Tumgik
#peter anderson
Text
Tumblr media
David Byrne, Ohio 1983 foto por Peter Anderson
2K notes · View notes
theseimmortalcoils · 9 months
Text
Tumblr media Tumblr media
Siouxsie photographed by Peter Anderson in 1986 via @siouxsiepix
177 notes · View notes
dbstaches · 8 months
Photo
Tumblr media
In the soft cell for NME magazine, April 1981, photo by Peter Anderson, via peteranderson.photos Instagram
62 notes · View notes
Text
Tumblr media
The Cramps by Peter Anderson in 1986.
286 notes · View notes
Text
Tumblr media
Ian Curtis (JoyDivision) at Moonlight Club, April 1980
Photographed by Peter Anderson
391 notes · View notes
Text
Tumblr media
Madonna by Peter Anderson 1983
108 notes · View notes
Text
Tumblr media
Tom Waits photographed at the Travelers Cafe, his favourite cafe in Los Angeles, 1987.
Photo by: Peter Anderson
Date: 25/02/1987
Image:tom-waits-1L9B
Edition of: 495
Sonic Editions
40 notes · View notes
nofatclips · 8 months
Text
youtube
Good Omens Season 2: Opening Title Sequence produced at Peter Anderson Studio
22 notes · View notes
foetusartterrorism · 1 year
Photo
Tumblr media
JG Thirlwell
by Peter Anderson
51 notes · View notes
marian-1122 · 2 years
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Joe Strummer photographed in Shoreditch , London , UK , 1987 .
©️ Peter Anderson
119 notes · View notes
Text
Tumblr media
David Byrne, Ohio 1983 foto por Peter Anderson
56 notes · View notes
fuckyeahgoodomens · 3 months
Text
Creating The S2 Title Sequence :) ❤
Peter Anderson: Hi, my name is Peter Anderson. I'm from Peter Anderson Studio. And we created the title sequence to Good Omens Season Two. So, we begin our journey with our angel and our demon starting again, climbing back from this enormous ending from Season One. We experiment and we don't stop experimenting.
Tumblr media
So, you know, we built fire out of paper as a stop free emotion.
Tumblr media
You know, our clouds are cotton wool. It's not just clever, big CGI.
Tumblr media
It's experimenting with other ways in which we can make the world of Good Omens feel fresh and original.
Tumblr media
And lots of the procession are the actual costumes that were in the drama.
Tumblr media
A lot of them worn by me and other members of the Peter Anderson studio on a travelator in a green screen. Where we could almost all of the faces of our characters, even though they're dressed in costume, and build up the different roles played within the drama, their faces are built from our angel or our demon.
Tumblr media
The crossover happens straight away with the live action. We've got live action figures that straightaway have got two-dimensional heads. But we mess with them. We give them mohicans, we cut up their faces to make them look like our various characters.
Tumblr media
And like season one, we're building a world. We're building the universe. We playfully add storytelling elements that really are reflective of Neil's storytelling. We do our best to push and play with what animation can be...
Tumblr media Tumblr media
To add 3D elements, 2D elements,
Tumblr media
to live action elements, to really low-fly animation elements. You know, we're not just hinting and teasing at things with these tiles. We're obsessing over every part of the storytelling.
Tumblr media
327 notes · View notes
ccccache · 2 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Really like the titles for the new season of True Detective by Peter Anderson Studio; bold to omit True Detective’s classic double exposure aesthetic but it does signify a certain “newness” (also love the Lost Highway-esque device)
5 notes · View notes
dbstaches · 1 year
Photo
Tumblr media
Soft Cell interviewed by Paul Morley for NME magazine in Leicester Grove, Leeds, April 1981, photo by Peter Anderson
43 notes · View notes
ivory--raven · 3 months
Text
I was watching Good Omens, as you do, and in the title sequence, I spotted a familiar and distinctive red sash.
The messy hair, sore on the side of the cheek/chin, sash... that's Beelzebub.
Pixelated because I'm using photos of my laptop screen. Sorry.
Tumblr media
I'd heard somewhere that all the figures following Crowley and Aziraphale were David and Michael with different hair, but that's Lord Beelzebub. Whose actress change is acknowledged in the sequence itself with a grave.
Tumblr media
So I watched the title sequence X-Ray with that in mind, and found the line "Where we could, almost all of the faces of our characters, even though they're dressed in costume, and build up the different roles played within the drama, their faces are built from our angel or our demon."
What I heard wasn't wrong, all the title sequence characters are built of David and Michael's faces, but I was also correct about spotting Beelzebub. The characters are in the title sequence. Furthermore, they build up the different roles played within the drama (in the title sequence). That is, there's information about the content of the episodes to be gleaned from the title sequence.
And oh, but there is.
"You know, we're not just hinting and teasing at things with these titles," says the X-Ray.
The title sequence itself contains the Clue and the answer to the Jim mystery. It also suggests the Final Fifteen.
Peter Anderson Studio team, I am very impressed.
3 notes · View notes
lisamarie-vee · 7 months
Text
Tumblr media
4 notes · View notes