Im having tons of fun crawling all over your dick grayson tag and checking out the comics you've commented on. Batman year one:scarecrow has to be my favorite bbydick and bruce dynamic lol, but also if my dad nerve pinched ME to keep me out of the fight idve gone ballistic immediately upon waking. Betcha dick made *very sure* bruce could never keep him out of a fight that way again (though i didn't quite understand what dick meant when he said he feared batman in a godfearing way? Like its a raw as hell line but i dont quite get what he meant)
Excellentttttt, there's a lot of really fun Dick Grayson comics out there, and that one is just an absolute joy. (I would also recommend One Bad Day: Mr. Freeze, because I think it captures the same feral gremlin angel baby energy of Year One: Batman/Scarecrow! But also Robin & Batman. And Batman: Dark Victory.) The art combined with the dynamic is just so top-tier:
Dick just REFUSING to be serious about Bruce's cranky moods!
Dick casually flinging himself upside down on the couch while talking to Bruce! Refusing to let Bruce snipe at him, he's serious about this, too, you know! What's making you such a pill tonight?
Dick scooting under Bruce's arm to get a better look at some evidence in their case, like he's so little! And he just WRIGGLES RIGHT IN THERE, absolutely no thought for personal space! Or leans his head right on Batman's arm to get a closer look! And that's something that will continue even when he's big as an adult, he has never met personal space of a loved one that he would not casually violate!
Hopping up on the table to curl up with his arms around his knees, like he's not a tiny baby child, and going, "Bruce, seriously, something's wrong, talk to me." as if he's the adult in this situation while sitting there like a TINY BABY CHILD.
Leaving money for a guy they just beat up!
Bruce PICKING HIM UP BY THE SCRUFF OF THE NECK like he weighs nothing, like he's just a pet cat to haul out of harm's way!
Dick trying to flirt with the receptionist and Bruce LOOMING with a cracking knuckles gesture, like if you even THINK about taking this tiny baby child seriously about how he's offering a date, it will not end well.
THEN MOVING DICK OUT OF THE WAY BY PUTTING ONE HAND ON HIS FACE AND SHOVING, I love Bruce, he's awful and the best.
Dick noticing details and asking really good questions, like that kid may not be as trained as Bruce is yet, but it definitely shows he had a natural affinity for detective work, that he's probably genuinely one of the best detectives out there after Bruce himself!
But also the "god-fearing way" and the nerve pinch lend it some nice crunch, because those moments (for all that this is a genre where these things should NOT be taking totally seriously, this is comics) are really kind of fucked up. I think, while Dick doesn't fear Bruce as a person, he can see the person Bruce is underneath the persona, there's part of him that understands Bruce is not always in control of himself and he does things he later regrets because of it. The whole mini is undercurrented with Bruce being in a bad mood, being surly and snapping, beating up people with more force than needed, slamming tables in his frustration, not talking things out.
Dick sees how that plays out, it's why he keeps needling Bruce to talk to him--and Dick's not going to let any of that hold him back, he clearly feels safe enough to tease Bruce, to wriggle in under his arm, to lean on him, to snap back at him. But he also knows that Bruce can do things that are terrifying. He fears that Bruce is going to shut him out. He fears for the people in Batman's way. He knows Bruce will regret those things, but when Batman swoops down on someone he sees as being in his way, that's terrifying, like a wrathful, vengeful god.
He's not really bothered by the nerve pinch, he gets why Bruce did it, and it hardly slowed him down that much. He understands that it was Bruce's way of protecting him, because he didn't want Dick to get hurt, but also I think Dick probably sees it as a challenge--to avoid it or overcome it again in the future, it's good training!
Like, what a beautiful, wonderful, sweet, fucked up dynamic those two have! What a hilarious feral gremlin child he is, what an incredible "the child has to be just as mature as the adult, sometimes more mature" deliciously awful dynamic that is!
Anyway, if any of you others enjoy Batman comics, please read Year One: Batman/Scarecrow, it is so funny and delightful and fucked up in a way I'm not sure it meant to be but sure is tasty as hell!
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Someone made this point and i wanna argue it LOL!!!
"we should have seen a Yas flashback of her having ptsd with dinos coming to the mainland (the scene where Sammy mentions to Ben yeah Yas's PTSD was horrible when they arrived on the mainland)"
As someone with PTSD, having two scenes tbh feels like overkill for one.
two Like why do we need a flashback of her seeing Dino’s on the mainland for the first time when in the same episode we saw how she felt, we saw her have a PTSD episode and flinch and it all. Like I just think it would have wasted time when we already know she would be upset and Sammy would be worried about her like it wouldn’t have made the show better or Yas or Sammy’s arc better. It would treat us like we are stupid, we already know and have seen not even a few minutes ago the same episode. Like the two scenes mirror each other with Yas and Sammy saying the same sorta thing, writing 101 dont repeat flashabcks, we SEE how she reacts to a dino on the mainland already, and it was not good, Yas states in depth how she feels she is not doing better. We already see the entire season how worried Sammy is for her, so it would be pointless. Having it be a line of dialogue relating to that first scene rather then two flashbacks is the better writing choice, plus scenes from cc mirror into ct
Like no matter what those scenes would have been too similar, we did not need to see multiple flashbacks of Yasmina's ptsd.....we know already lol. Like it would not have made her arc of her doing better any better.....lol
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spoilers for iwtv s2e4
my thoughts after a rewatch:
i know claudia hates the baby loves window play but she ate up that little song
the lulu role really is so humiliating :(
louis’ expressions whenever he watches these plays always kills me lmao he hates theater kids
louis and armand talking over each other to daniel
armands theater notes lol
claudia no eyebrow big eyeliner look is kinda cunty ngl
im a fan of sam the irish vampire
making claudia be lulu all the time oooh armand i hate u so bad
almost threw up watching louis and armand give different answers to the companion question IN FRONT OF THE COVEN that shit was so embarrassing
i wouldve kms if i was armand
vamp catfight
armand stuck in this situationship dont worry king we’ve all been there😔
literally telling each other i love you and still having the what are we conversation
“do you notice how hot the room gets when you two talk about the secret” plsssss
louis only able to use the fire gift when hes angry👀👀 gee i wonder if thats gonna come back👀👀👀👀👀
louis going🤨🤨 to the schizophrenia question like it came out of nowhere
armands face while louis talked about dreamstat why not just shoot me in the head
loving these dutch angles whenever daniel dissociates and gets an armand memory
santiago looks so good in the gold suit? robe thing??
claudia santiago friendship is killing me santiago i know what u are
claudia killing the guy singing baby lu
i like that you can tell claudias french has gotten better. nice small detail
i love scenes of louis and claudia just talking about non vampire things
santiago mimicking louis was pretty cool
buffoon sighting!!!
whole dinner scene bangs
the guy saying theres smth “fragile” about armand in the photo louis took and louis saying “no he’s anything but” and then the guy saying “you’ve captured the soul he hides” 🤌🤌
louis would never survive a 4 hour art school critique
daniel telling a girl he’d only do her if she had a paper bag over her head??????
claudeline truthers how are we feeling
context for the eating paper clip in the trailer
romeo!!
armand is so down bad its sick
madeline tailoring a yellow dress for claudia😟😟
the whole claudeline interaction was great
amadeo☹️🔫
MARIUS KILL YOURSELF!!!!!!!
the way armand talks about marius
MARIUS KILL YOURSELF x2!!!!!!
“no one has painted me in 400 years” fuck
madeline period blood moment. theres so much here about femininity and maturing might make a separate post about this scene
armand pinning claudia against a wall armand i hate you so bad
we already know that armand is powerful but seeing him choke and manhandle santiago really solidified that i think
picked another one over me!!
delainey is ACTINGGGGG
louis not believing claudia about armand ooooh louis i hate you so bad
love makes you stupid clock it
louis still referring to claudia as his daughter in his head (thru dreamstat)
louis just actively talking to himself girl do that in your head
park bench moment <3
“wanker” i giggled sorry
that suit is his favorite on him :(
“im a little wet” and armand instantly pulling out an umbrella, armand lighting his cigarette, armand calling him maitre
louis calling him arun and armand calling him maitre and then louis throwing away the lighter this fucking scene is cinematic art
the other coven members calling santiago maitre
i kinda like that daniel can hear them arguing from another room. i feel like its a very human experience? really domestic? even given the circumstances
armands eyes were never brown!!!
san francisco flashback episode might kill me im not kidding
insane way to end the episode
ok this was much longer than i thought it would be but this episode has a lot in it. each episode gets better and better and this is definitely my favorite of the season so far.
i am LOVING louis and armands relationship and also both of their story arcs and characterizations. their dynamic is kind of the opposite of what i, and i think a lot of other people, expected but it still makes total sense and im enjoying it a lot
god i love this show
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I watched and I really loved the new Suspiria movie from 2018, Luca guadagnino who directed the movie says he sees it less as a remake of the classic movie, and more like when a band covers a song. Which is one of the things I appreciated most about the newer film. It has only the loosest of character and plot similarities with the classic Dario Argento film from the 70s.
Style wise the new movie is very much on its own. It’s quite beautiful in its sort of earthy 70s color palette, and naturalistic lighting. It kinda looks and feels more 70s than the original movie made in the 70s. Lol the Argento film has such a distinctive use of bright vibrant colorful lighting that sometimes make sense sometimes don’t, where Luca deliberately did not even attempt anything close to that, and it’s to the movies benefit. It really feels like a completely different movie, and any comparison is ALMOST not fair, cause both movies are not trying to do the same thing. The Argento film is an almost stylistic exercise in horror... a waking nightmare of exaggerated color, exaggerated gore and exaggerated acting, in a movie with a plot that is very thin, and used to hang gory colorful scenes on. which i also love. Its great, and I like the original for the abstract weirdness it is, but the new one is so completely not that at all. its a slow burn, punctuated with intense graphic violence, told nationalistically, that is building fear, building tension, building a deeply complex plot that is not only about witches, but about power and how it corrupts. how it changes those in power into monsters who do terrible things. it kinda reminds me of dune and the messiah that is birthed into a world that needs to be cleansed. i dont know if any of that is spoilers, or not. or if im gonna spoil anything more, soooo....
the first real violent scene, is done so perfectly. what i really liked about this movie, is that the witches in the movie cast their spells thru dance. which makes sense why they have a dance academy. so we see theres a dancer named olga, who has previously slighted the witches, and is now caught in another room by them. shes alone and scared and she cant get out. so then cut to dakota johnson, shes starting to perform this dance, which was apparently originally choreographed by tildas character. it is this really sharp, rigid, animalistic almost tribal like dance. and as dakota does these wild "modern" dance moves, its edited wonderfully, so that this other woman, olga, is almost being punched and kicked and thrown around the room in sync with the dancing. dakota does these harsh twisting movements with her hands and the girls arm breaks, then another move and her leg gets twisted up behind her head. shes contorted like a pretzel by the end of the dance, but not dead. its horrific! the witches then show up later as shes a pathetic lump on the floor, and use these meat hooks to lift her up. shes later used in the ceremony at the end. its insane and creative and disturbingly wild!
the movies not perfect tho, and tilda swinton in old man makeup was kind of a distraction for me a little bit. i dont really understand why they chose to do that. like for me whenever i see someone in old age makeup it says to me that you are going to see that actor later, in like a flashback or some scene when the character is younger. i was waiting for it and it doesnt come. theres gotta be a reason for it, cause why bother. but we get thru the whole movie and there seems to be no reason... no flashback or tilda ripping her old age makeup off. so it was a little confusing. but it also actually makes me think, maybe there was a reason for it??? idk
for me when i figured out it was tilda in the old man makeup, i was wondering why? and as the movie went on i assumed that we were to infer that yes josef was a vessel for the witches to spy on chloe moritzs character, from the beginning. even before the beginning of the movie. to know all her secrets. to know who she was talking to. when we met josefs wife later in the movie, i thought maybe she was a witch too, and that was how they controlled josef and got information about the girls, maybe? josef also is important because he becomes a witness at the end to mother superiorums ascension. it made me think he has a deeper connection with the witches, maybe thru his wife. so by the end when none of that happened or at least none of that was spelled out, i was a little confused, cause i thought that would have made sense? but none of it happened so maybe it wasnt any of that? and they just wanted tilda to play the old man? idk. you cant make a movie more than what is on screen, but these were the thoughts i was having as i was watching it. it may be deeper or may not... maybe its left vague for a reason. i dont really know.
but that was pretty much my biggest question mark about the whole movie, besides that i was completely invested thru the whole 2.5 hr movie. it didnt feel like it dragged at all. the pacing, while some people may think is slow, i was really into. it made me pay attention to all the scenes. i wanted to know what was happening. i didnt want to miss any piece, so i was focused. didnt pick up my phone once lol
the performances also were really great! dakota johnson as susie bannion, was so good. in my opinion she knows who she is right from the get go. ive seen people say that they think susie comes into the dance academy as an "innocent" someone who is "corrupted" by the witches and is "overtaken" by the spirit or soul of mother superiorum, but i think susie is mother superiorum from the beginning and she comes into the dance academy as almost a spy, someone powerful enough to block the other witches knowing who she is, so she can observe the witches without them knowing. and when she see how they are following the corrupt and power hungry mother markos, she springs into action, in the final scene, to kill mother markos and her followers. which is so creepy and gory and insane! but for us, the audience, we are like the witches, we dont know the extent of susies power at the beginning, we find out what shes capable of as the movie goes on, like the witches do. i didnt see that twist coming, but when it did, i thought that susie has been mother superiorum from the beginning, which apparently some didnt think. so again, i dont know, and the movie doesnt explicitly state. which i do kinda admire that they keep it vague and open to interpretation.
tilda swinton is also amazing. playing 3 roles, as madame blanc, josef, and mother markos. the old man makeup is really good, but its clearly old man makeup, and they didnt really disguise tildas voice, so it sounds like tilda swinton doing a frail old man voice lol she does really do a great job physically as an old man. its a great performance. mother markos is all grotesque makeup and a gross weird fat suit and weird voice, that i suspected it might be her under all that, but i wasnt sure until after the movie. lol her best performance for me, was as madame blanc. her scenes with dakota johnson were great. you sorta get this feeling like blanc is falling in love with susie, but its played like shes afraid of it a little, and almost a little scared of susie. like blanc knows more than the other witches do. idk. i like they kept a lot of it vague. like there might be another chapter in the story possibly? who knows. id love to see a sequel.
its also worth mentioning, that the josef character has a bigger role than it would seem, and is in more of the movie than youd think. i appreciated the sweeter ending, especially considering the orgy of blood and naked bodies in that red cave scene, athe end, before the very ending of the movie. i thought that that ending scene of mother superiorum at the bed with josef, as he finally got the news he wanted, really worked. cause it doesnt end with the cynicism sometimes in horror movies. the real villains were killed in the movie, and now they can start over. like maybe the message is that when people in power become too bloated and disgusting with power, like markos, its time to get rid of them and start with a new one.
anyway, really loved the movie. i saw it last night and im still thinking of it, so that a good sign, when it sticks with you so long, and theres parts that are vague enough to build your own story to, which i like, & its kind of exciting. def worth watching.
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Kaeya had always been an efficient and hard-working individual (he had to be to support Diluc in the background as his brother rose thru the ranks after all).
He has so much free time because he completes all his work way ahead of schedule. And if he still has enough time, he adds more to the workload in secret.
And once all of that was done and over with, he makes time for everyone. He has to. He feels as if every moment has to be given to someone else.
No one knows how he does it. No one has to know.
Every mission has a dozen strategies in line, and every battle plan is made with efficiency in mind. His perfect record will not be tarnished. He can't risk it (even if it baffles others that he would willingly activate a ruin guard just to prevent a failed mission. Jean disagrees with his methods, but Kaeya can say that the results say otherwise)
He needs to be quick.
Efficient.
Perfect.
And so he comes and goes like the wind.
Kaeya values time because he knew every second counted. He can't just stand there as if he were frozen. Time could run out in an instant.
Kaeya had only been late once his entire life.
He'd rather he never be late ever again.
It took one day of being of being imperfect for everything to fall apart. On that tragic day...had he gotten there on time... then maybe...
.
.
.
" Come on, let's get moving, traveler. We're not frozen in place after all. " Kaeya teasingly says. He stiffles a giggle at the traveler's exhasperated sigh.
"Yeah yeah, we've heard enough of you calling us a slacker. Can't you be a bit more patient?" Paimon whines at him.
Kaeya snorts, but acquiesces, hiding the shaking of his hands at the thought of being idle.
He imagines hearing a clock ticking.
Kaeya knows that that is his own problem. He tries his hardest to relax as he waits for the traveler to finish whatever they're making on the alchemy table because, seriously, it is supposed to be a relaxing day. There's nothing major going on, and his schedule is once again empty as intended. What's the hurry?
Kaeya taps his foot on the ground as he waits. He wishes he could take his own damn advice when he tells others to relax.
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ok hi tumblr. thought. while i understand that technically yes people have all the freedom to assign clover a gender + pronouns based on personal headcanons… i dont really get WHY people do it
dont get me wrong im all for a little fun and for messing around with pronouns, but… isnt it more fun to let them keep the they/them?? whats the point of taking that away?
iiii dunno. i just think its strange lol
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Super sexy me is so sexy I accidentally set off the fire alarm while baking pie shells for my pumpkin pie. And now I don't know if I should've even baked them in the first place. But well. Too late now 👍
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me when it’s my first day on earth and I’ve never heard of a joke before
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i cant explain it but daigo being subtitled to just be like 'you're making me look like i have no balls' feels so illegal and wrong. hilarious but something's off
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hahaha i just looked up taylorswifs age to see if it was at all justified that someone on here called her 'almost middle aged' and she's 34 😭😭😭 u guys have got to stop, even actual middle-aged women often are cringe and write bad poetry, as they should. try going to a poetry open mic or something.
this isn't a defence of taylor as a songwriter because who cares and idk enough to tell u. but i guess i find the idea that she should be ashamed of herself because 'women who are younger than her are writing/have written way better stuff' absurd. like yeah? such is the way of the world. age doesn't really matter that much. girls who are younger than me are writing poetry that's better than mine and i'm undoubtedly writing stuff that's better than some women who are older than me. I'm all for an honest criticism of, well, anything, particularly pop music but that isn't an honest criticism lol or even remotely relevant.
anyway im listening to michelle branch and avril lavigne rn so I can't really talk about cheesy pop music lol. it has its place in society is my feeling i guess and ppl r gonna enjoy it, it's made to be enjoyed is the whole thing about pop music and the fact that ppl like it is not worth getting up in arms about. chill. relax. do some ketamine
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then and now
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looking on at the ✨hype✨ about last stage like
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I'm kinda tired of dungeon meshi fans blatantly misinterpreting Kabru's goals, motivations, and character so they can ship him with Laios...like obviously it's awesome if you enjoy Laikabu but can you nooot twist Kabru's intentions for involving himself with the guy who constantly triggers his monster trauma and pisses him off so bad he gets brain damage so that he turns into "the guy who wants to suck Laios's dick" as his entire character? I've even seen people cut off Kabru's words to make it seem like he is admiring Laios because it would disrupt that narrative
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blood god techno... drippy :]
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okay girls im going to be a little hashtag critical here but i have been ruminating LONG ENOUGH and i really really do not like that scene in the graphic novel murder on the rockport limited where lucretia recognized the umbrastaff. i understand what they were trying to do and i understand you have to change things for the medium but its kind of a disservice to both lucretia and taakos characters imo. lucretia works so hard to keep the boys from questioning things like why would she have a reaction like that. like they couldve alluded to her recognizing it but a scene like that is so in your face and it takes power away from the scene in crystal kingdom where red robe barry recognizes it. and wrt taakos character like. hes never Particularly trustful of lucretia like on a personal level but overall he trusts the bureau and lucretia until reunion tour. adding in a scene like that at that point in the story makes no sense like u cannot convince me taako would not start questioning what the directors really up to and why she had such a personal reaction.
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Omg, also a TS fan since debut and I massively took a step back from her personally prior to the reputation era because of her antics and victim complex. The music will always mean so so much to me, her lyrics mean so much to me, but her actions as a person and TS™️ as an entity is just weird and greedy. I think she accrued a lot of fans when she disappeared for a while who've completely constructed a narrative in their heads of who she is and they believe it and are eating up this current era, but those who've been here a long time know how PR and image driven it is. Exhausting.
I apologize in advance I have been having way too many feelings about this whole situation and how it relates to my identity as a 28 year old woman and you are about to get an oversharing novel in response lol
Also, I guess CW: this post is about Taylor Swift and if anyone sends me any kind of hate or whatnot related to my own personal opinions and feelings I will be deleting it because I am NOT playing that game.
My Aunt bought me the Debut album CD at a concert after seeing her open for Rascal Flatts. She was like "I thought that you would like her!" and she was RIGHT Taylor Swift became my entire personality. One of my FAVORITE core memories as a child was the day Fearless came out. For some reason we didn't have school, and my Mom and I watched Taylor on the Ellen show, and then we went to Target and bought the physical CD, we then drove around town so we could listen to it together. My mom hasn't been well and that is one of my favorite memories of us together. It's silly but when you're in middle school that kind of thing is important to you. Then in high school I actually got MADE FUN OF for wearing Taylor merch and being excited about Red. BUT I loved her music and felt like she actually stood for something, so I brushed it off and continued to be a HUGE Swiftie. I had the Taylor Swift dolls, I had the perfumes, I had the LOVE LOVE LOVE bracelet, I had the sundresses from WALMART. I saw her on the Fearless and 1989 tours, I had the fucking 1989 haircut. I was supposed to go to Loverfest.
I was still a HUGE Swiftie during the post 1989-pre Reputation eras, then the Reputation era. I'm a few years younger than her, but I felt like I could relate to the kind of manic panic that she was sharing with us (lol turns out I was just unmedicated and we're doing much better now). It felt (in my probably naive mind) like she was experiencing the same insecurities that I was and reacting accordingly. Was she playing the victim at times? Oh 100% BUT I also fully believe that she thought she was one. (Plus... Kim is my least favorite Kardashian lol)
I LOVED the Lover era even as it was shit on at the for the sunshine rainbow hyper colorful aesthetic. Like, I don't know if new fans realize but when Lover was released? It was NOT as beloved as it is now. Then Folklore and Evermore were absolute genius, it felt like Taylor had grown up, and she got all of these new fans, which was great! She was in an "adult" relationship and her music and publicity choices seemed to reflect that. It was so refreshing to see a celebrity keeping their personal life, personal, and sharing what they wanted to share through music. Midnights broke all kinds of records, again, amazing! Even if it wasn't as strong as say Folklore. I fought for my life and got Eras Tour tickets (opening weekend!!) I had the BEST TIME EVER.
Taylor has always been extremely calculated with her public image. She was over exposed during The 1989 era and the public turned on her, so I truly cannot figure out why she is doing it again 100x in this new era of whatever the fuck this is. I don't know her, maybe she is legitimately happy, or maybe this is a cry for help. But I have been so grossed out by her behavior lately, and how in your face everything is with Kelce. It's no secret that I hate Kelce (and people that know me IRL know that it's not a new Taylor related thing lol) and if she actually loves him, fine, that's great for her, BUT we don't need to see it! Yes she was public when she was dating Calvin but ALSO she was what 25-26? She's a 34 year old woman now with the biggest platform of any celebrity ever. She feels too old (and this is not me age shaming her because I would be grossed out if my friends were doing it, and I would be embarrassed if *I* were to ever do it) to be licking a man's face in public like this. This feels like sorority girl in her first college relationship (I was *in* a sorority for a hot second so this isn't hate on sorority girls either!) and not record breaking Grammy award winning artist. ALSO I feel like she used to come across as so articulate and well spoken? Controversial opinion but I thought she sounded like a fucking idiot in that Time Person of the Year piece.
I think that this whole thing is PR for something, but because it just feels too icky to be real, but I don't know what it's PR for, (trying to bury the Matty situation from May? Because if so that just makes me even more sad for him or trying to get back at Joe? Which if that's the case, I feel bad for him too and she's even more immature than I thought) and now, for the first time, AFTER SIXTEEN YEARS I'm embarrassed to be a fan of her, both because of her own actions and also the actions of her fanbase as a whole.
It feels really weird, and I know I'm being parasocial about it, but when the times got bad I always had her music to fall back on and now I just, I don't know it feels cheapened somehow because the current image that's being crafted doesn't match the one that we originally fell for. And you know what, people change, she's a celebrity, I don't know her, what she does DOES NOT affect me any way, and how I feel does not AFFECT HER in the slightest, and I know it's being parasocial but I feel like a big part of me is in mourning about it. Less because of her changing her image so drastically, and more so because I feel like I'm mourning the loss of childhood and joy that used to be associated with her music for me and I think that's what's making me the most sad.
I have Eras tour tickets for one of the London dates this summer. I'm probably going to still go, because I paid for them, and I also have tickets to see Noah Kahan that same week in London (... and also the Longines tour has ALSO decided that the London stop is that week...) But I don't consider myself a "big fan" anymore. Maybe I will be one day again, but this current image that she's putting out just isn't it for me.
Sorry for the longest Taylor related novel in existence, I have had a lot of bottled up feelings about this that feel ridiculous typing out and sharing out loud BUT I know I will feel better sending them into the interwebs and your ask was the perfect catalyst.
Thank you so much for sending this in and for your continued support! I hope you continue to enjoy my fics and my secret sports hot takes 😂
❤️Ally
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