Tumgik
#one hundred thousand
favroitecrime · 7 months
Text
Palestinian freedom fighters breaking out of Gaza and reclaiming their occupied territories. They’ve taken over israeli tanks and have chased out the settlers that were on that land. They’ve launched rockets everywhere and the iron dome has failed to intercept. This is about to mark a momentous event in history.
From the river to the sea, Palestine will be free.
2K notes · View notes
learning-k0rean · 2 years
Text
십만
[shim·man]
(Sino-Korean number) (numbers above 99; maths; prices; years, for both time and duration; months, for dates; mostly preferred for number of weeks; minutes and seconds, for time and duration, in both 12-hour and 24-hour systems; measurement: height, weight, temperature, grades, scores, percentage; numerals themselves as the number of something: addresses, bus routes, rooms, floors, buildings, pages; serial numbers: phone numbers, vehicule number plates, ID number…) one hundred thousand, 100 000, 100000,
C
0 notes
natjennie · 3 months
Text
julian describing himself as a "former politician, brackets, disgraced" is maybe the funniest line of the show
315 notes · View notes
stardustedknuckles · 1 year
Text
Okay but I need to know what the people who have only watched c3 think about Beau and Caleb because I've been rotating them in my head for three years too long to be objective anymore but like. Getting to see them through the eyes of a new party just reminded me that even though so much of our delight in C2 was focused around the constant indignity of the Nein, they are objectively a flickering metronome between "how the fuck are these people alive" and "this is the most hyper competent group of mercenaries I've ever seen" and I just. Do they know. Do they know that Beau is so fucking cool. Are there people who learned these two npcs have a whole campaign and want to learn more about them. I look at these two and see a montage of tiefling dicks and red eyes and promising to kill the other if something goes wrong. I see Caleb smearing mud and bat shit on Beau's face and Beau just resigned even as she makes the most aggrieved and annoyed sounds, Beau hauling Caleb's dissociated ass over her own skinny shoulder and walking him to safety. I look at them and see 500 hours and more of the empire siblings. The weeks and months they spent going from hating the parts of themselves they saw in each other to loving in the other what they still struggled with in themselves. I see chosen siblings, best friends. What do other people see?
992 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
chinese guzhuang fashion
306 notes · View notes
uncanny-tranny · 9 days
Text
So much love and recognition to the people who don't know how they feel about recovering. To the people whose scars are fading away, and there's a sinking feeling, despite knowing that it's a good thing. To the people who miss when they were "worse," when they felt "broken." To the people who mourn losing their coping mechanisms, even the ones that were destructive, scary, or unpleasant. To those who feel guilty they're healing because their past self wasn't ready.
Whatever it is, there is nothing wrong with any of those feelings. It's a natural reaction, something you don't have ultimate control over. There is nothing shameful about yourself, and I admire the strength it takes to recognize how you feel, even the parts that do feel like the "wrong" reaction to a Good Thing.
114 notes · View notes
kindlythevoid · 8 months
Text
One of the best parts of Fellowship of the Ring is finding out about Aragorn and Bilbo’s friendship. Like I’ve seen people talk about how they collaborated on the song together, but I have yet to see people talk about this:
“[Bilbo] turned to Strider. ‘Where have you been, my friend? Why weren’t you at the feast? The Lady Arwen was there.’”
Bilbo Baggins, The Fellowship of the Ring pg. 261
Like. Bilbo was definitely one of Aragorn/Arwen’s chief shippers and no one can change my mind about that.
267 notes · View notes
ashanimus · 2 days
Text
Normally I’m a huge fan of people leaving reviews and comments on things. Really I am!
HOWEVER. If you are listening to an audiobook narrated by a feminine voice or has a female main somewhere, I am BEGGING you. If your comment is “omg I loved the main male MC but the female mc is SO ANNOYING” or “great plot but the narrators voice is SO SHRILL AND ANNOYING” honestly? Don’t post that. Please examine your internalized misogyny. I certainly had to when I was younger and I still have spots that come up.
And if you must comment negatively, consider helpful reviews such as: “the narrator mumbles and is hard to understand” or “their attempt at a British accent is not very good” or “the sound quality is horrible and the plosives blow my ears out. This sounds unedited”.
Specificity of experience is what makes reviews valuable. Saying “people with feminine voices are shrill and annoying” just makes you sound like misogynistic chihuahua.
The world has trained us to loathe feminine voices. Don’t let it win, especially not against the marathon runners of VA—or you.
71 notes · View notes
shirecorn · 8 months
Note
Hi!I love your designs but i have a question,if in the skycraper gods au the alicorns never stop growing then how big are they gonna get ? big "won't fit in the planet" type or?
Do you ever look up and wonder what the sun and moon used to be?
257 notes · View notes
ragnarokhound · 1 month
Note
((you don’t have to do both if you don’t want to, you can consider this one a back up / alt))
“If you don’t know where to go, you can always come here.” 💞
From this writing prompt list i reblogged in...november lmao fljdsjfa
anyway this grew legs and sprinted away the second I picked it up yesterday - clearly it just needed some time to proof lmao. Thank you for the ask, tauria!! From *checks watch* almost 5 months ago fjdslafjsa I will be cross-posting it to Ao3 in my new oneshot collection fic :)
Warnings for: Vague allusions that Ra's Al Ghul is a creep (what else is new), threats of gun violence, canon-typical violence
15. “If you don’t know where to go, you can always come here.”
When Tim arrived in Gotham this morning, he had no way of knowing that his day would end in Jason Todd’s bed. 
Frankly, he wasn’t really sure what bed he’d end up in— because his own certainly wasn’t an option right now. But If he had to pick, Jason Todd’s was somewhere near the bottom of whatever list he’d make.
He didn’t exactly plan on this, okay? 
But, uh. Let’s back up a little.
Tim knew his day was going to go to shit when he got back from the airport at 7 AM.
He had his driver drop him off two blocks away from his townhouse for the sake of caffeine at the hole in the wall place he likes. Wealthy CEO he may be, but a sixteen hour flight is still a sixteen hour flight and Tim is cursed with an inability to sleep in the air. 
Don’t ask. He’s tried. It doesn’t work.
So he wants coffee, and he wants a shower, and he wants his own bed. In that order.
With the first thing on his list acquired and blessedly burning his tongue, he managed to tug his brain cells together enough to realize that the building they’d passed that had been shrouded in tents and canvas was his building.
"What's going on here?"
The worker outside his building looks up from her clipboard, her face wrinkling into apprehensive confusion.
"Hello, sir. Can I help you?”
He hasn’t slept in roughly seventy two hours. He is not awake or patient enough for this.
“My name is Tim Drake. I own this building. What’s going on here?” He repeats.
The woman raises her eyebrows and looks down at her clipboard again. “Mr. Drake?” She questions, clearly expecting him to look like a grown-ass man and not a sleep-deprived college student coming home from spring break or whatever.
“Yes. Timothy Drake-Wayne. Why are you—” he tries to gesture with the hand still holding his suitcase handle, walking towards the tarps and tents erected around his townhouse with increasing trepidation, “—here?”
“I’m sorry sir, but you can’t go in there. Not for at least forty-eight hours.”
Tim stops in his tracks.
“Forty-eight—?”
“We've been scheduled to fumigate the property today.” She says it like she’s reading it out of a handbook. “It won't be safe to enter the building for at least forty-eight hours. You should have received prior notice. Uh. Sir.”
Tim's jet-lagged brain kicks into overdrive. 
Bruce hasn't made any disappointed noises about Tim’s perfectly normal work ethic lately so it probably wasn't a misguided attempt at benching him. And besides, rendering Tim’s apartment inaccessible is counterproductive on that front. 
Dick wouldn’t. They haven’t been exactly— great, lately but he wouldn’t. Besides, if he wanted to get Tim out of the house more, he’d show up to drag Tim out into the daylight himself. This is a little too roundabout for him.
It’s too much work to be Steph. She would think it’s funny, but there’s no way she’d follow through.
Damian might, but this doesn’t quite fit his preferred methods for making Tim’s life hell. It could be some cloak and dagger maneuver to leave him vulnerable, faking a complaint to the city so he’ll—
And then Tim thinks about the call.
The call he’d brushed off at fuck o’clock in the morning somewhere over Europe, too busy with another project. The call his secretary took for him instead. He thinks about the distracted confirmation he’d given to whatever it was she’d asked him about five minutes later. 
He also thinks about the form he signed about two weeks ago, before this last minute trip to Hong Kong had consumed his entire attention. The one with “Two Weeks Notice” stamped across the top. His stomach sinks.
“Today,” he repeats.
She looks apologetic. “Today,” she confirms. “And we just started about an hour ago. I’m very sorry, Mr. Drake-Wayne but—”
"No it's—" he says through gritted teeth, "fine. I'll just. Make other arrangements."
He does not make other arrangements. Though not for lack of trying.
Tim has a handful of safehouses scattered throughout the city. He has options. He gets a taxi to the closest neighborhood, and nearly falls asleep in the backseat. The cabby has to knock on the glass divider to get his attention when they come to a stop. He grumbles and hauls his suitcase out of the backseat, and tips the man excessively.
Shower. Bed. Sleep. He’s so close he could cry.
Except when he finally rolls around the block, coffee half gone and trying to remember if this safehouse is the one with in-unit laundry or if he’ll have to haul his shit down to the laundry room, his building is a blackened husk with police tape all around it.
He stops on the sidewalk. He peers up at the window of his unit, squinting at the peeling black wood and shattered glass. He ponders whether two is enough data points to be considered a pattern. And whether he could get away with napping in the alley on this street or if that’ll end with him stabbed and robbed.
As he’s pondering, he catches sight of a passerby and stops him.
“‘Scuse me,” he says apologetically. “What the hell happened here?”
The guy looks up from his phone and takes in his rumpled clothes, his suitcase, and the scorched remains of his apartment.
“Oh, uh. Yeah, there was a big fire about a week back? Bad fire. Took out, like, half the block. Cops are saying it’s arson.”
“A week ago,” Tim repeats. The guy’s eyes widen.
“Oh shit, bro, did you live here?”
“I’ve been out of town,” he explains numbly.
“Dude, that sucks. And right in the middle of con’ season. Good luck finding a hotel!”
“Yeah,” Tim sighs as the guy walks away. “Thanks.”
The next safehouse he tries isn’t in much better shape. 
He remembers hearing about Freeze going on a rampage a few days into his trip, but he hadn’t realized another one of his places had been caught in the cross-fire. The cold burst the pipes, and now the whole place is undergoing renovation.
He hears all this from the crotchety old lady who lives in the next building over (her building needs renovation too, but will the city pay for it? Of course not, they weren’t ‘directly impacted by disaster’ so they won’t see a penny of relief funds even though their pipes are on the same line. Typical) and when he finally extricates himself from the conversation, it’s almost noon, his second cup of coffee is long-since empty and he’s at the end of his goddamn rope.
By the time he sees his next safehouse, he isn’t even surprised anymore.
“Does God hate me?” He asks the boarded up building. “Is this a punishment? What did I do? What the fuck did I do?”
He is 99% sure at this point that someone is burning his bolt holes. There’s a short list of people with the resources and the intel to do it, and while he’s not above ruling out the likes of Damian just yet, he seriously doubts anyone wearing a bat is behind this. 
Besides, Dick would have noticed by now if Damian were sinking this many resources into convoluted covert ops designed to make Tim suffer. Definitely. Probably.
Fuck it.
He goes around the back and hops on top of his suitcase to reach the clunky camera watching the back entrance. This building is on the shittier side, closer to Crime Alley than his other haunts; cameras break all the time around here. He’ll have it replaced after he’s a functional human again.
Reportedly, this building was tagged for ‘high toxicity levels’—  which is pretty typical for any building where fear toxin or Joker gas are found in any amount. They must have found a lot to condemn the whole building, but Tim is confident he’ll be fine. The airborne shit dissipates to safe levels within hours depending on the ventilation. If it was in the air, it’s long gone. Anything else needs to be injected to be effective.
Once the camera’s busted, he kicks out the boards and heads inside.
He drags his suitcase in after him, and mourns the shower he probably won’t be getting. The hall lights are out, and chances are the water’s been shut off along with the electricity. But at this point, he simply does not give a shit. All he wants are four walls and a mattress.
Leaning on the door to his floor to make it open, he stumbles out into the hallway—
And catches sight of the glistening curved dagger stabbed into the wall next to his door, the hilt gleaming green in the sinking sun.
“Nope,” Tim says, spinning on his heel and going back down the stairwell double time. “Nope, nope, nope.”
He is now 100% certain that the League of Assassins has been burning his bolt holes. Ra’s al fucking Ghul can eat his whole ass.
Seven blocks away, Tim sits on the sidewalk in front of a bodega and contemplates a third cup of coffee. The shittiest one yet.
See, here’s the thing.
The thing is, he has options.
He could go to the Manor. Or the penthouse. Or to Steph’s place. He’d have to answer some unnecessary questions like ‘Master Timothy, you know you can’t sleep on aircraft, why didn’t you sleep before your flight’ or ‘Tim, why didn’t you come here first, you know you can still come to me if you’re in trouble, right’ or ‘why did you agree to fumigate your fucking house, you loser, lmao’. (Stephanie is not going to let him live this down). 
He is absolutely certain that he would be welcomed in any of these places and after a completely undeserved amount of fussing, he could take a fucking nap and someone else would deal with the League bullshit for him.
And that’s the thing. There’s the rub.
No one should have to deal with the League bullshit for him. This is his problem. He’s not in a hurry to bring them down on anyone. Not even Damian.
With grim resignation, he reaches for his phone to try and find a hotel room (during a con’ weekend apparently, RIP) and maybe get a fucking handle on this whole stupid thing, when he hears:
“Hand over your wallet!”
He lifts his head slowly and finds himself looking down the barrel of a gun. A gun held by some guy wearing a ski mask in broad fucking daylight. There’s another guy next to him who’s watching the street. There’s a third guy somewhere behind him who he can’t see, but he can hear the scuff of his boots.
Sure. Why not. With the day he’s had, this might as well happen. He holds up his hands placatingly.
Tim contemplates his muggers. The guy with the gun is jittery, probably new to this, or hopped up on something. He keeps glancing between Tim and the bodega behind him, so they were probably planning a run on the till. Might have chickened out, or thought Tim was an easier target, an unexpected meal ticket plopped right in their path. Or they were already inside when Tim sat down, which wouldn’t bode well for his situational awareness seeing as he just came out of there himself.
The grinding gears of his tired brain keep getting caught on the fact that this is happening in the middle of the fucking day. Tim glances at the street corner and bites his cheek in frustration. Yeah, he’s smack dab in the middle of the Alley. Figures.
“Are you deaf or somethin’ man?” The guy with the gun is saying. “Hand over your fucking wallet!”
The other guy doesn’t seem as crazy-eyed. He’s nervous, though. He keeps looking around like he’s expecting Batman to materialize, to come whistling down the street like a beat cop.
“Dude, come on, it’s not fucking worth it,” he says, grabbing at the gunman’s shoulder. “We got the money, let’s fucking go.”
The third guy kicks over Tim’s suitcase. “Yeah, come on, Don, let’s just grab this shit and bounce.”
Tim can’t do anything. He’s not Red Robin right now. He’s Timothy Drake-Wayne, CEO of Wayne Enterprises, and he’s getting mugged in front of a bodega at two in the afternoon in a rumpled suit and tie and still toting his suitcase from his early morning flight. 
His hands are trembling from unspent adrenaline, too much caffeine, and not enough sleep. His eyelids are the heaviest they’ve ever been in his godforsaken life. His ears are ringing. He could knock all three of them down in less time than it takes to tie his shoelaces. But he can’t.
“Shut up, Johnny, look at him shaking! What’s he gonna do? If he doesn’t wanna get shot, rich boy’s gonna hand over all his fucking shit!”
“Hey, let’s just—” Tim tries to say.
Stars explode across his vision as Tim takes a punch he genuinely wasn’t expecting. He stares up at the blue sky for about half a second, more confused than anything else, before the gunman grabs him by the front of his shirt and hauls him up to shout in his face.
“What’s it gonna be, pretty boy?!”
Caught on the exhausted edge between vigilante training and the preservation of his identity, Tim is frozen. He doesn’t know what to do. He kind of wants to cry.
“Gee, Donny, what is it gonna be?” A fourth voice says, full of false cheer.
Tim blinks. So do the muggers. 
He knows that voice.
“Who the fuck—?” The gunman drops Tim, spinning around and into a fist. He tumbles down to the ground, out cold.
Everything happens pretty quickly after that.
Jason Todd is in civvies. He’s sporting a worn out looking hoodie and a pair of jeans that have seen better days. But his heavy boots are the same ones he wears for his uniform, and the kick he delivers to Johnny’s face is all Red Hood.
Almost in a daze, Tim watches him fight with the usual mix of seething envy and raw desire that rears its ugly head any time he gets to see Jason in action. He’s fast, decisive. Efficient. Beautiful. Tim wishes he had Jason’s skill. And he wishes— 
Well. He wishes a lot of things about Jason Todd.
Tim is pretty sure he and Jason are friends. Maybe. Probably. They’ve pretty much moved past the whole “replacement”, “zombie-dickhead” part of their relationship and have graduated to occasionally providing backup on ops that overlap in each other’s sectors, ganging up on Dick when they’re all in the same room, and maintaining a surprisingly steady stream of vigilante gossip to keep each other in the loop. 
So, ok, yes, due to the aforementioned, he’s pretty sure they’re friends. And also because Jason wouldn’t have stuck his neck out for him otherwise. He would have just let him get mugged.
Watching Jason fight is one of Tim’s favorite pastimes. But right now, Tim’s usual appreciation is soured by the gut-roiling embarrassment of being caught in this position by Jason of all people. His eyes itch. His cheek throbs. He’s so fucking tired.
“Hey, little stalker,” Jason says suddenly, holding out an expectant hand in Tim’s face. The muggers are groaning on the ground around them. Tim isn’t sure when that happened. He might have zoned out. “Did you know that you had a stalker for a change?”
Tim flushes. “I resent that. I haven’t stalked anyone in years.” He takes the hand. It’s warm, and calloused, and big around his.
Jason laughs at him and yanks him to his feet. “Liar.”
Tim’s mouth twists into a scowl. He tries to glare at Jason, but he can feel himself swaying and Jason still hasn’t let go of him, and it’s ruining everything.
Also, lowkey, Jason is right. But in his defense, it is literally their job to stalk people, so.
“I haven’t stalked you in years then. Just other guys. Bad guys. Not non-bad guys. Fuck. You know what I mean. Whatever.” He pauses; recalibrates. “Had?” He asks.
Jason’s eyebrows inched higher and higher the longer Tim talked. Tim doesn’t blame him.
“Yeah. Had.” 
So much for the League, Tim muses.
Jason gives him a once over before tugging decisively on Tim’s wrist, easily grabbing the handle of his suitcase and starting to walk with both in tow, to Tim’s rising horror. 
“You’re coming with me, shortstack. What’s wrong with you? Are you drunk? You look like shit.”
Tim tries to yank his wrist out of Jason’s grip, but the asshole doesn’t budge. “I’m not drunk,” Tim snaps. “I’m fine. I’m just. I’m just… really tired.”
Jason stops abruptly, and Tim stumbles into his shoulder.
“I can see that,” he says, steadying Tim with an amused but ultimately sympathetic look. He loads Tim’s suitcase onto the back of a motorcycle that Tim literally just now noticed. 
God, he’s fucked. And not even in a fun way. 
“C’mon,” Jason says. “Don’t fall asleep on the way over— road rash sucks ass.”
They don’t talk on the way to— wherever Jason is taking them, but once they’re parked in a random garage and walking towards the elevators, the game of twenty questions begins.
“So why’ve you got League assassins after you, anyway? Piss in a lazarus pit? Push over the baby brat on the playground?”
“Ra’s al Ghul wants my body,” Tim says, dejected but resigned to this bizarre fact of his life. “Since I was seventeen, I’m pretty sure.”
Jason wrinkles his nose. “Ew.”
“I don’t think it’s a sex thing? But it could also be a sex thing.”
“Again. Fucking ew.”
“Yeah. Also I blew up a bunch of his shit and I think he’s still salty I got away with it.”
“Is that why you weren’t at the Manor?” Jason asks, herding Tim out of the elevator and down a long hallway. “Or anywhere but a random street in Crime Alley?”
Tim nods. “Yeah. They found all my safehouses, but— my mess. My problem.”
Jason thwacks him upside the head.
“Ow! What the fuck?”
“You’re the dumbest person on the planet.”
“Am not. B is on-planet right now.”
“Then you’re pretty fucking close,” Jason snarks, fishing out some keys and opening one of the apartment doors.
Tim scoffs at him as he’s pushed inside. “Oh, please. Don’t try to tell me you would let Dick swoop in and solve all your problems for you.”
Jason rolls his eyes, stepping into the side kitchen and popping open the freezer door of the fridge.
“Dickiebird can’t even solve his own problems,” he says as he rummages. “But maybe when I’m fucked up enough to let three nobodies robbing a fucking bodega get the jump on me, that’s a sign that, maybe, it might be time to call in the cavalry. Dick isn’t the only person who’s got your back.” He presses an ice pack to Tim’s face until he takes it himself, and keeps steering him through the apartment. “Just saying.”
Tim would protest with all of his very good reasons why Jason is definitely wrong here, but he’s too busy processing the fact that Jason has led him into a bedroom. With a bed. There’s a bed, with a mattress and pillows and blankets. Right there. Tim stares at it with lustful eyes.
Jason catches him staring. He rolls his eyes, but he’s sporting a small smile that Tim has the presence of mind to memorize. He walks over to a dresser and pulls out a big shirt and a pair of shorts that he hands to Tim.
“Look. If you don’t know where to go, you can always come here. No guarantees I’ll be always around, but, yeah. Mi casa es su casa, or whatever.”
Tim eyes him up, clutching the bundle of Jason-smelling fabric in his hands. “And you’d do that for me because…why, exactly?”
Jason flicks his forehead, a stinging reprimand. Tim hisses.
“Because, dumbass, you need help and I feel like it. And you don’t actually suck to be around, so shut up and be grateful.”
“Oh, yes,” Tim deadpans, rubbing at his forehead. “So grateful to be allowed the privilege of squatting with you.”
The thing of it is, Tim is grateful. But Jason doesn’t need to know that.
Jason squawks, and before Tim can duck, he’s snatched Tim around the neck in a headlock. His arm is thick and doesn’t budge no matter how Tim shoves and kicks. The ice pack and the clothes go flying, and Tim just about dies. Jason is warm.
“Jason—!”
“Brat!” Jason crows, not giving an inch. “I paid for this place fair and square— you’re the only squatter here!”
“Blood money doesn’t count as square!”
“Tell that to half of Gotham, kid.”
“I’m trying to, thanks for noticing,” Tim says, finally wrenching himself free of Jason’s grip, stumbling into the bed and giving into its siren song. He sits down heavily on the edge, toppling over sideways and reaching pathetically for the fallen ice pack that’s just out of his reach.
“And don’t call me kid—” he complains, muffled by the pillow. It also smells like Jason. “You’re barely two years older than me.”
The cold ice pack is pressed into his fingers. He cracks an eye open to look, but Jason is just smirking at him, like he’s giving Tim the win. Ass.
“Coulda fooled me, shortstack.”
Tim rolls his eyes, and onto his back, toeing off his shoes and letting them clatter to the floor. He can’t tell if Jason’s bed is the best bed in the world, or if he’s just deliriously inventing things.
Frankly, Jason Todd’s bed is the last place he ever thought he’d end up, this morning or otherwise, so he’s never bothered to speculate. He does not have a contingency plan for this.
“Is there a reason you keep calling me short,” he complains, “Or will I just need to fill in the blanks myself?”
“Can’t help it. You’re just so small,” Jason coos. Tim props himself up on an elbow at that, raising a disgusted eyebrow.
“You don’t hear me constantly talking about how big you are.” 
Jason grins like he just won the lottery; Tim shuts his eyes the second it’s out of his mouth.
“Baby, you don’t know how big I am.”
He does, actually. Not in a creepy stalker way, just— there was this one time. A big rogue breakout at Arkham, all-hands on deck type of situation; Tim, Cass, and Jason were covering Poison Ivy in the park. Acid-spitting pitcher plants were involved.
And look, Jason’s tactical gear is fine in the day to day, but it’s not like any of them had time to prep a neutralizing agent, so when Jason needed his pants off, stat…uh. Well. Tim was right there.
He knows, okay?
“Alright,” he rallies, trying desperately not to replay the memory of Jason adjusting himself through his boxers. All of himself. “I walked right into that one.”
“Oh, trust me. You’ll know if you’ve walked into it.”
Tim scoffs, but he can feel how red his face is.
And the thing is. He says it without really meaning to. 
But he still means it.
“You gonna put your money where your mouth is, big guy?”
The change is immediate. Jason had been halfway out the door, but now he turns to Tim, giving him his full, undivided attention. He looks at Tim, laid out in Jason's bed, giving him a very slow once over. The scrutiny is at once nerve-wracking and thrilling.
“Thought you didn’t want my money,” Jason murmurs.
The temperature in the room spikes. If it weren’t for the slow throb of his bruised cheek, Tim would think that he’s already asleep and dreaming.
But he isn’t. He’s very much aware that he’s wide awake.
Tim swallows. “Well. It’s not your money I want.”
Jason’s grin is electric. 
He stalks over to the bed, and Tim is frozen like a rabbit, waiting to see what he’ll do next. Jason settles a knee on the sheets between Tim’s legs, looming over Tim and boxing him in against the mattress. Tim’s free hand reaches up of its own accord to tangle in the collar of Jason’s hoodie, and the cotton is softer than he expected.
Jason’s eyes rove over his face, dark and heavy. He catches Tim’s face in his hand, swiping his thumb lightly across the bruising hot ache of his cheekbone. He leans in deliberate and slow and—
—and stops about an inch away from Tim’s mouth.
“Get some sleep, babybird,” Jason teases, his breath puffing gently over the skin of Tim’s lips. “You can proposition me again tomorrow.”
“It’s, like, 3:30 in the afternoon,” Tim argues, breathless.
“Yeah, and your body thinks it’s 3:30 in the morning. You’re dead on your feet. Don’t make promises you can’t keep, and go the fuck to sleep.”
Jason moves to rise. But Tim hooks a stubborn arm around his neck and pulls him down that last remaining inch. 
The kiss is— bad. At first. 
Tim basically smashed their mouths together to prove a point, and Jason muffles a surprised sound against Tim’s teeth. He lands heavily on top of Tim at an awkward angle, and he’s kind of crushing him. Tim refuses to let go, but— Jason doesn’t pull away.
Jason gentles the kiss instead, and Tim thrills. He levers himself up onto his elbow, wrapping an anchoring arm around Tim’s back. He finds a home between Tim’s legs, and he lets Tim kiss him until Tim's lips are tingling and his fingers go slack; until he can’t keep his eyes open anymore.
Somewhere between fifteen minutes and a small eternity later, Jason presses one more kiss to the corner of his mouth. He curls around Tim on his side, and Tim turns his face into Jason’s neck with a soft wondering sigh.
“I’ll keep it. Promise. Wait n’ see,” Tim mumbles. Jason snorts, but doesn’t budge, and Tim can hear his smile in his voice, lilted and lulling.
“Sure, babybird. I’ll wait. I got nowhere else to be.”
Tim is already asleep.
61 notes · View notes
bonefall · 5 months
Note
post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do
Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.
Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.
Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.
And then she dies, so he can have his very own fridge wife.
In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.
She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.
So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"
But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;
Tally the genders in your cast. How many are boys, how many are girls, how many are others?
And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.
If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.
It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.
Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.
Or this shit,
Tumblr media
If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.
Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.
Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.
(Also remember I'm not a professional or anything, I'm just trying to give advice)
114 notes · View notes
apas-95 · 9 months
Text
Tumblr media
166 notes · View notes
weirdprophetess · 1 year
Text
tlt is so funny because yeah these ten thousand year old people hate each other because they've committed mass genocide, created an empire with so many faults built in and they've fought god knows how many times over the eons they've known each other but also one of these bitches ate peanuts in a meeting once and somebody else has NEVER forgiven him for it
462 notes · View notes
lakesbian · 1 year
Text
so i blinked & accidentally wrote 2.4k words of alec analysis, content warning for extended discussion of child sexual abuse
i am actually like. genuinely surprised by how common of an alec opinion it is that people would probably feel more negatively about him if we had a chapter from the perspective of one of his victims or if we had more details on his life prior to the undersiders, because the idea goes directly counter to one of the core Things you have to get if you want to understand alec: much like taylor, you should take absolutely fucking nothing he says about himself at face value, because--also much like taylor--he is Absolutely Fucking Terrible at understanding himself!
and speaking of taylor, she is also absolutely fucking terrible at understanding alec. nearly all of the commentary we get on alec is from taylor’s point of view, and she’s frankly incredibly ungenerous towards him.
Tumblr media
her very first thought about his childhood mentally classifies him as not being one of heartbreaker’s victims, and the pity she’s offering him wears out pretty quickly when he doesn’t speak about the abuse in terms she finds palatable--while she does secondarily recognize that living with heartbreaker impacted him on some level, she regards him primarily as someone who does Bad Things because he’s a Bad Coldhearted Person.
she and alec are fairly similar--they’re both people who have been abused, people who are remarkably desensitized to violence because they’ve been abused, they’re both people who have ended up on the same villain team where they regularly commit terrible acts of violence, and they’re both people who are terminally oblivious to their own emotions while they commit those acts of violence. their actions are both similarly horrifying from an outside viewpoint, but by sectioning alec’s actions off in her mind as being horrifying because he’s ontologically a bad person w/ no interiority or justifiable reasoning for his actions, she doesn’t have to face that her own actions are horrifying regardless of how she justifies them to herself. neat little compartmentalization trick! alec stabbed that guy to death with a fork because he’s a Bad Person, but when she used triumph as a bargaining chip by filling his lungs with bugs, it was for Understandable and Interiority-Having reasons, so she’s fine.
what this means is that nearly all of the commentary we get on alec is from the perspective of someone who has a very strong psychological incentive to avoid being fair to alec.
much of what taylor thinks about alec is blatantly irrational and wrong, and the fact that he (similarly emotionally oblivious wrt himself + probably entirely unaware she feels this way about him) never directly confronts her misconceptions means that we spend the entire book being told “hey, here are the reasons you should think alec sucks” without any alternate viewpoints to consider. i think that if we saw the worst things pre-undersiders alec did without the repressed way undersider alec describes them or taylor’s biased perspective obscuring what actually happened, most people would feel Really Fucking Bad for him!
even in the very first discussion of his childhood, it’s clear that taylor’s reading of the events is wrong--aside from the fact that she’s not classifying the kids as victims (girl what), there’s these lines from alec:
“[He] pushed my limits, made me do stuff that was dangerous, stuff that was hard on my conscience.”
“I had convinced myself I didn’t care about the people I was hurting or about this guy I’d just killed, and maybe I didn’t. Maybe I don’t, still. Dunno.“
taylor’s response to this is:
“He’d been made to do it, he’d been in fucked up circumstances with no real moral compass to go by, still a kid. The way he described it, though, it didn’t sit well with me. Cold blooded murder.“
that is not how he described it. 
1. he outright says that what he was forced to do was “hard on his conscience”
2. he outright says that he “had convinced himself he didn’t care about the people he was hurting,” i.e he was a 10-13yo child being forced into extreme violence by his ridiculously abusive father & he naturally repressed his emotional reaction to it because there’s no other way to feasibly psychologically cope with feeling the full brunt of the emotions that induces. he’s not a Cold Blooded Bitch, he was a kid desperately convincing himself he didn’t care because he couldn’t care if he was going to survive.
3. yeah, he says “maybe i don’t [care], dunno.” this is because the 3+ years he spent learning to cram every emotional response he had to his abuse into a box & then solder-iron that box shut do not magically disappear the second he escapes from his father. it’s not at all unreasonable that taylor (also 15 and horribly emotionally repressed) misses this, but the “maybe” and “dunno” are indicators that he genuinely can’t tell whether or not he cares! as imp points out after he dies, it’s not that his emotions aren’t there at all, it’s that he has no ability to read them--much like taylor, he’s great at convincing himself of things regarding his feelings and then genuinely believing those things. he’s fifteen and has been out of his abusive home for all of 2.5 years--he’s not capable of grasping the full impacts that the abuse had on his psyche, and the way he describes everything from a detached perspective and waffles about on allowing himself interiority is a natural result of that.
if we saw this or any of the other murders alec was forced to commit as they were happening, we would not be feeling less generous towards him, we would be thinking “i want to beat heartbreaker to death with his own bones, because this is an evil thing to do to a child.”
okay, that’s the murder out of the way. now onto the significantly more controversial aspect of what alec did as a 10-13yo.
taylor generally regards alec as a special type of ontologically real & distinct class of person called a rapist. many people in the fandom share her viewpoint on that one. and, like, objectively true--he is a rapist, he raped people. but applying “rapist” as a descriptor meaning “evil piece of shit who sucks, but i guess he gets some leeway since he was a kid, but he still sucks and is bad and probably a sociopath” is massively flattening the circumstances under which he committed sexual violence & severely underestimating how it impacted his psyche.
taylor--and again, most other people in the fandom--tend to unilaterally go “gross and fucked up, he sucks, moving on” during bits where alec discusses that aspect of his childhood. but if we actually pause to read between the lines for the details and then address the actual context (which alec is not capable of doing, because 1. emotional repression to hell and back and 2. it was, as he said, normal to him), it becomes very clear that it’s unjustifiable to slap the “Sucks + Evil Predator” label on him and then move on feeling comforted by the straightforward moral judgement.
“’Sure,’ Alec drawled. In a more normal voice, he said, ‘But what I’m saying is he wouldn’t mind. Now, it’s been a little while, but there was a time when I had someone in my bed every night.’
‘When you were with Heartbreaker,’ I said. From the look of disgust on Aisha’s face, and what I imagined was a similar expression on my own, I suspected we were on the same page. At least on this one thing.
‘Sure. Cape groupies, my dad’s girls, people I used my powers on toward the end.’
There wasn’t even a trace of guilt or shame on his expression, no regret in his tone. He just looked bored.
He went on, ‘What I’m saying is that I’m speaking from experience.  Having someone cuddled up beside you, even if it’s a little bit of a pain in the ass, having that body contact isn’t so bad. Especially when you’ve had a bad day.’”
like, okay. let’s unpack all the implications there.
1. alec is bringing up this whole topic as an attempt at empathy--aisha is effectively saying “i’m pissy at taylor for being intimate w/ brian while he’s experiencing the worst pain of his life” and alec is effectively responding with “i support them, because when i was in similar circumstances, physical intimacy made me feel better.” it is extremely notable that he’s implicitly comparing brian’s “bad day” (getting fucking bonesawed!) to his own “bad day” (living with his dad)!
2. alec grew up in Emotional Neglect & Abuse: The Household. this is established in buzz 7.1--he recounts that there was zero attention paid to him & the other kids except for when heartbreaker was terrifying the shit out of them for either a perceived slight or in an attempt to force a trigger event. he also grew up in Sexual Abuse: The Household. as detailed in one WoG, the heartbroken were a massive group hiding out in significantly less massive houses--6-8 people sharing a room was common. alec was constantly in close quarters to normalized sexual abuse from the ages of zero to thirteen, e.g the memory mentioned in his interlude where he starts crying over not being given the TV remote and a sweaty, wearing-nothing-but-briefs heartbreaker stomps out of the bedroom to terrify alec for interrupting what was, very presumably, a marathon of sexual assault. exposing children to abuse happening in their environment is a form of abuse itself. there’s also the WoG in which this is mentioned:
“Look at it this way - at the age that many boys are raising an eyebrow at boobs, family members were saying 'hey, here are all the boobs you could want...’ Interested in dick? ... Dad's not that into it but a sister can hook you up. At an age when many are just figuring out enough of the world to ask 'what's heroin?' or 'what's weed?' he was given heroin and weed and everything else that was theoretically obtainable and told to only indulge if it was someone else's body. At an age when many are saying 'sex must be awesome' he was given free reign.”
which is sexual abuse! it is in fact exceedingly sexually abusive for alec’s father & older siblings to go “hey, 10-13yo son/little brother, i notice you are Hitting Puberty! here’s a fucking tidal wave of sex and drugs, have at it.” he didn’t magically get the idea to commit acts of physical violence w/o grooming & coercion from his family, and the same goes for the sexual violence. it’s not a hard extrapolation to make that after 10 years of isolation and abuse he leaps on the chance for physical intimacy, for something that actually makes him feel good when good is a feeling he’s never really gotten to have before--and how would he have a frame of reference for this being bad when his childhood was one long march of his own autonomy being violated + constantly seeing other peoples autonomy violated?
alec did not leave the house as a kid. alec Wasn’t Even Thirteen. the people he assaulted were victims, but he’s inarguably not the person with primary culpability for the assault--that would be the family members significantly older than alec who directly groomed him into hypersexual behavior, kidnapped + brainwashed victims also significantly older than alec, shoved them at alec, and said “have at it, buddy.” (which he, considering it to be normal and desperate for any positive attention or emotion, immediately adopted as a coping mechanism.) it would be absurd not to regard alec as a victim in this circumstance as well, and the fact that the way he was victimized led to him hurting people doesn’t change that. he was a chronically abused and manipulated preteen--he couldn’t issue meaningful consent or exercise any real autonomy in his decision-making. his lack of emotional reaction to casually sharing the story isn’t a moral failure, it’s an indicator of how badly the abuse skewed his perception of what’s normal.
and despite All Of That, taylor’s immediate reaction is to judge his lack of guilt, shame, or regret. which isn’t a wholly irrational reaction from her by any means--it makes complete sense given who she is and what information she has. but it does mean that the judgement we’re given on alec in this moment is nearly entirely detached from the material reality of what happened & how that reality should reasonably be regarded.
3. i think i’m literally the only person i’ve ever seen point this out--the first category of person he lists off as having slept with is “cape groupies.” as in, fans of capes. 
what kind of person do we suppose would be a fan of heartbreaker’s cult? what kind of person would have a thing for heartbreaker’s sexual abuse and mind control cult? the fact that he specifically mentions “cape groupies” means these were people who liked the heartbroken and were picked up by it voluntarily--what kind of person would want to sleep with one of heartbreaker’s barely-pubescent superpowered children?
yeah, that one sounds less like alec committing rape and more like heartbreaker providing access to his children to pedophiles w/ a Thing for the powers involved, presumably because it was a fantastic honeypot for people he could drain for money or otherwise use as a resource (which was his primary method of staying undercover & getting by). which alec parses as normal enough to casually slip into a random sentence.
alec’s childhood was not a lengthy tour of him committing sexual violence because he sucked, it was him being sexually abused, and a portion of that abuse included him being groomed to perpetuate it onto others. because that’s one of the Core Things about his character: he was a victim of grooming to perpetuate a cycle of abuse, he ran away from it at an impressively young age, and he spent the rest of his life making stumbling attempts to jerry-rig a distinct system of ethics & decision-making so that he wouldn’t be like his father.
no, the abuse he experienced & the way he responded to it wasn’t straight-forward or palatable. he’s not a stereotypical or idealized Good Victim--none of the traumatized teens in worm are. the specifics of what happened to him & what he did as a result are uncomfortable. he participated in hurting other people very badly. he still doesn’t really understand everything that was wrong with what happened. he doesn’t open himself up for pity or add caveats when discussing it to make it clear that he’s viewing his childhood the Right Way. he doesn’t feel or talk about it the way he’s “supposed” to. he doesn’t understand why or care that it upsets and disgusts people. the abuse left him with low to no empathy, and he’s not ashamed about admitting that.
and absolutely none of that changes that he’s still undeniably a victim, and if we saw any of the things that happened to him from the perspective of anyone involved, if we saw the abuse he experienced without the normalized lens he views it through or the villainizing lens taylor views it through--everyone would probably feel really fucking bad for him.
or in other words: alec vasil is a little boy whose life fucking sucks, and we all have to be nice to him, okay?
301 notes · View notes
posallys · 3 months
Text
i will NEVER not be pissed that most colleges cost about 40k A YEAR on average and that if YOUR PARENTS make over 120k AS A GROSS INCOME you're practically immediately disqualified for need-based aid???? like do you really believe anybody can afford to throw an entire third of their annual income to their kid's schooling, when they probably have several thousands of dollars in loan debt themselves??? in THIS economy??? eggs are fucking $7 a dozen where i am right now but GOD FUCKING FORBID i get any financial aid because "well your upper class" NEWS FLASH 120K IS THE NEW MIDDLE CLASS AND JUST BECAUSE MY PARENTS MAKE OKAY MONEY NOW DOESN'T MEAN FUCK ALL WHEN I CAN REMEMBER ALL THE NIGHTS THEY DIDN'T EAT WHEN I WAS GROWING UP BECAUSE THEY ONLY HAD ENOUGH FOOD TO FEED ME AND MY SISTERS I need to hold everyone involved at gunpoint because i really don't think a single fucking one of them understands "oh but you have money :/" there's literally a reason i work FULL FUCKING TIME while double majoring and it's because my parents can't even send me money for fucking groceries, let alone fork out FORTY FUCKING THOUSAND DOLLARS GOD DAMN YEAR for a degree that'll be FUCKING WORTHLESS in three years anyway i worked my ASS off and graduated with a 4.7 to get scholarships because i knew that's the only way i'd realistically be able to afford school. and then the fucking fafsa goes "oh but you have money in your savings! you can pay for your own school" bitch i have 4k and it's for my fucking rent!!!! my parents have like $600 in savings do YOU SEE THE ISSUE that's what being forced into credit card debt for 20 years fucking does it puts you in an unescapable hole so even when you're making good money YOU DON'T GET SHIT!!!!!! NOT TO MENTION THE ABYSMAL CREDIT SCORES MY PARENTS HAVE SO GOOD FUCKING LUCK TRYING TO GET LOANS FOR ME!!! COSIGNER? I'VE NEVER HEARD OF HER IM GOING TO KILL PEOPLE!!!!!!
60 notes · View notes
rexonalapis · 6 months
Text
friendly reminder that if you don't like a fic on ao3 please scroll away as quietly as you came because the author can see all your public response
Tumblr media
this is a public bookmark note on my fic that is very visibly and obviously tagged as neuvillette/wriothesley (romance).
Tumblr media
i need to make it clear that i have absolutely no problem if you don't like my fanfic. i do not force people to read it, albeit my annoying plugs on tumblr. i tagged all my fanfics appropriately, that's all the control i have on making sure that people won't read things they do not like.
but to put a note like this, knowing that i can see it even though you don't put this in the comment section, is quite heartbreaking. it's like an ultimatum, even. regardless whether you meant it that way or not.
i sincerely apologize, but i am going to disappoint you because according to the tag, their relationship will turn romantic.
89 notes · View notes