Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.
My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?
Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.
I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!
I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.
I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.
So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.
Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.
Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.
71 notes
·
View notes
i’m sorry the dandelion scene is still so funny to me. your best friend is completely catatonic from trauma, you’re at the end of your rope trying to find a way to help her in a place with no medical resources, and this girl you’re stuck with whose sanity is cracking like a plastic plate in the dishwasher and is just generally going around pushing everyone to their breaking point decides to help by blowing a dandelion in your face. i’d probably snap too honestly
744 notes
·
View notes
"I find you there in all these things
I care for like a brother.
A seed, you nestle in the smallest of them,
and in the huge ones spread yourself hugely.
Such is the amazing play of the powers:
they give themselves so willingly,
swelling in the roots, thinning as the trunks rise,
and in the high leaves, resurrection"
— Ranier Marie Rilke, The Book of Monastic Life poem 22, from The Book of Hours
21 notes
·
View notes
RIP rilke, you would’ve loved mitski
7 notes
·
View notes
I translated "Der Panther" by Rainer Maria Rilke into Russian
Requested and courteously translated into English for me by my good friend @girl-named-cock. Thank you!
As with all my translations, this one is fully rhymed and rhythmic, meaning you can recite it like the original text.
"Пантера"
В Jardin des Plantes, Париж
Решётки сквозь пестрящие лоскутья
Её усталый взгляд безмерно пуст.
Ей кажется, здесь сотни тысяч прутьев,
И мир вокруг - их проволочный куст.
В её походке грация и крепость,
Её шаги в предельной тесноте
Кружатся в танце гордо и свирепо,
И дух её не сломлен, лишь смятен.
Лишь иногда сквозь мутную завесу
Её зрачков картина тронет гладь,
По телу пробежит, достигнет сердца,
И прекратит существовать.
***
Please keep in mind that I do not accept constructive criticism. I'm sure someone might have better ideas for certain lines or rhymes, however, self-improvement is not the purpose of this blog. With all due respect, be kind or be quiet. Thank you.
7 notes
·
View notes
you know i used to not be a leatin stan, i just didn’t see it as much as everyone else. but now?… I WOULD RISK IT ALL FOR THEM. in a season full of adorable shoni moments all i could focus on was any scene with fatin and/or leah. give me season 3, give me leatin canon. thank you
(also please recommend some leatin fics because i’m actually in love)
260 notes
·
View notes
@randomfoggytiger Just saw your ask and your thoughts on the final chapters. But I'm currently brain-dead and need some time to process and respond. Until then, I want to share this with you. I think you'll know why...
3 notes
·
View notes