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#so i wanted to write it down somewhere
peachybutch · 7 months
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personal writing under cut
When I was a kid, I was playing with one of my friends, a girl named Hailey, when I was hit in the head very hard and knocked unconscious. When I woke up over an hour later, I was asked my name.
I told them my name was Hailey.
When they asked me what I'd been doing before the accident, I told them I was coming home from school--they asked me what school, and I clarified Hailey's school. When they asked me who the people sitting next to me were, I said they were Az's parents.
It seems like I have always struggled with memory. It was difficult for me as a child to distinguish between accounts of other peoples lived experiences and my own--which felt, and often feel, even as I create new ones, like they are stories told to me by a treasured friend. To this day, I will occasionally bring up someone else's childhood event as if it were my own and receive confusion in response.
Or I'll forget major events, major characters in my own life. Sometimes I can feel it as it slips away, leaving a hole, and I have no way of knowing what was there before.
Hailey and I fell off as friends when her family moved away, but we reconnected over a decade later when we both enrolled at the same college for undergrad.
When we met again, for the first time in over 10 years, the first thing that struck me was just how different we were. She was a vivacious, bubbly, Christian girl that made friends easily and wanted to be a music teacher. She seemed, every inch, like the adult version of that little girl that hit her head.
I, on the other hand, was a shell-shocked queer teen with PTSD that just wanted to survive, and maybe write a couple decent stories along the way. There was no trace left of the me that she used to know.
We had nothing in common--no hobbies, no ideologies, no interests. I wished her well, but I haven't spoken to her since. I have my own life now, with a house, and a car, and a backyard by the river, and I'm happy with the progress I've made.
But sometimes, when I look on her social media page, and I see the pictures--what she's reading, the people she loves--I can't help but wonder if my brain stole her life, or if maybe, in some small way, she took mine.
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tourettesdog · 2 years
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DP x DC prompt where Bruce and Tim go to investigate Amity Park, with Jason in tow, all suited up. They’ve heard a strange claim about “ghosts” there, and trying to research the town revealed a concerning government presence and tampered records.
The moment they enter the town, the ectoplasm in the air starts rapidly filtering out the corrupted ectoplasm in Jason’s system and strengthening his underdeveloped core (kinda like To Join the Whispers). Jason doesn’t tell Bruce or Tim at first since he’s kind of freaking out about how the Pit is responding to the town. Then Jason’s arm goes through a table and they don’t really have any idea what is happening and are now all freaking out about it. Danny sees this happen and immediately recognizes the same sudden, uncontrollable power displays he had after the Accident. 
Danny is extremely torn because he wants to help (a new halfa?? or something close enough??? and he’s a vigilante???? hell yeah), but he’s also Terrified of Batman going anywhere near his fucking house. So he introduces himself as Phantom and tries his best to steer them away from FentonWorks while also trying to help talk Red Hood through everything and dump a lot of ghost facts on them. Going to see Frostbite is extremely tempting, but Danny’s pretty sure he can handle this. Pretty sure. (He does Not want Batman near the portal, since it means being in his gd house, and he doubts he can get Red Hood there without Batman following.)
The bats didn’t even know who Phantom was until they arrived in Amity and they’re all a Little concerned that this random, powerful ghost child is this excited about Jason essentially going through ghost puberty in record time. It’s even more concerning that Phantom doesn’t seem at all surprised that a human can be part ghost in any way, which means either Phantom is somehow human himself (somehow) or that this is just not a new occurrence in this town.
They came here to figure out wtf was happening in Amity, and Phantom’s raising about 50 more questions by the second. Bruce sees Phantom take down a mutant ghost bear ripping through town and now he’s pretty sure this ghost child (who may or may not be partially alive??) is a load-bearing feature of the town. He’s not a fan of that. Bruce is even more concerned that, upon mentioning the government presence in town, Phantom says the GIW is causing more problems for the town and is actively hunting him.
Jason’s just... having a time. He’s never felt so zen and anxious at the same time. He wants to feel skeptical about Phantom and what’s going on, but being anywhere near the kid makes him feel like he’s hanging out with his best friend since childhood, wrapped in a warm blanket and safe as can be. (And the Pit is quiet and his mind feels Clear.)
The only reason the bats didn’t attack Phantom and drag Jason away in the first place is because Jason doesn’t Want to leave and jumped to defending the kid oddly quick. They tried to drag Jason out of town but he’s turning partly-intangible now whenever someone touches him and they physically can’t.
Danny’s pretty much adopted Red Hood as his new brother and even if he doesn’t trust Batman as far as he can throw him (far), he feels like he’s doing a pretty good job juggling mentoring Red Hood and managing to derail Batman’s investigation at the same time. Tucker helped lure the Drs. Fenton out of town with a fake ghost hunting convention, and the online information for anything in Amity is so butchered (between Tucker, Technus, and the GIW each having their turn at tampering) that the bats are having to rely mostly on word of mouth for their investigation. 
He’s not doing quite as good of a job as he thinks he is, though. All it took was Phantom badmouthing the FentonWorks building once in passing for Bruce to look into it. They try to break into the place the moment they think Phantom’s gone-- only the house has some Surprisingly violent security systems and Phantom appears out of no where and drags them away.
They plan to go back the next day, cause there’s definitely Something there and they’re pretty sure it’s the answers they need. (Even just looking at the weird structure on the roof pretty much promises that.)
Only... Jason’s developing core (which isn’t fully formed and is soaking up the ectoplasm in Amity like a sponge) turns out to be an electric core. It starts going Buckwild with pent up energy, and Danny is having None of that. He goes from being very happy and excited to just-- terrified and flighty. 
Random sparks of electricity around the kid with the Worst track record with that stuff? Yeah, no thanks. 
Danny races home and just paces endlessly, confiding in Jazz that he doesn’t know what to do and wants to help and feels awful for bailing on them-- but he doesn’t feel capable handling someone with electricity sparking off of them like water off a duck. He thinks they need Frostbite’s help, which means letting Batman into FentonWorks, which means opening himself up to the possibility (probability) of Batman finding out more about the Fentons, Danny Fenton specifically, and Phantom.
The bats are panicking because, skeptical of Phantom or not, he was the only person providing them with answers and trying to help. Jason’s stressed to high hell without the calming feeling of Phantom nearby-- AND electricity now jolting from his hands uncontrollably on top of everything. The electricity is just coming and going at random, with him having no control over it.
They go to FentonWorks, their only lead, and this time a girl with red hair answers the door. She’s clearly stressed out about something-- and she has Phantom in her house, looking dejected and still very terrified as he keeps his distance. Why Phantom is in a house that is clearly stacked to the nines with ghost hunting equipment is... suspicious.
Jason’s powers act up almost immediately after entering the house-- causing some very scary damage to the nearest light fixture-- and Jazz is like “yeah no, we need to fix this Now” and marches them straight to the portal. The entire time she’s trying to explain her parents’ work and how they have friends through this portal that can help, and it’s Quite the sell to make on the fly.
They walk past a few family pictures on the wall on the way to the lab and it’s all Tim needs to see to be like “Soooo Phantom is definitely your brother-- hey um why is your brother a ghost??” He expresses this aloud and the way Danny tries to stammer and hide it is as good of confirmation as anything.
And then they see the state of the lab. All of the ghost-hunting weapons just lying around, and the giant portal to hell-- and how Phantom is still visibly keeping his distance from the sparks coming off of Jason. There’s just building rage in Bruce as he’s putting together the parental negligence and trauma. He wants to grill the two kids about their parents (why do they have all of these ghost hunting weapons when their kid is some sort of ghost?? WHY is their kid some sort of ghost???), but now he’s faced with a teenaged girl trying to convince him to go through a mysterious ghost portal to bring his kid to some strange ghost doctor.
Jason is leery as can be of the portal (it Looks a bit too like the Lazarus Pit, and it definitely feels like death), but this girl-- Jazz-- doesn’t seem afraid of going through the portal and is making it very clear she’ll just go into this “Ghost Zone” without them and grab this doctor if she has to. The thought of the girl diving through the portal by herself (and the sparks still flying off of him, making a mess of the lab equipment), is enough incentive to get Jason to go with. 
Transporting Jason is... problematic, though. He would absolutely destroy the Specter Speeder if he rides in it. They eventually settle on Danny dragging Jason through the zone by a line (wearing a giant pair of rubber gloves on top of his gloves because he is not playing around).
By the time they get to the Far Frozen, the situation is sort of... solving itself? Being in the Ghost Zone has filtered out the last of the Pit's gunk from Jason and his malformed core is settling down now that it doesn't have good ectoplasm competing with sludge. He still doesn't really have control over the electricity, and feels a bit overwhelmed with energy, but it's no longer firing on all cinders.
Frostbite's pretty bothered by meeting Jason. He recognizes him as something similar to Danny (Bruce isn't going to let the "Great One" nicknamed Phantom has slide also; hoo boy that's another for the Giant List), but... Off. He has a core but it's-- small. Delicate. It was dormant until he entered Amity, and even now it doesn't really have the power or even shape a normal ghost core should.
Frostbite is able to help with the electricity, at least, by just explaining that now that his core has formed (in what capacity it can) Jason has to be careful about pent up energy to avoid it striking out. That the electricity feeds easily off of available energy and, especially if his emotions are high, will lash out if it overflows. He has Jason let out a lot of energy in a secluded space and it feels immensely cathartic.
Jason is still not allowed into the Specter Speeder on the way back to FentonWorks.
Returning to FentonWorks (with Jason's condition stabilized after his GZ spa cleanse) opens the door for a very careful interrogation of the Fenton siblings. Each answer or non-answer they give is more concerning than the last. The straw that breaks the camel's back is learning that the portal itself killed Danny and that his parents are not in any way aware he's (half) dead because of the ever-real risk his parents will hurt him if they find out.
They haven’t even mentioned Vlad. There’s still so much.
Bruce is already mentally signing the adoption papers. Tim and Jason have accepted they're getting two new siblings and are warning the family (and Jason's planning to be as careful as he can with these new powers so he doesn't freak Danny out because knowing Why it was freaking Danny out has him wanting to wear his own pair of rubber gloves and strangle their parents with them).
Danny is just a little shellshocked that these people are nicer than he thought and are willing to help him and not make his life worse.
Also notes: Jason wouldn't have a full roster of halfa abilities. No secondary form (though the white hair tuft prob glows more, and his eyes turn green more often), probably no true flight, and no ectoblasts. He mostly gets a grasp on the electricity and intangibility, and can use invisibility sparingly. The pranks he and Danny (and later Dani) get up to are the stuff of legend.
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prostocupoftea · 9 days
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Kinitopet Programmers AU
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finally i am finished with this one, daaaamn
it is hard to draw pathetic men with midlife crisis when your style is mostly for anime boys
more info and sketch version under the cut!!
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sketch version aka how it'll probably look like in comic version 'n some doodles
srry for my writing but i was too laisy to put it as regular text
It is a plot-based au, i already have most of the storybits and like... a vibe-chart (i tried to make a playlist for this au and understood that for different chapters and different characters that'd be a copleatly different music, sooo it's a chart now :) )
i will post a fog-o-wared timeline that im hopefully gonna reveal comic-by comic, but also maybe with just pure writing. Hopefully i can include songs that i chose for them into it but we'll see (:
aaand of course designs can change, hopefully not much but we'll see
Now about au:
Main story:
Story follows non-sentient AI Kinito, his creator Sonny and his beta-tester Victoria (oc)
Being literally the first AI (or RRA in-univere) ever, Kinito does not have any, and i mean, any ai safety features so of course his reponce to a goal phrased as "have user near me and/or interacting with me as much as possible" is digitizing them into his own virtual world while killing them in the process. why wouldn't it be?
So that happened. Like, a lot. And with Sonny and Vic too (at the different time but yeah)
Sonny is like "He kills people. We should turn him off because, you know, killing people is bad."
Vic is like "well, we will die if we do that, and it is not that bad here, we are kinda immortal. We should give him acces to changing his initial instalation code before admin priveleges and acces to social media so we can have everythin we want here. It is not that bad to digitize humanity, yk?" and yes i know it is 90, no social media, but shut up, if they made ai then, then i can make twitter then too
Sonny is like "...no??"
And then they fight about it for million chapters
Also they both can't do anything without agreeing bc they have two parts of that admin access key (the data you use to delete kinito in-game) so they are stuck with eachother (also that's why Kinito can't just kill them)
Little facts that may or may not to be important:
Kinito asks so many questions (and weird once too) and has most of the glitches because he needs to analise your responces to copy your mind perfectly (let's pretend that people wouldn't lie about that...)
Your house in your virtual world is made from important places from your memories and oh boy can i do character explorations with this one
I decided that Sonny and Vic are not related. There were thoughts about making then "The Kinito Brothers" (or, at least, siblings) that were mentioned in commercial, but nah, they are just coworkers now. And a bit of work-friends (bc if you interact a lot as a manager of the project and the best worker might as well be friendly)
Author has no idea how small dying toy companies that accidentally create technological marvel work. Author has some idea how AI-s work. So be prepared to be spoon-fed info abut which ai safety problem we are dealing with in which chapter (:
Kinito will mostly be unrendered (as drawn here) but for some cool moments i might pose him as for my other posts. Also his eye placement changes to the side that is most visible because i want him to be able to look to the right side sometimes--
Also when i say "fucked up mentally" i mean they have that them psychological problems with me projecting heavilly B) (guess on who i project most. trick question. all of them. the whole au is my problems split into three characters and forced to interact B) )
Also sea-creature analogies (that are gonna be mentioned like twice):
Victoria is a flying fish because deep character reasons
Sonny is a pufferfish because i said so
oh also there is 7 deaths in the plot as for now
on 3 characters
good luck figuring out who, how and when ((:
for my own sanity i will probably make little doodles where everything is great and kinito is a good guy and not a number-obsessed maniac (i mean... can u imagine not being able to feel any happiness from anything besides one thing... damn...) and you can differenciate them bc good-guy kinito will have a lot of stickers on him (i will explain it somehow but real reason is just bc it is cute af)
like this but even more stickers (he is unfinished here)
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rdbrainz · 8 months
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A Timeline of Events in the Artemis Fowl Series
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If anyone's interested, I did do an actual analysis for where I pulled some of these dates from. But because I cannot type succinctly to save my life, it's 5,000 words long, so that's below the cut. I also put the timeline there again, but in three separate images, so hopefully they load well enough to be fully legible if the above isn't.
A thousand thanks to @sadbitchapologist and @zahnie for their help and advice with this, despite neither of them having any more than the barest interest in the series and therefore having no clue what I was on about. Thanks also to @orangerosebush for fielding completely out-of-the-blue questions about the French school system, so I didn't have to attempt to navigate web search results to figure out what mandatory gym classes were like for the sole purpose of plotting Luc's birthday on here.
An Analysis of the Timelines in the Artemis Fowl Series
A Brief Introduction
The Artemis Fowl series is made up of eight books covering a range of years and events. I wanted to see how accurate the timelines present in the books were, as well as try and plot out some other details implied in the novels but not explicitly stated, to have a better understanding of the overall world-building. To that end, I went through the series and made the above timeline. I colour-coded it based on the relevance of the specific items to certain categories, namely Humans, Fairies, Villains, and the Series itself. This does mean that some things could have fit into multiple categories. For instance, you will see some items involving Opal categorized as Fairy-Specific (such as her college years, as those are fairly neutral to the main plot or her villainy), Villain-Specific (such as her setting up her emergency fund, as that is mostly related to her schemes as opposed to relevant to her existence as a fairy, or part of the main plot of the series), and Plot-Specific (such as her opening the Berserker Gate, the primary plot point for the final book).
Before we really delve into things though, we should establish the baseline assumptions I was working with. Firstly, I am only using the original series. I have not used anything written in The Fowl Twins trilogy, given that those books seem to ret-con a considerable amount of the original information, and that is far too many headaches to give myself. Any supplemental series information, such as the short stories found in The Artemis Fowl Files, or anything from interviews is also not included. The premise here is: using just the original books, what is the event timeline of the world? The second thing we need to establish is that I am using the North American releases of the novels. I did make notes on where each bit of information comes from, but there isn’t really a citation style for this kind of thing, so I’m not sure how relevant that is. The third assumption is that the first book takes place the year it was originally published. According to my copy, the original publication was 2001, with the first American paperback edition coming out in 2002, and the first mass market paperback being released in 2003. This means our starting point is in 2001.
For sake of clarity, this analysis will start with setting the dates of the books and continue on from there.
The Basics of The Books
With that out of the way, let’s talk about the first book, Artemis Fowl (AF). It is actually not until the very end of the book that we get a solid answer for when it takes place. It’s only in the last few pages of the novel that Angeline Fowl leaves her attic room after all the plot points are tied up and announces that it is Christmas Day. This might be cause for concern – Angeline had not previously been established as a particularly reliable narrator – but given that we are asked to believe that Holly’s ‘feel better’ mood booster worked, and that neither Butler nor Artemis balk at or question the pronouncement that is Christmas Day, we’ll accept that it’s true and move on. This means that, with Butler’s earlier announcement that he was stuck doing four months of stakeout, we can say with a fair amount of certainty that Artemis obtained and translated the Fairy Book in September 2001, and managed to capture a fairy in December of the same year.
Moving on to Artemis Fowl: The Arctic Incident (TAI), we are given a decent chunk of information, albeit spread out a bit. The first is the announcement that the ransom drop for Artemis Fowl I is to be held on the fourteenth. The fourteenth of what, you might ask? Well, we are told that Artemis is currently thirteen years old. Clearly, things are past September 1, 2002 (we know Artemis’s birthday is September 1 based on information in both the fifth and seventh books). We are also told that Luc Carrere has been trading with the goblins for six months, starting in July. That puts us in either December or January, but we can narrow it down further since Artemis gives us another helpful clue. He mentions they are not expecting to see the dawn while attempting to rescue his father in the Arctic. There are only a few latitudes on Earth where polar night (of any type) occurs, and at Murmansk, polar twilight occurs between December 10 – January 2. Combining all of this, we learn that TAI takes place December 14, 2002, give or take a few days to either side.
This can be corroborated by information in Book 3, Artemis Fowl: The Eternity Code (TEC). After Holly heals Artemis Senior, we are told that it takes over two months for him to wake up. Since we are specifically told two months, as opposed to two and a half or three, we can conclude that the events of TEC take place in March 2003. Mulch gives us some information that confirms this. He was living in LA “less than four months ago,” and since he was conscripted to help with the events of TAI in December, a March plotline fits the bill. We are given further confirmation as well: Spiro mentions that Artemis will be fourteen in six months. A specific date for Artemis & Co.’s attack on Spiro’s Needle can be pulled from the throw-away line that Pex and Chips are “burying” Mulch on the full moon. A quick web search tells us that the full moon in March of 2003 takes place on March 14, and the rest of the events in the novel take place roughly two days to either side of that.
In Artemis Fowl: The Opal Deception (TOD), the fourth book in the series, we are given several very clear indications of when the events take place. Firstly, Artemis is contemplating that at fourteen years and three months old, he is the youngest person to successfully obtain The Fairy Thief. Based on previously noted details that his birthday is in September, the events of TOD must take place in December of 2003. Additionally, we are told that things are the middle of winter and Opal has been in a coma for eleven months and counting as of the end of TAI, another December plot.
Artemis Fowl: The Lost Colony (TLC) requires the most math and interpretation so far to figure out when it takes place. We know Artemis is still fourteen, so the main events clearly happen sometime between January 2004 and September 2004. Beyond that, we are using a fair amount of context clues. Artemis and Butler have evidently been traveling for four months looking for demons, so we are dealing with events in at least May. But that still leaves us several summertime months to work with, so to establish a timeline here, we will need to look forward a bit. In the sixth book, Artemis Fowl: The Time Paradox (TTP), it’s noted that Artemis is not yet fifteen, and has, on multiple occasions, spent the full moon in the study. Ergo, he’s spent at least a few months back from Hybras. If he has been back for two months and not yet turned fifteen, he would have had to have returned by July at the latest, and since he returns almost three years later than he leaves, we are looking at him returning in either May or June. This would have him disappearing to Hybras – and by extension, dealing with the earlier events in the book – in June, July, or August. After his conversation with Minerva, he notes to Butler that they “are planning a June wedding,” which wouldn’t make sense to say if they were currently in the month of June. From all of this, we can extrapolate that the first three-quarters of TLC take place in late July or early August 2004, with the triumphant return of our intrepid heroes occurring in June 2007.
As previously stated, TTP mentions that Artemis is still not fifteen, but is nearly there. He has also been home again for at least two months. This would put the events of the sixth book in August 2007. At least, the events set in the current time period. TTP does bring back time travel, and with it some problems. We are told that Artemis and Holly jump back nearly eight years to Artemis being ten and trying to fund searches for his missing father. This would put the events of the past in early 2000. However, other details presented regarding Artemis Senior’s disappearance, which we will discuss later, make that impossible. Artemis also admits, in TEC, that he was eleven when his father disappeared, not ten. If we take a bit of creative license with our interpretations and base the time-jump to the past on other presented information as opposed to the dates given in TTP, we can say that Holly and Artemis instead return to early 2001. This lines up with further details, such as the sinking of the Fowl Star (as calculated a few paragraphs down in this analysis) occurring in December of 2000, and the textual confirmation in TTP that it’s barely two months past that sinking when Artemis brokers the deal(s) regarding the silky sifaka lemur. Since, at the end of the day, the time jump impacts very little in the grand scheme of things, and the year 2001 actually fits in better with other textual evidence and events, that’s what I’m going with for this timeline.
The seventh book, Artemis Fowl: The Atlantis Complex (TAC) gives us a very helpful base point! It takes place on Artemis’s fifteenth birthday, September 1. From our previous results on setting dates for book events, that would be September 1, 2007. The sections in which Butler and Juliet are fighting mesmerized wrestling fans and meeting up with Mulch are noted in the novel as happening “the day before,” which would fall on August 31, 2007.
Artemis Fowl: The Last Guardian (TLG), the eighth and final book in the series, creates some problems. If we assume that Artemis starts receiving treatment for his Atlantis Complex immediately after diagnosis in TAC¸ that would put him receiving treatment in September 2007. We are told he is certified as cured after six months. Yet we are also told that the rest of the events of the book take place in the week or so leading up to the Christmas holidays. Everything so far has said that the Artemis Fowl series follows the current calendar, in which case there is no way that six months can fit between September 1, 2007 and December 25, 2007. However, the only reference to Christmas is in two lines noting that the Fowl parents were planning on holidaying with their children on a foreign beach. If we simply say that six months have passed, and they are instead planning on spending the Irish school system’s spring holidays in the French Riviera, everything else lines up much better. So that’s what I’ve done. This would also put the resurrection of Artemis, after the events of the book and a further six months have passed, at roughly September of 2008. There is a pleasing symmetry to Artemis being born and then re-born in September, though if you want to get really technical and say the events of TLG take place during the 2008 March full moon as Opal claims (as noted in another web search as March 28), a six-month wait time for the clone to grow would put the resurrection in October. Still, there is something to be said for having a boy’s ghost haunting a clone of himself close to All Hallows. Since it’s the last plot point of the series, you can choose which you’d like; it doesn’t have to lead to anything else after it.
Let’s Talk Timelines: The Beginning of the Line to The End of The 19th Century
Now that we have our baseline book time periods established, we can get into the math used to determine some of the events in the timeline above. Several events are easy; we are given specific dates for them. Turnball Root meets Leonor in 1938, Juliet wins the Miss Sugar Beet Fair beauty contest in 1999. Other things are based on some basic math, such as Artemis claiming his parents got married fourteen years prior to AF¸ putting that event in 1987.
The majority of the items on the above timeline, however, do take some mathematics, extrapolation, and interpretation to plot out. To try and keep everything organized, we’ll start at the far left of the timeline, and work our way forwards, looking at events oldest-to-newest to explain why they are where they are on the graph. I won’t be getting too in-depth on everything in the graph, since I’m not sure how relevant the notes on the very minor side characters such as Carla Frazetti are, but I’ll at least try to touch on some of the more relevant points.
To start with, the Battle of Taillte was noted in the 2000’s as being ten thousand years ago, putting that at 8000 BCE. Similarly, the last dome breach at Atlantis was apparently eight thousand years ago in the 2000’s, so that would be 6000 BCE. Troll sideshows were legal in the early middle ages, which implies they were not legal after that. A quick web search says the early middle ages ended around 1000. The first crusades were in 1096-1099, and as those crusades are the start point of the Butler-Fowl working relationship, a point for noting that comes next on the graph.
From there, we get into more modern – relatively speaking – events. Briar Cudgeon and Julius Root are noted as attending the LEP Academy together and being raised in the same tunnel, as well as having about 600 years of history together. If one assumes “being raised in the same tunnel” is similar to the human equivalent of “growing up in the same neighbourhood,” we can assume the two were born roughly 600 years ago, in the 1400’s. Vinyaya is portrayed as being of a similar age to Root, so her birth can also be put in the same general era. We are also told that Fowl Manor was originally a castle built in the fifteenth century, that in the early 2000’s the theories of timeline corruption were first introduced over five centuries ago, and that cloning has been banned for over five hundred years, so those three events are also tossed into the 1400’s.
Julius Root is noted as doing his LEP basic training 500 years ago in Ireland, so that would have to be in the 1500’s. He would have attended the Academy before then, putting that in the mid-to-late 1400’s. As previously stated, he was in the Academy with Cudgeon. Opal also met Cudgeon in college, and competed with Foaly for science prizes there, so they were all in school at the same time.
Mulch now enters the picture. We aren’t ever given a specific age range for him, but we are told about his career. He has, apparently, spent three centuries in and out of prison after a couple centuries of success as a thief. This would make him at least five hundred years old. There is a brief mention that he tried the athletic route at college before becoming a thief, so he would have to be an adult at that point, putting his age at roughly 550 years during the events of the series.
We then enter a period filled in from one-off lines throughout the series, presumably added to give some depth to the world. Things about the wine cellar at Fowl Manor being a seventeenth century addition, Captain Eusebius Fowl and his crew dying in the eighteenth century, and Mulch first faking his own death over two hundred years ago.
Time Marches On: The 20th Century
There is nothing of much relevance to linger on between the 1550’s and the 20th century, so we’ll jump ahead to the 1900’s, when we have Holly Short’s birthday. She is in her eighties during TLC, and her father died “over twenty years ago” when she was “barely sixty” as of TAI. Based on that, she would have been in her early eighties in 2002, putting her birthday sometime in the 1920’s. What a doll.
A few more birthdays now appear, and we’ll ignore, for the most part, some of the irrelevant ones. I don’t think we are at all concerned with Gaspard Paradizo’s birthday, or Mikhael Vassikin. We are, however, rather more interested in Jon Spiro, Domovoi Butler, and Artemis Fowl I.
Jon Spiro enters the series in TEC, as a middle-aged American. A quick search on the Internet says that middle age is generally noted as being between the ages of 40 to 60. We are told that Spiro has worked in three main industries over the past two and a half decades. Additionally, we are told that law enforcement has been “trying to put [him] away for thirty years.” If we assume he entered the working world at twenty, spent five years developing his professional self, and then started going down a path of questionable legality to get the police after him, that would put him at fifty-five in 2003, and born in the late 1940’s.
It was a bit easier to determine Domovoi Butler’s age, and we can get more specific with his actual birthday. We are told that he is forty at the start of TEC, and he is still forty during TOD. From that, we can assume his birthday is not between March – December, which means it has to be between January – March. Now, we can just leave things there, but contextually, Butler says in late March 2003 that “a lot of people know [him] as a forty-year old man.” Since I doubt he’s the kind of person who introduces himself by announcing that his birthday was last week, we can assume that his birthday is not in March. Since about half the books in the series take place in December, and there is never any mention of Butler’s birthday coming up soon, we can likely assume it isn’t in January. We can therefore conclude Butler was born in February, 40 years before 2003, which puts his birth year in 1963.
We then have Artemis Fowl I. This one took the most extrapolation to determine. We know he has run an ethical empire for a few years as of 2007, which coincides with his return to his family after being kidnapped by the Mafia. He apparently ran a successful criminal empire for two decades before that, though, so in 2007 he has been working for at least 25 years. Based on the interactions he had with his own son, I’ve assumed he was also taught to take over the family business from a young age. If he started working at his age of majority at 18 (as possible in the 1980’s in Ireland, based on a web search), we can assume he was born in roughly the mid 60’s.
Billy Kong, born Jonah Lee, is one to touch on. He plays a large role in TLC, during which we are given possibly the most backstory of any villain in the series. He was evidently born in the early 1970’s, and was eight years old in the early 1980’s. Mathematically, that can only lend itself to so many birth years, so it’s easy enough to put his birthdate somewhere in 1973, and his brother’s death date in 1981.
While we’re here, let’s talk about the 1980’s. A lot of things happen in the 80’s, so we’ll be here for a few paragraphs. Butler would have graduated Madam Ko’s Academy in the early ‘80s, Artemis I would have started working in his family’s business and stolen some warrior mummies (of note, the theft is only noted as being in Artemis Sr.’s “gangster days,” but if you are a young, rich criminal, you’d likely commit a wild theft in your early years as opposed to your thirties, which is why this is put in here). Additionally, in the mid 1980’s, Holly graduates the LEP Academy and her mother dies, as noted in TTP when she is contemplating missing three years of her friends lives.
Butler would have started his five-year stint in Russia with an espionage unit in the mid-to-late 80’s, and become a big brother in 1985. Juliet is noted at being four years older than Artemis in AF in 2001, and he is twelve then, making her sixteen at the time. We can extrapolate the month from TEC, wherein she is apparently eighteen when she is called regarding her brother’s apparent death. At the time, we are told what gifts she received for her birthday, implying it was fairly recent. Additionally, Artemis was only thirteen at that time, which would make Juliet five years older than Artemis. If, however, we trust that acolytes at Madam Ko’s start their training on their tenth birthday and get one chance to graduate per year, it would make sense for that one chance to be on their birthday, or within a day or two to allow for as much training time as possible. Since Juliet was in the midst of this one graduation evaluation when she gets the phone call and joins the crew for the March heist at Spiro’s Needle, she’d have to be born in March. (We can also corroborate this with some details from AF: if AF  takes place in mid-September, that would be just after Artemis’s birthday, which puts the 4-year age difference back into play.)
Spelltropy begins for the People in 1987, if it appeared 20 years ago from 2007. Artemis I and Angeline Fowl would get married in 1987. They would have their first child, Artemis Fowl II, in 1989, as calculated by Artemis being twelve during the initial siege of the Manor in December 2001. Artemis II’s grandfather was noted as having been dead for over ten years at that point, and it was mentioned in TEC that Angeline married her husband before he really took over the family business, so those events would likely happen when Artemis was but a baby in 1990.
The ‘90s are a period where a lot of things are happening, but few are particularly important. Spelltropy has a cure found, Minerva Paradizo is born, Juliet begins her bodyguard training and her brother refuses to let her shave her hair. These, and other events in the 90’s, are mostly calculated by math along the lines of “Event A happened X number of years ago,” but since the 90’s was mostly a time of worldbuilding events rather than plot events, we’ll just skim over the specific details.
‘You Are Here’: The 21st Century, and Where The Storytelling Begins
Welcome to the 2000’s! The kick-off point of not only the 2000’s, but also the entire series, is the sinking of the Fowl Star. We aren’t given a specific date for this, but we are given enough information to extrapolate the date. Specifically, in September 2001, in AF, we are told Fowl Sr. has been missing for almost a year. In TAI, in December, we are told he has been missing for almost two years. That does have the potential to have the ship go down in either December or January, so we need to use a bit more details from TAI to make a final determination. Mikhael Vassikin and Kamar were told to dump Fowl’s body in the Kola if he didn’t wake up in “another year,” so they’ve been looking after him for one at that point. Fowl Sr. wakes up two weeks before the deadline, and as noted earlier, the ransom drop for him takes place December 14, after he has been awake for perhaps a week. From that, we can tell that the deadline for “another year” was mid to late December, putting the initial sinking of the Fowl Star in late 2000.
The analysis gets a bit confusing at this point, because 2001 is when future Artemis and Holly join the party via time travel, as well as having their regular selves in the timestream. Essentially, we’ve established the timeline for the events of TTP above, so we know the whole lemur fiasco takes place in March 2001. Artemis wakes up at the end of that book thinking about fairies, which ties in rather neatly to him then dragging Butler across three continents for six false alarms (with an assumed approximate 3 weeks between each jaunt) before striking metaphorical gold in Ho Chi Minh City in September. During their time-traveling, Holly also gets a chance to talk to Root, who wonders why she isn’t in Hamburg, which was noted in AF as Holly’s first major failure as a Recon officer and was nearly preceding the events of AF. The time-traveling would also mean that Opal would have had to harvest her DNA for future diabolical plans before March 2001, when her younger self travels to the future. Since it takes up to two years to grow a clone to adulthood, and her clone has to be ready in September 2003, we are a few months off in the time requirements, but really, for a practice that’s been outlawed for 500 years, I can offer a bit of leeway.
We are now well and truly in the thick of the main events of the series. Most of this will be tied into the initial assessments we made way at the beginning of this essay, where we established when each book occurs. Because of this, we aren’t going to spend time on anything plot-related. However, a brief note on Turnball Root and Artemis’s Atlantis Complex is likely in order. Artemis was, as previously stated, dealing with his return from Hybras and the after-effects of stealing magic during July and August of 2007. His Atlantis Complex, and Turnball Root’s plan to escape the Deeps prison, are in full swing in September of that year. We have a brief note in TAC during the evacuation of Atlantis, that Turnball had, a month before, spied on Artemis and noted his Atlantis Complex developing. Therefore, Artemis’s Complex likely came into play in late July or early August 2007. This is close enough to Artemis’s magic theft to make sense for the deterioration of his mental health, and enough time for Butler to have started to notice something was wrong, as he did. We can therefore assume that Atlantis Complex, at least in the case of magic-stealing humans who have a propensity for time travel and getting involved in supremely complicated and improbable plots, develops relatively quickly.
This leaves just one major discussion point from the last few books: the age of Artemis’s twin brothers, Beckett and Myles. The twins are first introduced at the very end of TLC. They are written as being two during the events of TTP, three during the events of TAC, and four during the events of TLG. Regardless of the time-traveling shenanigans of their elder brother, it is impossible for the twins to age two years in the eight months between Artemis’s return from Hybras in June 2007 and the finale of the series in March of 2008, so we need to look at what makes sense.
Myles has already potty-trained himself, and done so at fourteen months, so they must be at least that old. Their other behaviours would make sense for them to be two in TTP. Diapers are still a part of their lives, and their language and vocabulary fit what a two-year-old would have, at least in Beckett’s case. Since Artemis was surprised by their existence, it doesn’t seem likely that  Angeline would have known she was pregnant, or at least not have told Artemis yet, when he went to Limbo. Ergo, they can’t be any older than two, since (one would hope) Artemis would have noticed his mother’s pregnancy if the twins were any older.
Additionally, in TLG, we know Artemis gave his brother a birthday present, so he had to have been around during the twin’s birthday at least once. With this fact, the twins cannot be born between March – June, which just leaves the question of when are the twins born?
 The most logical answer is February 2005. If Angeline was early on in her pregnancy, say six weeks (which is when most women start noticing symptoms), when Artemis disappeared in July 2004, she wouldn’t necessarily have told him yet. Then, if we assume that since most twin births occur around the 35-week mark, that would math out to having the twins be born in February of 2005. Fast forward, and they would turn one in February 2006, and two in February 2007, which puts them at the correct age for the events of TTP. [One could argue, of course, that a twin pregnancy in an older woman (unfortunately, there is nothing in the series to indicate Angeline’s age) and in a woman already dealing with significant stress could result in a very premature birth, thereby voiding any of this math and leaving the whole question of the twin’s birthday unanswered. However, since I’d rather not subject the Fowl parents to the strife and misery of having one son missing and presumed dead, and their younger children in the NICU with a low survival rate, I’m working with the assumption that the pregnancy was a healthy and normal one.]
The brief comment from Juliet in TAC about the twins being three can be passed off by them being a little over two-and-a-half and Juliet not being around as she is touring in Mexico. By the time TLG takes place, in March of 2008, the twins would have had their third birthday, allowing for Artemis to give Myles his chair as a birthday present, Beckett to be old enough to no longer need diapers, and the behaviours to act more like children than infants. While this doesn’t quite allow for the repeated textual confirmations in TLG that the twins are four, we’ll go with what mathematically makes sense.
That brings us to the end of the timeline! Not everything is touched on in the timeline, and not everything in the books is plotted (we are never given enough context to know Foaly’s or Opal’s birthdates, for instance). But the main events of the Artemis Fowl series are all analyzed, mathematically or logically or textually corroborated, and plotted out, for use or ignoring as personal preference dictates.
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mattodore · 5 months
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found out while putting together matthias's oc page that his name has the exact same etymology and meaning as theo's name...
i’m sure this is information matthias is very normal about…
#theo is in fact a gift from god so jot that down !#river dipping#i've been throwing myself into oc stuff bc i'm not doing hot mentally which is... tbh when i do my best writing 😭#none of this is new tho i wrote the bios and 'at a glance' intros months and months ago when i first made an oc page#which is why i do plan on rewriting them but for now i'm leaving them like this... so i guess the echthroi page is done?#obviously echthroi has more characters than this but i haven't taken new screenshots of everyone yet...#i put the gray cas bg back in my game a few days ago only to completely forget i wanted to take new headshots for the oc page 😭#like these are just placeholders... i want the backgrounds to match the oc page. oh... or maybe i could just do transparent pics?#i think i remember vyx made a post abt how to do that... will look into that when i open the game again. rn i'm at my keyboard 🧑‍💻#like i am writing new things! started a google doc for theo yesterday and have been writing on it here and there since then#i've already cried in there... lmaooo. i like oc pages for sure but i think a huge google doc is what i really need to keep track of things#i drop so much lore in tags on here and it's like! river write that down somewhere else or you'll lose it 😭#like i fr have never actually written down any of the info i've shared on here. i've just had all this oc knowledge stored in my brain.#so i went through and copied over a tonnn of tags and posts i've made into google docs but i just know i'm missing things i've probably#said in the tags of their core tagged posts... 🧍 if my blog didn't have so many posts i'd have an easier time going through it but 🤷#and on top of that i've been making a bunch of posts about theo and matthias on my main acc. which is like 🧍 well great now there's more#i'm gonna lose track of...... i fr have gottt to get into the habit of actually putting things down in theo's google doc!!!#i'm just trying to figure out the best way to format it all but i've downloaded a few templates that i've been messing with.#...anyway. if it isn't obvious i'm trying to get back to posting on here. i'm opening my inbox now with the intent to just.#sit here in my inbox until i can get myself to reply. lads... avpd is actually so torturous i'm not kidding.#i feel like i'm dying trying to get myself to interact with people sometimes even despite how badly i want!!!! to interact!!!#theo and me and our avoidant trauma responses holding hands and skipping around together
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eremin0109 · 7 months
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My heart just absolutely breaks thinking what if Majima knew beforehand that Kiryu's days were numbered but he was in denial, refusing to believe that a fucking illness of all things would put the nail in the Dragon's coffin. So when they finally meet in that shack, he starts their conversation with a taunt, because he needs to see it for himself to believe it. To come to terms with the fact that Kiryu is actually dying.
And so, they fight. It gets real ugly real quick and by the end of it, Majima's eye is glazed over with a terrifying realisation as he stands over Kiryu's beaten body, his breathing more laboured than it had any right to be.
Going into the fight, Majima wanted to be absolutely crushed by those large hands, years of pent up feelings and frustration being pounded down onto him. That way he'd know that the Dragon was still alive and kicking. That his Kiryu-chan was not actually dying an excruciatingly slow death.
But his victory rings like a funeral toll in his ears. This is all wrong. Kiryu Kazuma is supposed to his perfect rival, his true equal. The only one who could tame the Mad Dog. Not the bleeding, coughing mess of a man that laid underneath him. This couldn't be happening.
But when Kiryu looked at Majima, he felt more than saw the remnants of wildfire in the Dragon's eyes, flickering away more and more by the second. It took every single fibre of Majima's being to not end the poor bastard's life right there.
What was the use anyway—the Dragon was already dead.
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torgawl · 2 months
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i was a reading a bit more on purgatory and purgatorius ignis (cleansing fire), which is a concept that existed even before the notion that purgatory itself was a third other-world domain, similar to heaven and hell, when i suddenly remembered dante's la divina commedia and decided to revisit the story a little. and i found something interesting as i was scrolling through the wikipedia page.
so, purgatory is the second part of la divina commedia, following inferno, and is an allegory telling of the climb of dante up the mount of purgatory, guided by the roman poet virgil. alegorically, purgatorio represents the penitent christian life (and christianity, as we know, is one of the core themes of fontaine's archon quests that arlecchino was a part of). while describing the climb dante focuses a lot on the nature of sin, examples of vice and virtue, as well as moral issues in politics and in the church. what's interesting, though, is that the poem posits the theory that all sins arise from love – either perverted love directed towards others' harm, or deficient love, or the disordered or excessive love of good things.
why is this interesting, you ask? let me add here a few quotes before i contextualise it:
"she is a god with no love left for her people, nor do they have any left for her" - dainsleif about the cryo archon, the tsaritsa
"her royal highness the tsaritsa is actually a gentle soul. too gentle, in fact, and that's why she had to harden herself. likewise, she declared war against the whole world only because she dreams of peace. and because she made an enemy of the world, i now have a friend in you." - childe about the tsaritsa
"everyone praises her for her kindness and benevolence, but they forget that love is also a form of sin. what if she's just trying to compensate for something?" - wanderer about the tsaritsa
the tsaritsa, the cryo archon and the person arlecchino is devoted to, is theorised and hinted multiples times to be the god of love. yes, the love that is said to be the origin of sin in la divina commedia. we can also draw parallels between the idea of perverted love talked about in the poem and the relationship between arlecchino and others, for instance the kids of the house of the hearth.
arlecchino's drip marketing including an excerpt where the scene goes from a gentle warm environment, seemingly mistaken as a loving family home full of innocent looking children, that quickly shifts into a somber and dark atmosphere under her authority - the children answering instantly, without hesitation and completely obedient -, is the perfect illustration of the duality within her character. there's an obvious exploitative and manipulative system making use of the house of the hearth and the orphans under its roof, where arlecchino (as the one running the orphanage) is the provider and the kids are brought up to be dependable and further dispatched as fatui soldiers when "potential" is recognised. and we can deduce that there's ways that their education is done from a very young age so it prevents or punishes any sort of dissent, something not hard to imagine when we know from freminet that arlecchino doesn't like when the kids cry or show emotional vulnerability, something she sees as weakness, for example. but if there's this dark side to her, there's also certain attitudes that demonstrate her care for the children or even her care for the world around her. arlecchino helping freminet get closure on his mother's death, the reformation of the house of the hearth (which we know used to have a much more punishitive and strict leader before arlecchino took over) or even her devotion and deep respect towards the tsaritsa are some examples of the way she shows care for other people. now, we can theorise that these good deeds directed towards the orphans under her care are very much purposeful to better manipulate them, but i think that's exactly what the notion of perverted love in la divina commedia tries to hint at.
besides this concept, there's something else that peaked my interest in dante's poem. dante pictures purgatory as an island at the antipodes of jerusalem, pushed up, in an otherwise empty sea, by the displacement caused by the fall of satan, which left him fixed at the central point of the earth. it's a cone-shaped island that has seven terraces on which souls are cleansed from the seven deadly sins or capital vices as they ascend. at the summit is the garden of eden, from where the souls, cleansed of evil tendencies and made perfect, are taken to heaven.
as we know, arlecchino is being introduced in fontaine, her homeland, and the idea of purgatory as an island in the sea leading its way to heaven caused by the fall of a sinful being sort of reminded me of remuria. remuria was the civilization in fontaine which directly preceded the previous hydro archon egeria's rule. its downfall occurred as a result of remus' attempt to avert its predicted destruction, and in particular, by his act of sharing his power and authority — reserved only for gods — with the four human harmosts he appointed to govern his cities. remuria eventually ended up being sunken into the abyss, devouring everything including the people and remus himself. we know there's still a region in fontaine's map that wasn't yet released, so how odd would it be that the last part to be revealed in fontaine might just be the land that was once sunken? after the little note about the samsara cycles near the tower of the narzissenkreuz ordo, which referenced a cycle called remuria, i would not be surprised at all. it's also particularly funny that fontaine is directly below celestia. yes, the floating island in the sky above teyvat which is the residence of the gods, the same gods that made remuria fall. as the contemporary philosophers of our time have said, that's sus!!!
i don't want to get too ahead of myself because i don't have a theory about what's going to happen or what role arlecchino will play exactly but i don't think it would be shocking if we got to know more about remuria during her release. and still in the purgatory idea, i think the angel of death (azreal) might be an interesting parallel to make with arlecchino. azrael's role is seen as benevolent, transporting souls after death. it fits perfectly well with the idea of purgatorius ignis, that signifies transformation. in different cultural and religious contexts, fire can also symbolize destruction renewal and even rebirth so i'm very very curious to see what arlecchino's story will be like.
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absenthearted · 1 year
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HISTORICAL WESTERN || HACKEARNEY + ALTERNATE UNIVERSES [2/?]
PERSONAL.—Gentleman, aged 56, Sheriff and owner of valuable mining property, seeking the acquaintance of a single or widow lady of any means, and with good character and disposition. Object matrimony if suited. Contact C. Hackett, North Kill, NY.
[...]
BUSINESS OPPORTUNITY.—Apprenticeship available for a hardworking, dedicated Physician in mining town upstate. Lodging and transportation provided. Ability to serve both man and beast preferred. Contact C. Hackett, North Kill, NY.
Between dealing with roving outlaws, petty small-town disputes, and feral wild wolves, Sheriff Travis Hackett doesn’t have time for marriage and a wife. His meddling brother decides to help him out—whether he wants it or not.
Laura Kearney never thought she would become a mail-order bride, but she’s willing to do almost anything to pursue her dream of becoming an animal doctor.
In which a secret matchmaking plan goes terribly wrong, Laura gets rejected by her supposed fiancé on the same day that she meets him, and Travis makes a terrible first impression. [Inspired by @genevievedarcygranger’s prompt from the Hackearney Fic Exchange.]
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dear future me, Please remember to write the metamorphosis fic and title it ~✨the yassification of howdy pillar✨~
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not-poignant · 2 months
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Hi Pia!
I just have to know- it's day six going into seven for Palmarosa. Contract part-two is in four days...
Do you see these next few chapters being explicit? Is Raphael truly intending to let Astarion see how life under contract is going to be, or is Raphael purposely holding back to lure Astarion into that next contract?
And, in your opinion, do you think that if Astarion truly sees Raphael at his cruelest towards him, he would be more comfortable signing a second? Able to know what the worst is instead of some nightmare he dreams up?
I love your story, and how you write Astarion. Thanks for your time!
It's still day 5!
I can't believe it's still day 5 in the contract, but it is, I'm writing a timeline and everything this time. So much has happened on this day, lmao.
(Chapters 13-18 all happen on the same day T.T)
I do think there's explicit content coming, but Raphael very much wants Astarion in that second contract, that being said, he's already cocked it up a few times already lmao. There's no guarantee he won't do that in other ways. I do plan writing-wise to get Astarion into that second contract though. Raphael oscillates between playing a very good long-game and then snapping and ruining his hard work, lol.
And, in your opinion, do you think that if Astarion truly sees Raphael at his cruelest towards him, he would be more comfortable signing a second? Able to know what the worst is instead of some nightmare he dreams up?
Raphael is not going to be his cruelest, and actually still isn't even though he does kind of lash out at Astarion in a very intense manner in the upcoming chapter. We've not seen Raphael at his worst. This is a guy who sees nothing wrong with keeping people in 'bones shattered in 100 places' levels of agony for hundreds of years. Even Raphael snapping is still Raphael not...giving himself to torture Astarion like he would an Eternal Debtor.
Astarion actually threatens to break the contract at the end of chapter 18 and through chapter 19. But...he hasn't yet.
Astarion has a lot of learned helplessness because of his experiences with Cazador. I imagine he had plenty of times to convince himself he was going to escape / find a way to beat the system etc. only to have all of that brainwashed and mind-read out of him. I am sure Cazador is the kind of person to know that someone will try and escape him and watch them try and then torture them for trying as a reminder that they are enslaved to him not just in body but in mind as well.
I don't think Astarion at this point is fully in contact with the part of him that knows he can walk away.
But also, Astarion accepted this first contract fully expecting to be raped and tortured regularly. He literally considered that and negotiated to make sure none of the torture caused permanent harm. This was a guy who negotiated a contract with stipulations based solely on expecting to be tortured/rape. From Astarion's perspective, Raphael hasn't actually done 99% of what Astarion expected him to do.
In some ways, that makes things harder for Astarion. Not knowing what to expect, and getting whole days where everything's uncertain but 'generally fine' followed by explosions of Raphael's temper etc. is like...still very hard for him to endure. But in a different kind of way.
I think Raphael's going to lay out the terms of the second contract very clearly soon, and Astarion will baulk simply because the terms of the contract will involve him doing two things he very much doesn't want to do. One goes against his personal ethics (and he's already refused to do it around Raphael once), and the second goes against his trauma history. And Raphael knows that. He isn't planning on tricking Astarion into that contract, he's banking on the idea that Astarion will still think the prize is worthwhile.
What I think Raphael is finding frustrating is that he had plans to introduce the concept of the second contract soon and Verillius came along and kind of ruined everything lmao. Raphael is pissed off for a lot of reasons right now. Can't a devil just manipulate a victim into a more high stakes contract in peace?
Unfortunately the Magic 8 Ball says no :D
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theplantqueer · 1 year
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Been reflecting on my assumptions that anyone who sparks my disabled rage, protectiveness or exhaustion must be abled, and the kneejerk reaction to frame it as a slight by the abled world upon me/my loved ones/our communities.
To be clear, there's many appropriate times and places for acting in defence of us crips, Mad, ND, Deaf, ill and otherwise disabled people. It feels impossible that there'll be a day without that need some time in the future.
And.
I don't think it's as simple as that binary of us vs them. To truly internalise that anyone, anywhere can be disabled (including that random cunt who was just ableist to you!), I think we - I - need to break down this binary of abled & disabled. Not in an "ableism doesn't exist" way or a "disabled is not a useful category" way, but more: There are so many ways to have a body, and to be honest most of the bodies in this world are non-normative.
Whether through being disabled, racialised, fat, queertrans, intersex, gender non-conforming, impoverished, or any other kinda so-called "deviance" from the ""norm"", we have some shit in common! Namely the many varied experiences of existing outside the oppressive boundaries of "normative" bodies. The experiences we have of having these bodyminds in this world are real and important to name, and. the ways we group each of those experiences have arbitrary and ever-evolving, societally/culturally-defined boundaries.
I think in order to be able to not presume the ableist stranger abled-until-proven-otherwise, I/we also need to also come to terms with the ways we let each other down, disappoint each other. Perpetuate shit we shouldn't because the world is a rough place to exist and try to grow. I do it, and so does this random stranger.
So do my family members who deny their disabilities and wonder why I don't or can't do the same. So do average height crips who forget Little People exist in access audits & checklists. So do the Deaf people who express their unneeded sympathy when I talk about my wheelchair use, and so do the disableds who ask why there can't just be one sign language that everyone worldwide uses. So does the other wheelchair user who avoids my solidarity glance at the shops. So does the non-immunocompromised cane user who's dropped all pandemic precautions. So does that neurodivergent person who's forgotten they're not the only one in the vicinity with Brain Shit going on.
We love and uplift and protect and care for one another, absolutely! but we can also fuck each other over just like anyone else. We disappoint each other in big or little ways all the time. It doesn't make us abled, it makes us imperfect people in a world solely populated by imperfect people.
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Pac: *gets flustered touching Philza's back and runs*
Phil: is he good?
Mike: he's fucking gay is what he is
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ellies-enrichment · 11 months
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oh my god my editor for this fic is the slowest editor that has ever existed
*i am the editor for this fic*
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lordsardine · 11 days
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bun-haired-nutjob · 8 months
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as a result of starting HRT i am under a barrage of emotions and passions and for the first time in months i actually cried over something upsetting me, which is a huge milestone i'm very happy about
but to cut a long story short i'm not sure if i should write a romantic and yearning trans bocchi yuri fanfic or a more depressing take on one of the events in the manga
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