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#thus here we are
camels-pen · 6 months
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can't sleep so have vampire Usopp drabble with sanuso~
Just imagine Usopp showing up after exploring some island on his own, bloodied, limping, leaving streaks of blood all over the place
Sanji left on ship watching duty, is cooking in the kitchen, idly checking with Haki every once in a while to make sure no one unfamiliar shows up
He notices Usopp coming but is right in the middle of something- making food for lunch when everyone returns, but also hashing out food supplies he'll need to buy once it's his turn to leave the ship
So when Usopp shows up, Sanji's distracted, maybe looking at his list, and maybe there's something like this:
"San...ji." There was some odd dragging sound. "Blood."
"Blood?" Sanji looked up from his list and nearly jumped out of his skin. "What the hell happened?!" He jumped the railing to land in front of Usopp, hands uselessly fluttering about his bloodied and broken body. He had to be standing just through pure willpower alone.
"Hun...gry."
Food. Right, yes, Sanji could do food. He could take Usopp up to the infirmary and bring him a plate.
Sanji settled on putting his hands on Usopp's shoulders. His skin was freezing through his shirt. "I've already made heaps for lunch, but I need to patch you up first. Just tell me what you want and I'll bring it to the infirmary."
"Wa...nt."
"Yeah,"-Sanji nodded, starting to get more concerned with the slow responses-"anything you want, Usopp."
"Any... thing?"
"Anything."
With a strength and speed Sanji wasn't expecting, Usopp slammed both of Sanji's wrists against the wall.
"Blood."
Before Sanji could say anything, before he could even take another breath, Usopp surged down to his neck and bit him.
Sanji was about ready to kick him away, regardless of Usopp's current state, and fuming about being caught up in some stupid prank, when he felt the first suck.
"H-Hey Usopp, are you..." serious? Conscious? Under some weird devil fruit power? Sanji didnt know what to ask first.
He never got the chance to figure it out either, as a wave of pure, toe-curling pleasure washed through him. In his surprise, he didn't have time to tone down the full blown moan that slipped his lips.
Usopp continued sucking, though his grip on Sanji's wrists had slackened. His own pleased groans were loud as he drank, the noises right next to Sanji's ear and making it burn with a growing heat.
Whatever this was, Sanji needed to stop it. As a man who needed to defend his love of women, and only women, he couldn't get worked up just by some stupid-
Hun... gry. Usopp had said. Blood.
That- there's no way. Sanji was far past not believing in legends and myths, and his old man was never one to pull his leg on that kind of stuff.
But even Sanji had thought, or maybe hoped, that vampires weren't real.
And for it to be Usopp- Usopp of all people. Sanji knocked his head back against the wall, tears falling freely as his lip wobbled.
"Fuck, fuck!"
The sucking stopped.
Usopp pulled away just enough to look up at Sanji. The way his head was angled, Sanji could see horrific looking bite marks all along his neck, shoulders, under his jaw, down his collar, and disappearing under his shirt.
He had to pause a moment, imagining Usopp having stumbled into a coven's territory. Alone. Probably looking for cool bugs or something else inconsequential, unknowing that he would die within moments.
Sanji hoped it was quick, at least. He hoped this coven wasn't like the one in his books; the ones who would draw it out for as long as possible. Usopp had been gone only a few hours and he must've hobbled to the ship on his own, which could've taken a while, and-
And Usopp was still staring at him, silent, eyes blank, and lips stained red with blood. Sanji's blood.
It hadn't been long since breakfast, but being killed and having all of the blood sucked out of him would probably work up a big appetite.
And, well, Sanji would never let a crewmate go hungry.
So, he put one hand to the back of Usopp's hair- his hair, not his hat, free of it's usual ponytail and covered in leaves and dirt and blood- and guided him back to his neck. Usopp made a questioning noise.
Sanji closed his eyes, let a shaky smile show on his face. He brought his other hand up to press Usopp closer.
"I did say anything, didn't I?"
Usopp didn't respond. After a moment, Sanji felt him lick at the bite marks he left behind- pinpricks compared to the wounds littering his own dark skin- and then, carefully, fit his mouth into those same marks. Once again, he began to drink, this time at a much slower pace.
Regardless of the speed or the gentleness, Sanji still had to fight not to give away how much he was truly enjoying this.
(and then the crew shows up lmao)
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boiboiperson · 7 months
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Idk this was funnier in my head
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pastafossa · 2 years
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Pastaaaaaa!!
First of all, that chapter was so hot, omg. I both hated and loved reading this before I got up for work because now it's gonna be in my mind all day
Second, the note at the end that said "did anyone notice what Matt may have forgotten to do?"...I was too busy thinking about Jane absolutely wrecking Matt that I totally forgot Matt was supposed to use the night of the gala to prep his opening starement for Frank's trial
And now I'm nervously awaiting the fallout that might still happen between him and Foggy, and the possibility of Matt not giving Jane the attention she needs with these insecurities and hurt since he'll probably be in extreme panic mode
As always, you have me on the edge of my seat, absolutely desperate for the next chapter
I wanted this chapter to be hot as hell so I'm reading about the thirst suffering like
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AS FOR THE NOTE... I won't spoil too much buuuuut yes, let's just say Matt absolutely did get sidetracked trying to help everyone everywhere all at once, and that ball sure does look like it got dropped. 👀
But it's fine, right? He can just run over and pick that one back up... but which one does he drop next while trying to hold the Castle Case ball?
Sure would be terrible if it was that insecurity and hurt ball though...
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aberooski · 1 year
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Not me sobbing at 1 am over fucking Kung Fu Panda music ✋😭
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deimosatellite · 2 months
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witchering10123 · 3 months
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hakoda: you need to stay here and protect your sister
13 year old sokka, whose only point of reference for "protecting his sister" is literally his mother sacrificing herself in katara's place: ok 😃
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centaur-dreaming · 2 years
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Intriguing~
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tangledinink · 8 months
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So, I understand this may be a stylistic choice, but as the unofficial coloring person for your comic, something in your recent swannie update.... concerns me
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His eyes are SO dull. All of his line art is dull. Especially when in comparison with leo....
And you keep making magical girl jokes...
Is this like... a madoka magika situation?
Is he too far away from his soul?
He looks like he's barely.... there. He's normally at least responcive... he.... hes not there.... he's not.... present... I feel like there isn't anything there. No soul, no magic... just running on muscle memory and whatever magic remains in his body.
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of course, his family is aware that, currently, donnie is physically separated from his soul, and that that's probably not good. but they're also aware that donnie was beat to hell and back and just barely skated through by the skin of his teeth-- and that the lake literally drains his life force out of his body.
swanatello. ->
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chloegong · 2 months
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hello tumblr I have come to bring you the VILEST THINGS COVER REVEALS AHHHHHHHHH
in case you missed it, there's an excerpt here and yeah I picked it myself for maximum toxic situationship angst
"chloe what about august what about galipei—" they suffer too don't worry we have to leave some suffering for inside the book ok!!! you can preorder a copy now, all links are live for this sequel to show up at ur door on Sept 10th :D
Official Description:
Calla Tuoleimi has succeeded in the impossible. Despite the odds, she has won San-Er’s bloody games and eliminated King Kasa, her tyrant uncle and the former ruler of Talin. She serves now as royal advisor to Kasa’s adopted son, August Shenzhi, who has risen to the throne.
Only Calla knows it isn’t really August.
Anton Makusa is still furious about Calla’s betrayal in the final round of the games. In an impossible feat, he took over August’s body to survive, and has no intention of giving up this newfound power. But when his first love, the beautiful, explosive Otta Avia, awakens from a years-long coma and reveals a secret that threatens the monarchy’s authority over Talin, chaos erupts. As tensions come to a boiling point, Calla and Anton must set their conflicts aside and head to the kingdom’s far reaches to prevent anarchy… even if their empire might be better off burning.
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urostakako · 2 months
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Utahime dancing Dabke !! id in alt - as always, from the river to the sea, palestine will be free
Embedded within the heart and soul of the Palestinian people, the dabke – an ancient folkloric dance native to the Levant – transcends mere artistic expression, serving as a resolute act of defiance against the Zionist state's occupation. With each rhythmic stomp and synchronised movement, Palestinians reclaim their cultural identity, defiantly asserting their existence and resilience in the face of systemic oppression, while igniting a flame of resistance that resonates with generations past and present, affirming their connection with the land. - Fadila Khalid, Dance & Defiance: Dabke as an Emblem of Resilience in Palestine
below are resources for information on palestine and donations !! and reference photo is below that
donation masterpost by @/nabulsi:
info:
An Indicative Archive: Salvaging Nakba Documents | Institute for Palestine Studies (palestine-studies.org)
A Threshold Crossed: Israeli Authorities and the Crimes of Apartheid and Persecution | HRW
Institute for Palestine Studies | (palestine-studies.org)
Free Ebooks for a Free Palestine! | HaymarketBooks.org
Palestinian Culture - Anera
reference:
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umbraastaff · 8 months
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umm uhh. suffering game wonderland but it's taskmaster
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kaladinkholins · 3 months
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BRB thinking thoughts about Taigen's character, the TaiMizu ship, and a big chunk of fandom's perceptions regarding both those things.
(Inspired by @farintonorth's post related to this topic that just got my brain going brrrrr)
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OK so let me just... start off by saying that I think that reducing stories to their tropes is seriously detrimental to the way some people are interacting with fiction, and while that honestly warrants its own post about the subject, I wanna talk specifically about how this affects the way some people in the fandom talk about Taigen and TaiMizu.
Because yeah, tropes are useful shorthand to refer to certain dynamics or archetypes etc, and they are indeed the building blocks to any story. But in a well-written story, characters and their relationships, actions, and motivations, are much more complex than just tropes. Because in a story that has characters who are more than just cardboard cutouts, their behaviours, backgrounds, motivations and all of that, are inseparable from the context of the overall story they exist in.
So like, sure, you can say Mizu and Taigen have an enemies-to-lovers or rivals-to-lovers dynamic. I also use those terms because it's easier. But I also think this is where things start to get a bit twisted, especially from an intertextual sense. Because "enemies-to-lovers" is also commonly used to refer to other ships in other media, whereby it tends to be rooted in an imbalanced power dynamic, such as oppressor-oppressed and bully-victim.
And while that's a whole can of worms that I won't be getting into because it can quickly derail into a whole separate sort of fandom discourse, I'd just like to make it clear that Mizu and Taigen, in particular, do not have an imbalanced power dynamic. They are not bully-victim or oppressor-oppressed. The only understandable reason why someone might actually think their relationship is imbalanced is if
A) they only watched the first episode, or
B) they cannot grasp the slightest bit of nuance in a character, or
C) they're being obtuse on purpose simply because the Mizu/Taigen relationship, or Taigen's character in general, just doesn't suit their tastes.
While yes, Taigen, along with his whole gang, had bullied Mizu when they were children, that dynamic does not exist between them whatsoever in adulthood. Whatever imbalanced bully-victim power dynamic that had once existed between them was decisively ripped apart the moment Mizu beat him in that duel in the dojo, and then completely obliterated by the end of the season.
Mizu is not a defenseless victim at Taigen's mercy. Mizu can beat Taigen's ass any time she wants (and she DOES, repeatedly in fact), and could even kill him if she felt like it. She taunts him openly and without fear ("I like your hair"; "I can beat you with any weapon you choose") and all he does is bark back, because that's pretty much all Taigen ever does. Time and time again, he yaps about how much he wants to kill her, but time and time again, his actions prove that all of it is just an empty threat. Because though his words say "I hate you", his actions demonstrate the complete opposite. He's shown how protective he is of Mizu, how unhesitatingly he sacrifices himself up for her, how loyal he is in enduring days-long torture to not give up information about her, how even when near-death and in pain, he's still willing to keep standing back up so he can fight by her side and help her win against her enemies.
And Mizu is not an idiot! She sees that too. She does not see him as a threat, an enemy, or even a bully. Especially not by the end of Episode 3, and definitely not by the end of the season. When she finds him in the dungeon in Episode 6, she smiles from relief, and doesn't think twice to take him with her. Mizu finds him, at best, an annoyance, or at worst, an infuriating hindrance on her quest for vengeance. Which is why, when Taigen is about to say, "It's a shame our duel's set for tomorrow; I have to kill you before you get your revenge," Mizu whacks him on the head without a second thought before he can even finish his sentence, and leaves him lying unconscious, face-down, in the snow.
And this further emphasises how he does not hold any power over her. There is no abusive power dynamic between them. She is more powerful than him, he knows this, and all he's ever done after they've met up again in adulthood is get his ass whooped by her, get mad about it and pester her and follow her around, get his ass whooped by her some more, and put his life on the line to protect her.
"OOoooOOoooH b-but he called her a demon at the end of Episode 7 and threatened to kill her again!!!" Oh my god. He called her that because he's calling her out on her selfishness to stay silent about her knowledge of Fowler's plans to attack Edo. Because to him, loyalty and honour as a samurai is more important than anything. So in his own brash-and-immature Taigen way, he felt betrayed that Mizu did not hold the same principles. That's why he got angry. He wasn't even that mad about letting Akemi get dragged off by the Tokunobu guards. It was about saving the Shogun and the Shogunate as a whole. That's why the first thing he does in Edo is not find Akemi, but try to warn the Shogun about Fowler's attack.
Look, I'm not defending his stupid ass, of course. Because calling her a demon especially after their cute little wrestling time was obviously rude and inappropriate, especially since words like "demon", "monster" and "Onryo" have had such a deep effect on Mizu throughout her life, and continue to contribute to her self-hatred. But like? That's the fun of realistic and flawed characters, and realistic and flawed relationships. They're not perfect, and it's why we as an audience root for them, wanting to see them work through their shit and find a way to prevail despite it all.
Also, him saying that was in the heat of the moment. He was angry, he felt like his initial belief of who Mizu was—a strong and loyal samurai, just like him—was shattered, and so he lashed out. Was it rude? Definitely. Was it immature of him? Yes, incredibly. But it's also very much in line with his character, because even though he's grown a lot over the course of the season, the show isn't over yet, so obviously his character arc is just beginning, as that is also the case for the other three main characters: Mizu is beginning to accept herself, Akemi is beginning to grow into her position of power, Ringo beginning to train under Master Eiji, while Taigen is beginning to simply be a better person.
On that note, when speaking of Taigen's immaturity, I think that's also one of the main things that people tend to gloss over when it comes to his character. Because when you boil everything down to its bare essentials, Taigen is, essentially, a boy. I've talked about this before, but to reiterate, Taigen very much behaves like an unhealed child. Even as an adult, he is insecure, prone to throwing tantrums, and is desperate to latch onto some material goal in hopes that it will make him feel better—initially he was chasing status/glory/greatness, and then when Mizu tells him that "Nothing comes from being a samurai but death," he immediately decides he wants to run away with Akemi in hopes that he will be happy.
And it's a big step, acknowledging that he doesn't truly want greatness, but had always just assumed it was his only path to a good life. But it's clear he still hasn't really figured it out. Because if he did run off with Akemi to get married and live in the countryside, he still wouldn't be happy. Because he still doesn't know who he really is, or what it is he really wants. Marriage at this moment is the last thing he needs, and as he is now, he would be a pretty awful husband. A simple life would be good for him, but would he be good at a simple life, when he still has so much he needs to work through?
So anyway, what I'm getting at here, is that he's trying and he is learning and growing. So yeah, he is flawed, but honestly? So is Mizu. And the funny thing is that they're flawed in very similar ways.
Because Mizu is also an unhealed child. That's why she's so angry all the time. That's why she pushes people away. That's why she, just like Taigen, is so happy when given the chance to playfully wrestle in the forge, laughing and rolling around like children without shame or pretense.
Again, this shows there is no imbalance between them. They had grown up together as peers from the same town. And while Taigen had had the upper hand back then, because he'd had a gang of other kids with him, that is definitely not the case anymore. Today, they are equally flawed, equally strong, equally skilled swordsmen, and equally bull-headed.
However, yes, Mizu is definitely leagues more mature than Taigen. But she still holds a lot of childhood wounds that mirror Taigen's own. And we see this especially in relation to her mother. Similar to Taigen who had an abusive and alcoholic father, Mizu's Mama was an opium addict and had hit her, berated her, had shaved her head without her consent as a child, and as an adult, had constantly emotionally manipulated and guilt-tripped her. Mizu's love for her Mama was what had driven her to a path of vengeance in the very beginning. And when she'd found out Mama was still alive, she had wanted nothing more than her Mama's love, and it was this alone that pushed her to agree to the marriage with Mikio in the first place. And now, knowing from Fowler that her birth mother is someone else entirely, is what makes her agree to keep him alive and haul his ass to London to seek answers.
Thus, integral to Mizu's self-hatred is also Mizu's intense longing for love and family. Just like Taigen, whose pompousness comes from his insecurity about being the son of a poor fisherman, Mizu's goals are also shaped by who her parents are. Remember, her vengeance is not against just anyone who's corrupt or evil, but specifically against the men who she believes had assaulted her mother, the men she believes had made her a monster, the men she believes had abandoned her to die and continue to try to kill her. Her vengeance is against a father, on behalf of a mother. In The Tale of the Ronin and the Bride, Mizu is not merely the Ronin, the Bride, or the Onryo, but also the Child.
This is also why Ringo is so good, not only for Mizu, but for Taigen as well. Ringo is wise and caring and considerate, but above all, he is in tune with his inner child in ways that Mizu and Taigen are not. He is always earnest and positive, he sees the world with childlike wonder, but is not naive or blind to its ugliness. His whole life has been a battle. Ringo brings out the best in Mizu, consistently acting as her moral compass and conscience, and Mizu's choice to save Akemi in the final episode is only because she promised Ringo that she would. Because it's the right thing to do. Ringo inspires her to be a better person, and to think outside of her narrow-minded goal of revenge. At the same time, Ringo also brings out the best in Taigen. While at first Taigen had looked down on both Mizu and Ringo ("Half-limb to a half-wit"), by the end of the season, he's proud to have Ringo as a friend and ally, he listens to Ringo's advice ("What would Master do?"), and asserts to the fucking Shogun that Ringo is a worthy warrior to have by his side.
Okay, I've gone on a bit of a tangent here, but my main point is that Mizu and Taigen are incredibly similar. They are equals. They are both flawed, unhealed children who are chasing some impossible outlandish goal in hopes that it will fill the void in their hearts. They also both have a long way to go in terms of character development if they were to ever build a healthy romantic relationship (either with each other, or even with anyone else). So while I believe things will be rocky (because duh, it's a story, we all live for the drama, etc), I think with Ringo's help, they'll get there eventually.
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couchtaro · 1 year
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Theseus
Theseus, scarecrow oath of the watchers paladin and shepherd of souls, belongs to @eaudecrow
Flowers
Asphodel (Asphodelus): the land of spirits. In Greek mythology, a field of asphodels in the underworld was the dwelling place of neutral souls.
Dame Violet (Hesperis matronalis): watchfulness
Black bindweed (Dioscorea communis): support
Boxwood (Buxus): Constancy in friendship. Labyrinthine hedge mazes are traditionally made of boxwood shrubs.
Rattlesnake root ( Prenanthes purpurea): protection, shield, guarded steps. This plant was thought to grant protection from being caught up in a group of supposed to “friends” who are in actuality threatening and dangerous.
Heath (Epacris impressa): solitude
Witch hazel (Hamamelis virginiana): a spell is on me.
Straw: constancy. Broken straw: broken contract, trouble.
Corn poppy (Papaver rhoeas): good and evil, light and darkness, life and death, fun-loving, avoidance of problems, oblivion. The ancient Greeks believed that corn would not grow without poppies growing nearby. In Greek and Roman myths, poppies were used as offerings to the dead and in modern times are often a motif found on tombstones. Poppies are some of the first flowers to fill holes in disturbed ground, so old battlefields often fill with poppy.
Giant milkweed (Calotropis procera): purposelessness, a monstrosity
Check out the rest of the Pringles Party!
Yancy | Izen | Phaela | “Red”
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chiropteracupola · 7 months
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what if they were an ultimate frisbee team
#em draws stuff#em is posting about sharpe#sharpe#rifleman harris#daniel hagman#richard sharpe#patrick harper#francis cooper#ben perkins#south essex quirky#<- organizational tag for frisbee au things#see it is Funny because jason salkey was an ultimate frisbee player before he was an actor. also I just think the men should frisb.#<- not a real verb#'look if the terror fandom has terrebus fc then we can have this' says local man who knows very little at all about ultimate frisbee#but also I have noticed that Multiple acquaintances have acquired concussions playing this sport In The Last Week Alone#and thus I deem it Sharpe-Appropriate in its capacity for Causing Grievous Harm and Encouraging the Wearing of Cool Shades In October#so you see. this took me TEN DAYS and ouch ouch ow this is why I don't do group portraits that often#the height differences are Wrong here I am pretty sure but I have almost no conception of how tall any of them are. and I'm tired.#also the designing of their silly little outfits y'know#I do recommend opening up this image Large because tumblr crunches all my little details something awful#sailorpants saw this while I was still drawing it and said they looked like an 'assorted pack of lesbians' and really they're not wrong#other things to note about this au that we've decided: cooper still does crimes and harris has a podcast#stay tuned whilst I figure out how to make custom frisbees so that I can a) design them a cooler one and b) make them into real items#manufacturers I have looked at thus far have either been Suspicious or have required Large minimum orders#but hey if there are 47 people out there wanting a strange frisbee...
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nyaskitten · 3 months
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Tri Vuong must actually LOVE Garmadon if he gets to make ANOTHER 5-installment comic series about Garmadon on some funky adventures! AND this time we get to see Serpentine War era Garmadon???? OH that's so fucking sick.
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y-rhywbeth2 · 7 hours
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It just occurred to me that there might be a way to make a headcanon to tie in the lore of Orin's dagger (that Bhaal was killing in back alleys in the place where Baldur's Gate would someday stand, despite him predating the existence of alleys in the area) with the lore from Lord of the End of Everything (he's from High Netheril), and also explain what the Undercity is and where it came from.
So High Netheril was composed of enclave cities, which were enchanted to fly. When Karsus and Jergal wrecked the Weave those went smashing straight into the ground, leaving behind only refugees who managed to get out one way or another (Bhaal and Bane apparently amongst them). The empire of Netheril was focused over what is now the Anauroch Desert, but some enclaves floated elsewhere, such as Ythryn, which was situated far North in the Icewind Dale. At least some cities, such as Ythryn and Undrentide, are now subterranean, buried beneath the earth/sand/ice.
Bhaal's mortal life was apparently spent in the flying city called Rdiuz - if that city was flying over the spot where Baldur's Gate would one day be built, crashed and was buried, was forgotten except for by, say, its former spymaster/government hitman turned god... he would technically have been murdering in the back alleys of a city before the Gate.
There is the question of why Bhaal has a temple in the ruins of a city that died before his ascension, but that wouldn't necessarily stop him sending followers down there to build one/hijack an old temple of Jergal when civilisation kicked off in the area and that smuggling hub that will one day be a major city developed.
So Orin, Durge, and before them, (kind of) Sarevok, are/were living in the long-dead forgotten city of their father and ancestors in this headcanon. Hey, some of those undead haunting the place might be their grandparents! Or great-grandparents, aunts, uncles, cousins... fully mortal half-siblings? Step-parents?
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