watching that video of kepler messing with the toilet paper and remembering that picture of puppy stellina doing the same 🥹 baby collie crimes are the same
i knowwww I love how so many behaviors are just like, hallmarks of puppyhood. like oh at this age they wean, at this age they gain bladder control, at this age they discover the ability to climb counters and steal food, at this age they teethe, etc. mischief is imbued into the puppy genome. Stellina was about the same age when she also discovered the toilet paper, and that’s the reason I had to keep it up on the counter for almost a year until she forgot about it lmao. she enjoyed learning that things can unravel though, including paper towels and poop bag rolls.
What is the antisemitism in TUC season 1? Does it have to do with Wally the golem?/gen
[ID: an ask from an anonymous tumblr user that reads "would love to hear more about the antisemitism in unsleeping city! was a while ago that i watched it and can't remember what you might be referencing but definitely want to be aware of it.]
no, it's not about willy the golem -- i actually think willy is a great addition to the season (even if i wish we got to see more of him), and an indication to me that brennan/the showrunners were definitely trying to be sincere and inclusive. i want to make it clear that i don't think anything antisemitic in tuc is there intentionally; i think it's there out of simple ignorance, which is also why i think fans don't frequently see/comment on it either. but i don't think that's an excuse, either.
my grief with tuc1 is largely centered around its portrayal of robert moses as the villain. especially by making him a greedy, power-hungry lich working en league with bloodsucking vampires. (also his mini is literally a green skinned skull man in a suit. yikes.) here's the thing; i know robert moses was a real life horrible person, who actually was racist and powerhungry etc etc. and i know that robert moses, the real actual person, was jewish. my grief with tuc1 is not that they chose to use robert moses over literally any other person (real or fictional) to be their season villain (though i'd be really curious to know what tuc1 would have looked like with a different villain), but that they chose to take a real jewish person, turn them into an antisemitic caricature, and then only barely add other portrayals of judaism to balance that out.
like, tuc isn't completely devoid of other jewish representation. as you mention, there's willy the golem -- and again, i really like willy, and i love that it's a portrayal of a golem that's faithful to jewish folklore (ie as a benevolent, guardian construct rather than a mindless destructive monster. i am not a fan of how 'golem' is so frequently misused as a generic enemy creature in other fantasy and ttrpg spaces, including other seasons of d20). but as i said earlier, i wish we see more of him in the season, because he's not around very much, and feels a little more like worldbuilding than a full character to me. also, he's not human. jews are people.
the only other human jewish character in tuc1 is...stephen sondheim. which, again, yeah, that's a real person who really was jewish. but i really wouldn't blame you if you had no idea of that when watching tuc1. maybe from the name you could guess he might be jewish, but i don't think people ought to make a habit of trying to 'clock' someone being jewish by having a 'jewish-sounding' surname. as he's portrayed in tuc1, you'd never know he's jewish, unless you happen to already be pretty knowledgeable about the man in real life. it's far more likely you'll know him as a theater legend than anything else (may his memory be a blessing).
now i'm not saying that brennan or the showrunners should have played up the jewishness of Real Person Stephen Sondheim to counterbalance the depiction of robert moses; that just feels weird to me, especially considering that sondheim was literally alive when tuc1 was filmed and released. it's a tricky thing to portray real people in fiction alongside made up characters, especially when they are contemporaries, and i don't think 'outright caricature' is the way to go about that. nor do i think that moses' jewishness should have been played up at all, because again i don't think that would have been particularly true to the person/character, and also Fucking Yikes. but, c'mon, if you hear the names 'moses' and 'sondheim' next to each other, which one do you associate more with judaism?
and as it stands, these are the only representations of judaism in tuc1. one admittedly nice but very minor nonhuman character; one human character you'd never be able to tell was jewish; and a third human character who, while never explicitly referenced as jewish, plays into some really hurtful antisemitic stereotyping. and it was a choice to not include anything else. maybe not a deliberate one, probably more likely one made out of simple ignorance than anything else, but a choice nonetheless. in a city with one of the largest and most visibly jewish populations in the country, and a culture that is inextricably influenced by that jewish population. a jewish population which has been and continues the target of rising hate crimes for years. i know that nyc means different things to different people, and everyone's nyc is their own -- but my nyc is jewish, and it sucks that that its jewishness is referenced directly in only one very minor way, which is greatly overshadowed by its, in my view, really insidious indirect references.
i don't know exactly how to go about addressing this. obviously, the show can't be changed by now. even if it could, i think the final product would be very significantly different from what it is now if the villain was something/someone else. i think including more references to jews in new york, more (human) jewish characters, hell, even mentioning hanukkah celebrations and menorahs in windows (it takes place in late december, after all; depending on the year it's not at all out of place for hanukkah to coincide with xmas!) would help. having literally any more positive jewish representation in tuc1 would, i think, help balance the bad stuff that's there. because, yeah, robert moses was real and he was terrible and he was jewish. but he's one jewish guy in a city with over a million jews, the vast majority of whom are just normal people. i don't want him to be the only vision of us that people get, in tuc1 alone or in any media. i'm not saying that jews can't or shouldn't be villains in fiction; but especially if you are a goyische creator, you should be really careful in how you're portraying us, and if there are other contrasting depictions in your work, too, in order to not (even accidentally) demonize jewish people as a whole.
In that way that they do sometimes, Fai has seamlessly taken up Yuuko’s explanation and continues it simultaneously, but back in Nihon, going over the exact same plot point to people presumably having the exact same questions.
You know. Hitsuzen.
I actually tried to find if Fai is responding to anyone’s question but no I think he just launched into this explanation apropos of nothing.
And then we transition seamlessly back to Yuuko, but also please enjoy Sakura in the top panel with the thick ominous shadow behind her - the same way that used to frame Syaoran before it was revealed that he was also a clone.
And also the sakura blossom hanging above Yuuko’s palm, leaving a shadow on her skin - both continuing the shadow metaphor but also visually showing us both a real sakura (blossom) leaving a fake image by casting a shadow.
They didn’t need to do this for us but they DID.
MOKONA CRYING DESTROYS MY SOUL EVERY TIME
HOW CAN ANYONE STAND IT ;_;
Also I’m glad this chapter is basically just taking the time to unpack and explain all the story beats I had spent so long thinking through last time around. It’s very nice to get it all confirmed so quickly, but also with a correction - Fai didn’t NEED to sense that Sakura was a clone with his magic, apparently Evil Wolverine let him know she was a clone from the start. But like, off screen. Where we couldn’t see it.
Reading Settlers right now and like. Wow. I knew 'America' was founded on slavery and genocide but I did not know it was to that extent. Like literally everything about white american culture can be traced back to the enslavement of African people and the genocide of Indigenous people.
I've been saving these until I have thought about something in particular to ramble about so get ready,
I am obsessed with the vibe of the Wright's being born performers. Before choosing to pursue law, Phoenix was an art student, implied to either be pursuing illustration or Shakespearian theater. I like to think that part of the appeal of criminal law for him was how dramatized everything was. It's more about weaving a story that connects all the dots provided for the evidence and witness statements than about, you know, knowledge of the law. It's about plot twists and last-minute saves and becoming the sturdy pillar for your client. Phoenix only chooses cases that are so wacky and hopeless that make for excellent stories. What I'm saying is that Phoenix lives for the drama and how the courtroom turns into a stage where he has to convince everyone else of the story he's piecing together that very moment. There's just something so theatric about yelling 'objection' and slamming the desk and making some improvised quips to taunt the guy you're arguing against.
I'm also of the opinion that the whole Beanix persona was originally intended to be more of a character that Phoenix put up to get Kristoph to believe that he had given up. It's clear that it was all about hiding his true thoughts and his identity from anyone who would recognize his spikey hair and wiggly eyebrows. He deliberately stopped wearing his iconic blue and general business casual getup and you cannot tell me that there wasn't so much thought into how he started to present himself. He's known for being highly saturated and spikey and generally pretty emotionally open so this character he built is the exact opposite of all those things and it's totally on purpose.
And just like Trucy, this character performance is a coping mechanism to keep themselves safe and seemingly confident. They both smile so convincingly and refuse to let anyone know if something is wrong. They're both manipulative but not out of malice, out of need for survival. They've both been on the wrong side of public opinion and in some capacity are aware that they're in the crosshairs of someone incredibly dangerous. They can only try to keep each other safe by playing into the act that they've worked on for years.
So sure they have to hide their true feelings under a quirky guise, but also I think they would join a community theater and be so good at it. They're in musicals together, I think Phoenix can sing, and he can sing well. He was in all his school plays and got so good at projecting his voice that they didn't even need to give him a mic (me core). That's what made him so good at objecting. I think that the ace attorney stage plays should be canon in the aa universe and Phoenix should play himself and he gets Trucy to play Pearl. He accidentally has so much homoerotic tension with the guy who plays Edgeworth that the real Edgeworth gets jealous.
Phoenix should also know about a lot of technical stuff that comes with theater, so he does a lot of the setup for lights and audio for Trucy's magic shows, he helps her move props around and should be so involved because I think that would be fun.
I also think he should know enough magic that she sometimes incorporates him into the act around their friends, so she makes a card disappear and Phoenix pulls the same one out of Edgeworth's ear. I love it when they're concerningly in sync and they can basically read each other's minds. They stare at each other and have fully silent conversations.