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#please don't take them away from me :(
kams-corner · 1 year
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If they take this away from me, I'm never watching another episode of Station 19 or Grey's Anatomy.
That being said, the storyline is very realistic and Maya's response is entirely within her character, she's falling back into old patterns and dealing with her mental health the only way she knows how which is by embracing the pain instead of asking for help.
Carina's response is also within her character as she's lived with other people with mental health issues, which affected her more than she lets on. As well as that, she is a doctor, and she wants to help people. It's also possible that her need to help Maya isn't just because she wants her wife to be around more, it's also because she doesn't want to lose Maya as she has most of the other important people in her life such as her brother.
So, I hope the writers continue with this storyline well but if they take away this relationship, I'm done.
My reaction after seeing the last episode and realising I have to wait until next year to figure out what happens:
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vensfcamelot · 2 years
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please don't take my sunshine ㅤ away.
lyrics: you are my sunshine, by the dead south.
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childofsquidward · 2 years
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Y'ALL BETTER LEAVE THE IRONS ALONE
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daenerys-targaryen · 1 year
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leah, opinions on byler?
I don't care :)
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amelia-yap · 5 months
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I have discovered your Derg AU/Dragon Weiss and I’m very much in love. Thank you 🙇🏻‍♂️🙇🏻‍♂️
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glad to hear that! im very much obsessed about her and she holds all my brainworms captive
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mayasdeluca · 4 months
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Highlights of 2023 → Maya and Carina
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introspectivememories · 7 months
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buggy, dreamily sighing: did you see marco today?
shanks, warily: yeah? why? we see him like every other month?
buggy, immediately gushing: wasn't he soo cool? like the way he transforms and those muscles! didja see his muscles, shanks? he could probably pick me up with one hand....
shanks who has just realized that he never wants buggy looking at another man who isn't him: .....yes... cool
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creepywitchy · 3 months
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what do you mean no more charliebabe after this week
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leerang · 1 year
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Take us to the pace that brought us joy.
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megane-sama · 1 year
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And if you think I'm crying, you're absolutely right, i am.
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can-of-slorgs · 2 months
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Local owlbear, what she gonna explodee✨
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dootznbootz · 2 months
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I think some folks MAY have gotten the wrong idea about how I feel about Circe with some of my posts. So, to clear the air...
Homies, I love that fucked up sorceress.
I love how we're never given a reason why she turns people into animals. That's so funny and so awful. And another potion-making magic gal?!?! I love that she's just basically vibing on an island doing whatever she wants. I even love the fact that she scares Odysseus shitless! She's morally gray and that's why she's FUN.
I just sincerely hate when people try to girlboss her or have her be a victim of SA when she never was Looking at you, Miller. Especially when she was actually the one who coerced Odysseus in exchange for his men being transformed back into humans. And even then, while he was clearly afraid of her, (it's in the language of the Odyssey) she likely meant him no harm after a certain point. He just didn't know that.
Why does she need a reason to do awful things? Why can't she just be a goddess who does whatever she wants? That's the reason why I love her!!! She's fucked up!!! :D
I hate what the Telegony did to her as well! >:( You're telling me, this sorceress goddess, who makes potions (!!!) wouldn't have magic contraceptives??? Would WANT CHILDREN?!?! WITH THE PATHETIC WIFEMAN?! No. Fuck no. Eugammon of Cyrene, I have beef with you 🤬
Anyways!!! Understand all the "#anti circe" I have is simply Anti "Girlboss Circe" or the book. I genuinely think she's neat af as her morally gray, fucked up sorceress self and just get frustrated with...everything :'D
#I have these same feelings with Medea and Medusa and so many others. Penelope too. Let them do something fucked up just to be fucked up#I'm a “god forbid women do anything” in the sense of 'she did a fucked up thing. That's why she's fascinating. Don't take her awfulness#away from her!!! please! I wanna study her under a microscope!'😭#PLEASE#...I actually kind of don't like the idea of her actually caring about her nymphs :P maybe she “protects them” but like...#I see her as a “Why are all of you dancing? Oh. it's a birthday? hm okay. Just make sure your duties are done.” while not caring#whose birthday it is. She's not really shown to be close to them during the Odyssey and idk just seems in character for her to not give af#save me morally gray circe#<-making that a tag now because...yeah. She absolutely wouldn't save me though.#Mad rambles#shot by odysseus#anti madeline miller#anti circe#<-THE BOOK! I HATE THE BOOK! LET HER BE AWFUL YOU COWARDS#Why do women need to be SA'ed to be strong Miller?! >:(#...Ima say it. The pathetic wifeman is more relatable to me than Hot Snake Monster Lady when it comes to this stuff.😤#I just sincerely hate the fact that people erase what happened to him you know? It's silly but it means a lot to me.#Also I think she got bored of him immediately and simply let him chill at her place.#She's a goddess. She's got better things to do and she absolutely doesn't love him and he absolutely doesn't want her.#I don't have with Eugammon btw. He's dead and I'm exaggerating but I STILL hate the Telegony >:(#tw sa#kind of??? idk#barely mentioned but yeah#Calypso though?? Yeah. I hate her in practically everything except Pirates of the Caribbean because that's not Odyssey Calypso
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mintjeru · 2 years
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if you think i’d just let that teyvat style teaser go without drawing chiluc, you are gravely mistaken
open for better quality | no reposts | ID under the cut
[Image description: A three page comic in which Diluc shows Childe his Red Dead of Night outfit.
In the first page, Diluc’s ponytail can be seen at the side of the first panel. “I haven’t worn this in a while,” he says, “so I hope it doesn’t look too awkward...” “What do you think, Ajax?” Diluc asks. Childe turns around.
The second page depicts a full body, front facing drawing of Diluc’s new outfit. There are various labels pointing out his accessories and the differences with his original outfit.
The third page begins with a panel of dialogue. “Master Diluc...” Childe begins. “Huh? Why so formal?” Diluc asks. The second panel shows a chibi Childe blushing and clenching his fists as he leans forward excitedly. “Please go out with me!” he exclaims. A chibi Diluc stands in front of him with his back to the viewer. “You’re already my boyfriend though?!?!” he replies.]
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airenyah · 24 days
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not the last episode of hidden hangout today 😭😭😭😭😭😭😭😭
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enigmasandepiphanies · 8 months
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I think some of y'all (people in uni) were never 15 and read, "we accept the love we think we deserve" and sobbed while reading perks of being a wallflower and it shows
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time-is-restored · 11 months
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more whinging bc i got negative hours of sleep last night and i need to stay awake somehow lol
cw: discussions of misogyny + abuse
god the more i think abt it the more exhausted i get by the gender politics of ted lasso.
like god i do genuinely think that rebecca's arc in s1 is one of the best depictions of a mean + cruel woman ive ever seen on TV specifically bc it manages to thread the needle so well? like they never tilt her balance too much and doom her to being either totally fucked up + evil OR totally soft and sweet and harmless. and ted's 'divorce makes u crazy' response to her apology STILL makes me crazy wrt the sheer. understanding and empathy there, and she's just. given so much more depth than ive come to expect, especially for an ensemble cast sitcom w a (then) p short run time.
but my fucking god. we literally don't learn a fucking thing about michelle. im pretty sure the one (1) concrete thing we know about her comes in the fucking finale, and it's that she's a teacher for... something. the two most important people in ted's life and we don't know anything abt them! they're literally just empty symbols representing the importance of Family™, and that vacancy does nothing but weigh ted's storyline down!
like, i liked michelle's episode/storyline in s1, bc the blinding novelty of a woman instigating a divorce not being the Actual Devil, as well as a just. generally very empathetic + nuanced take on how divorce shakes out between two ppl who really care for each other, was so 'WAIT TV CAN DO THIS??' that i felt satisfied with that being Her Arc™. divorce happens, life happens, people fall out of love, and it hurts but its ultimately okay. the show, at the time, was ultimately abt a football club and how caring abt that football club helped everyone around it.
but then the show sticks around, and her continued absence just... raises a lot of questions? how did the conversation abt ted going overseas happen? what conversations did they have abt henry? how long term was it intended to be? did money really not factor into it all? like it's one thing for a character's backstory to be vague when it's not really the focus of attention (s1 was ultimately rebecca's story before anyone else's), but when it's the load bearing stone of their '''''''arc''''''' in s3...????
like. god. and then it fucking infects every other woman on the show!
sassy + nora? well sure we'll give you a softball - you can have one (1) scene where a woman is able to resolutely and firmly reject a man asking her out without immediately being seen as cruel or gameplayey (not that the audience will see it that way! she's already a lecherous temptress for them!), but neither of them will ever be able to speak to rebecca onscreen again, even after the heart-wrenching scenes in s1 CLEARLY establishing them as a beating heart of rebecca's arc.
shandy? nope, don't even think abt her motivations/drives, just forget her. simi? LMAOOO imagine a black woman getting a personality beyond righteous anger. jack? three-four episodes, and we learn so little abt her that her conflict with keeley - which SHOULD'VE have been a huge emotional beat - just feels like a kick in the teeth (and while, yes, i absolutely agree that in a real world context, jack's rejection of keeley would be largely motivated by class, in Ted Lasso Land™ rebecca is just as rich - if not richer? - and we're never once encouraged to interrogate her priorities).
barbara's the one that really makes me miserable, bc i feel like on a show with less run time, she could've played REALLY well. she's a great contrast to keeley, has an amazing delivery, and the scene where keeley + her first discuss the snowglobes shows that she has the potential for some really moving vulnerability + pathos. but instead they give SO many of keeley's scenes to characters who ultimately get written out, so when barbara stays it's like... okay? sure? like, i was so stoked that barbara survived the Mass Exodus of side characters that i didn't wanna look the gift horse in the mouth but... wasn't the last thing we saw of her and keeley's relationship like. general resentment + distrust abt the shandy debacle? when did that improve? how???
i don't think i'll ever have enough mental real estate to explain how disappointed keeley + rebecca's 'arcs' in s3 made me, and at least there's the saving grace that. virtually no one other than jamie got a coherent arc this season, so at least it was on some levels an egalitarian screw up. but fuck dude. keeley was just forced to react to bad things that were happening to her, and we got to see her do her job (which, unbelievably, does actually involve things other than being an awkward manager!) precisely one (1) time.
i even like rebecca's arc on paper - i think it's really cool to see a character backslide so intensely in terms of obsessing over and struggling to come to terms w a past relationship, especially an abusive one, bc like. yeah! that shit sticks with you for longer than a season! and beyond that, seeing her regain her sense of self and what SHE actually gives a shit about was oftentimes just as sweet as s1. but her scenes were poorly connected, and she had to carry WAY too much of a burden as the Resident Speech Giver for any of her internal characterisation to make sense. like, sorry, but it's kind of hard to believe a character's Going Through It™ when they have to spent near 100% of their screen time giving Take It From Me, Kid, speeches. and then she's not even given a real opportunity TO fuck up + sabotage her relationships, even when she starts getting really weird w ted! it's all just so meaningless and like nothing that she does is ever going to matter. she never speaks to zava again, we don't get to see her interact w bex or kate, her pleas to ted get COMPLETELY shut down...
but the thing that REALLY makes me sick is this complete lack of interiority absolutely butchers the characters of jade + jane, who are otherwise RIFE with potential. like, jade is a completely unflinching, unapologetic asshole to nate + his family, and that's never interrogated. even in Sitcom Land™, it's more than reasonable to view jade's actions as racist, especially when she doesn't give the same treatment to others (at least not as i recall? honestly i usually watch the taste of athens scenes while peeking out behind my hands, so i could 100% be wrong here). and yet, suddenly, and completely inexplicably, she's charmed by nate. she wants to give him the time of day. she finds him attractive, and wants to date him, and generally take control of his life and force him into a decision that is literally the exact opposite of what he expressed wanting to do. except even that LAST thing isn't allowed to be interrogated, bc god FORBID a woman is enough of a fully realised creation to actually be culpable of the terrible shit they do!
and fucking jane??? beard's so head-over-heels for this woman that the emotional abuse + extremely controlling tendencies don't even make him bat an eye, and we don't get to know anything about her? she's literally just the suggestion of an alluring woman! good at sex! good at chess! fuck you if you wanna know more, even though the show ENDLESSLY hits you over the head with how painful their relationship is for beard - beard who is given virtually no other storyline. like, i literally can't read brendan's refusal to label jane as abusive as anything other than like. that bio-essentialism shit where ppl 'women are better than men <3' so hard that they end up genuinely and wholeheartedly arguing that someone's sex defines their morals - or worse, that their sex is a deciding factor in determining whether someone's actions are good or bad. not context, but a legitimate 'add points if woman, take away points if man' variable.
like that's so feminism 101 it's legitimately almost worse than nothing. that's like getting as far as 'hey so you know how we're all inundated with both implicit + explicit messaging abt what is Valued and Good for women vs men to-' before shoving ur earplugs in and going 'if you are oppressed by society we'll automatically stamp a 'good person' label on ur head and now we don't have to think abt any of our biases + internalised beliefs ever again <333'. the most useless and fucking pointless stand against the patriarchy ever, especially coming from the same show that ENDLESSLY slots characters into the 'loving gf/wife' archetype and then give them Literally Nothing Else. my comrades you have literally just done madonna/whore 2: oops all madonnas! this is not liberation!!!! this is a miserable cage!!!!!!!!!
im just. higgins' wife. mae. trent's daughter and anonymous 'her'. the women at the hotel and the restaurants and the firm and the fucking physios, fuck - dani's gfs! who are they? what do they want? where do they go when the camera stops rolling? can anyone hear me?? hello??? hello???? brendan hunt i am OUTSIDE YOUR HOUUUUUUSE
#ted lasso spoilers#ted lasso meta#ted lasso critical#dead girls by p.enelope s.cott has been stuck in my head for approximately a month bc of this fucking show#its so fucking nuts being treated to rebecca + keeley in s1 and then slowly realising w dawning horror that its literally only down from#here. and also listen nothing but respect to my comrades out there who can take michelle + henry as written#and immediately + painlessly extrapolate from their significance in ted's life to viewing them as like. important figures narratively#but to me they literally never got beyond the carboard cutout stage? like. yes thank you if u love ur family its sad when u leave them.#why'd he leave them then lol.#LIKE. if both michelle AND henry are just these. passive vessels who are neither invested in ted staying OR leaving london#and the only motivation we're EVER given for ted's move is 'michelle wanted space'. like sorry for wanting an actual deconstruction of ted'#motivations rather than the worst mystery box of all time! if i wanted a story abt 'man misses family :( please don't ask any questions abt#the family in question-' i could just close my eyes and imagine a stock image of a sad business man.#wagh. ted bud they gave you so much potential + so many demons and then just wiped them away w no exploration outside of like. two#scenes w sharon. u are also in this cage king but at least u got a good two seasons of mc character energy before they locked the door :(#something something sorry for having an ace attorney witness stand breakdown when the show i liked Was Bad. do u still want to be mutuals
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