more clone^2
snippet 21: Danny is Bruce Wayne's Clone and--
Star, with the rest of the A-List girls: alright ladies! it's time for our quarterly 'cutest boys' list! Now I'll get straight to the point, in our number one spot is--
All girls, in unison: Danny Fenton
Star, writing it down on a whiteboard: and for our number two spot--
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Snippet 22: clone meet clone
Ellie, dramatically: Danny!
Danny, equally dramatic: Ellie!
Ellie, pushing past him and looking around: where is he! i wanna see the little guy!
Damian, with a sword, brandishing it dangerously: *in arabic* don't come any closer, stay back!
Danny, wrapping an arm around Ellie's waist and pulling her back: woah, woah - he's still adjusting to everything
Danny, turning towards Damian with his google translate open: [please don't stab her. this is Ellie my clone.]
Damian, lowering his sword in disbelief: 'there's MORE of you?
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Snippet 23: Ellie has the same epiphany as Danny
Ellie:...hey Danny
Danny, pouring over his arabic book: hm
Ellie: since I'm your clone, and you're a clone of Bruce Wayne, and Damian is a clone of Damian Wayne, does that technically mean I'm his mom - uh. dad-mom?
Danny:
Ellie:...its a fair question
Danny: .....*deep sigh* you're his cousin until further notice.
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Snippet 24: wait for me ii (hadestown, live vers.)
(i'm not sure of the context, but i've been thinking of Danny saying this to Damian during a serious moment for days. the snippet title is the song that the dialogue below is from)
Danny, fixing up Damian's wraith suit: the meanest dog you'll ever meet
Danny, zipping up damian's jacket: it ain't the hound dog in the street. he bares some teeth and tears some skin, but brother,
Danny, adjusting Damian's gloves, pausing to look him in the eye: that's the worst of him.
Danny, he holds a finger up to Damian's eyes and points it at him: the dog you really got to dread, is the one that howls inside your head
Danny, grabbing damian's mask and smoothing it over his eyes: it's him whose howling drives men mad, and a mind to its undoing
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Snippet 25: Danny is Bruce Wayne's clone-- (Battinson Vers*)
Ember, in the middle of a fight with Phantom + Wraith:
Ember, knocks off Phantom's mask for the first time: lets see what ugly mug you're really hiding under there, Phantom--
Phantom: *the wettest, most pathetic looking pretty boy on the planet*
Ember:
Phantom, dryly: what, did your mic die out or something? all that caterwauling finally make you lose your voice
Wraith, unsheathing his sword: *vibrating with baby brother rage bc he knows EXACTLy why Ember is silent*
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Snippet 26: Damian is finally starting to play nice :)
Dany: hey... guys.... whatcha doing
Damian, hanging out with Sam: Me and Manson are plotting ways to crush the Mayor's plan to cut budget funding for the city parks and cut down the native trees
Danny: oh, i see.... is this safe?
Sam: probably
Danny: hm.
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Snippet 27: digging up cold case
Danny: ....if Damian is out with Sam tonight with their plot against the mayor....
Danny, turning towards his desk: then that means I can work some more on Mrs. Witherbury's murder case that she asked me to solve without Dames guilt-tripping me into bed :)
Danny, settling down at his desk with a thermos full of coffee: i'm glad sam and damian are finally getting along
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Snippet 28: sparring
Damian, frowning: your reflexes are incredible but your combat is downright awful, brother. it's truly a miracle i didn't skewer you upon our first meeting
Danny, got his ass kicked by his 7yo brother: *groaning in pain* not everyone has super secret assassin training, Damian. And I don't really have time to actually practice anything.
Damian: Mrs. Fenton knows martial arts and her form is proficient enough, I'm sure she would be delighted to teach you if you asked. I will join since I need to keep my skills sharp and my training was unfinished when I arrived here.
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Snippet 29: daytime surprise
Phantom, fighting Skulker in broad daylight: *under his breath* at least Lancer's english test will get canceled for this...
Phantom, dodging a blast from Skulker: *in ASL, furious* don't you have anything better to do, you fuck!?
Skulker: foolish ghost child, speak! I know you're capable of it - speak before you lose the ability to
Phantom: *flips him off instead*
Wraith, sending back a ecto-blast with his sword: please pay attention, phantom
Phantom, doubletaking: *in a hissed whisper* what are you doing here!? it's a school day, you should be at school!
Wraith: Tt. If the boot fits.
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Snippet 30: guilt
Danny with his head on his desk, his elbows propped up as he massages his hands: hn
Damian, lurking to the side with a guilty look on his face:
Damian: can i....
Danny, silently holding his hand out to Damian: hrm
Damian, immediately taking it and doing the massages + finger exercises: ...im sorry
Danny: hm... I forgive you
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Look I’ve watched the BTS footage a 100 times already. The thing is Oscar didn’t have to pop in. And Lando most certainly didn’t have to keep the conversation going. But he did. And Lando did. And it was all soft and warm and “I want to know the most mundane details about this exact thing that I’ve done for 6 years already but did you have fun Oscar?? Did you? Have fun? Osc? Nice smoothie osc. Gonna copy your cute lil pose osc”.
Everything I’ve learned about Lando in the last few weeks is that he just wants friends? He keeps talking about how he missed out on the uni experience and how his friends are all through racing. And it explains why he’s kept Max on at Quadrant and all that side of it. (Not saying he’s buying Max’s friendship or anything) And he kept being friends with his teammates thinking they were safe but Carlos left and Daniel was fired. Which is the nature of the sport don’t get me wrong that’s fine. But I think Lando is really comfortable because Oscar is here to stay for a while. So Lando has Oscar.
And Oscar has always been better than the rest at this sport so it was hard to make friends with the other boys because he kept moving a step forward, quicker than everyone else. His Prema vids are sweet but there’s a sense that everyone in them is still trying to make it. Plus Oscar has 3 younger sisters but he’s never had a brother and he’s a little quiet and Lando was okay bulldozing his way into Oscar’s heart so now Oscar has Lando.
They both love their families but the sport makes it so they feel distant from them? Yes Adam is at almost every race and Oscar has a very loving relationship with his mom but all they’ve known is this sport forever. This sport where there’s no loyalty and no love and a lot friendships are actually just colleagues hanging out in a work setting.
That’s what makes Carlando so endearing. It’s that the friendship persisted beyond the contract mandated hangouts. That’s what makes Landoscar so special. They’ve found each other, a support system, a person who actually understands every nuance of the car, every corner that they race, every debrief in a way that really only their teammate can.
They are each other’s competition but they’re also each other’s comfort and I think that’s really special. Plus, Oscar’s quite tall isn’t he 😏
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I just want to say I love how you do your lineart, it looks so good! ahhhhhhhh!!
I'm gathering a lot of advice about the topic of lineart and I just wanna know how you get it to look like that? My line weight is getting better but the drawing itself just comes out a bit.. weird.
Thank you so much! Lineart is probably the thing I've been working hardest on as I am not a lineartist (and still struggle a lot) but it's something I really need to get better at for my job.
UM there's honestly so much that could be said on the topic of lineart. Big things for me are:
Weight -> Use line weight (aka thickness) to describe form, lighting, contact and scale. Thick lines imply shadow, contact and nearness-to-camera. Thin lines imply tension, recession and light.
Straights vs Curves -> Use straight lines against curved ones for maximum interest. This is partly a character design thing but as we're using lines to describe our characters it's worth mentioning :)
Complex vx Simple -> Use complex lines against simple. Faces are always complex so therefore the backs of heads should always be simple. Chests are quite complex so backs should be simple. Dorsal sides of the arms are complex (Delt, tricep, bicep) whilst the ventral side is more simple (tricep...mainly) etc.
'Think in Ink' -> Lower your sketch layer almost to 0% opacity so you're not getting hung up on how nice/energetic your sketch look and instead are approaching the piece from an ink mindset. BUT it's digital! So if there's something in your sketch that you like just bring it forward (copy and paste) into your ink layer. I sketch and ink with the same brush so I can use this workflow
'Confidence' -> small hesitant feathery lines will look nervous compared to big swooping lines. Less is always more. I'll redraw arms/limbs until I can get the appearance that it was done in one brush stroke. Again it's digital so you can erase to cheat this look : )
MISC 01: I always hear 'draw from the shoulder'........meh............it's digital so draw from your wrist...it's fine honestly. If we were working at A1 in a life drawing class then we could get some shoulder action going but most of us are hunched over 16inch tablets. I think this advice aims to pull people away from feathery-nervous lineart honestly which you can improve on without relearning how to draw from your shoulder.
MISC 02: For a 'smoother' look do your lineart at a larger canvas size than you need. Once I'm happy with a sketch I usually double the canvas size and do my lineart then.
MISC 03: In PS (at least) anti-aliasing goes funny at any zoom level that isn't in the 5 times table. So try not to look at your canvas when you're zoomed in to 87% or 71.39% or something crazy. Just stick to 25%, 50%, 75% and 100% if possible.
UNFORTUNATE TRUTH: Lineart is incredibly based on raw draughtmanship I've discovered. When you're working with colour you can hide a lot in rendering (shadows, highlights) or post-processing (depth of field) but in lineart all your mistakes are just...there for people to see.
There's ways round this...which I use A LOT. 'Flourishes' (I use 'flourishes' to mean over-confident lineart where it veers particuarly thick or particuarly thin in contrast to your approach in the rest of the image) can sort of trick people into thinking you're more confident about an area than you actually are.
As well as leaving 'breathing room' within your lineart instead of actually...resolving the area. I do this the most around the face and hands.
Hopefully some of this helps? Honestly there's a lot of deep dives that could be done into indivudal things and there's also the massive caveat that all of these are 'guidelines' and not strict rules.
I also favour a more...concept-arty? animation-y? storyboard-y? look to my lineart which favours flourishes and breathing room for a incomplete/work-in-progress feel which would make methodical colouring (ie: for a comic or something) a pain.
Keep up pratice is the main thing and doing studies of artists who you like that have great lineart - you'll pick up draughtmanship skills along with the lineart studies. Here's some of my lineart from a year or two ago...it varies between very 'standardised' (which makes it difficult to read volumes and to be honest, it's boring) and 'TOO EXCITING' (which...also makes it difficult to read volumes and for the eye to rest).
I'd like to share my brushes at some point as I've found 3 that I really like and use for everything more or less. I discovered that a shocking low amount of people use PS on tumblr (shocking to me I guess as i'm so used to PS being the standard) and everyone seems to use Procreate or Clip Studio Pro...so I want to check that the brushes are Procreate compatible at least before I share!
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