#so i'd have to try and figure out a way to make the aesthetic more equal parts than leaning heavily one way

[becausegoodheroesdeservekidneys]

The thing with the Mari Lwyd, though, is that it's being... I don't know, 'appropriated' is the wrong word, but certainly turned into something it isn't.

Thing is, this is a folk tradition in the Welsh language, and that's the most important aspect of it. I feel partly responsible for this, because I accidentally became a bit of an expert on the topic of the Mari Lwyd in a post that escaped Tumblr containment, and I clearly didn't stress it strongly enough there (in my defence, I wrote that post for ten likes and some attention); but this is a Welsh language tradition, conducted in Welsh, using Welsh language poetic forms that are older than the entire English language, and also a very specific sung melody (with a very specific first verse; that's Cân y Fari). It is not actually a 'rap battle'. It's not a recited poem. It is not any old rhyme scheme however you want.

It is not in English.

Given the extensive and frankly ongoing attempts by England to wipe out Welsh, and its attendant cultural traditions, the Mari is being revived across Wales as an act of linguistic-cultural defiance. She's a symbol of Welsh language culture, specifically; an icon to remind that we are a distinct people, with our own culture and traditions, and in spite of everyone and everything, we're still here. Separating her from that by removing the Welsh is, to put it mildly, wildly disrespectful.

...but it IS what I'm increasingly seeing, both online and in real world Mari Lwyd festivals. She's gained enormous pop-culture popularity in recent years, which is fantastic; but she's also been reduced from the tradition to just an aesthetic now.

So many people are talking/drawing about her as though she's a cryptid or a mythological figure, rather than the folk practice of shoving a skull on a stick and pretending to be a naughty horse for cheese and drunken larks. And I get it! It's an intriguing visual! Some of the artwork is great! But this is not what she is. She's not a Krampus equivalent for your Dark Christmas aesthetic.

I see people writing their own version of the pwnco (though never called the pwnco; almost always called some variant on 'Mari Lwyd rap battle'), and as fun as these are, they are never even written in the meter and poetic rules of Cân y Fari, much less in Welsh, and they never conclude with the promise to behave before letting the Mari into the house. The pwnco is the central part to the tradition; this is the Welsh language part, the bit that's important and matters.

Mari Lwyd festivals are increasingly just English wassail festivals with a Mari or two present. The Swansea one last weekend didn't even include a Mari trying to break into a building (insert Shrek meme); there was no pwnco at all. Even in the Chepstow ones, they didn't do actual Cân y Fari; just a couple of recited verses. Instead, the Maris are just an aesthetic, a way to make it look a bit more Welsh, without having to commit to the unfashionable inconvenience of actually including Welsh.

And I don't really know what the answers are to these. I can tell you what I'd like - I'd like art to include the Welsh somewhere, maybe incorporating the first line of Cân y Fari like this one did, to keep it connected to the actual Welsh tradition (or other Welsh, if other phrases are preferred). I'd like people who want to write their version of the pwnco to respect the actual tradition of it by using Cân y Fari's meter and rhyme scheme, finishing with the promise to behave, and actually calling it the pwnco rather than a rap battle (and preferably in Welsh, though I do understand that's not always possible lol). I'd like to see the festivals actually observe the tradition, and include a link on the booking website to an audio clip of Cân y Fari and the words to the first verse, so attendees who want to can learn it ahead of time. I don't know how feasible any of that is, of course! But that's what I'd like to see.

I don't know. This is rambly. But it's something I've been thinking about - and increasingly nettled by - for a while. There's was something so affirming and wonderful at first about seeing the Mari's climb into international recognition, but it's very much turned to dismay by now, because she's important to my endangered culture and yet that's the part that everyone apparently wants to drop for being too awkward and ruining the aesthetic. It's very frustrating.

#wales! #closed for cleaning on mondays #mari lwyd #tedious personal details

[campbell-rose]

Alastor Redesign

Omg there’s like over 70 people following me – guys I'm o///O flattered and flabbergasted. 

Anyway, onto today’s main event, Alastor. I hate Alastor’s og design, I hate his twig waist and his shoulder pads and the way you can’t see his antlers next to his ears, and his bow tie ugh viv please and his HAIR what even is that??? Not even mentioning that nothing about his design is really like a focal point. There’s no one thing that’s particularly interesting. At least before this he had that cathedral window looking cross on his undershirt that I found interesting. Nothing about his says he’s from the 1930’s other than dialogue. 

I wanted him to be in greyscale because that’s the coolest aesthetic, and colored photos weren’t a thing until way after the 30s. Recently I saw jjk, and Jogo’s teeth threw me because at some points I thought he was just straight up toothless. But then when I started this design, that colored tooth look spoke to me. Initially his teeth were yellow to look gross like he never brushes them, but then I was like ‘ayo wait, he’s literally a cannibal’, thus his vibrant red teeth to really pop against his greyscale. Initially his undershirt was white, but I feel like that was too much contrast and white is typically innocence, so by instead having a deep red it shows he’s just straight up bloodthirsty underneath his formal appearance. I also considered it being black, but then he looked like a pastor, and I wasn’t too much of a fan of it. The idea of the red on his design is that it leads your eye down his design to take it all in, with his face being the focus. I gave him glasses because I like the way it obscures his eyes a bit and I imagine they do the anime thing where they glow and hide his eyes. I liked Viv’s idea of sinners having marks where they died, and I slicked his hair back to show it off very prominently. His antlers are larger, I gave him cute lil deer ears. Also, under his suit he is lowkey buff. I feel like a serial killer should at least look physically capable of taking someone down not whatever the fuck viv’s nasty twig men can do. Like, in that comic with the cute sheep girl, when Alastor goes demon mode his body looks so snappable I just wanna like grab his waist in my hands and break it like a twig. I also tried to keep his design simple as if this were for animation, I know pinstripes are complicated and so are antlers but other than that I tried to keep his design basic. 

If I were to rewrite him based solely on the pilot, I honestly wouldn’t change a thing. Alastor is a decent character, his voice actor gives him life, the radio filter is cool, and nothing he did made me want to break my screen (ANGELDUST). The only thing I'd change would be his position in hell. Like, viv’s hell is so wack and I hate it, she’s got the princes, then the goetia and the overlords and then sinners and blah blah, it’s a lot to keep track of, not even mentioning the rings and circles thing. I think Alastor should have had dealings with hell as a human, maybe he routinely did sacrifices or something, and he made a deal with the archdemon Alastor and when he died like... uuhhhhhhh. Maybe through connections he’s gained more power? Idk, I just know I hate the idea of his dying and then having like the bestest most powerful demon powers despite not being hellborn. It’s got this mary sue stench. I’ll figure it out, maybe, who knows. 

I’m not gonna start rewriting since there’s nothing to go off of and alter yet, so that’s gonna have to wait until the show actually drops before anything concrete happens lol. 

Also the sheep girl is a sinner that reoccurs in the show now so sorry I don’t make the rules, you can’t give me a cute sheep girl and try to take her away, I’m gonna redesign her and shove her into the plot as someone looking for redemption at the hotel

#anti vivziepop #vivziepop critical #hazbin hotel redesign #hazbin hotel critical #hazbin hotel criticism #alastor the radio demon

[howtofightwrite]

I've got a world-building/combat question. I have these two warring nations in my setting, both medieval-ish tech levels. One of them figures out how to make magical flying craft that are basically WWI airplanes. The other country invents dragon riders in response. Since then, they've been at war for ~60 years. I'm trying to figure out how the heck an air force would alter medieval combat strategies. If you've any suggestions, I'd appreciate it

The first, and biggest world building problem is that magic is part of your overall tech level. Ironically, Diskworld is an excellent example of how magical technology can basically function as an alternate path for social and technical development, though, honestly, a lot of high-magic settings tend to have tech leakage from magic.

One of the more common examples that comes to mind are “magical radios.” Either it's an enchanted device that allows person to person communication, or it's direct telepathic communication, but whatever it is, it serves a fundamentally similar role to a handheld radio, or (depending on how it works) a phone. The thing is, it's functionally a magical replacement, and it would affect society in much the same way those technologies have.

This is a long way to say, if your magical combat technology has WWI-grade planes, there is a very real possibility that a lot of your warfare is also going to be at a similar magi-tech level, if not more advanced. Having written that, I'm reminded of The Red Star comic series; though, that has a heavy Soviet aesthetic, and is not-at-all medieval.

Again, it doesn't really matter if you have fully-automatic firearms, or if you have a bolt thrower that conjures and propels crystals at hyper-sonic speeds into your foes. If they have a similar rate of fire, and similar accuracy, the meaningful change is texture. Your characters might see tiny crystal fragments shattered on the floor, or embedded into walls, instead of bullet holes. There may be no smell, or conjuring the crystals might leave a different odor. A handheld lightning projector might leave scorch marks, and a scent of ozone, for instance.

Magic might also factor into armor and defenses. If you can use a magical ward to dispel conjured objects, that might be extremely useful for fortifying specific targets against incoming conjured attacks, but it would likely be wholly ineffective against the lightning projector, or some other kind of directed energy beam weapon.

“Inventing,” dragon riding as a response to someone else making a magical airship, does strike me as an odd cause-and-effect. If dragon riding was that easy, it would seem likely that someone would have militarized them long before that point. Inventing flying objects that could function as a hard counter to dragons feels a little more natural. Or, magical, AA installations. Though, this is something that could probably be finessed, if you're really committed to the setup. It's also worth remembering that air superiority is an extremely potent advantage, even if you're not sure what to do with it, meaning that if one side suddenly had fliers, and the other side couldn't come up with a counter in short order, they'd be picked apart, and the war wouldn't have this 60 year timescale.

If it seems like I went to ranged weapons very quickly, there's a simple reason. You can't joust from a plane. Your options are to either propel objects at people, or drop things on them from above. Dragons also (usually) have the option to breathe fire on them. Now, firearms did exist in the late medieval era. So, that's not that far out of range. I'm less sure of the invention of bombs. At least, of the variety you could deliver to your enemy on the battlefield. Though, it occurs to me, you could probably use a catapult or trebuchet to deliver an explosive payload, if the explosives were stable enough to survive launch, but sensitive enough to detonate on impact. (Of course, if you have some kind of magically primed explosive, that stays stable until it is ejected from the catapult, and then explodes on impact, that would work.)

Looping back to the timescale again, this would require some pretty potent defensive capabilities. A dragon, with the ability to breathe fire, and the capacity for strategic thinking, could easily starve out an entire kingdom, simply by making a habit of torching all the cropland it could find. It doesn't, particularly matter if it gets all the food, so long as it torches a meaningful percentage of the available crops. When you have farmers going hungry, you're going to see food production dipping, exacerbating the problem. When you have soldiers going hungry, they're not going to be able to fight as effectively. When you have the peasantry going hungry, you're going to see civil unrest, and probably rebellions coming for their lord's head. You can't wage a war against a hostile nation under those circumstances. (In fact, there were multiple peasant revolts during the Hundred Years War, which basically stalled out France's ability to fight. England also suffered multiple peasant uprisings at roughly the same time. Though, those were motivated by taxation, which ends in a similar place.)

A related concept that's somewhat hinted above, is that wars are expensive, and both France and England found themselves facing uprisings because of taxation needed to support the ongoing war. (The irony being that both nations encountered this at roughly the same point in history. Roughly 40 years into the war.) A war that's been going for 60 years will likely have ravaged the economies of the involved nations. This isn't necessarily something that your characters would be aware of, unless you expand the context to show non-wartime economies.

The simplest explanation for why this happens is that any money you spend prosecuting the war are products that you never see returning value from. The money itself doesn't leave the economy, but the natural resources, and labor required, are expended non-productively (from the perspective of economic growth.) So, if you have a peacetime merchant, they're moving money around, but they're paying for their goods, and then those goods are going to consumers, who may also be contributing to economic activity with those goods (this even applies for food, you can think of that as a necessary component to any productive activity.) If you're a wartime merchant, selling weapons to the military, you are contributing to economic activity when you buy the weapons, but when they're sold to the crown, that's no longer productive. Those weapons leave the economy and never return. Worse, any soldiers who are permanently wounded, or killed, are also removed from the economy. Over time, this can destroy the most prosperous of nations. (To be clear, this is more advanced economic analysis than anyone in the middle ages would have had. So, the idea that wars are expensive was understood, but the exact reasons it slowed the economy were not.) And, this kind of thinking is another form of technological advancement. Ideas for understanding complex systems have become more intricate and detailed over time. While it's not the concept of, “invention,” that you might be used to, it is a similar form of progress.

So, how would this look in your world? There's a lot of potential consequences, most of which are not contradictory.

An impoverished lower-class is very likely. Whether that includes wounded veterans or not is a little more up in the air, though after 60 years, military pensioners, and those who suffered life-altering injuries on the battlefield are likely to be a common sight, either on the street or in the poverty line. (Especially if the crown is willing to enforce drafts and conscription.) At this point, that might be a very real possibility.

A struggling aristocracy is also likely, with former major power players who've declined into poverty. This might take the form of borderline abandoned estates that have been taken over by the crown or squatters. (Probably not both at the same time.)

Serious inflation is likely (and could be why formerly stable guild members, merchants, and even some of the aristocracy might now find themselves struggling.) I realize this point isn't something most really think of when you're trying to write a fantasy world, but it's worth considering. More likely this will be seen in food prices having increased over time. So the major symptoms you'd likely see would be decaying structures that no one has the resources to maintain, rising food prices, and generalized poverty. Even in a fairly magically advanced setting, a lot of these things would, likely, still happen. Of course, if the dragons have been used to destroy the agricultural base, things would be even worse in that nation. To be clear, food and taxation riots are not off the table there.

This is sort of a non-sequitur, but if you have a setting with classic transmutation (lead, or other base metals, into gold), you would actually see inflation with every batch of transmuted gold hitting the market. It's sort of an amusing note on the fantasy of being able to produce as much money as you want, but ultimately, it's actually harmful from a macroeconomic perspective. (Basically, the same reason counterfeiting is a problem.) Though, it is a possible hook for criminal groups in one of those nations, producing counterfeit gold via transmutation.

There's also a real world example from 2020, where a jewelry company had fabricated “fake,” gold bars as collateral to secure loans. In total, they claimed to have 83 tons of gold used to obtain loans worth over 2.8 billion dollars, from 14 different creditors. Except, when they defaulted on those loans, and were forced to hand over the gold, it was discovered that these were in fact gold plated copper bars.

I realize the question was about the flying forces specifically, but so long as that advantage is dealt with quickly, and neither side is able to monopolize air superiority, that's not going to change nearly as much as having that level of magical advancement would on its own, and of course, the general consequences of having a war that's been going on for long enough that multiple generations have died on the battlefield. That's going to a bigger effect on your world as a whole.

-Starke

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#writing reference #writing advice #writing tips #how to fight write #starke answers #Starke is not a real economist

[asleepinawell]

sorry if this seems a bit out of the blue, but ever since youve been posting about fallen london, im a bit curious about it! What is the game about and where can I get it?

oh no worries! I'm happy to ramble about it

fallen london is a free to play browser game you can find here. the basic premise is that sometime in the 1800's the entire city of london is engulfed in a swarm of bats and then falls through the earth into a cavern a mile below. this is the neath, a huge underground cavern where london sits on the shore of a vast ocean. queen victoria is still around locked in her palace being a typical shitty british monarch, who, amongst other things, decided that 1900 was cancelled and we were just going to have 1899 for a second time

things are a little...different down there. humans are far from the only ones running around. there's devils, rubbery men (think mind flayer vibes), clay men, and the shadowy cloaked figures running the bazaar (and the city) called the masters. death mostly isn't permanent and the dream world is a little too real. also, most importantly, cats can talk! and there are tons of them! and tigers too

it's got victorian, gothic horror, dark humor, lovecraftian vibes. also it's extremely queer as is everything the dev, failbetter games, makes. something I especially appreciate is that you don't have to give your character any particular gender (though you can) and some of the little avatars are very gender neutral:

since it's free to play it comes with the normal things that type of game has such as real money transactions (completely optional and unnecessary for enjoyment (though some of the bonus side stories you can buy are extremely cool)), limited number of actions you can take (max of 20 at a time and refills 1 per 10 minutes). it is definitely grindy too though there's so many things to do (cannot emphasize the insane amount of content enough) I will usually just switch things up every so often

it's single player for the most part but you can ask friends to assist you in certain actions and there are some specific items that can be sent to other players

(if you like the setting but not the free to play part you can check out mask of the rose which is a visual novel they just released set right after london fell. it's a romance but with full aro and ace options (which I actually preferred) and a murder mystery. that one is a normal just buy the whole game deal and I think it's on most platforms. there's also sunless seas and sunless skies which take place in the same world but are a very different type of game and would require their own post. all of these have great writing in them)

but back to fallen london. it works based off of 'storylets', or little short stories when you usually do a skill check to accomplish something in return for advancing the story, levelling your skills, and reward items. you unlock more and more things as you go and get access to new stories and areas. here's an example of one of the little activities and its resolution

since it's a game designed to be able to play endlessly there isn't really a way to lose or game over. you can die but dying is just a minigame of its own and sometimes even a thing to do purposefully. (the only actual way to die is the notorious story called seeking mr eaten's name which you may have seen me post about, which is a very unique story that will permanently erase your character at the end. why you'd ever want to do that would also be its own post. it's pretty hard to stumble on accidentally I think and extremely well-marked as a thing with severe consequences that you probably shouldn't do. or should you...)

anyway I'd definitely recommend giving fallen london a try if you're interested in the premise and aesthetic

#fallen london #flmp #mp #asks

[uldahstreetrat]

Im trying to take note of real world influences in XIV for some projects going forward, like languages used in areas (French names in Ishgard, Roman terms in Garlemald) or like in aesthetics I suppose (like Radz-at-han in particular reminds me of Istanbul), and I'd like to hear others' thoughts about those kinds of influences that they've noticed

(little more context on things im working on under the cut)

right now this has a lot to do with things like stamps lmao I have in fact gotten kinda into stamp collecting now and I'd like to design some for XIV areas based on similar irl counterpart countries? like regular stamps and stuff like a sort of Garlean version of US postal war savings stamps? so having irl countries to reference for stamp styles would be helpful to like figure that stuff out

and honestly all of this is just part of making a physical copy of Q'ihnn's journal more complicated than it needs to be but never let it be said that I dont have a love of unnecessarily dense world building

plus by having a list of reference countries I can also build out other kinds of like, souvenirs? in the journal from the places visited across msq - a lot of things I see people keep in journals, especially travel ones, are stuff like wrappers or other packaging, pieces of maps, receipts (that's its own rabbit hole ive gone down), ticket stubs, and other various little paper things along with photos and drawings (which are much easier to manage in comparison)

cause a lot of this shit doesnt extensively exist within the game often beyond a mention in a stray line of dialogue or two so there's advantages to having irl cultural and historical reference to make something that feels real - plus im often off in lala fantasy land in my head because im stuck at home a lot, im not exactly well traveled, so im sure its easy for me to miss especially like language use in certain areas (I didnt even notice how French Ishgardian names were until someone else made a joke about it, it just doesnt occur to me)

like some of these influences are fairly obvious, right, like Doma and Kugane being Japanese inspired and Greek influence around Sharlayan (which the Greek/Roman dichotomy that Sharlayan and Garlemald have going on is its own whole thing I could go into btw they're so similar yet different in such interesting ways) - but places like Ul'dah?? not a clue. Ala Mhigo? no idea. The Crystarium and Eulmore in the first??? oh I'd put my head through a wall trying to thing of a real world counterpart for reference

granted now having said that someone is going to point out something obvious that I just entirely missed some way or another lmao but like that's why im asking, right? anyway if you have nerd ass thoughts too just hit me up

#ffxiv #ff14 #most of this is rambling cause even i dont know where the fuck im going with this #not that I ever do but ya know #final fantasy xiv #final fantasy 14

[ashxketchum]

They uploaded the video where Agumon, Gabumon, Veemon and Wormon will call out names of fans and look! We get a glimpse at Taichi, Yamato, Daisuke and Ken's rooms!

You know what this means? It's time for a certified Ayushi breakdown 🫡

There is so much blue in Taichi's room hahaha (taiyama win!), the soccer magazines + jump manga reference is so on point. And he has so many bags! Taichi why do you need so many backpacks, one for every outfit? 😆 THE DUMBBELLS THO my boy is working out to maintain that body we got a glimpse of in Tri 😌 The whistle hanging on the wall is also a nice touch, is it Hikari's whistle from when they were kids? 🥹 Or even if it's not, I'd like to imagine a scenario where Taichi helps Hikari with her kindergarten schoolwork occasionally by coaching football to the little kids in his free time! Can you imagine him running around with little kids who are about as tall as the football itself 🤣 I tried to zoom in to figure out what the magazine on his desk is for, and I could make out the word Nakano, so maybe it's just something he picked up on his way home (maybe he lives around Nakano?) since it looks slightly crumpled too, like it was shoved in his bag in a rush. His phone (and is that a wallet?) feel pretty standard. He is the only one who doesn't have a lamp on his desk + has some kind of reminder post-its stuck to his desktop, maybe he's not so good with passwords? Koushiro probably always lectures him about this every time he visits.

Now let's talk about Yamato, FIRST OF ALL I WILL SCREAM ABOUT THE KOD TSHIRT! HE STILL WEARS IT! I'M CRYING RIGHT NOW!!! And then his guitars because I swear I did a one hour deep dive trying to figure out the brand and model and I think they're both Fender (an expensive brand I would say) which once again makes me wonder how much money does the TakaIshi family has for their sons to have expensive, bikes, cars and guitars. TO TOP IT OFF Yamato is definitely an Apple bitch too like look at that monitor and keyboard, that's Mac and his phone is very clearly Iphone. Now his room follows a very warm, muted tones of black and brown. We can spot some music related magazines on his shelf and a big, plain tote bag on the ground (see Taichi one big bag should be enough 🤣) which looks like something he uses for grocery shopping. Yamato is the only one who doesn't have a wheelie computer chair, but rather a wooden one. Now whether he did this to follow the aesthetic of the room (highly likely) or because he doesn't actually spend a lot of time in this space is something we can all think about. He has a framed portrait or photo(?) up on the wall and I did consider him more of a framed art guy over a poster guy always so this is good to see too. Also nice to note that on his desk, he has THE HARMONICA 😭 And the same Jump issue that Taichi has on his shelf! His room is honestly a lot like how I imagined it to be in terms of the furniture and colours so I'm very happy with this sneak peek!

I am not qualified to comment on Daisuke and Ken's rooms, so will leave that to 02 fans!

#digimon #digimon adventure #taichi yagami #yamato ishida #daisuke motomiya #ken ichijouji #please i can talk about this all day #ayushitposting

[solarpunkani]

Solar Powered Community Fridges - Concept Art

So one of my grad school classes is a 8 week long group project to essentially come up with an artistic solution to a problem. Of course, my pitch was solarpunk in nature, and my group actually really liked it! Basically, the concept is to design a series of solar panel-powered community fridges, to help address food insecurity and build community in different areas without having to rely on a specific host building to provide power. What better time to show my concept art than Solarpunk Aesthetic Week?

Originally, I was just drawing up ideas with what usually comes to mind when I imagine fridges--upright fridges. Here's my concept art!

In these sketches, my main concern was imagining how these fridges would fit into the community alongside their power sources--I didn't want them to be too bulky, but I also wanted them to be available for easy access. I also figured they'd need shelter for the fridge's longevity, as well as to protect any users from the element. It'd also be nice to have them alongside other mutual aid sources like little free pantries, little free libraries, the like. One of my favorite designs is the sheltered community space on page 2, with the fridge, the seat, the pantry, and the library all in one protected structure with solar panels on the top. Having a table near the community fridge would also be nice to give people a place to rest as well.

However, around this time, I started trying to find out just how big of a solar panel would be needed to power a fridge like this, and the results were... a bit discouraging. Until! I was informed that chest freezers use way less energy to keep cool--cool air sinks, so opening an upright fridge releases most of the cold air that's been building up and makes the machine work harder to keep cool, whereas a chest fridge doesn't lose nearly as much cold air. In addition, some people have converted chest freezers into chest refrigerators for as little as ~$30 USD. Due to the insulation in a chest freezer, converted chest fridges use way less energy than their upright counterparts to keep cool, making it way more feasible to power them with solar.

So of course, I had to get to drawing again!

Since I'd already concepted a variety of structures for upright fridges, for the chest fridges I mostly focused on their design and possible convenience/accessibility concerns I had been worried about, one of the main being having to reach inside vertically instead of horizontally--several of my family members have difficulty bending, so I was worried having a chest fridge would make things more difficult for others like them. There are likely other ways to address this concern that I haven't thought of, but for now I've concepted putting a grabber tool inside of every fridge so people with trouble bending can still get things. How well it'd work in reality, I'm not sure...

Buuut these are my concepts so far! I hope you like them, I hope they're cool? Let me know what you think! I think these would be cool to have in a solarpunk future--whether they're entirely possible today or will have to wait until a somewhat-distant, 'solar panels can generate more energy with less size and fridges are also way more energy efficient' future I can't say, but it's cool to think about!

[Image 1: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. An arrow points to a magnet caddy on the freezer door with markers and stickers, saying "Markers + labels for dating donations". An arrow points to a battery-structure at the base of a solar panel system saying "Doubles as charging station for phones & stuff". An arrow points to a slanted roof structure over a fridge saying "Bus stop-esque structure." An arrow points at a glass door grocery store-style fridge saying "any kind of fridge, any size."

Image 2: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. An arrow points to a fridge under a slanted roof structure, saying "Paintings on the fridge itself." Over a portion of a brick wall is written "Murals can be on accompanying walls or on the shelter structure for the fridge." An arrow points to a wheel-mounted solar panel saying "solar panel". A community space is named at the top "The Free Community Space: Open 24/7" An arrow points to the outside wall of a community space structure saying "mural on outer walls". Items inside are labeled 'Freedge, Little free Library, Seeds, Pantry'. An arrow points to a couch, saying "Maybe a bench instead?" Written on the inner wall is "mural inside." An arrow pointing at the space says "Community built space w/ lights, solar panels, little free library, freedge, seed library, little free pantry, couch (???). Solar battery stored behind or on top. Plastic magnet door to protect from elements? Like those magnet curtains?"

Image 3: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. An arrow points to a slanted structure over a mini fridge, saying "Solar panel on roof?" Another arrow points to the side saying "Chalkboard paint--anyone can art here." Underneath says "variety of sizes/energy needs mean wider availability". At the top of a curved shelter on a pole is written "solar panel", along the sloping sides is "curved solar panels" and "Or solar voltaic glass?" On the underside of the structure is a label saying "Could be in a park or smth (something)". An arrow points to a box at the base of the structure, saying "charging station" and another arrow labels a table and chairs.

Image 4: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. Along the top of a slightly-curved roof structure is an arrow saying "curved solar panel roof. renogy curved 4ft x 2ft for example". To the side of the roof is written "4 panels each side, 0.45 kWh x 8 = 3.6 kWh/h". A chest fridge is labeled "converted chest fridge", and a glass-front box is labeled "Old cabinet/case now Little Free Library". A box sitting between them is labeled "I hear car batteries are good solar storage for cheaper?" A standalone chest fridge has the following labels: "Could paint on fridge exterior" "solar panel on top of fridge?" "most chest freezers are 22-28 in wide &24-38 or 54-68 in long. The longest wattage panel needed would be ~50 in long & ~26 in wide"

Image 5: Pencil sketches of refrigerators connected to solar power. The annotations on them are as follows. The inside of an open lid has an arrow pointing to a grabber object saying "Grabber for accessibility for those w/ trouble bending". A label points at a strap fastened to the inside of the lid saying "straps to help shorter people pull the lid closed." A variety of arrows point to a drawing of an open, decorated chest fridge saying the following: "Counter-balanced lid" "Baskets/crates for storage -> can slide or be removed to access underneath" "Murals on front & sides (not back)" ]

#solarpunk #solarpunk aesthetic week #community fridge #freedge #concept design #solar panels #solarpunk community #sustainability #ani rambles #out of queue #one could easily argue they'd be more Aesthetique if I had colored them and i totally agre #i just couldn't get the colored versions to give off the Vibe I wanted on digital so pencil sketches we go #my art #solarpunkani art

[oneatlatime]

Journey to Ba Sing Se, Part 1: The Serpent's Pass

Alternate title: Gimme Appa Back, Take Two.

Bit of a mouthful for a title. I will definitely be watching this apparent two parter as two single episodes. There's commentary too, but that'll wait for a rewatch.

The previously on segment seems to point to Suki making an appearance. I didn't like her in her original episode, so this bodes ill.

That was incredibly ominous title card music.

Explain this to someone who's never seen the show. Also, air mattress made of ice is a very efficient way to get hypothermia.

Sokka saying "no more distractions' actually summoned a distraction. He should look into harnessing that power.

This brings up a point I've been thinking about. So the Earth Kingdom are smart enough to house refugee transportation underground, presumably because they've figured out that fire can't dig. So why didn't the entire population of the Earth Kingdom just become mole people at the first sign of fire nation attack?

Get yourself Iroh's brand of chill. It's dearly bought in his case, but he has such a good way of looking at life. Also, half of Zuko's face is like an inch higher than the other half, and that haircut is not doing him any favours.

Oh god it's fuckboy. I'd take a million Sukis over fuckboy. Nice to see that the majority of his posse seems to have come to their senses and deserted him though.

CABBAGE GUY!!! HI CABBAGE GUY!!! I MISSED YOU!!!

She's got a point about destruction of the ecosystem, but unless there was woodworm in that cart, that platypus bear is guilty of needless destruction of cabbage guy's possessions.

I loved this. The double punch of getting stymied by bureaucracy and undermined by cosplayers. There are some wacky ideas in this episode.

Aang! You may have lost Appa but you still have your glider! You don't need a passport or a ticket! Just fly to Ba Sing Se and make puppy dog eyes at the Earth King to make him send a boat to collect your friends!

You know that part in Harry Potter where Ron and Harry miss the train and decide the only logical course of action is to steal a flying car rather than, I don't know, wait for a responsible adult? I have a feeling this show is going to do the same type of thing with the whole Serpent's Pass. And I have to say, it's a brilliantly accurate way to do a plot that involves pre-teens, because they will often reach for the most out-there, illogical course of action no matter their intelligence. Curse those still-developing neural pathways. It also makes perfect sense in a kids' show, where the audience mostly wouldn't be caught dead turning down an adventure in favour of asking a responsible party (or a bureaucracy) for help.

"It is your pleasure" Get wrecked bitch!

I love seeing Toph weaponise that which previously kept her caged. I love to see Toph winning at life. Actually, I love to see Toph.

Get yourself some friends who'll commit to the bit no questions asked like these guys.

Get yourself a man who says your name the way Sokka says SUKI!!!:D Get yourself a girl who's so into you, she'll flirt with you in front of your entire found family.

Momo knows what's up. He's a good judge of character.

It's rare for me to advocate for criminal behaviour on this show, but after that bureaucracy lady denied them any sort of solution for the refugees who got their tickets stolen, I was kind of hoping that Katara would just say 'fuck it' and steal one of those ferries. Or even smuggle people on to them. They've got two waterbenders; they could make ice boats to take them out to the ferry, or even across the whole lake presumably. Plot dictates they go face this serpent thing, because this appears to be a monster of the week episode, but boy did that ferry lady need smacking.

Sokka's acting funky.

Is corniness one of the side effects of pregnancy?

No one in their right minds thinks that a pass called "the SERPENT'S Pass" in a universe like this one is named for its aesthetic qualities. Nice try at misdirection, but there will be a Sneky Boy in that water.

Aang's kind of right about the whole 'hope is a distraction' thing. Hope can too easily go from fuel to crutch.

It didn't occur to anyone to hide from the Fire Nation ship until it passed?

Toph's just saving everyone's bacon today huh?

Am I sensing some post-Yue trauma?

I would love to know the context behind Zuko knowing this very niche skill.

Jet has this fascinating ability to do objectively good deeds in such a sleezy way that you end up siding with the greedy oppressors. Weird.

This makes so much sense. Aang zipped into the Avatar State so hard and fast in the desert that he probably scared himself, so now he's keeping a lid on things so hard that he's scaring everyone else with his newfound apathy. He's 12, and this episode he feels 12. This is probably the first time he's met emotions this big; of course he doesn't quite know what to do with them.

You know, Katara doesn't get paid enough to put up with this.

Suki. Honey. I'm pretty sure there's a girl code about not flirting with a guy in front of his ex.

Has Suki been filled in on the whole moon thing? Or is she just really confused right now?

You know, Smellerbee is just as unusual a name for a girl.

Jet talks the talk, but I don't believe he'll be able to walk the walk, despite second chances being one of the big themes of this show. Something about him still feels off.

Hope you guys can swim!

Katara to the rescue again. I'm liking this new level-headed action-oriented Katara that appeared in The Desert, and I'm glad she wasn't just a one-episode character.

Momo here fulfilling one of my childhood dreams. There was an aquarium room at my local zoo that had a tunnel you could walk through. Seven year old me would have sold my soul to be able to glorp through the glass and swim with the fishes like this.

Once again, Toph saves the day. She's doing a lot of heavy lifting this episode.

Big Sneky Boy has the colour palette of an exercise video from the 80s aerobics phase. Kind of detracts from the terror when he's wearing a leotard.

Number one sign of irresponsible pet ownership: sacrificing your lemur to Cthulhu.

Aang just bitchslapped Big Sneky Boy.

Why didn't they go with a big ice bridge in the first place?

Yeah that's a problem. Could she make rock skate blades and attach them to her feet maybe? Would that help her see?

Guys. Just. Send someone out there for her. The ice doesn't have handrails. Come on.

Suki can swim in like half a tonne of armour. I bet they have swimming with armour on drills on Kyoshi Island.

"You can go ahead and let me drown now." That is EXACTLY my sense of humour.

Unlike goldfish, Big Sneky Boys can be flushed down the toilet.

"Now it's nothing but smooth sailing to Ba Sing Se." *Something immediately goes wrong* Has Sokka thought about harnessing his ability to speak things into existence?

Tragically, it makes perfect sense that Katara knows exactly how to deliver real human things.

"You know, as soon as I saw your scar I knew exactly who you were." Jet's little speech here got the biggest laugh out of me yet. I had to pause so I wouldn't miss dialogue. He's so deliciously wrong.

This episode's Beat Up Sokka quota is fulfilled by a baby that has yet to be born.

"I want our daughter's name to be unique" TAKE COVER FOLKS! UNNECESSARY VOWELS INCOMING!

Didn't you guys just nearly get killled by a pass that told you to abandon Hope? Are you sure about that name?

Ok it isn't pregnancy that makes you corny. It's being a character in this episode. While I'm glad to see the back of Stoic Aang, this is getting to be a bit on the cheesy side.

Hell yeah Katara deserves that cry. And that hug.

I'm watching this at my mom's house and I need to report that when Sokka said "You came along, to protect me?" my mom audibly went "awww!"

On a more serious note, this is exactly what Sokka needs after the Yue situation. A badass girlfriend who not only can and does take care of herself, but who also can and does take care of Sokka. Boy needs some pampering.

That is one hell of a wall.

That is one hell of a Big Sneky Boy.

"Appa's gonna have to wait" hit like a tonne of bricks. Another step in the journey to turn Aang from carefree monk to repsonsible Avatar. Appa having to wait is a genius story beat, but I want Appa NOW.

Final Thoughts

I had to check out my window for flying pigs before I started typing this section, because Zuko was consistently the most reasonable character in the B plot, perhaps in the whole episode. Apparently the 'make Zuko decent' project is finally seeing results. Have we turned over a new leaf? Dare I hope? It helps that he was juxtaposed with one of the single most batshit crazy characters from season one, but still.

I also need to issue a formal apology to Suki and all of her fans. I didn't like her in The Warriors of Kyoshi, and while I'm still not overly fond of that episode, I love what they've done with her character here. A good standalone character with her own strengths, goals, and responsibilities, and a good match for Sokka. I'd go so far as to say she's a better match for Sokka than Yue was, for all that both ladies have a startling amount in common: a position of responsibility, devotion to those who regard them as a leader, good taste in water tribe ass, etc.

I'm also going to hypothesise that Sokka is, in universe, the hottest member of the Gang. He's now had four girls expressing their interest: Suki, then Yue, then Azula's pokey pink friend whose name currently escapes me, and now Toph too! And she can't even see him, so his hotness is more than skin deep.

This episode was another stealth character episode in the style of The Blue Spirit. You think it's an action episode but it's actually character work with some fights for spice. It's got: -payoff for Katara's new-found levelheadedness -the other side of the coin on Aang's desert freakout -Toph doing just ALL the heavy lifting in the absence of Appa (seriously, teach her to fly and you won't need Appa as anything but a friendly couch) -Toph also getting an incredibly logical weakness that she learns she can rely on her friends to surmount -Sokka getting some Yue resolution from a frankly ironic source -Zuko getting what I'm sure is going to turn into a dark mirror

Speaking of fuckboy, there was nothing in this episode that hinted that Jet's turn to good was anything but genuine, but something about him still really makes my teeth itch. So I'm calling it now: based not on any evidence, but entirely on my own feelings, Jet's turn to good isn't going to stick.

There was some corny stuff in this episode, but it's a kids' show. It gets way more allowance for corny than an adult show does. I'll let it slide, so long as it doesn't become a habit.

This was part one of a two part episode, but it certainly didn't feel that way. There was the Big Metal Sneky Boy plot hook at the very end, but other than that it was a self-contained story.

I had predicted last episode that the rest of season two would be spent getting to Ba Sing Se, and they did it in one episode. So I'd like to announce my retirement from predicting the future because I am not good at it. I have no idea where we're going beyond next episode. I guess I'll have fun finding out!

#atla #avatar: the last airbender #avatar the last airbender #the serpent's pass

[avaantares]

Wait, Zhao Yunlan's gun is actually a...?!

(I've never claimed production meta for @guardianbingo before, but after the amount of time and research I put in on this, I feel like I've earned the "Zhao Yunlan's Gun or Whip" square, haha)

SO. GUYS.

Maybe this is something fandom as a whole figured out back in 2018, but I, who didn't hear of Guardian until 2020, did not realize until now and I need to share the knowledge because when I finally noticed, I made an unholy sound.

I've tracked down where Zhao Yunlan's gun came from -- or at least, what it most likely started as. Not the in-universe dark-energy-maybe-uses-bullets-maybe-doesn't-device-that's-best-not-thought-about-too-long, but rather the actual fake-steampunk-revolver-that-is-best-not-looked-at-too-long-because-it's-awful prop.

Y'know, this disaster:

I was actually working on a different Guardian Bingo fill and needed to look something up for continuity, so I'd flipped through a couple of episodes at super high speed trying to find a scene. As luck would have it, one of my skips forward happened to land on the scene I screencapped above, when ZYL confronts Zhang Shi.

Normally we don't get this clear (or this stationary) a shot of the godawful gun prop. I'd assumed all along they had just taken a plastic gun, glued some extra bits and bobs on it to make it look fancy, and hit it with some dry brushing (fun fact: you can watch the paint flake throughout the series; check out the top of the barrel and the side of the cylinder in the above screenshot!) to make it look #steampunk like the abandoned aesthetic of 25% of the show (as I've said before, I have theories about what happened in preproduction, but that's another post). This sort of thing is exactly what I've done for cheap cosplay weapons or background props for film work that aren't going to be seen at HD detail range.

Anyway, since the detail showed up better here than in other shots, I paused the video to look at the random screws and hex bolts (why??) they'd glued on it, since I recalled that I had the aforementioned gun/whip bingo square to fill.

That's when I noticed a detail that had eluded me before: An inverted V shape at the bottom of the grip.

Only looking more closely, that's not an inverted V. It's a symbol that I've seen a whole series of variations of over the past 15+ years... every time there's a new installment of the Assassin's Creed video game series:

So I started hunting. The principal weapons in each game turned up no matches, but eventually I found a gun that looks almost exactly like ZYL's:

It's not a perfect replica, but the details are certainly all there: The stylized logo; the leaves and swirls on the grip; the feathers up the back; even the Victorian scrollwork beneath the barrel.

Now, what's really interesting is that this gun isn't actually from the AC game series. It's part of an elaborate fan project by artist David Paget that started as a class assignment back in 2014. Even though it gathered a bit of steam in the AC fandom and generated a couple of forum role-play groups, OCs and the like, nothing about this artwork was ever connected to a real Assassin's Creed title. So why would there be a physical version of a gun that was only someone's fanart?

This is where the smoking gun (*rimshot*) goes missing, because I can't prove any of this, and it's been long enough that digging through the archives of the internet to find answers is going to take way more time than I can afford to spend on a project I'm not getting paid for. But there are two likely possibilities:

Scenario A: Some employee in a toy factory somewhere in China got told, "This Assassin's Creed franchise is really big, so we need to be producing replicas from those games to sell. Work up some designs." So the employee Googles "assassin's creed gun," finds David Paget's very professional-looking art, and whips up a replica to mass-injection-mold without realizing it's not actually from a game. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and finds a cheap toy revolver on clearance after several years of sitting in storage because there was little demand for a replica of a gun that was never in a game. They buy several, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Scenario B: Other fans were involved in the design. Someone did build a 3D model of David Paget's design that's still available on Sketchfab (screenshot below), and it's not unreasonable to assume that other fans could have thought it looked cool and built 3D printable models. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and acquires the 3D print file of one of those models from the interwebs. They mod the file a bit, print some, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!

Personally, I find Scenario A far more likely than Scenario B, for two reasons: First, the hero prop looks more injection molded than 3D printed, especially given the technical state of 3D printing back in 2017-8. And second... Budget-challenged dramas do have a history of picking up bulk video game replicas and using them as cheap props. I made a post back in 2019 about the WoW Horde shields we spotted in a different drama...

Anyway, no firm answers about the source of the hero prop -- the world may never know! -- but we have now confirmed that in some alternate universe (possibly one of the first eighty?), Zhao Yunlan and/or Zhao Xinci is an Assassin.

Wait, wait, wait... *recalls mechanics of how the whole Assassin's Creed frame story is supposed to work* Uh... so... who wants to write a genetic memory explanation for the whole Kunlun -> [lots of lifetimes] -> Zhao Yunlan thing?

.

(I did actually check the catalogue of a friend of mine who makes replicas of props from various media franchises to see if he'd done a commission of the David Paget design, since a surprising number of his custom pieces actually do end up on film and television, but while he has a gorgeous replica of a revolver that actually appears in an AC game, it appears he has not done the Zhao Yunlan gun. I didn't really think it likely, since he's in the U.S., but you never know.)

#guardian #zhen hun #c-drama #guardian bingo #assassin's creed #tv props #it's always fun when my various hats end up stacked on top of one another

[vynegar]

ummm LUKE??

This is... such a harsh perspective to take, especially since the kinder, more common response was commented right there by Marius.* I wanted to dig a bit deeper to try to figure out why Luke might have this viewpoint.

For more context, let's review Brad's own words on how he viewed his actions. Here's Brad's final voice memo from the USB drive. I'd actually translate the first line like this:

I have decided that I want to become a hero. No, that's not right. It's not that I want to…

Luke has definitely heard and remembers this memo. Aside from it being a crucial piece of evidence for an NXX-related case that he'd want to investigate, he was the one who analyzed the USB drive to restore the video file at the end of the chapter so he must have checked its contents. Crucially, and not apparent in the English translation, Luke's comment uses the exact descriptor that Brad uses: "被逼无奈的", which I've bolded in the chn/eng versions below.

仲向盛：[...]被逼无奈的人不只有我一个，[...] Brad Gries: [...] I'm not the only one who has been forced to act.

渡鸦：被逼无奈的牺牲，真正需要的并不是称颂。 Raven: A sacrifice out of helpless doesn't deserve praise.

So if Luke is echoing some of Brad's exact phrasing, I think it's safe to say that Luke has this specific monologue in mind when he makes his comment.

My first thought was that this was a clash of ideology over what a "hero" is. Luke is someone who is often put into and puts himself into the role of the hero, especially knight-like roles of wholehearted devotion to their purpose. This isn't just a recurring aesthetic in cards, either; Luke explicitly talks about his mindset in his Blossom Chapter 3-11:

Luke has always seen being a hero as something positive and aspirational; and even if heroes don't always look the coolest, that part doesn't change. Brad defining a hero by negative space, a path taken because there is none other available, goes completely against Luke's viewpoint.

My second thought about an explanation for Luke's comment was that it reminded me of his strong reaction to Skye Harper's confession about using the unknown drug to kill Gerard's mother (Main Story 9-20). Back then, the possible connection to the incident at First People's Hospital and a reminder of his survivor's guilt over it triggered his anger when questioning her. So maybe Luke's reaction to Brad is also because it reminds him of his own condition?

Luke is one of those people Brad mentioned in his monologue, someone who may die young, forced by events that happen. Unlike Brad, though, Luke has been constantly investigating and doing whatever he can to find the source of the contaminated drugs and bring them to justice. Brad initially tried to be a whistleblower, but stopped and only took action again when he felt he was forced to. One could argue that if he had continued his efforts, he could have prevented people from having a similar fate.

It could be one or both or neither of those explanations, I don't have any conclusion that I feel confident on -- I just wanted to talk a bit about something that stood out to me. Either way, I think it's interesting how the recent main story chapters have been portraying the worsening of Luke's condition: not only do we see more of the physical impact of him having bursts of pain and weakness, but we also see how it's tied in with his reactions to things and his worldview. Examples are his reactions to Skye and Brad as discussed above, as well as his comments on ghosts and spirits.

*Regarding the stark contrast between Luke's comment and Marius's: I know I presented Marius's comment as the "normal" reaction, which is still generally true, but I also do think that part of the difference is also fueled by Marius's own Issues. While Luke is a hero/knight who is proud of the undertaking the duties that entails, up to and including self-sacrifice, it doesn't go beyond that; self-sacrifice may be necessary, but it's only one option out of others. Marius often specifically aims for self-sacrifice as the solution, some significant examples being him preparing to give up his identity as Z in his Blossom Chapters and trying to take himself out of the running for Pax heir. In his comment, you can sense Marius's admiration for Brad making sure he would fully follow through on his plan, as Marius is also someone who has had plans for (metaphorical) self-sacrifice.

#tears of themis #luke pearce #tot luke #xia yan #tears of themis analysis #thoughts of themis #marius von hagen

[worldsokayestmagicalgirl]

The first batch of pictures for Amoré's character journal are here! Also I have been so super sick that I've literally had nothing to do but to work on this for like almost 2 weeks so...

The cover to cover tour officially starts here. All I can say about the front & back is that I lament my lack of experience with my Cricut when I made these decals. I only had 2 "fun" colors to work with at the time & I was still getting comfortable drawing in Procreate, so my silhouette art leaves a lot to be desired compared to some stuff I've made recently. I also found it's incredibly easy to burn this leather book.

But she's volume one, everything with her is a learning experience, & I realized as much as it helps to have a mini heat press for tight corners & small spaces, the cloth barrier they suggest you use between the vinyl & the iron tends to make things harder to press on this scale. So instead I gotta quickly tap straight on the transfer film & hope I don't burn anything around it :(´◦ω◦｀):ﾟﾟ

So at the risk of thoroughly exposing my inner theater kid, Amoré set the precedent with how I went forward creating campaign characters. I started off collecting 5 songs to make a mini story arc (almost like a show choir set list 🙃) that helps me figure out an outline for the kind of story I wanna give them.

Somehow Amoré ended up with a truly horrendous blend of rock & theatre. Absolutely incredibe. No wonder she's always such a dramatic bitch.

It was a lot easier to go in & add little decals around these lyrics. I'm definitely cursed with the Too Much™ gene, but I enjoy the little pops of color they give ✨ plus it justifies me hoarding all these vinyl scraps printing stuff this small lol.

Stat sheet!

In all honesty, as my first character I had no fucking clue what I was doing when I placed these & if I could go back & change one thing I'd probably swap her Intelligence & her Wisdom. She’s definitely more people smart than book smart.

But everything else is...very accurate. She has all the upper body strength of a chicken nugget. Plus on top of the (already) negative I traded disadvantage on everything DEX for magic crystal shoes that can be periodically harvested. Just a way for her to carry around the family fortune without actually having to return to the vault✨

For something that started so average, her CON became a monster & always comes in clutch for her alcohol tolerance. I've played variations of her across a few different one shots & I always manage to roll well for anything alcohol related. The dice do respect a bit 🤣

Spells on the other hand, I floundered with a lot at first because we’re not a combat heavy game, but then I found Chaos Bolt & that was that. It’s essentially Amoré in spell form & I’ve had a ton of fun with it over the years. Also Mage Armor cuz my girl is SO DISTRESSINGLY SQUISHY.

Cantrips were more or less a bit of a toss up. Message was fun for the sheer idea of her using it to talk shit during social events without being caught. But aside from Light serving fun backstory purposes the other 3 are kinda just what looked fun ¯\_(ツ)_/¯ unless you count the idea that she would absolutely delight in zapping handshakes.

From there, I wanted to extend the world map made by our wonderful DM @cappierong into a full scroll. Ya know, for the aesthetic ✨

Our campaign started in Civania, where Amoré's main Estate is. I just wanted a quick mock up to reference, so I edited a preexisting picture I found that checked all the boxes (large, on a plateau, accessible only by bridge) and then absolutely smothered it in flowers.

But anyways... This is primarily where Diana & Amoré grew up together in their decade of backstory ✨

There was probably waaaay to much back & forth trying to keep the continuity between stuff I've already drawn & this big reference. But I think it turned out pretty ok? Not like if I make a mistake anyone will really know lol.

Scaling was also another big issue I had, & I moments where I thought something was too big I just kinda handwaved it away like "ehhhhh she's from a stupid rich family." But now I have a NEED to draw baby Diana & Amoré around like, the statue gardens or something cuz I feel like certain parts of this place are definitely ominous 👀 especially for children...

And lastly we have the back cover & the High Noble political relationship map! I normally have this closer to the front but for layout purposes it'll be here. I kinda feel like I need to do more for the decoration of it but I can’t think of anything else to add at the moment.

Sam if u read that no you didn't.

But now! Other than a family portrait that I've always wanted to draw, I think I'm ready to move onto the art for Season 1 : Arc 2. It's a pretty hefty amount of art in comparison to others, so I gotta get busy. Especially since I think I'm gonna have to draw a few comics *sobs*

If you made it this far, thanks so much for reading! I'm always excited to talk out our little idiots so thanks for indulging me ❀(*´▽`*)❀

#duo rong #dungeons and dragons #dnd character scrapbook #duo chronicles #amore bellridge #diana blackthorn if you squint #dnd #dnd character #dnd pc #dnd oc #character creation #character study(?) #dnd backstory #season 1 #dnd art #dnd campaign #campaign art

[iliveforyouilongforyouvesuvia]

Vesuvia Weekly: Fashion Intervention

~ here's another sketch of an afternoon with my fandom self-insert :P ~

1.8k words

One of the best parts about being the type of person to prefer sitting in corners is needing to worry less about my appearance.

One of the worst parts about being the type of person who doesn't worry much about appearance is having six friends who definitely do.

The part I don't understand is when my fashion sense got so horrifically bad that said six friends actually banded together to stage an intervention. In the marketplace. While I'm writing. With Selasi, that delightful baker, enabling them.

"Ah-ah-ah, don't try to resist! You're a fine young man, my friend, but we all have our weaknesses. Appearances are easy to fix!"

My neck is going to start hurting if I keep having to look up like this. Julian is gesturing enthusiastically, his coat billowing in the breeze as he gets caught up in his monologue on self-improvement. Do I point out the irony, or -

"He doesn't look that bad, he just needs some more ... smrthrgnh." The last word of Asra's sentence is muffled by a mouthful of bread. My bread. Why is he eating my snack?

"Why are your clothes so shapeless anyways? Show off a little something! You should do like I do and get everything tailored. Work that figure!" Lucio takes a few heeled steps and then spins, striking a pose to show off his suit. Muriel frowns.

"It's okay if you don't want to show off." Thank you. "But maybe you could ... pay attention to patterns." I take it back.

"Yeah, what's up the funky looking skeleton? There's no way the fabric it's painted on is going to last longer than a few washes."

"It's merch, Portia." She huffs at my defense and plops down across from me, brushing my parchment out of the way. "I like it because of the pattern, the quality is just ... unfortunate, sometimes."

"I believe we've made our intentions clear." Nadia sails into the discussion and gives me a no-nonsense look. "It would be remiss of us to allow our friend to sit in a public space with so little care for his appearance. Especially when he is one of Vesuvia's aspiring authors."

I try a pleading look, but the only person who starts to look remotely guilty is Julian. Portia's elbow to his ribs makes quick work of that.

"I have shi- I mean, I have stuff to write. And to get done. If you want to look through my wardrobe and help me put together outfits later, we can, but I don't want to leave my corner right now."

"I cannot say this response is unexpected," the Countess gives me a sly but friendly smile, "so I've prepared something for you in advance. When the time comes to return it to me, I expect you to do so with a cleared schedule and an open mind to fresh aesthetics." She holds out her hand, an intricate set of silver chains dripping from her fingers. "From my personal collection - I expect it will suit you nicely."

I sigh. The sooner I accept, the sooner I can go back to not being scrutinized by six pairs of frustratingly kind eyes. "Thank you. I'll take very good care of it."

Nadia moves the jewelry out of the way as I reach for it. "I desire something in exchange."

"What ... what something?"

"I'd like your sweater, please."

"My hoodie? But it's so comfy!"

Her eyelids droop in poorly concealed annoyance. "Your 'hoodie' is in a severe state of disrepair. I can see the threads poking out from the seams, young man, I don't care to see my prized jewelry hidden under such a tired item."

"... okay." I squirm out of my hoodie, handing over the pile of fabric in exchange for the chains. The short sleeves of my undershirt leave my arms exposed, something that I thought I did more often, except -

"You have tattoos?!" Portia's reaching across the table, snatching up my wrist to get a closer look at the slowly growing sleeve. "That's so cool! I've heard that they can really hurt."

"That's a familiar symbol," Asra eyes the lineart on my upper arm where its stretched across the table in front of them. "What do the other ones mean?"

"There's one on your neck, too!" Lucio sounds almost scandalized. "Let me see it!" Before I know it, my freshly exposed neck and arms are being closely examined while a few more sharp eyes focus in on the hints of ink peeking out on my shoulders and chest. This is why I wear hoodies.

Muriel's quick to notice my discomfort when the attention shifts to my neckline and bound chest. "My turn," he grumbles, dropping a navy blue scarf around my collar.

"Thanks."

"Don't mention it. Now give me the second hoodie."

It's hard not to scowl, but I untie the backup hoodie's sleeves from my waist and hand it over. Dang it. "Here."

"You look chilly, my mentally decaying friend!" Good lord, when is Julian going to stop ribbing me over my pen name?

"It's brainrot." He doesn't falter.

"Allow me to rectify your situation! I guarantee you this trusty cloak will protect you from the fiercest of storms." He pulls the massive, dramatic coat from his shoulders in a rehearsed sweep and twirls it to fall behind me. He keeps the armholes open with an excited grin until I push my hands through them.

"This is ..."

"Warm? Comfortable? Touching?"

"Huge." I can barely hold back my laugh. "There's no way even your arms come out the other end of these sleeves! ... but thanks, I'm definitely not cold any more."

"I'll help you roll them up," Portia chirps. Her nimble fingers make quick work of the endless fabric, and I can see my ink stained hands again in no time. "Now give me your socks."

Oh no. My boots are sitting next to the pile of cushions, my socked feet tucked under me for maximum comfort. It's not the stink I'm worried about - for all my poor fashion sense, I never miss my daily shower, or laundry day - but to say that I walk gently would be a blatant lie. I briefly size up the determined look on her face before sighing and shucking them off under the table. "... remember, you asked for this."

Hey jaw drops. "Please tell me you have at least one pair of socks that don't have holes in them."

I shrug. "As long as I can still wear them ..."

"No!" She slams her hand on the table, rattling the now-empty bread bowl sitting in front of a shameless snack thief. "These aren't socks anymore, they're practically cobwebs! I'm knitting at least five more of these."

She shoves a pair of knit orange socks into my hands, lovingly covered with Pepi's cat hair and decorated with little blue bows. "Put these on, I'm burning the rags you gave me."

We both know my pout is just for show. It's not my usual style to wear anything that isn't black (or very, very dark grey), but the bright orange gift is supremely comfortable when I put it on.

"My turn," Asra begins with an innocent smile.

"Where's my bread?"

The dimples deepen. "Give me your head covering, and I'll tell you."

"My beanie?"

"Is that what it's called?" He holds out his hand, taking a closer look at the shabby knit fabric when I pass it to him. "I don't see why, there aren't any beanlike qualities about it. Ooh, unless they're invisible beans ..."

Nadia's sharp cough sets them back on track. "Wear this instead, until we can find a better replacement." Oh god, tell me it's not -

It is. It's his iconic wide brimmed hat, complete with the oversized neon rainbow feather nodding from the band. I don't have time to protest before they're plopping it onto my head and wobbling it into place with a laugh. "Now you're unnoticeable." I highly doubt that. "As to your bread, Selasi's been asked to bring you some of the next hot batch. Can you forgive me?"

Nothing about a smile as smug as his says "guilty", but to be fair, I was never upset. I nod. "So ... can I go back to writing now?"

"What about me?!" I glance from Lucio's outraged pout to the rest of the group. I'm fairly certain that, even if he was invited to the planning for this, he didn't follow through on deciding which offending article of clothing he wanted to replace. "You didn't tell me I had to bring something!"

Portia rolls her eyes. "Well maybe if you had listened when I was talking to you, then you would've known." I don't miss the quiet smile lurking in the corners of Muriel's face as Lucio turns bright red and sputters.

"Well joke's on you, 'cause I'm going to give him something anyways!" He starts taking a hasty inventory of his outfit. "Yeah, that's right! I'm gonna give him ... I'm gonna give himmmmm ... this!"

He unfastens his smallest medal and leans over the table, poking the pin of it through the thick leather of Julian's jacket, disregarding the whimper of protest from the doctor behind him. "It's supposed to be airtight, to keep out the bad humors ..."

"There!" The ex-count grins down at me proudly. "Now your outfit isn't boring. You can give that back to me when you have a better look."

"Thanks," I tell him, and I mean it after noticing the way he glances forlornly at the new empty spot on his sash. "I'll make sure it gets back to you."

"We should go now." Muriel's already half-turned away. "... I'm still not sure this worked."

Asra steps back to his friend, surveying my new look from a distance. "Maybe this will motivate him to let us fix his look sooner."

"It looks better with my medal on it," Lucio announces proudly. Portia lays a firm hand on his shoulder and starts heading away, dragging him with her.

"You'll look better once you make time for us, promise!"

"You should be somewhat protected from the elements, at least." Julian eyes his cuffed coat critically. "If you fasten it correctly, it's airtight, humors proof, water tight, blood proof, pus proof -"

"We'll leave you in peace." Nadia smiles again, amusement dancing in her eyes every time she looks at me. "I suggest you prioritize finishing this project soon."

The six disappear back into the crowd. I lean back against the stone wall behind me, Asra's hat knocking forward over my eyes and giving me a moment of peace. Sure, I may have looked shabby before in my all black-and-grey, well worn clothes, but now -

I'm startled out of my blissful shuteye by a surprised choke. Selasi's standing by my table, a fresh bowl of spiced rolls in one hand and the other clapped over his mouth. "Would you - would you like a mirror, my friend?"

I hold out my hand for the rolls, mentally taking it as a consolation prize for what I've just been lovingly wrangled into.

"Oh, don't think I'm not aware that you let this happen, Selasi."

#vesuvia weekly #borrowing clothes #ask arcana brainrot #the arcana #the arcana game #the arcana fanfic #asra the arcana #julian the arcana #nadia the arcana #muriel the arcana #portia the arcana #lucio the arcana #asra alnazar #julian devorak #nadia satrinava #muriel of the kokhuri #portia devorak #lucio morgasson

[coldgoldlazarus]

Given how much I bent normal Lego building and euclidean space into a pretzel with these masks, would you believe me if I said the main purpose of this was just to fiddle with color palettes and placement? Rambling details below:

But yeah, test designs of a more MoL-esque take on the GWP System Matoran design

I figure a proper do of system Bionicle would at least still have custom mask molds, so that's part of why that's so fucky

(Also, apparently it turns out the ball pieces I used for the shoulders and legs are long discontinued by lego and not actually compatible with mixel joints, RIP)

(Like I figured these were physically unbuildable anyway because I quickly gave up on trying to make the masks align with conventional euclidean space, and the coloration of pieces reinforce that further, but the problem goes deeper than I realized ^^; Ah well, this is more an aesthetic exercise at the end of the day.)

Rule was everyone has a primary color, a secondary color, a translucent/glow color, a metallic color, and an eye color

And those can double up in function, it doesn't have to be a full palette of five, but still that idea

And then like, the layout of said colors differs based on team:

---

For the Metru, the metallic color doubled as the secondary color and the eye and glow colors were also the same, cutting the five down to three, but then of course some Metru Grey at the joints as a pseudo-tertiary. The primary Metru Elemental color as more of a baseline, with the metallic secondary given a fair bit of prominence in reflecting their LomN and turaga designs, and then the glow kept to like, accents with low surface area. (In a more full figure I'd want that as like, basically Tron lines to add just a bit of cyberpunk to the Art Deco/Alien Dieselpunk vibes of Metru Nui.)

Also hadn't gone fully off the rails with the masks yet, so Onewa's Komau and Matau's Mahiki are still pretty simple at least, and the rest aren't too egregious yet. Decided to integrate Nuju's scope as a toa into his noble Matatu design, but it's easily removable if I copy-paste that mask over to others.

---

The Mata are pretty obviously influenced by their G2 incarnations. Particularly the like, three-pairs of shared metallic colors, (Gali and Pohatu with Gunmetal, Onua and Tahu with Pearl Gold, and Kopaka and Lewa with HF's Flat Silver,) and the like, glow color being the secondary while the secondary was relegated to more of an accent role. I just really love the idea of these six being so powerful compared to typical Toa that it shines out through the seams in their armor. For G2's other faults, I think it was a success on the character design front. (Also added their metallic color to the toes for a more armored look.)

(Decided on pink for Pohatu instead of G2's lime on a whim, but I think it works. Pink bands in a canyon wall, the sunset over a desert, and his love for his friends and villagers.)

Still, also brought things back to their original selves as well, with the eye colors, the use of black as a tertiary the same way I used grey for the Metru, the original brighter shades of their main for Gali, Pohatu, and Lewa, and similarly bringing back lime and tan as the latter two's accents.

As for how the accents were handled, I kinda split the team into two groups of three there; Tahu, Gali, and Onua, where the accent is from their G2 sets and thus goes for more of a high-contrast vibe, I relegated to the small parts again, to stand out without standing out too much. Meanwhile, with Pohatu, Lewa, where I brought back their G1 colors that are more of a light-shade complement to their primary rather than a contrast against it, I let occupy bigger pieces on their limbs, swapping position with the primary on their arms, and with their metallic on the legs. I also applied this layout to Kopaka, despite sticking with the Metru Blue from his G2 design, both for an even team split, and because I felt it wouldn't feel as weird with more prominence due to contrasting with the primary by being darker than it instead of brighter.

I kinda went nuts with the masks lmao. I feel like the Pakari in particular is kinda my crowning achivement, but probably not worth having spent so much time on it alone yesterday, and frustrating because I ultimately can't build it IRL from all the clipping. Still kinda like the moleman/gas mask vibes of how the eyes turned out. (Also went back and changed the Hau and Kakama near the end, to align better with the rest.)

---

With the Mahri, I was originally going to do the same three-pairs setup with their metallics, but then wound up opting to make those all fully personalized again like the Metru. Their main trick there instead, is being all chrome colors. Idk if it entirely lands for all of them, (I have mixed feelings on Kongu's pink instead of sharing blue with Matoro per original plan, but I didn't want to double up on only two of them and leave the rest more scattered, and I was already too married to my choices for all them) but I kinda like how it turned out.

Instead, the three-pairs setup applied to their glow colors, which I pulled from their Inika forms; the Zamor spheres and the flashing lights on their weapons. The one case where adherence to this also feels like a mixed bag is Hewkii's red going with the green chrome I gave him, giving a bit of accidental christmas vibes instead of the copper patina look I was trying to invoke, but ah well. In general, focused their glow in the shoulders and legs, both as a reference to Jaller and Matoro's translucent Inika "bone" pieces, and as a midpoint between the Metru's subtler use and the Mata's prominence.

---

Also on that note, in comparison to the prior two teams, I averted using any tertiaries like black or grey, made the metallics the most minimal parts, and really emphasized their flat secondaries as secondaries instead of accents. Same as the Mata, I split them into two different layouts for that, (which wound up falling along the same lines, not intentionally but that's how it worked out) based on whether their elemental color or personal color was the darker/brighter of the two.

(On that note, mostly went back to their Matoran color schemes with the more exotic colors, though for Hahli and Jaller favored their Mahri color schemes instead, and tweaked Kongu's lime to be Apple Green instead. Those, and Hahli's mask, are the cases where I permitted myself to not force an even split among the team, for the sake of everyone looking best individually instead.) For all of them, the brighter color always went to the stripe on the chest, while the darker went to the hands and feet; mainly the arms and masks where they're different.

For the left-hand side, where their personal color was bright and their elemental color was very dark, I opted to downplay the personal a little more on the arms, since it was instead prominent on their masks. Hahli being the exception, because a big block of lime would not have been a good look, and I really wanted its brightness to pop out from the underlayer of her otherwise very dark colors.

Also like what I did with Nuparu, having his orange mask intact overall, but keeping the sort of "internal" area of the sidevents and eyes black for contrast, again a bit of that moleman look to go with his gremlin inventor personality.

Then the other side, where the personal color and the color on the mask was darker, I instead let the brighter elemental one take prominence on their arms and the back of the torso, which also just ties in nice with the original clean mctoran color layout. Not as much to really comment on with them.

Also, I played fast and loose with their eye colors, since those were always homogenized some amount in each of their incarnations but inconsistent across them, and I wanted to maintain everyone having their own separate eye colors like the other two teams. (And the eyes being different from the glow color like the Mata.)

So Jaller now has dark blue and Kongu has azure; Hewkii's supposed to be apple green, (though as with Whenua, I had to use the same color as Onua's dark green, since this was the only green glow shade aside from lime that didn't just look washed out and/or too blue) while Nuparu is lime, since he alone was mostly pretty consistent in that. Hahli got red for her later Barbarian arc, while Matoro got a softer orange, both for contrast with the frosty blues of Nuju and Kopaka, and just cozy vibes to match his kinder personality.

---

So, yeah. Clearly a good use of the past two and a half days lmao.

May also do Takua and the Chronicler's Company, the Disk Metrutoran, and maybe even the Voya Nui resistance team at some point? Though for now, need to focus on other stuff I'd been distracted from by this.

#not a reblog #bionicle #bonkle #bonkles

[simulation-machine]

SIMS RELATED PROJECTS/UPDATES

My spring break is coming up in a week and holy crap do I have plans on plans on plans, especially since my summer is gonna be full of school + internship + HOPEFULLY friggin' graduating with a BA in Psychology so that I can start applying to grad schools.

Read more iffin' you'd like! It's long! Here's a picture of my golden retriever napping on her brother's food bowl to entice/entertain you:

god she is so precious i would literally kill for her

GOAL 1: MASTER GSHADE/ReSHADE

I know that some people are sticklers for this but my thing is that I had no gee-dee clue what I was doing with ReShade, whereas Gshade just kinda clicked and worked for me? That said I have a bunch of resources for learning ReShade so I might end up moving back to it at some point.

My main issue is figuring out the order of all the different effects. It obviously matters, I'm sure people smarter than me have tried to use presets only to be like "why tf does this look absolutely nothing like the baller screenshots this one cool Simblr has?" Annnd it turns out it's order + remembering to turn off certain graphic settings. Also photoshop, but that's gonna take a lot longer for me to figure out lol.

Like I'd been struggling to figure out why @gunthermunch's gorgeous Lithium preset wasn't looking as sexy as it did before annnnd it's because I forgot to turn Edge Smoothing off when switching to it. Jesus wept at how dippy I am sometimes.

Eventually, what I would like to do is maybe make my own preset at some point? I would be kind enough to show the effect order too if I did so. But this requires so, so much more shader knowledge than I currently have.

FUN FACT: My first ever degree was in art, I even went to a very fancy and private art school (School of the Art Institute of Chicago if you're curious)- I dropped out after one semester because uhhh that shit is expensive. Ended up finishing my degree at a much cheaper location in MN. That said, my art was 100% analog and 2D, and it turns out it did not translate super well into trying my hand at graphic art.

It's funny because I've been gifted really neat stuff for graphic art (like a really nice Wacom tablet and Adobe subscriptions), like people just expected my mixed-media ass would know what to do with it. NOPE! But yeah, Sims is sort of my excuse to try my hand at this stuff again, especially since I have a bit more energy now that my soul is not regularly being drained out of my body by customer service and tech support jobs.

GOAL 2: GET CRACKIN' ON ANOTHER DOOR

This one is hard because I am only on Gen 2 of the Orsons and it's sort of hard to justify starting up another story while that one is less than 1/5 of the way done.

THAT SAID, I don't plan on posting Another Door until I have a decent chunk of it done. Since it's not a casual gameplay story nor a legacy challenge, I plan on editing the bajeez out of the screenshots for it, really honing in on the aesthetic. I want it to look and feel very different from my random legacy challenge.

Fortunately, this story has been fucking up my sleep schedule for *months* now and I have a lot of the writing for it done. The hard part is translating that into the Sims, making sure I get the right poses and stuff, maybe even learning how to make some super easy CC (like, posters and stuff), and stuff related to GOAL 1 above.

What I'm saying is that it's going to take a bit. But I'm super serious about sharing it because it's my obsession and honestly the first time a story of my own design has possessed me in literal years.

Also, I want to make sure I have a significant backlog of the Orsons before I start seriously simming for it, because I don't want to screw over my favorite little pixel babies. This legacy challenge is going to be the one, I have done so much to keep my save files to keep it safe from harm (ask me how many backups I have of the save files. JK don't, the number is frankly silly).

GOAL 3: START YET ANOTHER MASSIVE CC PURGE

Y'all, my CC folder for this game is honestly an embarrassment. I go so hard on CC shopping because this community is stupid-talented and I like giving my pixel babies nice things and cool looks. When I'm bored and not quite in the mood for gameplay, I just like making neat-looking sims that I do absolutely nothing with because I love fucking around in CAS.

I have built my own PCs since I was 17 years old, and when I first built COMPUTERMACHINE (current rig) back in the autumn of 2018, it was with the goal that it would run Sims 4 flawlessly no matter what I did to it. It's got ridiculous amounts of RAM, I religiously update parts for it. And to be fair, even with the current 6,907,907,890 TB of CC I have atm it runs better than Sims 3 ever had with a measly 50 GB of CC.

But for me, it comes down to finding all the stuff I wanna use. Making myself get rid of the stuff I don't wanna use. Straight up yeeting the CC that I thought was going to look incredible that uh, didn't deliver.

I do CAS CC purges about once a year but have literally never done it for Build & Buy stuff, because OMG some of this shit I've had since 2014. Like when Sims 4 first came out. YIKES. My CAS CC obsession is notable but it's honestly nothing compared to my Build & Buy. Even before For Rent made building lots slow af, my PC was starting to take a solid minute to switch to different buy categories.

It would take a long af time so I want to make sure I have a bunch of content in the queue before I do it. It's gonna be a whole ass thing and be so, so boring to do. So I'm putting it off for when I have a ton of time to do it. Like, oh, my entire Spring Break?

GOAL 4: MAKE A FRIGGIN' RESOURCES LIST ALREADY

This would obviously need to wait until after GOAL 3 is completed, but I wanna make sure the awesome creators whose stuff I use get credit, and that people know where they can grab neat stuff. It would include not only CC but mods, Gshade/ReShade presets, and maybe even lots and sims I've downloaded from the gallery?

(Since I am super anti-paywall and very unapologetic and rude about it, I will also share where one could perhaps get some of these CCs without paying some dip a Trenta Starbucks Unicorn Frappucino amount of $$$)

It's ambitious as hell because *gestures vaguely at GOAL 3* but it would make things like doing WCIF asks and lookbooks so much easier.

Somewhat relatedly, I wanna make a navigation post, especially once Another Door starts getting posted. That story is gonna be a bit huge with multiple arcs that take place over the course of like, 14 years. Plus once the Orsons get to the 4th+ generation, it would be easier to track things down.

IN CONCLUSION...

I have been having so much fun sharing my silly little Sim adventures on Tumblr, so much more than I ever thought I would! You all have been so great to me, and all of this stuff is sort of a way for me to repay that. Ever since I stopped being able to be artistically creative ever since a really nasty depressive spell in 2017, Sims has been my #1 artistic outlet. And having people who are even somewhat entertained by my pixels is incredibly motivating.

Basically, if you read all of this, DAMN would you have been a rad livejournal follower of mine circa 2007. On the seriousness, however, thank you all so much for being rad and encouraging and sweet. I promise to do you all, if not proud, then at the very least not disappointed.

Time to hit the bong and take some pictures of Lou and Tatertot before taking my IRL doggos on a walk~

#sort of an announcement #future plans #sims 4 gameplay #tales from the irl #i love the sims community so much #promises i plan to deliver on (eventually) #playing with photoshop again #talking 'bout doing another cc purge again #posts so long you'll unfollow me (i will not blame you) #tl;dr: folks i'm gonna be doing some stuff #anyways... *bong rips*

[beemers-hell]

would u b willing to share a crumb of advice on how to pick colors? your coloring style is so efficiently simple and beautiful. how do u do it

ill be honest in saying I really dont know tbh, cause generally the way I go about art is that I just brute force through shit until it works/looks right for me lmao. However! Generally I recommend just kinda trusting the process, and by process I mean "Have a very clear idea of what you're trying to do and have as many reference material/resources at the ready." Shit like color palette prompts, mood boards, "aesthetic" images related to the look you're tryna go far, that kind of thing. Most of the color schemes I use in my pieces are directly tied to the aesthetic of the overall image I'm trying to make, which usually falls under Y2K/Neo Futurism/Scene/Industrial Goth/Horror In General yadda yadda I think you get it lmao

Like, sometimes, if it's something that's a bit out of my element, it takes me FARRR longer to figure out the color scheme of something. For example, that Gyaru-esque Ettie piece I just did! I was struggling really bad with the colors/patterns/overall color aesthetic in order to achieve something that could be considered Gyaru, however everything I was trying just kept looking like it was clashing too much for my personal taste. Which, like, is more just a symptom of me not liking having a million different colors in a single palette (I tend to try to stick to just 4, maybe 5 or 6 different colors at maximum) and Gyaru fashion tends to be explosively colorful and overly detailed by design. Anyway, this caused me to spend like, almost 7 hours just coloring the Ettie piece because I kept just redoing all the colors over and over again, and only stopped when I finally thought I had something that looked fine. I was looking at A LOT of reference photos I'd saved of various Women in different Gyaru styles, and I just experimented with what colors I was seeing in the photos. I think there is a whole like almost 5 minutes of the Ettie speedpaint that's solely dedicated to me just struggling on the color palette lmfao

#beemer asks

[machine-saint]

weird tarot story time

so as background: i'm non-spiritual, a believer in philosophical materialism. have been for a decade and a half. but i'm a sucker for the symbology of tarot cards and the art people make for them. so a few years ago i decided to write a little simulator.

now, obviously if you're gonna do tarot you have to shuffle your deck, right? and shuffling a deck in code is easy; take a decent random number generator, use fisher-yates, done. hell, you don't even have to shuffle if you just pick a random card and remove it. but that's not fun. and part of tarot, as i'm told, is your intentions.

so instead what I do is I write an intentionally bad shuffler. you type your query in, and it converts it to a number using a bad hashing algorithm (CRC32) and then converts that into a stream of random numbers using a really bad algorithm (an LFSR), and then implements a shuffler that's intentionally not perfect (some hand-written thing I don't remember). i run it a few times and verify that there aren't any obvious clumps or patterns and go, okay, good enough.

(the other reason is i get to do cool UI design stuff like this)

so I decide to test it. I type in the query "Is this real?" or something like that, let it shuffle (it intentionally takes multiple seconds to shuffle), and draw the top card. and i get this:

X - History, reversed

now, if you're passingly familiar with Tarot, you might not recognize History. if you're more familiar with it, you'd probably go "wait, 10 is Fortune, what the hell". that's because I decided to use the Tarot of the Silicon Dawn by Egypt Urnash, which adds a bunch of fun extras (including some that, in the sadly-out-of-print physical deck, are gloss-on-black. very fun.) the image here is from the high-res images the artist posted on her site; she let me use them with permission, and I wrote the ascii-ifier myself because I figured it fit the aesthetic. i also did the same thing for the Neon Moon deck, which is more conventional in design (aside from renaming the suits) but has a very nice striking cyberpunk-y color scheme.

so anyway. i'm not an expert in interpretation, and Silicon Dawn comes with a booklet that i'd integrated into my program. so i look over at it and see the first paragraph, emphasis mine:

She bends the world around herself, and binds it about her with a story. Or is she the world, bending into itself, and trying to explain itself with narration? Just the whole cosmos finding a way of talking to itself. At the very least this card may be a reminder that the whole deck can just be an elaborate way of talking to yourself – what story do you bring to these cards, what begs itself to be connected in ways you wouldn't let yourself connect normally?

and I think: "well, I asked it if the occult is real, and History upright is 'this can just be an elaborate way of talking to yourself', so if it's reversed..."

and, like, I know this is just a coincidence. i i know that in a 99 card deck, the odds of getting a specific card reversed are about .5%, so it's not impossible. it didn't change my mind about anything. but it's still the only time i've had a, i guess, genuinely low-probability occurrence with occult stuff.

if you want to play around with it, here's the tarot simulator! nothing ever leaves your computer; i can't see your queries or anything like that.

#tarot