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#the op lives in my head rent free
nellavee · 2 years
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spy x family saturdays are back !!!
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foolbehavior · 2 months
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[@orvwomenweek] JHW & URIEL + Faith
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attyattlaw · 1 year
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i wish my patience was at least half as long as law or cora’s limbs are bc theyre so hard to draw inside panels
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blooisasleep · 1 year
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based on this post by @scribefindegil !!
wow this took a while to finish but it's done ! i didn't have the time to colour it though sjxgjs
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seithennyn · 6 months
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lucdoodle · 2 years
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Another fanart of @hoofpeet ‘s au
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ttoshaaa · 1 year
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Every day of my life be like:
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shitpostingkats · 3 months
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Zoro and Mihawk fight but Mihawk swings his big catholic sword and somehow gives Zoro perfect top surgery
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glintglintbanana · 5 months
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2k23 year end w/ my 🌋✨❄️ Admirals Era.
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moongothic · 2 months
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Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.
My friend, this is what we call a "cocktease"
Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.
So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))
So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background. This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:
For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn. Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)
But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)
But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction
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Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.
Oh, how the mighty have fallen.
And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted. And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.
So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling
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cipher-zoo · 11 months
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Remember when I said I want Buggy to die (in an AU) in Shanks' arms? Well, on the flip-side of that, I want Buggy to be the one to kill Shanks (also in an AU).
I want Shanks to go off the hinges evil and just strike down everyone who comes too close [even his own crew], and I want Buggy to walk up to him and just look at him and search for a GLIMMER of the boy he used to call his friends in these eyes of his. And then I want Buggy to raise a gun and shoot Shanks in the head while still looking in his eyes to hopefully see the evil die before the man he loves, and I don't want Shanks to do anything about it, because he would not harm Buggy. Not even in this state.
And the whole thing shall be accompanied by a violin crescendo and then sad music, when Shanks dies and Buggy closes his own eyes, because this is not what he wanted to happen, but there was no other way.
Is it out of character? Maybe, but honestly, I don't care.
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monocub · 3 months
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it’s always ace loving hours in this household 🫶
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seaofadventure · 1 year
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What the heck peepaw birthday real! (+ his friends because old ppl trio :])
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beanghostprincess · 2 months
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I don’t mean it in shippy way, but I’ve been rewatching my childhood shows and
Me, age 8, watching my little pony: wow those two sisters really are so adorable, it’s so sad the younger one felt so unshined by the other. But I like Luna more, since she is an underdog and was kinda right to feel this way, even if it wasn’t her sister fault
Me, age 22, reading one piece 1082: I really didn’t change at all didn’t I
Literally me fr fr I've always liked this type of character and it hasn't changed ever since! Maybe it's the complexity in which they're written. Perhaps it's that I relate to them just a lil bit too much. Whatever it is, misunderstood characters who have all the right to feel envy towards their specific loved ones my beloveds.
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puzzled-pegasus · 3 months
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Hear me out:
Jason Grace's California "brah" vs Percy Jackson's NYC "doud"
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mydarlingstarling · 2 years
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