#this is the FUNNIEST fucking icon set

[hotvintagepoll]

Propaganda

Katharine Hepburn (Bringing Up Baby, The Philadelphia Story, The African Queen)—This woman. I have been obsessed with her for years. I know the urban legend is a popular one at this point of her walking around set in her underwear when her pants were stolen and she was left with only a skirt, but the pants thing is honestly enough for her to be the hottest in the room in my book. She refused to wear anything else at a time when the public in general and especially the studios did not like that. She was independent, stubborn, and so so very capable. Competency kink anyone? Also, if you want one final way that Katharine's entire life was saying "fuck you" to the establishment, it started young! Her mother took her to suffrage events, and she never got rid of that attitude of justice. I feel like I have barely scratched the surface of all the ways she was such a badass that I'm turning into a rambling mess instead.

Gene Tierney (Laura, The Ghost and Mrs Muir, Leave Her to Heaven)— The class, the elegance. The way she walks into frame and immediately all focus is on her. She had a pretty lengthy struggle with mental health that she describes in her book, which I think made her all the more sensitive in portraying characters like in leave her to heaven. Also she dumped JFK so

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Katharine Hepburn propaganda:

I'm sure one million people will submit her as an iconic Hollywood star but that iconicness might lead people to forget just how insanely hot she was like she had it ALL she was skilled she was funny she was smart she was beautiful AND she was likely bisexual

The single word I would use to explain Katherine Hepburn's appeal is *range*. In her acting career, that meant covering all the ground between lush period dramas and the comedies she did with Carey Grant and Spencer Tracey. In terms of hotness, it meant an uncanny ability to bring anything from a Dietrich-esque androgyny to some of the best Classic Hollywood Glamour you will ever see.

Katharine hep was so cool. The VIBES, the INDEPENDENCE,,, living life on her own terms.

she just had this.... bearing to her, this power. she could be funny, even silly (like in bringing up baby) but also so regal and elegant. she was nobody's fool and dear GOD that's so hot

Fancam link

She’s not only stunningly gorgeous (those eyes that pierce your soul! a jawline you could cut glass with!) but her delivery and physical presence in roles gives off confidence and authority in such a sexy way (truly the biggest dick energy of Old Hollywood). Her fiery energy in The Philadelphia Story? Unmatched.

God she's. She's so hot y'all. She has the range!!!!! Funny and dramatic and lovely

She IS the transatlantic accent. Classically gorgeous and such a strong personality.

She's literally one of the funniest women to ever live! She goes shot for shot with Cary Grant in Philadelphia Story and we damn well love her for it! She's the most annoying creature to ever live in Bringing Up Baby but she's so insane and funny that we simply cannot help but fall in love with her (and root for her to give Grant an aneurysm!)

i know she's accounted for but i really want to be sure someone has submitted the scene in bringing up baby where she's pretending to be a gangster

She simply stuns onscreen; you cannot do anything but be captivated by her presence. Also a non-gender-conforming icon and mild tumblr celebrity by virtue of that one picture from The Warrior's Husband (stage play).

Katharine Hepburn was out here casually changing the lives of young butch lesbians with her gender swag! She wore pants even when people said she shouldn’t, she refused to marry or have kids, and she wore menswear in at LEAST one movie!

If I start thinking about her face for too long I will cry she is so so hot. Katherine is so charismatic and charming in everything she appears in - watch her adopt a leopard and fall in love with her. Also she has the biggest dick energy ever (she and her pal Lauren Bacall share that accolade). Also had an incredibly long and varied career from screw ball comedies to serious dramas - she’s a queen of the screen and I adore her.

Someone's got to mention it, but she's won the most Oscars out of any performer and is largely considered one of the greatest actresses ever. She's got an incredible voice, an incredible presence, and she absolutely steals every scene she's in. She was private person and deemed standoffish and unapproachable, but she was also profoundly concerned for people's rights and was an outspoken supporter of abortion access. Finally, the Katharine Hepburn slacks look is just iconic. I mean look at her.

(I hope someone else submits real propaganda but just in case they don't:) Cries. Screams. Wails. The woman who singlehandedly made me realize I was bi. A real "do i want to look like her. be her. or be with her.' crisis, where the answer was all three. Holy shit please all three.

Gene Tierney:

The entire plot of Laura is that a guy has to become completely obsessed with a woman after just seeing her portrait. This only works because Gene was cast in the role. I 10000% believe anyone could fall in love after seeing her face.

Those eyes! Just look at those eyes! She’s at her hottest in Leave Her To Heaven— I literally want her to ruin my life.

Absolute grade-A babe, she is the perfection incarnate.

Gene Tierney was beautiful, poised, intense. I associate her with roles where she was murderous or an intelligent woman being patronized to - like a woman on the edge! As far as I am concerned, she deserved to do whatever she wanted.

She had a slight overbite which was amazingly sexy, and a throaty voice that was very memorable as well. She’s terrific in Laura, which reminds me I should watch it again.

EYES!! Her diabolical acting in Leave Her to Heaven is just perfect, Rosamund Pike definitely took notes for her Gone Girl from her.

Oscar-nominated and simply one of the most beautiful women to ever walk this Earth.

Absolutely stunning. In Leave Her to Heaven, she reaches Rosamund-Pike-in-Gone-Girl levels of “holy fucking shit?!?!?!” She had a fling with JFK in the ‘40s and also dated the exes of Rita Hayworth and Hedy Lamarr (Prince Aly Khan and W. Howard Lee, respectively). Sadly, her daughter was born with a disability (during a time in which there were few good mainstream options for disabled children and their parents), likely because of a fan who was sick with measles and went out of her way to meet Tierney (who was pregnant) anyway. Topical! Sure would be good if people stayed home when they were sick! Anyway, she was also a Republican, which sucks. Laura and Leave Her to Heaven are great viewing though.

#gene tierney #katharine hepburn #hotvintagepoll #fuck that old woman #ladies 4 #Youtube

[man-down-in-hatchet-town]

So I Spied Another Day...

You know it was a good show when you can’t decide whether your heart is so full from all the love and joy, or so empty because it's over.

Really do buckle up, because this is a long one.

So the show went a little like this. They played the Spies pro-shoot on a giant movie screen, but any time a song started, the audio changed to the instrumental track, the video typically faded to simple background graphics, and the cast came out to perform the number live in concert style. There were also a series of audience participation prompts up on the movie screen, such as standing to deliver a line in unison, giving Lauren a standing ovation for the Pay Attention! Reprise, enthusiastically booing Dr. Baron von Nazi and the still infuriatingly catchy Not So Bad (for anyone who’s curious, in addition to encouraging boos and yelled disagreements with von Nazi, they also cut the audience participation bit from the song).

The energy in the room was so electric and full of joy and warmth. People shouted out iconic lines, went wild for everyone’s entrances, and absolutely lost their damn minds over Curtwen at pretty much every opportunity. And the cast were clearly having just as much fun. Doing This has always been my favorite, and there was something so sweet about them singing it again all these years later. We finally got Joey performing Spies Are Forever (Evil Reprise) again and it was just as chilling and beautiful as you’d expect. And One Step Ahead was just on a whole new level. I don’t want to give anything away, but the details in that performance were INCREDIBLE.

It was simply so special seeing most of the original gang come back while also bringing some new friends along. Shout out to Mariah for coming out at the top of the show so ready to play, setting the tone for the whole evening. Shout out to James for putting his comedy chops on full display (LET JAMES BE FUNNY MORE) and dancing the hell out of One More Shot (another favorite number). And shoutout to Carlos Alazraqui (taking over the roles of Sergio and Vladimir Poopin) and Tommy Link for coming into this crazy part of our world with such enthusiasm and silliness. Brian deserves a medal for agreeing to once again play the most cringe-worthy character in all of Pulp-StarCanWrecked history, and for sounding so fucking good while doing it. Tessa was having a blast in full unhinged glory and I gladly worship at her altar. Lauren is maybe the funniest person alive and deserved her standing ovation, prompted or not. Seeing Joe Walker perform live has been Item Number One on my fandom bucket list since I moved to LA a couple of years ago, and I still can’t quite believe I managed it. I’d wondered if he’d be rusty, but honestly he sounded great; it was like no time had passed. Mary Kate still has one of my all-time favorite voices and her Tatiana remains forever engaging. Joey showed up dressed to slay as a gay evil genius Bond-movie supervillain and proceeded to thoroughly deliver on that promise. And Curt… every time I watch Spies I am increasingly blown away by what he does with this arrogant, broken mess of a character. He clearly loves Agent Mega as much as any of us, and to see a performance refined and powered by such clear and thoughtful passion is just a huge treat.

(And while he wasn’t in the cast, I can’t not mention Corey. Between his roles as director and co-writer, so much of what Spies is comes directly from him and we don’t appreciate that nearly enough. And shout out to Esther Fallick for her wonderful work as Susan and the Informant. She might not have been there in person, but her incredible performance was with us the whole time.)

I know this is preaching to the choir, but Spies Are Forever really is such a special show. It’s a story about recovery, and devastating as it can be, I think there’s also something deeply healing about it at its core. For one thing, I know it played a huge role in mending my relationship with my asexuality. I will forever be grateful to it for existing, to TCB, Talkfine, and the original cast for creating it, and to those same people for maintaining its legacy with the amount of love and care it deserves. It was a privilege to be in the room as so many people came to celebrate this miraculous little musical. There were a couple of minor tech glitches (I wonder if they’ll even include the “big one”—the projector jumping over most of the staircase scene before getting fixed—in the digital ticket version), but nothing that could even begin to damper the magic of the night.

We all know that spies never die (except for Owen and the Informant, oops). And at times like this concert, I think this special little show with its short run in 2016 will prove to be just as immortal.

#anyways I just had the best time #and it took a couple of days because I've been so busy but I had to write down how special it all really was #so grateful #spies are forever #spy another day #tin can bros #tcb #tinlightenment #agent curt mega #curt mega #owen carvour #tatiana slozhno #cynthia houston #the deadliest man alive #doctor baron von nazi #the informant #joey richter #lauren lopez #brian rosenthal #corey lubowich #mary kate wiles #mariah rose faith casillas #james tolbert #joe walker #tessa netting #tom lenk #Carlos Alazraqui

[biomic]

So I'm doing listicle type stuff for Toku Source, mostly with an agenda of getting people to watch older shows. One that I'm working on is "Vintage Heated Drama."

What are the oldest shows with proper m/m or w/w power in your mind? Jetman and Changerión are already on the list.

if we're taking older to mean pre-2000, of the series i've seen:

liveman's premise of a team of heroes being betrayed by their former classmates lends itself to heated drama enjoyers, though i should mention it's been nearly a decade since i've watched it. don't remember mazenda/megumi getting much, and kemp is pretty hard to take seriously, but jou and gou's story particularly resonates

kamen rider x is a bit of an unfocused mess (and i never got around to finishing it), but it is one of the earliest examples i can think of of a tokusatsu villain who so transparently wants to fuck the main hero. apollo geist is a treat all on his own, and his ~fated rivalry~ with keisuke was some of the most fun i've had watching a showa series

speaking of trendsetters, fujimiya and gamu's arc in ultraman gaia feels like the precursor to a lot of the edgy secondary rival types who grow to respect and bond with the hero that heisei rider would especially run with and never look back. much has been made about gaia and agul kissing with tongue, and for good reason

i was about to write a whole thing about how i couldn't think of any older shows with heated drama between women beyond one-off episodes before i remembered these two and screamed "DAIRANGER!" out loud. one of the all-time funniest fake-outs in tokusatsu is thinking they're setting up kujaku to be daigo's love interest only to reveal she's actually been yearning for gara for thousands of years. paired with the brief but iconic jin/ryu arc from our boy inoue, im offended at myself for almost not including this

dan and gen from ultraman leo are heated drama for the enlightened viewer who can watch a man run his subordinate over with a jeep and think "this too is yaoi"

#also probably like. metalder and any show with hiroshi miyauchi in it but mainly zubat. but i have yet to watch those 😔 #really dug your first article by the way 👍 #rudojudo #asks #kendrix morgan died for our sins #super sentai for ts #kamen rider for ts #ultraman for ts

[shannankle]

DFF, Found Footage, Technology, and the Real

Okay so I've been slowly looking into horror and technology since watching Shadow, and now DFF has me going down a related research spiral. So let's call this a sibling post to my Shadow technology series (which I am slowly working on I promise).

I just thumbed through a great book on found footage horror and a few other pieces on technology and wanted to use these as a lens to think about DFF and how it's navigating a number of themes including the distinction between reality and fiction.

DFF draws on the concept of found footage films like The Blair Witch Project. Even if DFF's main framing and style isn't found footage, the film the characters are working on is. And we get our most direct reference to a horror film when Jin references The Blair Witch Project--an iconic found footage film. So I want to start by thinking about the Blair Witch Project.

Part 1: The Blair Witch Project and DFF

Part 2: Paranormal Activity, DFF, and the Myth of the Real

Part 3: Films within Films, Surveillance Technology, and Other Connections (Man Bites Dog, Cabin in the Woods, Shutter)

Part 1: The Blair Witch Project and DFF

While found footage horror doesn't purely originate with the Blair Witch Project it certainly rocketed the concept into the popular zeitgeist. I watched the film for the first time this week, and while it didn't scare me*, I could easily see how influential it would've been at the time. The media landscape looked very different in the late 90s, and the film's marketing deliberately played up the idea that this was real footage in a way that simply couldn't be done today with our current media landscape and familiarity with the found footage genre. We're now much more familiar with fakelore as a concept in general.

*The scariest part of watching was the censored subtitles! Stop that please! They seriously were replacing things like "Oh, fuck" with "Oh, boy." I also got a car add about going out to enjoy national parks, and how they can be accessible to Deaf people, which was an interesting moment of double irony.

In her book Found Footage Horror Films: Fear and the Appearance of Reality, which I will be citing quite a bit in this post, Alexandra Heller-Nicholas notes that the Blair Witch Project came out at a time when amateur films were still relegated to home videos but entering public viewing through shows like America's Funniest Home Videos. The style was thus associated much more closely with trying to capture reality than tell a fictional story. The marketing played into this heavily--for example: using the actors' names for the characters, circulating missing persons flyers in areas where the film was being shown, and creating a website that gave background on the Blair Witch myth and information on the "missing" trio of amateur filmmakers. I chatted a bit with @slayerkitty who saw it in theaters. She explained how part of what made the film scary at the time was how real so many people thought it was and the tension of being in the audience.

TBWP and DFF Similarities

Let's start by going over some of the ways DFF might be directly pulling from the film or making homages before jumping into what I think are probably the more significant thematic connections with found footage.

Myths and an Ambiguous Antagonist:

The Blair Witch Project is set against the backdrop of a local myth about a witch in the woods. Three young adults (Heather, Josh, and Mike) go to make an amateur documentary about the witch, get lost in the woods, and are then hunted by an unseen presence. We get information about the myth through interviews with locals and a book Heather reads aloud briefly called The Blair Witch Cult. We learn about the slaughter of 5 men (which is described almost like a ritual), disappearances and deaths, and a man who was compelled by the witch to slaughter children. Similarly in DFF we have our Janta cult, which slaughters people in the name of a supernatural or spiritual force. Now I'd say this could be a nod to TBWP but it also draws on plenty of other ghosts stories and urban legends about the woods. I'm sure there are also particularly Thai valences as well beyond just being Buddhist on the surface.

Like the trio in The Blair Witch Project, the group in DFF goes into the woods to film--though they aren't traipsing through the woods, and the horror they're filming is a story of their own creation. In the present, however, the horror becomes much more than fiction, just like in TBWP. In the film, we see and hear signs that something or someone is following the trio but it's ultimately unclear if it's supernatural, locals scaring them, or them slowly cracking and turning on one another. In DFF's opening episodes it's likewise unclear if what's happening is being caused by a person, hallucinogens, or something supernatural.

Maps and Marketing:

TBWP also shows the characters turning on one another, arguing, and cracking in a way that fundamentally sabotages their survival. At one point, Mike reveals that he threw their map, their only lifeline, into the river. This is paralleled in Fluke turning away their transport and means of leaving. The map is an important focus in the film. We see Heather orienting the group and insisting she knows where they're at, while Mike insists they're lost. This culminates in them losing the map as things start getting worse. DFF slips in what I read as a potentially more direct reference to the film in episode 8. An odd new detail in the group's film where they rely on the hope of a map to get out before they're attacked by the masked killer again.

Another potential similarity to draw on has more to do with the outside marketing of TBWP. Interestingly it was marketed to appear like an indie film despite having pretty extensive funding. This makes me think of the group's film in DFF. This is meant to be a student film but they received a huge boost via Por's dad giving them extra money for a camera.

Smoking and Being Alive:

One other parallel I find interesting is the emphasis on smoking. To be fair TBWP is probably not the first or last horror film to have people smoke (the pot head is a character trope of it's own), and I was likely primed to notice because we already had "Tan smokes and has asthma" on our list of clues for DFF. Now clearly the writers of DFF are smart and are using Tan/New smoking in plot relevant ways. These details feel purposeful to the story they're crafting. But let's briefly look at how smoking shows up in TBWP.

The characters all smoke and drink alcohol. As they get lost and the days tick away they run out of food and smokes. Josh has moments that could be attributed to withdrawal where he laments that they're out of cigarettes. However, after he disappears, Mike finds some remaining cigarettes at the bottom of one of their bags. Mike comments "We're still alive cause we're smoking." For him, it signals even if briefly that they are still alive, that they're surviving.

But in DFF, smoke seems to be attached to death and dissociation. We know that New is a smoker, something he perhaps picked up in England. It starts then as a sign that he has a life, one outside of being Tan. Yet it's that very life, being abroad, that led him to be so far from Non when he disappeared. For New, his life is now tinged with guilt and loss. As @syrena-del-mar noted here, there are moments where he forgets he is supposed to be New. But the smoking becomes his one reminder that "New" is still alive.

Yet this reminder turns more and more painful. Under the exterior of Tan, he is haunted by New, the brother who didn't make it in time. And this spirals further when his mother and father die. Each time he's a step closer but still too distant to stop their deaths. At this point, he starts getting high to a dangerous degree--dissociating, hallucinating, torturing himself with visions of Non. When Phi steps in we have a parallel moment to Phi stopping Non from taking pills. Smoking turns from a sign of life to one of death as New tries to commit suicide, telling Phi "I don't want to live anymore." And New takes this further when he drugs the rest of the boys. Perhaps he didn't intend it to go so far, but he certainly is happy with the result. His drugs, his smoke have caused fear and death, rather than hope and life.

Except for the map I feel like most of these parallels can as easily be chocked up to direct inspiration as they can be attributed to both pulling on a similar well of genre conventions. What I find more interesting is the thematic conversation TBWP brings to the table for DFF.

TBWP and Thematic Resonances with DFF

Filtered Reality:

In her work on horror, Brigid Cherry remarks that The Blair Witch Project is "about the way in which technology gets in the way of seeing" (qtd in Heller-Nicholas 23). Heller-Nicholas further notes how the camera is constantly in contention with the audience's desire to look at what we want to see. In the film itself, one of the characters even remarks that looking at the world through the camera is "like a filtered reality" because you "can pretend everything isn't exactly like it is."

This looking but not seeing resonates to me with Jin. He looks at Non through the camera, seeing him as innocent, in need of protecting. But there's so much he doesn't see about Non, including the reality of poverty. Jin's perfect view of Non breaks at the moment he sees Non with Keng. But as Jin's filtered vision of Non cracks, he adds a new filter. He frames Non as a slut, someone guilty in his mind, at least in the he heat of the moment. So he records him. In doing so, he papers over the nuances of the situation, that it is SA and that there is so much of Non's life that is outside of Jin's lens.

After Non's disappearance Jin doesn't stop using his camera lens to view the world. In episode 9, he watches the others play soccer and then Phi through his camera. He is pretending nothing happened just like the rest of the group, but for him to do that he has to filter his reality. And just like with Non, Jin isn't able to see the full story around Phi from this small frame of a perspective.

I also think it's worth noting how the show, especially in the flashbacks tends to use strong framing (I note some of this in episode 5 but it persists strongly at least up until episode 9). While they aren't using a found footage style, there's still a sense at times that the camera is limiting our view as it closes in around the characters. It's as if the camera frame becomes hyper-visible, similar but not exactly like in found footage. I'm not entirely sure how to read this just yet, but it feels appropriate for both a mystery and for a story so deeply invested in perceptions. There's a strong focus on what is made visible and what is rendered invisible by the characters, by the story structure, and by the frame of the camera itself.

Gender, Space, Control:

In her discussion of TBWP, Heller-Nicholas discusses the gendered dynamics of the film and how scholars have read the film as invested in the horror of female control. This is captured in two ways. First in the way the woods as a space become imbued with the horror of the Blair Witch (pulling on a tradition of witches being women), and thus the feminine. Second, in the way that Heather, who is the director of their film, leads the group to folly. Scholar Linda C. Badley, has argued that "Heather represents a serious breach in having taken possession of the conventionally male--and often murderous--gaze" (qtd. in Heller-Nicholas 108). Heather thus enters the domain of the typically masculine and the results are disastrous.

I find it interesting to compare DFF with TBWP in this respect because they've taken a genre that often is infused with binary gender dynamics and given us all men, and predominantly queer men. This is obviously a dynamic of BL, but it's interesting to consider how this plays with the themes of gender that often proliferate in horror. This is a much broader topic, and @brifrischu and I are currently reading through Carol Clover's seminal work Men, Women, and Chainsaws so I wager we'll have more to add to the discussion at some point.

But let's look at a few things. First, if the Blair Witch imbues the woods as a space of feminine horror, DFF paints the woods as masculine. After our cold open, we are introduced to the group as they ride into the forest via Por's narration about the legend of Janta. The subtitles at the very least, refer to Janta using masculine pronouns. I don't want to assume that Thai gender coding and dynamics are identical to western ones but we might consider the way that the group of boys, packed into the back of a truck paint this as a masculine, homosocial space.

This is reinforced by the mention of Por's father. Por says "My dad warned me that, so I had to listen to him." This masculine authority is doubly highlighted by the campaign posters that literally mark his control of the space. To go any further the group must pass through these signs as a threshold to the space. Here we have not just masculinity being signaled but wealth, power, and control--something that contrasts distinctly with Non, for example, who has none of this. And of course, as we move through the story much of the horror comes from the actions of the core group of boys rather than the masked person we started with.

I find it interesting too that as Por tells the tale, it's White who comments "You almost had me scared." They then have a discussion about Tee liking to teaser "the younger ones." This focus on White as the most vulnerable is interesting given that he reads as perhaps the least traditionally masculine of the group*.

*Another reason why I'm excited to read Clover's work, is because she came up with the final girl formula in her discussion of gender in horror. I'd love to think about how we apply that in a queer context, especially given how so many of us have collectively felt White will be final girl. What might DFF be doing re: gender within the context of queerness, and what might it be asking of us as an audience?

The second aspect of this is the directorial gaze. In TBWP we have a woman taking on the control of a film project. This is important not just because Heather takes on a typically male profession but also because of the way films are imbued with what Laura Mulvey has termed "the male gaze." The view from which we see the world and the terms on which stories are told are traditionally male, while women are objects to be looked at--something Heather bucks and is punished for.

In DFF we have a similar struggle over authorship and directorial control. Instead of a strict division between feminine and masculine gazes, we get a struggle that is imbued with distinctions of class first and foremost. Por stands in as the more traditionally masculine director. We see the violence he does in trying to maintain control of the project. Of course he mostly does this through exerting his wealth. In contrast, Non doesn't fit the more aggressive masculine role, he comes from poverty, has mental illness, and is generally at the bottom of the social pyramid. His authorship comes into tension with Por's desires for directorial and social control.

There's a strong thematic exploration here of not just who gets to tell the story, but who's story gets to be told. In the end, the camera is Por's, his wealth and framing win out, and Non's authorship is buried. Much like the male gaze relegates women to objects rather than directors or authors, the only film that Non gets credit for is the sex tape in which he becomes objectified by the camera.

Of course we then have the fact that, in the present, Non's revenge script is being played out. There's a new director here, and clearly it's not entirely Phi (who tries his hand at directing in episode 1). Regardless of who is orchestrating these moves, we have an inversion of power happening. While we can't say for sure until the show has wrapped up, I suspect that DFF will lean into this inversion, rather than, like in TBWP, punishing this transgression of the norm.

That's all for now on TBWP, but certainly not all on DFF. I'm going to turn now to another important found footage film, Paranormal Activity, to unpack a bit more about DFF and it's themes.

Part 2: Paranormal Activity, DFF, and the Myth of the Real

In her work Heller-Nicholas notes how, after Paranormal Activity hit the screen, our view of found footage as a genre shifted. It was no longer seen as necessarily authentic per-se but a stylistic form. Heller-Nicholas puts it like this:

As these more popular found footage horror films made their way to the forefront of the genre, what became important was not that the audience necessarily believed that they were real, but rather that they offered a framework to knowingly indulge in a horror fantasy of the real. The solidification of a recognizable found footage horror style meant that horror audiences understood and identified them as such, defining a subgenre where an authentic style (rather than claims of authenticity itself) prevailed (Heller-Nichols, 128)

I won't go into smaller parallels between the film and DFF (partially because I haven't seen it, so if you have please add anything you notice), but I want to cover a few thematic resonances.

Heller-Nichols sketches out a few ways that critics have interpreted the film. First, as an allegory for materialism in the context of the US housing market crash of the time. Second, as a reflection on surveillance and the way changes in technology changed our relationship to cinema.

The first theme, materialism and consumption play out in the film through both the financial disparities of the characters and the more metaphorical spiritual/demonic possession that takes place. Both DFF (at least episodes 1-4) and Paranormal Activity take place in a luxurious house and themes of greed and materialism are present. In DFF, Por takes this role, flaunting his wealth and using it to get what he wants. Of all the characters, he is the one most willing to steal credit from Non. In Paranormal Activity the wealthy boyfriend even brags about buying a nice camera on only half-a-day's pay. Similarly Por brags about getting the nice camera for their film with his father's money.

One thing that set Paranormal Activity apart from earlier found footage films like The Blair Witch Project, was it's use of security camera footage. It relied on a new type of gaze that made the private public in the context of shifting surveillance technologies. While DFF largely centers itself around a film camera, it also includes other forms of technology in the background, including surveillance cameras. The CCTV cameras in Por's house come to mind as a significant way this technology comes into play. On the one hand, it helps Por identify that there is an intruder, and it helps the group find him when he is hurt. On the other hand, it encroaches on the private, capturing White and Tee having sex. This private vs public line is of course horrifically crossed when Jin records Non and Keng and when this video is circulated--surveillance right in our hands via cell phone.

Heller-Nicholas notes that post-Blair Witch, and by the time Paranormal Activity was released, audiences were much more genre savvy. She notes that the genre's "pleasures are not reliant on our gullibility, but rather our willingness to succumb to the myth of the real that these films offer..." (26). Relevant to DFF, I want to stress the "willingness to succumb to the myth of the real." I discussed earlier how Jin doesn't see Non; instead, he is happy to succumb to a myth of what could be the real Non.

But it's not just Jin who does this. Almost everyone around Non believes they see him correctly--as "Greasy", as a bad son, as a cheater, etc. This takes on even more public dimensions as the police enter the picture, as the sex tape circulates, and as the police report that he has run away with Keng. What people see and believe about Non, the narratives they tell about him, help reinforce people's existing understandings of the world--their prejudices, their assumptions, their myths of how the real world works.

And of course, film is at the center of this. The police believe that Non wasn't with the group when he disappeared because any footage he was in was hidden from them. Non is erased from the film (both in the footage and in terms of credit). The entire film premier is one big moment where everyone in the group is playing into this myth. It is taken as fact that Por's name being in the credits means this is his work--that nothing or no one of note was hidden behind the frame.

In her work Heller-Nicholas points to discovered manuscript fiction (such as Dracula) as a precursor to found footage horror. This connection highlights the way these works rely on the fiction that someone has organized the documents apart from the original author. The fictional framing of found footage as pretending to have an original author or filmmaker other than the actual director, hides the fact that The Hidden Character has in many ways literally stolen credit from Non. The genre expectations obfuscate the real story.

And then there's the sex recording (the only film Non gets credit for). We see a number of reactions to the recording from people in Non's life as well as those outside of it. The social media posts in particular stress the way Non's vulnerability is quickly slotted into pre-held narratives of sex and sexuality that refuse to see the reality of SA.

Non's SA is taken as truthful evidence of his consent via social media, while the film the group made is found footage but not seen as real. I think this marks an interesting change in the aesthetics and narratives we find "real." Horror and found footage are legible, a chance to engage in "a fantasy of the real". Meanwhile, the real story behind the film is erased, just like Non. Sadly, the most legible narrative of a young queer boy is that the phone footage is slutty or even hot. No one questions the authenticity of the recording, it is viewed as real. Ironically, compared to the horror film the group shoots, the sex tape is the real found footage film. Yet the "reality" it shows is filtered through interpretation. Non's reality gets buried.

Meanwhile, as an audience, we have the opposite reaction. We are slowly given insight into the discrepancy between Non's reality and the myths people hold. We keep asking why other characters can't or won't see the truth, why they won't help Non until it's too late.

DFF may not be found footage itself, but it is certainly interested in exploring and extending the thematic conversations about authenticity, reality, and narrative.

Part 3: Films within Films, Surveillance Technology, and Other Connections

Despite the fact that DFF references and dialogues with the found footage horror genre, it formally has more in common with films that center around technology and films within films. So I wanted to cover three more films that I think dialogue in interesting ways.

Man Bites Dog:

I'll start with Man Bites Dog since I have the least to say about it. It is a 1992 French mockumentary and black comedy, that Heller-Nicholas notes is a pretty significant and well-acknowledged precursor to the found footage horror genre. I'm not sure I want to get to deep into themes with this one. But I thought the parallels were interesting. A film crew decides to make a documentary where they follow a serial killer named Ben around only to be pulled into the crimes and become culpable themselves. That is, until Ben is killed and the film crew are taken out one by one by an unknown killer. We have a film crew that slowly gets involved and more culpable in wrong doings, just like in DFF we have the group working on a film while slowly becoming more and more culpable in harming Non. Meanwhile in the present both "film crews" are suddenly being hunted and picked off by an unknown party.

Cabin in the Woods:

Cabin in the Woods is a 2011 film that satirizes horror. A group of college students go to a cabin in the woods and are slowly picked off. The twist is that this is all orchestrated by an organization that is simultaneously surveilling and orchestrating their deaths to appease ancient deities. Many of the shots are done through drone's and other similar visuals to highlight the way the group is being surveilled. In a chapter from a collection on horror and gender, Hannah Bonner looks at Cabin in the Woods and a few other films that include surveillance and social media. She discusses the way technology in these films revolve around slut shaming young women. As she puts it, "It is the 'fact of being constantly seen', whether by high key government surveillance systems or by judgemental peers, that throws these characters into disarray or death" (89).

For Cabin in the Woods one thing Bonner examines is the way the film frames the group's "slut" character Jules. Jules and one of the guys go outside to get intimate. And the film moves between this scene and the men surveilling them who watch eagerly. Bonner reads this as a commentary on the violent gaze with which horror frames women. She makes a distinction, noting that "The voyeur is no longer just the audience, squirming in their seats from Michael Meyers's point of view as he tracks down his naked sister and her boyfriend in Halloween...now the audience as voyeur watches the voyeurs watch the surveyed" (90).

DFF makes a similar move by staging multiple instances of filming (a film within a film, or in this case a film within a show). We get a moment in episode 1 where Tee steps forward to block the group watching the CCTV footage of him and White. But this denial is in contrast to other moments. The show draws us most into being voyeurs watching voyeurs, when Jin films Non. I think it's important to note that both the moment that Bonner discusses in her chapter and this moment in DFF are sexual. In CITW, Jules is literally labeled by her surveillers as "the slut", a role she must fulfill and be killed for to appease the gods. Her lack of agency is made quite apparent. In DFF, Non is also slotted into the role of the slut by those around him, including Jin when he films the moment out of anger. While the show is not as on the nose about the whole thing, it's still clearly establishing a discrepancy between how Non is viewed by those around him due to the tape and the lack of full agency he possesses.

Moreover, by making us viewers voyeurs of this voyeurism, DFF creates a critique rather than simply a simulation of voyeurism. I am considering how this might not just be a commentary on sex shaming, but sexuality within a space where BL has historically crossed the line at times in terms of depicting SA. Or even the way that BL actors in Thailand are often expected to blur the line between the private and the public through fan service. It's interesting because clearly the show also doesn't shy away from letting us be voyeurs to sex. The show perhaps draws a distinction between representing queer sex and SA. But it's fascinating how this is mediated through voyeurism and the camera's gaze.

Shutter:

I couldn't wrap this post up without talking a bit about Shutter. Shutter is a 2004 Thai horror film (and probably Thailand's most well known horror film globally). It was part of the horror boom of the late 90s and early aughts in Thailand and Asia. If you throw Thai horror and cameras my way, I will think of Shutter. I watched it as part of some research I've been slowly doing on late 90s/early 2000s Asian horror and technology (writing meta for Shadow the series). It's a story about haunting that takes inspiration from the idea of spirit photography.

The film follows a couple, Jane and Tun, both photographers, who start seeing shadows and faces in their photos. Jane discovers that the ghost is a girl named Natre who Tun used to date in secret. They proceed by trying to figure out how Natre died (suicide) and how to get her to move on. Meanwhile Tun's friends suddenly start killing themselves. Ultimately Jane learns that Tun's friends raped Natre, and Tun not only didn't stop them but even photographed the assault at his friends' request (so Natre wouldn't snitch). Jane confronts Tun who expresses his regret, that he "never forgave [himself]." In the climax of the film Tun uses a polaroid camera to try and find Natre's ghost in real time before being driven out the window. Natre let's him live, in a near catatonic state, unlike his other friends because his betrayal hurt the most.

We once again come back to themes of voyeurism, SA, peer pressure, and culpability. The film has strong focus on the effects and betrayal of being a bystander, much like DFF does. Again this parallel is made quite strongly with Jin. Non may not have had feelings for him, but he is the kindest of the group, making his betrayal hit strongly. Jin filming Non and Keng has it's own nuances within DFF, but it certainly parallels Tun photographing Natre's assault. Similar to Non, Natre disappears in the aftermath, while Tun and his friends go on with their lives.

On a smaller note, both Tun and Jin use polaroids in what is potentially a reference to the film.

As the truth is revealed, Tun goes from a protagonist to a villain, and Natre goes from the horror of the story to the victim. DFF seems equally interested in the idea of how truths get hidden and justice withheld. It also gives us an inversion of the source of horror. By the time we end episode 5, the group we've gotten to know over four episodes are clearly villains in our minds, their cruelty becomes the horror rather than the masked killer who we come to empathize with (or at least root for to some degree). Now how this fully plays out in the end might shift things. But currently (up through episode 9) this is a horror story locating horror in power and cruelty rather than simply reinforcing a more conservative world view of the non-normative monster.

Concluding Thoughts

Dead Friend Forever is mixing genres in a smart and deft way. It's clear that the writers and director are well versed in horror and are ready to play with genre conventions to deliver their ideas and themes. Some of the connections I'm making here might be happy coincidence where the works speak to each other mediated by my own perspectives and interpretation. But I also believe that the show is building on themes and traditions in horror and found footage horror specifically in smart ways. From the framing of shots, to the way they deftly speak to themes of (in)visibility, power, reality vs fiction, agency, and sexuality (among others).

Through all this, DFF has been incredibly genre savvy. While found footage plays on the idea of reality, DFF shakes that up by throwing a who-done-it mystery our way. Like in The Blair Witch Project, for much of the show, we don't know what's real or what's in the characters' heads. DFF, however, picks up where TBWP stops. At the end of TBWP, the characters are likely killed off camera, the source of the horror still left up in the air. DFF gives us this ambiguity, but then pivots and makes the show a mystery to solve rather than locating the horror in ambiguity. This is because the horror lies elsewhere. Like in Shutter, the monster becomes the victim, our sympathies are played with, and we're left with a show that is as interested in social and political critique as it is in having fun playing with horror tropes.

Sources:

Heller-Nicholas, Alexandra. Found Footage Horror Films: Fear and the Appearance of Reality. McFarland & Company, 2014.

Badley, Linda. Film, Horror, and the Body Fantastic: Praeger, 1995.

Bonner, Hannah. “#Selfveillance: Horror’s Slut Shaming through Social Media, Sur- and Selfveillance.” Gender and Contemporary Horror in Film, edited by Samantha Holland et al., Emerald Publishing, 2019, pp. 85–99.

Cherry, Brigid. Horror. Routledge, 2009.

Shutter (film, 2004)

Cabin in the Woods (film, 2011)

Man Bites Dog (film, 1992)

The Blair Witch Project (film, 1999)

Paranormal Activity (film, 2007)

#i think next i want to write a piece on Tan/New and the way the show is drawing on the mad scientist sub-genre #dead friend forever #dff the series #dff meta #my posts #my meta #dead friend forever meta

[cambrioleur]

Random observations on this season (updating)

(SPOILERS, OBVIOUSLY)

Episode 1

I don't think we've ever seen Assane do a genuine fourth-wall break before

OK so Claire has a last name now

Assane really expected that he could just show up and Claire would just fall at his feet

I'm surprised Benjamin is just allowed to continue working at his shop

This feels better-edited than Parts 1 & 2

Name a more iconic duo than Belkacem and failing constantly (she really doesn't listen, does she)

Episode 2

Philippe Courbet sighting

NEVER invite Guédira to a funeral lmaooo

Hang on I'm just now realizing that Juliette is at this funeral, too (she's standing in the second row behind Benjamin and Claire and honestly doesn't seem too upset about Assane's "death")

I like how in the flashback Babakar tells Assane that he reminds him of his mother and then it turns out she was a criminal

This seems to be around the time of Raoul's birthday again; he really can't catch a break on that

Episode 3

New shipping war just dropped: Guédira/Belkacem vs Guédira/Fleur

That bit where Claire was outright begging Benjamin to tell her Assane was alive and he couldn't...that was sad

But then it was followed by Benjamin doing the "uhh my FRIEND just died" act with Belkacem which was funny

This gang of thugs is trying a little too hard tbh

Assane's disguise in this episode is fucking terrible lol

The basketball coach disguise, on the other hand, is the only time I've genuinely thought he wasn't recognizable

Episode 4

Ironically that coach persona is probably the best parenting Assane has ever done

Claire? Doing things that are vaguely cool?? That feels illegal. Also, she looked so proud of herself for swiping that book, lol

Betraying Benjamin was certainly...a choice on Assane's part ("everyone disliked that")

This episode is going to devastate the show's Tumblr fandom

Episode 5

Assane trolling the shit out of Guédira will never not be funny

These 1998 flashbacks are pretty dark actually

Honestly the way Claire got that reveal out of Benjamin was very well-played on her part

Guédira out here looking like present-day Ringo Starr with that disguise

Aww look at Assane playing the matchmaker for Guédira and Belkacem, heh heh

This is easily one of the funniest episodes

Except Benjamin is straight up not having a good time -- it looks like he got beaten up in prison

Episode 6

Actually, now that I'm thinking about it, I'm not totally sure Benjamin knows that Assane betrayed him. It's possible he just thinks that he fucked up with the bracelet and then missed a cue in the maze

"Pasta with ketchup" jesus fucking christ Claire that sounds horrendous (although I'm guessing the only reason they did that was because of the ketchup-bottle reveal)

Assane really has Claire's number because he's now seduced her twice under two different identities

IDK whether or not Raoul has figured out that the coach is his dad but it's funny that he still seemed to be shipping it either way

It's nice that we get to see Claire's more playful side in this season, like her messing with Assane by acting really flirty with "Alex" after she realizes they're the same person

INCREDIBLE casting for the younger and older versions of Keller tbh; they easily look like they could be the same person

Episode 7

What a nice family reunion...it would be a shame if something happened to it...

The flashbacks are significantly darker than the present timeline this time around

Guédira finally got to arrest Assane, good for him!

The scene at the train station with the letter from Assane to Claire sort of reminds me of the ending to A Tale of Two Cities, which I had to read for AP prep a while back

Oh look, Hubert Pellegrini is back

So they're CLEARLY setting up another season with this ending

The choice of people to show on the montage there was interesting, lol

I could see a Juliette antagonist arc happening tbh

Maybe Assane's mom isn't all she seems either

And what about Benjamin? If he turns against Assane the viewers are going to lose their minds

#lupin netflix #assane diop #claire laurent #raoul diop #benjamin ferel #youssef guedira #sofia belkacem #philippe courbet #hubert pellegrini #juliette pellegrini

[chungledown-bimothy]

Top 5 guest d20 cast members (aka non intrepid heroes or DMs)

I'm not going to make the joke, but you do see what you set up for me by not including a question mark, right? <3

Aabria has been in the dome as a player as many times as she's been behind the gm screen, so if she counts, she's #1 for sure (I think she should, and I've been very vocal about why she's my favorite). But my top 5 if she doesn't:

1- Erika Ishii. I don't need to explain, right? Like, pick any aspect of what makes someone perfect to play ttrpgs with and he's got it in spades.

2- Izzy Roland. Truly one of the funniest people on the planet. Whoever decided to put her and Zac next to each other in Coffin Run was a genius. And I love how unafraid she is to take absolutely wild swings with character choices or mechanical asks in combat. She givesn't a fuck, and it's iconic.

3- Hank Green. I was a huge nerdfighter back in the day, so that was fun. But also I loved that he didn't try for a second to hide the Huge Dimension Twenty Fan Living The Dream energy or waste his chance to flirt with Brennan.

4- Carlos Luna. All of the characters of his I've seen (Cheese, Wetzel, I forget which Ken he was in the Barbie oneshot) are so funny but then casually drop things that are DEVASTATING. I think about Cheese and Ayda's conversation at the end of Pirates regularly. And he does such incredible work off camera as well. Everything he touches turns to gold.

5- Jasper William Cartwright. He's got an energy that is just so much fun. I didn't even know who he was before Burrow's End, but he's so damn funny. Idk how to explain it, but his energy is just so damn Good.

#dimension 20 #aabria iyengar #erika ishii #izzy roland #hank green #carlos luna #jasper william cartwright

[yellowloid]

my experience at am's show (3arena, dublin, 15/10/2023)

starting to write this post while stuck waiting at the airport, after somehow managing to get rid of my sleep deprivation headache through an overpriced orange juice. (edit: it's been two days and i'm stuck at home with a cold and it's all their fault) (jk) (i mean i guess that's giving me an incentive to finish writing this post so yknow. silver linings)

i'm sorry in advance because i know this is gonna be super long (and probably less cheerful than my other recap posts because i'm opinionated) but i swear i'm gonna try and not be insufferable (said as i obviously lie)

• SO let's start off by saying that we made it right in time for the start of miles' set (we were looking for our seats as he came on stage) and thank god because i was shitting myself and almost throwing up thinking we were gonna be late bc the bus we were supposed to take never showed up and we had to take another one. we literally SPRINTED up the stairs once we were in and heard he was coming up

• seeing miles open for them was moral compensation for his milan concert that i wasn't able to attend despite having tickets in 2022

• he had a very short time slot as usual with opening bands :/ and unfortunately that led to everything feeling a bit rushed :( like i'm not sure how he's been playing songs like cry on my guitar or the wonder at his latest gigs but they were SO DAMN FAST like please slow down i want to let my fav omb song sink in 😭

• still i absolutely LOVED his set, especially colour of the trap (which was AMAZING live), rearrange, come closer and inhaler. his energy was through the roof, he was literally buzzing and if you can already see how much he loves performing via video, it absolutely shines through when you see it live like. bro's literally a ball of light and energy and like. the sun personified l??? he's got so much charisma and a great stage presence. he was all smiles and really really tried to get the crowd hyped. loved him loved his set

• speaking of the crowd. it was absolute bullshit they had ZERO idea how lucky they were to have tickets to one of those four dates and how iconic it was that mk was opening for am after all these years. or maybe they just didn't care idk but i swear to god it wasn't even the usual "crowd who's not interested in the opening act" which. again. do you know how lucky you are you're seeing them both on the same night. don't let yourself be fooled by that cott video with the phonelights on, that was the only thing they did to show miles at least the tiniest bit of support - they were fucking dead otherwise, which is so weird because if you know am at more than a surface level you most likely know who miles is, and you probably know at the very least some of his songs... and yet they were so fucking quiet it was honestly painful to witness. most people there really had no idea how much lore was behind those gigs and it shows

• but again, it wasn't even that they weren't interested in the opening act. because they were fucking dead even during the main set. my section was full of drunk guys who were kinda hyped but very annoying (we'll come back to this later) but even in the pit which is supposed to be the most active area it looked like everyone was asleep and woke up at random times remembering they were at a concert and they were supposed to cheer and sing and just act accordingly ??¿¿??

• not even dancefloor or diwk managed to wake them up......DIWK. that's like. the song that's guaranteed to make the ground shake. i've seen am three times this year and in both paris and rome the crowd was usually only dead during the car songs (and tbhc depending on the song) - but they were INSANELY active during other songs, both oldies and classics. but this crowd was so disappointing literally snork mimimi-ing their way through the show

• anyway. miles should have played wrong side of life just for me and he also had the opportunity to do the funniest shit ever and play killing the joke or see ya when i see ya but alas one cannot have everything

• he did do something very......interesting during cry on my guitar (and i think also during one man band? but i'm not sure). my guy pointed at the mirrorball while singing "late night, all night, miss your kiss" which was kinda insane and i lost my mind a little but anyway

• as we all know there was no tlsp because he removed aviation first and then sntm which particularly hurt because he did it just a couple of hours before the show and when i saw that i just Knew. i knew shit was rapidly going downhill but still i was holding out my hope!!! i thought well there's still 505 or maybe they're saving sntm for later!!! i chose to keep being delusional!!! and boy was i about to get slapped in the face!!!

• now before we talk about am's set allow me to tell you a funny story. as i said my section was full of men who were very hyped (especially for wpsia/fwn/am songs) and the guy right next to me in particular (who was there with some other male friends) was, to put it shortly, a fucking annoyance. i was there with my brother and as we were waiting for the start of am's set he went to get us some water; so i was there alone minding my own business when the guy next to me immediately started hitting on me (he literally waited for my brother to leave bc he probably thought he was my bf lmao real smooth man). he was trying to make conversation asking me where i came from or things about the band, if it was my first time seeing them and what song did i think they were gonna open with and internally i was like BITCH who do you think i am. i literally know their setlist by heart. you and me are not the same

when i told him sculptures was gonna be the opener he was like 'mmmm idk' and i was like shut the fuck up. he was so condescending and patronizing about it and mentally i was like honey trust me we're not the same kind of fans i know much more than you do. anyway spoiler: of course they opened with sculptures

(he was also from england and told me he saw them in london at emirates stadium and when i asked him if he saw them on THE night when miles joined them he was like 'haha no' at which i was mentally like bro you didn't even see them on the right night why are you pestering me with your lame ass attempts at hitting on me. and he was so close too and already tipsy and basically just a stereotypical english dudebro and i swear the whole scene literally looked like this

but anyway then my brother came back and he finally shut up

• the problem is. this guy and his friends then started chugging on their beers and getting really drunk and the whole show this fucking idiot had no idea what personal space was because he kept invading my section and kept moving around drunkenly and i couldn't even fully enjoy the concert because i was so fucking scared i was gonna get elbowed in the face sooner or later, and i even tried to push him off because he kept bumping into me with his clumsy ass drunk moves but he just kept fucking being a nuisance the whole show and i really really wanted him gone from planet earth <3

• this went on to the point that i was dreading the fast and more active songs because this guy would just start being really frantic and overexcited and i literally feared for my life but even during the calmer songs he was fucking annoying like bruh. i appreciate the enthusiasm but i promise you don't have to throw it back to cornerstone like calm the fuck down or at least back off and stay in your fucking lane or i swear i'm gonna bite your head off

• anyway now let's talk about the actual show

• let me start by saying that yes i may have some complaints but regardless of everything it was (as always) a fucking great show. no doubt about that. i very much enjoyed it and i'm also very happy we were the first crowd to experience the strings live. i definitely got some better setlists (rome's lives in my head rent free), but it is what it is. beautiful show but well, it's always a beautiful show with them and we all know that. i may have mixed feelings about some things but these are just my opinions so please don't come at me lmao

• about the setlist: i definitely would've appreciated if we got a bit more tbhc (we only got the title track and that was it... i mean at least i got to hear it live, for the first time if i remember correctly, but still..... i'm mourning the loss of 4/5 and star treatment) (we didn't even get the iwby x star treatment x jet skis mashup which i was really sad about because i LOVE that mashup and i would've loved to hear it again); for the car, i'm so happy i got to hear hello you (we'll talk about this more later) but i also would've loved to hear perfect sense again because </3 sir that's my emotional support favourite the car song </3

• i was also thinking we'd get a bit more wpsia since originally it was the uk&ireland tour and back in june they played some more songs from that album, also because usually the closer they get to home, the more they go back to the origins... i was so hoping for mardy bum, a certain romance or ritz but instead we only got the view from the afternoon (not complaining about that tho) and dancefloor (please for the love of god remove that song from the setlist forever thank you very much)

• also if you want to give us sias (good) then why would you choose to give us don't sit down.........give us hellcat.......give us the title track........anything but That One...................

• however i got my beloved cornerstone (<3), 505 with the new string outro (but at what cost) and also all the car songs with the orchestra so that's a win

• as usual the crowd was kinda dead during the car and tbhc songs but again. they were already dead so they only became more dead during those songs

• they didn't really interact that much with the crowd, nor with each other; alex limited himself to the usual ("good evening dublin", "how you feeling/are you enjoying us dublin", "thank you", a couple of "terrific" here and there but that was it) + he did a shout out to jamie during cornerstone ("it's jamie cook here on his electric guitar!") and i think they scissored at some point during the body paint outro

• the transition from teddy picker into crying lightning was absolute FIRE my ass was shaking

• now for some silly antics

• after the piano interlude before high he said "why'd you only call me when you're high........" in the lowest saddest way ever as he usually does. okay man 😃👍

• he introduced arabella by going "i'll tell you about a girl that i made up......real character......arabella" like bruh we got it we understand you totally made her up and she's 100% not real like i promise we Get It we really do. why do you always feel the need to reinforce that why are you so adamant about it ESPECIALLY when in the presence of a certain someone......you're so sus

• "and it sounds like..........THIS" before the arabella guitar solo. literal chills

• "let's bring this party down to the cornerstone.........woah 😯"

• he always adds this thing during cornerstone i remember he also did it in rome and then i forgot to post the clip but i swear i never understand what he's saying i've seen some people transcribe it as 'ken barlow' but to me it sounds more like 'jenny ballow' or smth like that which doesn't make sense either way but still. does anyone know what i'm talking about and wtf he's on about

• nothing to say about cornerstone. beautiful beautiful beautiful as always <3 he also did the "squeezed me very tightly" bit that he always does and it was the cutest thing

• he sang the last line of the song so cuntily it was like. 'yes 😗 you can call me anything 😏 you want 💅' if it slayed

• after the song ended there was a moment of silence after which he went "......they kept in touch" and i felt the need to put him in a blender and drink him whole

• "from our first LP wpsiatwin, the view from the afternoon......."

• he got on his knees during pretty visitors. where he belongs

• we also got knee socks but there was something wrong because his voice cracked multiple times on the higher notes, he didn't even finish singing some lines - he just stopped, shook his head and then tried the next one... idk what was happening but he really looked like he was struggling during that song :(

• at the end of fluorescent adolescent he sang "remember when you used to be a rascal....... ~do you remember?~" which i saw he also did at last night's show and idk man that was kinda sus

• the strings were absolutely amazing showstopping spectacular and really put a nice ribbon on the songs they were used for (especially 505 and hello you) but that just makes things even more infuriating because why did they only get the whole orchestra there for the last four shows which weren't even originally supposed to happen.......... are you telling me if alex hadn't caught laryngitis we never would've have got them or what. like what's up with that

• anyway up until this point despite the lack of sntm i was still a sweet naive summer child who had some hopes left for 505. but the moment the music started playing without miles having been introduced to join them i knew. i knew we wouldn't get shit

• the 505 outro with strings was amazing tho......so melancholy and beautiful and just sososo pretty i loved it. would've loved it even more if miles and alex smooched right there and then

• as i said the crowd was dead even during diwk which was absolutely embarrassing lmao like wtf. not only was i the only one popping my pussy to the car and tbhc songs i also was the only one doing it to the most basic ahh song (still a banger tho it's always so powerful live 10/10)

• i can't believe the biggest milex interaction we got was alex saying "let's hear it for miles kane" right before body paint... i nearly lose my mind there and he literally just said his name (not a dedication like some people said) but i mean. that was at least acknowledging each other so i'll take that (said as i rip my hair out and bite my tongue and roll on the floor hitting myself)

• i was so delusional at that point when i heard he said his name i thought well maybe they're gonna be random and he's gonna join for body paint!!!!! which in hindsight i'm like. girl do you have any idea how insane you sound rn

• "thank you for having us dublin, it's been lovely" said with the most 'i'd rather be anywhere else than here rn' face and tone ever :/

• btw his little HA! was very <3<3<3 and at some point he was like scratching his head in such a cute way i almost forgot how mad at him i was (emphasis on almost)

• "just a trace....... just a trace....... just a traaaaaaceeeeeee....... just. a. trace. on your legs~ and on your arms~ and on your face........ your faceeeeee"

• when they left the stage before the encore the crowd was shouting "one more song" but all i wanted to hear was "miles, miles, miles fucking kane" because who knows maybe that would've shook them up and they'd spontaneously decide to call him on for the encore (incredibly delusional)

• hello you as the encore opener was fire, i'm so glad i got to hear it live AND with the strings too, it sounded just like the recorded version and you could hear the improvement in the live version so clearly compared to when they first debuted it; the mirrorball still hadn't dropped and since i haven't been watching many videos from the north american tour i was like ??? i thought it was maybe malfunctioning bc only the little one at the back was shining before but them BOOM the main girl dropped during hello you and it was crazy beautiful!!!!!

• "i bet that YOU look good on the dancefloor, dublin"

• at the end of the show he was blowing and catching kisses, they were bowing and waving to the crowd and that's when i realised it was my last time seeing them this tour and you could see the exact moment my heart cracked i was desperately hoping they'd never leave that stage </3

• it was an amazing night but it very much left me with a bittersweet taste in my mouth - because, as i've been saying, the vibes felt so off and i don't even know why. i can't exactly point out what was wrong, because really we have no idea what goes on behind the scenes; and i'm not even talking about it through a milex lens or smth like that. i mean, i was absolutely disappointed that nothing happened - no sntm, no 505, nothing -, but when i say the vibes were off i don't mean it in a demon way. i'm talking about the band. they really looked like they didn't want to be there, probably because they're tired and burnt out and can't wait for the tour to be over so that they can have a much-needed break. they must be exhausted and i get that, i really do; but still. it was a bit disappointing and i hate that i can't fully put my finger on why it felt that way, what was wrong, why did everything feel so rushed and why the well-oiled machine feeling translated into 'we're gonna play this show so soullessly it's gonna fly by more quickly' but it really felt that way. also mind you, i'm not even saying this as the 'tumblr fan who follows every show they play and knows all their antics by heart so that's why she notices perfectly normal things no one else notices' (like i remember the discourse back when they played glastonbury, and that really made sense because ofc casual fans are not gonna notice everything we notice) - but no, i'm not doing this that way. because my brother, who's very much a casual fan who knows nothing about the lore or the usual way they play shows (he saw them with me in paris so he had some kind of basic for comparison but that's it) said THE EXACT SAME THING. he agreed that the vibes felt very off, he also had to listen to me angrily ranting about it all the way back to the hotel and once again he agreed that the show felt, to put it very simply, kinda weird.

• now speaking of miles not joining them... the fact that he removed sntm at the very last minute was one of the sussiest thing he's ever done because why would he even add it to the initial setlist only to remove it just before the first show. it literally doesn't make any sense but i'm choosing to believe there were some technical problems out of their control, no time to rehearse or something like that... they're still best friends and if they weren't okay they wouldn't even have asked miles to open for them. i do find it weird and stupid that they'd miss this opportunity and i'm so angry at them for being dumb and not doing anything with it (unless something happens tomorrow), i'm very much heartbroken and my mind was and still is wandering trying to find more or less rational or delusional reasons why they didn't do it. i was drowning in grief after the show and the day after because i simply couldn't wrap my head around it all, but that's on me for having expectations i guess. i know they're still best friends. they're also never beating the divorce allegations. the two things can and should coexist when you're in an obsessive codependent homoerotic friendship and you're constantly having filthy telepathic sex with each other

• someone please get them to therapy or lock them in a room and throw away the key until they talk and sort their shit out and it stinks of sloppy nasty make-up sex in there because at this point it feels like we're fucking intruding on their fucked up psychosexual games and i'm SO TIRED of being a child of divorce. please we know you know everyone knows you're obsessed with each other just stop being insane (barely acknowledging each other) and start being insane (having crazy gay sex again). i promise all your problems would be solved if you just fucked each other into oblivion like the good old days

• ANYWAYS. i'm still kinda sad and angry over the way the show unfolded and it's not really helping that it's dawning on me that there's only one show left and then they're gonna disappear for god knows how long. i still loved the show, don't get me wrong, and i'm very grateful i got to see them again before the end of the tour and also to see miles for the first time during the same night. i do feel very lucky and despite the fact that we got no tlsp reunion or 505, the fact that miles was opening for them after YEARS of this not happening is still very much history in the making. iconic in and of itself. i'm also happy i got to visit and fall in love with a new city, i'm missing dublin so much and i miss THEM so much and i'm feeling so sad and bittersweet and heartbroken and ugh. i swear i can't even explain it to the full and i can't believe the tour is almost over </3 but that's a thought for another post..........

• for now i just want to see what happens at the last show and enjoy it to the full because yes we might have complained about some stuff along the way (i know i just did it myself lmao) but it's been such an amazing and memorable tour i just wish it'd never end </3

#i don't even know what to say in the tags like. they got me speechless this time i guess i can only shut up #i'm gonna add some more thoughts if i manage to get them in a coherent written form but that's it for now #they're such fucking idiots but they're MY idiots and i'm afraid i love them too dearly #(is also still pissed at them and can't bear thinking about them too deply rn) #arctic monkeys #alex turner #miles kane #the car tour #dublin night 1 #my show

[autisticlancemcclain]

fic rec friday 15

welcome the the fifteenth fic rec friday! where, on friday, i rec five of my favourite fics.  

1. there, nestled against his pulse by @hiuythn

stop why are you doing this to me stop it stop it stop--

klance soulmate au where your right wrist has the first words your soulmate says to you, and the left holds the last words they'll say to you. super sad, so much angst, and i've been informed it'll make you sob until you choke.

1. there, nestled against his pulse (the main story, from Keith's POV) 2. this is what love looks like: (tnahp from Lance's POV + 38k of sequel content) 3. roll credits (deleted/extra scenes and additional headcanons)

okay. i am so desperately obsessed with this fic, i was obsessed with it the first time i read it and im obsessed with it now. and yes i know i did all hiuythn fics last week and i promise i wont this week. BUT i have a set of comments associated with this fic bc it is Just That Good and so i shall present them to u now:

- literally the funniest characterization of shiro i’ve ever read. this shiro is gay and tired. this shiro unironically and frequently says “move. i’m gay” and gets away with it at the garrison. this shiro has been through A Lot and just wants to fucking retire - allura here is so so funny she’s such a badass. she’s giving “i love shiny things! like the shine of your spilled blood on the floor if you say that dumb shit one more fucking time!!” we stan a queen. - coran is a Mood. this man is desperately trying to reign in four teenagers and two young adults and just wants to go to bed and also he cares for them all so so much. ultimate dad - pidge is Mischief Personified. she is a brat and i adore her. she’s here to cause problems and by god she will succeed - hunk is so done it’s so fucking funny. “that’s literally impossible.” he’s a genius and he knows it, he’s glad to call you out on your bullshit. he doesn’t even TRY to pretend he can keep a secret and/or handle drama god what a mood - don’t even get me started on klance!! they’re so funny omg. the banter is EXQUISITE. lance and keith adore each other so much and they’re so badass. literally the coolest power couple fight scenes ever to be made, i do adore. gosh. and the ROMANCE they are so devoted to each other i’m emotional - honourable mention of lance’s legs and keith’a Soft Squishy Feelings that are mentioned so often that they’re characters. iconic. all in all, the best way to describe this series is Gay and Tired. i love it and i’m sad to see it end. i will be rereading it an embarrassing number of times. infinity/10

2. all the little things by @jilliancares

Or: 5 times Keith let Lance get away with things that he'd never let anyone else do, and 1 time Lance realized that he was, apparently, special

oblivious lance will always be funny to me. and the idea of keith just letting lance get away with Everything and Everyone knowing how whipped he is except for lance himself?? peak humour. never not funny

3. Full Disclosure by @dragonomatopoeia

Keith is impulsive and straightforward when it comes to most things, and emotions are no exception. It's no surprise, then, that when he realises that he might have developed a crush on Lance, he tries to tell him immediately. Unfortunately, it's very hard to account for both circumstance and who Lance is as a person.

Alternatively: Four Times Keith Tried to Confess and One Time Lance Actually Understood

more 2016 eliteness!! this fic is hilarious. and also its number one selling quality is that all of the characters are trans and nd i literally love that for them. nonbinary hunk loml

4. catch me, before i fall by @pastelrainbow

‘We are a good team.’

Even now, just recalling the way Lance had smiled as the words left his lips, made Keith’s heart race and his cheeks redden. Lance had never looked at him so fondly before. No boy ever had. The thought of it made a sigh escape his lips and Keith hunched his shoulders, a pout tugging his lips downwards.

Curse my weak gay heart.

-

a what if keith caught lance outside his cryo-pod.

the idea of keith being a suave casanova with more game than aphrodite herself but immediately going bright red and hissing when shiro teases him. peak dynamic. absolutely nailed siblings 

5. of demons and dates by spartona (faveour)

Three times Keith scares Lance shitless with his ghost shenanigans, and one time Lance tries to retaliate.

first of all. BFU KLANCE BFU KLANCE BFU KLANCE. second of all. the  “we’ve BEEN dating u dumbass ily” trope is so funny to me. i will never get over it

that’s it for today!! i’ll see y’all back next friday for the next fic rec post!!!

#actually lots of five plus one esque fics this week #bc i love them #ahem anyways #vld #voltron #lance #lance mcclain #keith #keith kogane #klance #team as family #fluff and humour #broganes #fic rec #fic rec friday #longpost

[straightplayshowdown]

Angels in America: In the first part, we meet Louis and Prior and Harper and Joe, two couples whose relationships are on the rocks: the former because of Prior’s AIDS diagnosis and Louis’s inability to cope with illness, the latter because of Joe’s closeted homosexuality and Harper’s incessant fears and hallucinations, as well as her addiction to pain-killers. The second part focuses on the story of Prior Walter, a gay man living with AIDS who has recently been left by his partner, Louis, after he could not cope with the physical and personal impact of the disease.

The Importance of Being Earnest: Two bachelors, John ‘Jack’ Worthing and Algernon ‘Algy’ Moncrieff, create alter egos named Ernest to escape their tiresome lives. They attempt to win the hearts of two women who, conveniently, claim to only love men called Ernest. The pair struggle to keep up with their own stories and become tangled in a tale of deception, disguise and misadventure.

Propaganda under the cut!

Angels in America:

painful funny surreal and down to earth all at the same time somehow, even without being a landmark piece for me personally w/ regard to queer literature

The Great American Play. The definitive exploration of how AIDS affected an entire generation of queer Americans in the '80s, and what it left behind in its wake. Those more eloquent than I am will be better at doing this play justice, but my sincerest hope is that the sheer significance of this work is clear enough to carry it all the way through to the highest end of this showdown.

honestly the peak of modern theater 2 me. everything i write and create is in the hopes that i might someday make something that lives up to the bar that angels set. it treats every one of its characters with such depth and compassion and the world it creates is so vivid and fantastic. and the context in which it was created will always be beyond important to me like i don't know how to describe how important it is that a play widely considered an american classic is about the aids crisis. she's the blueprint she's perfect she's everything

genuinely changed my life when i first read it. andrew garfield played prior walter in the 2018 national theatre version and he fucking kills it. it's 6 whole hours of joy and heartbreak and, most of all, hope. stan harper pitt!!!

This epic stageplay has become more accessible since its HBO miniseries adaptation in 2003. It is epic, intersectional, commemorative of a collective trauma that had been silenced for too long at the time of writing. (also Harper deserves to be as much a Tumblr Sad Girl icon as Lana del Rey or Sylvia Plath.) 

The Importance of Being Earnest: 

Queercoded love interest and Victorian dandies, what’s not to love? 

Quite possibly the funniest thing I have ever read.

It's very funny.

there is a HANDBAG and it is a MAJOR PLOT POINT. jack pretends to be ernest because he's been doing it for ages and why not am i right? algernon pretends to be ernest to get a girl and also so screw stuff up. as one does. gwendolen and cecily have a REALLY passive aggressive tea party. this play slaps. it is so good. go read it and/or see it

“Nothing will induce me to part with Bunbury, and if you ever get married, which seems to me extremely problematic, you will be very glad to know Bunbury. A man who marries without knowing Bunbury has a very tedious time of it.” 

Lady Bracknell: “I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square.”

Lady Bracknell: “My nephew, you seem to be displaying signs of triviality.”

Jack: “On the contrary, Aunt Augusta, I’ve now realized for the first time in my life the vital Importance of Being Earnest.”

#angels in america #the importance of being earnest #round 3 #polls #the straight play showdown

[hotvintagepoll]

Propaganda

Heather Angel (The Informer, The Undying Monster)—no propaganda submitted

Katharine Hepburn (Bringing Up Baby, The Philadelphia Story, The African Queen)—This woman. I have been obsessed with her for years. I know the urban legend is a popular one at this point of her walking around set in her underwear when her pants were stolen and she was left with only a skirt, but the pants thing is honestly enough for her to be the hottest in the room in my book. She refused to wear anything else at a time when the public in general and especially the studios did not like that. She was independent, stubborn, and so so very capable. Competency kink anyone? Also, if you want one final way that Katharine's entire life was saying "fuck you" to the establishment, it started young! Her mother took her to suffrage events, and she never got rid of that attitude of justice. I feel like I have barely scratched the surface of all the ways she was such a badass that I'm turning into a rambling mess instead.

This is round 1 of the bracket. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Heather Angel propaganda:

Katharine Hepburn propaganda:

I'm sure one million people will submit her as an iconic Hollywood star but that iconicness might lead people to forget just how insanely hot she was like she had it ALL she was skilled she was funny she was smart she was beautiful AND she was likely bisexual

The single word I would use to explain Katherine Hepburn's appeal is *range*. In her acting career, that meant covering all the ground between lush period dramas and the comedies she did with Carey Grant and Spencer Tracey. In terms of hotness, it meant an uncanny ability to bring anything from a Dietrich-esque androgyny to some of the best Classic Hollywood Glamour you will ever see.

Katharine hep was so cool. The VIBES, the INDEPENDENCE,,, living life on her own terms.

she just had this.... bearing to her, this power. she could be funny, even silly (like in bringing up baby) but also so regal and elegant. she was nobody's fool and dear GOD that's so hot

Fancam link

She’s not only stunningly gorgeous (those eyes that pierce your soul! a jawline you could cut glass with!) but her delivery and physical presence in roles gives off confidence and authority in such a sexy way (truly the biggest dick energy of Old Hollywood). Her fiery energy in The Philadelphia Story? Unmatched.

God she's. She's so hot y'all. She has the range!!!!! Funny and dramatic and lovely

She IS the transatlantic accent. Classically gorgeous and such a strong personality.

She's literally one of the funniest women to ever live! She goes shot for shot with Cary Grant in Philadelphia Story and we damn well love her for it! She's the most annoying creature to ever live in Bringing Up Baby but she's so insane and funny that we simply cannot help but fall in love with her (and root for her to give Grant an aneurysm!)

i know she's accounted for but i really want to be sure someone has submitted the scene in bringing up baby where she's pretending to be a gangster

She simply stuns onscreen; you cannot do anything but be captivated by her presence. Also a non-gender-conforming icon and mild tumblr celebrity by virtue of that one picture from The Warrior's Husband (stage play).

Katharine Hepburn was out here casually changing the lives of young butch lesbians with her gender swag! She wore pants even when people said she shouldn’t, she refused to marry or have kids, and she wore menswear in at LEAST one movie!

Someone's got to mention it, but she's won the most Oscars out of any performer and is largely considered one of the greatest actresses ever. She's got an incredible voice, an incredible presence, and she absolutely steals every scene she's in. She was private person and deemed standoffish and unapproachable, but she was also profoundly concerned for people's rights and was an outspoken supporter of abortion access. Finally, the Katharine Hepburn slacks look is just iconic. I mean look at her.

If I start thinking about her face for too long I will cry she is so so hot. Katherine is so charismatic and charming in everything she appears in - watch her adopt a leopard and fall in love with her. Also she has the biggest dick energy ever (she and her pal Lauren Bacall share that accolade). Also had an incredibly long and varied career from screw ball comedies to serious dramas - she’s a queen of the screen and I adore her.

(I hope someone else submits real propaganda but just in case they don't:) Cries. Screams. Wails. The woman who singlehandedly made me realize I was bi. A real "do i want to look like her. be her. or be with her.' crisis, where the answer was all three. Holy shit please all three.

#katharine hepburn #heather angel #hotvintagepoll #ladies 1 #fuck that old woman

[androxys]

Favorite Batman Story Tournament - Round 3

Pitting two classics against one another in this matchup! Y'all know the drill by now: fan propaganda below, but feel free to add on more!

Batman: A Lonely Place of Dying

This is a Batman story, a Nightwing story, a Robin origin story, and the foundation of the Batfam storytelling that defines the 90's. It's about grief and legacy and the desire to help and save people, the most important themes of Batman. It's the story that saved the soul of Batman after the death of Jason Todd threatened to send him into a grimdark misery spiral, and reaffirmed the need for hope and teamwork in Batman stories.

Batman (1940) #1

You might be thinking that I put this solely because it's Batman #1- which is partially true, but it also manages to be completely fucking iconic. Batman 1 is simply one of the funniest and most insane Batman stories I've ever read. It's split up into 4 stories of about 13 pages each, and each one hits it out of the park. Number 1 is the Joker's first appearance, and he kills a bunch of people in bizarre and over-the-top clever ways while the police are like "we're sure we'll get him this time". Golden Age Joker was the first incarnation of Joker I actually liked, I love that guy. Number 2 is Hugo Strange making a bunch of people into mutant monsters to commit crimes for him, and Batman shows that he is definitely living in 1940 before the editors decided to pump the brakes because he gives approximately no fucks about anything. He guns multiple people down from the Batplane. He shoots a guy off a building. He hangs a guy from a rope dangling from the Batplane. I think he kills 5 people in this one story. Number 3 is the first appearance of Catwoman, featuring Bruce and Dick trying to stop a succession of robberies on a boat, and there's a 2 page side diversion where Bruce takes all of the robbers' guns and lets Dick fight them solo and then looks directly into the camera to be like, "Wow, looks like criminals are cowards without their guns!! That's why being a criminal is bad and you definitely shouldn't do it, right kids?!" One of the first things Batman ever says to Catwoman is "quiet or papa spank", information I inflicted on all of my friends at the earliest opportunity. Then in number 4 Joker breaks out of prison and comes back and pioneers even more insane murder methods, before completely randomly accidentally stabbing himself in the chest and dying while fighting with Batman (who's just like "lol get rekt"). Joker was actually supposed to die and stay dead, but editor Whitney Ellsworth overruled it at the last minute and threw in 1 panel of a doctor being like "wait this guy's actually alive!!", thus setting up the next 80 years of Joker-filled plotlines. Do I think Batman 1 is objectively good, per se? Maybe not. However I think it's both entertaining and hilarious and the groundwork for so much that comes after, and we should remember our roots.

#dc comics #batman #favorite batman story tournament #polls

[epickiya722]

As dark as a story JJK can get, I love there are moments that are funny, some being moments that when you actually think about it, it's funny. Sometimes it would be something so outrageous that you have to laugh.

The MC was already a powerhouse before the plot really kicks off. He is known to be such a powerhouse that some people believed he's the reincarnation of Mirko Cro Cop... WHO IS STILL ALIVE. That is a real person, folks!

The funniest thing Yuji be doing in fights for me is chucking things at people and curses. He has thrown cars, signs, etc.

Sukuna's introduction. This guy is known as the King of Curses and yet, Yuji is the first person of the story to actually humiliate him. He sasses him. "It's my body!" A 15-year-old sasses the King of Curses and even after he learns who he is really, Yuji is not intimidated by him in the slightest. At best, Sukuna annoys him.

Sukuna's outfit of choice in his soul room is a kimono with a bow tied in the back. He's a fashion icon, for real.

Nanami is the one who envisions the Gojo "I'll murder you" scene. He's responsible for that.

Jujutsu Kaisen has became known for jumping. A rather smart decision to do when facing a strong opponent. Like, jump that fool!

Speaking of jumping, Mahito has became a meme. Him getting jumped is pretty much why he set out to kill Yuji and Nanami, when you think about it.

Megumi had to take tame his shikigami to control them, except for the Divine Dogs. That means he had to tame frogs, a horde of rabbits and a damn elephant.

Nobara's weapon of choice? Hammer and nails. She's building houses out of curses with some voodoo thrown in there.

Shoko got her doctor's license by cheating. But she's still good at her job.

Gojo's forehead flicks are strong enough to send someone to Shoko.

Sukuna, during the Fearsome Womb Arc, actually waited for Yuji to switch back with him instead of immediately causing some havoc. The King of Curses, evil incarnate, waited.

One of the upperclassmen is a damn panda that's not really a panda.

Because Inumaki speaks in rice-ball ingredients, conversations with him will be funny.

Geto has an arsenal of squid curses. Where did they come from?!

Geto became a cult leader at 17. The biggest question I have is where the hell did a teenager get monk robes from?!

He was also called mommy by a worm curse. Was that foreshadowing? I don't know!

To think, later, his body is put in a nurse outfit. With lipstick and nails done, too.

Toji really had beef with kids. (Teen Gojo and Geto.) Dude even forgot his own kid's name. And it's probably the most ironic name of the series. MEGUMI'S NAME MEANS "BLESSING".

Yaga looks tough and he is, but this man has a weakness for cute things. Bro makes cute, creepy cursed dolls... I think we should hype Yaga up more.

Toji actually got in a fight with Red Lobster and Miruko's (BNHA) cousins.

Jogo got to live every fan's dream of being close to Gojo and Sukuna. He also got in Choso's face and touched Nanami.

Tengen's gender is "granny" apparently. They're so real for that.

Sukuna's right hand is Uraume and the reason being because they can cook.

Yuji is a fan of Jennifer Lawrence and will introduce himself as such.

Todo really beat Megumi's ass because his type are kind people. And when he was getting his ass beat, Megumi was gonna summon Mahoraga.

When Megumi finally does summon Mahoraga... it's against Haruta, of all fucking people.

Haruta tells Megumi "Fuck you" for that.

Nanako's technique is literally taking pictures. With her cell phone. I know for a fact she runs out of storage fast.

MAPPA be devious with the openings. "Oh, that character died? They're staying in the opening." "Oh, a city was destroyed? Here's a reminder during this fire ass song."

Choso and Todo's "false memories" of Yuji. That is all.

Choso's choice of hairstyle? High spiky ponytails. And it's iconic!

If you pay attention to the Sukuna vs. Mahoraga fight, you can see that Sukuna chucks a piece of the airplane at Mahoraga.

Before the fight really gets crazy, Sukuna comes out of a building with popcorn and soda. Mind you, the district was probably closed and evacuated.

Why did Megumi react like that towards Ozawa? "Oh, it's like that?!"

In dub, Nobara calls Mahito a "bitch".

Panda wants to punch a zebra one day.

Kenjaku is a dad and a mom.

Can't believe Gojo and Geto broke up in front of the KFC.

There's a guy who wears a costume that has him half nude. And he's funny.

Look, there's a lot of things.

#just kiya's thoughts #jjk #jujutsu kaisen #jjk manga spoilers #jjk spoilers

[whomst-the-hell]

the star wars prequels arent,, Good (hot take i know) but yk what george lucas went “darth vader is quite possibly one of the scariest, most iconic, most well executed villains in cinematic history. his backstory: somehow married and an incel simultaneously — they said it wasnt possible but im proving them wrong one dreadful cringe-inducing line of excruciatingly bad dialogue at a time” and thats sort of galaxy brain of him. like thats a bit iconic. i truly hate to say it but “weirdo repressed self-isolationist 20 something year old man who has ‘rude to his mum’ vibes and turns to fascism despite the vast support network frequently offered to him” is such an under-utilised villain origin, mostly because its profoundly lame in every way. its easily the funniest option they couldve picked. like in tpm they set it up, tragic backstory: slavery, and then kind of didnt do much with that huh. like aotc said actually scrap that hes just not allowed to fuck. he has a hot wife but thats illegal so hes going to genocide babies. truly george said “why did you do this” and the ghost of anakin skywalker rose from the blank page and replied

who was george to protest really

#star wars #anakin skywalker #darth vader #anakin skywalker critical #but as a joke #also before anyone says it: i know anakin wasnt rude to shmi and he loved her very much and that was like a whole Thing #counterpoint: he was rude to obi wan who was the closest thing to a parental figure at that point in his life #THEREFORE in the context of the nuclear family he would be rude to his mum ok

[zvtara-was-never-canon]

Not a Zucest shipper (more into Maiko) but that scene where Azula isn't wearing makeup and she and Zuko are in her bedroom and she's all touchy-feely towards him was honestly more sexual and intimate than the Zvtara cave scene. Honestly I would argue that Azula is a lot more on his mind than Katara, who only comes to mind when she's convenient for tracking down Aang. Heck, I would even argue Zuko has more chemistry and investment with Aang than he does with Katara.

Maiko might not be my OTP but it is still a personal favorite because MY GOD, these two are clingy with each other and it's so fucking cute.

Zuko and Aang's friendship is legitimately one of the best parts of the show, and, ironically enough, their dynamic is the closest the show ever got to the fanon zutara idea of "this hero can tell the bad guy has a heart and wants to offer him the chance of being a better person", only without the romance part - but it could have totally made for a perfectly reasonable endgame if just a few details had been changed.

Plus everything about them meeting the dragons was absolutely iconic, from "I don't care what people said, you're pretty smart", to Zuko suggesting they think about their place in the universe, to AANG ASKING ZUKO TO DANCE WITH HIM, to Zuko looking Aang straight (hehehe) in the face and going "You are source of my fire by the way. No homo."

I just love it whenever these two are on-screen together.

As for the bedroom scene between Zuko and Azula in the awakening... oh boy, did my mind go straight to the gutter the first time I saw it (and every time after that too).

Grey Delisle, iconic voice actor, former stripper, and former narrator of trailers for porno movies, really took a look at this scene of her character's older brother coming to her bedroom in the middle of the night and thought "Wouldn't it be really funny if I added some incest vibes here?" (not that the animation itself made it all that difficult).

And yeah, Azula was definitively in Zuko's mind ALL THE TIME. Like, this boy was trapped in a cave during a snow storm, Aang's soul had literally left his body and, for some fucking reason, he just... starts venting about the sister he has not seen in years. Like, I KNOW they are just setting up Azula as the villain of the second season, but that came out of nowhere!

And him imagining her as the blue dragon that represents temptation and is whispering in his ear stuff like "Just give into it" and asking when he will be going to his bedroom, even after he said he doesn't feel like sleeping... buddy. Buddy. What the hell is this?

Also I can't find that video anymore, but there was some panel Bryke was at in which they were "suggesting" many ships to the audience - and one just happened to be Azula and The Blue Spirit. If someone has a link to it, please send it to me because the audience's outraged reaction was the funniest fucking thing.

In case any of you want to see Grey being chaotic as fuck, and making Dante all embarrassed (and flirting with him) I recommend you check out these videos because they are HILARIOUS!

#anti zutara #zukaang #zucest #grey delisle

[tame-a-messenger]

What channel do you like Damien & Angela on the most? (Together and/or separately)

For me it’s definitely:

Angela: Games

Damien: Pit

Together: Games

For Angela, I like her the most on games because that’s when she is peak chaotic/funniest imo. Idk why but I enjoy Damien’s energy on pit the most, once again I think he’s the funniest on that channel (games too) but it’s a different kind of funny if that’s makes sense, even though he’s barely on that channel. And together has to be games since most of their iconic moments came from that I’d say, although pit does give it a run for it’s money :)

Ooooh for me I think it'd be

Angela: all of them but if I had to choose- Smosh Mouth (teehee)

Damien: Pit

Together: pit

Angela doing the TNTL Podcast might be my favorite version of Ang. She's fully in her element and it's so great to see. If you want me to pick between Pit and Games? uhhhhh, maybe Pit? Pit is just more relaxed all around (plus Angela doing characters is peak)(fuck, I guess she does characters on all the channels...) idk.

Damien seems less 'locked in' on pit. I think it comes from the fact that on Games he's trying to win/meta game and he doesn't chill as much (I still love him on Games though)

For both, I think them on Reddit Stories was my favorite setting for them, just chatting and talking. Very nice all around. ALSO TNTL's are always fun with them in it!

But I can't help but love them on Games since that's where they usually show up together in videos! UGH! I LIKE ALL THE CHANNELS (status pending on Smosh main)(specifically for Damien and Angela to both be in a Smosh main vid)

#Damien Haas #Angela Giarratana #Smosh #Damngela Dynamic Enjoyer #Smosh Games #Smosh Pit #Damangela #Damien and Angela #Damien x Angela #Damngela #Damien/Angela #smoshblr

[themaudlinmimic]

who do you think would be the funniest real life person (dead or alive) to fall through an omenpath onto thunder junction

Mark Rosewater, due to the following probable sequence of events:

Mark falls into a setting he is not outright an expert on, but knows enough about that he can survive without immediately getting turbofucked by the wildlife.

Through his existing knowledge of the magic system (heh) he manages to bootstrap his way into some kind of spellcasting. Not necessarily strong, since he's just a regular guy otherwise, but enough that he can probably get by using that once he reaches civilisation.

Due to having all the plot details ahead of time, he manages to become an information broker of sorts, leaving his clients regularly scratching their heads as to how the fuck he could know any of this.

This goes well right up until Jace arrives on the plane, and using telepathy manages to find out that there is a man who a: knows everything about his plans, b: knows everything about his life, and c: is at least indirectly responsible for the many many unpleasant times Jace has had throughout it.

We are proud to present the Fall 2024 Magic: The Gathering set, Bring Me The Head Of Mark Rosewater (MRW for short), wherein all the iconic characters of the Magic multiverse converge on Thunder Junction to beat the shit out of one middle aged card game designer.

(Optional) Blogatog answers suddenly become extremely accurate and include photographic evidence, which is a net win for all involved.

#except Mark