Yes, Alastor is attracted to power. But his coming to that realization was not prompted by Lucifer or even Vox.
It was seeing Zestial!
Imagine: He first arrives in Hell, and he's still building up for his big reveal, and then sees Zestial putting on some impressive power display and was like: Oh.
Z was his first aesthetic crush. Thankfully a passing one, but it explains why he respects him so much.
It puts a whole new spin on his reaction to Zestial appearing in front of him on the street in Episode 3. Then his immediate order for the EggBois to shush, despite barely tolerating them before. "Shut up, he needs to think I'm cool."
Okay, okay, okay, I got, like, 3 messages side by side the other day (including this one), that involves Vox as well, and I've been super sick the last few days, so I read this in my migraine, dehydrated addled state and cooked up an entire backstory with Alastor and Vox, which includes Alastor's attraction to power (and his previous attraction to Zestial), and his falling out with Vox, and why they are what they are, and Velvette was in there somewhere, but now that I'm not longer sick I only have fragments of that glorious, complex, multi-faceted, super emotionally charged relationship, and I'm pretty sure most of it spawned from this.
That's all to day, I am so so SO fucking on board with Alastor's first crush being Zestial because when I watched episode three when it aired, and saw them interact and my first thought was "I ship it."
Literally, I shipped Alastor/Zestial before StaticRadio or AppleRadio. Alestial was my first Hazbin ship 😂 So this is just dasdfjlnsaklfjna YESSSSSSSSSS
"Shut up, he needs to think I'm cool." It's okay, Alastor. Zestial thinks your the coolest. Your the most entertaining Overlord on the block. He told me himself.
CC: [cheers heard in the background] Yes mate!! You did it!! Yes! That–that is a hell of a–[setup talk] Unbelievable.
FA: Copy, guys. This is for you guys, this is for you. This is for all of you, all of you guys. All of the the factory, everyone. Everyone, this is for you. Everyone [unintelligible], thank you very much.
actually no im not. country music fucks!!!! you guys are just listening to the wrong kinds!!!! the kinds that aren't even country!!!!! you cant judge a whole genre based on a tiny part of it!!!!!!
Xemnas and Xigbar for 37 if that number hasn't been done? If it has, how about 74?
no puedo pedirle lo eterno a un simple mortal // ay, todo lo que he hecho por ti.
[ID: a mostly black and white drawing with a purple overlay of xigbar and xemnas shown from the hip up on the left side of the image. the background is black and has some diagonal lines with a bit of transparency on the right side. the shadows are harsh, with only a bit of light falling on their faces.
they stand before each other turned to the audience. xigbar, holds the handle and the middle of No Name before him, head tilted down as he looks to the audience. xemnas stands a full head taller behind xigbar, his left hand held some distance below the bladed tip of No Name, his left eye is covered by his fringe.
xemnas visible eye is painted ochre with a white pupil, while xigbar's eye is white and gold. The eyes on no name's handle and the gazing eye on the blade are a vibrant cyan. the caption reads the spanish lyrics "i can't ask a simple mortal for a forever" and "oh, everything i've done for you." /End ID.]
profs will set the due date for the final as april 24 and then STILL NOT HAVE THE FUCKING ASSIGNMENT UP TO SUBMIT THE PAPER BY 11PM ON APRIL TWENTY FUCKING THIRD
tagged by the gorgeous and fabulous @cordiallyfuturedwight and @aprylynn for february's roundup:
tagging the usual music favs: @jiminsproof @thvinyl @jimin-gaon @visionsofgideontheninth @spicyclematis @kimchokejin @jihopesjoint @monismochi plus @kimtaegis for the amy macdonald of it all 💜 and also you, dear reader. MWAH
Something something about how all of Eddie’s traumas - well, shooting and now campervan have lead to him being out of contact/ unable to talk properly or at all to the 118, but to buck specifically and in increasingly limited degrees. Next to zero contact in the well and none directly with buck except cutting his line ( it’s always bobby or Chim on the radio to him). Then the shooting - he’s in and out of consciousness and can only check buck isn’t hurt. Now he’s on the radio - the line is open but words are laboured and difficult but there are more of them.
Something something about Eddie needing to talk - to use his words and how he didn’t after the well / he changed his will, but didn’t verbalise it. After the shooting he did have some of the words - he told Buck about said will - because he knew he needed to find them. And now in a season where he’s been playing word games against time and we’ve seen him being more verbal - what are we going to get
I discovered Just kiss Already after you uploaded part 3 and I have a question. So Part 1 is 1 chapter, Part 2 is 2 chapters, Part 3 is 3 chapters. When you say your writing "the next fic" do you mean like ALL of Part 4, which you then break down into chapters before you upload them or do you upload chapters individually as you complete them?
The fics themselves aren't so much chapters as they are a serialized collection of fanfics that have an overarching plot.
The reason I'm writing "Just Kiss Already" as a series instead of a multi-chaptered fic is because each fic has its own little mini plot inside it. Each of them are a mini story that's gradually building up the larger story at play.
I'm also keeping it as a series because I go back and forth between POV's a lot. Hopping between POV's in a multi-chaptered fic can work, but I usually like keeping them contained to a single POV. It makes it easier on me and the reader, so I don't have to clarify which character we'll be following in each chapter.
It's a collection of stories that are all linked together, kind of like a TV show, but you can totally view them as parts too.
"De-Lovely" is part 1 , "Holy Suffering" is part 2, and "Damage Control," is part 3.
I've actually split up the entire plot of "Just Kiss Already" into three different arcs (or three seasons if the TV analogy helped), each with their own theme. But I shall not tell you what they are, because that would be spoilers 😈
Sometimes, I don't intend for the fic to be split into multiple chapters, but if it gets bigger than I expected, I break it up because it's easier on me when I get to the editing stage. Editing one large chapter is so much harder than editing a couple small ones 😅
I hope you're enjoying the series! I'm very excited to get into the juicer bits of the story 😏
The nature of time is that (culturally) Christian Euro/Anglo colonial consumers (hereafter white ‘people’) fetishize the idea of being ‘close to nature’ or ‘primitive’ or ‘savage’ and latch on to the idea that there are groups of people in the world who are somehow bestial or who have some kind of special powers from holding animist beliefs/beliefs that acknowledge the body as opposed to the Christian belief that the body is a kind of useless appendage to a person. We see this across decades from the 19thC to today in the racist fetishization of indigenous people across the globe, particularly residents of the Americas, Australasia, and southern/eastern Africa.
White consumers use a warped conception of other cultures to live out the fantasies that the Christian soul/body stuff engenders. You keep getting told that your emotions and physical sensations are the devil’s work? You want to get in touch with those physical sensations, but you don’t want it to interfere with your worldview? Simply project them on to a convenient group of people with slightly different conventions from you. Imagine how cool it would be to be 100% physical sensation (especially those pesky violent and/or sexual urges) and no mental burden, then unleash that in a way that causes millions of deaths worldwide via the dehumanization of entire nations of people just trying to live their lives. White consumers love a Proud Warrior Race Guy.
Flash forward to the 2010s, it’s generally considered impolite to spread the same propaganda that justified the genocide and dispossession of many different groups of people. However white culture hasn’t changed that much and normal human activities still need to be explained away to maintain the veneer of white intellectualism that has been used to justify white violence for years and years. You can’t just stomp around and clap your hands and dance badly, you’ve got to project it somewhere else.
But wait! There’s a community of people considered ‘tribal’ and ‘savage’, considered violent and bestial, who were never colonized! It’s…the Norse. Fetishizing early medieval North Sea raiders can’t be cultural appropriation, see, they’re white! It’s not offensive to replace an entire culture with white (male) ideas of what’s cool if that culture is totally unassociated with colonizer stereotypes and is in fact a culture of colonizers!
And that’s my theory on why there are so many Norse-inspired folk bands/video games/tv shows/memes/literally anything in the 2010s. VSaga not counted because that manga has been running since 2003 and is actually well-researched and comes out of a culture with a similar but distinct tradition of racism. The Euro storytelling tendencies of needing some kind of violent avatar have taken on ye anciente Norseman now that people care a little bit about the gallons of blood used to sketch other ethnic stereotypes. Done and dusted. Except the other side is that the fetishization of early medieval Norse culture is literally just white supremacist 101 and a lot of artists don’t step around that nearly as carefully as they should
I love period works based on relatively recent decades that are built entirely out of the childhood nostalgia of the people making them, and as such end up being just as much time capsules of the time they were made as the time they're set.
Like. I don't know if I'm wording this right. But "show or film based on a particular decade but entirely from the real memories yet flawed nostalgia glasses of a writer who was a kid at the time" is always going to be very much a product of its time. Like. Grease and Happy Days, both set in the 50s, could only ever have been made in the 70s and early 80s. Hairspray (the original film) and Heartbeat, both set in the 60s, could only ever have been made in the late 80s and the 90s. Ashes to Ashes, set in the early 80s, could only ever have been made in the late 00s. And Turning Red, set in the early 00s, could only ever have been made in the 2020s.
Because none of those works are true accurate depictions of what those years were objectively actually like. They're true accurate depictions of what those years felt like, if you were twelve at the time.
And that's something future generations of writers are never going to be able to quite emulate in quite the same way.
I’ve doodled ideas for redesigns before, but I’ve never just sat down and done it. By god these designs are so cluttered that there’s so many strings to pull for a redesign!