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#so i rely on existing designs

foryoupeko · 1 month

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Happy Birthday Natsumi, this is the only Natsumi art I have on hand.

It's my fluffy interpretation of this scene:

#danganronpa #peko pekoyama #natsumi kuzuryu #fuyuhiko kuzuryu #kuzupeko #fuyupeko #peko's sensei #i used peko's beta design #I'm not great at #creating OCs like this #so i rely on existing designs #sdr2

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starflungwaddledee · 7 months

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Do all of the knights have names in your au? And how did you decide on them?

hello there, thank you so much for the message! correct me if I misunderstand, but I think this is about a panel from my galacta knight vs meta knight comic:

where Galacta Knight uses the word Vaýtita. it's not a name, it's a... actually you know what, it's so much more embarrassing! it's a term of endearment/a relationship designator from my unnecessarily complex whole entire sci-fi language i built for them, lmao 💦

here's the note at the beginning of my personal dictionary as a quick crash course:

Ei Vaýtita in particular means "my gravity". it's akin to words like beloved, my heart, or soulmate- an irresistible force in one's own life. it's usually used romantically, but it doesn't have to be. Galacta Knight says it here to be cruel, though i do think he means it quite wholly

when I go in for making languages, especially sci-fi or high-fantasy ones, i like to consider the alien culture that the language is formed in. for these guys, everything was star and space coded; they had no reason to care about "hearts" or "souls". they considered themselves star-like, and so gravity as a term was most important; it's the only thing that can really move them.

praise is about being bright or shiny or having strong gravitational pull; and insults, accordingly, tend to revolve around being dim/lightless or stuck in orbit around someone greater

(translation under the cut because this is already getting long, sorry... i love to talk about this... thank you for asking 😭💝)

phrase // literal translation (from starspeak) // english localisation or meaning

kalimépos // welcome first light // good morning astéskotei // dim star // derogatory but not blindingly so; you could use it pityingly or fondly in a pinch ei épios // me see // wake up ei Vaýtita // my gravity // term of endearment and a relationship designator used within a star-system, usually for equal partners eu desai Ílioz ai ei // you (are not) the Sun of me // this is basically just a rejection from Meta Knight. the Sun serves an important role in star-systems, and he's simply telling Galacta Knight to shove it. he doesn't say it very well, but he refuses to say Ílioz-ei and so turns to a slightly clunky workaround.

#galacta knight #meta knight #my art #starspeak #awtdy au #asks #i do not speak any greek (modern or ancient) or arabic and rely on google translate entirely #originally designed this language entirely for self-indulgent personal use so it's got its flaws and is ever-growing and changing #i formally apologise to any actual speakers to whom this probably looks very stupid as it is truly just words slammed around in the blender #if they mean anything in OTHER languages also i apologise; i try to make sure that they don't translate to anything but it's tricky!#was just obsessed with the idea of utilising existing cosmic designation conventions for their dumb ancient star language #also to the person who referred to this on my main comic as meta knight being ring-popped thank you for my life i loved that #my headcanons and worldbuilding

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hellenhighwater · 5 months

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What's your decision making process like for thrifting pieces? I've started looking at thrifting more earnestly, and at antiques in particular to add a bit more character to my otherwise midcentury-influenced space, but I always struggle with envisioning if a piece will "go" with everything else. But you seem like you've got the mixing and matching of pieces down pat, do I'd love to hear your thoughts!

I've gotten a bunch of asks in this vein so I'm going to go a little broader than this ask to cover the general topic.

On a purely practical level, you need to know what you have. I keep what I call a house journal, which is a notebook where I've drawn out room layouts, with measurements for available space, lists of what I'm looking for, dimensions for things like doorways (do not buy anything larger than your doorways) and even fabric and paint swatches. I also keep a digital photo album of house pictures, so if I'm trying to see if something will go, I don't have to rely entirely on memory.

So, important note: my background is not in interior design--it's in set design, studio art, and graphic design, so for me, I fall back on narrative. When you're designing interior spaces for theater or film, the room is not primarily functional: it is, first and foremost, an extension of the character that inhabits it. The room exists to tell you about the person in it.

And often, that's the tack I take in my house--not using my home as a framing device for myself, but for imagined characters. For example, my living room is The Adventurer, or the Archaeologist. The character for that room is someone from decent money in the late Victorian period, the sort of person who spent their live traveling for no particular reason, and brought home all manner of oddities. The room is rich in color and texture; the furniture is mostly late 1800s, and it's both formal and lived in. Choosing things for this room, I ask if that character would own that object. I also used unifying wood tones, and a similar depth of color, to tie things in. Pick a color palette and stick to it.

My drawing room is the Alchemist. There are lots of celestial elements, but it's a workroom, so most of the furniture is very practical and simply designed. It's beaten and worn in, showing marks of use. There is lots of storage, and curious little things in jars, and plants and bones and the tools of my trade. The Alchemist uses this space to make impossible things.

The question then is not "does this match" but "would the character that embodies this space choose this? Why? What does it say about them?"

And what all of that tells you about me, is, well....I don't know, really?

#hellen highwater's house of horrors #this is just what I do

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headspace-hotel · 1 year

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I went down the internet rabbit hole trying to figure out wtf vegan cheese is made of and I found articles like this one speaking praises of new food tech startups creating vegan alternatives to cheese that Actually work like cheese in cooking so I was like huh that's neat and I looked up more stuff about 'precision fermentation' and. This is not good.

Basically these new biotech companies are pressuring governments to let them build a ton of new factories and pushing for governments to pay for them or to provide tax breaks and subsidies, and the factories are gonna cost hundreds of millions of dollars and require energy sources. Like, these things will have to be expensive and HUGE

I feel like I've just uncovered the tip of the "lab grown meat" iceberg. There are a bajillion of these companies (the one mentioned in the first article a $750 MILLION tech startup) that are trying to create "animal-free" animal products using biotech and want to build large factories to do it on a large scale

I'm trying to use google to find out about the energy requirements of such facilities and everything is really vague and hand-wavey about it like this article that's like "weeeeeell electricity can be produced using renewables" but it does take a lot of electricity, sugars, and human labor. Most of the claims about its sustainability appear to assume that we switch over to renewable electricity sources and/or use processes that don't fully exist yet.

I finally tracked down the source of some of the more radical claims about precision fermentation, and it comes from a think tank RethinkX that released a report claiming that the livestock industry will collapse by 2030, and be replaced by a system they're calling...

Food-as-Software, in which individual molecules engineered by scientists are uploaded to databases – molecular cookbooks that food engineers anywhere in the world can use to design products in the same way that software developers design apps.

I'm finding it hard to be excited about this for some odd reason

Where's the evidence for lower environmental impacts. That's literally what we're here for.

There will be an increase in the amount of electricity used in the new food system as the production facilities that underpin it rely on electricity to operate.

well that doesn't sound good.

This will, however, be offset by reductions in energy use elsewhere along the value chain. For example, since modern meat and dairy products will be produced in a sterile environment where the risk of contamination by pathogens is low, the need for refrigeration in storage and retail will decrease significantly.

Oh, so it will be better for the Earth because...we won't need to refrigerate. ????????

Oh Lord Jesus give me some numerical values.

Modern foods will be about 10 times more efficient than a cow at converting feed into end products because a cow needs energy via feed to maintain and build its body over time. Less feed consumed means less land required to grow it, which means less water is used and less waste is produced. The savings are dramatic – more than 10-25 times less feedstock, 10 times less water, five times less energy and 100 times less land.

There is nothing else in this report that I can find that provides evidence for a lower carbon footprint. Supposedly, an egg white protein produced through a similar process has been found to reduce environmental impacts, but mostly everything seems very speculative.

And crucially none of these estimations are taking into account the enormous cost and resource investment of constructing large factories that use this technology in the first place (existing use is mostly for pharmaceutical purposes)

It seems like there are more tech startups attempting to use this technology to create food than individual scientific papers investigating whether it's a good idea. Seriously, Google Scholar and JSTOR have almost nothing. The tech of the sort that RethinkX is describing barely exists.

Apparently Liberation Labs is planning to build the first large-scale precision fermentation facility in Richmond, Indiana come 2024 because of the presence of "a workforce experienced in manufacturing"

And I just looked up Richmond, Indiana and apparently, as of RIGHT NOW, the town is in the aftermath of a huge fire at a plastics recycling plant and is full of toxic debris containing asbestos and the air is full of toxic VOCs and hydrogen cyanide. ???????????? So that's how having a robust industrial sector is working out for them so far.

#CAPITALISM IS THE PROBLEM #AAAAAAAAAA #farming #sustainability

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sevenrs · 4 months

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my take on this crossover

au rambles below. please send asks if you have any <3

The Scrapper is a purposed organism of iterator Organizing to Oblivion (design pending). oblivion wants scrap metal for a secret project, but does not have any on themselves to spare. so they sent a purposed organism, the scrapper, to go "borrow" some from their neighbors

the neighbors (8 of them-- based on the existing moons in lethal company) are not so fond of being scrapped. so they devised their own organisms, as well as relying on the wildlife on their structure, to kill the slugcat when spotted

the scrapper has a helmet to protect against atmospheric differences. i know in original rain world this doesn't matter but... does slugcat just have really efficient lungs to be fine above the clouds for so long or is it game logic? likely game logic

regardless, oblivion would like to keep track of the scrapper's activates (like if it is dead), so they provided it a little drone

the drone allows the iterator and slugcat to communicate

#lethal world #<- my au tag #rain world #lethal company #mine.png #not the first. never the first. but this is my cool and awesome interp of this crossover #and they will be my ocs

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sokkastyles · 9 months

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Thinking again about how Katara is portrayed in "Ember Island Players" and how a lot of her objections to the play have to do with how it portrays her as an overly emotional damsel who needs Aang to save her from her wretched existence, and the disrespect of her entire culture and people that is used to portray her as someone who needs a man to rescue her.

Which on one level you can interpret as Fire Nation propaganda, but it's also a meta commentary on the series itself, because Katara does rely on Aang as a savior figure and there are certain scenes that are specifically designed to damsel her so that Aang can be a hero.

It's interesting that the show chose to portray Katara watching herself in that position and specifically show that she doesn't like it, in the same episode that they have the real Aang act like them getting together is a foregone conclusion.

In contrast, although the play changes Katara's relationship to Zuko into something romantic and lurid, they do get one thing right about it.

And that's that Katara is the one making the choices.

Of course they also ramp up the sexuality in a way that is gross, especially considering the context of this being a FN play meant to disparage the other nations, but on a meta level it's also meant to make us, the audience, feel disgusted by a woman who makes overt sexual overtures.

I've seen people (who are anti zutara) say that the play is showing Katara as the colonized woman who falls for the colonizer, but that's not what's happening here. Zuko is not portrayed as dominant by the play, and it wouldn't make sense for the FN to portray him that way, either, since one of the purposes of the play is to portray him as a weak and ridiculous traitor who is ultimately defeated. So the joke, both in-story and the one Bryke want to make at a meta level, seems to be about Katara being more dominant than Zuko. In the play, Katara says that she felt attracted to Zuko from the moment he captured her, yet Zuko is shown shrinking from her overtures. And I just have to find it interesting that this is the joke the show wants to make in an episode where the major conflict is Aang making a pushy overture towards Katara and her rejecting it.

Zutarians frequently talk about how zutara focuses on Katara's agency. I have to agree, and I don't know what the conversations about this were at the time, but I do find it suspect that the show seems to recognize this, but decided to make fun of it at the same time. The episode posits the threat that Katara might choose someone other than Aang as a major conflict in the story, shows us a Katara who feels trapped by her role as Aang's damsel, and then makes fun of her for it and expects us to root for her and Aang to get together.

Meanwhile, we also see the real Katara and Zuko get closer in a way that feels real and organic, we see them exchange banter, we see Katara confident and able to best Zuko verbally but also able to comfort him over his fears about the play, which again focuses on her as the main actor in the relationship. Although Zuko and Katara do have that one scene of them moving away from each other in reaction to being portrayed as a couple by the play, overall their relationship remains unplagued by the insecurity that the play brings out in Katara and Aang, which seems to indicate that the problems in their relationship go beyond the play's parodies and that there is actually some truth there, that Katara really does feel like she has less choice in her relationship with Aang and that Aang seems to fear her choices.

It's really not hard to see why zutara becomes appealing in that context.

#zutara #antikataang #zuko #katara #ember island players #the boy in the iceberg

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amtrak-official · 5 months

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Okay so, I think some people have a fundamental misunderstanding of what urbanism is. It is not wanting to completely ban cars and planes, it's simply trying to design our cities so that people don't have to rely on Cars alone for transit. The whole goal of Walkable cities is simply to make our cities more walkable, it is not to make it so that walking is the only option. I don't think you're a bad person if you ride in a plane or drive a car, I've done those things, I advocate for more transit and rail because they don't exist to nearly the degree needed in the us and Canada and that is a problem. We need more rail, we don't need it to be the only option though.

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teeth-cable · 1 month

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I need more people to talk about how just like the POC designs, the writing is terrible at clueing the audience what race and ethnicity the characters are.

Beside stereotypes, the racial coding in the writing is little to non-existence. The characters don’t have mannerisms from their cultures, speak in slangs or idioms relating to their group from their time periods, or make cultural references.

Without having to rely on outside sources (Livestreams, looking up VAs, leaked audition sheets, etc), the only characters I would successfully guess would be Vicky, Val, and Velvette, and even then, it doesn’t mean the racial coding is good.

Vicky is the only one from this list whose racial coding isn’t atrocious. I can tell she’s Latino because she curses in Spanish, but that’s it. This is admittedly nick-picky , but I wish when cursing she would have used Salvadoreño specific slang and curse phases to signal she’s Salvadoreña.

Val, I can tell is Latino too, because of his accent and him cursing in Spanish, but it’s egregious. The accent fluctuates so much, it’s strong, then weak, then strong again. Not sure if the VA was struggling or if this was an intentional direction given to him, though the fact, I and other people were confused, at the direction, speaks for itself. Another issue with his accent is how it’s sexualized, contributing to the Latin Lover stereotype of his character.

Velvette, I won’t sugarcoat it. I wouldn’t even guess she was supposed to be black though the writing or the majority of her designs until the finale. The finale, the last episode of the season and the only time she has textured hair with her screen time being around two minutes and sixteen seconds in total.

Visual designs isn’t where race coding ends. This is important to remember because it ignores the good coded characters (King Dice from Cuphead, Darwin from TAWG, the Funk trolls from Dreamwork’s Trolls) and how Viv failed and could have done the racial coding better.

For Viv, she has to rely on other coding methods too because there are characters who aren’t humanoid enough, or even humanoid at all, for visual coding to work. There really isn’t anything I can say to explain why the race coding sucks beside Viv doesn’t care about representing POCs.

I wanted to create this post to highlight how Viv fails at coding in every aspect. The fandoms and critics shouldn’t praised her for giving Velvette textured hair or darkening Sera’s skin from her leaked audition sheet. We need to stop praising creators, especially white ones, for doing less than the bare minimum (The bare minimum being making POC characters look POC) when creating POC characters, or worse, justify it. I’ve seen people tried to justify the terrible POC designs by using one of Carmilla’s daughters as an example, as if one decent POC design in a sea of ashy and euro-centric or erased features for the majority of the POC cast suddenly invalidates the criticisms.

I’m also getting tired of the fandom making posts questioning why people have and still draw the POC characters as white, as well as people harassing artists for accidental whitewashing. I’m hate the whitewashing too but in this case, it’s different because this is Viv’s own fault due to her poor racial coding. Not every fan will have the same intense knowledge you do or even should, to know what a character’s race or ethnicity is, that’s Viv’s responsibilities as the creator.

Mind you, these were the human designs we had before the show aired. Alastor being mixed creole and Niffty being Japanese yet they look white as hell here.

#꧁rambles꧂#hazbin hotel #hazbin hotel critical #hazbin hotel criticism #hazbin critical #vivziepop critical #vivziepop criticism

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yourdoorisunlocked · 3 months

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ᴠᴀʟᴇɴᴛɪɴᴇ'ꜱ ᴅᴀʏ ᴠᴇxᴀᴛɪᴏɴꜱ - ꜰʟᴜꜰꜰ

𝐀/𝐍: Whew! Ok, I'm taking a small break right now- I have one more request to do, and ofc as soon as I can I'll finish it, but I don't want to burn myself out or anything.

I'm just taking a quick writing rehab right now. Nonetheless, the banter was so fun to do, and I hope you all like it!

If I do write another chapter for the week, it'll probably be for What A Dish, What A Doll!

➺ 𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 2,903 ➺ Song Recommendation: 𝓔𝓵𝓮𝓬𝓽𝓻𝓲𝓬 𝓛𝓸𝓿𝓮 | 𝓑𝓸𝓻𝓷𝓼

. . .

The chill of February’s frosted breath graced the glass panes of the largest building in the Vee’s district, an imposing force that not-so-subtly hinted at how far their influence and power expanded across the Sinner’s Circle of Hell, as it stood right in the heart of the Pride Ring for all to flock to. No matter how depraved, sadistic, or perverted you were, the territory of the Vees surely had something in store for your insatiable appetite to feast upon.

And since the first twenty-four hours of the infamously romantic month, chaos had erupted within the offices of the Vees. Other than Halloween, it was the greatest vice of Vox’s hellish existence, filling his calendar to the brim with meetings, product improvement, managing holiday events and sales, and not to mention Velvet’s stupid “Love Potion” gimmick-

For Christ’s sake, the goddamn holiday started with a ‘V’! Their brand of perfection practically relied on that lovey-dovey nonsense.

For the past week, the only thing filling up Vox’s schedule and keeping him from you was showcasing shitty rom coms with horribly conceived plots, Velvet rushing around like a mini-hurricane and destroying everything in her wake for her latest fashion show, and Valentino?

Oh, don’t even get Vox fucking started.

And now, after all of that overwhelming bullshit that kept him from warming your bed for the past few days, Vox desperately wanted – no, needed to escape and spend quality time with his darling. With you.

He had the usual Valentine’s Day blueprint in mind: eat ice cream and binge-watch your favorite TV-shows, while you flustered the hell out of him with your affections and make hot chocolate, and then fall asleep in each other’s arms by the fire.

Mundane, cheesy shit like that was the highlight of his days after another exhausting workday keeping it all roped together and navigating Velvet and Valentino's nonsense.

Their facade was of modern sophistication, perfection at its very finest that was produced for only those who could afford it, and it was all piled into Vox’s lap to regulate the chaotic, unpredictable behavior of his fellow Overlords, and keep their volatile nature in check.

But the continuous hardship that came with his stressful job would fade with the wintry wind as soon as he stepped off the elevator and into your shared penthouse, and like a patch of sunlight to snow, you’d melt away all his worries with a smile and a rub of his head as you took care of him for the night.

Almost there...

The television demon groaned as he crossed the threshold over to your apartments, seeing no need to keep up his perfectly aligned posture.

And, like a mercy served by Gods, Vox was met with the heavenly sight of you standing in your fluffy, midnight blue bathrobe that you’d received on your birthday, courtesy of Val. Vox would’ve personally burned it to high hell, but you adored the design, and he couldn’t resist you when you pleaded with him.

“Vox...” crossing your arms at the doorway, his light, his spark, his reason to maintain everything about his own reputation stood with a stern furrow in your brow as you strode over to him.

“Don’t tell me you’ve been overworking yourself again, love,” you grumbled as you took off his bowtie and removed his coat, and you smoothed out the front of his striped vest as Vox stumbled for an answer.

“I-” *sigh* “I’m not pushing myself that much. You know how the job is, especially around this time,” seeing your face fall and your lips tighten into a straight line, Vox took your hand, squeezing it within his gloved palms as his sharp teeth pulled into a small half-smile.

“But coming home to you makes it all worth it,” a tender hand dancing with waves of tingling sparks cupped your cheek, and with a heavy sigh, you looked to him with concern and affection swirling within your tender gaze.

“Yeah, yeah. All I’m saying is those two bumbling excuses of Overlords should at least give you a couple of days off,” you scowled softly, but your frown melted into a flustered pout as Vox kissed it away, and a soft buzz of electricity lingered against your lips.

“Now, now, enough of that, my dear. We still have the whole night to ourselves, don’t we?” You giggled, a long-awaited melody to his ears as Vox spun you around to press your back against his chest. How beautifully the sound replaced Velvet's usual grating, shrill voice that penetrated his ears. How agreeable you were, that you didn't fight him like Valentino, that you truly cared about him and his well-being.

Sometimes, you'd even force his workaholic ass to return to your apartment and get him ready for bed, practically hauling your grumbling, overworked hubby into bed, and forcing him to sleep in the next morning.

And it was the sappy, lovesick moments like these always reminded Vox that he'd never find anyone else like you.

All the more reason to keep you tightly within his grasp...

“Yeah, I guess, so. You dork,” you flicked the very center of your husband’s face, and he blinked a few times in surprise before chuckling and shaking his head.

“Oh, yeah? And what does that make you for loving me~?” Vox swayed against you gently, his inner fans suddenly warming himself up more than usual as he poorly attempted to conceal his light blush at having you so close.

Your laughter chimed through the air like the first sunbeams breaking through stormy gray clouds upon the aftermath of a thunderstorm.

“Well, I suppose that makes me your lover,” you simpered right back at him, turning your head slightly so you could stand on your tiptoes and kiss him.

It felt almost like a dream when you were in Vox’s arms like this. Simply existing with each other, standing above the Pride Ring as if you ruled the entire Sinner’s Circle. Untouchable, ambitious, and madly in love.

As if on cue, the sound of a gentle, reflective saxophone poured from the speakers installed within the penthouse as the lights dimmed, and you felt yourself drifting away as you swayed with your husband.

The soft buzz of electricity bounced against your figure as Vox stared down at you, his dead, automated heart pounding erratically as his hands slid from yours down to your waist, digging into the fabric of your robe with sharpened claws.

“Vox...?”

“Yes, my dear?”

With a deep breath, you lilted your voice as you spoke to him, in hopes that seeming more placating and docile could shake Vox’s stance upon his insistence to work himself to the bone. No more would you allow yourself to stand hopelessly to the side while you watched your husband work himself into such a distressed, sleep-deprived state.

“I’m putting my foot down. You’re not going back to that horrible place for the next week, at least.” Vox stiffened at your tone of finality.

“Excuse me?” He chuckled as if you were joking with him, but your resolute glare told him otherwise. “Check your phone.”

With a hesitant glance towards his pocket, Vox slowly pulled out his phone, only to find that, in fact, every work-related app had been temporarily blocked from the device.

Raising an eyebrow, he looked back at you and tapped your nose with a haughty smirk. “Nice try, but it’s going to take more than that for me to fall for your wiles, my dear,”

When you only grinned up at him with no hint of malice nor any trace of exasperation tugging at your usual, beautiful smile, his triumphant grin fell. “Why are you looking at me like that? What...”

A slow realization turned in Vox's mind as he recollected the last few days, when you were poking and prodding at him and his programming for “no apparent reason,” and he wrote it off as curiosity born from your boredom while being locked up at the penthouse apartment.

But by fuck, he was really regretting indulging you right now, for once.

With a surge of panic, Vox immediately blue-screened, as he mentally checked for any of his work-related tabs and files, only to find them completely, and suspiciously empty.

No notes. No texts. No documents.

Nothing.

You... You fucking hacked into his mainframe!?

His interface returned to normal to find you slumped against him, only perking up when you saw your husband had returned from his frenzied search of the crime that had been committed; the heinous act of keeping Vox from working.

And here the culprit was standing, swooning and relaxing in his hold, nuzzling against him as if she wasn’t to blame for his entire workspace vanishing off the face of the Earth for the next seven days.

“Well...?”

“...How long have you been planning this?” Vox was absolutely aghast. He knew you could be impulsive, perhaps even irrational, compared to your cool, collected husband, but this was...

You grinned triumphantly as you tapped his nose right back.

“I just thought you could use a few days off, spending some time in your wife's company for Valentine's Day~..."

“But when did you- No, how the hell-?”

“It seems that you’ve fallen victim to my wiles yet again,”

“Oho, you sneaky little-!” Vox practically tackled you into a hug as he discharged a small bout of electricity, tickling you with an electrifying warmth, just by holding you against him.

“C’mon, I’ve got another surprise for you,” with a soft giggle and a gentle tug of his antenna, you pulled Vox from the floor as his free hand shot up to his hat with a small, bashful frown.

“I told you to stop that!” He outwardly groaned, but you could hear the flustered electrical buzz that Vox emitted whenever you did something to him that he really liked.

“You know I don’t like it,” he muttered, but as always, you saw right through him.

“And we both know that’s one of the biggest lies you’ve ever told me,” you grinned back at him cheekily as you pulled him into the living area, where you had spent most of your afternoon setting up when Vox was occupied with his work.

In the living room, you had set up a small, cozy gaming area. It then hit Vox just how long you had been setting this up, waiting for him to drop his guard and into your scheming hands.

That little criminal...

Two controllers, one for you, and one for Vox, sat upon a pile of fluffy blankets. A few pillows draped in silk cloth surrounded the area on the couch, and before it upon the coffee table, there sat a freshly made bowl of popcorn, and various other chocolate candies and snacks.

“Hm... Seems like someone’s been itching for a rematch.” A challenge glinted in his sensors, and you leaned into him with an equally blazing ire.

"You wanna bet...?"

. . .

“GODDAMN FUCKING BLUE SHELL! I’LL DESTROY YOU, YOU SPIKED SON OF A BITCH!”

“HA-HA! GUESS WHO’S IN THE LEAD, NOW!?”

Your fingers pressed the controller furiously as the TV blared in front of you, and as you crossed the finish line, you let out a whoop of victory, nearly falling out of Vox’s lap in your bout of triumph.

“Yes!” “No!! Fuck!”

You and Vox shouted simultaneously, making you burst into a fit of triumphant laughter as he groaned and slumped defeatedly behind you.

“Are you serious!? That’s the fifth time in a row!” Vox nearly crushed his controller in his vice grip as he threw a slew of curses at the TV.

The two of you had been playing Mario Kart for the past hour, blissfully unaware of how your gaming match had whisked the both of you into a heated competition of bumper cars and tallying points for each round someone won, and the winner would be picking the movie you watched.

You stuck your tongue out at him with a victorious beam. “It seems the Nintendo wants us to watch the Kissing Booth tonight,” you giggled madly when Vox’s face scrunched up in disgust.

“Yeah, babe, there is no way I’m watching that.”

“Aw, come on, I won fair and square!" you leaned into your husband, who sighed with exasperation but softened at the sight of your pout.

“Please...? I promise we’ll watch whatever you want tomorrow!”

“It’s my first day off the job, and you want to watch the goddamn Kissing Booth!?”

"Pretty please, Sparks?" Vox’s aura buzzed softly at the nickname, and he narrowed his eyes down at you as you begged him with your puppy eyes.

“Playing dirty, huh? Fine. Let’s watch your dumbass movie,” Vox pouted with crossed arms as he slumped into the couch in defeat and his antenna buzzed softly in annoyance. It sparked abruptly when you clapped excitedly and pulled him by his collar to lay a tender kiss on his cheek.

“Thank you! I promise, you’ll love it,” you grinned mischievously and grabbed the remote.

Vox, in fact, did not love it. In fact, it was so bad that you both started watching it ironically and threw jabs at it occasionally.

“So, who do you think she should pick? Her psycho-controlling best friend, or the pretty boy with anger issues~,” You leaned your head against his shoulder as you shoveled a handful of popcorn into your mouth, your eyes glued to the screen.

Vox sighed and rubbed his forehead, equally as invested as you were despite your shared frustration with the film.

“Honestly? She should dump both of them and run for the goddamn hills.”

You snorted. “Yeah? Well, I would’ve chosen her boyfriend. He gets better over the next couple of movies.” Vox raised an eyebrow at you. “Seriously?”

Popping a few M&Ms into your mouth, you nodded at him. “Yeah, I’m serious! He gets some serious character development,” you mutter sarcastically, before licking your lips with a shit-eating grin. “He seems really cold and angry on the outside, but he’s not so bad once you get to know him.”

Nudging his shoulder, you glance not-so-subtly up at him, and Vox took the hint, tickling your sides softly with a smirk.

“And I’m a dork?”

“Yeah, and you’re a contagious one, too!” Your hands grabbed at his arms as he crushed you into a hug, pulling you even closer as he rested his head upon yours.

“Well, then I guess that makes two of us, doesn’t it my dear~?”

“No! Stop! Please, I can't breathe!” You attempted to flail around dramatically, but within Vox's vice grip, that was next to impossible.

“Ah-ah-ah! I’m afraid you’re trapped within my wiles, darling!”

“Curse you! How dare you use my own spells against me!” You giggled as he continued his bombardment of tickles and small, feathered kissing against your nape and the small back of your neck.

Soon, your laughter died down and you both fell silent as you finished the rest of the movie.

While you slowly began to drift off into sleep in Vox's arms, spent from the day of preparing your apartment for your husband's arrival, he looked down at you with a tender half-smile.

I can't believe someone like you would even look at someone like me...

"Hey, babe-?" He whispered out into the dark, before huffing out a chuckle when he realized you were still asleep.

With a soft smile, and a tender patter of his heart, Vox scooped you up and whisked you away to your bedroom, where he silently dresses you up in a pair of pajamas, and tucked you into bed.

Ever so gently, Vox laid a few of the blankets over your form, dragging them and the silk pillows back from the couch to make his little sleeping beauty ever the more comfortable.

He looked upon you as you dozed the minutes away, blissfully oblivious to the war that raged inside of him.

While Vox was impressed that you had managed to somehow hack into his mainframe and alter his actual mental programming, it really would take more than basic understanding – plus, you pulled it off unguarded. Now, of course, this spawned a new problem for him, but he’d deal with it in due time. Besides, it’d give him a proper excuse to slack off a little bit, with you.

God, what was he thinking? The old Vox would’ve seen such a desire to goof around with some girl while the other two Vees went around wreaking havoc and partaking in whatever idiocy without Vox to keep them in check.

But you weren’t just ‘some girl’ to him.

And frankly, those two clowns could go fuck themselves.

A part of Vox wanted to remain in your bed, for your sake, but there was work to be done, and Velvet no doubt was positively livid at the fact that he wasn’t answering any of her calls.

So, with a newfound confidence in his advances, your husband bent over you, softly pinching your chin within his finely sharpened claws, and laying a few tender kisses trailing from your lips down to your nape.

I wish I could do this to you when you’re awake... But that smile, fuck, I can’t even form sentences without fumbling when you look at me like all you want is to give me the world.

You groaned and turned over within the sheets, scooching towards him with a soft furrow in your brow.

Vox kissed it away, before reluctantly pulling away from your side, standing at the door with a small, yearning smile.

“Til morning, my dear.”

. . .

𝐄𝐧𝐝 𝐍𝐨𝐭𝐞𝐬: Happy Valentine's Day from our favorite crazy-ass TV demon!

I'm sorry I didn't get to post this yesterday, but I was feeling so unmotivated by the end of it, and I decided to rewrite most of this fluff fic, just to give you all a quality post.

I don't half-ass things, especially when it comes to writing, that's just why my fics take a while to post.

Anyways, thank you so much for reading, and comments are always appreciated!

. . .

𝑻𝒂𝒈𝒍𝒊𝒔𝒕: @hazzbindarlingg, @darkangel582, @starsformydarlingmazel, @chitter-chatter, @matrixbearer2024

#vox x reader #vox x you #hazbin hotel x reader #hazbin hotel #hazbin hotel vox #valentine's day fluff #this man is a workaholic confirmed #yourdoorisunlocked #banner by cafekitsune #divider by cafekitsune

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genderkoolaid · 19 days

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sorry if you've talked about it already, but what is it that makes KOSA's idea of online safety wrong? I don't know much about the bill, what does it intend to do?

What do you think is a good way to protect kids from things like online predators or just seeing things that they shouldn't be seeing? (By which I mean sex and graphic violence, things which you'd need to be 16+ to see in a movie theater so I think it makes sense to not want pre-teens to see it)

From stopkosa.com:

Why is KOSA a bad bill? KOSA uses two methods to “protect” kids, and both of them are awful. First, KOSA would incentivize social media platforms to erase content that could be deemed “inappropriate” for minors. The problem is: there is no consensus on what is inappropriate for minors. All across the country we are seeing how lawmakers are attacking young people’s access to gender affirming healthcare, sex education, birth control, and abortion. Online communities and resources that queer and trans youth depend on as lifelines should not be subject to the whims of the most rightwing extremist powers and we shouldn’t give them another tool to harm marginalized communities. Second, KOSA would ramp up the online surveillance of all internet users by expanding the use of age verification and parental monitoring tools. Not only are these tools needlessly invasive, they’re a massive safety risk for young people who could be trying to escape domestic violence and abuse.

I’ve heard there’s a new version of KOSA. What’s the deal? The new version of KOSA makes some good changes: narrowing the ability of rightwing attorneys general to weaponize KOSA to target content they don’t like and limiting the problematic “duty of care. However, because the bill is still not content neutral, KOSA still invites the harms that civil rights advocates have warned about. As LGBTQ and reproductive rights groups have said for months, the fundamental problem with KOSA is that its “duty of care” covers content specific aspects of content recommendation systems, and the new changes fail to address that. In fact, personalized recommendation systems are explicitly listed under the definition of a design feature covered by the duty of care in the new version. This means that a future Federal Trade Commission (FTC) could still use KOSA to pressure platforms into automated filtering of important, but controversial topics like LGBTQ issues and abortion, by claiming that algorithmically recommending such content “causes” mental health outcomes that are covered by the duty of care like anxiety and depression. Bans on inclusive books, abortion, and gender affirming healthcare have been passed on exactly that kind of rhetoric in many states recently. And we know that already existing content filtering systems impact content from marginalized creators exponentially more, resulting in discrimination and censorship. It’s also important to remember that algorithmic recommendation includes, for example, showing a user a post from a friend that they follow, since most platforms do not show all users all posts, but curate them in some way. As long as KOSA’s duty of care isn’t content neutral, platforms will be likely to react the same way that they did to the broad liability imposed by SESTA/FOSTA: by engaging in aggressive filtering and suppression of important, and in some cases lifesaving, content.

Why it's bad:

The way it's written (even after being changed, which the website also goes over), it is still possible for this law to be used to restrict things like queer content, discussion of reproductive rights and resources, and sexual education.

It will restrict youth's ability to use the Internet independently, essentially cutting off life support to many vulnerable people who rely on the Internet to learn that they are queer, being abused, disabled, etc.

Better alternatives:

Stop relying on ageist ideas of purity and innocence. When we focus on protecting the "purity" of youth, we dehumanize them and it becomes more about soothing adult anxieties than actually improving the lives of children.

Making sure content (sexual, violent, etc.) is marked/tagged and made avoidable for anyone who doesn't want to engage with it.

Teach children why certain things may be upsetting and how best to avoid those things.

Teach children how to recognize grooming and abuse and empower them to stop it themselves.

Teach children how to recognize fear, discomfort, trauma, and how to cope with those experiences.

The Internet makes a great boogeyman. But the idea that it is uniquely corrupting the Pure Innocent Youth relies on the idea that all children are middle-class suburban White kids from otherwise happy homes. What about the children who see police brutality on their front lawns, against their family members? How are we protecting them from being traumatized? Or children who are seeing and experiencing physical and sexual violence in their own homes, by the parents who prevent them from realizing what's happening by restricting their Internet usage? How does strengthening parent's rights stop those kids from being groomed? Or the kids who grow up in evangelical Christian homes and are given graphic descriptions of the horrors of the Apocalypse and told if they ever question their parents, they'll be left behind?

Children live in the same world we do. There are children who are already intimately aware of violence and "adult" topics because of their lived experiences. Actually protecting children means being concerned about THEIR human rights, it means empowering them to save themselves, it means giving them the tools to understand their own feelings and traumas. KOSA is just another in a long line of attempts to "save the children!" by dehumanizing them and giving more power to the people most likely to abuse them. We need to stop trying to protect children's "innocence" and appreciate that children are already growing, changing people, learning to deal with discomfort and pain and the weight of the world the same as everyone else. What people often think keeps kids safe really just keeps them ignorant and quiet.

Another explanation as to why it's bad:

#m.#ask box

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catboymoments · 1 month

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Okay I’ve now actually watched hazbin (pirated) and here are my thoughts

Hater zone first. The dialogue felt really unnatural and to be honest I didn’t like a lot of the songs besides loser baby and out for love and that’s like bare minimum “okay I don’t hate it” in terms of Liking it. It got annoying at points with how Charlie was written and there were a lottt of really unnecessary characters I feel??? What was even the point of velvette existing LMFAO. It felt very messy. The whole time I was like “this is like cocomelon for hot topic tv”

I didn’t like poison from a musical perspective and I felt like a lot of it was very egregious. Like over the top sexualized sa. I was like “I don’t wanna see your Spider Ass Angel put that thang AWAY” but I do understand how his experience with being abused in the porn industry would be different and how he’s like. Yayyy self destruction I hate my life if I’m too high I don’t have to feel anything :D!!! And I see how people would be uncomfortable with it!!! But like tldr I get it but it’s not something I enjoyed watching

The funny bits were the ones that didn’t rely on Fuck Word or overt sexual humor (nifty zoning out for the commercial or angel going “HA!!” When husk said “these fuckin angels won’t stop coming!”) because they weren’t FORCED!!! Also Velvette walking into the overlord meeting and going “hi old 👐” to Carmilla was funny in hindsight she really did that. Uncalled for. Speaking of Carmilla I LOVED HER I wish she had more screen time because she was so important to the plot??? Like WHAT?!?!??! And a really appealing design for a vivziepop character !!! Big paws. Good.

Also. I understand the point of loser baby now- at first I was like “that’s kind of a weird way to help someone feel better” but now I see it’s like “hey we all suck and we’re on the same team so don’t worry about us looking down on you babestie”

tldr I didn’t like it but now I get a few parts of it and I can rewrite it better 🫶 yay

#hazbin hotel

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jesncin · 4 months

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A Failure of Asian Lois Lane: Pt 2: My Adventures with Superman, an honest discussion

If I had to pinpoint the fundamental problem with My Adventures with Superman's depiction of Asian Lois Lane it's in their attempt to subvert the classic two person love triangle: Lois loves Superman but is indifferent to Clark Kent. In MAWS, Lois insta-crushes on Clark Kent and hates Superman. In the show's attempt to make sense of this dynamic, Lois' Asian identity becomes at odds with a story meant to touch on xenophobia and immigrant themes.

Let's have an honest discussion about a show that made fandom cheer as an Asian character removed the one thing that made her most visibly Asian.

Disclaimer: While I am of East Asian descent, I am not Korean. I'll be discussing general Asian diasporic experiences but the specifics of Korean culture are outside of my knowledge (as usual I can't and don't speak for every Asian person ever, I am 1 opinion). Secondly, I'll be pulling from my personal experiences every now and then particularly pertaining to being a butch Asian person watching this show. It'll be a mix of formal analysis and personal anecdotes. Thirdly, this isn't an exhaustive analysis of MAWS Lois' character. We'll be sticking to what I consider is relevant to themes of Asian identity and immigration. Lastly once more, I do not believe the MAWS crew had malicious intent in any (of what I consider) poor writing decisions. We're here to analyze and challenge these writing decisions.

Please read Pt 1 of Asian Lois analysis that covers the comics, as it provides the groundwork for the ideas expanded on in this essay.

We need to talk about Lois' design. In the follow up to MAWS' release, people have been speculating on Lois' ethnicity. CBR writes that the show has "some fans believing that she's at least part Asian" and other articles have the show crew confirm Lois Korean heritage via her hanbok outfit in episode 4. The existence of these articles, my own anecdotal experience of streaming MAWS with Asian friends, and comments I receive from people asserting Lois' Asian identity was never explored in the show ("you'd only know she was Asian if you searched up articles about it"), tells me we have a case of an ambiguously designed Asian woman. Tangentially many people had no idea Livewire, the white haired and blue eyed woman, was meant to be South Asian.

There's a lot to be said about art styles that don't properly stylize ethnic features, but for the purposes of our analysis that means the writing has to deliver the heavy lifting where the design fails. This is the opposite case of American Alien: a comic that relied on the art to portray Asian Lois.

Let's start at episode 3. In it, Lois finally manages to conduct a private interview with the elusive Superman. When she asks where Superman comes from, how his powers work, etc- Superman comes up empty. In this version, Superman can't talk to his Kryptonian father (Jor-El)'s hologram because of a language barrier, so he knows very little about his alien heritage. He leaves Lois, assuring her he's here to help the people of Metropolis. When Clark Kent congratulates her for interviewing Superman, Lois rebuffs him. "Oh, he's [Superman's] a liar." smirking as she says it. This is the start of the Lois Hates Superman For Being a Liar arc.

I'd like you to consider the optics of an Asian American woman interviewing an alien immigrant who honestly told her he doesn't know where he comes from and is still figuring out who he is, only for her to think he's lying. Because she didn't get the answers she wanted. I can't help but think about my own experiences, where I was asked "but where do you really come from?" or "okay but what's your real name?" I think of my Asian American peers who would honestly say they're from Texas or Atlanta and get a vindictive "you're lying" as a response. People want to hear you're from China. They want their biases confirmed. I think about how I honestly can't tell you where my elders hailed from, because of cultural genocide and language barriers. This scene makes me uncomfortable, but let's press on.

Episode 4 is where Lois is most visibly Korean. In this episode the trio of Lois, Clark, and Jimmy are tasked with interviewing rich techbro Prof. Ivo of Amazo tech at an investor event. It's a prom episode. Lois wears a "hanbok inspired gala outfit" designed by Dou Hong and Jane Bak in a deliberate move to showcase Lois' Korean heritage. Bak comments "I remember feeling strongly about wanting to inject some aspect of her Korean heritage without disrupting her characteristic as a spunky and resourceful intern/reporter." while the wording poorly implies that Korean heritage is at odds with Lois' spunky personality- I do want to challenge a couple of the decisions that went into this design.

I want to acknowledge as an Asian butch that there are many ways to sport traditional garments and it's okay to mix and match to figure out what reclaiming culture (and your comfort) mean to you. However we're talking about the opportunity to showcase culture in an episode of a fictional animated show. I also encourage cultural gender expression that thinks outside of western white people's idea of gender (in both fiction and real life).

Whenever artists try to do a non-conforming spin on a cultural outfit, I always have to ask: "what standard of masculinity are we basing this on?" It's clear that MAWS is pushing for a "tomboy" Lois, and this gala outfit is an extension of that. But what's the standards of masculinity in a Korean lens? Men wear hanbok too, so why can't Lois imitate how Korean men wear hanbok, by traditionally accompanying her look with baji (baggy and loose pants)? This design notably has tight pants that hug the form, instead. I know the hanbok look has been modernized in and out of Korea in many ways, but in a show where you have the opportunity to showcase cultural non-conformity, I feel more thought should be put into the outfit outside of a potentially western lens- or the idea that cultural heritage of any sort "disrupts" a character's personality.

Now that we've discussed the design of the outfit, let's look into the narrative role it plays in episode 4. While we can celebrate cultural representation in media, I consider it important to ask "what is this media's relationship with the cultures it represents?" and the answer for Lois' hanbok in this episode is: nothing! It's an aesthetic acknowledgement of culture. "Hanbok" or "Korea" are not terms explicitly mentioned in the show. When Prof Ivo offers beautiful women as compensation for Clark to keep quiet about his company's corruption, Ivo looks over to Lois- who spills food on her clothes, and remarks that she's unclassy. She's not judged for wearing othering cultural clothes- which would have tied nicely into Clark choosing to be silent on issues of Ivo displacing a neighborhood, making Clark realize his complacency actively hurts marginalized people. Despite wearing cultural outfits being a political statement in America, nobody reacts to it. It's clear what the actual goal of this scene is: Clark looks cool for defending his "tomboy" crush.

In a scene blatantly made for fanservice, Lois offers to sew up Clark's ripped tuxedo by undressing her hanbok so she can reach her little sewing kit. Lois never wears her hanbok again afterwards. This scene haunts me. It's a scene that tells you that fanservice is more important than cultural representation. It's a scene meant to set up that Clark gives his tuxedo to Lois later on for warmth. Lois removing her hanbok is meant for not one, but two fanservice scenes.

Lois talks to Clark at the stairwell. She opens up about her estranged relationship with her father, how her mom has passed away, and how she's been an intern at the Daily Planet for a year with no sign of being hired. This makes the narrative decision for Lois to lose her hanbok far more tragic. Lois being a diasporic child with so few familial ties to her culture would mean garments like her hanbok would hold a lot of sentimental value! It's hard enough finding a cultural outfit that fits with your butchess (many of my cultural outfits are hand made to fit my form and gender expression), and yet Lois unceremoniously loses her hanbok. You would think in Lois opening up about being distant from her parents that Clark would be able to culturally relate with the distance he has with his Kryptonian parents. But the narrative opportunity to link their immigrant experiences is not taken, because the show simply doesn't recognize the parallel between the two.

Instead MAWS pushes for the Lois Thinks Superman is A Liar thing again. A far less narratively substantial and fundamentally flawed arc. This episode starts with Lois calling Superman a liar and has Lois ranting about him "dodging her questions" (remember, he was honest with her about not knowing his heritage) thereby rendering her interview unpublishable. She resorts to conspiracy tabloids giddily provided by Jimmy for information. She rather cruelly says "nobody normal believes in aliens". We are uncomfortably seeing the build up of Lois being allegorically xenophobic towards alien immigrants- a Lois on a quest to out an alien before he's ready. This is their justification for flipping the love triangle. Lois loves cuteboy Clark from work, and hates Superman for not confirming her biases that would help her publish an interview that would promote her at work. What a love story.

To wrap this episode up: Prof Ivo ends up challenging Superman to a fight so he can flex his Parasite suit to investors, only for it to backfire, destroy his reputation, and greatly damage the Amazo building (remember this it'll come back later). The episode ends with Lois discovering Superman is Clark Kent. Anecdotally, I was so frustrated with the treatment of Lois' hanbok in this episode, that I went online to search if anyone else felt similarly. All I was met with was fandom thirsting over the stairwell scene where Clark and Lois were undressing. Consider the optics of an Asian character who removed the most visible signifier of her heritage (the outfit far more culturally specific where her character design was racially ambiguous) and how people cheered because that meant they could see her in her undergarments. They can happily thirst over the body they desired now that the othering cultural garment was out of the way. It's just clothes after all. Diversity clothes. This show continues to be very uncomfortable, and a little too real.

In episode 5 Lois is passive aggressive to Clark and Superman, trying to get Clark to admit he's Superman and vice versa. She eventually confronts Clark by jumping off the roof of the Daily Planet, causing Clark to fly down and save her. She proclaims she doesn't want to be friends with him anymore for "lying" to her. This episode caused a huge ruckus online as people were divisive over Lois' actions. Some defended Lois, saying that "women should be messy" and "it's not Lois Lane if she doesn't do something crazy for journalism!". Ignoring that opinion's very flandarized view of Lois' character for a second, let's thoroughly discuss how this relates to themes of immigration and Asian identity.

By this episode, Lois had known Clark for 5 days. In that time she's entitled and angry to the point of friend-breaking-up with him because he wouldn't disclose his marginalized identity to her within less than a week. "A secret is another type of lie!" Lois says, regardless of her lying on sight to both Jimmy and Clark upon meeting them at work, and continued to lie in episode 3 (after promising not to in ep 1) about her intentions to interview Superman. Only Lois gets to lie in this relationship. The hypocrisy of her character is never recognized. Clark calls out Lois for having previously admitted to him that she wanted to dox Superman and "publish all his secrets. MY secrets!". Keep in mind that when Clark brings up Superman feeling uncomfortable about his secrets being published by Lois in episode 3, Lois' response was "yeah, but HE doesn't know that's my plan!". She explicitly admits that she would publish private information about Superman without his permission. But when she's confronted by Clark in episode 5 about that, her response is "I would never do that to you, I didn't know it was you until after the gala. How could you think that?" It's only through conflict of interest that Lois spares Superman of being doxed. He's supposed to magically know this. Extremely cool of Asian American Lois to be entitled to an alien immigrant's identity within four business days.

Episode 6 wraps up the Lois Hates Superman For Being A Liar arc, so let's quickly summarize what happens. Lois and Clark set aside their fight to find Jimmy in an abandoned scientific facility (he's being cared for by Mallah and the Brain). Jimmy admits (very smugly) to having known Clark was Superman all along because he kept breaking stuff. As the trio are chased by killer robots, they emotionally confront Clark for not trusting them with his alien secret- despite neither Lois or Jimmy creating a safe environment for Clark to come out to either of them (Jimmy outed Superman as an alien on his video channel). The moral of the story is Clark should have trusted his friends anyway, because lying is bad. Not once does the narrative hold Jimmy or Lois accountable.

We have Black Jimmy Olsen and Asian American Lois Lane being entitled to their white passing friend Clark Kent's marginalized alien identity. A joke is made at Jimmy's expense that he doesn't understand bigotry, and Lois clearly doesn't understand why an immigrant wouldn't be forthcoming about his identity to his hostile friends at work. This is how that arc ends.

I'd like to quickly compare this Lois Hates Superman For Being A Liar arc to my favorite scene in Superman Smashes the Klan. In this story, Superman debuts as a strongman superhero instead of an alien, suppressing his more othering powers to pass as human. He jumps instead of flying. Roberta, the Chinese American girl targeted by the Klan, calls Superman out for not using his full abilities to save people who could've gotten hurt. Yet, as she's calling him out, Roberta understands Superman's fear of not wanting to be othered. She sees the way her father dresses up to pass as an accomplished scientist, how he tells her mom to speak in English, how her brother makes racist jokes at their family's expense to fit in. She's not mad at Superman, she's mad at the world that would be scared of Superman if he flew.

"I wish it were okay for you to fly!" Roberta yells. This is a beautifully empathetic scene that shows a marginalized person frustrated at a systemic problem, instead of blaming the marginalized for being marginalized. It's the empathy and perspective we're missing from MAWS.

Episode 7 is a metatextual episode where MAWS addresses how their Lois isn't like the other Loises you've seen before. Lois and Jimmy are brought on to a team of alternate dimension Loises to find interdimensional troublemaker Mxy. In seeing the other more accomplished Loises in the multiverses, Lois ends up feeling inadequate about her self worth...in connection to being Superman's girlfriend, of course. Because Superman only loves Lois Lane after she wins a couple of Pulitzers, right?

I'm open to a version of Lois Lane that isn't as accomplished as she's historically known to be. I can like a Lois that's young and idealistic, like in Girl Taking Over. It's hard not to compare this episode to 2022's Everything Everywhere All At Once, another multiverse story about an Asian American woman who is the "greatest failure" version of all the parallel iterations of herself. But while that movie talks in depth about themes of generational trauma, expectations, and self potential within Asian immigrant families, MAWS uses the multiverse to say that while their Lois is less accomplished, she's still a good girlfriend to Superman! Why should I bother giving grace to a different take on Lois only to get such a superficial story out of it. This is metatextual-ly frustrating.

Why is it, the minute we get an adaptation of an Asian Lois in something as prominent as an animated show, we get "the worst Lois in the multiverse"? Lois is historically depicted as excelling in her field. She's an award winning journalist, jaded and mean from having to work her way to the top. She owns her sexuality, she's the experienced city girl. Instead of taking the opportunity to inform Lois' jadedness and excellence with her Asian American identity like in Girl Taking Over, instead we have an Asian Lois that's simply incompetent at her job. Why are we now adapting historically accomplished women into adorkable quirky screw ups? She went from being sexually confident to being insecure over sending a text to Clark. Is it more relateable to see an Asian woman that way? Is it too intimidating to see a butch Asian woman who excels at her job? Who's romantically confident? This is what MAWS would rather do than humanize her excellence or her failures.

Are you tired of an ambiguously designed Asian American woman reporter being xenophobic to Superman in MAWS? Well too bad because episode 8 introduces us to Vicki Vale, voiced by Andromeda Dunker (an Asian actress), with explicit notes in leaked concept art to design this character as "Indian American or Asian American" (as if those are mutually exclusive...) inspired off of real Asian reporter Connie Chung. Vicki wants to write a hit piece on Superman and interviews Prof Ivo's assistant, Alex, for a negative biased opinion on Superman (to Lois and Jimmy's dismay).

This episode is where it's abundantly clear the writers don't know how to talk about xenophobia. They'll make nods to xenophobic rhetoric, but they don't know what the rhetoric means. In response to Alex's derisive opinion on Superman destroying Amazo tower thereby bankrupting the company and putting "thousands out of work", Vicki responds "Superman wiped out good American jobs". This is a misplaced nod to Replacement Theory: the fear white people have over people of color, but particularly immigrants, coming to "their" country to "steal" jobs they're entitled to, ultimately becoming demographically replaced by non-white cultures and people. This rhetoric is also commonly applied to Jewish people.

The problem is, that's not what Superman did in the show. Amazo tech was going to go bankrupt because of Prof Ivo's poor business decisions. Prof Ivo made the mistake of antagonizing Superman and ruining his own image. Superman damaging the building came from his fight with Prof Ivo, not a deliberate attempt to get hired (if anything don't the building repair people have new jobs now?). No one's job is tangibly being taken by Superman. None of this is called out by Lois or Jimmy, who know the full story and were even the ones to attack Alex for helping Prof Ivo (let's be real the writers forgot this happened). In fact, Lois and Jimmy don't react to Vicki's Replacement Theory remark at all! It's like they don't even recognize she said something with racist implications!

Jimmy and Lois meet up with Superman who learns the people of Metropolis are becoming scared of him (from causing some recent property damage in an attempt to hunt a criminal down) and writing mean comments on social media. A user writes "he should go back to where he came from." This is a transparently xenophobic comment. It doesn't work in the context of the show because of a huge plot hole: Superman never publicly came out as an alien to Metropolis. No verified newspaper has explicitly made this fact known. The only source that mentions this is Jimmy's conspiracy channel, which the citizens of Metropolis are apparently treating as fact- therefore (if we're to believe this is how people knew) this means Jimmy absolutely outed Superman as an alien without Clark's consent.

So how does Asian American Lois respond to seeing her alien boyfriend go through xenophobia? She says "Take a break from being Superman and just try being normal." To be fair, the narrative does portray Lois saying the word "normal" as charged (only here at least, not in episode 4), and when she tells Superman to "take a break" it's because he had been overworking himself after suddenly unlocking the ability to hear when someone's in trouble. But was this really the response Asian American Lois thought to say? To her boyfriend going through such explicit xenophobia? At this point it's abundantly clear that racism doesn't exist in the world of MAWS. Being "normal" is to be human. And to be marginalized- or as the show likes to call it "different" is only reserved for white passing alien man Clark (along with gorilla and robot that was once a white man). Any hope of an immigrant parallel between Asian American Lois and Superman should be fully discarded at this point.

After the events of the previous episode where Superman is kidnapped by Task Force X, in episode 9 Lois regrets being allegorically xenophobic to Clark. At least I think that's what's happening. I often describe MAWS as a show that's extremely squeamish with getting political- and I believe the vagueness of Lois' Dark Night of the Soul moment reflects that. "I said awful things to Clark. I doubted him when he needed us most. I was wrong and now he's gone..." Lois says as she cries to Jimmy. Is this dialogue implying she shouldn't have told a sleep deprived Superman to take a break? What did she doubt about him? This dialogue is purposefully vague about Lois being xenophobic. They've universalized Clark's immigrant identity to such a point that they can't keep their argument consistent. Was Lois in the wrong for telling her overworked superhero boyfriend to take a break? Or was she being xenophobic for telling him to lay low for a while? Or is she regretful for hating Superman for Being A Liar? How is that possible when the narrative sided with her and Jimmy in episode 6? It's woefully non-committal. Regardless, the intent of this scene is to pay off in the climax of the episode.

In the end Superman has a showdown with Prof Ivo Parasite, who has grown into a large godzilla-esque kaiju creature. In typical MAWS fashion, the show is more interested in a surface level nod to Asian media instead of engaging with the specific themes of nature and post-war trauma kaijus and godzilla serve in Japanese culture. I digress. Using Jimmy's massive social media platform, Lois delivers a hope speech that instantly heals Metropolis of its xenophobia towards Superman.

Lois says to the people of Metropolis.: "People have told you to fear Superman because he's different from us. But we humans are capable of causing hurt and pain too. [...] Because we want to punish those who don't look or act like us." I mean this in the most polite way possible, but who on Earth thought this line was a good idea for Asian American Lois Lane to deliver when talking about white passing man Superman?? Why did the writers feel the need to specify Superman not looking like us. I simply don't understand how nobody considered the terrible optics of this.

After Superman defeats Parasite, episode 10 is about Clark, Lois, and Jimmy celebrating Thanksgiving at the Kents' house. At the Daily Planet, the trio of interns are promoted to finally being reporters. It only took Clark and Jimmy a few weeks while it took Lois a whole year! Now feels like a good time to remind you that Lois as a character was historically frustrated at sexism in the industry and despised how men were treated better than her (including Clark Kent). Well in MAWS episode 4, Lois has no idea why she isn't getting picked up to be a reporter. According to the narrative, and Perry White's dialogue ("you're terrible interns, so the only thing to do was to make you reporters")- she simply didn't break enough rules yet! Thank goodness she had the help of two men to show her how it's done! This is a pretty clear case of character regression. Keep in mind that in American Alien, at the very least that Asian Lois still underwent sexism, and I gave it the grace that the story could eventually expand to talking about both sexism and racism if it were to continue. But in MAWS? I don't think even sexism exists, let alone racism. Somehow Thanksgiving does, though.

Half the final episode is spent on Thanksgiving shenanigans where everyone's trying to be polite but they dislike Lois' stoic dad (Sam Lane)- who Clark recognizes as the Asian American xenophobic man who tortured him in Task Force X's government bunkers. A parallel is pulled between Sam and Jor-El, two fathers with different ideals when it comes to protecting their kids. There's a huge missed opportunity to have Lois and Sam speak in Korean with each other, to create a parallel in the language barrier between Clark and Jor-El. Maybe Lois isn't as fluent in Korean as Sam is depending on how culturally connected she is. Oh, but the existence of non-English human languages would imply some sort of minority, who would be marginalized, and we can't have anyone outside of aliens and a gorilla be marginalized in MAWS. Non-English languages in America are political, after all. Oh, but they also got a Filipino actor to voice Sam. Generously Lois could be Filipino-Korean but if we're being truly honest it's clear the MAWS crew think Asians are interchangeable.

Let's talk about Sam. In terms of optics, it's already not great that the main villains who represent the face of America's secret government xenophobia are Amanda Waller and Sam Lane- a Black woman and an Asian man. What's doubly notable is that of the antagonistic villains, Sam and Vicki are the most xenophobic. When Sam tortures Superman, he shouts "When is the invasion? How many of your kind will come through this time?" without a hint of irony. Reminder that historically, Asian immigrants were (and still are) considered invaders in America. They are the perpetual foreigner. MAWS loves making nods to Superman being an immigrant allegory, and yet they can't fathom the human beings that allegory is inspired by.

It's not impossible to portray people of color or even Asian American characters specifically being xenophobic. In Superman Smashes the Klan, Dr. Lee is initially antagonistic towards Superman but we understand why. We see him trying desperately to assimilate into whiteness, to the point he rejects assistance from his Black neighbors who help put out a fire in their backyard (that the Klan started as a threat). We understand why he's a character who would turn on fellow people of color, or fellow immigrants, in order to fit in. For MAWS, if we had a flashback scene where Sam was serving in the military and fought against Asian soldiers, showcasing his loyalty to America over his own people- that would narratively explain why an Asian American character would be xenophobic. Writing bigotry from within marginalized communities requires specificity. Otherwise, you've just got a diverse villain. In the end, Lois defends her immigrant alien boyfriend from her xenophobic Asian American dad.

Whenever I bring up how MAWS fails its characters of color but especially Asian Lois, I'm met with people telling me that "hopefully they'll make Lois more Asian in S2" or "they'll just retcon the bad writing in S1" and I hope this thorough analysis on the treatment of Lois' Asian American identity can help enlighten why I personally think that's impossible. The entire concept is flawed from the very beginning. The story MAWS wants to tell is at odds with Lois' Asian identity. In trying to justify an Asian Lois that loves Clark but hates Superman, they never considered what it means to hate Superman. To hate the alien immigrant. The alien other. What it means for an Asian American character to do all that. MAWS is a show that wants to have its cake and eat it too, they want a diverse world without racism or sexism but still want to reap the clout of lightly portraying Superman as "different".

They'll make the most surface level nods to Lois' Korean heritage- but remove all of the cultural context from them. They can't be bothered to acknowledge the inherit political identity being a person of color means in America, they're too busy doing that with Clark. I'm told "MAWS didn't have the time to go over Lois' Asian identity, it's a 10-episode series that focuses on Clark's alienation", and to that I say the potential of an immigrant love story and time frame was there, they simply chose to go another direction.

When I bring up things like Superman Smashes the Klan, Girl Taking Over, and Everything Everywhere All At Once, it's not to say MAWS should have used those stories as reference when crafting their allegory. All of those specific media were released while MAWS was deep in production already. Girl Taking Over was released the same year MAWS premiered. What I am saying is that we, as the audience, should have higher standards. Because better media portraying Asian American characters already exist. Better media portraying Asian characters relating to Superman mythos already exists. What we're doing when we celebrate the breadcrumbs of representation that is MAWS, is allowing mediocrity to exist uncritically.

Shows like Wednesday are known in the discourse for their portrayal of Black characters as being functionally white, yet that kind of scrutiny doesn't seem known for MAWS. The diverse reimagining of Lois and Jimmy is so poorly handled in MAWS that it would honestly make more sense if Jimmy and Lois were white here. The joke made at Jimmy's expense that he doesn't understand bigotry would be actually funny if it was calling out his white privilege. If, for whatever reason, the writers are compelled to write a xenophobic Lois that unlearns her bigotry and falls for Superman, I'd rather she be white for that kind of story. I wouldn't personally root for that kind of couple, but at least it'd make sense. It's a common joke among DCAU fans of color that we like to headcanon Lex Luthor as Black, or Lois Lane and Terry Mcginnis as Asian. It's a cruel irony that the one time we finally have a canonized Asian Lois in an animated show, she honestly feels and acts whiter than actual white Lois ever was.

I mentioned in Pt 1 of my essay that Asian Lois and Superman has the potential to be a definitive love story. One that considers both their backgrounds as immigrants, othered in different ways by American society. The story of a jaded but accomplished Asian city girl who finds hope to be herself again in an alien immigrant superhero. One where she gets the courage to wear traditional clothes again, to practice languages she once suppressed. The story of Superman, an alien immigrant, finding hope in someone with a painfully similar experience.

As of writing, we have yet to see this dynamic in any canon DC media. A second season of MAWS will not give us that story.

#ramblings #media criticism #jesncin talks maws #lois lane #warning LONG LONG POST #this is a 30 minute read for reference. read it in chunks if u like but this is a big lad fellas #as always please be kind!#jesncin dc meta

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quasimaddi · 10 months

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Some studies when I was watching BCS for the first time. I really enjoy getting a good likeness, not just because it helps with recognizability of the fanart but also because it's a really fun challenge. Some tips on how I approach this:

You can see how I work through Kim and Jimmy's faces here: First I trace directly over screencaps from the show, focusing on marking the distance of each feature and its placement on their head shapes. How close is the brow to the eye, nose from the middle of the mouth, etc.

After tracing it out, I do some freehand sketches relying more on the shapes and proportions I've mapped out. The little arrows I've drawn next to some of the faces help me remember to keep note of the way certain lines or shapes curve into others. These are great things to exaggerate, because when you keep these things accurate and intact, the illusion of likeness comes through.

Whether you actively recognize it or not, your brain is always making connections to the negative space relationships between features almost as much as the shapes and positions of the features themselves.

Another thing I like to do is collect much more detailed, organized reference of the character I'm drawing and figure out the harmonies of the face. This is kind of a bastardized and oversimplified Reilly method, where I'll draw straight lines connecting each feature of the face to build landmarks. You can see me working though that here, with Barry.

I started figuring out his head shape, but I also found that the midpoint of his furrowed brow creates a triangle shape with the shape of his nose down to the edges of his mouth. Keeping this shape consistent, even in simplified/stylistic depictions of the character, means he will always be a little recognizable, because the part of your brain that knows what Barry looks like connects with that existing shape.

Playing with those abstractions can help you experiment with how you want a character to look. Don't worry if they don't look perfect. That's the fun of study. Here are a handful of Kimmies, each varying in % of likeness (and degrees of success), but all keeping some key points of her "design". You can see where I start to play with features, removing some things, tinkering with others.

Another little note...since we view these people through cameras, different focal lengths can affect the way their features are proportioned (take a look at the perceived width and height of Hader's enormous fucking head in the upper right corner compared to the adjacent images, for example)–– so this is a good way to keep that in check when you're doing studies. As always, this isn't drawing law. Draw fanart however you please, and feel free to discard all of this information! This is simply my approach, and it is fun for ME!

Thanks for reading.

This post brought to you by my Patrons, who saw this first on July 4 2023.

#bcs #fanart #art tips #barry hbo

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nothorses · 10 months

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yeah yeah we get it you think schools are awesome. do you plan to do anything about the autistic children being hunted for sport or

I'm getting a cert in disability studies as part of my master's in education & doing research into the impact of the IEP/504 Plan system requiring diagnoses on undiagnosed disabled students, as part of a longer term plan for more research & eventual curriculum design for alternative ways of ensuring accommodation and accessibility that do not rely on disabilities being identified and access to diagnosis (ex: building on the existing "Universal Design for Learning" concept that's becoming more widely adopted, with more specific and disability-oriented design principles, like not having due dates or required days of attendance).

so yes, hopefully!

I'm also really, really not the only one. this specific work is niche and may not even end up being my focus ultimately (I'm just barely getting started!), but it's work that builds on what other people have been doing, and are doing, to address the absolutely fucking dismal state of how disabled students are treated in education.

Special Ed specifically is a fucking nightmare for a lot of reasons, and I have enough personal experience with that to be pretty motivated to address it in whatever ways I can.

#excellent timing with the anon hate tbh I just finished my project proposal like...#less than a month ago #education #disability

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