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aromantic-pantyanarchy · 4 months

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It's me. I'm the cis, heterosexual, aromantic man. I will never marry, I will never be married, I will grow into middle age and elder age and I will die unmarried. I will be forced to support a household of myself on only my wages alone for the rest of my life. I will be asked about women and marriage and children by my family for the rest of my life (or men, the progressive ones might say). I may not ever come out to them. I feel like I burned my coming out on something stupid. I don't want to explain it. I don't want to run them through the definitions and intricacies. I don't want the acceptance without understanding, placating me with ceased questions and poor explanations to other, drunk adults.

I like my hair to be long, I spent a year with it dyed a golden blonde with dark roots because I like the trashy party girl aesthetic. I want to dye it again with pink tips. I like painting my nails, black and blue are my favorite colors. I like wearing chokers. I also like wearing baggy jeans and ratty hoodies. I like having stubble. I like having chest hair. I like having a square jaw and broad shoulders. I wish I had a flatter stomach and a thinner profile frame. I don't know what this makes me, perhaps this is something no more GNC than Machine Gun Kelly. I think about this a lot, how queer my appearance truly is. I should think about it less. I have thought long and hard about if I could be trans or if I could be non-binary or if I could be genderqueer and the conclusion I ultimately came to is that I most enjoy being a man open to whatever self-expression I want.

I don't date, but I've thought about it. I would like to meet people, and I would like to have sex with them. But I don't want to hurt them. I fear if I explain what I am beforehand it'll scare them away. I fear if I explain after they'll feel manipulated or abused. I don't know how many people in the dating scene want what I want. I fear my own lack of experience will make me a bad lay, an embarrassing story to tell to confidants in hindsight. I fear my own virginity, a boundary to those I wish to be like. All of these fears are baseless, as I've not been able to even begin a single relationship in my life. Despite this I still heavily identify with terms like "slut" and "manwhore" and "thot" because my interests lay so deeply within casual sex, sex without great intimacy or emotion. This may be some form of stolen valor. I hope the true sluts are not too mad at me.

I made this blog several years ago because a mutual of mine reblogged memes making fun of aro and ace people, making fun of the concept of aphobia, and in addition well known aphobes. I didn't feel comfortable talking about aro stuff on my main blog, for as little as I talk about it. Living through the ace discourse of the 2016 era has largely caused me to cringe in embarrassment any time I am forced to discuss my orientation with people who aren't aro or ace themselves. I no longer follow this person. I unfollowed many people I was mutuals with from that time, most of them because they posted too often about how much they hated men and I didn't want to see that, some because our interests simply drifted too far apart, only one for explicit aphobia reasons. (Also one because they became a "both sides are bad, any vote is wasted" libertarian, but that's unrelated.)

I guess at this point I don't care deeply about what strangers on the internet think of me. If a trusted friend told me that they don't think I'm truly queer that may hurt. But I am going to continue to use the word for myself. I take up no resources. I go to events that are open to me. If an event was not open to me, I think I'd not want to go anyways. I am not a hypothetical, I am not a strawman, I am a person with lived experiences both within and exterior to the queer community. If you hate me, I will permit you to continue to do so. But ultimately, I am who I am, I cannot change these facts, and I would not choose to do so even if I could.

#aromantic #aro #aro positivity #reference to aphobia

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bambiesfics · 2 months

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Opposites Attract Theory - Ellie x Bimbo!reader

Ellie was everything you weren’t. She was a girl in brown plaid button ups, who could only find comfort in wearing her father’s oversized chocolate suede jacket. She could hardly be described as sweet or adorable, not like you were. Ellie was reserved, masculine, angry, and traumatized. Ellie smoked cigarettes to keep her nerves at bay, cut chunks off of the ends of her hair when they got too long and feminine, spent all her money on tattoos if she wasn’t spending it on you, wore old men’s weathered leather shoes, painted her nails with the cheapest black polish just so they could chip on purpose, and tucked her strap into her pants because it just felt right. No more, no less.

All of those descriptions she’d agreed with, but just one word was missing. The word ‘provider.’ The aspect of her character that she prided herself on the most, was being your provider.

You were her opposite, the light to her shadow. You were naive, sweet, bubbly. Your eyes were big and curious, and you asked every question earnestly. You bounced around in your cute little outfits. Low cut tops with your tits spilling out, dresses where the wind exposed the chub of your ass, and skirts so short they showed your plump little pussy, eating up your g-strings; outfits that made you easy prey for leering. You got your nails done, and showed them off by grabbing Ellie’s thick cock with both hands while sucking hard on her tip. You bent over to pick up dropped items because your acrylics made you clumsy, and squealed when your girlfriend smacked you square on your ass. You got little Brazilian waxes, and sent pictures with a smiley face saying “still a bit sensitive but do you think it looks pretty Els?” And you were shocked that she pounded you into the headboard later that day, until your vagina was puffy. You sat on Ellie’s lap when she beckoned you too, but never quite figured out that it was because she wanted you to feel her erection sandwiched between your ass. You pranced outside in thin little pink shirts that showed the outline of your plump nipples and areola, and started pouting when Ellie draped her jacket on you before she let you step out of her car.

You pouted about how your girlfriend was “too overprotective” but you were a ditzy, trusting airhead, who had the IQ of a care bear. Ellie didn’t have a choice, you were too stupid for your own good. Too sugary and sweet, sissy and girly.

You needed a guy like Ellie to pick up extra shifts for you, so you could go on your little shopping sprees, to buy lip gloss and candy. You needed a guy like Ellie to come everywhere with you, so creepy fucks would know that the pretty little bimbo had a gaurd dog next to her who would snap, snarl and bite them. You needed a guy like Ellie to run her tongue around your little pink hole, twitching and hungry, just to prepare that tiny hole as a warm place for her cock to sink into right after. Her balls often found themselves smacking against the bottom of your puffy neglected clit. You needed a guy like Ellie to indulge your little airhead babble, your piss poor attempt at conversation or even saying a coherent sentence. God knows you could yap for hours and say nothing of note, nothing anyone would perceive as highbrow or thought-provoking, but Ellie loved it. Loved watching those plump pink lips smack together to talk about dumb little girl topics like “love island” or how “your pinks don’t match” or “beauty guru drama.”

And Ellie loved to indulge that clingy, pouty, needy little attitude you had around her. She’d bounce you up and down her cock, to shush your sniffles after she snapped at you. She’d rubbed your back, and promise to get your nails done just so you’d get overwhelmed with joy and cry “Ellieeee” in her arms, she’d wipe your pouty tears off your cheeks when you couldn’t take her cock all the way down, and tell you that you’ll get so much better after lots n’ lots of practice, she’d let you baby her when she was sick, and pretend that your poorly made chicken soup was the cure for her illness, and not the fever medication she’d been knocking back for the past week, she’d indulge your repetitive airheaded questions like “Ellieee, why can’t we print more money?” and “Ellieee how do you know you can see me? What if you’re you’re just imagining me?,” and she’d let you curl up with her brown jacket at night, cause it smelled exactly like her and brought you comfort in those days she had too many back-to-back shifts and couldn’t stay with you. That jacket was her fathers, so for her to leave it with you, meant that she wanted to take care of you in a way he’d be proud of.

You were Ellie’s dumb little bimbo doll. Her pink hole to use as a fleshlight, her set of plump lips to watch suction around her dick, her sugary little ditz.

But you were also Ellie’s future wife, the future mother of her kids. The woman who provided the the most gentle balance to Ellie’s rough edges and hard lines, the woman who was her emotion support, her pillar, the grounded rock that she’d cling to during her rapid river emotions. In turn Ellie would be your guard dog, your emotional support, your girlfriend, your boyfriend, your husband, your wife, your butch, your provider. She’d be whatever you needed.

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s0ngsandstars · 1 year

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Drawing Pomefiore Shu (dorm uniform) and dreading having to do all the pattern details.

#S Posts #vaguely stressed sigh #He's very pretty in the uniform so far though.#I painted his nails purple to match the outfit.#I'm debating giving him a hat of some kind #like a tophat or like one of those hats you see on ladies mourning at funerals in movies with the tiny veil only make the hat purple #the veil would stay black though #funeral mention in tags

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yanderenightmare · 3 months

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Zenin Naoya

TW: NSFW, dubcon/noncon, prostitution, jealousy, possession, murder of nameless characters

fem reader

Naoya would fall hard for his favorite brothel whore…

You always receive him with a gracious smile – long lashes shadowing an alluring pair of dark eyes, touching him so smoothly as you guide him to his usual room, always with dulcet words whispered seductively in his ear – all pretty nothings you know he wants to hear.

You let him get as rough as he wants without fighting back. Calling his name like a prayer – moaning with your throat when he fists your hair, fucking you hard on your hands and knees – branding your ass with his handprint.

You’re such a good girl – listening to his every command with a pretty smile.

You may not be the most decent – but he can’t say he has much appetite for modest women. While having to spend his day being introduced to a dozen potential wives – he’ll always be thinking of visiting you instead. Wanting your red-painted lips wrapped around his cock and your smokey eyes looking up at him – to bite those pink circles on your cheeks and fuck you until your lashes run in black streaks down your dewy face – all while moaning out for him.

Suppose he could purchase you… turn you into a maid… and maybe in a couple of years of reforming, you’d be eligible enough to wed.

You wouldn’t look too out of place on your hands and knees scrubbing the floors or tilling the gardens, all sweaty from the labor – though, it would be strange to see you all covered up in the thick layers of a yukata and not the thin kimono you so easily let drop to the floor as soon as he enters through the door to the establishment.

He wonders if there are many others you let fuck you like him. Sometimes, he’ll spot a mark on your body he’s not entirely sure he left there. But you don’t kiss and tell – never one to allow sore words to leave your lips, even when he proposes to kill all your other visitors. You just give him that gracious smile, letting him hold you close on his lap with his head on your chest – wading through his hair with your long nails, petting him as he pouts.

He becomes like a baby boy in his mother’s bosom when coming down after emptying his balls inside you – all clingy and cuddly with you. Childish fantasies leaving his tongue in murmurs pressed against your skin – how he’s going to take you away from this place, make you his housewife, keep you all to himself in his bed.

But then he goes back to himself – gets dressed, pays your madam, then leaves.

He’ll often pay for you to be free at those times of the day when he knows he’s free to come visit you. But sometimes he’ll come unprompted only for you to be busy with another.

He doesn’t remember when he started waiting outside for them. But it’s been so long that he no longer bothers washing the blood from his hands before he comes in to see you.

#yandere naoya zenin #yandere zenin #yandere zenin naoya #yandere naoya #yandere jjk #yandere jujutsu kaisen #naoya zenin #naoya x reader #jujutsu kaisen #jjk x reader #jjk x y/n #yander naoya zenin #zenin naoya

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luv4fushi · 3 months

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cw: nsfw. fem!reader & afab!reader minors dni (block my nsfw tag) ageless blogs dni

thinking about 20-year-old megumi who looks so much like his dad that of course the boy has girls staring at him everywhere he goes. he’s got the same brownish green eyes as his dad, the same dark hair, and the same face—and it doesn’t help that his stoic personality is like a flame to a swarm of moths. he’s tall, well-built from his years of training, and essentially a carbon copy of toji—maybe a little bit of gojo, too, because he’d been raised by the eccentric white-haired sorcerer.

“you look so much like your dad,” gojo says every chance he gets. he shivers and then scowls st the memory of toji.

everyone else claims he looks like gojo—only because he’s so pretty that it makes sense to be compared to the man who had raised him and not the sorcerer killer.

but what everyone doesn’t know is that megumi isn’t a carbon copy of toji or gojo. he’s got one thing that sets him apart physically and it’s his hands.

megumi’s hands are gorgeous. his fingers are long and a little thin. they’re a bit veiny too, which makes you drool even though you hate to admit it. he’s got piano hands and you shamelessly stare at them whenever he taps his fingers on surfaces. his cuticles are always moisturized and his nails are trimmed—he claims it’s because his shadows need to be accurate in order for him to summon them, but you know he’s just secretly into self care.

he lets you paint his fingernails black, admiring the way your tongue sticks out in concentration as you try to not get any nail polish on his skin.

when he holds your hand, he’s always rubbing patterns into your skin. it’s like he can’t physically touch you without savoring you as much as he can! his hands are everywhere—your hips, your arm, tucked on your lower belly for some odd, perhaps primal reason.

he likes to move you out of the way (you’re usually unaware of your surroundings when he’s with you because he’s just so safe to be around!) by gently pulling you to his chest with his smooth fingertips, his hand being large enough to nearly cover your entire side.

when you cry, he brushes underneath your eyes with his thumb, wiping off your salty tears before kissing you. his hands are large enough to cup your face and cover it at the same time, which he likes to do when you’re acting a little difficult.

megumi likes to wrap his hands around your neck, not ever squeezing enough to cut any airflow—he just likes the way his fingers look when they’re gripping your smooth skin. he likes trailing his fingertips over each of the possessive bruises that he tends to leave on your sensitive skin. it’s like a reminder to him (and you) that you’re his.

you love the way his hands look when they’re digging into your skin, squeezing your plush thighs as he greedily laps up your release. your cunt spasms at the sight of his fingers wrapped tightly around your thighs. “n-no more! ‘s too much, gumi! can’t—!” he only caresses your skin and forces your legs apart with those pretty hands of his, holding your soft thighs apart. your skin dips around his fingers and the view is so pretty that you have to squeeze your eyes shut so that you don’t release all over his face again.

your favorite sight—and his too—is when his long digits are pumping in and out of your cunt. you’re breathless and mewling his name, watching as his fingers break you down into mush. “cum for me, baby, i know you can do it. such a greedy girl sucking my fingers right in, hm?” sometimes he wishes he could see the way his fingers curl inside your body, pressing up against the spots he knows has you shuddering for him. after you finish from his fingers alone, he loves to slowly pull his them out, admiring the glistening slick coating them. “see this, baby? just from my fingers, you sensitive little thing. do you like my hands that much?”

you love megumi’s hands. that’s one thing about him that’s strictly him—you wouldn’t change it for anything in the world.

#luv4fushi r18 #fushiguro megumi x reader #jjk x reader #megumi x reader #megumi fushiguro headcanons #jujutsu kaisen #megumi fushiguro #megumi x you

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rawrenjoyer · 2 years

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men with painted nails i love you

#just saw dan with black nails on phils video sorry #but for real #nothing hotter than a guy with his nails painted #shoutout to those dudes

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gatheringbones · 6 months

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[“It was only after I came out as a dyke that, for the first time in my life, I felt ready to celebrate being a girl, and I did. Actually, I overdid. Armed with Esther Newton’s Mother Camp, Judith Butler’s Gender Trouble, and Joan Nestle’s A Restricted Country, I embraced femme. I dressed up in short flowery dresses, pushup bras, satin panties, and lacy stockings. I paid great attention to my long, curly, perfectly-coiffed hair, my glamorous makeup, and especially my pouty lips. I spritzed Lola’s smell on my skin—Estee Lauder’s Private Collection—and painted my nails. I wore all of it with black combat boots and a brilliant sense of irony. I reveled in my girliness, went over the top, learned how to tweeze my eyebrows and line my lips with a lip pencil.

My gender presentation was unmistakable: blatant female sexuality. I was a proud, in-your-face, take-no-prisoners, uppity, don’t-assume-I’m-straight-because-I-wear-lipstick-and-dresses femme dyke. Because femmes are always assumed to be straight or sleeping with men, and I do sleep with men, I made sure to always have a butch on my arm so I’d be read as femme. Even though I was sure I’d be mistaken for straight, the boys took one look at me and steered clear. It was as if I was too much of a woman for them to handle, like I was a handful, and I was. But butch girls love a handful—a handful of tits, a handful of ass, a girl who needs to be handled, a girl who can handle herself.

How I figured out I was a femme had a lot to do with the women I was attracted to and the dynamic between us. When I was in junior high, I used to mess around with a friend of mine named Angela. Angela was one of those girls who developed early; I remember she had big breasts in like sixth grade. We mostly kissed and touched over clothes, and we played out various boy-girl scenarios. I was always the girl—my early femme roots. My favorite of all our little scenes was the one where she was my male boss and I was the secretary. The boss made me have sex with him and told me if I didn’t I would get fired. Now this was all before Clarence Thomas, Anita Hill and the media awareness/obsession with sexual harassment. I remember she’d tell me to suck her dick and push my face unmercifully into her crotch, which smelled amazing,. The drama of it all—the force, the degradation, the power games—really got me off. After that, there was no going back to simplicity. I was hooked on the power.

Jen really epitomized all the girls I was attracted to then and still am. Being with a butch girl, I was valued for my combination of strength and vulnerability, for dressing up, for wanting an arm to hold onto, hips to wrap my legs around, being able to give my body over to her and say, I trust you, I’m yours. My butch loved me in low-cut dresses, appreciated my sexual voraciousness, worshipped my inner slut. I reveled in the fact that I could be strong and submissive all at once. Surrender and still be a feminist. Being a dyke is not just about who I fuck and love, it’s about being a girl who doesn’t play by the rules.

Butch girls don’t play by the rules either, and I love butch girls. Girls with hair so short you can barely slide it between two fingers to hold on. Girls with slick, shiny, barbershop haircuts and shirts that button the other way. Girls that swagger. Girls who have dicks made of flesh and silicone and latex and magic. Girls who get stared at in the ladies room, girls who shop in the boy’s department, girls who live every moment looking like they weren’t supposed to. Girls with hands that touch me like they have been touching my body their entire lives. Girls who have big cocks, love blow-jobs, and like to fuck girls hard. Every day, it is the girls that get called Sir that make me catch my breath, the girls with strong jaws that buckle my knees, the girls who are a different gender that make me want to lie down for them.

Someone else said it about me recently and it’s right on target: “She gets off on all different sorts of people sexually, but she falls for butches.” Like the poet who bought her first strap-on with me and then wanted to sleep with it on. The shrink-in-training who got harassed every time she drove down South. She did look so much like a fifteen-year-old boy: blue button-down shirts, neatly-combed blond hair. The ad exec who had names for her dildos and used to love for me to spit-shine her wingtips. The photographer whose face was so mannish she could pass almost anywhere. The writer who wanted a body like Loren Cameron’s. The telephone repairwoman who drove a truck. The cook who had a boy’s name. The academic who got cruised by gay men on Castro Street. The cornfed farmboy from the Heartland with arms so hard and strong you swear they’ve been working the land, not the iron at the gym.

And there’s the one who’s got the James Dean stare down, and dresses like a clean-cut fag, and looks at me like she could look at me forever and never blink or grow tired or move from the spot she’s in. She’s a girl who loves girls like me—girls in velvet bras, girls who want to surrender to her mouth. She’s a girl who isn’t afraid to throw a femme down on the bed and fuck her. Possess her. My kind of girl. This girl is different.”]

tristan taormino, from this girl is different, from a woman like that: lesbian and bisexual writers tell their coming out stories, 2000

#tristan taormino #bi literature #gender stuff #femme #currently reading #terra preta

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glammiketrash · 9 months

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Monty didn’t attack Bonnie. Freddy did.

This post is not a joke: Ruin gives us enough clues to know that Bonnie was attacked by Freddy the day he disappeared, and Monty saw the attack.

Word count: 2457 words.

Yup, I wrote an entire essay with pictures to take the blame from a fictional gator that became my comfort character. If someone from Steel Wool is reading this: Yes, I’m ok, thanks for asking. If you want to send a cute Monty picture to my inbox, it is open and I’ll be all over the place if you do it.

Now, let me take you with me on this wild ride, because this theory fits the narrative of both Security Breach and Ruin so well that I have to clap at Steel Wool if it is actually correct and not me playing with the puzzle pieces incorrectly. So, here we go!

Bonnie, judging by the golden eyes and his travel pattern, was protecting someone like Freddy did with Gregory. Important damage was directed to the stomach hatch, where a kid could hide.

He has claw marks there, but Monty didn’t got his until the first was decommissioned and was then modified to play his bass.

The scratches in his hatch are green, but also the cracks over it. It looks like it is his base color instead of paint left by the attacker. The next video is from FazFriends, where they look at every single detail in the Ruin animatronic models. Their analysis are totally worth your attention if you like SB!

youtube

Monty has black nails, even before he was modified to play Bonnie’s bass. They also are kinda blunt, and the marks the attacker left seem more clean and sharp in the ends.

Now, there aren’t lots of animatronics that have claws. We have Roxy (and I’m guessing Foxy, if he ever existed as an animatronic different to her), The mimic/Burntrap, who doesn’t really seem an option because he’s slow and in life support in SB and sealed in Ruin, and… there’s Freddy. But, and here’s the twist, not normal Freddy, who couldn’t get through gates like Monty until he got his claws.

I’m talking about this thing.

Not only do we have environmental clues that confirm this attack, but also a key clue that wouldn’t make any sense otherwise.

Let’s start with the Prototype itself!

Check those claws. They are sturdy enough to survive all the damage this model has received, and extremely sharp at the end. Now compare Bonnie and its hand together…

It’s a perfect fit. The metal is a bit bent in the left, but if you could lower it, the finger length, the palm, even the distance and shape between the thumb and index are the same than the hole in Bonnie’s chest.

If that detail is true, all pieces of the narrative fit together. Here’s what happened, which I will explain further adding sources:

Monty saw Freddy’s prototype attacking Bonnie (who was in safe mode) in Gator Golf’s catwalks. The hurricane hole-in-one was activated, causing them both to fall. He could see the prototype losing its head and taking damage to its leg, but Bonnie was nowhere: he was either able to go back to Bonnie Bowl by himself using the distraction or the fall knocked him out and was dragged there, where he was heavily damaged.

This next part is not so clear, so I’ll give you my version of what I think happened that night: Bonnie alerted police that a kid was in danger. They show up, but Vanessa sent them away, claiming she was the only person there and it was a prank call (False Alarm message in SB). Vanny uses Bonnie’s trust on Freddy against him: she sends the prototype to go after the kid and him. He makes it to Monty’s, where the hurricane causes damage to the prototype, and is then finally attacked and disassembled behind his attraction to silence him and bury any clue or what happened (his parts are all over the place, one of his arms has weel marks, and Ruin follows the PQ ending where Freddy is disassembled. In SB, endos come out from the lines to attack us, and in Ruin we see the zone where his vanity is infested with STAFF robots, both in its normal version and in VR, where a giant STAFF robot is seen being dragged to a door while it leaves scratch marks on the floor).

Fazbear Entertainment pretended they actually looked for Bonnie and found nothing at all. As a final punishment for his disobedience he was actively being erased from existence: most of his art was removed, and some ask for a re-theme of his attraction (Re-theme SB message). They make Monty the main bassist, giving him his green room too.

These changes are being quickly pushed after his decommission: Bonnie still has power when we find him, Monty falls from the catwalks “a month ago” and snaps in half, a place where he goes every time he skips a performance (Monty Mischief SB message), people constantly ask for Bonnie and there isn’t an approved answer to give, the bowling alley still wasn’t given a re-theme after taking out most of Bonnie’s images.

Despite FazEnt efforts, Bonnie is remembered, specially by a depressed Monty.

His body was modified, he was given his bass, his glasses, his room, his role. The higher ups clapped thinking about the possibility of him being even more popular than Bonnie, his disappearance becoming yet another opportunity to make money.

And it was Freddy’s prototype’s fault. His normal life, the person he admired the most, his own body, were taken from him because of him.

From that day, and after getting new claws, his attitude becomes obsessive, endlessly searching for what was left of Bonnie after the rest gave up: destroying fences to explore the undergrounds, constantly missing shows and always being found in the catwalks, even after being snapped in half by the hole-in-one bucket, trying to guess where his body was. His last known location was his attraction, so he should still be there somewhere, isn’t it?

Let me repeat this: he prefers looking for Bonnie in the catwalks even at risk of his own integrity than performing.

There are more details that show us he does care for him: there are four official images left of Glamrock Bonnie in the PizzaPlex, three of them in Monty’s ride, the last one at the entrance of his own attraction, where some animations can still be seen. These cutouts are in perfect shape, while Freddy’s is light off.

There is also a headless Freddy statue that once you go to FazerBlast screams “prototype”.

It looks like it’s been decapitated by a hurricane, some “cables” coming out of its head like the prototype, which has cables coming out of its neck.

This damage couldn’t have been caused by the earthquake: the head should had fallen to the ground instead of being pinned on the hurricane. Plus, it doesn’t match the theme of the ride, based on cutouts, and while the rest of the elements are placed in scenarios and their composition is clearly studied, this statue breaks the symmetry of the hurricane’s eye element, that is supposed to give you the illusion that you are entering its eye and being pushed out to the main attraction.

What’s more, in a story exclusively about Monty’s past and how he became a solo bassist in the PizzaPlex thanks to Bonnie, attracting the same amount of people than the Glamrocks themselves, a Freddy statue at the end doesn’t make any sense sense at all… Unless it was put there with a very particular purpose.

I like to think it’s part of an environmental story telling from Steel Wool, specially when you read the rest of clues together.

There’s more to say about this statue than the lack of a head: look at its leg damage, and how it matches the prototype’s heavily damaged one, and how the hand that is visible reflects the light making it look like it has long claws despite Freddy having short ones like the rest of the band.

It also has two blue long lines through his chest that resemble the ones in Bonnie’s.

If you still have doubt about how it is part of a scene representing the night of the attack, then you should know there is an easter egg here: if you follow the part of the tornado that goes up, you can see a Bonnie cutout at the very top of it. He’s far away from the rest of the scene and he looks like if he was being knocked by the tornado. If you zoom to look at his face, you can see he has a worried expression.

Monty didn’t destroy any of the images of Bonnie or his previous iterations, not the cutouts, not this poster, not the bass that belonged to him, even after causing damage to his room.

There is a detail in Gator Golf that is easy to miss: An intact poster of the original Bonnie near a log he uses as a hideout in Ruin (we see him quickly going out of it when we approach it).

He looks similar to the illustration at the entrance of Bonnie Bowl, but this image is not very charming. He looks half dead, yeah...? If you then go to Bonnie’s, some big screens are still on and advertising pizza. When you wear the mask, they change to a glitched version of the Bonnie animation, where his eyes go blank in a similar way to this poster.

This spot couldn’t have been used by Vanny: it is decorated exactly like the rest of Gator Golf in the base game, which ends with us saving Vanessa and exiting the PizzaPlex together.

The poster also has a drawing of Freddy stuck on it. In this chapter you can also find the Bonnie’s piñata collectible, the first time we can see his Glamrock design and the first clue of him having suffered an attack (it has a big gash in his chest).

He could have easily taken it down if he wanted, specially when it is so close to his hideout and he’s in such a volatile state, but he keeps it right beside it.

But the real Freddy (or, at least, things that resemble him) seems to cause some kind of reaction even in the base game, yes?

The most common example in Security Breach is the arcade version of Monty’s Gator Golf. There are two possible readings for it, depending on if you think it represents Monty’s mind or if you think it has been hacked to change his behavior.

Hole 1 depicts Freddy separated from the group, a big distance between them. Hole 9 shows him in a dumpster, and Chica, Roxy and Monty playing together. He’s never part of the group, so either Monty hates him or he was hacked so he would hate him, right?

But the main show were he looks happily at him while playing, the fact that he never attacks him even after being hacked, the presence of images of him on other holes all perfectly light and ok like this balloon, and the eye color difference between Hole 1 and 9, make me think Steel Wool is trying to tell us a way different story.

The Freddy in the dumpster is the only one with golden eyes. Hole 9 represents what is happening the night we play as Gregory, the AR part of the AR-cade, and of the main reasons the Monty taking down theory was so popular.

That night, Roxy, Chica and him are working on finding the kid to the point that their cases crack and get dirty, while Freddy not only glitched at the start of the show hours before, but is now also walking around the PizzaPlex doing NOTHING instead of helping (apparently).

It’s the animatronic equivalent of a group project were one of the members does nothing, so you have to do their part and then they show up and are praised. It makes sense he would be angry at the situation and think he’s trash, but even so, there are no real confrontations between them.

But what about Hole 1, then? The answer is the fireflies. There are some fireflies at the left part, but the right, where Freddy is looking, has other set of lights. If you calculate the distance from Chica to him, the center is almost where the hole is, the part of the arcade that is supposed to drag your attention. Having an empty space there feels uncomfortable and a very questionable decision from whomever designed the scene, but if this one is a reflection from reality or Monty’s current mind state, why aren’t Freddy’s eyes gold?

Well, I don’t think he is separated from his band.

I think someone is missing from the picture instead.

Bonnie was erased from the Arcade.

As it was said, these changes were quick and non-planned: they deleted his model from the arcade, but had no time to move and reprogram the positions of the rest of the characters so the space between them was filled. As a consequence, when you play this level, your attention is taken from the hole to the distance between them.

It is void, awkward, it makes you uncomfortable. You know something is missing, but you can’t quite tell what it is yet. It makes you wish there was one more character there even before you knew there actually was.

Once you learn what happened, how his story ties to the place this scenario represents, the void he left in Freddy and Monty specifically, Hole 1 gains a new meaning, and it hits you. When you go back to the PizzaPlex as Cassie and play the arcade, there’s no joy left there. No fireflies, no Glamrocks, just ruins. Two pairs of red eyes and a pile of Nightmare STAFF bots. That’s all that’s left.

But if you still need one more clue to convince you that the prototype was the one that attacked Bonnie, then let me tell you there is a final one that wouldn’t make sense otherwise:

The AR collectibles dialogue.

Cassie always makes a commentary about the things she finds: Monty’s AR plushie being very glitchy, how she wants to add Roxy’s one to her collection, how the her father wouldn’t tell her why they replaced Bonnie and how he was his dad’s favorite…

But she also asks him what happened to him, and gets an answer when she gets the last collectible.

The AR Golden Bonnie is hidden in Bonnie Bowl, next to a Wet Floor Sign bot.

She hasn’t been to Fazer Blast yet.

But the description answers the question that she asked him: a prototype.

Bonnie was decommissioned by Freddy’s prototype.

And the only ones that know are a kid lead to her death that can hear his agony through the Wet Floor Bots and unreal collectibles, and an animatronic blamed for his death and told he’ll never be him, obsessed with his loss and with finding whatever is left of the person that he admired the most and helped him become the star he once was.

#ruin spoilers #cassie fnaf #fnaf ruin spoilers #fnaf spoilers #montgomery gator #bonnie bunny #glamrock bonnie #ruin dlc spoilers #security breach #Monty didn't decommission Bonnie #fnaf theories #Glamrock Freddy #prototype freddy #ruin prototype #monty gator #the monty is innocent tag

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luveline · 6 months

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Hey jade!! i love your writing so much<3

Also what do you think of prison!spencer × Stripper!reader?👀

im not sure if this is what you meant but I hope you like it ♡ fem, 1.2k

"Too much," you murmur to yourself, tilting your head one way and then the other. The bags under your eyes have been dark lately from a severe lack of sleep, but all this makeup won't help make tips. "Way too much."

You lean back to ask one of the girls for a wet wipe but the dressing room is empty. Swearing to yourself, you duck down for your bag. You have tissues, and they'll have to do it.

Things have been hard since Spencer's… event. You don't sleep well without him, worse wondering what it is he's going through right now. His friends don't really know that you're seeing one another, and so being kept in the loop has felt akin to begging for scraps. You miss Agent Hotchner in times like this. He always had a soft spot for you.

You hum a song under your breath as you rub the cakey makeup under your eyes. Washing your face would be nice. Going home would be better. You've been trying to make some extra money in case Spencer never comes home; you won't have his security to fall back on if things fall apart here.

You don't want his security. You just want him to come home. Sighing, you pick up your phone and open the gallery app. It's a second hand thing you got at a pawn shop but it has enough storage to keep as many blurry photos of your boyfriend as you'd like. Pictures of him everywhere and doing everything, his big smile like a beacon.

You stop scrolling when you find the one you want. It's favourited with a red heart at the bottom of the screen. Spencer took it, you remember —you were too busy kissing his cheek to navigate the settings. He looks happy. You could never understand how happy he is to be with you, how through everything, a long time of knowing one another and a hundred thousand acts of a kindness you didn't deserve, he's stayed by your side. He doesn't care that you're a dancer. He's proud of your choices. He loves you for you, even if he does get a little jealous every now and then.

You lay your phone down on the dressing table, cheek flat beside it. "Time to come home, Dr. Reid," you whisper.

Your phone pings and you ignore it. It pings again and you turn off your notifications. It's probably Spencer's nice friend Penelope, or one of the girls wanting to borrow something.

You shed your robe to look yourself over in the mirror. The lingerie you're in tonight's not to your taste but a fan favourite, the bra and underwear both plum in colour with lace and black garters to be clipped. You turn to one side and narrow your gaze at a ladder running up your leg.

You save a bottle of clear nail polish in your bag for this occasion.

You're sitting on the floor with your leg out in front of you when someone knocks on the door. The girls don't knock.

If it's a patron you have a taser, and besides, they don't usually knock either. A bouncer, then.

"Come in, please!" you call lightly.

You don't bother looking up, a creature of habit. It'll be the same thing as usual, insert man wants to buy insert dance from you for insert amount of time. Are you interested?

You hum as you paint the rip in your garter. The nail polish will stop it from ripping any further, but you're going to need new ones.

"You're prettier than when I left. How did you do that?"

You tip the bottle over as you flinch, you don't care, you look up at the compliment and the familiar voice, and find Spencer standing in the doorway.

You've pictured this moment multiple times a day since the day he was arrested, hundreds of reactions. In pretty much all of them you throw yourself into his arms and beg him not to leave again, but all those hours of missing him coalesce on top of you. You want desperately to touch him and you end up crying into your hands instead. Tears quicker than you knew they could arrive, hot and thick as your sob.

"Hey," Spencer says, kneeling down in front of you. He takes your wrists into his hands. "Hey… don't cry."

You can't help it.

He wraps his arms around you and lets you sob. "I thought you'd be happy to see me," he murmurs.

"I missed you," you say, the words dragged from you like agony on a hook.

"I missed you too." He rubs your back. If he cares that you're in your underwear he doesn't have much to say about it. He eventually started making jokes about all of this stuff when he realised you wouldn't be offended, but he's never cruel about anything. He's far from it now, pulling your shoulder into his chest as he pats your arms. "I'm sorry, honey. I'm really sorry. It got out of control. But, on the bright side…"

You sniffle and pull your gaze up to his face. When you see the hollows of his cheeks you almost start crying again. "What?" you ask.

"Well, now I'm cool enough to be your boyfriend."

You push him backwards and crawl into his lap, knees on either side of him, weight against his abdomen. Your arms weave behind his head and you push your cheek into his likely too hard to be painless. He just sighs in relief.

"Do you have something in your pocket?" you whisper, your voice stuffy. "Or was prison very hard?"

He laughs and digs in between you to pull the little box that had been digging into you out of his pocket. "It's for you."

"Don't want it."

"I don't care if you want it. I missed our anniversary."

"I missed you," you say, clinging to him for dear life.

You can't stop hugging him long enough to look.

Eventually, he peels you off of the floor and you get dressed to go home with him. It takes a long time —you keep stopping to hug him between items of clothing, checking that he's real, that's he's him, even if he looks different now. He has to take the reins or you'll never make it home, pulling your coat over your shoulders and zipping it closed.

When he's done, he takes your face into both hands. "You've been safe while I was gone? No trouble?" he asks.

"Nobody messes with me. My boyfriend's in the FBI."

"Well, we're taking a vacation." He blows out a big breath. "Jesus, I'm sorry, but I really need to kiss you right now."

"Even though I look junky?"

"You look perfect." He kisses you before he's finished, his praise smothered by your lips. He kisses you so hard you can't breathe by the end of it. "I'm sorry," he says, pressing a softer one under your eye. "Prison was actually pretty hard." You lean in, lingering nose to nose with him. "I couldn't sleep without you near me."

"You're only saying that 'cos you saw me in my underwear."

"Yeah, that's exactly why." He practically giggles. "No, I just love you."

You couldn't sleep without him either. You get home and sleep for days, tangled with each other in bedraggled sheets.

#spencer reid #spencer reid x reader #spencer reid x you #spencer reid x y/n #spencer reid x fem!reader #spencer reid imagine #spencer reid fluff #spencer reid fanfic #spencer reid oneshot #spencer reid scenario #spencer reid drabble #spencer reid fic #spencer reid fanfiction #criminal minds fanfiction #criminal minds #criminal minds fic #criminal minds x reader

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