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charcubed · 23 hours

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I saw Challengers earlier today and I decided to start a running doc of some of my feral thoughts in an effort to not forget what's currently marinating in my brain after my first watch

I want this movie to get a long theatrical release/run because it deserves it, but that's unfortunate because I also NEED to have it accessible to me in my home ASAP so I can pull on all its threads and take screencaps. Alas.

EXTENSIVE SPOILERS BELOW

might add to this later as I remember things, idk

-The parallel of Art spitting his gum in Tashi’s hand and in Patrick’s hand… My jaw dropped soooo early on. Anyway they obviously both act as Art’s “coach” at different times in his life in different ways. (The jerking off teaching?? Scream???) Art craves their guidance and approval as a form of love (which is also directly responsible for his confidence issues) and initially likes to follow their leads in every situation

-The parallel of Tashi making out with both Art and Patrick up against cars… delicious

-Patrick’s car is his “bed” and it’s where he and Tashi fuck. Nice

-Wait now I’m sad because… lowkey Patrick is homeless because Art and Tashi are his home…………….

-The storm = Patrick and Tashi having sex = the reason why Art’s half of the giant poster/ad on the side of the building falls down so only Tashi’s side is left up. Iconic, loooove a good visual metaphor, especially shown nonlinearly

-The parallel of the forehead kisses??? Art and Patrick on the court at the start when they won the doubles, and Art and Tashi in the sad almost-sex scene towards the end??? I will throw up

-Disclaimer and reminder I’ve only seen this movie once and might reform any of these thoughts later BUT…

One of Art’s main things is, as he tells Patrick towards the start, not wanting to be “left out.” He loves and he wants both Patrick and Tashi (but he doesn’t fully want to acknowledge the extent of his want for Patrick for years, and that repression is part of his problems…). He gets “lit up” about the thought of them together not because he’s jealous of one of them but because he’s jealous of BOTH of them; he wants to know it all, he wants to be in the room, he wants to be with them both, he despairs at the thought of losing either of them (but, at the start, especially at the thought of losing or being of lesser importance to Patrick. Obviously he’s a fucking idiot as evidenced by how Patrick goes to see him FIRST at Stanford. Ugh). We see all of this at the start when Art wants to know if Tashi and Patrick fucked. We see this in Atlanta when he witnesses Tashi cheating on him with Patrick but doesn’t directly confront either of them about it; he only skates the edge of confronting it with Patrick in the sauna while also lashing out at him. Patrick tells Art at Stanford “it’s nice to see you so lit up about something, even if it’s my girlfriend” during the homoerotic churros scene because Patrick’s clocked all of this about Art, too. He clocks it further in Atlanta when he shows up to Art’s practice with Tashi and his mere presence makes Art hit the ball harder. It obviously all comes full circle; the cocktail of emotions that Patrick and Tashi being together gives Art coalesces again for him on the court in the Challengers match: Tashi’s threatened to leave him if he loses… and she’s maybe got one foot out the door with Patrick of all people, who Art already “lost” in the past as the love he’s been mourning for 13 years. But what’s important is that THIS time, unlike Atlanta, Art learns about Tashi cheating on him with Patrick not by accident but rather because Patrick actually tells him. Patrick understands the significance of how this will get Art lit up again and make him play the way he needs to for all of their sakes, and it’s fucked up, but… what this means is Patrick doesn’t leave Art out. He TELLS Art – and he tells him in a way only they understand while they’re on the court together again. Of course Art goes through several stages of emotions in response to that fucked up information… but ultimately that moment of honesty and realization between the boys is what Art needed and puts where all 3 of them stand into sharp relief, shedding a light on who they’ve all always been and what their individual needs are.

Art’s always wanted to play tennis, but that desire is framed around his relationships. Tennis is only something he truly enjoys or that fully makes him happy when he’s experiencing it through his connections to other people: he wants to impress, earn the approval of, or celebrate with those he loves who are watching (like his grandmother or Tashi) – which is partially why he wants Tashi to be his coach in the first place. And of course, tennis all began as something Art found joy in because he was always doing it with Patrick. It’s clear Patrick feels the same. At the start, neither of them cared much about winning for the sake of winning unless it was doubles because they competed as a team and that was “really fun” for them. With the singles competition, they kind of cared less about the wins at the start; Art assumed Patrick would win and didn’t care back then, and then Patrick was willing to let Art win so he could impress his family, and they were both fine with all of those sentiments. Tennis was first and foremost something they did with and for each other. As Patrick later tells Art in the sauna, “I miss playing with you” – and, of course, at that point he’s definitely not only talking about tennis. But in that final match, after so many years, Patrick and Art finally understand each other completely again. It’s like they’re in love (because they are and always have been), they go somewhere really beautiful together… etc. They finally reconnect on the court and feel that thrill as they become synchronized again, which is what tennis was always about for them.

And Tashi, who’s irrevocably connected to them both and whose primary love is and always has been the sport itself, gets what SHE’S always wanted: to “watch some good fucking tennis.” It’s why she pitted the boys against each other vying for her number at the start. Though she needs/wants both boys in different ways on an individual level, she doesn’t particularly need or want anyone to ~be in love with her~; she wants the men who are in love with her to entertain her and challenge her and give her a show. So that’s what she tries to accomplish again in the end by telling Art she’d leave him if he lost the Challengers match… but the missing piece in her making that threat – the element that would get Art truly fired up – was that she’d potentially leave Art for Patrick. That final piece of info, when Art finds out about the cheating, is what reconnects them in all of the above ways. Because it’s about all 3 of them and their triangular codependency. They’ve all been broken for 13 years because they all need each other and tennis to be fully functional. Split any of it apart and they just don’t work.

-Literally this is a film where from the moment of the injury they’re all constantly mourning. They all lose their greatest loves that day… Tashi essentially loses tennis, Art loses Patrick, and Patrick loses the two of them. Everything after that is just them being affected by how they’re all mired in various grief and feeling incomplete… until that synchronization at the match when they finally become whole again. Going from that bed scene that was breaking my heart to the final match was HEALING. Things are still fucked up and in progress, but they’re fucked up in a way they all understand, which gives them a path forward. This movie has a fiercely happy ending in that regard… and what I’m saying is that… after the match, once they communicate further, and much later down the line… Art and Patrick should go back to playing doubles and Tashi should coach them as as doubles team. God they’d eventually all be so happy I wanna CRY just thinking about them doing that. It would take them awhile to get there — because yeah, Tashi is living vicariously through Art’s career as an individual player and maybe if Art retired she’d then want to live through PATRICK’S career for awhile — but I think if they worked out their relationship then their tennis could come to reflect the needs of that relationship too, and doubles can still be “good fucking tennis” in its own satisfying right, y’know? I think they could get there and it would be a beautiful collective restart.

-I gotta say, I can't imagine Tashi pregnant. Wild to me. Sorry to their daughter. Oooo also... I think Patrick would be great with kids... when he gets to meet Lily and become "Uncle Patrick" they're gonna hit it off so fast. Help me

-*holds up Tashi watching them kiss after she orchestrated it* *holds up the Challengers match* It’s the same picture. Except the kisses were kisses whereas the match was actual sex. The moaning and grunting… I’m insane. Also Tashi’s “COME ON!!!!” is arguably the sole orgasm/climax we witness in the whole movie perhaps? Though you could argue the hug is too. In this essay I will, etc.

-Art begging for Tashi’s love/validation saying “Tell me it doesn’t matter if I win tomorrow” vs Art telling Patrick in the sauna “this is a game about winning the points that matter” / Patrick saying “I don’t matter?” AAAA oh my fucking Goddddddd I’m gonna die

-Thank you Luca Guadignino for your dedication to having Art and Patrick hold phallic drinks and food in each others’ presence. Specific shout out to Patrick at the beach party holding the beer bottle on his crotch

-Patrick = comfortable with who he is and secure in his bisexuality; honest and open Art = repressing his queerness and his overall desires Tashi = hiding who she is aka her dissatisfactions with life and the lengths she’ll go to because tennis is her true greatest love and always has been

COMPRESS, REPRESS... REPRESS, COMPRESS... AND THEN JUST SURRENDER, ONE TWO THREEEEE

-I need to rewatch to catch the dialogue because it was difficult for me to hear it over the music, but I think in the 3am Atlanta scene Tashi tells Patrick that Art’s grandmother had a stroke. IF that’s what she said (and if there’s no reason to believe it’s a lie Art told; like I said, I need to rewatch)… my immediate impression was that it’s a nod to Patrick being the voice of accuracy and prediction in this movie. Towards the beginning he tells Art (jokingly) that he hopes Art’s grandmother dies of a stroke, and that’s seemingly what literally comes to pass. He repeatedly clocks both Tashi and Art’s behaviors, describing them brashly to their faces (and to us as the audience), and he was right about his predictions. He’s the one who’s not repressed or unaware of who he is out of the 3 of them: when Tashi first asks if there’s something between him and Art, he looks away because he knows the answer is yes; he’s openly bi on dating apps; he tells Tashi he won’t be her lapdog unlike Art which we see later ends up becoming literal; he clocks how Tashi is hiding some of her true motivations when she seeks him out in the storm; and even from afar he predicts Art’s mindset about wanting to retire. For the most part, what Patrick does / says either seems to be or becomes truth. Hmmm, wait, as I’m typing this… something to look out for: the “I TOLD YA” shirt. Working theory: Tashi briefly wears it, she’s the voice of accuracy; then it blatantly switches over to Patrick and he wears it throughout the film and [waves to all of the above]

-Head in my hands thinking of how the word “love” is used in these tennis matches. Also something I need to make detailed note of when I rewatch

-Patrick grabbing Art’s thigh when they first watched Tashi play… oh my GOD

-Patrick pulling Art’s stool close and Art just smoothly sitting on it with no reaction… the way they kept looking at each others' lips... oh my G O D

-I just remembered Tashi referred to the boys being known as as “fire and ice.” What the fuck even.

-Tashi going to Patrick asking him to lose the match for Art… she’s literally like, "do this because I love tennis and if I lose Art then I lose the way I live tennis through him. Do this because if he loses this match he'll lose himself." And she's really like, "Do this because I know you’re in love with both of us." And Patrick is like, "A) fuck you because you know I’ll say yes precisely because I'm in love with both of you so how dare you ask this of me, and B) you’re kidding yourself if you think you don’t miss the challenge I give YOU simply by being myself because I don’t take your shit." Something something they're peers, you know

-Tbh for 13 years when Patrick gets his rare opportunities he’s @ both Art and Tashi like “you want to fuck me so bad it makes you look stupid.” And the thing is that he’s RIGHT. He’s right! Art in particular doesn't want to admit it because he's trying to convince himself he outgrew being bisexual / outgrew Patrick but it's obviously bullshit

-Realizing some of the sounds in the soundtrack intentionally emulate the sounds of tennis balls and rackets???? MADNESS

#challengers #challengers movie #challengers 2024 #tashi duncan #art donaldson #patrick zweig #char writes things

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crimeronan · 2 days

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quick dunmeshi thoughts now that it's been a few hours since i finished the manga:

chilchuck good. love a bitch.

i was hoping i'd have a new popular femslash ship i can write for but unfortunately the yuris are too sweet and fluffy for me. i need my sapphics to try to kill each other at least once :(

similarly: marcille did great being unhinged within the constraints of the genre but baby girl i wanna see you in a yellowjackets type setting SO BAD. set marcille free in an adult drama where she can do true atrocities. FOLDED TOO FAST GIRLIE I BELIEVE IN YOUR ABILITY TO SUCCUMB TO DARKNESSSSS DONT LISTEN TO YOUR FRIENDS!! DONT BELIEVE IN LOVE!!! DONT HAVE A POIGNANT MOMENT OF EMOTIONAL GROWTH AND ACCEPTANCE!! DONT COME TO TERMS WITH GRIEF!!!! DONT LET THEM CONVINCE YOU NOT TO DO ATROCITIES YOU ARE SO POWERFUL AND CAPABLE OF RUINING EVERYTHING FOREVER!!!!!!

wasn't attracted to laios except for in one single scene.

it was the one where he suffocated falin.

we're not going to unpack this.

izutsumi would be a blorbo if she wasnt just straight-up me.

as is though so many of her lines are things i have directly said aloud in real life conversation that i spent the whole time going "well. this is freaking me out."

kabru is an icon. love guys who play 3d chess

come to think of it, i'm pretty sure his relationship with mithrun is the only one that had any emotional impact on me whatsoever. cunt who can't feel dick about shit x bitch who's pissed off about it 5EVAAAAA

i still default to snack packs of cheez its and goldfish crackers to replace the meals i don't wanna cook. an entire 100-chapter manga about the love of cooking and eating has done nothing to improve my outlook on cooking and eating.

sorry senshi. :(

#now if anyone has any fanwork they swear by where marcille and/or falin are super fucked up in dark fiction ways. well. u know what to do #dungeon meshi #dungeon meshi spoilers

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lazuliquetzal · 3 days

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Whee Fight Scenes! (This Is A Seirei no Moribito Advertisement)

For the past couple of years I have been almost exclusively writing fanfiction for action-fantasy video games which has led to me developing opinions on writing fight scenes. I used to hate writing them because what even happen fight, really, like what the hell??? But now I’ve learned to tolerate them! Sometimes I even enjoy writing them! So now I will share my wisdom with you.

(Disclaimer: This post was written so I could avoid writing a fight scene.)

My credentials: I occasionally write fight scenes in my action-fantasy video game fanfictions, and I have seen Seirei no Moribito the anime several times. I do not claim to be an expert on fight scenes, but I do claim to love Seirei no Moribito to bits.

Part 1. The Set Up

There’s this excellent anime about a mercenary on a life-long quest for redemption who ends up taking a cursed prince under her protection. It’s about unraveling propaganda and colonialism, and also about kicking ass. The first time I watched this anime, when I got to the episode 3 rice field fight, I thought, “holy shit, I see now that a good fight scene requires not only a kick-ass fight, but also narrative/emotional build up in order to give the scene weight and tension.”

Like, lots of anime have excellent and extremely iconic fights, but this was the show that really made the writing aspect of it stick in my brain. Seirei no Moribito is also an adaptation of a book, which might why this stood out to me: the way its fight scenes are constructed are not as reliant on the actual visuals so much as they are on everything else (the animation for the fight is gorgeous, too, like, just watch this show please it’s so good). That said, I haven’t actually read the book. But I have seen this show several times and the rice field fight gets me so hype.

(And also every other fight scene. I’m never over episode 13. If you have to watch only one (1) episode of Seirei no Moribito, watch episode 13. But also, don’t do that. Watch the entire thing you coward.)

Anyway. What’s going on in Seirei no Moribito episode 3?

Part 1a. The Narrative Stage

Ep3 is early on in the series. The rice field fight is not the first action scene, but it is the first fight scene. This is what we know going in:

Balsa, our main character, is a formidable mercenary with a practical mind and a strong sense of honor. She has sworn to protect Chagum, the prince of the Empire. Her goal is to keep Chagum alive at all costs, because saving his life is crucial to her personal goal of redemption.

The Emperor (Chagum’s father) has dispatched his elite warriors to kill the prince, as they believe that he is possessed by an evil water spirit. Their goal is to kill the prince because the evil water spirit is a bad omen for the empire, and they believe that killing the prince will save the kingdom.

Balsa’s spear is damaged, and she is outnumbered. She has the disadvantage.

We are, of course, rooting for Balsa and Chagum at this point in the story. Balsa’s our main character, she’s super cool, and child assassination is a bad look. We know that Balsa is strong: we’ve seen her do athletic stunts, and it’s been alluded to that she is extremely skilled with the spear. This fight is the first time we get to see her use it, so it’s very exciting to the viewer. We want to see her in action.

Part 1b. The Emotional Stage

Chagum doesn’t have much of a personality at this point: we know he’s a child prince, and we know his dad wants to kill him. So we don’t know him well, but he’s already sympathetic due to circumstance.

When Balsa and Chagum get to the rice fields, they are almost home-free. They’ve spent a lot of effort trying to redirect the emperor’s warriors and the plan almost worked. We are extremely close to safety, so the fact that this is when the emperor’s elite catch up is very tense and frustrating.

All this puts the audience in the mindset of: oh man, they’re so close, I really need Balsa to win! I don’t want the kid die! You can taste the safety, you are almost there—it’s the type of tension that gets you invested in the outcome of the fight.

Part 1c. The Physical Stage

The first half, and the faster-paced portion of the fight takes place in a rice field at night (a classic). Wide open, with water to splash in, and nowhere to hide. It’s right on the edge of the thick forest, which gives Balsa and Chagum an immediate goal: get to the denser terrain so that they might break line of sight of their pursuers.

The second half of the fight is less of a fight and more of a close-up, emotional moment of action. It takes place in a clearing by the edge of the forest.

The physical location of the fight ties in with the short-term goals of the characters: the open field forces Balsa into direct confrontation even though she wants to run, and the clearing by the edge of the forest gives Jin (one of the emperor’s warriors) the illusion of privacy when he tries to kill Chagum, and it gives Balsa cover to hide until she can intervene.

Part 1 – TL;DR

Even before you get to the actual fight, the setup of the fight has inherent tension and intrigue. One can reasonably assume that Balsa and Chagum will survive, because this is episode 3 of a 26 episode anime. But you don’t know if her damaged spear will hold out. You don’t know why the emperor wants Chagum dead. You don’t know if Balsa will kill the emperor’s guards, or if she’ll be able to make a clean getaway with the prince. All these uncertainties create mystery, which creates tension. And tension is what makes the fight fun.

Part 2. The Purpose

I mentioned earlier that this is the first actual fight in the show.

It’s the payoff for a bunch of little questions that have cropped up so far. How strong is Balsa? Is she good enough to win, even when outnumbered? What does her fighting style look like?

A lot of action stories have big fight early on, and that’s because a well-done fight scene squeezes in a massive amount of characterization. In this fight, we learn a lot about Balsa, and we learn a lot about the Emperor and the difference between the Emperor and the people who work for him.

Some questions that get explored: How do they think under pressure? What kind of fighting do they do? Are they strategic? Reactive? Brute force or trickster? How do they solve problems? How far are these people willing to go to achieve their goals?

There’s a moment in this fight when Balsa is wounded, and the emperor’s warriors retrieve Prince Chagum. Balsa ends up retreating into the forest. Jin says something along the lines of: she’s a mercenary, she works for money and she’s already been paid; she won’t risk her life to come back and get the prince.

But she does. Even though she’s been wounded, and even though she had the perfect opportunity to walk away, she comes back and saves Prince Chagum at the expense of her own health. Balsa keeps her promises; Balsa’s personal quest for redemption is more important to her than her life. We know her, now!

Fight scenes are great for characterization because it’s a deviation from status quo. A person’s default state is not “battle,” and stories thrive on extraordinary circumstances. “How does this character change/act/perform under pressure?” is a really great characterization question, and a fight scene is the opportunity to show the answer rather than tell it.

Fight scenes are also great for thematic debate. You get the opportunity to literalize the conflict between different philosophies via characters fighting each other. EZ story moment. You know that one Howard Ashman quote about how, in musicals, the characters sing when they’re too emotional to speak? That’s what fight scenes are to me. The characters fight when they can’t talk to each other.

And then, of course, a fight scene is also moving the plot along. The conflict is happening, information is being exchanged/discovered/buried. Some characters life, some characters get hurt, some characters die. A fight scene is a way to physically bring characters to the state they need to be in for the story to progress (in the right emotional state, the right physical state, the right location, etc). Lots of things going on, which is good—you want all of your scenes to be purposeful.

Part 3. The Details

All of that had to do with the zoomed-out, overall story view of the fight (how the fight fits into the overall story). I am now going to continue to gush about the episode 3 rice field fight up close (how does the fight scene work in isolation). Because Seirei no Moribito rocks.

Part 3a. The Setting

I already mentioned the open rice field/dense forest dichotomy and how that affects the characters’ short-term goals. It’s also a great choice to establish Balsa’s superior technical ability with her spear. The rice field is wide open and relatively flat—no obstructions or distractions, with everyone on equal ground. There are no tricks to pull, no environmental quirks to exploit: this is a clean fight between Balsa and the emperor’s warriors. When she comes out on top, it’s because she’s better than them.

Depending on the character, it might be better to change the terrain. Have the stealthy warrior fight in a forest, where they can appear and reappear and use their sneakiness to their advantage. Put a trickster in a situation where they can improvise traps. There is an aspect of your character that you want to show off, so set the stage so that they can show off. It’ll be totally badass and fun.

Part 3b. The Short-Term Goals

When you read a story, you can reasonably assume that the protagonist will stay alive (especially if you are not near the end of the story). Knowing the outcome can make a story stale if you're not careful. You can lose tension if there’s no risk. Some stories try to create a world/tone/atmosphere so that anyone can die. A lot don’t because that’s a little depressing.

My friend @yellowocaballero has an excellent post on this regarding OP protagonists, but to summarize: if you know the protagonist is always going to win the physical fight, you have to make the win condition not about that. Balsa isn’t OP, but giving characters goals beyond “win the fight” can make a fight so much more interesting.

In the rice field fight, Balsa does not have to defeat the emperor's warriors: she has to get Chagum and herself away alive. Her goal is to make a clean getaway. When the warriors show up, she makes the decision to confront them, and her goal is not just to win, but to win so decisively that they won’t be able to follow her. When Chagum gets caught, she changes her goal to ‘keep him safe at all costs, no matter the harm done to myself’, and she gets seriously wounded. She can succeed in some goals, but fail in others, and the story reacts and keeps changing. It’s the same principle behind why rolling a nat 1 is so entertaining in D&D. The more you fail, the more creative you have to get.

Part 3c. Monkey Brain

There is just something so cool and so satisfying and so fun about seeing a character kick ass. There is also something very cool and very satisfying about seeing a character get beat up. The rice field fight has it all: Balsa kicking ass, and also getting beat up. It’s fun! Fight scenes that know exactly why they are cool are just so good. Hell yeah, overindulge and use every single weapon despite how impractical they are. Yes please show someone pulling off an unrealistic move for the coolness factor. Absolutely include the explosion-that-would-definitely-kill-but-doesn’t.

Part 3 — TL;DR

If you want the fight to be cool, make it cool! Set it in a cool place! Give your characters opportunities to show off! Make it interesting by changing the win conditions! Conflicting goals forces characters to prioritize and it makes scenes fun!

Part 4. Words???

Unfortunately, as mentioned, Seirei no Moribito is an anime and I haven’t read the book so I cannot analyze and gush about its prose in this section. Otherwise, the advertisement would continue. You’re safe for the moment.

Re: prose, there’s probably a post out there that goes over the language of fight scenes better than I ever could. I write with the diction of a middle-grade author because I read PJatO too much as a child and it rewrote my DNA. This is not a bad thing, this is just a fact. So I’m just gonna fire off fight scene writing advice I heard from around:

Filter words — if you want a more immersive reading experience, you want to avoid filtering the action through the narration. So use sentences like: “Her arm hurt” as opposed to “she felt her arm hurt”. But if you’re trying to distance the reader, like recreating the feeling of shock/dissociation, then filter words would help achieve that effect.

Make the rhythm of your prose match the energy of the fight. Short and choppy feels fast in the brain. Long and wordy feels overwhelming. Fragmented sentences and run-ons are chaotic. Customize the vibes.

Establish the important details of the setting beforehand so that you don’t have to stop the action to describe the specific placement of a relevant tree stump. I think I heard this one from Brandon Sanderson on a podcast somewhere, but I think about it a lot when I write because blocking is hard enough and it's even harder when you have to stop and attempt to translate the movie in your head into words. I can’t tell you how to block a fight scene. We need to find someone else who is smarter that can tell us.

Part 5. The Point

Fight Scenes are Fun, actually. They can be really effective if you set them up properly! If you know what you want to do with them, you can arrange it to be as cool as possible! You don’t have to be in a visual medium to make fights fun. You just have to figure out how to translate the cool bits into prose, which I think is mostly done through giving your fight cool shit on both the macro story level scale and the micro scene level scale.

Also, watch Seirei no Moribito.

#i got a comment somewhere that was complimenting my fight scenes which. thank you! fight scenes stress me the FUCK out #but i do think i've gotten a lot better at them since i've started writing so i figured i'd write something about what i learned #and by what i learned i mean. gush about #seirei no moribito #tav this is not a response to your one post about fight scenes earlier that was a coincidence #lazuli talks #writing

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anthonysperkins · 10 months

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Cyd Charisse as Maria Corvier Meet Me in Las Vegas (1956) dir. Roy Rowland

#Meet Me in Las Vegas #Cyd Charisse #Roy Rowland #movies #costume design #*#**#filmedit #userrobin #ritahayworrth #uservienna #usergina #userteri #userlenny #userlenie #usertom #mikaeled #guns tw #she's so good in this!! and this scene is so iconic

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enden-k · 9 months

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btw if i make kaveh say "oh my god" pls imagine him say that EXACTLY the way his english VA does bc its always stuck in my head with how funny and perfect it is ajkcjkab

#i dont play in english unless im outside of paimon scenes bc i carry deep hatred for her english voice #(its bc of my misophonia she just immediately triggers it fr)#so cn dub supremacy everyone sounds very good and paimon is not screeching ur ears off #but sometimes i play in english and theres always kinda iconic stuff sticking with me i cant get out of my head akjbjkc #kavehs panicked 'WHO ARE THEY??' in haithams sq and his 'oh my god!!' from the event and that stream belongs to that akjbcsk #also haithams very iconic 'KAAAAAAAAAveh' and his unbothered 'see ya' AHA i love his english voice and tone sm #sigh sigh #i really want a volume slider for characters voices i played a game (which i cant remember) where it had this setting where u could adjust #characters voice volumes #the way i would make english paimon shut tf up so i can actually sometimes switch to english for a change in story quests #her pitch and tone is just so extremely upsetting #anw enough english pamon slander in the tags LMFAO #tbd

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camellcat · 1 month

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she's so clever with her little winking I love her so much

#I was rewatching the s5 angel two parter since it's the only eleven eps I have downloaded besides his intro and dalek oswin #and I was just !!! amy !!!#I think the episodes are a little strange? I still don't quite understand the angels but god if I don't think it's also suchhh a good watch #her dealing with the angel is probably one of my favoriteee scenes in the entire show actually #I just. oh. clever clever pond #also her outfit is fucking iconic and so cute she's so gorgeous ugh #anyways this was just a fun doodle cause I was bored during my classes #ignore the strange shading I did not have a plan and just did whatever I wanted lol #also hello first time I've ever drawn amy not as a cat!! feels a little odd but I wanted to give it a go so here we are #amy pond #doctor who #doctor who fanart #my art: oil paint pawsteps 🐾

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akai-anna · 7 months

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#detective conan #dcmk #名探偵コナン #meitantei conan #edogawa conan #mouri ran #mouri kogorou #anime #episode 240-241: the shinkansen transport case #my stuff #my gifs #detco posting #i'm so sorry for the grainy quality i know it's shit but i'M still learning + hard to find good material out there #(next plan: gotta invest into dvds so i can make better gifs. it's a crime how detco doesn't have releases of all eps)#anyways i still wanted to share this #bc RAN PUTTING HIM IN A CHOKEHOLD #TOTALLY CONTAINING THE GREMLIN. It'S ICONIC OK?#this was such an impactful scene in the anime and yes i compared with the manga. anime slays here #ran is definitely not paid enough for babysitting this menace of a child #and i just love how she keeps her hold on him AND keeps him on her lap #this girl is perfect i tell you and deserves the world #also shinichi's expression IS BEAUTIFUL

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kaidanalenkosprmanager · 11 days

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THE BEST OF THE NORMANDY SUMMIT

Featuring: Cmdr. Sophie Shepard, Primarch Adrien Victus, Dalatrass Linron, and Urdnot Wrex With: Comm. Specialist Samantha Traynor Commander, you need to keep Cerberus at bay- I can't overstate what a victory a treaty between the Turians and the Krogan would be for the Alliance. We need all the help we can get... Mass Effect 3: Legendary Edition (2021)

#mira makes gifs ✨#sophie shepard #urdnot wrex #samantha traynor #mass effect #mass effect 3 #me3 #mass effect legendary edition #dailygaming #finally got around to gif'ing the sur'kesh footage and i ended up splitting it in half bc the summit just had too many good wrex moments #by best of: the normandy summit i really just mean best of: wrex bc this is literally just every wrex moment from the summit LMAO #i was gonna stuff this in with the priority sur'kesh set but literally when i had like 10 gifs of just the summit i was like #sur'kesh is getting the mars split bc wrex has too many good moments to just start cutting half of them out tbh #also victus in his fancy primarch robes with THAT VOICE??? i'm not down bad for most turians but DAMN victus #maybe we talk about how fucking real he was for hearing wrex say that the krogan were the ones who spilled their blood to stop the rachni #and immediately looked at the dalatrass and said that wrex was fucking right #and then said that the dalatrass was helping wrex or she'd never see another friendly turian again?? like he's a fucking ICON for that tbh #and soph in the dress blues????? HOT HOT HOT HOT HOT HOT HOT (mass effect women in uniforms and armor 😍)#her angy face coming back at the dalatrass to defend wrex is everything to me #and wrex's expressions during the summit are so fucking good #there's so much raw emotion on his face that you can see and you can tell how like angry and frustrated he is with the dalatrass and victus #and how much he's holding back!! especially when linron insults him!! when she basically calls his people useless!!#like there's just a thousand+ years of pent up krogan rage about the genophage just boiling behind wrex's eyes #and he somehow manages to keep somewhat cool during the summit? like obvi wrex isn't a thousand+ years old but he's his people's rep #he's such a fucking interesting character especially during this scene when you think about a thousand+ years of the genophage #bc you get to watch him balance keeping his cool in a political situation he's a leader in #vs. remembering he's a krogan in the presence of the leadership of the people who literally created a sterility plague for his people??#and the raw emotions of that for him???#wrex my love you deserve the world for dealing with the summit in the cool-headed way that you did bc it was 100% bullshit for you #canon soph would have thrown the dalatrass off the normandy so fucking fast for insulting wrex and his people and you cannot change my mind

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aceoflights · 3 months

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I will forever have "was is des? Das einzige was mir zu mir gehört. Ich verflüche den Tag an den Vati mich an den Schlitten gesetzt hat" in my mind. It's just on replay

#the way it's really good german in some ways. especially in comparison to other american media #but also “verflüche”#i just love it so much #that whole scene #the way she was apparently just watching her wikipedia (or whatever it was)#and when a different face suddenly shows up her reaction isn't that its a malfunction or a scam #but that she has now lost everything that mattered and curses the day her dad sat her on a sled #icon #leverage

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hyp3rfixation-h3ll · 10 months

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perfectly looping gif of my FAVOURITE botbots scene + closeups on all of the lost bots which you can use as matching pfps for you & your squad! :3 (all f2u, credit isnt required lol)

#botbots tag 🏪#tf botbots #transformers botbots #botbots #lost bots #gif warning #icon set #the elation this scene gives me is SO good you all dont even KNOW #THEY DID IT!!!! THEY DID THE THING THEYVE BEEN HOPING TO ACHIEVE FOR THE ENTIRE SEASON #idk idk something about this just gives me immeasurable joy #second ONLY to the cheerleading scene from agent smartlit #THEY ALL LOOK SO HAPPY !!!!! besides dimlit but i think he's just a bit shocked from the sudden being tossed in the air WGWHEJSGG #BONZ-EYE'S FACE GETS ME THE MOST SHE'S LITERALLY SO OVERJOYED AND HAVING FUN 5EVER #i 🧡 the lost bots

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ash-and-starlight · 1 year

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favorite black sails’ supporting character is jack rackam’s pride flag

#SHES SOOOO ICONIC #SO BEAUTIFUL #WHEN THE FINAL DESIGN DROPPED!! I WAS SCREAMING SHAKING CRYING #what a good ending scene a++++#jack’s obsession with being remembered and becoming a legend. his flag literally the most popular and memorable of them all #to this day the symbol for ‘pirates’ the writers knew. they knew what they were doing.#also shout out to charlotte for the first design you will be remembered as one of the most iconic graphic designers in the world #black sails #send post

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charismaquark · 1 year

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Finally watched Goncharov (1973) and while I’m not generally into mafia movies... the Fruit Stand Scene???!!!

THIS LIVES RENT-FREE IN MY MIND NOW.

Katya gives Sofia the apple. Sofia hands Katya the pomegranate. The Eve-Persephone parallels (women whose destinies changed irrevocably after being tricked into eating a piece of fruit) are SPECIFICALLY invoked. But the real question is, which one is which?

The framing of the scene suggests that Sofia is Eve (about to lose her sense of innocence and be inducted into the knowledge of evil), and that Katya is Persephone (trapped by a marriage that binds her forever to the (criminal) underworld). Except, that also makes no sense because we don't see them eat the fruit. How could they reap the consequences for an action they didn't actually take?

I would argue that it's not about the fruits they RECEIVE... it's about the ones they OFFER. The fruits they have already eaten, and been doomed by.

Sofia doesn't need to learn about evil. She lost her whole family. She knows enough about evil already. And Katya doesn't need to be bound to anything, when her own choices have left her so deeply entrenched.

"That’s the first lesson. Always blame the Devil for your crimes." (0:15:24)

Katya is Eve. Katya got roped into this mess a long time ago and has so many regrets now that she understands what it all means. Katya plays her piano in the room next to a murder, not because she doesn't know what's going on, but because she DOES. Katya wishes more than anything that she could turn back the clock to some idyllic time before her daughter died, before she joined the mafia, before she ever had to steal a purse or put a gun to a man's head. She tries so hard to end that cycle of violence... and it doesn't work. It was never going to work. The Apple of Eden isn't part of a cycle; it's just the beginning of the story.

"Don’t you dare speak to me about Cosenza." (1:20:41)

Sofia is Persephone. Sofia is constantly arguing that murder isn't necessary- but she also nearly drowns Katya, and shows a bizarre fascination with death when Katya threatens her with the knife. Sofia is linked to nature (the green dress, the sunset motif, the vase of flowers in her first scene) but in paltry, disconnected ways (her dress has metal buttons, the sunsets are over the city, the flowers are halfway to wilting). Sofia is part of a cycle; moments of happiness and joy, interspersed and defined by recurring instances of death and violence. Her childhood in WW2. The incident where she lost her leg. Whatever happened that made her learn how to use a gun. Her whole bloodied dynamic with Katya now. But Sofia CAN escape... for a time. She can walk away from the violence and have her summer in the sunlight. At least until tragedy strikes again.

Which makes the ending of the movie really bittersweet. Sofia sails away on the boat (Charon's Ferry, making a reverse trip across the River Styx). And the scene closes as the first snowflakes start to fall. Winter comes to Naples, because spring follows Persephone when she leaves.

How long until she comes back?

#goncharov #haven't seen any other scorsese films so idk if he's into deep mythology takes or if i'm reading too much into this #i think a whole other essay could be written on the symbolism that happens when you start shipping them #and wondering why they were trying to SHARE the fruits #but i am not qualified to write that #katya may understand evil but i don't think she comprehends good #like girl really. shooting paolo and then yourself isn't going to break the cycle #classic revenge plot mistake #did anyone else think it was a little unclear whether she actually died or not???#i think it's more thematic if she survives but i can see the counterpoints #so maybe it was meant to be ambiguous idk #this feels like a stretch but... could her iconic scarf represent a serpent whispering into her ear?#i think there's also a lot to be read into the 'trusting your husband' sermon and why katya's really off-balance but sofia isn't #if you contrast eve-adam and persephone-hades relationships #and that's not even getting INTO the second fruit stand scene oh my is that a lot to unpack #have not reached any solid conclusions on that meta #sofia is the best character change my mind

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