It’s so upsetting that if only Moon didn’t go with Sun, or Sun never went to the cave, or if that damn nasty ass rabbit didn’t do anything an was actually a normal not evil rat, things would have gone according to plan, and no one would have to deal with all the conflicts coming off of the incident
Oh believe me there would still be conflict, just a different flavour.
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There seems to be such a big focus on 'dreams that never end', especially with the Golden Hour being the everlasting last hour before the next day arrives.
Oddly enough though, it doesn't seem like we are trapped inside a dream loop. But I want that. I want TB to be angry and irrational and to be obsessed with saving Firefly. I want what we've seen so far to be just a precognitive dream, and for TB to try over and over again to change the outcome, waking up every time they fail. I want them to drive themself crazy, desperately chasing after an impossible outcome.
And once the TB stops torturing themself and finds catharsis, the needle of the clock can finally move past midnight, signaling the dawn of a new day with TB finally able to move on. That's how I would write a story about neverending dreams, loss, grief, and self-blame, but again, it doesn't seem like the story is heading in that direction.
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ok another one in that i went over everything again expressly to pick up murder mystery clues, especially in the beginning
noted as the first appearance of mordecai, hanging out in the garage. to be perched on the hood of a car, leaning back, is so whimsical for him. jaunty. but also, being the earliest appearance in the comic / its own timelines, you know. more informatively, it sure seems like atlas was shot or something there. looks like it matches his design even from the mostly obscured look we get at it, and presumably there's any all the more unobscured view available to everyone in-universe. it's also presented as part of someone's file, so that's noted re: drago, though it may just be the required framing to present it as a photograph that'd exist at all
then introduced to mitzi in the next page, and i've helpfully added the arrow b/c i was looking for it like "well, based on this Theory that the basis of mitzi and mordecai being in cahoots and having an understanding about it is their mutually having a personal/emotional connection to atlas (at least on their end b/c we see so little from atlas and hear even less. even when people would usually say one is personally connected to their wife. are they)....might mordecai show up at the glimpse of atlas's funeral" and i'm noting how closely that design there aligns with mordecai's, even though this isn't high res enough to be absolutely certain. but: seems to have a shaded-in coloration, center streak in the ear, sharply triangular corner of face (especially a feature in these earliest depictions, rather than this triangularity incorporating a bit more waviness / curve later), light uhh muzzle nose mouth area, what could be the outline of the light stripe under the eyes, light eyebrows >:c ly arched, & pince-nez or just glasses if that's the only option when you're cats....there's a lot of "wow that really could be mordecai huh" design alignments that are otherwise just a lot of coincidences like, whoops drew this background rando who matches so closely one of the main cast members....characters. getting theatrical out here. and what's then also noticeable is: none of the other background randos resemble any other characters, even when if mordecai is simply here as an Important Employee, where's viktor, where's anyone else we know was already around, where's the employees who remained steadfast who are shown immediately after this, versus mordecai who, as an employee, did Not loyally stick around at lackadaisy, but as someone with enough emotional investment in atlas for that to indeed be the foundation of his and mitzi's murder mystery Understanding, to then also maybe be the only lackadaisy employee at atlas's funeral (presumably with mitzi's knowledge), to have left lackadaisy out of grief rather than professional interests....hmm
mordecai also in this picture, where again everyone's hanging out, next to atlas and singled out by being the only person not sitting. did he just get there, maybe. is he On The Job still, i.e. maybe by being something of an [almost always active personal bodyguard] here. seems he'd face more Away from atlas for that. but not like i know what he's up to otherwise, and Thee Point may be to more symbolically have him standing apart. with even viktor also there, sitting and chilling, to show how mordecai Might also be doing that....but isn't. also of course tingling with mystery senses about what mitzi was going to have said to wick here, about how she would hate to, dot dot dot...then changes her mind upon Considering Atlas
here's mordecai Standing Near atlas again while socializing is happening. while he is also distinct from a) mitzi, in that this is confirming (if somewhat implicitly) that mordecai was in fact already associated with lackadaisy & atlas before atlas met mitzi, and b) viktor, who was still stationed with the arbogasts' funeral home, wherein i'm also considering this relevant b/c naturally it emphasizes that the professional viktor & mordecai duo's existence doesn't make them interchangeable: backing up that mitzi sure may have had a reason beyond a coin flip for having this secret with mordecai rather than viktor (and, of course, the reason probably isn't just "i need to work with some lackadaisy employee who can fire a gun" in the first place)
a couple more points being
mordecai going on and on about professional approach all the time; could simply be his preference, could be an expression of the like precision / methodical perspective that makes him good at biting and killing, could be [that] plus just how he deals with his job being biting and killing when it's unlikely he was up to that before the train ride ft. atlas and atlas taking him on for that success....i also wonder if he took a Professional Approach to killing atlas / thinks of it in that way, even if that reason for [secret mystery involvement with mitzi on this] was an emotional one, and that being recent and tumultuous has him like tripling down on this. even though mordecai may not have killed atlas either, even presuming atlas Was shot and killed. and knowing that mitzi gave him a gun, or mordecai gave her the gun, or they passed it back and forth a few times for obfuscation
the pig farmers start wandering into a dark area of lackadaisy's caves and there's bones back there. what goes on in said caves....all this coming about b/c atlas opportunistically took advantage of the cave access, seems like the kind of environment with real potential for some figurative resonance. like also the rivers.
mitzi telling wick that atlas was the murderous one in the relationship....not necessarily that significant when like, technically who around here Isn't murderous. just like there having been "here's the body stashing cave section" isn't necessarily extraordinary in its literal existence, but with the symbolism of wandering into the caves and finding an area with no light, where you start walking on old bones, and are about to be killed yourself....hmm. and re: atlas's murderousness, sure is possible to team up to kill someone to protect a fourth party, even though like, who. and that would add another layer of "mitzi and mordecai care about the same person" on top of their presumed [handshaken] emotional regard towards atlas. possible, but like, who would that be. it seems unlikely atlas would, say, threaten ivy or something. and how would that incorporate that [there has to be the Mitzi's Asserted Culpability] element. but these things are sure noted
not directly related to the mystery but i will leave off again on the mordenico agenda. even though, also, it is a "bite me a zillion times, two zillion times shy on me" situation like, what are the odds the [inroad of intrigue over shaking up the glitter in your funny little guy who everyone usually just would rather ignore] situation is actually bound for working out. yet [Also Everything Else. like in this scene and the prior Hotel Room Fête encounters] and declaring yourselves as the same and trying to stay friends no matter what....we can dream
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Hate that I already have so many projects and so little time >:(
I want to do a murder mystery themed tarot deck, bc I love tarot and love murder mysteries. And I have SO MANY associations with various mysteries/elements, motifs, or characters from said mysteries that you could give me ANY theme and I'd have something it reminds me of from one of those shows/books/etc.
Like it would be 90% an extended major arcana, and not follow the traditional tarot structure well, technically making them oracle cards. But I don't like how most oracle cards look with the meaning written out in one little sentence at the base or on the back, I'd prefer the meanings to 1. be more complex, interpretable, and LESS universally applicable 2. be in a separate guidebook or be completely left up to personal interpretation. Plus, I might follow the traditional tarot structure a bit if I find enough parallels. All the decks I have are tarot decks not oracle cards, bc I just find the general aesthetic + the short, universally applicable meanings appalling (for my own use, no judgement on people who like them). Like it feels like fortune cookies, no matter what's happening in your life you could say the fortune fits, and I, personally, hate that. I wish someone would make oracle cards that are more nuanced, detailed, complex, and interpretable. So anyways, I want to.
But I have absolutely no time for that so it's going to end up on my infinitely long project waitlist. Probably right after the paper project, which could work out well if I actually got to them, since I could make the cards on the fancy paper. I'd make a paper that is specifically perfect for cards, and possibly try to work in some intent, enchant it, or mix in herbs that correspond with divination or psychic ability. It'd be pretty cool :)
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If you could change the pov of a book what book would it be and what pov?
oh god.... this is a really good question.... hmm.... gosh it's been too long since I last read the series so my memories are pretty vague. I don't think I can give a specific book, but I think tnp would be pretty interesting to have Tawnypelt as one of the pov characters, rather than Brambleclaw.
OR WAIT NO ACTUALLY.... into the wild from Ravenpaw's pov! it would probably be super interesting to see his thoughts throughout the book. him knowing what happened but being unable to do anything. the anxiety, the fear. oughhh it'd be really cool.
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woah... that's some premium human (kittycat?) heart in conflict with itself
(fr everyone in lackadaisy is kittycats to me lmao. going like, whoa, neat humansona ideas....)
and also fr like everyone get in on "mordecai killed atlas even though of course he didn't do it b/c he Wanted to: bet on it" if only for the fun drama of it all....it Is fun & funny to me that like, sure there's only so many major characters, and sure there's no incorrect one to point to like "wow what a delight" but i wasn't really That previously aware that mordecai is like a fan fave like omg the bad bitches (especial popularity) he pulled by being autistic :'] we just don't expect to see it lmao. like this theory should also be more popular then if even just by virtue of that premium kittycat heart in conflict with itself material it supplies. pointing at mordecai like haha he's sooo upset about all this and That Is Why He Quit, not to go investigate marigold which he's also just said he Wasn't doing until just now. we've seen the [oh grief? besot? interesting] bonus material....not that i don't think most people do imagine that of course mordecai has a good amount of emotional investment in things driving him here, but this does ramp it up which i think also works as an argument in its favor; like i'd be inherently more skeptical about any theory that required mordecai to actually care less about things lol than about any that gives him more personal emotional motivation
truly like "we know mordecai wouldn't want to kill atlas..." (agreed) "...so he can't have been the one to kill him" like first of all lol no way is it a Writeoff anyways, like we've got a mystery here but we Won't imagine ways in which [nobody could ever kill someone they didn't want to kill] wouldn't apply? second of all: Think Of The Drama Of Him Killing Him Even Though He Wouldn't Want To
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"Explain Nasuverse mage Rea w.o explaining Nasuverse mage Rea:"
(Loose translation anyway:
if runes are used as supplemental magecraft like nails or screws, Rea uses them as brick n mortor for entire structure (and it WORKS)
unintentional (if unspoken) speciality in magical circuits construction and, with proper study, magecraft effecting the soul and outright Concepts directly
(FGO Rea absolutely works on an anti-Servant magecraft by targetting the 'thread' that allows that incarnation to have been summoned from the throne in the first place (ie via excising the cause and effect that allows them to have been summoned in the first place, for that summoning)
(Lesser example of this is FGO!Master subverse being incentived to develop 'artificial nerves' Mystic Code for when her Crest bs acts up, ie every rayshift, to mitigate how much it kneecaps her in the field)
she's an American magus that only spent time in Mage's Association for politicking/pawn reasons, and because she's so humble and friendly she has no idea how op any of her bs actually Is. she tries to explain/share it to people and it goes in one ear and out the next
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Imagine if people only worked six months out of the year. Half the people would be winter workers who choose to grind through the dark months and then chill and play during the summer, and half of the people would be ones who would rather work through the warm season and then rest and hibernate in peace over the winter, more or less free to choose whichever you like.
There would be families with a strong identity about which season they work in, and people who say that someone "has only ever worked one season" as a way to imply that someone isn't adventurous by nature. There would be parents who agree to take turns working opposite seasons, so one of them can always be at home with the kids, and old folks who lament that their adult children and niblings were Forced By Circumstance to work opposite seasons from them, while the youths in question welcome the work as an excuse to avoid these inconvenient relatives.
You never know if the construction worker up at 6 am in the summer spends their winters writing murder mysteries, or if the winter shift librarian spends their summer cultivating a rare breed of heirloom apples. Or simply meditating, observing nature, living quietly and baking bread. Asking someone "what do you do in your free season?" tells as much, if not more, about the person than "what do you do for a living?" And nobody answers "nothing". Everyone can think of something that they want to do, perhaps not productive, but still enlightening, constructive and cultivating.
Nobody who is in full health and well rested can stand spending half of the year simply doing absolutely nothing.
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