbled, unsure if she was even coherent.
Rollins couldn't stop grinning as she sucked and fucked the trembling brunette with fervor.
"I'm going to - oh fuck, oh oh Amanda! Ungh I'm going to come!"
"Damn right you are," the blonde mumbled as she pulled her fingers out and replaced them with her tongue again. Olivia squeezed her thighs and rode her orgasm out on the thrust of Amanda's tongue, dripping hot juices.
Pleased with herself, she released her grip on Liv's thighs and cupped pool water in both her hands, dousing her face and hair to cool down. "God, you're fucking incredible," she grinned.
Liv let out a laugh. "You did all the work! Get up here, Amanda."
She did as told and joined her on the cool cement tile. Olivia liberated her from her bikini bottom, then straddled over her on all fours. Delighted to once again be presented with Liv's slick, pink pussy above her face, Amanda wasted no time in sliding her fingers back inside. She was distracted this time, however, by the long, gentle brush of Liv's own fingers, spreading her own pussy open.
"Fuck, look how wet you are," Liv praised, gathering the slickness on her fingertips and swirling them around the blonde's hard clit.
"Jesus!" Amanda cried, her hips quaking at the touch as she remembered to pick up her thrusts into Liv.
A greedy race to the finish line started as both women worked to make the other come first with fingers and tongues as the pool threw reflections of light and the stars winked down on them.
.
.
When they returned to their room, the morning was rushing toward dawn. Olivia opened the door and was startled to hear the hum of the now completely functional A/C unit.
"I'll be goddamned," Amanda drawled from over her shoulder.
Liv crossed to the unit and put her hands in front of it to make sure the air was cool. As she did so, Amanda found a new six-pack of cold beer on the coffee table. A post-it was stuck to the table beside the cans.
"Fixed your A/C, beer's on the house," Amanda read aloud to Liv, followed by, "But please feel free to enjoy another night swim anytime." She looked at Liv quizzically.
The front desk kid. Liv rolled her eyes and chuckled. "Oh, God."
"Good thing we ended up in the wrong place, after all," Amanda giggled, and pulled open another beer. "Cheers!"
END
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snarkwriteswrasslin · 3 years
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17.12, you want to kiss me, mjf
Title: you want to kiss me
Theme: Holiday fair/Carnival
Fandom / Character(s):MJF, AEW
Warnings:Lots of banter. A mutual physical attraction. Sharp tongues and attitude galore.. Oh and a little kissing.
Word Count: uhhh... roughly 1k, give or take..
This is my entry to @champbucks 12 Days Of Christmas Challenge for the day. This one pretty much came to me as I wrote the other one I did for the day, with Sweetpea, on my multifandom blog. And at first, I started to go with Kevin Owens, but.. MJF is the perfect mouthy, egotistical idiot for this. So, I went with it.
BTW>. i made the banner thing. No stealing.
Tagging:
@kyleoreillysknee​​​
@rampagewriting​​​
@writertoo18​​​
@thatnerdwriter​​​
@wrestlingismyguiltypleasure​​​
@chasingeverybreakingwave​​​
@waywardwrestlewritingwaif​​​
@sassymox​​​
@champbucks​​​
@hungmanhorsecarriage​​​
@wardl0w​​​
@ryantaylorgirl​​​
@dilfmoxley​​​
@hotyeehawman​​​
@gabbynorth98​​​
@bec0m​​​
@irish-newzealand-idian-dutch​​​
@daddyslittlevillain​​​
[ about page | masterlist | tag list ]
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“Did you hear yet, man? Rhodes volunteered us all for some carnival thing they’re putting on in town.” Wardlow’s words barely registered with MJF because at the moment, MJF was too busy staring.
Wardlow caught onto his friends distraction and he followed Maxwell’s intent gaze, nudging him in the side as he chuckled. “Her name is Jocelyn. She’s the mayor’s secretary. I think she’s the one who came over to negotiate things between the mayor and Rhodes.”
“A secretary, huh?” Maxwell answered in a bit of a daze, making Wardlow chuckle again and shake his head. “I just said that, dumbass.”
Maxwell was back to it again, staring a hole right through her. Wardlow rolled his eyes and cleared his throat, reminding Maxwell, “We have a match. Come on.”
“I’m coming.”
As they walked past where Jocelyn stood, Maxwell stopped, sizing her up and rubbing his chin thoughtfully. “Ya know, you’re cute. For a secretary.”
Wardlow grimaced and he was just about to grab hold of his friend, the idiot, and guide him away and out of potential danger, but before he got the chance, Jocelyn responded. And what she said had Wardlow trying to resist the urge to double over laughing. Especially when Maxwell started to fume immediately and all she did was roll her eyes and walk out of the arena.
XXX
“You’re kind of cute for a secretary.”
I’d been just about to walk out of the arena that the little wrestling company was holding their show in after having talked to it’s owner about maybe lending a hand and letting some of his wrestlers make appearances at our annual carnival. It’s no secret the town is dying and we need the money.
I already wasn’t thrilled with having been the one relegated to the negotiation process, but honestly, I’d gotten kind of used to it in the four and a half years that I’d been working as the mayor’s secretary. It kind of went with the territory by this point.
Dealing with cocky entitled assholes, however… I did not have to do that. And I wasn’t exactly in the mood for it today.
I almost ignored the guy and just kept walking. But something about his tone. And the posturing. And that stupid cocky smirk on his stupid sexy face.. Well, it got right under my skin almost immediately. I turned and stared him down, a dismissive roll of my eyes as soon as mine settled on his. Only after lingering far too long on decently enough kissable lips.
I mean.. Not that I’d ever admit that in a thousand years, especially not to that fucking guy… 
“You’re kind of brave… For an idiot.” I stepped a little closer to him and a little further from the door. He walked over to me, staring down at me as he rubbed his chin.
“Do you even know who I am?”
“Uhh. My guess is nobody special. I mean you’re literally getting your ass beaten for a living. On live television, in your underwear. So..” I shrugged.
“Ouch.” the guy cringed a little, a hand over his heart. Teasing smirk in place and a look in his eyes that somehow made me both want to strangle him and climb the man like a tree all at once. I backed away when he stepped even closer.
“I mean all that may well be true but.. Who’s the one actually making money, huh? Because my guess is you barely survive on a secretary’s salary. I mean… Since you want to go there.” he smirked just a little more and I grit my teeth. He had a point. And given the fact that the town’s budget was a nightmare at the moment, my salary and paychecks were only getting smaller and smaller.
“Meathead.”
“Stick in the mud.”
With the last pleasantry exchanged, I spun and stormed out, making sure to let the door slam behind me as hard as I could possibly slam it.
XXX
The carnival was just starting to kick into gear and I rushed around, meeting with vendors and the people hired to run the petting zoo, the ice rink and the few actual rides that we were going to have on the midway. I was running on coffee and fumes at this point, and when my friend Georgia  walked up, tapping my shoulder, I turned and tensed a little, preparing for whatever bad news she was about to give me.
“Bob can’t do the kissing booth.” Georgia informed me.
“What do you mean Bob can’t do the kissing booth?” I asked, the words leaving my mouth in a whine. I didn’t have time for this.
“I mean that Bob got arrested last night. It was on the 6 o’clock news, Jocelyn. He robbed the Home Depot over in the next county? Tried to make off with 3 grand in tools and a giant tree…They had a chase and everything.” Georgia was barely hiding a laugh and I groaned, raising a hand to drag through the front of my hair.
“Okay, can we get Tom?”
“You know Tom’s girlfriend isn’t gonna loosen up the leash she has him on long enough to allow that.”
I grimaced. My eyes settled on a group of the wrestlers from that AEW show that was stranded in town for the time being and I rubbed my chin. “Actually, Georgia?”
“Yeah?” Georgia was raising a brow, but when she saw my smirk, she gave a soft laugh. “You have an idea, don’t you?”
“I do, actually.. I don’t know why I didn’t think of it before...Go find everyone we had originally signed to do it. Tell them they might not have to man the kissing booth, but to be on standby, just in case...If I can make this happen.. This might just put some actual money back into the town's funds..”
Georgia’s eyes followed my intent gaze and she leaned in, mumbling against my ear, “I call dibs on the one with the lashes and Jesus hair.” 
“All I can tell you is that I’m going to try.”
And after finishing off the rest of my coffee, I took a few deep breaths to center myself. Then I marched over to the group. Surprisingly enough, after explaining exactly what was going on and just how bad our town’s financial situation was, there were more than a few willing participants who eagerly signed themselves into a slot at the kissing booth. Some of them were even asking if they could donate directly, which I gratefully thanked them for and gave them the link to the GoFundMe that Georgia and I had set up back in the fall as a last resort.
As I walked off, I heard my name being called. And I didn’t have to turn around to know exactly who was the man calling it.
I did wonder how the hell he knew my name, exactly, and for a second or two, I simply pretended to ignore him, focusing more on walking over to where the animals were being unloaded and herded into the indoor building where the petting zoo and arts/crafts booths and some of the 4H booths from our local high school were already setting up for the day.
But he was persistent.
He caught up to me, a thick fingertip jamming into my shoulder impatiently. After another second or two, I turned to look up at him, glaring.
“You again? What exactly do you want? Because I’m entirely too busy to have my time wasted.”
“You didn’t ask the obvious choice to be in a kissing booth?” he pointed to himself and I nearly snorted in laughter. I wanted to double over, but I kept myself together. He stepped closer. And before I could stop myself, so did I.
“It’s a kissing booth, sir. Not a pay me to shut the fuck up booth. Perhaps if it were a pay me to shut the fuck up booth, your services would’ve been needed.”
“You know a lot of women would pay good money to see me.. Not to mention kiss me… Right?”
“Maybe in your own deluded mind.” I argued, sensing that even as I did so, it was pointless. That for whatever reason, this was going to end with him, adding himself to the line up.
,, not that I’d ever admit it, but he does have a damn good point. If I liked cocky jackasses…” I thought to myself, quick to shove that little thought out. Because honestly?
The guy was exactly my type… Circa four years ago, that is. I’d have eaten that right up.
I shoved the list into his hands and smirked. “Let’s just see about that, shall we?”
The smirk that came told me that I’d hit the nail head about him being the type unable to turn down a challenge.
He took the clipboard and signed his name on the list.
“See you at 7?” he called out to me after I’d taken the clipboard back and I was walking away. I stopped to look back at him and shook my head. “You’ll see me in your dreams, Maxwell.. That is your name, right?”
“It is.” he beamed at me and took off, nearly colliding with his giant of a friend, a guy named Wardlow that I’d actually talked to around 15 minutes on the day that I went in to see if the roster would like to be the special guest stars of this years carnival.
It felt like yesterday and not nearly three days prior.
And the biggest part of those three days had been spent with me, replaying the whole meeting between Maxwell and I over and over in my head.
Yeah.. If I know what’s good for me, I will stay far,far away from that kissing booth tonight.
XXX
He’d been watching the line like a hawk since he manned it ten minutes before. He’d been managing to keep an eye on her all day, knowing that she hadn’t left the carnival yet. Maxwell just knew that if he could get her in the kissing booth’s line, she’d quickly realize just how much she was lying to herself.
Just the thought had him smirking to himself. He spotted a young woman that he’d seen Jocelyn talking to most of the day in the line for Kris Statlander and he cleared his throat, trying to get her attention. She eyed him and then waved when she recognized him.
“Think you can come by my line when you’re done in that one? There’s something I have to know...”
“Dude… you are so barking up the wrong tree right now, if you’re trying to hit on me...” the brunette explained, shrugging. “Was there something you wanted though? Because it’s almost my turn. If you make it quick..”
“Your friend.. Uhh.. Jocelyn… has she said anything about me at all? Like.. anything that would indicate that she wanted to kiss me?” Maxwell asked the question and waited impatiently, rolling his eyes when one of the women in the front of his line cleared her throat for the fifth time, demanding her kiss already.
Jocelyn’s friend shrugged. “That she wants to strangle you but she also wants to climb you like a tree. You know she’s got a temper, right?”
“Yes, I realize this.. She really said… That.”
“She did. Also said that she’s going to stay as far away from this booth as possible, because you’re in it and she’s not giving into temptation.”
“Yeah, we’ll see about that. Thank you. This helped me a lot.” Maxwell thanked Jocelyn’s friend and turned away, rubbing his chin in thought as the plan began to piece itself together. And just when he thought he might not even get a chance to try out this plan of his, he happened to spot her wandering past, a steamy mug of cocoa in her hand as she talked to 3 other women.
Smirking to himself, he called out to her.
“Jocelyn.. Remember what you said earlier? About how nobody wanted to kiss me? Well,” he gestured to his little line and waited on her reaction. She looked up, grumbling as she shielded her eyes from the lights to see him better, all while tapping a Bearpaw clad foot against crunchy snow.
“What can I say? There’s not many eligible men in my town?” Jocelyn mused, shrugging. She bit her lip and took a deep breath.
“See… I think you’re fighting obvious feelings.”
Jocelyn’s sudden all over tension had him rubbing his chin thoughtfully. By now, everyone in the line and everyone around them or passing by was stopping, staring intently at the little confrontation.
“Right. I mean, if you’re talking about disdain then yeah.. You’re one hundred percent right.”
“If you really can’t stand me then you won’t have any problem at all coming over and kissing me… Right?” Maxwell challenged, chuckling when her mouth opened and closed and he heard her muttering a few obscenities under her breath.
Not even Wardlow’s warning headshake would stop him. No, he was determined. One way or another, this whole thing ended now. Tonight, he was getting her out from under his skin.
XXX
“Did he seriously just... “ I muttered, swearing as I dragged my fingers through my hair and glared angrily at the kissing booth that Maxwell currently stood behind.
“I ought shove snow down those fancy dress pants. Maybe that’d cool down the raging fire in his dick.”
“Or, you could call his bluff and go kiss him?” from my left, my friend Alexis spoke up. I bit my cheek and shook my head vehemently. “Oh no. No,no,no,no.. Not gonna…”
When Alexis and Chandler started to cluck at me, I gave them both my best and most firm go to hell look.
“She wants him.”
“All she’s done for 3 bloody days is fume about the man.” Chandler teased and finally, I stomped my foot, glaring at the booth. I swallowed hard and then shoved my hot cocoa at Alexis. “You’re going to wanna hold that.. Just so I focus more on kissing him to prove your asses wrong and less on how much I want to dump it over his damn head.”
“I knew she had the hots for him!”
“You go girl! Go get your man, boo.”
I wanted to turn and shush them both, but I was too focused. I shoved past all the others and slammed a 5 dollar bill down on the false wooden tabletop. Then I grabbed hold of that ridiculous Burberry knockoff and tugged his mouth right against mine greedily, very nearly pulling the man over the table between us in the process. “Does this prove you wrong?” I muttered, a whine closely following as he seemed to pick up and clue in, his hands going to my hips, pulling me in even more before drifting upward and tangling in a half fallen down fishtail braid that I had my hair tied out of the way in. At first, I’d been gripping that stupid scarf to keep him close or push him away at will. But as his tongue boldly darted right past my lips and clashed with mine hungrily, I wound up gripping hold of a handful just to stay upright as the feeling in my legs proceeded to vacate, making them feel as if they were jello from the knee down instead. He chuckled as the kiss broke and we pulled apart.
I wiped my hand across kiss swollen lips and glared at him. “Well?”
“Oh, you proved something alright, princess. And if I didn’t have twenty five more minutes left in this booth..” Maxwell trailed off, his eyes roaming over me before settling on mine. The cocky smirk was gone, replaced by a more gentle one.
I was just about to walk away, go somewhere and take a few minutes to pull myself back together, but he caught up to me, tapping my shoulder. I turned and he grabbed my hand, pressing a slip of paper into it.
“If you want to get to know the real me, Jocelyn.. I have a 9pm reservation for us. Ask for Maxwell Friedman’s table.”
I eyed him as he shoved back through the crowd, taking a bow at the catcalls and cheering awaiting him as he took his place at his kissing booth again.
“Ooh… are you going?”
“Maybe.” I answered my friend Chandler’s question as I tried and failed at not staring at Maxwell intently…
Maybe I’d been wrong about the guy.
Maybe going tonight would at least be a fun distraction. One I’d been wanting for a while now….
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sinceileftyoublog · 3 years
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Pitchfork Music Festival 2021 Preview: 15 Can’t-miss Acts
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black midi; Photo by YIS KID
BY JORDAN MAINZER
While yours truly won’t be attending Pitchfork Music Festival this year, SILY contributor Daniel Palella will be covering the actual fest. If I was attending, though, these would be the acts I’d make sure to see. 5 from each day, no overlaps, so you could conceivably see everyone listed.
FRIDAY
Armand Hammer, 1:00 PM, Green Stage
Earlier this year, New York hip hop duo Armand Hammer released their 5th album Haram (BackwoodzStudioz) in collaboration with on-fire producer The Alchemist. It was the duo’s (ELUCID and Billy Woods) first time working with a singular producer on a record (though Earl Sweatshirt produced a track), and likewise, The Alchemist actually tailored his beats towards the two MCs. Haram is the exact kind of hip hop that succeeds early in the day at a festival, verbose and complex rhymes over languid, cloudy, sample-heavy beats, when attendees are more likely to want to sit and listen than dance. And you’re going to want to listen to Armand Hammer, whose MCs’ experiential words frame the eerie hues of the production. “Dreams is dangerous, linger like angel dust,” Woods raps on opener “Sir Benni Miles”, never looking back as he and Elucid’s stream-of-consciousness rhymes cover everything from colonization to Black bodily autonomy and the dangers of satisfaction disguised as optimism. (“We let BLM be the new FUBU,” raps Quelle Chris on “Chicharrones”; “Iridescent blackness / Is this performative or praxis?” ponders Woods on “Black Sunlight”.)  There are moments of levity on Haram, like KAYANA’s vocal turn on “Black Sunlight” and the “what the hell sound is this?” type sampling that dominates warped, looped tracks like “Peppertree” and “Indian Summer”, built around sounds of horns and twirling flute lines. For the most part, Haram is an album of empathetic realism. “Hurt people hurt people,” raps Elucid on “Falling Out of the Sky”, a stunning encapsulation of Armand Hammer’s world where humanism exists side-by-side with traumatic death and feelings of revenge.
You can also catch Armand Hammer doing a live set on the Vans Channel 66 livestream at 12 PM on Saturday.
Dogleg, 1:45 PM, Red Stage
It feels like we’ve been waiting years to see this set, and actually, we have! The four-piece punk band from Michigan was supposed to play last year’s cancelled fest in support of their searing debut Melee (Triple Crown), and a year-plus of pent up energy is sure to make songs like “Bueno”, “Fox”, and “Kawasaki Backflip” all the more raging. Remember: This is a band whose reputation was solidified live before they were signed to Triple Crown and released their breakout album. Seeing them is the closest thing to a no-brainer that this year’s lineup offers.
Revisit our interview with Dogleg from last year, and catch them at an aftershow on Saturday at Subterranean with fellow Pitchfork performer Oso Oso and Retirement Party.
Hop Along, 3:20 PM, Red Stage
Though lead singer Frances Quinlan released a very good solo album last year, it’s been three years since their incredible band Hop Along dropped an album and two years since they’ve toured. 2018′s Bark Your Head Off, Dog (Saddle Creek), one of our favorite albums of that year, should comprise the majority of their setlist, but maybe they have some new songs?
Catch them at an aftershow on Saturday at Metro with Varsity and Slow Mass.
black midi, 4:15 PM, Green Stage
The band who had the finest debut of 2019 and gave the best set of that year at Pitchfork is back. Cavalcade (Rough Trade) is black midi’s sophomore album, methodical in its approach in contrast with the improvisational absurdism of Schlagenheim. Stop-start, violin-laden lead single and album opener “John L”, a song about a cult leader whose members turn on him, is as good a summary as ever of the dark, funky eclecticism of black midi, who on Cavalcade saw band members leave and new ones enter, their ever shapeshifting sound the only consistent thing about them. A song like the jazzy “Diamond Stuff” is likely impossible to replicate live--its credits list everything from 19th century instruments to household kitchen items used for percussion--but is key to experiencing their instrumental adventurousness. On two-and-a-half-minute barn burner “Hogwash and Balderdash,” they for the first time fully lean into their fried Primus influences, telling a tale of two escaped prisoners, “two chickens from the pen.” At the same time, this band is still black midi, with moments that call back to Schlagenheim, the churning, metallic power chords via jittery, slapping funk of “Chondromalacia Patella” representative of their quintessential tempo changes. And as on songs like Schlagenheim’s “Western”, black midi find room for beauty here, too, empathizing with the pains of Marlene Dietrich on a bossa nova tune named after her, Geordie Greep’s unmistakable warble cooing sorrowful lines like, “Fills the hall tight / And pulls at our hearts / And puts in her place / The girl she once was.” Expect to hear plenty from Cavalcade but also some new songs; after all, this is a band that road tests and experiments with material before recording it.
Catch them doing a 2 PM DJ set on Vans Channel 66 on Saturday and at an aftershow on Monday at Sleeping Village.
Yaeji, 7:45 PM, Blue Stage
What We Drew (XL), the debut mixtape from Brooklyn-based DJ Yaeji, was one of many dance records that came out after lockdown that we all wished we could experience in a crowd as opposed to at home alone. Now's our chance to bask in all of its glory under a setting sun. Maybe she’ll spin her masterful remix of Dua Lipa’s “Don’t Start Now” from the Club Future Nostalgia remix album, or her 2021 single “PAC-TIVE”, her and DiAN’s collaboration with Pac-Man company Namco.
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Angel Olsen; Photo by Dana Trippe
SATURDAY
Bartees Strange, 1:45 PM, Red Stage
One of our favorite albums of last year was Live Forever (Memory Music), the debut from singer-songwriter and The National fanatic Bartees Strange, one that contributor Lauren Lederman called “a declaration of an artist’s arrival.” He’s certainly past arrived when you take into account his busy 2021, releasing a new song with Lorenzo Wolff and offering his remix services to a number of artists, including illuminati hotties and fellow Pitchfork performer (and tour mate) Phoebe Bridgers. Expect to hear lots of Live Forever during his Pitchfork set, one of many sets at the fest featuring exciting young guitar-based (!) bands.
Catch him at a free (!!) aftershow on Monday at Empty Bottle with Ganser.
Faye Webster, 4:00 PM, Blue Stage
Since we previewed Faye Webster’s Noonchorus livestream in October, she’s released the long-awaited follow-up to Atlanta Millionaires Club, the cheekily titled I Know I’m Funny haha (Secretly Canadian). At that time, she had dropped “Better Distractions”, “In A Good Way”, and “Both All The Time”, and the rest of the album more than follows the promise of these three dreamy country, folk rock, and R&B-inspired tunes. Webster continues to be a master of tone and mood, lovelorn on “Sometimes”, sarcastic on the title track, and head-in-the-clouds on “A Dream with a Baseball Player”. All the while, she and her backing band provide stellar, languorous instrumentation, keys and slide guitar on the bossa nova “Kind Of”, her overdriven guitar sludge on “Cheers”, cinematic strings on the melancholic “A Stranger”, stark acoustic guitar on heartbreaking closer “Half of Me”. And the ultimate irony of Webster’s whip-smart lyricism is that a line like, “And today I get upset over this song that I heard / And I guess was just upset because why didn't I think of it first,” is that I can guarantee a million songwriters feel the same way about her music, timely in context and timeless in sound and feeling.
Catch her at an aftershow on Saturday at Sleeping Village with Danger Incorporated.
Georgia Anne Muldrow, 5:15 PM, Blue Stage
The queen of beats takes the stage during the hottest part of the day, perfect for some sweaty dancing. VWETO III (FORESEEN + Epistrophik Peach Sound), the third album in Muldrow’s beats record series, was put together with “calls to action” in mind, each single leading up to the album’s release to be paired with crowdsourced submissions via Instagram from singers, visual artists, dancers, and turntablists. Moreover, many of the album’s tracks are inspired by very specific eras of Black music, from Boom Bap and G-funk to free jazz, and through it all, Muldrow provides a platform for musical education just as much as funky earworms.
Revisit our interview with Muldrow from earlier this year.
Angel Olsen, 7:25 PM, Red Stage
It’s been a busy past two years for Angel Olsen. She revealed Whole New Mess (Jagjaguwar) in August 2020, stripped down arrangements of many of the songs on 2019′s amazing All Mirrors. In May, she came out with a box set called Song of the Lark and Other Far Memories (Jagjaguwar), which contained both All Mirrors and Whole New Mess and a bonus LP of remixes, covers, alternate takes, and bonus tracks. She shortly and out of nowhere dropped a song of the year candidate in old school country rock high and lonesome Sharon Van Etten duet “Like I Used To”. And just last month, she released Aisles, an 80′s covers EP out on her Jagjaguwar imprint somethingscosmic. She turns Laura Branigan’s disco jam “Gloria” and Men Without Hats’ “Safety Dance” into woozy, echoing, slowed-down beds of synth haze and echoing drum machine. On Orchestral Manoeuvres in the Dark’s “If You Leave”, her voice occupies different registers between the soft high notes of the bridge and autotuned solemnity of the chorus. Sure, other covers are more recognizable in their tempo and arrangement, like Billy Idol’s Rebel Yell ballad “Eyes Without a Face” and Alphaville’s “Forever Young”, but Aisles is exemplary of Olsen’s ability to not just reinvent herself but classics.
At Pitchfork, I’d bet on a set heavy on All Mirrors and Whole New Mess, but as with the unexpectedness of Aisles, you never know!
St. Vincent, 8:30 PM, Green Stage
Annie Clark again consciously shifts personas and eras with her new St. Vincent album Daddy’s Home (Loma Vista), inspired by 70′s funk rock and guitar-driven psychedelia. While much of the album’s rollout centered around its backstory--Clark’s father’s time in prison for white collar crimes--the album is a thoughtful treatise on honesty and identity, the first St. Vincent album to really stare Clark’s life in the face. 
Many of its songs saw their live debut during a Moment House stream, which we previewed last month.
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The Weather Station; Photo by Jeff Bierk
SUNDAY
Tomberlin, 1:00 PM, Green Stage
While the LA-via-Louisville singer-songwriter hasn’t yet offered a proper follow-up LP to her 2018 debut At Weddings, she did last year release an EP called Projections (Saddle Creek), which expands upon At Weddings’ shadowy palate. Songs like “Hours” and “Wasted” are comparatively clattering and up-tempo. Yet, all four of the original tracks are increasingly self-reflexive, Tomberlin exploring and redefining herself on her terms, whether singing about love or queerness, all while maintaining her sense of humor. (“When you go you take the sun and all my flowers die / So I wait by the window and write some shit / And hope that you'll reply,” she shrugs over acoustic strums and wincing electric guitars.) The album ends with a stark grey cover of Casiotone for the Painfully Alone’s “Natural Light”; Tomberlin finds a kindred spirit in the maudlin musings of Owen Ashworth.
Get there early on Sunday to hear select tracks from At Weddings and Projections but also likely some new songs.
oso oso, 2:45 PM, Blue Stage
Basking in the Glow (Triple Crown), the third album from Long Beach singer-songwriter Jade Lilitri as Oso Oso, was one of our favorite records of 2019, and we’d relish the opportunity to see them performed to a crowd in the sun. Expect to hear lots of it; hopefully we’re treated to new oso oso material some time soon.
Catch them at an aftershow on Saturday at Subterranean with fellow Pitchfork performer Dogleg and Retirement Party.
The Weather Station, 4:00 PM, Blue Stage
The Toronto band led by singer-songwriter Tamara Lindeman released one of the best albums of the year back in February with Ignorance (Fat Possum), songs inspired by climate change-addled anxiety. While the record is filled with affecting, reflective lines about loss and trying to find happiness in the face of dread, in a live setting, I imagine the instrumentation will be a highlight, from the fluttering tension of “Robber” to the glistening disco of “Parking Lot”.
Revisit our preview of their Pitchfork Instagram performance from earlier this year. Catch them at an aftershow on Friday at Schubas with Ulna.
Danny Brown, 6:15 PM, Green Stage
The Detroit rapper’s last full-length record was the Q-Tip executive produced uknowhatimsayin¿ (Warp), though he’s popped up a few times since then, on remixes, a Brockhampton album, and TV62, a Bruiser Brigade Records compilation from earlier this year. (He’s also claimed in Twitch streams that his new album Quaranta is almost done.) His sets--especially Pitchfork sets--are always high-energy, as he’s got so many classic albums and tracks under his belt at this point, so expect to hear a mix of those.
Erykah Badu, 8:30 PM, Green Stage
What more can I say? This is the headliner Pitchfork has been trying to get for years, responsible for some of the greatest neo soul albums of all time. There’s not much else to say about Erykah Badu other than she’s the number one must-see at the festival.
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fanfics4all · 4 years
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Gabby
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Request: Yes / No 
Don’t be shy, request things! <3 Have a nice day/night
Spencer Reid x Fem!Male!Reader 
Word count: 4794
Warnings: Child abduction, Murder, Ya know Criminal Minds stuff
Y/N: Your Name 
Y/N/N: Your Nickname 
Y/L/N: Your Last Name
A/N: I’m doing this whenever I feel like it honestly lol 
PLEASE DO NOT STEAL MY WORK, I WORK HARD ON MY FICS AND IT’S NOT COOL TO STEAL SOMEONE ELSE’S WORK! 
If you want to be on the tag list for anything (My series fics, specific character fics, or just all of them) All you have to do is send me an ask and I will add you! 
Masterlist 
(Not my photo, credit to whoever made it!)
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We were on the jet quickly for this case. We were racing the clock for this one, something none of us loved doing. There was a lot of pressure with cases like this. A little girl was missing and Garcia was telling us the rundown. 
“It is now three hours and counting since four year old Gabby Hoffer was abducted from her cousin Sue Walsh’s car.” She said. 
“Why would anyone leave a little girl alone in a car at night?” JJ asked. 
“Sue told local authorities that she was a couple blocks from her house, she didn’t want to wake Gabby up, she was in and out of that mini mart in under four minutes.” Garcia answered. 
“That’s a pretty tight window of opportunity. Whoever took her must have been stalking them.” Morgan said. 
“Is there a history of child abductions in this area?” Alex asked and everyone looked at Hotch. 
“No, but the local registry shows a high concentration of sex offenders. We have no time to waste.” He answered. 
“We do have an eyewitness, but his recollection is limited to a dark van that he saw pull up next to Sue’s car.” Garcia said. 
“That’s pretty vague. So we don’t have a color or know who was driving.” Rossi said. 
“Are there cameras that we can look at?” I asked. 
“Yes, there is one camera, it’s in the store, but it’s ancient, but the footage is being sent to the lab right now for enhancement.” Garcia answered. 
“SSA Canning is on the scene with the southeast regional card team. They’re conducting neighborhood and roadblock canvasses.” Hotch informed us. 
“We all know what to do. If this is a stranger abduction, we’ve got fewer than 24 hours to bring Gabby back alive.” He added and I looked down at the tablet. Gabby looked like such a sweet girl, what monster could want to do anything to a child? Everyone ended up separating and working on their own theories, while looking over the little information we had. I was sat on the other side of the plane and Spencer came over. 
“Are you alright?” He asked and I looked up at him. 
“Yeah, cases like these always make me a little on edge, you know that.” I answered. 
“I think it makes us all on edge.” He said and I nodded. Spencer reached over and gently grabbed my hand. 
“She’s in good hands with us.” He said and I gave him a small smile.
“I know.” I said and gently squeezed his hand back. 
It was still dark out when we landed. We immediately hopped into the cars and went our separate ways. We had Garcia on the line to give us any more information we needed. 
“Garcia, where are Gabby’s parents?” Alex asked. 
“Away, but not together. They’re divorced. Mom, Kate, is coming back from a caribbean cruise with her new boyfriend. And Doug, Gabby’s bio dad, is a long-haul trucker who is on the road. And this is where bad turns to worse. Dad has a history of drug problems.” She answered. 
“Since Gabby’s under five years old and her father’s whereabouts are unknown, statistics say he’s more likely the offender than a stranger abduction.” Reid said. 
“He could have been the one who stalked them and grabbed Gabby.” Rossi said. 
“Morgan, you and JJ head over to Sue Walsh’s house. See if any of the neighbors have seen Gabby’s father lurking around.” Hotch ordered them. 
“Alright, got it.” Morgan said. They went to the house, while we went to the mini mart. The local PD had a set up of pretty much everything they needed. 
“Five hours and twenty-three minutes since Gabby was taken. Witness pulled up to pump number two here, saw the van parked there. Blocked his view of Sue’s car. Said the brake lights were on.” SSA Canning said as soon as we got out of the car. 
“The driver could have kept his foot on the brake while someone else used the sliding door to grab her.” Hotch said. 
“It’d be smart to use a partner out in the open like this.” Alex said. 
“We have nine registered sex offenders within three miles. Sometimes they work in tandem, we have teams going door to door now.” Canning said. 
“That’s good, cover your bases. But it’s the ones we don’t know about who are the most dangerous.” Rossi said. 
“What’s the word on the parents?” Spencer asked. 
“Mom and boyfriend Rodney are confirmed off conus. They’ll be at the P.D. soon.” Canning said. 
“What about the father?” I asked. 
“Still not answering his cell phone. It’s not pinging off any towers either.” She answered. 
“So he shut his cell phone off. That’s odd for a trucker.” Alex said. 
“Unless it’s a countermeasure. The dark van could have just been a transport vehicle to get Gabby to his truck.” Spencer said. 
“You’re thinking he waited for the opportunity to take her?” SSA Canning asked. 
“But would he really want to look suspicious like this? You’d think he’d be smarter since he took her out of the car and drove off in under four minutes.” I said. 
“He has motivation given that he lost custody. We should check rest stops for his truck as well.” Hotch said. 
“The problem is, interstate 59 is just three blocks away, and it goes to Louisiana, Alabama, and Georgia.” Rossi said. 
“We’ve got the borders covered. Nobody’s getting out of here without a fight.” Canning said. 
“Agent Canning, can you get video footage for us from a five mile radius? We need to see if there’s any video of this dark van coming or going.” Hotch asked. 
“Not much hope there, Katrina took out a lot of the security and traffic cams. They haven’t been replaced.” Canning said. 
“Is Sue inside? We need to talk to her.” Rossi said. 
“An Agent drove her home and is staying with her in case there are any ransom demands. She’s a wreck. Not sure you’ll get anything new. Excuse me.” Canning said and walked off. 
“Alright, Blake, you and Reid stay with Canning’s people. If Gabby was a victim of opportunity, then the unsubs didn’t have a plan and they could still be in the area. Dave and I will go to the police station and interview Kate and the boyfriend. Y/N, we’ll drop you off at Sue’s house, I want you to talk to her.” Hotch said and walked off with Rossi. I went to follow them, but Spencer stopped me. 
“Be careful.” He said quietly. 
“I will, you be careful too, okay?” I said and he nodded with a smile. I quickly followed the two men into the truck and we were off. 
Hotch and Rossi dropped me off and I knocked on the door. I noticed a woman looking at me from the house next door, but ignored it. The cop that was staying with her answered the door and I noticed Morgan and JJ inside. 
“Y/N?” Morgan asked and nodded at the cop to let me in. 
“What are you doing here?” JJ asked. 
“Hotch wanted me to talk to Sue, him and Rossi went to the station and Spencer and Alex are with Canning and her team.” I said. 
“Alright, well, we’ll go ask the neighbors some questions, you got this?” Morgan asked and I nodded. 
“I’m good, you guys go.” I said and they nodded. 
“We’ll wait for you outside when we’re done.” JJ said and I smiled. They left and I turned towards Sue. 
“Hi, I’m Special Agent Y/N Y/L/N, may I sit?” I asked and she nodded. 
“I’m sure you’ve answered these questions already, so I’m sorry, but I have to go through them with you again.” I said and she nodded again. 
“Was there anyone related to you that could have done this?” I asked and she shook her head. 
“No, Kate’s the only family I got. She’s more like a sister to me than a cousin.” She answered. 
“Her parents took me in after mine died.” She added. 
“I’m so sorry, were you young?” I asked and she nodded. 
“I was eight.” She said and started crying a little. 
“I’m sorry.” She said. 
“It’s okay, this is a hard time right now.” I said and gently placed a hand on hers. 
“Is it okay if I ask you some more questions?” I asked and she nodded. 
“Did anyone take a special interest in Gabby since you’ve had her? Like did anyone ask about her alot, or offer to watch her for you, anything like that.” I asked. 
“No. No. I always had her right by my side of me… except… I was only gone like one second! I got her to sleep finally and I didn’t want to wake her.” She cried. 
“I understand, but there’s nothing you can do about that now, okay? You just need to focus on helping us find her.” I said and she nodded. 
“So think back, was there a delivery man? A service worker? Anyone?” I asked. 
“No.” She shook her head. 
“A neighbor?” I asked. 
“No, nobody. I don’t know, maybe everybody. I mean she’s so nice. She smiles at everybody.” She answered. 
“What about her father? Have you seen him? Has he tried to contact you?” I asked.
“No, he’s always on the road. He never calls.” She answered. 
“Did he know that you were watching Gabby?” I asked. 
“I don’t think so.” She answered. 
“Okay, Sue. Do you know anyone with a dark van?” I asked. 
“No, no. I’m sorry, I just can;t even believe this is happening right now.” She said crying a little harder. 
“I know, but that’s all I need to know right now.” I said and got up. 
“Just stay here and call me if you remember anything else that could help.” I said and left my card on her table. 
“Thank you.” She said picking it up and looking up at me. I nodded with a smile and walked outside to see JJ getting in the car and calling someone. I quickly walked over and got inside. 
“She’s seen a van.” JJ said as we both got inside. 
“Please tell me she’s safe.” Garcia answered. 
“Not yet, but we’ve got a lead on a dark van. It could belong to a plumber, check local businesses.” JJ said. 
“Well, that’s hardly anything.” Garcia said. 
“You’ve had less.” JJ said. 
“True.” She said. 
“Come on, baby girl, we need an I.D. and location right now.” Morgan said. 
“Uh, there are four plumbers in the immediate area. I’m pulling registrations. Eh, white minivans are all the rage. There’s the little family plumber, they have a bluish van that’s dark.” Garcia said. 
“Run employee background checks.” Morgan said. 
“That won’t be hard. It’s only the owner and his nephew, Ian Little, 25. He was released last year, for slinging bennies and heroin.” She answered. 
“Where is he now?” I asked. 
“Sleeping, I imagine. I’m sending you his home address. There it is. Morgan started the car and we were on our way. 
“You find anything out Y/N/N?” He asked. 
“Nothing much. She was really stressed about everything. She couldn’t remember things very well and I didn’t want to push her too hard.” I said and checked my phone. Spencer had texted me and asked if everything was okay. I answered and told him everything was fine. 
Morgan, JJ, and I walked into the station with Ian Little. Morgan had him and his face was blood, but not from Morgan. Hotch and Rossi watched us take him in the back, but Hotch stopped me. 
“Anything from Sue?” He asked. 
“No sir, nothing.” I said and he nodded. 
“What is he doing here?” A woman asked walking out of a room followed by a man. I could only assume this was Gabby’s mother and her boyfriend. 
“What the hell happened to his face?” She asked. 
“You know him?” Hotch asked. 
“Yeah. Doug used to buy drugs from him. Do you think Ian helped him take Gabby?” She asked. Rossi walked off to follow Morgan and JJ into the interrogation room. 
“Y/N, go help Reid.” Hotch said and I nodded. I walked into the room they had set up for us and smiled at Spencer looking at a map and trying to figure something out. 
“Need some help?” I asked. 
“Hey, how did it go with Sue?” He asked with a smile. 
“Nothing really helpful, but we just brought Ian in.” I said and sat down near him. 
“The father wasn’t with him?” He asked. 
“No.” I said with a sigh and started off into the distance. I’m not sure how long I zoned out for, but Spencer had come sat next to me and placed his hand on mine. 
“Y/N.” He said and I shook my head. I looked at him and he looked back at me with concern. 
“Are you alright?” He asked. 
“Yeah, I’m fine.” I said. 
“Really? Because I’ve been talking to you for the past ten minutes and you looked like you weren’t hearing anything I was saying.” He said and I blushed. 
“Sorry, I guess I zoned out.” I said and he gently squeezed my hand. 
“What’s wrong?” He asked. 
“Nothing, come on, we have a girl to find.” I said getting up and started looking through some papers. Before Spencer could protest, Morgan and Rossi walked in. Morgan called Garcia. 
“Talk to us baby girl.” He said. 
“There are no calls, but Ian’s cell pinged off three cell phone towers outside of town on Sunday, Monday, and Tuesday. I sent you the locations.” She said. 
“Cell tower range and directionality can be dramatically influenced by atmospheric, electromagnetic, and traffic capacity variations.” Spencer said while drawing on the map. 
“Meaning?” Rossi asked. 
“He means a cell phone can travel to the same location but ping off of different towers on different days due to independent outside variables.” I said not looking up from the papers. 
“Garcia, can you see what’s at this intersection point?” He asked, making another mark on the map. 
“39-30 latitude, negative 89-42 longitude.” He said. 
“Uh, that would be the old little farm. And that’s little, not like diminutive, but little family. That’s where Ian grew up.” She said. 
“So Doug went missing three nights ago and Ian’s been at that farm each night since then.” Morgan said. 
“Holy crappy childhood.” Garcia said getting our attention. 
“You can’t make this kind of sadness up. It’s also the place where Ian’s dad killed his mother with a shotgun and then turned it on himself.” She said and I covered my mouth in shock. 
“Oh my God…” I whispered. Rossi took the map and went to go tell Hotch to try and get information. It was morning now and the team had found a body. Canning, Morgan, Spencer, and I were sent out to take a look at it. They set the body down in front of us and Morgan ripped open the bag. It was a man. 
“Who the hell is that?” Canning asked. 
“It’s our main suspect.” Morgan said. I shook my head and sighed. Spencer gently grabbed my hand and squeezed it. He usually didn’t do things like this while we were on a case, it wasn’t profesional. We all got in the car and headed to the farm to search for anything that could help us. 
“Searched the entire property. We found Ian’s van in the barn. No sign of Baggy anywhere. What have you got?” Canning asked us when she came back after half an hour. 
“Coroner says Doug died from blunt force trauma to the head. Then it looks like Ian tried to burn Doug’s body here, which, of course, was harder than he thought it would be, so then he dumped Doug's body in the water.” Spencer answered. 
“Sounds like rage followed by just about every disposal method that we know of.” Morgan said. 
“Even wrapped the body, weighed it down with rocks. Could it be remorse?” Canning asked. 
“It’s more like concealment. We see it alot when there’s a connection between the vic and the killer.” Morgan said. 
“Coroner says Doug’s been dead for at least 72 hours.” Spencer said and Morgan looked at me with a raised brow. He knows I’m never usually this quiet. 
“That would be the same day he got here.” Canning said. 
“So what did this guy do to get himself killed?” Morgan questioned looking at the burnt dirt that we stood around. Canning left soon after to go back to the station. 
“What’s up with you girl?” Morgan asked and I looked at him confused. 
“What?” I asked. 
“You’re never this quiet, what’s up?” He asked. 
“Nothing, I was just thinking too much, sorry.” I said and started my way to the car. When we got back everyone was in the room they set up for us. We were going to go over what we know. 
“We know that Ian picked up Doug on Sunday, then he was killed. What if they surprised Sue at the house?” Rossi asked. 
“And Doug was threatening to take Gabby.” Morgan said. 
“They could have been trying to protect Gabby from him and he was killed by accident.” Spencer suggested. 
“Except they went to extravagant lengths to cover it up.” Alex said. 
“Okay, that may be true, but it still doesn’t answer where Gabby is or what anyone’s motivation is in hurting her.” I said and everyone looked at me. 
“We can keep theorizing, but every minute we do is a minute Gabby is out there.” JJ said. 
“Dave.” Hotch said and he and Rossi walked off. 
They came back fifteen minutes later and informed us that Ian told them what happened. That Sue killed Doug because he was trying to see Gabby. Morgan and JJ were sent to Sue’s house to see if it was true. One they found the proof Hotch, Alex, and Rossi went in to see how she reacts. 
“Kate’s right. Sue’s never gonna tell us where Gabby is. It’s her final move to punish Kate.” Hotch said walking in the room with Rossi and Alex. 
“Sue wants to inflict maximum pain upon Kate.” Spencer said. 
“So you’re thinking she’ll do whatever it takes to make Kate suffer and keep on suffering.” Rossi said. 
“Not knowing what happened to your child would be the ultimate torture for any parent.” I said. 
“But if Sue killed Gabby, chances are eventually we’d find the body.” 
“She’d need to find a way to get rid of her permanently, without killing her.” Rossi said. Everyone went their separate ways to try and figure out how to find this little girl. Spencer had pulled me over to the side, but before he could say whatever he wanted to say, his phone rang. 
“It’s JJ and Morgan. Hello?” He answered and put it on speaker.  
“Nothing’s out of place. In fact, all of Gabby’s things are packed up as if she was preparing to go back home.” JJ said. 
“That’s strong evidence of a false allegation.” Spencer said. 
“So all of this was arranged by Sue for what? To get back at Kate?” Morgan asked. 
“You should have seen her with Kate. She was relentlessly sadistic.” I said shaking my head. 
“So, Sue planned this with whoever was in the dark van. But there doesn’t seem to be any paper trail of it here.” JJ said. 
“And there’s no electronic trail either. There’s no computer or cell phone. Outside of a landline, this girl’s living tech-free.” Morgan said. 
“That’s because she’s hiding something.” Spencer said. 
“Yeah, Alright guys, thanks.” Morgan said and hung up. 
“Before any other interruptions come up, what’s wrong? And don’t tell me nothing because I know it and so does the rest of the team.” Spencer said and I sighed. 
“I didn’t see it…” I said and he looked at me confused. 
“I didn’t see through her act.” I said and he sighed. 
“It’s not your fault Y/N, people like her are good at hiding what they really feel.” He said and I shook my head. 
“If I saw it earlier we wouldn’t have wasted so much time!” I said and he pulled me to him. 
“It’s not your fault, none of us saw it.” He said. 
“But I’m the one that really talked to her. If I wasn’t so distracted I could have maybe seen it!” I said. 
“What’s got you so distracted?” He asked. 
“We found something.” Alex said before I could answer him. 
“Sorry, did I interrupt something?” She asked. 
“No, we were just talking, we’ll be right there.” I answered and she nodded. She left and Spencer let go of me. 
“Tell me what’s wrong.” He said and I shook my head. 
“It’s not important now, finding Gabby is.” I said and walked off to join the rest of the team. They caught us up to speed and then we were going to tell Canning.
“Disrupted adoptions?” Canning asked. 
“That’s what the people involved are calling it. They’re also referring to it as re-homing. And it’s been happening underground for some time now.” Spencer said. 
“Until now, it’s mainly been overwhelmed adoptive parents of problem children from overseas.” Alex said. 
“Good people go on the site looking for guidance or services, but bad people offer to take problem kids off their hands as a last resort.” Spencer said. 
“So they just give them away to some random couple?” Canning asked. 
“Calling them couples is a bit generous.” I said. 
“The article talks about these people who pose as families, but really they’re just freaks looking for access to kids.” JJ said. 
“And no one’s keeping track of them…” I added. 
“Why isn’t this illegal?” Canning asked. 
“Well, ‘cause it’s a relatively new practice, and unsurprisingly, no legislation’s been written yet.” Hotch said. 
“So how did Sue manage to give Gabby away?” Canning asked. 
“She posed as Gabby’s mother and gave her to a woman who claimed she knew how to deal with troubled kids.” JJ answered. Garcia had been working on a list of possible people while we were talking. 
“Garcia, we’re out of time, we need something.” Hotch said. 
“Okay. There are three families who responded to Sue’s post.” She answered. 
“Do any of them own a dark van?” Rossi asked. 
“There’s a Nicole Jones. She owns a blue ‘03 caravan. She lives in a shack twenty miles south of where you are off interstate 59.” She answered. 
“Let’s go.” Hotch said and we were on the move. We got to the house, guns out and ready. Spencer, Alex, and I went around back where we found a barn. We walked inside and found her hide. 
“Guys!” Reid called as she slowly rose up with her hands in the air. 
“D-don’t shoot me.” She said. 
“Where’s Gabby Hoffer?” Spencer asked. 
“She’s gone.” She answered and we cuffed her. She wouldn’t say anything more. 
“She must have panicked and gotten rid of Gabby.” Alex said. 
“This poor girl…” I whispered. 
“Garcia, who else from the area answered Sue’s post?” Hotch asked. 
“Uh… There’s one woman, Michelle Fader. She ran in the same sick circles. And she owns an old van. This Fader’s a real winner. She was evicted from her last known address.” Garcia said. 
“They probably won’t risk going back towards the abduction site, which means they’re headed southwest. Let’s go.” Hotch said and we all went back to the cars. 
“Okay. The woman I hope you’re about to arrest had all her biological kids taken from her five years ago because another child died while in her custody.” Garcia said while we were on the road. 
“She was never charged?” JJ asked. 
“Oh, no, she was, but for neglect. She didn’t spend a minute in jail. Social workers haven’t come by her house at all because none of her kids are in her custody.” Garcia answered. 
“They have no idea she’s been finding new children online…” I said shaking my head. 
“Those poor little darlings are being treated like trash. They don’t know that anybody cares. We care. We care.” Garcia said. 
“Garcia, widen your search to any known male associates of Michelle Fadeer.” Hotch said. 
“Yeah, will do.” She answered. 
“Oh… I got a picture of Fader with some guy who could win sleaze of the century award. And he’s got his arm all possessivey around a sweet little girl.” She said. 
“Run facial recognition software and get an I.D. on him.” Morgan said. 
“Okay, I got a match. Micheal Feehan. He is the perv in the picture with Fader. He’s not in any registries, but he has got a list of accusations. None of them were proven because all of the victims were too young.” She said and I had to hold back tears. 
“Garcia, did you get the address?” Hotch asked.
“Running it now.” She said. She sent it to us and we got there as quickly as possible. 
“Please, give me a reason.” Rossi said pointing his gun at Feehan. 
“What the hell is goin’ on!?” A woman shouted coming out of a room. 
“Michelle Fader, you’re under arrest for staging a child abduction.” Hotch said and put his gun away. 
“I didn’t do nothin’. Look, I was trying to help that girl.” She said. 
“You have the right to remain silent.” Hotch started reading her, her rights.  
“I have only tried to help that girl. She wanted a fresh start. She couldn’t take care of her own babies anymore.” She shouted as Hotch and Spencer took her out. JJ and I walked further in the house trying to find Gabby and possibly the other kids. 
“We’ve got Gabby. And there are other kids back here.” JJ called. 
“Are you okay?” I asked, bending down. 
“Can you take me home now?” Gabby asked and I smiled at her. 
“Yes, sweetheart. We’re gonna take you to your mommy.” I said and she smiled. Spencer had come over and smiled at me. 
“Okay, come on.” I said and lifted Gabby up. The other two kids followed and we took them back to the station. 
“Mama!” She shouted as soon as she saw her. I set her down and she ran up to her mother. 
“Oh, my sweet baby!” Kate said and held her in her arms. 
“I missed you, mama.” Gabby said. 
“I missed you so much.” Kate said. 
“Why are you sad?” Gabby asked. 
“I’m not sad.” Kate answered. 
“So those are happy tears?” Gabby asked, wiping the tears off her mother’s face.
“Yep.” Kate answered and I walked back to the team. 
“Y/N… you okay?” Morgan asked, placing a hand on my shoulder. 
“They don’t have anywhere safe to be…” I said looking at the other kids. 
“It’s not ideal, but they’ll be in foster care. Until they find a family.” Alex said. 
“Yeah, but how many more kids like that are out there?” Rossi asked. 
“That’s a good question.” Hotch said and Spencer pulled me into another room. 
“Are you better now that we found her?” He asked and I nodded. 
“Yeah, a little…” I said. 
“Now will you tell me what’s had you so distracted?” He asked, grabbing a hold of my hands. 
“I’m pregnant…” I whispered, looking at the floor. 
“W-what?” He asked, shocked. 
“I’m sorry.” I cried, but Spencer pulled me to him. 
“How long?” He asked. 
“I found out last month. I didn’t know how to tell you.” I cried. 
“Shhh, it’s okay.” He whispered and tried to help me calm down. 
“I’m going to be a father?” He asked, making me look up at him. I nodded with a slight frown and he furrowed his brow. 
“What’s wrong? You’ve always wanted kids.” He asked. 
“I know, but do we really want to bring a child into this world? I mean just look at how many monsters are out here and that’s just the ones we know of…” I said and he gently grabbed my face and kissed me. 
“Yes, the world is messed up, but we help make it a better place.” He said. 
“I know, but-” 
“But nothing Y/N, you’ve always talked about how badly you want kids and although it’s a little earlier than I thought it would be, I’m excited to be a father.” He said and I smiled. 
“It’s not too early for us?” I asked. 
“We’ve been together a year, I think it’s okay, if it’s okay with you.” He said and I smiled. 
“We’re gonna be parents.” I said and he kissed me again. 
“We’re gonna be parents.” He whispered back. 
Tag list: @les-bio-lie​ @tashy-bear​ @xrosesareredx​ @ashwarren32​ @hollie-blogs​ @schisbro87​ @lover-of-books-and-teas​ @nerdygaloresposts​ @alex--awesome--22​ @teenwolfbitches2​ @genius2050​ @drw0301bieber​ @softgamerking​ @lady-of-lies​ @simonsbluee​ @ravenmoore14​  @pettyjayy​
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ddixons-angel · 4 years
Text
Fated: Season 1
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Summary: Gloria Rhee narrowly escapes Atlanta with her brother as the outbreak reaches the city. Luckily, they find a camp outside the city and together, they fend through encounters with the living and undead. 
Starts a little before Season 1 and then follows the main storyline of the show.
Pairing: Daryl Dixon x Glenn Sister!OC
Warnings: major TWD spoilers, language, violence (the typical TWD stuff)
To be Updated every Monday!
A/N: Hi hi! I’m super duper late to this bandwagon, aren’t I? Hehe. This is my very first ever fic based on The Walking Dead and it is basically a rewrite of the entire show with a character insert. This fic will revolve around this character so there will most likely be some major points that change or be omitted to fit the story. I’ve never actually written a fic that follows the set storyline of a show before, so please bare with me! 
I’ll most likely split this into segments based on each season of the show. Like one season will be posted in a consistent timeframe and then I’ll have a break, then post the next season, so on and so forth. Or if any of you have a better idea of how I can split this, please let me know!
Chapter 1:
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A hot summer day in the middle of August, screams of terror and pain are heard all over the bustling streets of Atlanta, Georgia. People running for their lives, some trying to get into cars, some abandoning their already crashed cars; it’s a complete disaster. Police and ambulance sirens echo throughout the city, the service workers doing their best to put an end to the violence and rescue as many people as possible. Injured civilians are rushed into the hospital, cries of pain and fear sound through the halls of the emergency ward.
“Seriously, what the hell is going on…” Gloria Rhee exclaims to herself as she rushes down the hall to the emergency ward where she was called to assist.
“Gloria! Come here, I need your help.” an older woman beckons her over as she is wheeling a patient on a gurney to a room.
Gloria rushes over immediately and assists in pushing the gurney, she glances at the patient and isn’t able to ignore the patient’s injury; it looks as if they’ve been bitten.
“Doc, I don’t think they’re going to make it.” Gloria tries to say calmly, “the wound is still bleeding and by the looks of it, they’ve already lost a lot of blood.”
“That doesn’t mean we give up.” the woman gives Gloria a stern look and they push the gurney into the designated room.
Once the patient is in the room, the older woman gets to work with Gloria assisting her. They attempt to stop the bleeding and stabilize the patient, but soon realize that their attempts are futile; Gloria was right, they had lost too much blood. The older woman looks at Gloria with sad eyes and announce the time of death.
“Come on, it’s a complete mess out there, they need our help.” The woman says as she puts her hand on Gloria’s arm and starts to lead her out of the room.
Gloria nods and takes one last look at the patient and stops, “Wait, doc, look!” 
The older woman looks back at the patient and is shocked to see that the patient had woken up, but they seem different. Before Gloria could say anything about how empty the patient’s eyes look, the older woman had made her way to the patient already to check on them. To their horror, the patient is unresponsive to the doctor’s questions and instead snarls as they grab the doctor and sink their teeth into her, causing an agonizing scream. 
“Oh my god…” Gloria watches, horrified and unsure of what to do as the patient devours her now dead superior. 
Fear and panic take over her as she runs out of the room, screaming for help only to stop in her tracks as she takes in the scene in front of her. Patients, doctors, nurses, are all screaming as they are being eaten alive. Gloria looks around her and takes off to the nearest emergency exit. Once outside the hospital, she looks around only to see a similar scene out in the streets. 
“Glenn…” Gloria breathes the name of her brother and runs off to find him.
Dashing down the streets and jumping over cars, she reaches her first destination, Tony’s Pizzeria. Gloria opens the door to the restaurant to find that it’s completely trashed, the owner of the place on the ground and bleeding out. 
“Tony!” Gloria kneels down beside him and sees another bite on the man’s collar, “you have a first aid kit in here somewhere, right? We gotta get you patched up, come on.”
She attempts to help him up but he stops her, putting his arm on her shoulder, “No, you can’t, I’m already done, they got me.” 
“What are you talking about?! You’re bleeding out, we gotta-”
“What you gotta do is find Glenn and get the hell outta here! Watch out for those undead freaks, once you’re bit..” he looks at his own injury and chuckles bitterly, “you’re a goner.” 
Tears threaten to fall from Gloria’s eyes as she registers his words, “where is Glenn?”
Tony coughs and breathes heavily, “T-the last order I-I told him to make…was to that warehouse by N-Nelson’s. You know where that is?”
Gloria nods, “I do…I do, thank you…”
All the life in Tony’s eyes leave him as he breathes his last breath, smiling softly at Gloria. She sniffles and stops her sobs, getting up, she rushes into the kitchen to find something, anything, to arm herself with. She finds a large knife and comes back out to the front of the restaurant. She freezes when she sees Tony’s dead body starting to move and she hears a familiar snarl. 
“That’s what he meant by undead freaks…” Gloria whispers the realization and watches the undead corpse slowly getting up and finally notices her.
Knife in hand, Gloria prepares to run by the corpse without getting touched. She dashes between tables, only to trip on an already fallen chair and the corpse reaches for her. It’s jaws snapping at her while it’s hands grab hold of her shoulders. Gloria struggles, stabbing the corpse in the chest and shoulders but to no avail, it just kept trying to bite her. She uses all of her strength to hold him above her.
“Come on, think….” Gloria glances at where she had stabbed. 
It’s lungs are punctured and multiple stabs in the heart; Gloria looks up at Tony’s dead face and makes one last educated guess, the brain. She lets out a battle cry and pushes the corpse off her, then gets up and plunges the blade into the head of the corpse. It stops moving instantly. 
Gloria collapses back and reevaluates what just happened, “Holy shit…”
She composes herself again and yanks the knife out of the head of Tony and steps outside the restaurant, back onto the streets. Chaos is everywhere as everywhere she looks, there is blood and gore. 
“Fuck… I gotta find Glenn…”
— 
Gloria makes it to the warehouse that Tony had told her to go to find Glenn, but she isn’t able to get close to the warehouse as there are undead corpses roaming everywhere. The last thing she wants is to get caught in a crowd of those things. She thinks for a moment and decides to take a chance and head back home, thinking that Glenn might be there waiting for her already. Taking one last look around, Gloria heads back to her and Glenn’s apartment building, doing her best to avoid the undead on the way, only killing them if absolutely necessary. Thankfully, the lobby of her apartment seems clear of the undead, although there are smears of blood on the wall. 
“Glenn?” Gloria calls out when she opens the door to her apartment.
She sighs when she finds that the apartment is empty. Their apartment is still relatively clean, no sign of any rummaging through their things which tells Gloria that Glenn hadn’t come back to pack anything either. Gloria quickly goes to her room, grabbing her large duffle bag and any essentials. Before exiting her room, she catches her reflection in the mirror. Her nurse scrubs splattered with blood. Gloria decides to change out of her work uniform, just to prevent Glenn from running the opposite way when he sees her in bloody clothes. She packs her bag with clothes, water bottles, and any food she can find in their fridge and cupboards. With a full bag and the sheathed kitchen knife set her father gave her, she heads out of her apartment. 
Gloria pushes the door to her apartment building open, rushing out and not noticing that there are undead outside roaming and once they see her, one of them grabs her arm, pulling her towards them. She lets out a yelp and quickly stabs the one who grabbed her in the head, freeing her of it’s grasp and she runs away. She reaches a quieter street with less undead corpses, most of them distracted as they feast on other dead bodies. 
“Glenn!” Gloria yells out in desperation for her brother.
She looks around and soon realizes that she should not have yelled. The undead corpses which were originally busy feasting on their kill now have their attention on her, fresh meat. They all start to make their way towards her, snarling and groaning, attracting more undead to the area with noise. 
“Shit..” Gloria mutters under her breath as she tries to find a way out of this mess she brought upon herself.
Looking behind her, she finds a somewhat clear pathway and retreats through there, putting down and pushing away any undead that come close to her. Her path gets blocked off by cars and many more undead corpses, her only exit is to climb the cars and jump to the other side. Before she’s even able to climb on the hood of the car, hands grab at her legs and pull her back. Gloria struggles to break free, kicking at anything that comes close to her, attempting to stab at the ones holding onto her. She plunges her knife into the skull of the main undead corpse holding onto her, she frees herself but is unable to take her knife out of the skull. Giving up on the knife, she tumbles to the other side of the car where more undead are waiting for her, she dashes at any opening she can find through the hordes and finds herself backed into an alleyway, the horde blocking all exit paths for her. 
“Gloria! Gloria! Up here!”
She knows that voice. Looking up to find where the voice is coming from, Gloria sees her brother looking down at her from the roof of a building. Relief washes over her as she finds that he’s alive.
“Climb the ladder! Now! Hurry!” Glenn instructs her, his eyes glancing back and forth from her to the horde.
Without any hesitation, Gloria grabs onto the ladder mounted at the side of the building. She quickly climbs up, escaping the grabbing hands of the hungry undead in the alley. Glenn reaches out to her as she closes their distance and helps her over the ledge of the building. 
“You okay?” Glenn asks, his hand patting his sister’s back.
Gloria nods, out of breath from the near-death experience, then pulls him in for a tight hug, “I’m so glad you’re okay.” 
“Me too. Come on, let’s get out of here.” Glenn takes the lead.
“Wait,” Gloria stops him, she begins to dig into her bag and pulls out two knives that she packed from their apartment, giving one to Glenn, “Here, and don’t make any noise, they’re attracted to sound.” 
Glenn takes the kitchen blade from her and chuckles, “you brought the knife set dad gave you?” 
“Yeah, well, they’re finally coming in useful.” Gloria zips up her bag and puts it back on her back and starts walking with Glenn.
“Not really, those things are already dead, what good will a kitchen knife do?” Glenn exclaims, his voice full of worry, “how are we gonna stop them?”
Gloria points to her right temple, “It has to be the brain, something probably respawns there when they die so destroying that must kill them permanently.”
“Wow…they teach you that in Health Sciences too?” Glenn laughs.
“No, you dumbass. Let’s just say, I found out by killing your boss.” Gloria said as she looks down to the streets on the other side of the building, “this part seems clear. Hang on…where the hell are we even trying to go?” 
“Well…we wanna get away from all of this, so if there are no people, there won’t be any of these dead…undead things.” Glenn suggests.
“So we’re leaving the city.” Gloria concludes. 
She looks over at her brother and then back down at the streets. Glenn turns serious and tucks the sheathed knife into his belt, lightly pushing Gloria out of the way and climbs first over the ledge, carefully climbing down the ladder. Gloria follows him and soon they’re running through discreet pathways through the city. As Glenn was a pizza delivery guy, he knows all the best and quickest routes to anywhere in the city, including out of it.
“Never thought that delivering pizzas would give me such a useful skill.” Glenn grins as the two made it to the outskirts of the city.
As Glenn had predicted, the outside of the city didn’t have as many undead corpses since there weren’t that many people there either. There were more abandoned cars scattered along the roads, and one with tinted windows catches Glenn’s attention. 
“Woah! Look at this!” Glenn gleems excitedly, running over to the car, “It’s an RX7! I’ve always dreamed of driving one of these.”
Gloria rolls her eyes as she follows him, “Glenn, now is not the time for you to nerd out over your dream cars.” 
“I’m not nerding out! We won’t be getting far by foot, but this baby will take us to the next state! I’m gonna try to hotwire it.” Glenn says excitedly and goes over to the driver’s side.
“Do you even know how to? Just because they make it seem easy in the movies, doesn’t mean it is.” Gloria follows him, looking around in case their conversation attracts any undead. 
“That’s where I think you’re wrong si-” Glenn opens the door to the car and is surprised by an undead corpse in the driver’s seat lunging out at him, causing him to fall with the corpse on top of him. 
“Glenn!” Gloria shouts in panic, about to take her knife out from her belt when she hears the loud bang of a gunshot. 
The corpse on Glenn stops moving completely as he pushes it off of him. Gloria rushes over to help him up as they both look around for their saviour. 
“You two okay? He bit?” a voice calls out.
The siblings turn in the direction of the voice and see a man holding a handgun walking closer to them. Gloria looks over to Glenn at his question, holding her breath in fear as she searches his body for any injuries and lets her breath out when she doesn’t find any.
“I’m good, I’m good." Glenn reassures both of them, “Thank you, you saved my life.” 
The man nods and smiles at them, “No problem, saw a guy who needed help, and I helped. Name’s T-Dog.” 
Gloria chuckles, “T-Dog?”
“Well, okay real name Theodore Douglas, but everyone likes to call me T-Dog.” he laughs.
“Glenn.” he introduces himself and offers his hand out for a shake.
“Gloria.” she does the same, “so, where are you headed?”
T-Dog shrugs, “I don’t know, honestly, anywhere but here. What about you two?”
“We don’t know either, but like you, we don’t want to be anywhere near the city when it’s crawling with those things.” Glenn explains.
T-Dog nods, “Hey, tell you what, I got a van and we can travel wherever together, I don’t know about you guys, but I don’t think traveling alone is the best idea.” 
“You’re right, traveling alone is good for stealth and being quiet but with company, at least you have people who can watch your back.” Gloria says, crossing her arms and looks at Glenn.
He nods, “alright, I guess we’re a group now.” 
T-Dog leads the siblings to his van that he parked between a rummage of cars, disguising it as a broken down van so that no one would try to steal it. They get in and T’ starts the van, and they start to drive down the road heading to God-knows-where. Gloria and Glenn ask T’ questions to get to know the man better; it turns out that he used to play football and just before he found Glenn and Gloria, he went around rescuing the elderly from the undead. Then it’s T-Dog’s turn to ask questions, letting him learn about Glenn being a pizza delivery guy and Gloria an intern nurse studying to become a doctor. 
“So uh, I don’t mean to make this awkward but, are you two a thing or nah?” T-Dog questions hesitantly. 
“Sister! She’s my sister!” Glenn is quick to answer causing T-Dog to laugh. 
“Sorry! Sorry, I wasn’t sure and didn’t want to jump to conclusions just because you’re both Asian.” T-Dog defends himself.
Gloria chuckles as she starts to rummage through her bag, “It’s alright, honestly, we get that a lot. Mainly because people think we don’t look anything alike.” 
T-Dog glances over at them and back at the road again several times, “Nah, I can see the resemblance now that I actually look.” 
Glenn and Gloria laugh at this, then she pulls out three water bottles from her bag and a few snack bars, handing them over to Glenn and T-Dog. The three of them drive while eating and talking amongst themselves for what seems like hours until T’s van runs out of gas. Fortunately, Glenn tells them that he knows that there is a gas station not too far away and the siblings volunteer to go scavenge for gas as it’s T-Dog’s van, he needs to stay with it. They head off and find the gas station Glenn was talking about. Glenn starts to pump gas into containers while Gloria goes to scavenge more food and supplies. After getting as much as she can, Gloria rushes back out to meet with Glenn.
“Stop right there!” a deep voice calls out. 
Glenn looks over in the direction of the voice and sees a man with bushy hair wearing a sheriff uniform pointing a gun at Gloria. He quickly puts down the can of gasoline and raises his arms.
“W-we don’t want any trouble man, we were just getting gas.” Glenn tries to stay as calm as possible.
Gloria stands still, eyeing the man as he also analyses the two of them. 
“You guys got a group? A camp?” the man asks, his gun still pointing at Gloria.
“No. No, we don’t. We have a van and owner of said van.” Gloria replies, sarcastic and snarky remarks are her go-to defense mechanism which sometimes drives Glenn completely crazy especially given the situation they’re in.
“Is that what the gas is for?” the sheriff asks, his gun gestures to the canister of gas Glenn had gathered.
“Yeah, we were trying to get away from Atlanta but then ran out of gas.” Glenn explains, thinking that if they answer truthfully, this sheriff might let them go unscathed. 
The sheriff doesn’t seem to see them as a threat anymore as he puts his gun back into its holster, “My name is Shane, I have a camp at a quarry with others and we’re trying to build up our group. Safer in numbers, you get the deal. Would you two like to join us?” 
Gloria glances at Glenn and when he’s about to accept the offer, she speaks up, “how do we know we can trust you, I mean, you literally just pointed a gun at me.”
Glenn mentally facepalms as Shane chuckles, “you’re right, I did just point my gun at you, but you have to realize that I did it because I don’t know you, there are dangerous people out there and I’m not even talking about the walkers.” 
“You’re right! But you can trust us, we’re both good.” Glenn butts in, hoping his sister will shut up.
Shane smiles and nods, “let’s get going then,” he turns around and starts to walk them the way to the quarry.
“Wait,” Gloria calls out, “we weren’t lying about us having a van, our friend is back there waiting for us, he’s good too.” 
“Okay, let’s go get him, then.” 
Shane leads the siblings back to his car and they drive to where they had left T-Dog and his van. After explaining the situation to him, he agrees to go, liking the fact that they will have an actual camp to stay in. The four of them head off to the quarry and Shane introduces them to the inhabitants of the camp. Dale, an older man who owns the RV, gives them two tents and welcomes them to the group and camp. They get to know a few of the people living there and learn that they all refer to the undead as walkers, a term that they became used to as well.
 A few days after the siblings got settled into the camp, Gloria finds that the group is almost out of water bottles. One of the members of the camp, Amy, told her that there is a stream in the woods that carries fresh water to the pond, and so Gloria went to fetch water for the group. Easily, she found the stream and starts to fill up water bottles and soon enough all the empty bottles she brought with her are now filled. Gloria starts to head back to the camp with the water in her bag when she spots something on the ground, a dead rabbit with an arrow sticking out of it. She leans down and picks it up, frowning at the death of such a cute animal when a voice cuts through her thoughts.
“Hey! Tha’s my rabbit!” 
Gloria looks around the woods, trying to find the owner of the voice and apparently rabbit, when her eyes land upon a rough looking man holding a crossbow aimed directly at her. And if looks could kill, Gloria was sure she’d be dead with the way those piercing blue eyes bore into hers. 
Next Chapter
That was chapter 1! A long one but I wanted to set the flow. I know there was barely any Daryl in this chapter, but I promise there will be more in the next one! It actually starts with Gloria talking to Daryl. Anyway… Hope you all like it! 
I would really appreciate any comments left for me! I’ll be replying to any comments in a new post because this is a sideblog! 
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shaekingshitup · 5 years
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Grindin
A/N: EEEPP. This is my first attempt at a reader insert. Reader is always gonna be black. I missed a many of days. Here is the day 3 prompt because I liked this idea! Kind of based off my favorite coffee shop. Maybe I’ll do more for this lil story? 💁🏿 The chime for the door is literally from this song here. 
Summary: Reader goes back home to open a coffee shop and meets a man that stirs some things in her. 
“I love the concept,” you commented, “ I know we were only interested in black and blue originally. But can you do a mock up with gold lettering as well?”
“YAS! THAT! I like THAT! exclaimed Ray
“Already done,” Lulu noted and pulled out a secondary growler mock up from behind the print that you were assessing.
“You know me so well,” you smiled.
“Yeah, your ass is kinda predictable” she smiled back which earned her a tongue out.
This was your first meeting of the month and so far everything was going great. You loved that you could live out your dreams with the two people you trusted more than anyone in the world. Lulu had been by your side since you both realized you were the only two Spelman freshmen who were both from Cali in your class.  By your second semester y’all were so inseparable that everyone thought you were sisters. And by year 2 you were already living together. Thank God y’all had separate interests which kept your friendship and now your business in a healthy and ever growing state. You were engrossed in the world of science. You had been a bio major who often volunteered at the local greenhouse. That helped you establish your small but busy coffee shop a year and a half ago. Lulu was a graphic artist whom also was in charge of all Grindin social media and the unofficial pastry taste tester. Ray had come along when the ladies were rooming together off campus. He was a community college to 4- year transplant at Clark Atlanta but the boy was born and raised in Macon, Georgia and he’d never let you forget it. It was evident that once he met the girls at a mixer in his first week, the friendship was a wrap. That spawned regular visits back to his parents’ homes on the weekends and even some holidays spent in the south. After graduation, the bond never broke. You and Lulu returned to Cali with Ray in tow so that he could use his business degree to help birth Grindin.
You glanced over to Sherell. The Brewista Lead for the morning shift. You knew that Sherell had been strugglin to keep up a healthy sleeping schedule with finals right around the corner and the nerves of her impending graduation from Lincoln. She was a sweet girl and you couldn’t stand to see her bare any more stress. You were so caught up in your thoughts about Sherell that you had missed the very clear topic change amongst your friends.
“Okay, but that nigga’s arms? They biggg. You know what that mean!” sad Ray pointedly at Lulu
“HA” she cackled, “ that don’t mean nothin’. My guy has really soft eyes and you know Y/N loves a guy who is easy on the eyes,” Lu quips
“Bitch, you see the caterpillar above those eyes? We don’t nee her birthin the next Helga Pataki in these streets”
“Ugh” you groaned as you rubbed your temple. “I don’t know how many times we have to have to do this but I do not under any circumstances want you two meddling in my love life,”
“But” they chorused.
“BUT NOTHING! Every human with an assumed penis and who looks like they got more than $150 in the bank becomes a contestant for your little game of ‘Win a Date with Y/N’! I run a coffee shop! Not a dating service. I’m done explaining shit to y’all. Stop harassing my customers and let my ass worry about who I am with! I mean that shit.”
“I told you we should have started addin females to the list,” whispers Ray as you walk over to the counter.
“Raymond Johnson the IV and Eyeluta Nicole Hathaway, if I hear one more word from either of y’all you both gone be banned from any pastries for the rest  of the month” you spat feeling like the unofficial mother of your group yet again. You took a deep breath and continued toward the counter. 
“Sherell, how’s it going?” you asked a you approached the register.
She sighed heavily.
“You know what? You need a break. Go in the back and relax your eyes a bit. I’ll man the front”
“Oh no. It’s really-“
You cut her off. “Get back there and relax a little. I think I know how to run a register,” you winked.
You were on the register and Antwon was pouring at the bar. You two were in a good rhythm. It was either bustling or there was one customer to tend to today. There didn’t seem to be any in between this morning. 
GRINDIN rang out as the next patron entered.
“Welcome!” Antwon called out as you were assessing the stock supply up in the floor.
When you turned around you were met with... Well, you weren’t quite sure how to describe him. Fine was an understatement. Standing six feet tall was a milk chocolate wonder with a physique that his dark turtleneck and three piece suit couldn’t hide.
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Keep it professional y/n
Before you could even get a breath out he growled “Y’all really got Clipse playin every time the damn door open?” He said this with his eyes glued to his screen as if looking up was such a difficult feat to conquer at 7:32 a.m.
“Yeah. It’s a signature touch,” you responded to the stranger. At your voice, he looked up and offered a smirk that probably made most women collapse at first sight. You still hadn’t made up your mind though.
“I’m feelin it.”
“Is this your first time here? I’m more than welcome to answer any questions you have about the menu or the store in general” you offered.
“Nah. I’ve been in a time or two before. Never seen you before,” he very openly eyed you up and down, “I normally let my assistant handle this shit though, you know Miss… “
“Y/N. Well, since you’ve been here before then you’re familiar with our unique take on the menu.” you supplied.
“Yeah, y’all rotate teas and coffees quarterly. You seem to keep a few staples- which I ‘preciate and y’all got some corny ass names for these drinks too.”
You bristled a bit at that last part. “There’s nothing wrong with a little creativity.”
“Never said there was, Y/N” At this point you couldn’t tell if you wanted to serve this man or show him the door. You chose the professional route.
“So, what does your assistant normally bring you Mr…?” you trailed off
“Just Erik is fine. My favorite is the single origin. Black.  It’s always the best way to start my day.”
“Mine too.” you smiled. Maybe he isn’t so bad after all
“If you’re into the single origin and you love that bold, black, taste something similar with just a little more sweetness is Brew Thang.”
He chuckled. “See what I be saying about these names? How you expect a grown ass man to order a drink called ‘Brew Thang’?”
“It’s good. Once you have a taste, you won’t have a hard time getting it to roll of your tongue.” you sassed.
Oh fuck . I didn’t mean it like that. I gotta keep this professional. I don’t need a bad review from this guy.
He raised an eyebrow at you. “Oh really? Then lemme get a taste,” he said licking his lips. Your eyes widened slightly but he caught it. 
“Size?” you asked looking down at the tablet screen. 
“Large” he said with a bld and dark stare, “How much I owe you?”
“This one will be on the house. I want to make sure you’re satisfied.”
OH MY GAWD GIRL? WHO ARE YOU? WHAT IS COMING OUT OF YOUR MOUTH. PLEASE LEAD WITH YOUR HEAD AND LESS OF THE PUSSY
“Antwon, let’s switch. I’ll take the bar. You take the register!” You yelled out and quckly you two transitioned so that he could help the growing line of customer and you could bang out the drinks. Erik followed as you moved to the bar where he watched you work your magic. Once you were done pouring his drink you gave it to him. You got started not the next orders not the board but made sure to keep an eye on him as he took the first sip.  
“Fuck ma. This shit good” It was your turn to smirk. 
“That’s what I was trying to tell you. So now you’re hooked on the Brew Thang?”
“Oh yeah, I’m definitely satisfied.” You failed to hide your giggle as you called out that Ricky’s order was ready. Erik stuck around for a little after that inquiring about other menu items that you told him not be too quick to judge based on their names. The initial tension had dissolved and you two were in a comfortable rhythm of commenting on both the menu and the changes you’d seen in Oakland during the last few years. Thankfully there wasn’t a rush at the moment and it was fine for your to be off to the side of the bar answering any questions he could put forth. He was attentive to your passion regarding the menu and all that went into the shop as a whole.
“Hol up. You ain’t a barista. This is yo shit?”
“I prefer Brewista and yes. I do co-own this shop with my best friend Ray and we have a great Graphic Artist, Lulu, on deck too” The more he learned about you. The more he wanted to know.
“Okay Miss Entrepreneur. I see you. Damn, does that mean that you tha one that come up with these corny ass names then?”
You scowled playfully. “You keep talkin on my name and you gone catch these hands. I’m a professional. But I grew up on these streets. I can throw blows Erik,”
“My bad baby girl. I respect your grind.”
“Okay. So who really is the corny one here?”
“Whatever,” he smiled. A genuine smile with teeth and this made you want to melt right there. “Anyways, speaking of Brew Thangs, you got  a ni-“
His phone rang and he glanced down cursing. He put up his index finger and gestured that he just need one moment. You nodded your consent.
“What up T?”
In that time that he took his call, you looked up and saw that you had a line out the door. Sherrell came back out to the floor and your two were in a great rhythm getting through the 16 drink orders that had come up. When you looked up again, Erik was no where to be found. Now that the shop was stable you let Sherell do her thang and went into the back to re-convene with Lu & Ray.
“Y/N we need to get you an award for best employer. You really be out here goin the extra mile for your staff,” Lu said. You lifted the corner of your mouth in a weak attempt at a smile.
“Uh uh. Hoe what’s wrong?” Ray said noting your dejected spirt.
“Now? Now you listen to me?!” you yelled. “ALLL the time, I tell yo asses not to intervene in my love life and the one time it may have actually been beneficial y’all were no where to be seen!”
“I know she didn’t” Ray said.
“Yeah. She did” Lu, retorted. “I’m gonna ignore your funky attitude because I can see you’re going through something sis. What’s the deal?”
“I was talking to this guy. This man. And y’all he was so charming and sexy as hell and he wasn’t afraid to talk about shit that matters and I just turned away to make some drinks and he disappeared! I really thought he was gonna make a move. Or at the very least that you two would move in on him and make me sit through another awkward date. But nooooooo, you two finally decided to respect my wishes for once and now Imma die alone!” you monologued.
“You done?” Lu asked.
“Yes” you pouted.
“Aww come here baby,” Ray said with his arms outstretched, “I’m sure he’ll be back.” He hugged your frame tightly and rubbed some circles into your back. “Especially if you turned around when you were in front of him, cuz BABY GOT BACK!!” He yelled.
You and Lu laughed as he started smackin your ass and shakin his own. Soon enough you were all in the back twerkin like it was the first night y’all meet all over again. Hopefully he’d be back.
I’m sorry I forgot who to tag! Soooo if you got tagged and didn’t wanna be I’m sorry. The inverse is the same 😁
@twistedcharismaaa @raysunshine78
@ghostfacekill-monger @yoursoulstea 
@shewrites02 @sarcastic-sunshines
@thadelightfulone
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newstfionline · 3 years
Text
Wednesday, November 4, 2020
The coronavirus is surging, but Canada is keeping schools open (Washington Post) It’s been an uncertainty-ridden time for parents across Canada. As cases surge again, provinces are closing businesses, reimposing restrictions on public spaces and urging people to curb private gatherings. Still, as in European countries that are also tightening their rules, Canada is prioritizing keeping its schools open. All 13 provinces and territories are holding classes in person; in only some are hybrid or remote learning even options. In the United States, in contrast, nine states and territories have ordered some or all schools to hybrid or remote learning only, according to a tally kept by Education Week. Individual districts in other states are limiting or banning in-person classes. The incidence rate of covid-19 in people under 20 has increased since schools reopened, a trend the Public Health Agency of Canada says could be tied both to a growing number of school outbreaks and an increase in testing for that age group. Officials are responding by isolating sick pupils, quarantining classes hit by the virus and, in some cases, closing schools temporarily. But they’re resisting the blanket closures and wholesale shift to e-learning of the spring. “On balance, it’s been as expected,” said James Kellner, head of the pediatrics department at the University of Calgary. “And how that’s been has been concerning, but not terrible so far.”
Are ‘Kidfluencers’ Making Our Kids Fat? (NYT) Parents beware: Many YouTube channels that are wildly popular with young children are targeting them with thinly veiled ads for sugary beverages and junk food. That is the conclusion of a new study published on Monday in the journal Pediatrics. The authors of the study analyzed over 400 YouTube videos featuring so-called kid influencers—children with large social media followings who star in videos that show them excitedly reviewing toys, unwrapping presents and playing games. The study found that videos in this genre, which attract millions of young followers and rack up billions of views, were awash in endorsements and product placements for brands like McDonald’s, Carl’s Jr., Hershey’s, Chuck E. Cheese and Taco Bell. About 90 percent of the foods featured in the YouTube videos were unhealthy items like milkshakes, French fries, soft drinks and cheeseburgers emblazoned with fast food logos. The researchers said their findings were concerning because YouTube is a popular destination for toddlers and adolescents. Roughly 80 percent of parents with children 11 years old or younger say they let their children watch YouTube, and 35 percent say their children watch it regularly. Young children are particularly susceptible to marketing. Studies show that children are unable to distinguish between commercials and cartoons until they are 8 or 9 years old, and they are more likely to prefer unhealthy foods and beverages after seeing advertisements for them.
Turkeys (AP) A pertinent question coursing through the $4.3 billion turkey business is a basic one: how many turkeys are we gonna need for this Thanksgiving? It’s an incredibly complicated proposition. Grocery chain Kroger’s research found that 43 percent of shoppers plan to celebrate Thanksgiving with only their immediate family, which if true means that the birds people will want may be smaller, but they’re going to need way more of them as normally large gatherings (which would use a single large bird) temporarily splinter into smaller more intimate gatherings (necessitating multiple smaller birds). A lot is at stake, as in 2019 Americans spent $643 million on turkey in November. Walmart will carry 30 percent more turkey breasts in its stores for those who don’t want a full bird.
As the U.S. votes, the world watches with anxiety and hope (Washington Post) As Americans cast their votes in Tuesday’s presidential election, the world is watching closely, especially allies in Europe and rivals such as Russia, China and Iran, which could expect a very different U.S. foreign policy depending on the outcome. The choice of a U.S. president is always a matter of global importance—to allies, rivals, trading partners, and the web of treaties and institutions that bind countries together. This time, however, the stakes are exceedingly high. Analysts around the world expressed fears for America’s political system, speaking in terms often reserved for fragile democracies. Some commentators in China hope that a Joe Biden win could usher in a diplomatic respite, but fear that the deepened U.S.-China rivalry could persist, whoever wins. Pro-Kremlin media warn elections could lead to chaos and street fighting, predicting that President Trump will be forced to retreat to his White House bunker. Many European leaders fear Trump would weaken or destroy NATO if reelected. In Israel, where Prime Minister Benjamin Netanyahu has made much of his close ties with Trump, analysts wonder if a Democratic win might weaken the Israeli leader’s long hold on power.
Presidential race too early to call (AP) The Associated Press is not calling the presidential race yet because neither candidate has secured the 270 electoral college votes needed to claim victory. Republican Donald Trump said, “Frankly, we did win this election” over Democrat Joe Biden and said he would take the election to the Supreme Court. His assertion of victory does not match the results and information currently available to the AP. Trump or Biden would need 270 electoral votes to win. Several key states are too early to call, including Pennsylvania, Georgia and Michigan.
Hurricane Eta slams into Nicaragua as Category 4 storm (AP) The heart of powerful Hurricane Eta began moving ashore in Nicaragua Tuesday with devastating winds and rains that had already destroyed rooftops and caused rivers to overflow. The hurricane had sustained winds of 140 mph (220 kph), according to the U.S. National Hurricane Center, down from an overnight peak of 150 mph (240 kph). Landfall came hours after it had been expected. Eta’s eye had hovered just offshore through the night and Tuesday morning. The unceasing winds uprooted trees and ripped roofs apart, scattering corrugated metal through the streets of Bilwi, the main coastal city in the region. Nicaragua’s army moved red-helmeted troops specialized in search and rescue to Bilwi, the main coastal city in an otherwise remote and sparsely populated area.
France ponders new Paris curfew as lockdown rebels frustrate government (Reuters) France could reimpose a night curfew on Paris and possibly the surrounding region amid government frustration that too many people are ignoring lockdown rules as COVID-19 infections soar. France dramatically slowed the spread of the coronavirus in the spring with one of Europe’s strictest lockdowns. But 10 months into the epidemic and with winter drawing in, many are reluctant to endure another period of confinement. New COVID-19 lockdowns and curbs have stirred resistance across Europe even as countries including France and Spain deal with record daily infections and hospitals buckle under the strain.
Bad blood—why France-Turkey cartoon row could leave lasting impact (Reuters) Slights and barbs have marred relations between France’s Emmanuel Macron and Turkey’s Tayyip Erdogan for years, but the row over cartoons of the Prophet Mohammad has dragged them to a new low which could have more lasting consequences. If they cannot find a way to mend bridges, momentum is likely to build for a proposal, driven by France, for European Union sanctions on Turkey’s already-fragile economy, according to Turkish analyst Sinan Ulgen. “Neither Erdogan in Turkey nor Macron in France will step back,” said Ulgen, head of the Istanbul-based Centre for Economics and Foreign Policy Studies think tank. A French official familiar with policy towards Turkey said that in the light of the events of the past few weeks: “The question of sanctions is going to be raised.” EU leaders have already said that if Turkey fails to de-escalate tensions in the eastern Mediterranean by Dec. 10, sanctions would follow, though there is no draft proposal yet.
5 dead in Vienna attack (AP) Five people died, including an assailant, and 17 others were wounded in a shooting in the heart of Vienna hours before a coronavirus lockdown started, Austrian authorities said Tuesday. The dead attacker was a 20-year-old Austrian-North Macedonian dual national who had a previous terror conviction. Two men and two women died from their injuries in the attack Monday evening, Chancellor Sebastian Kurz said. The suspected attacker was shot and killed by police. Vienna’s hospital service said seven people were in life-threatening condition Tuesday after the attack, the Austrian news agency APA reported. In total, 17 people were being treated in hospitals, with gunshot wounds but also cuts. “It is now confirmed that yesterday’s attack was clearly an Islamist terror attack,” Kurz said. Interior Minister Karl Nehammer later told APA that the dead assailant, who had roots in the Balkan nation of North Macedonia, had a previous conviction under a law that punishes membership in terrorist organizations. The attacker, named as Kujtim Fejzulai, was sentenced to 22 months in prison in April 2019 because he had tried to travel to Syria to join the Islamic State group. He was granted early release in December under juvenile law.
Ukraine close to catastrophe, minister says (Reuters) The situation with the coronavirus in Ukraine is close to catastrophic and the nation must prepare for the worst, health minister Maksym Stepanov said on Tuesday.  Ukraine registered a record 8,899 new COVID-19 cases in the past 24 hours, the ministry said, up from the Oct. 30 high of 8,312. Total infections stood at 411,093 by Tuesday with 7,532 deaths. Ukraine imposed a strict lockdown in March but eased it in May. Stepanov said the government would consider how to preserve the economy and save people at the same time.
India, U.S., Japan and Australia kick off large naval drills (Reuters) India, the United States, Japan and Australia began their largest joint naval exercises in over a decade on Tuesday, Indian government sources said, seen as part of efforts to balance China’s vast military and economic power in the region. The annual “Malabar” wargames that India holds with the United States and Japan have been expanded to include Australia this year to cover all members of the Quad, an informal group of the four largest democracies in the Indo-Pacific. Five ships of the Indian Navy, including a submarine, were deployed in the exercise along with U.S. Navy’s John S McCain missile destroyer, Australia’s Ballarat frigate and a Japanese destroyer, the Indian ministry of defence said. Later this month, India and the United States will deploy aircraft carriers in the drills, a military source said.
Almost Like Clockwork, Talk of a Military Coup Follows Thai Protests (NYT) There are certain constants in Thailand: the drenching monsoons, the grand openings of new shopping malls and the rumors that the Royal Thai Armed Forces are plotting another coup. For weeks now, student-led protesters across Thailand have taken to the streets every few days, calling for a new constitution with authority over the monarchy, an end to the persecution of the political opposition and the resignation of Prime Minister Prayuth Chan-ocha, the retired general who led the most recent military coup, in 2014. While the security forces have not cracked down violently on these peaceful rallies, it’s unclear how long such restraint will last. Nor is it certain how long the army is willing to stay in the barracks, plotting against Mr. Prayuth, who was once one of their own. Whenever the generals launch a coup, the refrain is the same: Thailand needs a return to order, without messy rallies or dissenting voices. “I see a coup as not a bad thing,” said Sondhi Limthongkul, a prominent royalist. As recently as last week, Mr. Sondhi publicly called for yet another military intervention to restore stability and protect the monarchy, urging the military to quickly hand over power after seizing it so the king could oversee the formation of a unity government.
Oman to bring in income taxes (Foreign Policy) Oman is planning to introduce an income tax on top earners, beginning in 2022, in what would be a first for Gulf nations. The move comes as Oman attempts to narrow its budget deficit from 19 percent of GDP today, to closer to 2 percent in four years’ time. Up until now, Oman, Saudi Arabia, and the United Arab Emirates, have been taxing their populations slowly, using a value-added tax on purchases rather than taxing income.
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blackkudos · 4 years
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Dave Prater
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David Prater Jr. (May 9, 1937 – April 9, 1988) was an American Southern soul and rhythm & blues singer and musician, who was the deeper baritone/tenor vocalist of the soul vocal duo Sam & Dave from 1961 until his death in 1988. He is a member of the Rock & Roll Hall of Fame (1992), the Grammy Hall of Fame (1999, for the song "Soul Man"), the Vocal Group Hall of Fame, and the Georgia Music Hall of Fame (1997), and he was a Grammy Award–winning (1967) and multiple Gold Record award-winning recording artist.
Biography
Sam & Dave were the most successful and critically acclaimed duo in soul music history, according to Rolling Stone magazine, and brought the sounds of the black gospel church to pop music with their string of call-and-response hit records. Primarily recorded at Stax Records in Memphis, Tennessee, from 1965 through 1968, these songs included "Soul Man", "Hold On, I'm Coming", "I Thank You", and other Southern soul classics. Other than Aretha Franklin, no other soul act during Sam & Dave's hitmaking Stax years (1966–1968) had more consistent R&B chart success, which included 10 consecutive top 20 singles and 3 consecutive top 10 LPs. "Soul Man" has been recognized as one of the best or most influential songs of the past 50 years by many organizations, including the Grammy Hall of Fame, the Rock & Roll Hall of Fame, Rolling Stone Magazine, and RIAA Songs of the Century. "Soul Man" was used as the soundtrack and title for both a 1986 film and a 1997–1998 television series.
Nicknamed "Double Dynamite" for their energetic and sweaty, gospel-infused performances, Sam & Dave were also considered by critics to be one of the greatest live performing acts of the 1960s. The duo has been cited as a musical influence by numerous artists, including Bruce Springsteen, Michael Jackson, Phil Collins, and Stevie Winwood. The Blues Brothers, which helped create a major resurgence of popular interest in soul, R&B, and blues music in the 1980s, was heavily influenced by Sam & Dave; their biggest hit was their top 20 cover of "Soul Man", and their act and stage show was patterned after Sam & Dave's.
Early years (1958–1964)
The seventh of ten children, Prater was born in Ocilla, Georgia, where he grew up singing gospel music in the church choir, and was a veteran of the gospel group the Sensational Hummingbirds, in which he sang with his older brother, J. T. Prater. Dave Prater met his future partner, Sam Moore, in the King of Hearts Club in Miami in 1961, signing to Roulette Records shortly thereafter. Sam & Dave released six singles for Roulette, including two songs that Prater co-wrote with Moore. Prater was typically featured as the lead vocalist on these records, with Moore typically singing harmony and alternate verses.
Stax years (1965–1968)
They were signed in late 1964 by Jerry Wexler to Atlantic Records, with an agreement that allowed them to record in Memphis with Stax Records. Their first two singles failed to chart, but the duo's November 1965 single, "You Don't Know Like I Know," started a series of ten straight top twenty Billboard R&B hits, including "Hold On, I'm Comin'" (1966), "You Got Me Hummin'" (1966), "When Something Is Wrong with My Baby" (1967), "Soul Man" (1967), and "I Thank You" (1968). Starting with "Hold On, I'm Comin'", Moore was typically given the lead vocal (first verse and lead voice in chorus) on most of their recordings. Prater sang the tenor lead first verse on their only ballad to become a hit single, "When Something Is Wrong with My Baby", demonstrating an impressive vocal range in the upper register.
All of their biggest hits were written and produced by Isaac Hayes and David Porter, who worked as songwriters for Stax. Sam & Dave's Stax records also benefited greatly from the backing of the Stax house band, Booker T. & the M.G.'s, and the Stax horn section, the Mar-Keys. These highly regarded musicians co-wrote (often without credit) and contributed greatly to the recordings. Sam & Dave's Stax recordings through 1967 were engineered by Stax founder and co-owner Jim Stewart, who created the "Memphis sound" at Stax by recording sessions essentially live in a single take. The combination of all of these respected talents contributed to the unique sound and commercial success of Sam & Dave's Stax recordings.
Atlantic years, solo career, and back with Sam and Dave (1968–1981)
Stax and Atlantic severed their distribution agreement in 1968, and as a result Sam & Dave became Atlantic recording artists and were no longer able to work with Hayes, Porter and the Stax musicians. The records made by Atlantic did not have the same sound and feel as the Stax recordings, and most only placed in the lower ends of the music charts if at all. The ending of their association with the Stax record label and their frequently volatile relationship contributed to the break-up of the duo in June 1970.
After the break-up with Sam, Prater went back to their early Miami label, Alston Records, where he recorded one single, "Keep My Fingers Crossed" backed with "Love Business" (Alston A-4596), and also performed sporadically over the next year.
Sam & Dave reunited in August 1971 and performed throughout most of the decade through 1981. They enjoyed a brief resurgence in popularity due to the Blues Brothers's 1979 recording of "Soul Man". Sam & Dave also recorded "Come On, Come Over", which appeared on the debut LP of jazz bassist Jaco Pastorius. Dave also appeared in the Paul Simon movie One Trick Pony as part of Sam & Dave. Their last performance together was on December 31, 1981, at the Old Waldorf in San Francisco.
The New Sam and Dave Revue (1982–1988)
In 1982, Prater started touring with Sam Daniels. This duo was also billed as Sam & Dave. They performed together until Prater's death in 1988. Moore attempted to legally block Prater from using the group's name without his participation and permission, but was generally unsuccessful in stopping the act from performing. The Daniels–Prater incarnation of Sam & Dave played as many as 100 shows per year, including gigs in Europe, Japan and Canada.
In 1985, Prater and Daniels released a medley of Sam & Dave hits newly recorded in the Netherlands, which peaked at number 92 on the R&B chart and was credited to "Sam & Dave". Moore made the label recall the single for using the "Sam & Dave" name without permission, and the record was relabelled and reissued under the name of "The New Sam & Dave Revue".
Prater's last performance with Daniels was on April 3, 1988, at a Stax Reunion show at the Atlanta Civic Center, which also featured Isaac Hayes, Eddie Floyd, and Rufus and Carla Thomas. Six days later, on April 9, 1988, Prater died in a car crash in Sycamore, Georgia, while driving to his mother's house.
Prater summed up his thoughts on his career for Gerri Hirshey, who quoted him in her book Nowhere to Run (1984, Southbank Publishing):
I'm a workin' man. Been gettin' down so long. I don't be thinkin' about will I make it up again. Now, what's a music man like me gonna do? What's he do, 'less he entertains till he dies?
Personal life
Prater was married to Annie Belle Henderson from March 1962 to November 1969 and had five children with her. During a domestic dispute in 1968, Prater shot and injured his wife. He was not charged for the incident. On December 25, 1969, he married his second wife, Judith T. Gilbert, and remained married to her until his death. Prater was a resident of Paterson, New Jersey, from 1974 until his death in a single-car accident in Sycamore, Georgia, on April 9, 1988. He was buried in Holy Sepulchre Cemetery in Totowa, New Jersey.
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ohwowreallycool · 4 years
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Flashback
Little Darlin’s Mystery AU Challenge with @sourpatchkidsandacokecan​
This was interesting to write because I have never, ever written anything with an AU theme. So, I completely expect it to be a little rocky. I tried to put Bucky in a world where he comes back from the war relatively fine. Let me know what y’all think
SUMMARY: Bucky visits a coffee shop after returning from the war. They won, but at what cost?
WARNINGS: Really nothing here, maybe some angst...maybe.
PROMPT: I had the coffee AU and the word prompt of Sonder.
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A steaming cup of hot black coffee, a blueberry scone, and a fresh off the press New York Times. That was everything he needed to start his day off right. Bucky would frequently patron this coffee shop; it felt like home. With the busy New York atmosphere, the dark blue walls littered with graffiti and carvings, and the framed subway maps just put it over the top.
Bucky would flip through the pages of his paper, with his coffee and scone, until he was bored. Some days that was longer than others. He liked the feel of organized chaos around him as drink orders were shouted out and collected, he liked the feel of the paper under his fingers, the way ink splots would rub off on his thumbs. There was a great deal of comfort in his routine. Comfort that he knew how his day would start . . . comfort that he could explore his thoughts without rush . . . that the morning with the paper was allowed.
“Loan Interest Plummets After War!”, Bucky read to himself, “. . . with thousands of soldiers returning home, banks are offering…” it had been three months since he had gotten back from the war. He had seen horrible things, horrific things – things no man should ever be forced to see. He had done. . .he had taken lives. “Auhh…” he thought again, “it coulda been worse, right?”
He put down his paper, grabbed his coffee, and recalled the awful things of the war. Things no one would ever know. Things he never dared to speak. Pushing the scenes from his mind he looked up to see a young mom playing with her little boy. Cheerfully winding up a small duck that would hop across the table. He seen the people behind the register laughing at the frothy milk that had escaped and ran over the mug on the counter. At another table, an old man. He watched out the window as the rain fell. Watching the people scramble across the streets with their colorful umbrellas.
Bucky’s eyes widened. This man has a story, he thought, maybe as bad as mine . . . surly he has seen a war. Bucky glanced at his own table before studying the old man again. Maybe he has a family? Yes, perhaps he has a wife and some kids. . .maybe he took them to soccer games and was a coach. Bucky cleared his throat and studied his scone just as the old man looked his way. Glancing at his paper, Bucky noticed the By-Line: JESSICA TURNER What was this woman’s story? How hard did she have to fight to get a front-page article written? What kinds of research did she need to do…who did she have to talk to? This woman has a full life with family, and boyfriends or a husband, and went to school, and she learned a craft and she has hobbies! What are her hobbies?!?! Bucky dropped the paper as if it were a grenade.
Scenes of trenches and torn uniforms flashed through his mind. Bucky could smell the gun powder, the iron…the relentless explosion of gunfire rung in his ears. He silently clicked his tongue, tasting the sweat mixed with blood from his busted lip. Exhaustion finally getting the best of him, he turned to lean against something … anything “just a second” he promised as he searched the sky for any last drops of energy he could throw together. Pulling a deep breath, searching for any rest he could, he began to close his eyes. thump…”AHHHH” Bucky’s eyes flung open to see a man charging him with a knife drawn, a war cry on his lips. Snapping back to reality, he drew his gun and fired with the man only feet away. The man stopped, looked into Bucky’s eyes with a blood flooding his shirt around the new wound – he dropped to his knees. Bucky couldn’t look away, he stood there … overtop of him … trying to catch his breath as the man looked up, smiled, then fell to the ground releasing the knife.
The man’s face burned into Bucky’s mind. He had a name … Maybe he had a family … He didn’t notice the tear that ran down his cheek. My god, I killed a man. He was the enemy, but he was a man … someone with a story. What the hell have I done?
“Georgia!” the small barista shouted out, Causing Bucky to jump and knock over his half-drunk coffee. “Hot latte for Georgia.”
“You gotta pull yourself together, man.” He whispered to himself as he shook his head in his palms. Bucky collected his thoughts, walked out of the shop, and focused hard on the pavement beneath his feet – avoiding every face, because every face had a story . . .  every face haunted him.
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theliberaltony · 4 years
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via Politics – FiveThirtyEight
Graphics by Elena Mejia Lutz
Poll after poll showed a high level of enthusiasm for voting in the general election in 2020, and in the beginning of the year, voter registration surged to match that excitement. Then the COVID-19 pandemic hit. New registrations have fallen off a cliff.
The spring of a presidential election year is often a busy time for adding new voters to the rolls, and a recent report from the Center for Election Innovation and Research, a nonprofit organization that aims to improve voter turnout and election security, shows registration numbers were even stronger in early 2020 than early 2016. But things changed dramatically in March, at least in the 12 places where FiveThirtyEight or CEIR were able to obtain data on new voters, a category that includes first-time voters, voters who recently moved to the state and, in some states (Texas, for example) even voters who moved between counties in the state.1
Consider Florida, for example, where 109,859 new voters registered in February of this year, compared to 87,351 registrants in February of 2016. But in April 2020, only 21,031 new voters registered, compared with 52,508 in 2016. The same pattern holds in 10 other states, plus Washington, D.C.: Each one registered fewer new voters in April 2020 than in April 2016, including in states where online voter registration is available.
Currently, 39 states plus Washington, D.C., offer the ability to register to vote online, and a 40th (Oklahoma) is expected to implement it this year.2 However, in the three places for which we have the relevant data (Florida, Maryland and Washington), online voter registration has not taken off during the pandemic — certainly not enough to make up for the lost in-person registrations. Even in Washington, where online registrations have ticked up since the beginning of the year, the pace is comparable to 2016: 2,956 people registered online in April and May 2020, similar to the 2,771 people who registered online in April and May 2016.
The fact that new voter registrations were outpacing the 2016 numbers in January and February was predictable, according to David Becker, the executive director and founder of CEIR. For one thing, population growth means that voter registration always climbs a bit, he said. The expansion of automatic voter registration makes getting on the rolls more convenient than ever in many states, too. Voters were also clearly interested in registering, Becker said.
“Every piece of data we had looked at with regard to enthusiasm about engaging in this presidential election cycle indicated that we had to be prepared for the highest-turnout presidential election that almost anyone living had ever seen,” Becker said, “which makes the decline in March and especially April all the more striking.”
Based on the timing, it seems safe to assume that COVID-19 had something to do with the drop-off, but there’s data to back that assumption up, too. In addition to how many new voters register, some states track how these new voters get their name on the books. In 2016 and in the pre-pandemic months of 2020, in-person registration at places like departments of motor vehicles made up a large plurality, or even a majority, of new registrants in the four places3 for which we have data on how new voters are registering. But after the pandemic caused most states to shutter many government offices, those registrations dwindled. By contrast, remote registrations (e.g., online or by mail) held relatively steady.4
“This is completely expected, but very concerning,” said Wendy Weiser, director of the democracy program at the Brennan Center for Justice at New York University’s School of Law. “The coronavirus shut down most of the primary avenues through which Americans register to vote: government offices, and all the malls, theaters and public places where voter registration drives operate.”
Indeed, the closing of schools and public events like festivals has hindered in-person voter registration drives run by third-party organizations. “We had planned to go to 850 high schools leading up to graduation, but as schools closed, that work was clearly disrupted,” said Jeanette Senecal, a senior director for the League of Women Voters who focuses on voter education.
For example, in Florida, third-party organizations registered 14,144 voters in January 2020 — a huge increase from the 1,196 they registered in January 2016. But in April 2020, they registered only 133 voters — down from 3,806 in April 2016.
States and third-party groups can still get around social distancing restrictions to get more voters on the poll books, though. Voto Latino, an organization that works to register and encourage Latino Americans to vote, has been operating digitally almost since its inception and was well prepared to continue its work during a pandemic. It uses digital campaigns to help voters register, which can even work in states like Texas, which does not have online voter registration — Voto Latino created an app that makes it easy to fill out the required form, which is then emailed to the voter to print off and mail in.
Danny Turkel, the communications manager for Voto Latino, said the group has actually seen a surge in voter registration, especially since protests in response to the killing of George Floyd began. “Our original goal entering 2020 was to register 500,000 voters,” said Turkel. “As the numbers have come in and surged, we are now thinking that we could surpass 500,000.”
So what kind of people might have registered if the coronavirus hadn’t struck? Well for one thing, they’re probably disproportionately young. “In any given year, far more young people register than older people, just because 18-year-olds age in [to being able to vote] and young people are more likely to move” and need to register at a new address, said Kevin Morris, a quantitative researcher focusing on voting rights and elections at the Brennan Center. According to Morris’s data, 57 percent of new registrants in Florida in the first four months of 2016 were under the age of 40, as were 65 percent of new registrants in Georgia. While the proportions were similar in the beginning of 2020, the total number was much lower than in the past, which means that lots of young people aren’t registering as usual in at least two key 2020 swing states.
Some of these delayed registrants may never end up registering at all. Though we don’t have data for how a pandemic has affected registration in the past (since the U.S. hasn’t faced a similar situation for a good century), Weiser cited another instance when voter registration dipped due to extenuating circumstances. In May of 2011, Florida passed a new bill that placed tough restrictions on third-party voter registration organizations, prompting many of them, such as the League of Women Voters, to stop operating in the state. The restrictions were suspended by a judge in May 20125 but the damage had been done; a subsequent study found that about 14 percent fewer voters registered in 2011 compared to the same period in 2007, with a notable drop following the introduction of the bill — and those registrations never completely caught up. In 2008, more than 1 million new voters registered in Florida. In 2012, fewer than 900,000 did, according to the state’s voter registration data.
Of course, one unusual law in Florida isn’t exactly analogous to a pandemic, and it’s possible that the high level of enthusiasm for this election will be enough to close the gap that COVID-19 created, especially as states begin to reopen and voters return to registration sites like the DMV. So it’s difficult to know whether this drop in registrations is permanent. But it is clear that despite voters’ intense interest in this election, the coronavirus has already made it harder for new voters to participate in it.
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blackfreethinkers · 4 years
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Harold Newton did something that took guts.
An African American artist from Georgia, Newton in 1955 walked through the front door of a well-known white artist’s home in Fort Pierce, Florida, to ask A. E. Backus for advice.
“Backus had a reputation here in town for being inclusive and open to people no matter their gender, no matter their beliefs, no matter their race,” said J. Marshall Adams, Executive Director of the A.E. Backus Museum and Gallery in Fort Pierce. “Backus was very encouraging of his work, gave him critiques, gave him demonstrations, gave him art supplies to help encourage him.”
Newton soaked up everything Backus taught him.
Selling paintings along the highway
But Newton had one more hurdle to overcome if he wanted to sell his own landscape paintings.
“He couldn’t set up his own gallery, his own space in those segregated times and attract white clientele to a black studio so he had to figure out a way to get his art to his clients, to his customers,” Adams said.
Newton's solution: sell his paintings out of his car along U.S. 1. That method spread and was adopted by more than two dozen artists in the area, leading to more than 200,000 paintings and a vibrant African American art scene up and down the Treasure Coast. The artists were later given the name: Highwaymen.
Alfred Hair wasn't the first Highwaymen artist, but he was seen as the African American art movement's charismatic leader whose hustle to sell art out of the trunk of his car led to a successful career before his life was cut short when he was shot and killed at a local hangout in Fort Pierce, Florida.
Historical and museum photos of Florida's Highwaymen Artists
Alfred Hair wasn't the first Highwaymen artist, but he was seen as the African American art movement's charismatic leader whose hustle to sell art out of the trunk of his car led to a successful career before his life was cut short when he was shot and killed at a local hangout in Fort Pierce, Florida.1 of 47 Highwaymen artist Al "Blood" Black with one of his paintings in 2014.
Highwaymen artist Curtis Arnett with Attorney General Pam Bondi, left, and curator Jeanna Brunson at the Museum of Florida History in Tallahassee in 2011.
Fort Pierce Highwaymen Artist James Gibson brings one of his paintings into the Sunrise Theater to be hung in preparation for the 2007 Highwaymen Florida Artist Hall of Fame Artist Award Celebration held in November 2007.
R.L. Lewis standing in front of his Highwaymen art in 2008.
Mary Ann Carroll, the only woman of the 26 Highwaymen artists in the Florida Artists Hall of Fame, poses for a photo in her garage studio at her home on Oct. 7, 2014, in Fort Pierce. Vero Beach painter Ray McLendon shares a laugh with fifth-grade students on March 2, 2017, at Beachland Elementary School as he signs autographs after giving a talk about Florida Highwaymen art. Florida Highwaymen painter, R. L. Lewis puts finishing touches on painting while attending the Tallahassee Museum's (Jr. Museum) annual Market Days fund raiser held at the North Florida Fairgrounds in 2006.
Highwaymen artist James Gibson at the Tallahassee Museum of History and Natural Science's annual Market Days fund raiser at the Leon County Fairgrounds in 2007.
Highwaymen artist R.L. Lewis painting at the Tallahassee Museum of History and Natural Science's annual Market Days fund raiser at the Leon County Fairgrounds in 2007.
A. E. "Bean" Backus working on one of his paintings sometime in the 1980s.
Robert Butler, Highwayman Artist, working on a painting at the Old Capitol - Tallahassee, Florida, in 2006.
Each year the A.E. Backus Museum in Fort Pierce holds an exhibit celebrating the works of the Florida Highwaymen artists. Backus is credited for giving lessons to Harold Newton and Alfred Hair, two original Florida Highwaymen artists. The 2020 exhibit looked at the art of the Hair, who was considered the charismatic leader of the African American art movement in the area.
The A.E. Backus Museum in Fort Pierce celebrates the work and life of one of the great early Florida landscape artists. Backus also is credited for giving lessons to Harold Newton and Alfred Hair, two original Florida Highwaymen artists.
Doretha Hair Truesdell, widow of original Florida Highwaymen artist Alfred Hair, with Marshall Adams, the executive director of the A.E. Backus Museum, in Fort Pierce. Alfred Hair was considered the charismatic leader of the African American group of artists from Fort Pierce and the surrounding areas. The Backus museum has a permanent display of Highwaymen art.
The Florida Highwaymen were a group of African American artists, generally from Fort Pierce and the surrounding areas, who drove up and down U.S. 1 selling the landscape art during the 1950s and 60s.
The A.E. Backus Museum in Fort Pierce has a permanent display of Highwaymen art, and each January into February, expands that collection to encompass much of the museum. This is part of the expanded 2020 exhibit called "Driving Force."
The story of Alfred Hair
One of the artists considered to be the scene's leader was Alfred Hair. When Hair was 14 years old, he, like Newton, fell into Backus' orbit.
Hair went to the nearby segregated school in Fort Pierce — Lincoln Park Academy. It was Hair’s teacher who suggested Backus take him under his wing.
Backus taught Hair how to paint landscapes and how to make frames. Hair started to believe he could turn painting into a career, something unheard of for blacks of the time.
"The only jobs you could get was working in the fields, that was your job, in the orange groves," said Hair’s widow, Doretha Hair Truesdell. "Alfred didn’t see himself doing that. He said painting is what I’m going to do. This is my job. This is my employment."
Doretha Hair Truesdell, widow of original Florida Highwaymen artist Alfred Hair, with Marshall Adams, the executive director of the A.E. Backus Museum, in Fort Pierce. Alfred Hair was considered the charismatic leader of the African American group of artists from Fort Pierce and the surrounding areas. The Backus museum has a permanent display of Highwaymen art.
As Hair grew in the industry, he knew he would have to do things differently from his white mentor, who could set up in galleries and share his paintings with mass audiences.
So Hair came up with his own business model.
A new business model
“What he could do is lean into his talents, and one of those talents was painting fast,” Adams said. “If he could learn how to paint faster and paint more volume he would have more to sell — he would sell them for a less expensive price point than an established artist — but at the end of the day make as much money.”
Soon, Hair took a page from Newton’s playbook. He began driving up and down the highway selling his paintings.
It worked. During the early part of the 1960s Hair, and many other artists with a similar painting style, thrived.
“On Oct. 16, 1965, we moved into our house that we had built from those paintings,” said Hair Truesdell. “When we moved into that house that’s when we really exploded. We could produce about 20 paintings a day. We hired salespeople. Some of the people that are Highwaymen now were our salespeople. They sold for us, so we were really making a lot of money for that time.”
Hair and Newton’s practice of selling art out of their cars came to be used by many African American artists along the U.S. 1 corridor on Florida’s Treasure Coast.
Many found success.
More: Harry T. Moore helped thousands of blacks register to vote. It led to his assassination on Christmas night
More: Mary McLeod Bethune was born the daughter of slaves. She died a retired college president
When everything changed
However, in 1970, the African American art scene lost its charismatic leader when Hair was gunned down in a bar. He was only 29.
“Overnight, everything dies," said Hair's widow. "Nothing is left.”
Many of the African American landscape artists continued to paint, but waning interest after Hair's death coupled with new tastes and styles in the 1970s and 1980s saw much of the success fade away.
“We survived it all,” Hair Truesdell said. “We’re still living. Still standing and still we have the memory and we will always have the memory of Alfred, of his vision.”
In the mid-1990s Jim Fitch, a Florida art historian, discussed the African American painting movement of the 1960s in the St. Petersburg Times, using a label to describe their art.
How the 'Highwaymen' came to be
“That term is ‘The Highwaymen,’” Adams said. “The name came from the artery of U.S. 1 being the chief way to go up and down and sell your works of art. So it’s easy for us to, now that we have a term, to describe these artists.”
This created a new interest in their art, which is estimated to include 200,000 paintings.
One of the distinctive things that make the Highwaymen art unique is the frames and vibrant colors of the landscapes.
Especially early on, because they lacked the resources and supplies, Hair and others would paint on upson board. They framed paintings with crown molding and brushed them with gold or silver to give them a rustic look.
“I really think the board that we painted on, I just think it gave it vibrancy that you don’t get from canvas,” Hair Truesdell said. “Also, we shellacked our board, and then we put a sealant on the board, and then the paint just adhered to that sealant and I just think that it gave it life.”
The true number of Highwaymen artists has been debated, with some being considered second or third generation Highwaymen.
However, in 2004, the number of identified Highwaymen was set at 26 when they were inducted into the Florida Artists Hall of Fame.
They include: Curtis Arnett, Hezekiah Baker, Al "Blood" Black, brothers Ellis Buckner and George Buckner, Robert Butler, Mary Ann Carroll, brothers Johnny Daniels and Willie Daniels, Rodney Demps, James Gibson, Alfred Hair, Isaac Knight, Robert Lewis, John Maynor, Roy McLendon, Alfonso "Pancho" Moran, brothers Sam Newton, Lemuel Newton and Harold Newton, Willie Reagan, Livingston "Castro" Roberts, Cornell "Pete" Smith, Charles Walker, Sylvester Wells and Charles "Chico" Wheeler.
“Even though they might be painting similar subjects in a similar manner they each have their own individual viewpoints,” Adams said. “I think it’s important to honor these individual artists as well as the collective group. The collective story is really important, but it shouldn’t obscure the idea that these are individuals who are looking at subjects and painting with their own style. If you look closely you can see a wide range of different perspectives of how they approached a single subject.”
The A.E. Backus Museum in Fort Pierce celebrates the work and life of one of the great early Florida landscape artists. Backus also is credited for giving lessons to Harold Newton and Alfred Hair, two original Florida Highwaymen artists.
Highwaymen paintings can be seen at the A.E. Backus Gallery & Museum in Fort Pierce, as well as the Museum of Florida History in Tallahassee.
Many can be purchased at various websites in their honor.
There are also some pieces on display at the Smithsonian’s National Museum of African American History and Culture.
“It’s wonderful that these artists are being recognized today and they’re continuing to be recognized,” Adams said. “These works have a timeless beauty. They are of a certain time and there were certain social and political and cultural forces that shaped how they were made and how the people made them, were able to make them. They really speak beyond that.”
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Star Trek Episode 1.17: The Squire of Gothos
AKA Come Away O Human Landing Party
Our episode begins with a nice relaxed scene on the bridge, everyone hanging out, drinking coffee, and charting a course through a great big patch of nuthin’. They’re headed to Colony Beta Six to deliver some supplies. What kind of supplies are not specified. Hopefully not more plague medicine.
McCoy, leaning on Kirk’s chair as is his wont, picks up Kirk’s comment about how this place is a ‘star desert’ and starts talking about deserts and the imagery the word evokes, mirages and sand dunes and all that, with a surprising amount of fondness for a man who grew up in Georgia. Spock helpfully points out that the definition of ‘desert’ is “a waterless, barren wasteland” so he doesn’t really get why McCoy would be waxing poetic about such a place, which is a surprising lack of fondness for a man who grew up on a desert planet. McCoy just rolls his eyes and says that he couldn’t imagine any mirage “disrupting [Spock’s] mathematically perfect brainwaves” anyway, which Spock takes as a compliment.
All the conversation about deserts comes to a halt when Spock suddenly picks up a large “space displacement” up ahead. The navigator says they must be in some kind of light warp (???) or they would have noticed it earlier. Their sensors seem to be registering a planet, and sure enough there’s one on the viewscreen up ahead, clear as anything. Which is super weird, because this whole section of space has been explored and documented and they’re pretty sure there wasn’t a planet here last time. Strange as it is, though, Kirk says they’ve got no time to explore, they’ll just have to make a note of it so someone else can come check it out. Well, I’m glad to see you learned one lesson from last week, at any rate.
Uhura tries to notify someone over subspace radio about the strange case of the mysteriously appearing planet, but she’s getting interference, and thinks the mystery planet might be a natural radio source. What a nuisance. So Kirk tells Sulu to get out of range of that thing, and Sulu starts to—but then, suddenly, he disappears. And I mean really disappears. There one moment, gone the next, accompanied for some reason by an extremely over the top “BOING” sound.
Kirk rushes over to see what happened to his navigator, only for him to freeze in place and then vanish as well, also with a boing. Spock is so busy looking into his scanner he completely fails to notice any of this, even with the boinging, until the remaining helmsman yells out. Man, if I were that helmsman, I’d be getting out there, just in case whatever that was has an area of effect.
Spock whips round to find that the captain and one of the helmsmen have noped off into thin air, which calls for a bellow of “EMERGENCY! FULL REVERSE POWER!” I don’t really know how that’s going to help, but okay.
After the titles, we get a ‘ship’s log’ given by Spock to fill in for Kirk (how this differs from a captain’s log, I don’t know): they’ve misplaced their captain and helmsman and they’ve been circling around this weird mystery planet for four hours now, scanning it with everything they’ve got, but they haven’t picked up so much as a sneeze. Scotty says they’ve checked all over the ship and haven’t found the missing men anywhere, not stashed under a bed or in a closet or anything, which means that if they’re anywhere around here they’ve got to be on that planet. Of course, that’s assuming that they’re anywhere nearby on a cosmic scale, or that they’re currently on this plane of reality, or that they didn’t get zapped outside and are now floating slowly away through the vast emptiness of space, but none of those are really productive options so yeah, let’s look on the planet.
The other helmsman, DeSalle, immediately wants to beam down there with a search party, a suggestion that McCoy jumps on as well, but Spock reminds everyone that he’ll be making the decisions around here, thank you very much, we went over this enough last episode. He’s got a pretty good reason for being hesitant about that search party, as we learn when he asks the blueshirt who’s come in to sit at Sulu’s spot (for...some reason) what his readings about the planet show. The blueshirt, Jaeger, says that the planet has no detectable soil or vegetation, extremely high temperatures, a toxic atmosphere swept by tornadic storms, continuous volcanic eruptions, and is deadly to any life form as they know it without oxygen and life support systems. So that’s fun. Asked how long two humans without any of that protective gear could survive down there, all Jaeger can say is “not very long.”
This cheerful conversation is interrupted by a startled cry from Uhura. A message has suddenly appeared on one of the smaller viewscreens: “Greetings and Felicitations.”
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[ID: Uhura sitting at her console with Spock standing behind her chair, both looking up at a viewscreen that reads ‘Greetings and Felicitations’ in ornate gothic text.]
That font does not bode well.
Spock tells Uhura to send a message back asking whoever this is to identify themselves. A moment later the viewscreen displays new text, as Spock reads out in a hilariously serious-yet-puzzled voice: “Hip-hip-hoorah, tallyho!”
Well, this is turning out to be a pretty weird day, alright. Spock tells the bridge he’s open to any theories at all, because really, what could anyone suggest that would be stranger than what’s already happened? McCoy points out that if someone’s sending them messages, there must be some kind of life on that planet. For once, Spock agrees with him, and orders the transporter room to be prepared. Scotty all but jumps into frame to volunteer for the landing party, but Spock tells him no, neither of them can be spared from the ship. Wait, you’re saying the person in charge of the ship isn’t going to be the first to beam down into dangerous, unknown territory? Spock, I don’t know if you’re really cut out for this command business.
Spock orders DeSalle, the helmsman, to lead the party, along with Jaeger, for his geophysical knowledge, and McCoy, because let’s be honest he’s gonna go anyway so you might as well let him and make things easier for everyone. They’re to go equipped with full armaments, communications and life support gear. “If those peculiar signals are coming from Captain Kirk or Mr. Sulu,” Spock says, “their rationality is in question.” Generally I’d agree, although really, with Kirk, anything’s possible.
The landing party soon meets up in the transporter room, equipped with full life-support equipment, which is...breath masks. Just breath masks, nothing else. Not even goggles or, hell, even a hat and scarf. Budget cuts hit hard, huh.
Spock comes in to see them off, and Uhura reports from the bridge that no more messages have come in, but she’s managed to pinpoint their source, so the landing party is going to be beamed there. Spock tells them to contact the ship as soon as they arrive, like your parents reminding you to call them when you get there, and to use the laser beacon if necessary. So...laser beacon. That’s a thing. I guess.
So the landing party heads down, but when they materialize, it’s not in a toxic, infernal hellscape...it’s in a nice grove with some trees and bushes.
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[ID: McCoy, Jaeger (a slightly older white man with light brown hair) and DeSalle (a white man with dark brown hair) standing in a sandy clearing surrounded by trees and bushes, with a green sky in the background. All three men are wearing breath masks attached to devices on their belts, and looking around in confusion.]
“wtf, I know I’m a better geophysicist than this”
A quick reading reveals that the air is also quite breathable, so they take off their breath masks. As one might expect, they’re all pretty baffled. McCoy asks Jaeger (mispronouncing his name in the process) what the heck, what’s up with all those storms you were talking about? Jaeger can only shrug, with the half-confused, half-annoyed look of any expert who’s predicted something bad only to have it inexplicably averted.
DeSalle tries to calls the ship but his communicator isn’t working at all, and neither are the other two. As instructed he tries to use the laser beacon, but it seems something’s blocking it, so he says they’ll need to find more open ground.
The three of them separate a little bit to go looking around, but DeSalle quickly spots something and calls the other two over. It’s...a castle? Or possibly just a large and castle-like house, I’m not really sure.
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[ID: Broad stone steps leading up to a stone building, with a large banded wooden door, torches on either side, and assorted gargoyle-like decorations.]
Well that definitely has no business being here. But once you see an inexplicable castle-house, there’s pretty much only one thing to do: go inside. The front door is unlocked, so the three of them slowly creep in.
Through the door is a small balcony overlooking a large, fancy room filled with as many historical-looking things as they could raid from the Desliu prop stores.
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[ID: The interior of a lavishly decorated but old-fashioned room, with some assorted couches and chairs, suits of armor, a large globe, a bust of a man in a tricorn hat, a row of flags, and various other decorations.]
Also there’s this weird thing on the wall.
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[ID: The mounted head of what appears to be some strange gray-skinned creature with big green googly eyes.]
seriously, what IS that
McCoy is like “where in the entire fuck are we” but no answer immediately presents itself. They start to head down the balcony stairs, but get distracted by the sight of something in an alcove to one side. It’s...Salty?? Yes, the ol’ salt monster themselves, apparently dead and now on display.  McCoy looks about as happy to see them as you might expect.
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[ID: McCoy, DeSalle and Jaeger pausing on the stairs, phasers at the ready, looking at the still form of the furry gray-skinned salt monster tucked into an alcove.]
“oh man, I had a really bad day the last time I saw this dude”
Inexplicable as it is for Salty to be here, they don’t show any sign of being a threat anymore, so after a moment the three of them carry on. Not for very long, though, because they soon see something even more interesting—Kirk and Sulu! Dang, things always turn up in the most unexpected places after you lose them, huh. Only one small problem: they’re...frozen. Well, kind of frozen. You can definitely see George Takei moving a bit there.
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[ID: Kirk and Sulu standing on a balcony in stiff, awkward poses, lit from above by a strange greenish light.]
The landing party naturally rushes forward. McCoy does a scan of the petrified goldshirts and says, “There’s no reading. They’re like waxworks figures.” That’s a disturbing thing to find out, but before they can contemplate it very much, the door suddenly slams shut all on its own. Oh great. Now we have to worry about ghosts too. As if this day wasn’t stressful enough already.
Just as suddenly, there’s the sound of music. They all turn to see a man playing the harpsichord on the other end of the room, a man who definitely wasn’t there before. He’s, uh...interesting.
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[ID: A white man with brown hair and thick sideburns, wearing tall boots, green trousers, a fancy blue coat with gold leaf embroidery, and a white cravat, sitting at a harpsichord and looking over his shoulder at the camera.]
“I must say they make a perfectly exquisite display pair,” the man says, in pretty much exactly the kind of voice you’d expect from a guy who looks like that, “but I suppose you want them back now.”
He waves his hand and the strange green light shining over Kirk and Sulu goes out, and the two of them seem to wake up. Sulu starts moving at once, but Kirk just kind of stays in position for a moment with only his eyes moving around in confusion before he straightens up.
“Welcome to an island of peace on my stormy little planet of Gothos,” the guy at the harpsichord says, but everyone ignores him for the moment. Kirk and Sulu climb over the railing to join the landing party, and Kirk tells them to fill him in on just what the frell is going on around here. McCoy tells him that the two of them disappeared and they’ve been looking for them for four hours—which, as far as ways the sentence, “You disappeared and we’ve been looking for you for--” could end, is pretty good, all things considered; better than, say, “You disappeared and we’ve been looking for you for ten years.”
“You must excuse my whimsical way of fetching you here,” Ruffles over there continues, “but when I saw you passing by I simply could not resist.”
Kirk, still looking real dubious and a bit like he has a headache, goes over to introduce himself, which really sends Ruffles into full-on “OH HO HO HOW WONDERFUL SMASHING BRAVO” mode. When Kirk asks him who he is, he says that he’s “General Trelane, retired, at your service,” and tells them to make themselves at home and all that before going back to the harpsichord.
The landing party does a huddle, and DeSalle tells Kirk about how they’re out of contact with the ship, leaving them pretty much trapped here. Trelane interrupts to say that he’s delighted to have visitors from “the very planet that I’ve made my hobby.” Oh boy. It is never a good sign when someone tells you they’ve made the place where you came from their hobby.
Trelane says he’s surprised, though, because he didn’t think they were capable of such voyages. Jaeger quietly points out to Kirk that this place is about nine hundred lightyears away from Earth, and it all looks about nine hundred years out of date, indicating that maybe Trelane’s been looking in on the ol’ home planet without realizing his information is on a bit of a delay.
That really bums Trelane out because he so wanted to make them all feel at home, but he bounces back pretty quickly. When Kirk addresses him as General, he says, no, call me Squire-- “yes, I rather fancy that.” Okay, Squire, why are we imprisoned here? Trelane insists that they’re not prisoners, they’re guests! And he wants to hear all about “your campaigns, your battles, your missions of conquest.” Kirk says that their missions aren’t for conquest, they’re peaceful—well, y’know, most of the time. Romulans notwithstanding. Now, can we please go back to our ship?
But Trelane won’t hear of it. He insists that they stay and have a “repast” with him while they tell him all about their feelings on war and killing and all that jazz. “Did you know,” he asks them, “that you’re one of the few predator species that preys even on itself?”
Oh lord, not this “humans are the only species that kill their own kind!!” nonsense. Predators prey on each other ALL THE DAMN TIME. You think that, say, a lion, in direct competition with other lions for food, territory, and mates, is going to go “well I could have all of that lion’s stuff if I killed him, but of course I would never sink to such lows”? Animals will kill each other, they’ll kill each other’s children, hell, chimpanzees will wage full on war against other chimpanzees. Humans are just the only ones that feel bad about the whole thing. I suppose Trelane could mean humans are one of the only sapient species that does it, except that doesn’t track either—the vast majority of aliens we see in Star Trek seem to be fine with it. Even Vulcans got a whole lot of killing each other in before they settled down.
Kirk reacts to this statement with more or less the same expression that I did.
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[ID: Kirk with a distinctly unimpressed look on his face.]
DeSalle has his hand on his phaser, but Kirk tells him to hold off for the moment, and to put it on stun rather than kill. Trelane overhears DeSalle’s name and gleefully asks him if he’s French. DeSalle admits he has some French ancestry, and Trelane promptly rattles off a whole bunch more French, then tells DeSalle that he “admires your Napoleon very much.” DeSalle looks appropriately perplexed about all this.
Kirk introduces the rest of the crew. Trelane gives Sulu an extremely overwrought bow, prompting Sulu to mutter, “Is he for real?”. Then he turns his attentions on Jaeger and starts shouting in German and goose-stepping in a circle. Oof. Jaeger stiffly tells him that he’s a scientist, not a military man, so cut that shit out, but Trelane just says “we’re all military men under the skin.”
He then turns to admire himself in the giant mirror hanging on the wall. Unfortunately said mirror also shows him DeSalle sneaking up on him with a phaser. DeSalle, I’m going to guess that stealth isn’t your strong suit, so here’s a beginner’s tip: don’t try to sneak up on people while they’re standing in front of large reflective surfaces. Trelane promptly turns around and freezes DeSalle in place with a gesture. He doesn’t seem upset about the attempted sneak attack, though, instead taking the phaser from DeSalle before unfreezing him and then gushing over the phaser like a kid with a brand new Nerf gun. It doesn’t take him long to figure out which setting won’t kill and which one will, and he promptly starts shooting it all over the place, destroying Salty—who just can’t catch a break—and another taxidermied monster, while raving about how this awesome gun could kill millions!
At that point Kirk grabs the phaser away from him and says, so what, are we going to be your next targets, is that it? Trelane says that’s just typical of humans, they don’t understand something so they fear it. Really? Really? You were literally just firing a lethal weapon in their direction while talking about how great it would be to kill a lot of people with it. At that point I think we’re in territory where fear is pretty reasonable.
Trelane goes on to “anticipate [Kirk’s] next question,” which he presumes is going to be about how he’s doing all this stuff. He explains that “we—meaning I and others--” yes, thank you, that’s what ‘we’ usually means—he and others have perfected a system by which matter can be transferred to energy and back again. Kirk asks if it’s like their transporter and Trelane sneers that the transporter is just a crude version of their much better and way cooler technology, because unlike the transporter their tech can not only move energy around but change its shape.
But Trelane’s tired of answering all these questions now; he wants his guests to relax and enjoy themselves. Kirk is immediately like “well, I would really enjoy leaving, so bye” and starts herding everyone out of there. This really pisses off Trelane, and, deciding that Kirk needs “another demonstration of my authority,” he vanishes Kirk with a sweep of his hand. Kirk suddenly finds himself somewhere barren and dark, filled with clouds of vapor that have him choking and coughing in seconds. Then, just as suddenly, he’s back in the room. Trelane tells him that that was a sample of what the atmosphere on this planet is like “outside my kindly influence” so he and the rest of them better behave from now on unless they want another taste of that.
After the break, Spock gives another captain’s log for Kirk—specifically a captain’s log this time, and not a ship’s log. I don’t know what the difference is. Maybe Spock just got more ambitious in the interim. Anyway, they’ve orbited the planet fourteen times now and still haven’t found or heard from the missing crew. They also still don’t have communications, but they have gotten their sensors working again by diverting power to them. Oh, huh, that actually worked this time.
Said sensors have located this one tiny little Earth-like spot down there in the midst of all the kill-you-in-minutes stuff. Scotty is, appropriately, extremely confused by how the heck that spot is there, but Spock is not, at the moment, terribly concerned about that; however the spot got there, it’s evidently there now, so we’re gonna work with that. He tells Scotty to fine-tune the sensors to detect any lifeforms that might be down in the oasis and beam them up. Scotty points out that they have no guarantee that any lifeforms down there will be the crew, but Spock counter-points out that if the crew are on the planet, that’s the only possible place they could still be while also still being alive, so they can either see if this works or continue doing nothing.
Meanwhile, Trelane is showing off all his battle flags and going on about how cool armies are while the landing party stands around looking distinctly annoyed. They might have escaped dying in a toxic hellscape, but listening to this guy talk is almost as bad.
Eventually he goes back to the harpsichord, leaving them free to confer. Sulu wonders to Kirk just who exactly Trelane is, anyway. McCoy says the question is more what he is—he did a scan of Trelane and got nothing. No signs of life, no signs of recently deceased life, no signs that anything was there at all. Jaeger also points out that the fire in the fireplace looks like it’s burning but isn’t giving off any heat. Oh my god, he has electric fireplace capability! We’re really in trouble now, lads!
The combination of the faulty fire and the fact that Trelane’s historical knowledge is almost a millennium out of date leads Kirk to the conclusion that Trelane is not omniscient. He’s clearly capable of making mistakes. And if he can make mistakes he has vulnerabilities, and if he has vulnerabilities we can exploit them, and if we can exploit them maybe we can defeat him. It’s a slim chance, but that particular line of logic has served Kirk pretty well in the past.
Trelane interrupts them to say oooh, are they making their little plans? How wonderful! Kirk tries to say that actually they really aren’t, but Trelane waves him aside, saying that he’s not mad at them—on the contrary, he loves this whole martial deception and strategy thing, it’s one of the many things he just admires so much about their species. Welllll, in that case, Kirk says, you must admire our sense of duty, too, right? Our sense of duty that’s making us really need to return to our ship to actually do our jobs?
Nice try, but it doesn’t work—Trelane’s having far too much fun to let them leave now. Kirk asks how long they’re going to have to stay, then, and Trelane says, “Until this is over.” Asked “until WHAT is over” he just brushes the whole thing aside: too many questions, enjoy the moment, etc, etc. Kirk persists that there are four hundred men and women up there on the Enterprise who need their captain and crewmates back. Unfortunately, Trelane fixates on precisely the wrong part of that sentence  and immediately flips out because WOMEN?? DID YOU SAY WOMEN??
Oh dear. Yeah. Trelane is absolutely amazed to find out that there are members of the, ahem, fairer sex in the crew, and starts going on about how, “Oh, how charming. And they must be very beautiful. And I shall be so very gallant to them.” Great. He’s one of those guys. What a surprise.
He’s all ready to bring down all the female crewmen here and now, but Kirk has now really had enough and tells him that this game is over. Trelane is all set to throw a big temper tantrum, but McCoy’s communicator suddenly beeps, and he says he’s receiving a transporter signal. I didn’t know that was a thing that the communicators did, but apparently it is.
Well, looks like the party’s over, thanks, as Kirk says, to Mr. Spock. Trelane pitches an absolute fit about how he hasn’t dismissed them yet and he won’t stand for this, but the group is beamed up all the same. Spock comes into the transporter room to meet them, and if he’s at all relieved to see Kirk back after having been mysteriously gone for several hours on a planet with little hope of survival, he, of course, doesn’t show it. Kirk doesn’t offer much explanation, either, sending everyone back to their jobs as soon as they step off the platform, then asking Spock how they were able to pick up the landing party on sensors through all the radiation. Spock says, well, they didn’t—they just scooped up everyone in the vicinity. Which means, as McCoy points out, that Trelane really isn’t any kind of life form as they know it, since he didn’t get beamed up as well.
No time to stand around and think about that one, though—Kirk orders them to hit the gas and get away from this obnoxious planet as quickly as possible. Everyone returns to the bridge, where some random redshirt has the conn (why must Scotty be so often denied his command?). As Kirk takes over, McCoy goes to hang out by Uhura’s station, and she asks him what the heck was going on there. McCoy gets about as far as saying, “Well, there was a--” before giving up entirely, and really, who could blame him.
They’re all set to skedaddle when who should suddenly appear on the bridge but Trelane himself, startling everyone. Well, mostly everyone. Kirk just sees him and immediately looks extremely tired.
Trelane looks around the bridge and asks where the weapons are—don’t they display their weapons? Well, you know, there’s not a lot of empty wall space on the bridge, so what are you gonna do. Anyway, he tells Kirk not to worry, he’s only a bit upset with him. The person he’s really upset with is this Spock fellow who took away his playmates. Trelane wants to know just which one of these people is Spock, and Spock obligingly gives himself up. Sadly, this does not prompt a Spartacus-like scene where everyone else on the bridge starts yelling, “No, I’M Spock!”
This revelation is surprising to Trelane, who scoffs that, “Surely he’s not an officer, he’s not quite human.” Wow. Rude. Spock tells him that indeed he has a Vulcan dad, and Trelane asks if Vulcans are a predatory species. “Not generally,” Spock tells him, “but there have been exceptions,” with an expression that indicates that he might be willing to make one of those exceptions right about now.
Trelane expects Kirk to have Spock appropriately punished, and Kirk says that on the contrary, he commends Spock for his actions. I might have gone with, “Oh, yeah, sure, I’ll punish him. We have to go far away to do that, though...so we can...put him in time out...” but that works too. He then tells Trelane to get off his damn bridge already so they can leave, but Trelane won’t hear of it. They’re all going to come back with him because he has “an enchanting sojourn” planned.
Just like that, they’re all back at Trelane’s place—all of the original landing party plus Spock, Uhura, and a yeoman who was on the bridge. There’s now a large dining table in the middle of the room, which Sulu and DeSalle find themselves seated at. Despite nothing else seeming to have changed, Trelane boasts that “the décor of my drawing room is much more appropriate and tasteful, don’t you think?”
“No,” Sulu cheerfully tells him, because Sulu does not have a single fuck to give this episode.
DeSalle promptly jumps up to have a go at Trelane, which only results in him getting frozen again while Trelane coos over the impressive savagery of humans and all that. Kirk tells him to let DeSalle go, which he does, leaving DeSalle to be quickly grabbed and led away by the much more collected Sulu, admonishing him not to try that shit again.
Well, never mind that display of bad manners, Trelane says—let’s eat! He’s quite anxious for them all to sit down and sample the victuals. The men glance at Kirk and he gives them a nod, so they sit down. No, you fools, don’t eat the food! If a mysterious and powerful entity living in a place that shouldn’t exist offers you food, do not eat the food. That’s how you get trapped in the Otherworld forever!
But Trelane isn’t paying much attention to his dinner guests anymore, because he’s suddenly remembered that there are ladies here and insists on being properly introduced to them. Kirk begrudgingly introduces him first to Uhura, whom Trelane starts fervently admiring in terms that...well, let’s just say it starts with “a Nubian prize” and only gets worse from there. Then he starts in on the yeoman, one Teresa Ross, with “is this the face that launched a thousand ships” etc, etc, and tries to go for a kiss, but Kirk wearily grabs him by the arm and pulls him back.
He then formally introduces Trelane to Spock, whom Trelane is rather less enthused about. He thinks that Spock’s tone is “challenging” (it’s really not any different from Spock’s normal tone) and asks if Spock is in fact challenging him. Well, since you asked, Spock says, “I object to you. I object to intellect without discipline. I object to power without constructive purpose.” Kirk listens to this little speech with an expression I can only describe as “smitten.”
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[ID: Kirk listening and smiling as Spock, offscreen, says, “I object to power without constructive purpose.”]
Trelane comments that Spock does have “one saving grace after all. You’re ill-mannered. The human half of you, no doubt.” Gee, thanks.
He then goes back to bothering the women, asking—well, ‘asking’--Ross to dance with him while Uhura plays them some music. Uhura protests that she doesn’t know how to play a harpsichord, but Trelane says that of course she does, makes a sound effect happen, and suddenly Uhura starts playing with a surprised look on her face. Personally I would freak right the fuck out if someone just up and inserted an entire skill into my head, but she seems pretty chill with it. The poor yeoman, who most surely did not expect her day to wind up going this way when she woke up that morning, gets swept into a dance with Trelane.
I’m not quite sure how to take Trelane’s attitudes here. His information about humans is very dated, so it makes sense that his outlook towards women and black people (and Japanese people and German people, for that matter) would be likewise dated. It’s not a thing that the episode really calls out, though; at most there’s some exasperated eyerolls and polite befuddlement. Now, I don’t mean to come over all “if a work of fiction doesn’t explicitly and firmly condemn bad behavior that means it supports it!!” but it’s a little trickier when you’re dealing with a work that doesn’t necessarily have a great track record with those things to begin with. When you’ve got a show that’s unironically said some rather discriminatory stuff, it makes it more difficult to tell where the line is between that and a character who’s intentionally been written to be offensive in a way that we’re not supposed to approve of. I mean, some of Trelane’s behavior is quite obviously supposed to be outdated, especially what he says about Uhura; it might be more uncomfortable today but I’m sure it was always intended to be uncomfortable to some degree. But a few of the things he says aren’t real dissimilar from things that get said quite seriously throughout the show, so it’s, y’know, kinda weird.
While Trelane is distracted, McCoy and Sulu get up from the table to come talk to Kirk. Sulu wants to know how long they’re gonna be putting up with all this, and Kirk says they’ll have to put up with it until they can think their way out. In the meantime, they’ll just have to go along with Trelane’s hospitality—such as it is. Speaking of that hospitality, McCoy’s noticed a distinct flaw in it: all of Trelane’s dinner, as nice as it looks, is completely and utterly tasteless.
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[ID: McCoy, Spock, Kirk and Sulu gathered in front of the large, ornate fireplace. McCoy, holding a glass of brandy, is saying, “Well, you should taste this food.”]
“And this brandy just tastes like apple juice! What’s up with that.”
Spock comments that actually, this makes sense; the flavorless food and drink indicates that Trelane “knows all of the Earth forms but none of the substance.” In other words, he may have observed what their food looks like, but has no idea at all what it should taste like. Kirk points out that this means Trelane isn’t infallible. I thought we already had that conversation, but okay. He also thinks that Trelane must have some kind of device or machine that’s helping him do all this.
Meanwhile, Trelane and Ross are still dancing, which Ross, understandably, does not look super happy about. He stops and says that her dress “hardly matches this charming scene,” and magics her into a fancy new pink one. She doesn’t look super happy about that, either, and really, who would be? The idea of someone being able to just instantly change you into whatever clothes they want you to be wearing is disturbing enough on its own even without all the other stuff Trelane seems able to do.
Trelane then pauses to preen in the big mirror on the wall, and Kirk notes that Trelane seems to have a thing about that mirror and never gets very far away from it. He figures this is just because of Trelane’s enormous ego, but Spock thinks there may be something more to it. Is there something special about that mirror, maybe? The two of them talk about what kind of machine Trelane could have that could do all this. Spock says it would have to be extremely sophisticated. “Like a computer,” Kirk says, “only much more.” ...Sure.
Kirk then asks if the device that’s keeping this whole area in livable conditions could be inside the house. Spock doesn’t think so because anything that could do that would surely be too big to fit in there. Kirk’s glad that Spock agrees on that one because it leaves him free to act. “If I’m not mistaken,” he says, “I think I can turn his lights off at the source.”
He then turns and starts loudly dissing Trelane, talking about how his actions are “those of an immature, unbalanced mind.” Trelane, hearing this, stops dancing and starts getting upset, but Kirk says he’s only just getting started. He wants Trelane to leave his crew alone, then pulls Ross away from Trelane and says that she’s not to dance with him or accept his gifts because Kirk doesn’t like it. Trelane is excited about this apparent display of jealousy, which, like ‘savagery’ and ‘killing things’ he seems to regard as an admirable trait. When Kirk says that he’s “had enough of [Trelane’s] insulting attentions to [Ross]” Trelane responds, “Of course you have. After all, that’s the root of the matter, isn’t it? You fight for the attention, the admiration, the possession of women!” Oh geez.
If Trelane wants a fight, Kirk says, then he can have it, and then he smacks Trelane across the face with Ross’s glove. Trelane gleefully asks if Kirk is challenging him to a duel. “If you have the courage,” Kirk tells him.
Oh boy, a duel? An actual duel? Trelane, practically beside himself with excitement, runs over and grabs a box from the mantelpiece. Inside it are a couple of pistols. “A matched set,” he says, “just like the pair that slew your Alexander Hamilton.” (Insert your own Hamilton joke here.) He then informs Kirk that “Captain...I never miss.” Kirk looks rather rattled, as if he wasn’t expecting to have to fight with guns, geez, how primitive, although I really don’t know what he would have thought they were going to duel with.
(Given that Hamilton died in 1804, and that dueling was falling out of favor in England by the 1840s and in America by the 1850, where it pretty much died off (even in the South, where it was way more popular) after the Civil War, we can estimate that the time period Trelane’s been looking at is roughly the first half of the nineteenth century. (Maybe someone with better historical knowledge than me could narrow it down more—or maybe not, I kind of doubt they were meticulously accurate with their period references here.) The earlier comments about this being nine hundred years out of date would therefore place the show in the twenty-seventh century, four centuries later than what they would eventually settle on. The best Watsonian explanation I can come up with for this is that they overestimated just how much of a delay Trelane’s information was on, and that Jaeger, being a geophysicist and not a historian, didn’t realize that his whole get-up was five hundred years out of date instead of nine hundred. A bit weak, but it’s better than “we forgot what century we were in,” which is the only other thing I can think of.)
After the break, Kirk narrates a “delayed log” (presumably meaning he made it after all this was over, although it’s still in the present tense so who knows) about how they’re all prisoners of Trelane and are weaponless and powerless--’cept for this gun—and the only way out is to play his games. Kirk has chosen this game, and now everything depends upon him and this ancient dueling pistol. Man, I bet Sulu’s feeling jealous right now.
They get into position and Trelane, still all giddy about getting to fight a real human duel, says that as the one challenged, he gets the first shot. Kirk is like, “...no? You don’t? That’s not how this works?” Not that they’re really following any dueling rules at the moment, but that one’s going a bit too far. This is like when my brother used to insist on setting up both sides whenever we played Battleship together. Trelane immediately starts throwing a fit and says that it’s his game and his rules, and if Kirk doesn’t like it, he could be persuaded...as he points the pistol at Spock. Okay, okay, Kirk says, you go first, geez.
So Kirk stands there, waiting, as Trelane prepares to fire. There’s a long, tense pause...dramatic music...and then Trelane fires harmlessly into the air (well, harmlessly in this instance. Please don’t fire guns straight into the air above you in real life) a move known in dueling as deloping. It can be done as an attempt to avoid actually killing anyone should you get dragged into a duel you don’t want to be in, but it can also be taken as an insult, implying that your opponent isn’t even worth shooting. I couldn’t find any examples of it being done by godlike beings toying with their victims, though, so I don’t know what the regulations on that one are.
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[ID: Kirk, standing the foreground with his back to the camera, facing off against a grinning Trelane, who has just fired his gun into the air with a puff of smoke.]
“YOU’RE NOT WORTH THE POWDER!” 
Trelane grins and says his fate is now in Kirk’s hands, and hold his arms out all ready to be shot. Well, that looks far too easy. Kirk evidently thinks so as well, because instead of shooting Trelane, he shoots the mirror. Unusually for mirrors, it promptly explodes. Not sure how that’s covered under the whole “break a mirror and get seven years of bad luck” rule.
The lights in the house start flickering on and off—yes, that includes the candles and fireplace—while electricity sparks from the broken mirror, which sure enough, appears to have some kind of machine behind it.
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[ID: The remains of a large mirror in a gilded frame, now completely shattered, with most of the glass gone and complex machinery visible underneath.]
As Trelane starts yelling about how Kirk’s ruined everything, DeSalle says the subspace interference is clearing, and Kirk tells him to try contacting the ship. Trelane says that they’d better go back to the ship and prepare for their fates because they’ve earned his wrath and they’re “all dead men, you especially, captain.” Then he disappears.
Well, that’s a bit odd, but never mind that right now—let’s get out of here. Again. Hopefully it’ll stick this time. They’re all beamed up, and everyone heads to the bridge, where Kirk tells Sulu to GTFO. Then he takes a moment to look over a PADD someone’s handed him, because a captain’s life is never free of paperwork, even while fleeing from godlike beings throwing a temper tantrum.
Uhura asks if she should make a full report on all this to Spacefleet Command (goddammit, Gene, could you just pick a name for Starfleet and stick with it) but Kirk says not yet. He wants to wait until they’re out of range before sending out any kind of signal that could potentially be picked up by Trelane. Spock asks if they even know what Trelane’s range is, and Kirk admits they don’t, but he’s going to make an educated guess that it’s about where they first came into this solar system. Are they in a solar system? I thought they just found this one planet out in the middle of nowhere.
Yeoman Ross, still in the dress Trelane magicked her into, takes the PADD from Kirk and asks if she can go change. He smiles and says, “Yes, I think you might.” He doesn’t say, “Sorry I had to yell some nineteenth century views about women at you to provoke a creepy dude into dueling with me,” but there doesn’t seem to be any residual awkwardness between them, so I guess she’s fine with it.
They’re about to go into warp, when suddenly there’s a planet in front of them—so suddenly, Sulu only just barely avoids crashing into it. Sure enough, it’s that damn Gothos again. All their instruments show they’re on course, but as soon as Sulu tries to leave, it shows up in front of them again. And again, with them barely avoiding a crash each time. Even after pulling away from it the last time, Sulu says they’re still accelerating...or maybe the planet is still accelerating towards them (what, do you not have a speedometer on the helm anywhere?). It seems that Trelane isn’t about to let them escape that easily.
Kirk’s had enough of this shit. He tells Sulu to decelerate into orbit, and orders the transporter room prepared—he’s going to go down and talk to Trelane until he lets the Enterprise go. If they haven’t heard from him in an hour, he tells Spock, they’re to leave as quickly as they can. Which, I mean, they can’t leave at all right now, so who knows whether that order will be any use. McCoy, predictably, objects to this plan, and Kirk, predictably, ignores him.
So Kirk leaves the bridge, but before he can even make it to the transporter, he suddenly finds himself in a dark courtroom where Trelane sits high above him, judge’s wig and everything. He tells Kirk, “The prisoner may approach the bench. Any demonstrations shall weigh against you with the court, and this time my instrumentality is unbreakable.” Then the shadow of a noose appears behind Kirk. Well. That got dark.
Trelane then reads out a list of charges: “The high crime of treason against a superior authority, conspiracy and the attempt to foment insurrection.” Kinda surprised he didn’t add “and being a big mean jerkface” on there. He asks Kirk how he pleads, and Kirk says he’s not here to plead anything; he’s here to get his ship back. Trelane only bangs his gavel angrily at this, so Kirk tells him to take all his anger out on him, since he was the one who lead the others and destroyed the machine. He’ll admit to the charges, fine, anything, if Trelane will just let the Enterprise go.
When Trelane still doesn’t seem swayed by this, Kirk marches right up to the bench and tells him that they’re living beings, not Trelane’s playthings. At that point Trelane really flips out and yells that this trial is over, Kirk is guilty on all counts, and “in accordance with your own laws” he’s going to hang from the neck until dead. Which is obviously anachronistic nonsense. You only get the death penalty for going to Talos 4 these days.
After the break, Spock gives a captain’s log saying the hour is almost up and there’s still no word from Kirk, so as per his instructions they’ll have to leave soon. Wait, the hour is almost up? Like five minutes have passed since he went down there. Was there like fifty-five minutes of Trelane shouting that we skipped? I mean, not that I would complain about skipping that.
Down in the courtroom, Trelane throws off his wig and robe and cheerfully says that wow, he experienced actual rage—which he didn’t even think was possible! This whole experiment has been a success! Oh, are you still angry, Kirk? What’s that about?
If Kirk had any hope that this sudden shift in mood might prompt Trelane to call off the hanging, no such luck—he’s fully intending to carry it out, and asks Kirk if he has any last requests.
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[ID: Kirk standing in a dark room with his hands on a wooden railing in front of him, glancing back at the shadow of a noose on the wall behind him.]
“Uh...I commend my soul to any god that can find it.”
Trelane wants Kirk to get on with it and put his head in the noose, to which Kirk is naturally like, “I’m not putting my head through that thing get out of here.” But Trelane informs him that he has no choice, and the noose starts moving over to him of its own accord, while Trelane laments that this is all so easy it’s tiresome.
Before things can segue into a Punch and Judy sketch, Kirk says that that’s Trelane’s trouble: he doesn’t think and he misses opportunities, like the experience of being angry right now, which he could never have accomplished without Kirk because he’s a bumbling, inept fool. Wow, don’t hold back, Kirk. Tell us how you really feel.
Kirk says that Trelane could just hang him, if he wants to be boring like that, but there’s no sport in it. There’s an opportunity here for a new experience: “the terror of murder, the suspense, the fun.” This intrigues Trelane, and he asks what alternative Kirk has in mind. “A personal conflict between us,” Kirk says. “Not like the duel before, but the real thing. The stakes? A human life, mine.”
This gets Trelane really pumped, and he starts waving a sword around excitedly. Kirk tells him that that’s the idea, but it’s still not enough sport to just kill him with a sword. So Trelane thinks for a moment and then decides on “a hunt, a royal hunt, predator against predator.” Kirk will go hide in the forest outside, and Trelane will hunt him down. Lovely.
Now he’s talking, Kirk says—but if Trelane is going to make it worth Kirk’s while, he’ll have to up the stakes. If Trelane agrees to free the Enterprise, Kirk will give him a contest he’ll remember. Trelane huffs about how Kirk just can’t shut up about that dang ship of his, but he agrees. Then he magics Kirk outside and tells him to go hide.
Kirk wants to notify the Enterprise before the game starts, and Trelane’s disembodied voice tells him, “At your convenience.” So Kirk pulls out his communicator, but only gets static. He tries anyway, telling them to get the ship out of there while he buys them some time, but he’s barely even finished speaking when Trelane appears and starts attacking him with the sword. Man, that’s not convenient at all.
The two of them tussle a bit, and then Kirk runs off into the woods. He gets some headway, but stops to try to contact the ship again, and Trelane catches up to him. So off Kirk runs, with Trelane running after him and telling him he’s got to try harder because this is too easy.
Kirk runs through a clearing, and a moment later Trelane runs through it after him. As he stops to look for Kirk, Kirk suddenly comes in swinging on a nearby branch and kicks Trelane hard in the chest, causing him to go flying and drop his sword. Kirk grabs the sword and swings it at Trelane—but Trelane vanishes, leaving the sword to pass harmlessly through thin air. Then he reappears, crowing, “Touche, Captain, touche! You scored first! But after all, I never played this game before!”
It’s not looking like Kirk has much of a chance if Trelane’s gonna cheat like that, but he’s not giving up yet. He throws the sword away, only for Trelane to magic it back into his hand and start attacking Kirk with it. They circle around a nearby tree, Kirk fending off the sword with a branch, but eventually the branch breaks against the sword and Kirk has to run.
He makes it back to the house and tries to get in through the front door, but it won’t open, so in desperation all he can do is try to call the ship again. Trelane comes running up and Kirk turns to try to escape, but iron fences appear first on one side, then the next, leaving him cornered. He reminds Trelane that he promised to let the Enterprise go, but Trelane says that no, this game is so fun he’s gotta bring everyone else back to come play it too. Four hundred people to chase through the woods one by one. How many of them would die before he finally got bored?
Trelane orders Kirk to kneel, but Kirk tells him he still hasn’t won, and refuses to back down despite Trelane’s repeated demands. After all, he’s got nothing to lose now, and anyway he’s far too tired and pissed off now to be afraid. So he grabs Trelane’s sword and breaks it over his knee--geez, cheap sword—throws it away, and then smacks Trelane across the face a couple of times for good measure. Trelane rages that Kirk cheated and didn’t play the game right, and Trelane’s gonna show him—when suddenly a female voice firmly calls his name.
Two spots of glowy green mist have appeared above the ground nearby. Trelane runs over to them and protests that they said he could have this planet for his very own. Another voice, this one male, tells him that all this has gone far enough. “But you always stop me when I’m having fun!” Trelane whines, but the orbs tell him that he’s been disobedient and cruel and it’s time to come in now.
Trelane says that he doesn’t wanna come in, and he’s not gonna, cause he’s a general and he doesn’t have to listen to them. Dad Orb tells him that’s enough. Trelane insists he hasn’t done anything wrong and besides, he hasn’t studied finishing his predators yet. But this isn’t hardly studying anything, the orbs tell him; if he can’t take proper care of his pets he can’t have them at all. Anyway, he can’t go around treating them this way because “they’re beings, they have spirit, they’re superior.” He’ll understand when he grows up. Trelane pouts that he never gets to have any fun, and Dad Orb tells him to cut that out or he’ll have his planet-making privileges revoked.
“But I was winning,” Trelane protests, “I would’ve won, I would’ve...” He repeats it petulantly over and over as he slowly fades away.
The orbs then address Kirk, who has been watching all this with a sort of “you know what, this might as well happen” expression. They apologize and say it’s their fault for indulging their child too much, and they would have stopped this all much earlier if they’d realized how vulnerable the humans were. They’ll maintain the life-supporting conditions on the planet while he gets back to the ship, and then with another apology, they vanish.
Kirk stands there for a moment looking extremely tired before trying to call the ship. This time Spock finally answers, and Kirk tells him they’re free to go so beam him up already and let’s leave this dumb planet behind.
This does leave open the question of what that whole business with the machine was about. For all the focus there was on it, and Trelane’s angry reaction to Kirk destroying it, he doesn’t really show any reduction in his abilities after it’s taken out, and Trelane’s parents didn’t seem to be using any such thing when they showed up. So what did Trelane need it for, really? How many of his powers came from the machine as opposed to being inherent to his kind, whatever that is? Whatever the answer, we’re never gonna find out.
Some time later, the Enterprise is finally approaching Colony Beta Six, and as Kirk sits on the bridge Spock comes up to him and says he’s wondering how they’re going to classify Trelane for the record. “Pure mentality? Force of intellect? Embodied energy? Super being?” Are those preexisting classifications? If so, I’m really curious what the exact definition of “super being” is.
Kirk suggests ‘God of War’ which, as Spock points out, is not very helpful. “Then a small boy,” Kirk says, “and a very naughty one at that.” Spock notes that that’s going to make for a strange entry (though really, it should hardly stand out among all their other entries), and Kirk says that, well, he was a strange small boy. But then, he figures, he was probably just doing his equivalent of typical small boy pranks just like Spock might have done as a kid—dipping little girls’ curls in inkwells and all that. Although given the attitude Trelane had towards his ‘pets,’ he seems more like the kind of kid that would pull wings off flies or fry ants.
Spock looks half scandalized and half confused, understandably so since dipping little girls’ curls in inkwells as a prank was anachronistic enough in the 1960s, let alone in the 2300s. Or the 2700s. Whatever century we’re in. Kirk apologizes and says that he should have known better, and Spock gives him an “uh, yeah” eyebrow, and the episode ends.
As you might well have noticed, this plot of this episode bears a striking resemblance to that of Charlie X: the crew are at the mercy of a young person with incredible powers and no real understanding of life outside their own, who they ultimately only escape from because a guardian with even greater powers comes to collect them. In both cases the protagonists, for all their ingenuity and bravery, wind up unable to really do anything except stall for time. Trelane’s fading cry of “I would’ve won, I would’ve...” even echoes Charlie’s last cry of wanting to “stay...stay...stay...”
The difference, of course, is all in the tone; Charlie X is more or less a horror story, while The Squire of Gothos is much more comedic. Trelane presumably had the capability to do things just as horrific as Charlie did, but even at his most threatening his antics are obnoxious rather than terrifying, and no one takes him seriously, even when literally being held at swordpoint by him. The idea of a race of beings so powerful that even their children could treat us as little more than interesting toys could very easily be played as a full-on cosmic horror story, but by invoking highly recognizable human behaviors so closely—Trelane whining that he never gets to do anything fun, and being sternly told to stop playing and come inside, etc—it becomes funny and whimsical rather than threatening. It’s an interesting example, I think, of how much just changing the tone can alter a story.
Trek Trope Tally: We’ve got another case of Godlike Beings, with Trelane and his mysterious parents. Next time, Kirk’s gonna make like Steve Irwin and wrestle a giant reptile in Arena.
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Tips for Hiring Auto Accident Attorneys
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Motorists all over the world are likely to be involved in car accidents that can result in injuries and death.  In most cases auto accidents are a result of over speeding, driving under influence and negligence action from other drivers so it is crucial to seek justice through the services of auto accident attorneys.  Auto accident attorneys are registered in various law firms while others work as private practitioners so people should research suitable ones. Below are tips for choosing suitable auto accident lawyers.
One of the aspects that people should check out when hiring auto accident lawyers is their industry experience.  Experienced auto accident layers will be in a better position to collect analyze and present suitable evidence in courts and insurance companies that will result in fair ruling and compensation . Before hiring auto accident attorneys, it is advisable to find out the duration that they have been in practice. Priority should be given to auto accident attorneys that have invested a lot of time in the profession since they have represented many clients so they understand what the case entails and Georgia Auto Law .
The decision to hire auto accident attorneys should be arrived at after finding out how they are reputed. It is crucial to find out how different auto accident attorneys are perceived since it will influence people's decisions during the selection process.  This is made possible through online reviews so people should read the comments that have been made and make wise decisions.  Suitable auto accident attorney should be highly rated.  The search for auto accident attorneys should not be limited to the websites alone but motorists should also seek opinions from their friends and relatives that might have hired similar attorneys.  Clients are advised to check out the names of different auto accident lawyers in the state bar portal to rule out disciplinary cases since some lawyers may not disclose such information to their clients.
Motorists are advised to check on the aspect of licensing before hiring auto accident attorneys.  The licenses prove the legitimacy if the lawyers in business so client will be guaranteed better legal services  and make it easy for the authority to trace the lawyers in case of any problems.  Before hiring auto accident attorneys, it is crucial to inquire about the rates of their services . Motorists should compare the rates from different auto accident attorneys and enlist the ones that they can comfortably pay. Motorists are encouraged to work with auto accident attorneys that have undergone training in recognized law shoos and institutions of higher learning. Suitable auto accident attorneys should have good communication and interpersonal skills since it will determine whether their clients will be well represented. Find out more at georgiaautolaw.com .
Find out more at  https://en.wikipedia.org/wiki/Personal_injury_lawyer .
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Im planning to travel to belgium however I need to buy a Schengen Travel Insurance, any suggestions ?
Im planning to travel to belgium however I need to buy a Schengen Travel Insurance, any suggestions ?
Im planning to travel to Belgium however I need to buy a Schengen Travel Insurance, any suggestions as to which I should Buy?
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