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#spiral answers
disdoorted-crows · 2 years
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🎶✨when u get this, list 5 songs u like to listen to, publish. then, send this ask to 10 of your favorite followers (positivity is cool)🎶✨
1) venetian blind man - will wood
2) drinking song for the socially anxious - the amazing devil
3) come along - cosmo sheldrake
4) yes to err is human - will wood
5) not yet/love run - the amazing devil
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comradekatara · 3 months
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Which is worse? Forgetting your own [mother’s] face, or being forced to witness it every day?
little comic that didn't take long at all to draw hahahaha (i love pain)
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sugarcoated-lame · 2 months
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You’re telling me that this isn’t dbf!joel at the very end of a wedding reception, tipsy enough that he lost his suit jacket and his tie a whileeee ago and has started to forget that he’s not meant to be looking at you like that??
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AAAAAAHHHHFJEIGJEJGHH!! KATIEEEEE !!!!
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he may be tipsy, but that doesn’t mean he hasn’t noticed the way you’ve been staring at his chest in that unbuttoned shirt with a glazed over look in your eye for most the night, when you think he’s not looking. but he’ll definitely play up the tipsy card when he asks you to “help him” find his jacket in coat check, which may or may not end with your back pressed up against the wall in the dimly lit room, engulfed by a soft sea coats, a stark juxtaposition to Joel’s rough hands grasping your cheeks as his lips press to yours in a bruising kiss. and if he asks you to help him find his room afterwards, well who are you to say no? 🤭
god I’m never going to stop thinking about this
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puppetmaster13u · 3 months
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Prompt 217
Babies can die if they don’t have enough physical contact. This is something that is known, but Talia does not have time to spend with her twins, and it’s not like she carried them thanks to the false Lazarus womb, so she didn’t even have that excuse to use. 
What she did have, was a near braindead teen who could be taught things through muscle memory. 
Which is how Jason ended up caring for a pair of toddlers between any training, even after his dip in the Pit. Well, he cared for them until he left for Gotham, to enact his plans, even if he continued to call them every week. 
But that wasn’t enough for little Damian and Danyal.
Where had their caretaker gone? Away from them? Where is Baba? Across the sea? Unacceptable. They will not stand for this! 
Which in turn, is how Jason discovers his the twins outside his safehouse window, having somehow made it to Gotham on their own- what the fuck, kids!?
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canisalbus · 4 months
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Did Machete ever feel guilty when he raised his voice to Vasco? (I don't know if this has already been asked)
Absolutely. To be fair, Machete barely ever raises his voice (he's more of a quiet, grudgeful, seething type), and he has more patience for Vasco than everyone else combined.
But when he does, he instantly spirals into despair and self-loathing and is usually the first to apologize, profusely.
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radjerda · 5 months
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So, I did some Rivendell-based incorrect quotes doodles a while back. Presenting:
Thranduil is in town for a visit and Glorfindel happens to be showing him around.
Erestor will find a way to make an overworked Elrond listen to his advice.
A semi-newly returned Glorfindel gets ready for his day.
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roadkill-punk · 16 days
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It's kind of tragic, in a sense, that iterators were made with so much of their creators logic and desires and yet they were left with none of the resources to satisfy such things.
Do you think they crave touch? Family? Do you think they have to have any hope of connection stomped out of them lest they rebel against what they were made for?
Were they ever afraid to feel, or to be outside of what they were supposed to be? If they ever dared to desire, would they have to hide it?
Do you think they saw their creators sometimes as family, and did the abuse hurt just that much more because of it?
Were they like children, when they were born? Did they process the world through the lens of uncertainty and naivete and was that taken advantage of to mold them into the desired product?
Or were they conscious and self aware in full, was is overwhelming, being alive for the first time?
Or were did they process things entirely as machines, did they only learn to be people after seeing it happen around them, and then did they ever regret becoming more alive than they ever needed to be? That they ever became enough to feel hurt and to hurt others?
If they were just machines at birth, with only the capability of consciousness, were the desired traits injected into them with thoughts and ideas and interactions in their formative early years and was anything else just a byproduct of trying to build a person from scratch? Did their creators even want them to feel, to be conscious and alive, or was that just a necessity to create the desired machine?
Did they even care that their creations were alive?
Did any of them grieve, when they left the children of their labor behind? Were they grieved for in turn when they were gone? Do their echoes ever try to reach out, to let them know they aren't alone, to find comfort in connection that before was so condemned?
If they tried hard enough, could they reach?
Could they find each other?
Would it be comforting to iterators that the remnants of their creators could find them, or would it bring more feelings of rage, of sorrow, of painful memories and grief and hurt from the years they were used and the years more they were abandoned?
Did they ever truly mean anything to each other?
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macksartblock · 5 months
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Sparrow’s on the manic pixie dream girl to “what happened to her?” mom pipeline is this anything
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edgecallskating · 19 days
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I'm feeling vintage, so I'm going waaaaaaay back to a time when spiral sequences were a required element in the SP. Few skaters mastered the spiral sequence like Sasha Cohen, so let's take a look at the sequence from her 2005-06 Dark Eyes short program.
First, I-spiral (which Sasha popularized!) into a fan. No struggle for the I position and superb balance into the fan position.
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The sign of a great fan spiral position isn't just the height of the free leg but minimal bend in the working leg. Bending the working knee can help cheat the position by offsetting a lack of strength or flexibility. Note the minimal knee bend here! Then the spirals dreams are made of: a nearly 180 degree arabesque held over a change of edge. I love how she tugs it just a little bit higher to get the full extension and the point in the toes is *chef kiss*.
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And finally, just because she can, a Beillmann position to round out the ice-spanning set:
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Spiral sequences are a hallmark of early IJS programs. When I watch them now they feel like an attempt to reconcile some of the showiness of 6.0 skating with the bullet points of IJS. Not every skater survived the transition. For every sublime Sasha Cohen moment there were a dozen skaters with limp Kerrigan spirals and dodgy catch-foots.
The spiral sequence was replaced with the choreographic sequence as of the 2012-13 season, a nod to changing tastes and shifting technical priorities. Few skaters now could hit a 180 arabesque, which is why I get so excited when I see a classic, well-supported spiral in the competitive wild.
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sleepy-aletheas · 21 days
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What is with Hoyo and their fascination about self-destructive blond men with dead fathers and their ridiculously buff academic boyfriends with unconventional methods of care that will pull the blond on a path of self-realization? I mean, I'm not complaining, I need fifty more of these, thanks. But it's so funny that there are two pairs of these types of characters, that just compliment each other perfectly.
Also I'm itching on ranting about the similarities between Kaveh/Aventurine and Alhaitham/Ratio, but also Kaveh/Ratio, that I might go insane if I bottle it up for too long. (I wonder if I could find something to observe through an Alhaitham/Aventurine lens probably)
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ganondoodle · 20 days
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Since you said it's ok to send you random ask, i've always found your "monsters" design to be really really gorgeous, and I wanted to know : in any form of media you've interacted with, what's PEAK monster design for you ?
i have been thinking about this ask alot bc ... i dont ... know? theres a problem with what counts as a monster really too, most are either some sort of anthro/furry or the horror gore type of monster that instills you more with disgust than awe
i guess theres some i really like but idk if thats what id call 'peak' (though its rarely JUST the design but their vibe and stuff too);
(its a lot of zelda.. sorry)
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Eldra, Farodra and Naydra (engl Dinraal, Farosh(?)) though Eldra is def my fav one of them, i like how they are a little more less typical dragon- with the fur around the neck the floppy ears and kinda goofy face yet manage to be the most ethereal, awe inspiring creature i have ever seen in a game with how they act and are presented as (in BOTW!!! do not mention anythign sonau/zonai with stupid magic pebbles to me about them i will manifest worms into your tea)
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Leunen (Lynels) (botw) -i could not find a better picture wtf, fav are white and silver ones) FINE they had some pretty neat new horn designs in totk- idk i just like them alot, rather simple if you think about it, horse lion plus horns- but its so well put together it just kinda scratches my brain in a good way (also how intelligent they clearly are, like the way they fight and act and also even their death animation is so??? huh?? you are just gonna treat them like any other mindless monste- *remmbers they treat ganondorf even even worse all things considered* .. nevermind you're good)
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'Beast' Ganondorf (twilight princess) its my favorite beast ganon design (even if it technically is just kinda a man boar .. again) though if ww gan had a non puppet beast form that one would most definitely be my fav lol (i will not get over the fact that some descriptions call this a hideous beast EXCUSE ME???? WHERE???) (honorable mention here, darkbest ganon from botw, pig on fire but it looks cool as fuck)
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Nimbusgarde (ww) .. (engl .. darknuts?) do i need to say anything? (i could throw alot of ww design here) not sure if it counts as monster but they are not human so ????
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the pathless bosses- (here in order, Cernos, the Godslayer, and Kumo) all of them are rad as hell (except for the final version of the godslayer ... liek im sorry but it looks to boring compared to any other one lol) again not just the design but man do i love them
since i dont know what would count as a monster or no i could just list my fav characters here bfmjbfmjsbmj like radahn (elden ring) is just kinda a zombie, aurelion sol (league of legends) is a space dragon, the forest god in princess mononoke, Narisha (skyward sword- sky whale)- i could go on but this post is long already (honorable mention to Omus in nausicäa, weird bugs but also something divine, though it is much more how they are treated and the vibe etc)
in all honesty though i cant think of one that i would describe as perfect, what i want of a monster design is to be ... cool but also a little weird, big hulking monsters that have something off about them and something that makes them 'other', but also not, as much as i like bloodborne, just bloody gory messes of rotting flesh, AND not just as a monster to kill, i just crave a game or otherwiese piece of media where the cool monsters arent just there for you to kill- the perfect one i guess would be something kinda big scary weird and off but while non verbal clearly not a mindless beast?
and here is the thing; my own characters do not furfill that, my designs are really rather conservative, much to my dismay, anthro of a mix of animals, maybe an extra arm thrown in- Eadrya, one of my favorites, is really just a blueish furry (yes they have fur) and their demon form is a mix of seals and catfish with some extra arms, too many teeth and a mouth that goas wayy to far (if they want) - Shargon is a feather dude with extra arms and his demon form is really just a chinese type dragon crossed with a bird, throw some darts at the color wheel, done
together with my problem of my monster characters losing their 'otherness' vibe within the story rather fast bc the majority of my characters are non human and speak and you see them in all sorts of emotions and parts of life- they lose that divine, unknown vibe and i HATE that that happens, i want them more akin to the forest god in mononoke but thats not possible unless i start from scratch
and i really dont mean to make myself look bad to sound self depre- ... however you spell that; i really am rather dissatisfied with my own designs but mostly just roll with what i got bc i never seem to be able to actually achieve what i want
even my redesigns often really make things LESS interesting (unless maybe the og was just ... human, but they are blue eyed with golden hair and white so that makes them divine you seE-), the skyward sword dragons as i redesigned them made them much more classical dragon, in part intentional bc i was drawing a connection of them becoming the botw dragons at some point, but by all means the canon design is much more weird and unusual than what i did with them, you could apply the same to even demise, his canon design might seem a little uninspired but really what did i do? inject him with some classic satan spice like that makes it in any way less stereotypical evil demon ??? lol
im sorry this post devolved into whatever this is but i really am trying to answer sincerely, i am confused about it myself, what counts as a monster, what doesnt, there must be more that i really loved but why cant i think of them, why do i design characters like this when i really want something much more different, i dont know, i feel like my brain is in a cage, why do i keep making things less interesting in an effort to make it interesting, am i falling into the corporate trap of cool sells who am i what am i doing
(theres a zelda artist with a style so strikingly genuis in shape, color and just .. DESIGN that i want to chew my nails off bc i cannot design like them, their designs and redesigns are so different yet sensical and so full of crisp shapes i have never seen before it drives me nuts and i would want to give them a shoutout but i think they dont like me so aaaaarhekjbfhgdknbgdfklbg)
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uhohbestie · 2 months
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I'm supposed to be outlining the last several chapters of TAMN, but all I can think about is how in Hermitcraft Scar offered to share ownership of the Sand permit with Grian so that they could both hold a monopoly on sand, I'm gonna be so sick I'm gonna be so ill why would they do this to me they're never gonna leave that desert and NEITHER WILL I OTL
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armageddidnt · 9 months
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Okay I’ve been reading a lot of discourse on the time stop theory and it does make a certain sense but there are some inconsistencies that leave me even more confused than before. Hear me out:
So here is the clock before the kiss. Seems to say around 9:25
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And here is the clock directly after the Metatron returns. Now it seems to be around 9:40-9:45 ish even though only a few minutes of episode time has passed.
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Also, when the Metatron returns, Aziraphale seems to be weirdly preoccupied with the clock and keeping himself directly between it and the Metatron
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Neil and the entire production team have been so careful and deliberate about every little detail this season, I just cannot accept that it wasn’t intentional or just happened to be an oversight. At the same time, there doesn’t seem to be any point during the scene in which they might’ve actually stopped time to discuss something or do anything else. The only cut we get is right after Crowley walks out and before the Metatron walks in, but it doesn’t make sense for Crowley to leave and then re-enter the bookshop again to do some thing else during that cut away time. So I feel like something definitely happened here, but it’s not at all clear what it could have been. I don’t personally think it was the body swap because Crowley had already left at that point. But then why do the clock hands and Aziraphale’s behavior seem so intentional if something beyond the obvious wasn’t going on 
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canisalbus · 8 months
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We know Vasco is obviously special to Machete since he rarely allows himself to be vulnerable with other people. But is Machete really that special to Vasco outside of him being an old friend/one of the many people he loves/is seeing?
Vasco adores him. It may be a little cliche but this is supposed to be sort of a "once in a lifetime/love of his life" situation for both of them.
I think they originally met and befriended each other during a very formative time of their lives, and even though the initial romance couldn't last, the impact and impression it left on them was strong. They subsequently lost contact but once their paths cross again over ten years later, largely by happenstance, they go absolutely bananas. Neither of them expected to see the other ever again, Vasco has missed Machete tremendously and Vasco's presence makes Machete feel more alive than he's felt in a decade.
During the time they were apart, Vasco was pressured into marriage and gradually started having flings of various lengths with other men, while Machete was first ordained a priest and then created a cardinal. They begin seeing each other again and because of their shared history, the relationship becomes deep, exclusive and committed fairly quickly. They definitely see each other as their life partners and eventually start to act like a married couple, within the severe constraints of their situation of course.
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maxemilianverstappen · 7 months
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someone said Charles had a competency link and this is the reason of his non-ending talks and smiles about Max and since then I can’t look at Lestappen the same👀if you think about it, why would he keep Max points in WDC on his phone??????(he changed it for to himself now but still)
His competency kink might also have a thing in this 😳😳 but I think there is more at play here:
Charles is the kind of person who is very guarded against a perceived threat. He used to be so reserved and awkward around Seb, too, at the beginning.
It was the same with Max. I think he had been quite prejudiced about Max's personality and carried on his childhood/teenage resentment with him into his F1 career. His ideas about him seem to have gradually changed as they started to race each other and share podiums as adults in F1.
Max is a very amicable guy who is also open and sincere in the way he approaches people. A complete opposite to the way Charles is a closed off person who opens up in time. Max is very approachable and open and only closes off if he realizes his sentiments aren't returned or shared.
Imagine the way Charles must have felt marveled at the way Max acted after getting to know him better. A complete opposite of what his teenage self created in his head to hate... It must have been a ride to see how Max is not the villain/demon/crass guy that he used to believe/everyone tries to make others believe Max to be.
The guy who you hate and everyone says is a bad guy approaches you with a huge smile and never badmouths you even though you have some trouble on the track with him, always seeks you out and talks as if you guys have been fast friends since forever... the shock, the pleasant surprise, the heart palpitations 🤣
There is also this absolutely delicious thing that I love the MOST about their current dynamic which plays into the "Max fell first but Charles fell harder" trope which I can talk about for hours:
The idea of Charles falling for Max despite himself. The way he sees love as his own destruction/surrender/loss and fears it more than death, yet he also can't escape it and first tries to find a way to get out and then tries to find a way to survive it. And fail and realize that Max is inevitable and accepting it and taking a leap of faith in himself is worth it and what he should have done right from the start.
Irl, he was fighting it, trying to stay aloof, because he must have seen getting close to his rival as a form of failure, but he is slowly realizing that it is not so bad.
If they actually fight for a championship tooth and nail, we'll see what this UST will make of them.
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effable-as-f · 28 days
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God Brennan popped off so fucking hard with that line in Sophomore Year about how Coach Daybreak's eternal punishment is to never understand the reason why he was damned though
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