I saw a lot of song recs so I'm gonna join in. Do you think take me to church by hozier suits batjokes? I see it as a duet between the two of them. Like the intro is bruce talking about joker
My lover's got humor
She's the giggle at a funeral
Knows everybody's disapproval
I should've worshiped her sooner
If the Heavens ever did speak
She's the last true mouthpiece
Every Sunday's getting more bleak
A fresh poison each week
"We were born sick", you heard them say it
My church offers no absolutes
She tells me, "Worship in the bedroom"
And then joker's part
The only Heaven I'll be sent to
Is when I'm alone with you
I was born sick, but I love it
Command me to be well
A-, Amen, Amen, Amen
what do you think? I am not very familiar with tumblr so my formatting is maybe off.
Mm, you could spin the song as a Batjokes-y duet... although to be honest, for me Take Me To Church is much more of a Hannigram song, and I can't really apply it to a different ship. 'I'll worship like a dog at the shrine of your lies' and 'I'll tell you my sins and you can sharpen your knives' is just... so Will and Hannibal. Not to mention the church imagery and religious motif that's so poignant in season 3 of the show, and that applies here so well.
From Hozier's songs, It Will Come Back kills me with the Batjokes implications:
"Don't let me in with no intention to keep me
Jesus Christ, don't be kind to me
Honey, don't feed me, I will come back"
The whole song is very Joker in DotF to me :) Because Bruce did let him in (as shown in that flashback), and the whole story is pretty much Joker... coming back.
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Since we've been talking about MattFoggy this week I was thinking about them and remembered that for some reason Last Kiss by Taylor swift is the one song I associate with them the most 🤔 Like, it's sweet, it describes a warm, loving relationships that the singer never thought would end and it fits the broken-up but pining vibe MattFoggy gives off that I looove 🥰 Do you have a song that's theirs in your head?
You’ve given a gift well and truly because I love associating ships and characters with songs!! So first off I have a Matt Murdock playlist and it’s my pride and joy
Living room floor by Sammy Rae and the friends (mostly for the title but also the line about blood in the carpet)
The night shift by Lucy dacus and big house by squalloscope (sorry these are the sad ones)
From eden by Hozier (I feel like this one is obvious)
Take care of yourself by the childlike empress (this is the foggy crying overnight Matt but also kinda giving up on him)
Stubborn love by The Lumineers, all I wanted by paramore, and why did it have to be me by abba (some love songs finally lmao)
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youre a fake Catholic if you cant acknowledge the horniness. Like you can say its "different" horniness because its divinely inspired ecstasy and is the more noble and higher form of its mortal earthly counterpart sure whatever but its horniness. St Theresa of Avilla described having a moment of religious ecstasy and during it encountering with an angel
I saw in his hand a long spear of gold, and at the iron's point there seemed to be a little fire. He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great, that it made me moan; and yet so surpassing was the sweetness of this excessive pain, that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. The pain is not bodily, but spiritual; though the body has its share in it. It is a caressing of love so sweet which now takes place between the soul and God, that I pray God of His goodness to make him experience it who may think that I am lying
There's literally a "long spear" with "a little fire" that is being thrust into her. Bernini made a famous sculpture about this and its in a church
youre not "reading into" something unintended when you recognize whats obviously happening
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Say what you will about Van Helsing 2004; hate it, love it, be indifferent, But the All-Hallow's masquerade ball went sooooo hard and it had zero right to do so! It's a fun, campy, monster mash movie with wonderfully dated ( and expensive) cgi and non-stop action meant to be a popcorn flick one takes out to watch around spooky season. And it has this* chef's kiss* GORGEOUS 6 minute sequence plopped arbitrarily in the second act, which unexpectedly surpasses nearly every other ball in the last 30+ years of film( notable exception being the Cinderella 2015 ball) for literally no reason other than to be dramatic af.
Like feast your eyes on this Gothic masterpiece!!! Who doesn't want to immediately live in this picture?!??
They used those candles with oil in them so that they would have real candles, real string orchestra( I believe), probably around 100 real life extras( something which is tragically absent in modern film), said extras are all in beautiful fully decked-out costumes( which are in luxuriously dark colours, but nearly no fully black, another thing you cannot say for much modern cinema), REAL CIRQUE DU SOLEIL PERFORMERS for all the acrobatics!!!! Hell, instead of filming in a sound stage, where they could control the reverb and the acoustics and the size of the set and the bloody lighting ( they apparently had a heck of a time emulating the firelight for this sequence) and the temperature( it's very cold in stone churches!) better, they filmed in a Baroque church in Prague! As I said, peak dramatic splendour, jfc...
Think about that a second...They filmed a vampire masquerade in a Baroque Catholic Church( St. Nicholas' in Lesser Town, if you were curious) with amazing over-the-top acoustics and marble statues and real, tiled floors and marble pillars and a choir loft which they very much utilized, covered the pipe organ and the altar with a grand brocade curtain so it wouldn't be so obviously a, you know, a church! And there's a gold gilt elevated and canopied pulpit into which they put two vampire kiddies for, again, the sake of being dramatic.
And the costumes! They remind me of the 25th anniversary Phantom of the Opera Masquerade costumes. Same quality, like they're old, well-cared-for costumes pulled out of a warehouse, instead of fast industry churn-outs. With lots of trim and colour and masks and lace and feathers and..just...ugh.. they are all perfect! Just look at all the head pieces on the ladies and the hats on all the gentleman ( save Dracula of course) and the powdered wigs on the musicians. ANNNNDD! The dresses are historically correct!!!!!! It's the 80's bustle era! Nobody does the 80's bustle era in film anymore and it's a bummer. Oh and one other thing! Anna's ( and other women's) hair, at least here in the ball, is also historically accurate because it's all pinned up! None of those fucken modern beachwaves at a ball! Everybody's got updo's!
Gah, I swear, Dracula in his gold cloak really does things to me in this scene!
By the way, the acrobatics are bonkers in here for just background stuff!! Especially the random guys on unicycles and the dude playing the violin whilst standing on a ball...Like....WHAT?
Anyways, all this to say, that this masquerade ball feels sooo real and tangible and because of that it blows every other film out of the water, and no, I will not change my mind!!!!!
Here's a few more gifs, bcuz, why the hell not, this scene is sexy as fuu*ck?
Alright I need to go to bed now.
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Hazbin Hotel is actually healing my inner ex-Christian so hard.
No joke, I nearly started cheering when Lute called Charlie and Vaggie’s love “vile and blasphemous” (and then burst out laughing when Adam immediately followed it up with “Hot as fuck though”). I know that may sound weird considering that I am, in fact, a lesbian, but here me out:
Seeing Christians being explicitly homophobic onscreen? It validates me. It makes me think “Oh yeah, I’m not crazy, Christians are that hateful!” And, call me crazy, but I think homophobia being tied in with villainy is a good thing. Neither Adam or Lute are supposed to be good people; they are very obviously the villain, and that establishes their behavior as bad. Someone on Twitter said that Lute gave them religious fanatic vibes and I couldn’t agree more.
And here’s the thing, too: it’s explicit homophobia, not some dumb metaphor. There’s no way to take it as anything else. And I really need that. I need to see Christians being explicitly homophobic onscreen in the same way that other people need and create worlds where homophobia doesn’t exist.
But me? I want my pain and suffering acknowledged. I want the harm that Christianity does acknowledged. Homophobia is real and the religious kind doubly so. I related to Vaggie so much in that episode; I felt her trepidation about going back to Heaven. Felt like a good metaphor for escaping a fundamentalist church only to be forced to visit again.
And Viv is not afraid to explicitly point this out and criticize them. Like, yes! Say it! They are hypocrites! They don’t care about people being better, they only care about punishment! They maimed one of their own and left her to die because she spared a child! They’re homophobic freaks! They would never see the good that Angel does and how he’s improved and is wonderful, they only see that he’s a drug addict and a sex worker and think he’s worthless for that even though Jesus broke bread with sex workers and people considered the dregs of society. (And of course Angel is gay on top of that.)
And another thing: not only did the Adam line make me laugh, but the second homophobic Lute line about “he blew his shot like the cocks in his mouth” cracked me up too. It reminded me of the pilot where Katie Killjoy said “I don’t touch the gays” to Charlie, which is a line that made me laugh for 4+ years straight. When I told my brother that was the funniest homophobia I’d ever heard in media, he very wisely said, “All homophobia is funny if you think about it.” And you know what? He’s right. It is funny, because it’s so fundamentally goddamn stupid, so let’s give characters ridiculous lines so everyone can laugh at how idiotic they and their beliefs sound.
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